| X | abstract | |
|---|---|---|
| 182 | Wynton_Marsalis | Wynton Learson Marsalis (born October 18, 1961) is an American trumpeter, composer, teacher, and artistic director of Jazz at Lincoln Center. He has promoted classical and jazz music, often to young audiences. Marsalis has won at least nine Grammy Awards, and his Blood on the Fields was the first jazz composition to win the Pulitzer Prize for Music. He is the only musician to win a Grammy Award in jazz and classical during the same year. (en) |
| 183 | Mighty_Clouds_of_Joy | The Mighty Clouds of Joy are an American traditional gospel music quartet. Joe Ligon Bio: Willie Joe Ligon was born on October 11, 1936 and died on December 11, 2016 (80 years, 2 months). He dedicated his life to Jesus making many hit songs. Some include, Walk Around Heaven by James Cleveland and Cassetta George, Everybody Ought To Praise His Name, Heavy Load, and more. (en) |
| 184 | Roger_Ingram | Roger O’Neal Ingram (born November 13, 1957) is a jazz trumpeter, educator, author, and instrument designer. He played trumpet for the orchestras of Maynard Ferguson, Woody Herman, Wynton Marsalis, Ray Charles, and Harry Connick Jr. (en) |
| 185 | John_Gilmore_(musician) | John Gilmore (September 28, 1931 ??August 20, 1995) was an American jazz saxophonist, clarinetist, and percussionist. He was known for his tenure with the avant-garde keyboardist/bandleader Sun Ra from the 1950s to the 1990s. (en) |
| 186 | Hans_Dulfer | Hans Dulfer (born 28 May 1940) is a Dutch jazz musician who plays tenor saxophone. Hans Dulfer was born on 28 May 1940 in Amsterdam, Netherlands. He began at age 17 and has been referred to as “Big boy” because of his album of the same name. At the end of the sixties he and Herbert Noord (Hammond organ) founded a quartet that played saxophone/organ funk. He has performed a considerable amount of cross-over jazz and jazz fusion and has also worked with Punk rockers. He has recorded an album with saxophonist Frank Wright titled “El Saxof籀n”. He has comparatively high popularity in Japan where Hyperbeat was a top-selling CD by instrumental standards. Furthermore, Japanese film maker Masaaki Yuasa stated that he listened to Hans Dulfer’s music while working on Mind Game. Hans Dulfer is the father of saxophonist Candy Dulfer and the two worked together on the album Dulfer Dulfer. (en) |
| 187 | Iggy_Pop | James Newell Osterberg Jr. (born April 21, 1947), known professionally as Iggy Pop, is an American musician, singer, and songwriter. Designated the “Godfather of Punk”, he was the vocalist and lyricist of influential proto-punk band The Stooges, who were formed in 1967 and have disbanded and reunited many times since. Initially playing a raw, primitive style of rock and roll, the Stooges sold few records in their original incarnation and gained a reputation for their confrontational performances, which often involved acts of self-mutilation by Pop. He had a long collaborative and personal friendship with David Bowie over the course of his career, beginning with the Stooges’ album Raw Power in 1973. Both musicians relocated to West Berlin to wean themselves off their respective drug addictions and Pop began his solo career by collaborating with Bowie on the 1977 albums The Idiot and Lust for Life, Pop usually contributing the lyrics. Throughout his career, he is well known for his outrageous and unpredictable stage antics, poetic lyrics, and distinctive voice. He was one of the first performers to do a stage-dive and popularized the activity. Pop, who traditionally (but not exclusively) performs bare-chested, also performed such stage theatrics as rolling around in broken glass and exposing himself to the crowd. Pop’s music has encompassed a number of styles over the course of his career, including garage rock, punk rock, hard rock, heavy metal, art rock, new wave, jazz, blues, and electronic. Though his popularity has fluctuated through the years, many of Pop’s songs have become well known, including “Search and Destroy” and “I Wanna Be Your Dog” by the Stooges, and his solo hits “Lust for Life”, “The Passenger” and “Real Wild Child (Wild One)”. In 1990, he recorded his first and only Top 40 U.S. hit, “Candy”, a duet with B-52’s singer Kate Pierson. Pop’s song “China Girl” became more widely known when it was re-recorded by co-writer Bowie, who released it as the second single from his most commercially successful album, Let’s Dance (1983). Bowie re-recorded and performed many of Pop’s songs throughout his career. Although Pop has had limited commercial success, he has remained both a culture icon and a significant influence on a wide range of musicians in numerous genres. The Stooges’ album Raw Power has proved an influence on artists such as Sex Pistols, the Smiths, and Nirvana. His solo album The Idiot has been cited as a major influence on a number of post-punk, electronic and industrial artists including Depeche Mode, Nine Inch Nails and Joy Division, and was described by Siouxsie Sioux as a “re-affirmation that our suspicions were true: the man is a genius.” He was inducted as part of the Stooges into the Rock and Roll Hall of Fame in 2010. In January 2020, Pop received a Grammy Lifetime Achievement Award. (en) |
| 188 | Charles_Williams_(musician) | Charles Isaac Williams (born July 18, 1932) is an alto saxophonist based in New York City. (en) |
| 189 | Javon_Jackson | Javon Anthony Jackson (born June 16, 1965) is an American jazz tenor saxophonist, bandleader, and educator. He first became known as a member of Art Blakey’s Jazz Messengers from 1987 until Blakey’s death in 1990. and went on to release 20 recordings as a bandleader and tour and record on over 150 CDs with jazz greats including Elvin Jones, Freddie Hubbard, Charlie Haden, Betty Carter, Cedar Walton, Ron Carter, Dr. Lonnie Smith, Stanley Turrentine and Ben E. King. In his solo career, his music has been a mix of tradition and neo-jazz, mixing hard bop with soul and funk influences. Recognized for those diverse styles, he was tapped by producers Lea Reis, Bryant “Moe Doe” Johnson to play on Tupac Shakur’s Keep Ya Head Up / Madukey Remix in 1993. In 1992, Javon played saxophonist Illinois Jacquet in Spike Lee’s Malcolm X. He is featured in the film playing the Lionel Hampton/Benny Goodman standard, “Flying Home”. He became chair of the University of Hartford’s Jackie McLean Institute of Jazz in 2013. In 2019, Newport Festivals Foundation expanded the reach of its popular Newport Jazz Assembly program with the introduction of the Jackie McLean Jazz Studies Jazz Assembly, under Jackson’s direction. Jackson also serves as Artistic Director of Jazz in the Valley, an annual music festival in the historic Hudson Valley, now in its 20th year. (en) |
| 190 | Zach_Brock | Zach Brock (born August 2, 1974) is an American jazz violinist and composer. He was a member of Snarky Puppy from 2007 to 2011 and in 2016. He worked with Stanley Clarke, Phil Markowitz, and Dave Liebman, as well as leading his own groups. (en) |
| 191 | Marcus_Roberts | Marthaniel “Marcus” Roberts (born August 7, 1963) is an American jazz pianist, composer, arranger, bandleader, and teacher. (en) |
| 192 | Miles_Davis | Miles Dewey Davis III (May 26, 1926 ??September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker’s bebop quintet from 1944 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Miles Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract with Columbia Records and recorded the album ’Round About Midnight in 1955. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue (1959). The latter recording remains one of the most popular jazz albums of all time, having sold over five million copies in the U.S. Davis made several line-up changes while recording Someday My Prince Will Come (1961), his 1961 Blackhawk concerts, and Seven Steps to Heaven (1963), another mainstream success that introduced bassist Ron Carter, pianist Herbie Hancock, and drummer Tony Williams. After adding saxophonist Wayne Shorter to his new quintet in 1964, Davis led them on a series of more abstract recordings often composed by the band members, helping pioneer the post-bop genre with albums such as E.S.P (1965) and Miles Smiles (1967), before transitioning into his electric period. During the 1970s, he experimented with rock, funk, African rhythms, emerging electronic music technology, and an ever-changing line-up of musicians, including keyboardist Joe Zawinul, drummer Al Foster, and guitarist John McLaughlin. This period, beginning with Davis’s 1969 studio album In a Silent Way and concluding with the 1975 concert recording Agharta, was the most controversial in his career, alienating and challenging many in jazz. His million-selling 1970 record Bitches Brew helped spark a resurgence in the genre’s commercial popularity with jazz fusion as the decade progressed. After a five-year retirement due to poor health, Davis resumed his career in the 1980s, employing younger musicians and pop sounds on albums such as The Man with the Horn (1981) and Tutu (1986). Critics were often unreceptive but the decade garnered Davis his highest level of commercial recognition. He performed sold-out concerts worldwide, while branching out into visual arts, film, and television work, before his death in 1991 from the combined effects of a stroke, pneumonia and respiratory failure. In 2006, Davis was inducted into the Rock and Roll Hall of Fame, which recognized him as “one of the key figures in the history of jazz”. Rolling Stone described him as “the most revered jazz trumpeter of all time, not to mention one of the most important musicians of the 20th century,” while Gerald Early called him inarguably one of the most influential and innovative musicians of that period. (en) |
One-gram
| name | words |
|---|---|
| Ahmed_Abdul-Malik | ahmed |
| Ahmed_Abdul-Malik | abdul |
| Ahmed_Abdul-Malik | malik |
| Ahmed_Abdul-Malik | born |
| Ahmed_Abdul-Malik | jonathan |
| Ahmed_Abdul-Malik | tim |
| Ahmed_Abdul-Malik | jr |
| Ahmed_Abdul-Malik | january |
| Ahmed_Abdul-Malik | 30 |
| Ahmed_Abdul-Malik | 1927 |
| Ahmed_Abdul-Malik | october |
| Ahmed_Abdul-Malik | 2 |
| Ahmed_Abdul-Malik | 1993 |
| Ahmed_Abdul-Malik | was |
| Ahmed_Abdul-Malik | an |
| Ahmed_Abdul-Malik | american |
| Ahmed_Abdul-Malik | jazz |
| Ahmed_Abdul-Malik | double |
| Ahmed_Abdul-Malik | bassist |
| Ahmed_Abdul-Malik | and |
| Ahmed_Abdul-Malik | oud |
| Ahmed_Abdul-Malik | player |
| Ahmed_Abdul-Malik | abdul |
| Ahmed_Abdul-Malik | malik |
| Ahmed_Abdul-Malik | is |
| Ahmed_Abdul-Malik | remembered |
| Ahmed_Abdul-Malik | for |
| Ahmed_Abdul-Malik | integrating |
| Ahmed_Abdul-Malik | middle |
| Ahmed_Abdul-Malik | eastern |
| Ahmed_Abdul-Malik | and |
| Ahmed_Abdul-Malik | north |
| Ahmed_Abdul-Malik | african |
| Ahmed_Abdul-Malik | music |
| Ahmed_Abdul-Malik | styles |
| Ahmed_Abdul-Malik | in |
| Ahmed_Abdul-Malik | his |
| Ahmed_Abdul-Malik | jazz |
| Ahmed_Abdul-Malik | music |
| Ahmed_Abdul-Malik | he |
| Ahmed_Abdul-Malik | was |
| Ahmed_Abdul-Malik | a |
| Ahmed_Abdul-Malik | bass |
| Ahmed_Abdul-Malik | player |
| Ahmed_Abdul-Malik | for |
| Ahmed_Abdul-Malik | art |
| Ahmed_Abdul-Malik | blakey |
| Ahmed_Abdul-Malik | earl |
| Ahmed_Abdul-Malik | hines |
| Ahmed_Abdul-Malik | randy |
| Ahmed_Abdul-Malik | weston |
| Ahmed_Abdul-Malik | and |
| Ahmed_Abdul-Malik | thelonious |
| Ahmed_Abdul-Malik | monk |
| Ahmed_Abdul-Malik | among |
| Ahmed_Abdul-Malik | others |
| Ahmed_Abdul-Malik | en |
| Benny_Golson | benny |
| Benny_Golson | golson |
| Benny_Golson | born |
| Benny_Golson | january |
| Benny_Golson | 25 |
| Benny_Golson | 1929 |
| Benny_Golson | is |
| Benny_Golson | an |
| Benny_Golson | american |
| Benny_Golson | bebop |
| Benny_Golson | hard |
| Benny_Golson | bop |
| Benny_Golson | jazz |
| Benny_Golson | tenor |
| Benny_Golson | saxophonist |
| Benny_Golson | composer |
| Benny_Golson | and |
| Benny_Golson | arranger |
| Benny_Golson | he |
| Benny_Golson | came |
| Benny_Golson | to |
| Benny_Golson | prominence |
| Benny_Golson | with |
| Benny_Golson | the |
| Benny_Golson | big |
| Benny_Golson | bands |
| Benny_Golson | of |
| Benny_Golson | lionel |
| Benny_Golson | hampton |
| Benny_Golson | and |
| Benny_Golson | dizzy |
| Benny_Golson | gillespie |
| Benny_Golson | more |
| Benny_Golson | as |
| Benny_Golson | a |
| Benny_Golson | writer |
| Benny_Golson | than |
| Benny_Golson | a |
| Benny_Golson | performer |
| Benny_Golson | before |
| Benny_Golson | launching |
| Benny_Golson | his |
| Benny_Golson | solo |
| Benny_Golson | career |
| Benny_Golson | golson |
| Benny_Golson | is |
| Benny_Golson | known |
| Benny_Golson | for |
| Benny_Golson | co |
| Benny_Golson | founding |
| Benny_Golson | and |
| Benny_Golson | co |
| Benny_Golson | leading |
| Benny_Golson | the |
| Benny_Golson | jazztet |
| Benny_Golson | with |
| Benny_Golson | trumpeter |
| Benny_Golson | art |
| Benny_Golson | farmer |
| Benny_Golson | in |
| Benny_Golson | 1959 |
| Benny_Golson | from |
| Benny_Golson | the |
| Benny_Golson | late |
| Benny_Golson | 1960s |
| Benny_Golson | through |
| Benny_Golson | the |
| Benny_Golson | 1970s |
| Benny_Golson | golson |
| Benny_Golson | was |
| Benny_Golson | in |
| Benny_Golson | demand |
| Benny_Golson | as |
| Benny_Golson | an |
| Benny_Golson | arranger |
| Benny_Golson | for |
| Benny_Golson | film |
| Benny_Golson | and |
| Benny_Golson | television |
| Benny_Golson | and |
| Benny_Golson | thus |
| Benny_Golson | was |
| Benny_Golson | less |
| Benny_Golson | active |
| Benny_Golson | as |
| Benny_Golson | a |
| Benny_Golson | performer |
| Benny_Golson | but |
| Benny_Golson | he |
| Benny_Golson | and |
| Benny_Golson | farmer |
| Benny_Golson | re |
| Benny_Golson | formed |
| Benny_Golson | the |
| Benny_Golson | jazztet |
| Benny_Golson | in |
| Benny_Golson | 1982 |
| Benny_Golson | in |
| Benny_Golson | addition |
| Benny_Golson | to |
| Benny_Golson | i |
| Benny_Golson | remember |
| Benny_Golson | clifford |
| Benny_Golson | many |
| Benny_Golson | of |
| Benny_Golson | golson’s |
| Benny_Golson | compositions |
| Benny_Golson | have |
| Benny_Golson | become |
| Benny_Golson | jazz |
| Benny_Golson | standards |
| Benny_Golson | including |
| Benny_Golson | blues |
| Benny_Golson | march |
| Benny_Golson | whisper |
| Benny_Golson | not |
| Benny_Golson | and |
| Benny_Golson | killer |
| Benny_Golson | joe |
| Benny_Golson | en |
| Joe_Henderson | joe |
| Joe_Henderson | henderson |
| Joe_Henderson | april |
| Joe_Henderson | 24 |
| Joe_Henderson | 1937 |
| Joe_Henderson | june |
| Joe_Henderson | 30 |
| Joe_Henderson | 2001 |
| Joe_Henderson | was |
| Joe_Henderson | an |
| Joe_Henderson | american |
| Joe_Henderson | jazz |
| Joe_Henderson | tenor |
| Joe_Henderson | saxophonist |
| Joe_Henderson | in |
| Joe_Henderson | a |
| Joe_Henderson | career |
| Joe_Henderson | spanning |
| Joe_Henderson | more |
| Joe_Henderson | than |
| Joe_Henderson | four |
| Joe_Henderson | decades |
| Joe_Henderson | henderson |
| Joe_Henderson | played |
| Joe_Henderson | with |
| Joe_Henderson | many |
| Joe_Henderson | of |
| Joe_Henderson | the |
| Joe_Henderson | leading |
| Joe_Henderson | american |
| Joe_Henderson | players |
| Joe_Henderson | of |
| Joe_Henderson | his |
| Joe_Henderson | day |
| Joe_Henderson | and |
| Joe_Henderson | recorded |
| Joe_Henderson | for |
| Joe_Henderson | several |
| Joe_Henderson | prominent |
| Joe_Henderson | labels |
| Joe_Henderson | including |
| Joe_Henderson | blue |
| Joe_Henderson | note |
| Joe_Henderson | milestone |
| Joe_Henderson | and |
| Joe_Henderson | verve |
| Joe_Henderson | en |
| Arturo_Sandoval | arturo |
| Arturo_Sandoval | sandoval |
| Arturo_Sandoval | is |
| Arturo_Sandoval | a |
| Arturo_Sandoval | cuban |
| Arturo_Sandoval | american |
| Arturo_Sandoval | jazz |
| Arturo_Sandoval | trumpeter |
| Arturo_Sandoval | pianist |
| Arturo_Sandoval | and |
| Arturo_Sandoval | composer |
| Arturo_Sandoval | while |
| Arturo_Sandoval | living |
| Arturo_Sandoval | in |
| Arturo_Sandoval | his |
| Arturo_Sandoval | native |
| Arturo_Sandoval | cuba |
| Arturo_Sandoval | sandoval |
| Arturo_Sandoval | was |
| Arturo_Sandoval | influenced |
| Arturo_Sandoval | by |
| Arturo_Sandoval | jazz |
| Arturo_Sandoval | musicians |
| Arturo_Sandoval | charlie |
| Arturo_Sandoval | parker |
| Arturo_Sandoval | clifford |
| Arturo_Sandoval | brown |
| Arturo_Sandoval | and |
| Arturo_Sandoval | dizzy |
| Arturo_Sandoval | gillespie |
| Arturo_Sandoval | in |
| Arturo_Sandoval | 1977 |
| Arturo_Sandoval | he |
| Arturo_Sandoval | met |
| Arturo_Sandoval | gillespie |
| Arturo_Sandoval | who |
| Arturo_Sandoval | became |
| Arturo_Sandoval | his |
| Arturo_Sandoval | friend |
| Arturo_Sandoval | and |
| Arturo_Sandoval | mentor |
| Arturo_Sandoval | and |
| Arturo_Sandoval | helped |
| Arturo_Sandoval | him |
| Arturo_Sandoval | defect |
| Arturo_Sandoval | from |
| Arturo_Sandoval | cuba |
| Arturo_Sandoval | while |
| Arturo_Sandoval | on |
| Arturo_Sandoval | tour |
| Arturo_Sandoval | with |
| Arturo_Sandoval | the |
| Arturo_Sandoval | united |
| Arturo_Sandoval | nations |
| Arturo_Sandoval | orchestra |
| Arturo_Sandoval | sandoval |
| Arturo_Sandoval | became |
| Arturo_Sandoval | an |
| Arturo_Sandoval | american |
| Arturo_Sandoval | naturalized |
| Arturo_Sandoval | citizen |
| Arturo_Sandoval | in |
| Arturo_Sandoval | 1998 |
| Arturo_Sandoval | his |
| Arturo_Sandoval | life |
| Arturo_Sandoval | was |
| Arturo_Sandoval | the |
| Arturo_Sandoval | subject |
| Arturo_Sandoval | of |
| Arturo_Sandoval | the |
| Arturo_Sandoval | film |
| Arturo_Sandoval | for |
| Arturo_Sandoval | love |
| Arturo_Sandoval | or |
| Arturo_Sandoval | country |
| Arturo_Sandoval | the |
| Arturo_Sandoval | arturo |
| Arturo_Sandoval | sandoval |
| Arturo_Sandoval | story |
| Arturo_Sandoval | 2000 |
| Arturo_Sandoval | starring |
| Arturo_Sandoval | andy |
| Arturo_Sandoval | garc |
| Arturo_Sandoval | 穩 |
| Arturo_Sandoval | a |
| Arturo_Sandoval | sandoval |
| Arturo_Sandoval | has |
| Arturo_Sandoval | won |
| Arturo_Sandoval | grammy |
| Arturo_Sandoval | awards |
| Arturo_Sandoval | billboard |
| Arturo_Sandoval | awards |
| Arturo_Sandoval | and |
| Arturo_Sandoval | one |
| Arturo_Sandoval | emmy |
| Arturo_Sandoval | award |
| Arturo_Sandoval | he |
| Arturo_Sandoval | performed |
| Arturo_Sandoval | at |
| Arturo_Sandoval | the |
| Arturo_Sandoval | white |
| Arturo_Sandoval | house |
| Arturo_Sandoval | and |
| Arturo_Sandoval | at |
| Arturo_Sandoval | the |
| Arturo_Sandoval | super |
| Arturo_Sandoval | bowl |
| Arturo_Sandoval | 1995 |
| Arturo_Sandoval | en |
| Bobby_Hutcherson | robert |
| Bobby_Hutcherson | hutcherson |
| Bobby_Hutcherson | january |
| Bobby_Hutcherson | 27 |
| Bobby_Hutcherson | 1941 |
| Bobby_Hutcherson | august |
| Bobby_Hutcherson | 15 |
| Bobby_Hutcherson | 2016 |
| Bobby_Hutcherson | was |
| Bobby_Hutcherson | an |
| Bobby_Hutcherson | american |
| Bobby_Hutcherson | jazz |
| Bobby_Hutcherson | vibraphone |
| Bobby_Hutcherson | and |
| Bobby_Hutcherson | marimba |
| Bobby_Hutcherson | player |
| Bobby_Hutcherson | little |
| Bobby_Hutcherson | b’s |
| Bobby_Hutcherson | poem |
| Bobby_Hutcherson | from |
| Bobby_Hutcherson | the |
| Bobby_Hutcherson | 1966 |
| Bobby_Hutcherson | blue |
| Bobby_Hutcherson | note |
| Bobby_Hutcherson | album |
| Bobby_Hutcherson | components |
| Bobby_Hutcherson | is |
| Bobby_Hutcherson | one |
| Bobby_Hutcherson | of |
| Bobby_Hutcherson | his |
| Bobby_Hutcherson | best |
| Bobby_Hutcherson | known |
| Bobby_Hutcherson | compositions |
| Bobby_Hutcherson | hutcherson |
| Bobby_Hutcherson | influenced |
| Bobby_Hutcherson | younger |
| Bobby_Hutcherson | vibraphonists |
| Bobby_Hutcherson | including |
| Bobby_Hutcherson | steve |
| Bobby_Hutcherson | nelson |
| Bobby_Hutcherson | joe |
| Bobby_Hutcherson | locke |
| Bobby_Hutcherson | and |
| Bobby_Hutcherson | stefon |
| Bobby_Hutcherson | harris |
| Bobby_Hutcherson | en |
| Joe_Morris_(trumpeter) | joseph |
| Joe_Morris_(trumpeter) | lee |
| Joe_Morris_(trumpeter) | morris |
| Joe_Morris_(trumpeter) | march |
| Joe_Morris_(trumpeter) | 2 |
| Joe_Morris_(trumpeter) | 1922 |
| Joe_Morris_(trumpeter) | november |
| Joe_Morris_(trumpeter) | 7 |
| Joe_Morris_(trumpeter) | 1958 |
| Joe_Morris_(trumpeter) | was |
| Joe_Morris_(trumpeter) | an |
| Joe_Morris_(trumpeter) | american |
| Joe_Morris_(trumpeter) | jazz |
| Joe_Morris_(trumpeter) | and |
| Joe_Morris_(trumpeter) | rhythm |
| Joe_Morris_(trumpeter) | and |
| Joe_Morris_(trumpeter) | blues |
| Joe_Morris_(trumpeter) | trumpeter |
| Joe_Morris_(trumpeter) | en |
| Kenny_Garrett | kenny |
| Kenny_Garrett | garrett |
| Kenny_Garrett | born |
| Kenny_Garrett | october |
| Kenny_Garrett | 9 |
| Kenny_Garrett | 1960 |
| Kenny_Garrett | is |
| Kenny_Garrett | an |
| Kenny_Garrett | american |
| Kenny_Garrett | post |
| Kenny_Garrett | bop |
| Kenny_Garrett | jazz |
| Kenny_Garrett | saxophonist |
| Kenny_Garrett | and |
| Kenny_Garrett | flautist |
| Kenny_Garrett | who |
| Kenny_Garrett | gained |
| Kenny_Garrett | recognition |
| Kenny_Garrett | in |
| Kenny_Garrett | his |
| Kenny_Garrett | youth |
| Kenny_Garrett | as |
| Kenny_Garrett | a |
| Kenny_Garrett | member |
| Kenny_Garrett | of |
| Kenny_Garrett | the |
| Kenny_Garrett | duke |
| Kenny_Garrett | ellington |
| Kenny_Garrett | orchestra |
| Kenny_Garrett | and |
| Kenny_Garrett | of |
| Kenny_Garrett | miles |
| Kenny_Garrett | davis’s |
| Kenny_Garrett | band |
| Kenny_Garrett | since |
| Kenny_Garrett | then |
| Kenny_Garrett | he |
| Kenny_Garrett | has |
| Kenny_Garrett | pursued |
| Kenny_Garrett | a |
| Kenny_Garrett | solo |
| Kenny_Garrett | career |
| Kenny_Garrett | en |
| Frank_Lloyd_(horn_player) | frank |
| Frank_Lloyd_(horn_player) | lloyd |
| Frank_Lloyd_(horn_player) | fram |
| Frank_Lloyd_(horn_player) | 1952 |
| Frank_Lloyd_(horn_player) | is |
| Frank_Lloyd_(horn_player) | an |
| Frank_Lloyd_(horn_player) | english |
| Frank_Lloyd_(horn_player) | virtuoso |
| Frank_Lloyd_(horn_player) | horn |
| Frank_Lloyd_(horn_player) | player |
| Frank_Lloyd_(horn_player) | and |
| Frank_Lloyd_(horn_player) | teacher |
| Frank_Lloyd_(horn_player) | professor |
| Frank_Lloyd_(horn_player) | of |
| Frank_Lloyd_(horn_player) | horn |
| Frank_Lloyd_(horn_player) | at |
| Frank_Lloyd_(horn_player) | the |
| Frank_Lloyd_(horn_player) | folkwang |
| Frank_Lloyd_(horn_player) | hochschule |
| Frank_Lloyd_(horn_player) | in |
| Frank_Lloyd_(horn_player) | essen |
| Frank_Lloyd_(horn_player) | germany |
| Frank_Lloyd_(horn_player) | and |
| Frank_Lloyd_(horn_player) | formerly |
| Frank_Lloyd_(horn_player) | professor |
| Frank_Lloyd_(horn_player) | of |
| Frank_Lloyd_(horn_player) | horn |
| Frank_Lloyd_(horn_player) | at |
| Frank_Lloyd_(horn_player) | both |
| Frank_Lloyd_(horn_player) | the |
| Frank_Lloyd_(horn_player) | guildhall |
| Frank_Lloyd_(horn_player) | school |
| Frank_Lloyd_(horn_player) | of |
| Frank_Lloyd_(horn_player) | music |
| Frank_Lloyd_(horn_player) | and |
| Frank_Lloyd_(horn_player) | drama |
| Frank_Lloyd_(horn_player) | and |
| Frank_Lloyd_(horn_player) | trinity |
| Frank_Lloyd_(horn_player) | college |
| Frank_Lloyd_(horn_player) | of |
| Frank_Lloyd_(horn_player) | music |
| Frank_Lloyd_(horn_player) | in |
| Frank_Lloyd_(horn_player) | london |
| Frank_Lloyd_(horn_player) | en |
| Esperanza_Spalding | esperanza |
| Esperanza_Spalding | emily |
| Esperanza_Spalding | spalding |
| Esperanza_Spalding | born |
| Esperanza_Spalding | october |
| Esperanza_Spalding | 18 |
| Esperanza_Spalding | 1984 |
| Esperanza_Spalding | is |
| Esperanza_Spalding | an |
| Esperanza_Spalding | american |
| Esperanza_Spalding | jazz |
| Esperanza_Spalding | bassist |
| Esperanza_Spalding | singer |
| Esperanza_Spalding | songwriter |
| Esperanza_Spalding | and |
| Esperanza_Spalding | composer |
| Esperanza_Spalding | her |
| Esperanza_Spalding | accolades |
| Esperanza_Spalding | include |
| Esperanza_Spalding | four |
| Esperanza_Spalding | grammy |
| Esperanza_Spalding | awards |
| Esperanza_Spalding | a |
| Esperanza_Spalding | boston |
| Esperanza_Spalding | music |
| Esperanza_Spalding | award |
| Esperanza_Spalding | and |
| Esperanza_Spalding | a |
| Esperanza_Spalding | soul |
| Esperanza_Spalding | train |
| Esperanza_Spalding | music |
| Esperanza_Spalding | award |
| Esperanza_Spalding | a |
| Esperanza_Spalding | native |
| Esperanza_Spalding | of |
| Esperanza_Spalding | portland |
| Esperanza_Spalding | oregon |
| Esperanza_Spalding | spalding |
| Esperanza_Spalding | began |
| Esperanza_Spalding | playing |
| Esperanza_Spalding | music |
| Esperanza_Spalding | professionally |
| Esperanza_Spalding | in |
| Esperanza_Spalding | her |
| Esperanza_Spalding | childhood |
| Esperanza_Spalding | performing |
| Esperanza_Spalding | as |
| Esperanza_Spalding | a |
| Esperanza_Spalding | violinist |
| Esperanza_Spalding | in |
| Esperanza_Spalding | the |
| Esperanza_Spalding | chamber |
| Esperanza_Spalding | music |
| Esperanza_Spalding | society |
| Esperanza_Spalding | of |
| Esperanza_Spalding | oregon |
| Esperanza_Spalding | at |
| Esperanza_Spalding | age |
| Esperanza_Spalding | five |
| Esperanza_Spalding | she |
| Esperanza_Spalding | was |
| Esperanza_Spalding | later |
| Esperanza_Spalding | both |
| Esperanza_Spalding | self |
| Esperanza_Spalding | taught |
| Esperanza_Spalding | and |
| Esperanza_Spalding | trained |
| Esperanza_Spalding | on |
| Esperanza_Spalding | a |
| Esperanza_Spalding | number |
| Esperanza_Spalding | of |
| Esperanza_Spalding | instruments |
| Esperanza_Spalding | including |
| Esperanza_Spalding | guitar |
| Esperanza_Spalding | and |
| Esperanza_Spalding | bass |
| Esperanza_Spalding | her |
| Esperanza_Spalding | proficiency |
| Esperanza_Spalding | earned |
| Esperanza_Spalding | her |
| Esperanza_Spalding | academic |
| Esperanza_Spalding | scholarships |
| Esperanza_Spalding | to |
| Esperanza_Spalding | portland |
| Esperanza_Spalding | state |
| Esperanza_Spalding | university |
| Esperanza_Spalding | and |
| Esperanza_Spalding | the |
| Esperanza_Spalding | berklee |
| Esperanza_Spalding | college |
| Esperanza_Spalding | of |
| Esperanza_Spalding | music |
| Esperanza_Spalding | both |
| Esperanza_Spalding | of |
| Esperanza_Spalding | which |
| Esperanza_Spalding | she |
| Esperanza_Spalding | attended |
| Esperanza_Spalding | studying |
| Esperanza_Spalding | music |
| Esperanza_Spalding | spalding |
| Esperanza_Spalding | released |
| Esperanza_Spalding | her |
| Esperanza_Spalding | first |
| Esperanza_Spalding | album |
| Esperanza_Spalding | junjo |
| Esperanza_Spalding | in |
| Esperanza_Spalding | 2006 |
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| Esperanza_Spalding | the |
| Esperanza_Spalding | spanish |
| Esperanza_Spalding | label |
| Esperanza_Spalding | ayva |
| Esperanza_Spalding | musica |
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| Esperanza_Spalding | which |
| Esperanza_Spalding | she |
| Esperanza_Spalding | signed |
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| Esperanza_Spalding | the |
| Esperanza_Spalding | independent |
| Esperanza_Spalding | american |
| Esperanza_Spalding | label |
| Esperanza_Spalding | heads |
| Esperanza_Spalding | up |
| Esperanza_Spalding | who |
| Esperanza_Spalding | released |
| Esperanza_Spalding | her |
| Esperanza_Spalding | 2007 |
| Esperanza_Spalding | self |
| Esperanza_Spalding | titled |
| Esperanza_Spalding | album |
| Esperanza_Spalding | her |
| Esperanza_Spalding | third |
| Esperanza_Spalding | studio |
| Esperanza_Spalding | album |
| Esperanza_Spalding | chamber |
| Esperanza_Spalding | music |
| Esperanza_Spalding | society |
| Esperanza_Spalding | 2010 |
| Esperanza_Spalding | was |
| Esperanza_Spalding | a |
| Esperanza_Spalding | commercial |
| Esperanza_Spalding | success |
| Esperanza_Spalding | charting |
| Esperanza_Spalding | at |
| Esperanza_Spalding | number |
| Esperanza_Spalding | 34 |
| Esperanza_Spalding | on |
| Esperanza_Spalding | the |
| Esperanza_Spalding | billboard |
| Esperanza_Spalding | 200 |
| Esperanza_Spalding | and |
| Esperanza_Spalding | resulting |
| Esperanza_Spalding | in |
| Esperanza_Spalding | spalding |
| Esperanza_Spalding | winning |
| Esperanza_Spalding | her |
| Esperanza_Spalding | first |
| Esperanza_Spalding | grammy |
| Esperanza_Spalding | award |
| Esperanza_Spalding | for |
| Esperanza_Spalding | best |
| Esperanza_Spalding | new |
| Esperanza_Spalding | artist |
| Esperanza_Spalding | spalding |
| Esperanza_Spalding | was |
| Esperanza_Spalding | the |
| Esperanza_Spalding | first |
| Esperanza_Spalding | jazz |
| Esperanza_Spalding | artist |
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| Esperanza_Spalding | win |
| Esperanza_Spalding | in |
| Esperanza_Spalding | this |
| Esperanza_Spalding | category |
| Esperanza_Spalding | she |
| Esperanza_Spalding | saw |
| Esperanza_Spalding | further |
| Esperanza_Spalding | acclaim |
| Esperanza_Spalding | for |
| Esperanza_Spalding | her |
| Esperanza_Spalding | fourth |
| Esperanza_Spalding | release |
| Esperanza_Spalding | radio |
| Esperanza_Spalding | music |
| Esperanza_Spalding | society |
| Esperanza_Spalding | 2012 |
| Esperanza_Spalding | which |
| Esperanza_Spalding | earned |
| Esperanza_Spalding | the |
| Esperanza_Spalding | grammy |
| Esperanza_Spalding | for |
| Esperanza_Spalding | best |
| Esperanza_Spalding | jazz |
| Esperanza_Spalding | vocal |
| Esperanza_Spalding | album |
| Esperanza_Spalding | as |
| Esperanza_Spalding | well |
| Esperanza_Spalding | as |
| Esperanza_Spalding | the |
| Esperanza_Spalding | track |
| Esperanza_Spalding | city |
| Esperanza_Spalding | of |
| Esperanza_Spalding | roses |
| Esperanza_Spalding | winning |
| Esperanza_Spalding | for |
| Esperanza_Spalding | best |
| Esperanza_Spalding | arrangement |
| Esperanza_Spalding | instrument |
| Esperanza_Spalding | and |
| Esperanza_Spalding | vocals |
| Esperanza_Spalding | after |
| Esperanza_Spalding | spending |
| Esperanza_Spalding | the |
| Esperanza_Spalding | following |
| Esperanza_Spalding | several |
| Esperanza_Spalding | years |
| Esperanza_Spalding | performing |
| Esperanza_Spalding | as |
| Esperanza_Spalding | a |
| Esperanza_Spalding | supporting |
| Esperanza_Spalding | band |
| Esperanza_Spalding | player |
| Esperanza_Spalding | spalding |
| Esperanza_Spalding | released |
| Esperanza_Spalding | her |
| Esperanza_Spalding | fifth |
| Esperanza_Spalding | studio |
| Esperanza_Spalding | album |
| Esperanza_Spalding | a |
| Esperanza_Spalding | funk |
| Esperanza_Spalding | rock |
| Esperanza_Spalding | inspired |
| Esperanza_Spalding | concept |
| Esperanza_Spalding | album |
| Esperanza_Spalding | titled |
| Esperanza_Spalding | emily’s |
| Esperanza_Spalding | d |
| Esperanza_Spalding | evolution |
| Esperanza_Spalding | co |
| Esperanza_Spalding | produced |
| Esperanza_Spalding | by |
| Esperanza_Spalding | tony |
| Esperanza_Spalding | visconti |
| Esperanza_Spalding | on |
| Esperanza_Spalding | concord |
| Esperanza_Spalding | records |
| Esperanza_Spalding | the |
| Esperanza_Spalding | following |
| Esperanza_Spalding | year |
| Esperanza_Spalding | she |
| Esperanza_Spalding | released |
| Esperanza_Spalding | the |
| Esperanza_Spalding | album |
| Esperanza_Spalding | exposure |
| Esperanza_Spalding | which |
| Esperanza_Spalding | was |
| Esperanza_Spalding | limited |
| Esperanza_Spalding | to |
| Esperanza_Spalding | 7,777 |
| Esperanza_Spalding | copies |
| Esperanza_Spalding | her |
| Esperanza_Spalding | subsequent |
| Esperanza_Spalding | sixth |
| Esperanza_Spalding | studio |
| Esperanza_Spalding | record |
| Esperanza_Spalding | 12 |
| Esperanza_Spalding | little |
| Esperanza_Spalding | spells |
| Esperanza_Spalding | was |
| Esperanza_Spalding | released |
| Esperanza_Spalding | in |
| Esperanza_Spalding | 2019 |
| Esperanza_Spalding | and |
| Esperanza_Spalding | peaked |
| Esperanza_Spalding | at |
| Esperanza_Spalding | number |
| Esperanza_Spalding | one |
| Esperanza_Spalding | on |
| Esperanza_Spalding | billboard’s |
| Esperanza_Spalding | top |
| Esperanza_Spalding | jazz |
| Esperanza_Spalding | albums |
| Esperanza_Spalding | the |
| Esperanza_Spalding | album |
| Esperanza_Spalding | also |
| Esperanza_Spalding | saw |
| Esperanza_Spalding | spalding |
| Esperanza_Spalding | nominated |
| Esperanza_Spalding | for |
| Esperanza_Spalding | two |
| Esperanza_Spalding | grammy |
| Esperanza_Spalding | awards |
| Esperanza_Spalding | winning |
| Esperanza_Spalding | in |
| Esperanza_Spalding | the |
| Esperanza_Spalding | best |
| Esperanza_Spalding | jazz |
| Esperanza_Spalding | vocal |
| Esperanza_Spalding | album |
| Esperanza_Spalding | category |
| Esperanza_Spalding | in |
| Esperanza_Spalding | addition |
| Esperanza_Spalding | to |
| Esperanza_Spalding | writing |
| Esperanza_Spalding | and |
| Esperanza_Spalding | performing |
| Esperanza_Spalding | music |
| Esperanza_Spalding | spalding |
| Esperanza_Spalding | has |
| Esperanza_Spalding | also |
| Esperanza_Spalding | worked |
| Esperanza_Spalding | as |
| Esperanza_Spalding | an |
| Esperanza_Spalding | instructor |
| Esperanza_Spalding | first |
| Esperanza_Spalding | at |
| Esperanza_Spalding | the |
| Esperanza_Spalding | berklee |
| Esperanza_Spalding | college |
| Esperanza_Spalding | of |
| Esperanza_Spalding | music |
| Esperanza_Spalding | beginning |
| Esperanza_Spalding | at |
| Esperanza_Spalding | age |
| Esperanza_Spalding | 20 |
| Esperanza_Spalding | in |
| Esperanza_Spalding | 2017 |
| Esperanza_Spalding | spalding |
| Esperanza_Spalding | was |
| Esperanza_Spalding | appointed |
| Esperanza_Spalding | professor |
| Esperanza_Spalding | of |
| Esperanza_Spalding | the |
| Esperanza_Spalding | practice |
| Esperanza_Spalding | of |
| Esperanza_Spalding | music |
| Esperanza_Spalding | at |
| Esperanza_Spalding | harvard |
| Esperanza_Spalding | university |
| Esperanza_Spalding | in |
| Esperanza_Spalding | 2018 |
| Esperanza_Spalding | spalding |
| Esperanza_Spalding | received |
| Esperanza_Spalding | an |
| Esperanza_Spalding | honorary |
| Esperanza_Spalding | doctorate |
| Esperanza_Spalding | of |
| Esperanza_Spalding | music |
| Esperanza_Spalding | from |
| Esperanza_Spalding | her |
| Esperanza_Spalding | alma |
| Esperanza_Spalding | mater |
| Esperanza_Spalding | berklee |
| Esperanza_Spalding | college |
| Esperanza_Spalding | of |
| Esperanza_Spalding | music |
| Esperanza_Spalding | and |
| Esperanza_Spalding | served |
| Esperanza_Spalding | as |
| Esperanza_Spalding | commencement |
| Esperanza_Spalding | speaker |
| Esperanza_Spalding | at |
| Esperanza_Spalding | the |
| Esperanza_Spalding | ceremony |
| Esperanza_Spalding | en |
| Art_Blakey | arthur |
| Art_Blakey | blakey |
| Art_Blakey | october |
| Art_Blakey | 11 |
| Art_Blakey | 1919 |
| Art_Blakey | october |
| Art_Blakey | 16 |
| Art_Blakey | 1990 |
| Art_Blakey | was |
| Art_Blakey | an |
| Art_Blakey | american |
| Art_Blakey | jazz |
| Art_Blakey | drummer |
| Art_Blakey | and |
| Art_Blakey | bandleader |
| Art_Blakey | he |
| Art_Blakey | was |
| Art_Blakey | briefly |
| Art_Blakey | known |
| Art_Blakey | as |
| Art_Blakey | abdullah |
| Art_Blakey | ibn |
| Art_Blakey | buhaina |
| Art_Blakey | after |
| Art_Blakey | he |
| Art_Blakey | converted |
| Art_Blakey | to |
| Art_Blakey | islam |
| Art_Blakey | for |
| Art_Blakey | a |
| Art_Blakey | short |
| Art_Blakey | time |
| Art_Blakey | in |
| Art_Blakey | the |
| Art_Blakey | late |
| Art_Blakey | 1940s |
| Art_Blakey | blakey |
| Art_Blakey | made |
| Art_Blakey | a |
| Art_Blakey | name |
| Art_Blakey | for |
| Art_Blakey | himself |
| Art_Blakey | in |
| Art_Blakey | the |
| Art_Blakey | 1940s |
| Art_Blakey | in |
| Art_Blakey | the |
| Art_Blakey | big |
| Art_Blakey | bands |
| Art_Blakey | of |
| Art_Blakey | fletcher |
| Art_Blakey | henderson |
| Art_Blakey | and |
| Art_Blakey | billy |
| Art_Blakey | eckstine |
| Art_Blakey | he |
| Art_Blakey | then |
| Art_Blakey | worked |
| Art_Blakey | with |
| Art_Blakey | bebop |
| Art_Blakey | musicians |
| Art_Blakey | thelonious |
| Art_Blakey | monk |
| Art_Blakey | charlie |
| Art_Blakey | parker |
| Art_Blakey | and |
| Art_Blakey | dizzy |
| Art_Blakey | gillespie |
| Art_Blakey | in |
| Art_Blakey | the |
| Art_Blakey | mid |
| Art_Blakey | 1950s |
| Art_Blakey | horace |
| Art_Blakey | silver |
| Art_Blakey | and |
| Art_Blakey | blakey |
| Art_Blakey | formed |
| Art_Blakey | the |
| Art_Blakey | jazz |
| Art_Blakey | messengers |
| Art_Blakey | a |
| Art_Blakey | group |
| Art_Blakey | that |
| Art_Blakey | the |
| Art_Blakey | drummer |
| Art_Blakey | was |
| Art_Blakey | associated |
| Art_Blakey | with |
| Art_Blakey | for |
| Art_Blakey | the |
| Art_Blakey | next |
| Art_Blakey | 35 |
| Art_Blakey | years |
| Art_Blakey | the |
| Art_Blakey | group |
| Art_Blakey | was |
| Art_Blakey | formed |
| Art_Blakey | as |
| Art_Blakey | a |
| Art_Blakey | collective |
| Art_Blakey | of |
| Art_Blakey | contemporaries |
| Art_Blakey | but |
| Art_Blakey | over |
| Art_Blakey | the |
| Art_Blakey | years |
| Art_Blakey | the |
| Art_Blakey | band |
| Art_Blakey | became |
| Art_Blakey | known |
| Art_Blakey | as |
| Art_Blakey | an |
| Art_Blakey | incubator |
| Art_Blakey | for |
| Art_Blakey | young |
| Art_Blakey | talent |
| Art_Blakey | including |
| Art_Blakey | freddie |
| Art_Blakey | hubbard |
| Art_Blakey | wayne |
| Art_Blakey | shorter |
| Art_Blakey | lee |
| Art_Blakey | morgan |
| Art_Blakey | benny |
| Art_Blakey | golson |
| Art_Blakey | kenny |
| Art_Blakey | dorham |
| Art_Blakey | hank |
| Art_Blakey | mobley |
| Art_Blakey | donald |
| Art_Blakey | byrd |
| Art_Blakey | jackie |
| Art_Blakey | mclean |
| Art_Blakey | johnny |
| Art_Blakey | griffin |
| Art_Blakey | curtis |
| Art_Blakey | fuller |
| Art_Blakey | chuck |
| Art_Blakey | mangione |
| Art_Blakey | chick |
| Art_Blakey | corea |
| Art_Blakey | keith |
| Art_Blakey | jarrett |
| Art_Blakey | cedar |
| Art_Blakey | walton |
| Art_Blakey | woody |
| Art_Blakey | shaw |
| Art_Blakey | terence |
| Art_Blakey | blanchard |
| Art_Blakey | and |
| Art_Blakey | wynton |
| Art_Blakey | marsalis |
| Art_Blakey | the |
| Art_Blakey | biographical |
| Art_Blakey | encyclopedia |
| Art_Blakey | of |
| Art_Blakey | jazz |
| Art_Blakey | calls |
| Art_Blakey | the |
| Art_Blakey | jazz |
| Art_Blakey | messengers |
| Art_Blakey | the |
| Art_Blakey | archetypal |
| Art_Blakey | hard |
| Art_Blakey | bop |
| Art_Blakey | group |
| Art_Blakey | of |
| Art_Blakey | the |
| Art_Blakey | late |
| Art_Blakey | 50s |
| Art_Blakey | blakey |
| Art_Blakey | was |
| Art_Blakey | inducted |
| Art_Blakey | into |
| Art_Blakey | the |
| Art_Blakey | down |
| Art_Blakey | beat |
| Art_Blakey | jazz |
| Art_Blakey | hall |
| Art_Blakey | of |
| Art_Blakey | fame |
| Art_Blakey | in |
| Art_Blakey | 1981 |
| Art_Blakey | the |
| Art_Blakey | grammy |
| Art_Blakey | hall |
| Art_Blakey | of |
| Art_Blakey | fame |
| Art_Blakey | in |
| Art_Blakey | 1998 |
| Art_Blakey | and |
| Art_Blakey | 2001 |
| Art_Blakey | and |
| Art_Blakey | was |
| Art_Blakey | awarded |
| Art_Blakey | the |
| Art_Blakey | grammy |
| Art_Blakey | lifetime |
| Art_Blakey | achievement |
| Art_Blakey | award |
| Art_Blakey | in |
| Art_Blakey | 2005 |
| Art_Blakey | he |
| Art_Blakey | was |
| Art_Blakey | inducted |
| Art_Blakey | into |
| Art_Blakey | the |
| Art_Blakey | modern |
| Art_Blakey | drummer |
| Art_Blakey | hall |
| Art_Blakey | of |
| Art_Blakey | fame |
| Art_Blakey | in |
| Art_Blakey | 1991 |
| Art_Blakey | en |
| Sting_(musician) | gordon |
| Sting_(musician) | matthew |
| Sting_(musician) | thomas |
| Sting_(musician) | sumner |
| Sting_(musician) | cbe |
| Sting_(musician) | born |
| Sting_(musician) | 2 |
| Sting_(musician) | october |
| Sting_(musician) | 1951 |
| Sting_(musician) | known |
| Sting_(musician) | as |
| Sting_(musician) | sting |
| Sting_(musician) | is |
| Sting_(musician) | an |
| Sting_(musician) | english |
| Sting_(musician) | musician |
| Sting_(musician) | singer |
| Sting_(musician) | songwriter |
| Sting_(musician) | and |
| Sting_(musician) | actor |
| Sting_(musician) | he |
| Sting_(musician) | was |
| Sting_(musician) | the |
| Sting_(musician) | frontman |
| Sting_(musician) | songwriter |
| Sting_(musician) | and |
| Sting_(musician) | bassist |
| Sting_(musician) | for |
| Sting_(musician) | new |
| Sting_(musician) | wave |
| Sting_(musician) | rock |
| Sting_(musician) | band |
| Sting_(musician) | the |
| Sting_(musician) | police |
| Sting_(musician) | from |
| Sting_(musician) | 1977 |
| Sting_(musician) | to |
| Sting_(musician) | 1986 |
| Sting_(musician) | he |
| Sting_(musician) | launched |
| Sting_(musician) | a |
| Sting_(musician) | solo |
| Sting_(musician) | career |
| Sting_(musician) | in |
| Sting_(musician) | 1985 |
| Sting_(musician) | and |
| Sting_(musician) | has |
| Sting_(musician) | included |
| Sting_(musician) | elements |
| Sting_(musician) | of |
| Sting_(musician) | rock |
| Sting_(musician) | jazz |
| Sting_(musician) | reggae |
| Sting_(musician) | classical |
| Sting_(musician) | new |
| Sting_(musician) | age |
| Sting_(musician) | and |
| Sting_(musician) | worldbeat |
| Sting_(musician) | in |
| Sting_(musician) | his |
| Sting_(musician) | music |
| Sting_(musician) | as |
| Sting_(musician) | a |
| Sting_(musician) | solo |
| Sting_(musician) | musician |
| Sting_(musician) | and |
| Sting_(musician) | a |
| Sting_(musician) | member |
| Sting_(musician) | of |
| Sting_(musician) | the |
| Sting_(musician) | police |
| Sting_(musician) | sting |
| Sting_(musician) | has |
| Sting_(musician) | received |
| Sting_(musician) | 17 |
| Sting_(musician) | grammy |
| Sting_(musician) | awards |
| Sting_(musician) | he |
| Sting_(musician) | won |
| Sting_(musician) | song |
| Sting_(musician) | of |
| Sting_(musician) | the |
| Sting_(musician) | year |
| Sting_(musician) | for |
| Sting_(musician) | every |
| Sting_(musician) | breath |
| Sting_(musician) | you |
| Sting_(musician) | take |
| Sting_(musician) | three |
| Sting_(musician) | brit |
| Sting_(musician) | awards |
| Sting_(musician) | including |
| Sting_(musician) | best |
| Sting_(musician) | british |
| Sting_(musician) | male |
| Sting_(musician) | artist |
| Sting_(musician) | in |
| Sting_(musician) | 1994 |
| Sting_(musician) | and |
| Sting_(musician) | outstanding |
| Sting_(musician) | contribution |
| Sting_(musician) | in |
| Sting_(musician) | 2002 |
| Sting_(musician) | a |
| Sting_(musician) | golden |
| Sting_(musician) | globe |
| Sting_(musician) | an |
| Sting_(musician) | emmy |
| Sting_(musician) | and |
| Sting_(musician) | four |
| Sting_(musician) | nominations |
| Sting_(musician) | for |
| Sting_(musician) | the |
| Sting_(musician) | academy |
| Sting_(musician) | award |
| Sting_(musician) | for |
| Sting_(musician) | best |
| Sting_(musician) | original |
| Sting_(musician) | song |
| Sting_(musician) | in |
| Sting_(musician) | 2019 |
| Sting_(musician) | he |
| Sting_(musician) | received |
| Sting_(musician) | a |
| Sting_(musician) | bmi |
| Sting_(musician) | award |
| Sting_(musician) | for |
| Sting_(musician) | every |
| Sting_(musician) | breath |
| Sting_(musician) | you |
| Sting_(musician) | take |
| Sting_(musician) | becoming |
| Sting_(musician) | the |
| Sting_(musician) | most |
| Sting_(musician) | played |
| Sting_(musician) | song |
| Sting_(musician) | in |
| Sting_(musician) | radio |
| Sting_(musician) | history |
| Sting_(musician) | in |
| Sting_(musician) | 2002 |
| Sting_(musician) | sting |
| Sting_(musician) | received |
| Sting_(musician) | the |
| Sting_(musician) | ivor |
| Sting_(musician) | novello |
| Sting_(musician) | award |
| Sting_(musician) | for |
| Sting_(musician) | lifetime |
| Sting_(musician) | achievement |
| Sting_(musician) | from |
| Sting_(musician) | the |
| Sting_(musician) | british |
| Sting_(musician) | academy |
| Sting_(musician) | of |
| Sting_(musician) | songwriters |
| Sting_(musician) | composers |
| Sting_(musician) | and |
| Sting_(musician) | authors |
| Sting_(musician) | and |
| Sting_(musician) | was |
| Sting_(musician) | also |
| Sting_(musician) | inducted |
| Sting_(musician) | into |
| Sting_(musician) | the |
| Sting_(musician) | songwriters |
| Sting_(musician) | hall |
| Sting_(musician) | of |
| Sting_(musician) | fame |
| Sting_(musician) | he |
| Sting_(musician) | was |
| Sting_(musician) | inducted |
| Sting_(musician) | into |
| Sting_(musician) | the |
| Sting_(musician) | rock |
| Sting_(musician) | and |
| Sting_(musician) | roll |
| Sting_(musician) | hall |
| Sting_(musician) | of |
| Sting_(musician) | fame |
| Sting_(musician) | as |
| Sting_(musician) | a |
| Sting_(musician) | member |
| Sting_(musician) | of |
| Sting_(musician) | the |
| Sting_(musician) | police |
| Sting_(musician) | in |
| Sting_(musician) | 2003 |
| Sting_(musician) | in |
| Sting_(musician) | 2000 |
| Sting_(musician) | he |
| Sting_(musician) | received |
| Sting_(musician) | a |
| Sting_(musician) | star |
| Sting_(musician) | on |
| Sting_(musician) | the |
| Sting_(musician) | hollywood |
| Sting_(musician) | walk |
| Sting_(musician) | of |
| Sting_(musician) | fame |
| Sting_(musician) | for |
| Sting_(musician) | recording |
| Sting_(musician) | in |
| Sting_(musician) | 2003 |
| Sting_(musician) | sting |
| Sting_(musician) | received |
| Sting_(musician) | a |
| Sting_(musician) | cbe |
| Sting_(musician) | from |
| Sting_(musician) | elizabeth |
| Sting_(musician) | ii |
| Sting_(musician) | at |
| Sting_(musician) | buckingham |
| Sting_(musician) | palace |
| Sting_(musician) | for |
| Sting_(musician) | services |
| Sting_(musician) | to |
| Sting_(musician) | music |
| Sting_(musician) | he |
| Sting_(musician) | was |
| Sting_(musician) | made |
| Sting_(musician) | a |
| Sting_(musician) | kennedy |
| Sting_(musician) | center |
| Sting_(musician) | honoree |
| Sting_(musician) | at |
| Sting_(musician) | the |
| Sting_(musician) | white |
| Sting_(musician) | house |
| Sting_(musician) | in |
| Sting_(musician) | 2014 |
| Sting_(musician) | and |
| Sting_(musician) | was |
| Sting_(musician) | awarded |
| Sting_(musician) | the |
| Sting_(musician) | polar |
| Sting_(musician) | music |
| Sting_(musician) | prize |
| Sting_(musician) | in |
| Sting_(musician) | 2017 |
| Sting_(musician) | with |
| Sting_(musician) | the |
| Sting_(musician) | police |
| Sting_(musician) | sting |
| Sting_(musician) | became |
| Sting_(musician) | one |
| Sting_(musician) | of |
| Sting_(musician) | the |
| Sting_(musician) | world’s |
| Sting_(musician) | best |
| Sting_(musician) | selling |
| Sting_(musician) | music |
| Sting_(musician) | artists |
| Sting_(musician) | solo |
| Sting_(musician) | and |
| Sting_(musician) | with |
| Sting_(musician) | the |
| Sting_(musician) | police |
| Sting_(musician) | combined |
| Sting_(musician) | he |
| Sting_(musician) | has |
| Sting_(musician) | sold |
| Sting_(musician) | over |
| Sting_(musician) | 100 |
| Sting_(musician) | million |
| Sting_(musician) | records |
| Sting_(musician) | in |
| Sting_(musician) | 2006 |
| Sting_(musician) | paste |
| Sting_(musician) | ranked |
| Sting_(musician) | him |
| Sting_(musician) | 62nd |
| Sting_(musician) | of |
| Sting_(musician) | the |
| Sting_(musician) | 100 |
| Sting_(musician) | best |
| Sting_(musician) | living |
| Sting_(musician) | songwriters |
| Sting_(musician) | he |
| Sting_(musician) | was |
| Sting_(musician) | 63rd |
| Sting_(musician) | of |
| Sting_(musician) | vh1 |
| Sting_(musician) | s |
| Sting_(musician) | 100 |
| Sting_(musician) | greatest |
| Sting_(musician) | artists |
| Sting_(musician) | of |
| Sting_(musician) | rock |
| Sting_(musician) | and |
| Sting_(musician) | 80th |
| Sting_(musician) | of |
| Sting_(musician) | q |
| Sting_(musician) | magazine’s |
| Sting_(musician) | 100 |
| Sting_(musician) | greatest |
| Sting_(musician) | musical |
| Sting_(musician) | stars |
| Sting_(musician) | of |
| Sting_(musician) | the |
| Sting_(musician) | 20th |
| Sting_(musician) | century |
| Sting_(musician) | he |
| Sting_(musician) | has |
| Sting_(musician) | collaborated |
| Sting_(musician) | with |
| Sting_(musician) | other |
| Sting_(musician) | musicians |
| Sting_(musician) | on |
| Sting_(musician) | songs |
| Sting_(musician) | such |
| Sting_(musician) | as |
| Sting_(musician) | money |
| Sting_(musician) | for |
| Sting_(musician) | nothing |
| Sting_(musician) | with |
| Sting_(musician) | dire |
| Sting_(musician) | straits |
| Sting_(musician) | rise |
| Sting_(musician) | fall |
| Sting_(musician) | with |
| Sting_(musician) | craig |
| Sting_(musician) | david |
| Sting_(musician) | all |
| Sting_(musician) | for |
| Sting_(musician) | love |
| Sting_(musician) | with |
| Sting_(musician) | bryan |
| Sting_(musician) | adams |
| Sting_(musician) | and |
| Sting_(musician) | rod |
| Sting_(musician) | stewart |
| Sting_(musician) | you |
| Sting_(musician) | will |
| Sting_(musician) | be |
| Sting_(musician) | my |
| Sting_(musician) | ain |
| Sting_(musician) | true |
| Sting_(musician) | love |
| Sting_(musician) | with |
| Sting_(musician) | alison |
| Sting_(musician) | krauss |
| Sting_(musician) | and |
| Sting_(musician) | introduced |
| Sting_(musician) | the |
| Sting_(musician) | north |
| Sting_(musician) | african |
| Sting_(musician) | music |
| Sting_(musician) | genre |
| Sting_(musician) | ra |
| Sting_(musician) | 簿 |
| Sting_(musician) | to |
| Sting_(musician) | western |
| Sting_(musician) | audiences |
| Sting_(musician) | through |
| Sting_(musician) | the |
| Sting_(musician) | hit |
| Sting_(musician) | song |
| Sting_(musician) | desert |
| Sting_(musician) | rose |
| Sting_(musician) | with |
| Sting_(musician) | cheb |
| Sting_(musician) | mami |
| Sting_(musician) | in |
| Sting_(musician) | 2018 |
| Sting_(musician) | he |
| Sting_(musician) | released |
| Sting_(musician) | the |
| Sting_(musician) | album |
| Sting_(musician) | 44 |
| Sting_(musician) | 876 |
| Sting_(musician) | a |
| Sting_(musician) | collaboration |
| Sting_(musician) | with |
| Sting_(musician) | jamaican |
| Sting_(musician) | musician |
| Sting_(musician) | shaggy |
| Sting_(musician) | which |
| Sting_(musician) | won |
| Sting_(musician) | the |
| Sting_(musician) | grammy |
| Sting_(musician) | award |
| Sting_(musician) | for |
| Sting_(musician) | best |
| Sting_(musician) | reggae |
| Sting_(musician) | album |
| Sting_(musician) | in |
| Sting_(musician) | 2019 |
| Sting_(musician) | en |
| Karriem_Riggins | karriem |
| Karriem_Riggins | riggins |
| Karriem_Riggins | is |
| Karriem_Riggins | an |
| Karriem_Riggins | american |
| Karriem_Riggins | jazz |
| Karriem_Riggins | drummer |
| Karriem_Riggins | hip |
| Karriem_Riggins | hop |
| Karriem_Riggins | producer |
| Karriem_Riggins | dj |
| Karriem_Riggins | and |
| Karriem_Riggins | songwriter |
| Karriem_Riggins | en |
| Charlie_Barnet | charles |
| Charlie_Barnet | daly |
| Charlie_Barnet | barnet |
| Charlie_Barnet | october |
| Charlie_Barnet | 26 |
| Charlie_Barnet | 1913 |
| Charlie_Barnet | september |
| Charlie_Barnet | 4 |
| Charlie_Barnet | 1991 |
| Charlie_Barnet | was |
| Charlie_Barnet | an |
| Charlie_Barnet | american |
| Charlie_Barnet | jazz |
| Charlie_Barnet | saxophonist |
| Charlie_Barnet | composer |
| Charlie_Barnet | and |
| Charlie_Barnet | bandleader |
| Charlie_Barnet | his |
| Charlie_Barnet | major |
| Charlie_Barnet | recordings |
| Charlie_Barnet | were |
| Charlie_Barnet | skyliner |
| Charlie_Barnet | cherokee |
| Charlie_Barnet | the |
| Charlie_Barnet | wrong |
| Charlie_Barnet | idea |
| Charlie_Barnet | scotch |
| Charlie_Barnet | and |
| Charlie_Barnet | soda |
| Charlie_Barnet | in |
| Charlie_Barnet | a |
| Charlie_Barnet | mizz |
| Charlie_Barnet | and |
| Charlie_Barnet | southland |
| Charlie_Barnet | shuffle |
| Charlie_Barnet | en |
| Wayne_Shorter | wayne |
| Wayne_Shorter | shorter |
| Wayne_Shorter | born |
| Wayne_Shorter | august |
| Wayne_Shorter | 25 |
| Wayne_Shorter | 1933 |
| Wayne_Shorter | is |
| Wayne_Shorter | an |
| Wayne_Shorter | american |
| Wayne_Shorter | jazz |
| Wayne_Shorter | saxophonist |
| Wayne_Shorter | and |
| Wayne_Shorter | composer |
| Wayne_Shorter | shorter |
| Wayne_Shorter | came |
| Wayne_Shorter | to |
| Wayne_Shorter | wide |
| Wayne_Shorter | prominence |
| Wayne_Shorter | in |
| Wayne_Shorter | the |
| Wayne_Shorter | late |
| Wayne_Shorter | 1950s |
| Wayne_Shorter | as |
| Wayne_Shorter | a |
| Wayne_Shorter | member |
| Wayne_Shorter | of |
| Wayne_Shorter | and |
| Wayne_Shorter | eventually |
| Wayne_Shorter | primary |
| Wayne_Shorter | composer |
| Wayne_Shorter | for |
| Wayne_Shorter | art |
| Wayne_Shorter | blakey’s |
| Wayne_Shorter | jazz |
| Wayne_Shorter | messengers |
| Wayne_Shorter | in |
| Wayne_Shorter | the |
| Wayne_Shorter | 1960s |
| Wayne_Shorter | he |
| Wayne_Shorter | went |
| Wayne_Shorter | on |
| Wayne_Shorter | to |
| Wayne_Shorter | join |
| Wayne_Shorter | miles |
| Wayne_Shorter | davis’s |
| Wayne_Shorter | second |
| Wayne_Shorter | great |
| Wayne_Shorter | quintet |
| Wayne_Shorter | and |
| Wayne_Shorter | from |
| Wayne_Shorter | there |
| Wayne_Shorter | he |
| Wayne_Shorter | co |
| Wayne_Shorter | founded |
| Wayne_Shorter | the |
| Wayne_Shorter | jazz |
| Wayne_Shorter | fusion |
| Wayne_Shorter | band |
| Wayne_Shorter | weather |
| Wayne_Shorter | report |
| Wayne_Shorter | he |
| Wayne_Shorter | has |
| Wayne_Shorter | recorded |
| Wayne_Shorter | over |
| Wayne_Shorter | 20 |
| Wayne_Shorter | albums |
| Wayne_Shorter | as |
| Wayne_Shorter | a |
| Wayne_Shorter | bandleader |
| Wayne_Shorter | many |
| Wayne_Shorter | of |
| Wayne_Shorter | shorter’s |
| Wayne_Shorter | compositions |
| Wayne_Shorter | have |
| Wayne_Shorter | become |
| Wayne_Shorter | jazz |
| Wayne_Shorter | standards |
| Wayne_Shorter | and |
| Wayne_Shorter | his |
| Wayne_Shorter | output |
| Wayne_Shorter | has |
| Wayne_Shorter | earned |
| Wayne_Shorter | worldwide |
| Wayne_Shorter | recognition |
| Wayne_Shorter | critical |
| Wayne_Shorter | praise |
| Wayne_Shorter | and |
| Wayne_Shorter | various |
| Wayne_Shorter | commendations |
| Wayne_Shorter | shorter |
| Wayne_Shorter | won |
| Wayne_Shorter | 11 |
| Wayne_Shorter | grammy |
| Wayne_Shorter | awards |
| Wayne_Shorter | he |
| Wayne_Shorter | has |
| Wayne_Shorter | also |
| Wayne_Shorter | received |
| Wayne_Shorter | acclaim |
| Wayne_Shorter | for |
| Wayne_Shorter | his |
| Wayne_Shorter | mastery |
| Wayne_Shorter | of |
| Wayne_Shorter | the |
| Wayne_Shorter | soprano |
| Wayne_Shorter | saxophone |
| Wayne_Shorter | after |
| Wayne_Shorter | switching |
| Wayne_Shorter | his |
| Wayne_Shorter | focus |
| Wayne_Shorter | from |
| Wayne_Shorter | the |
| Wayne_Shorter | tenor |
| Wayne_Shorter | in |
| Wayne_Shorter | the |
| Wayne_Shorter | late |
| Wayne_Shorter | 1960s |
| Wayne_Shorter | beginning |
| Wayne_Shorter | an |
| Wayne_Shorter | extended |
| Wayne_Shorter | reign |
| Wayne_Shorter | in |
| Wayne_Shorter | 1970 |
| Wayne_Shorter | as |
| Wayne_Shorter | down |
| Wayne_Shorter | beat’s |
| Wayne_Shorter | annual |
| Wayne_Shorter | poll |
| Wayne_Shorter | winner |
| Wayne_Shorter | on |
| Wayne_Shorter | that |
| Wayne_Shorter | instrument |
| Wayne_Shorter | winning |
| Wayne_Shorter | the |
| Wayne_Shorter | critics |
| Wayne_Shorter | poll |
| Wayne_Shorter | for |
| Wayne_Shorter | 10 |
| Wayne_Shorter | consecutive |
| Wayne_Shorter | years |
| Wayne_Shorter | and |
| Wayne_Shorter | the |
| Wayne_Shorter | readers |
| Wayne_Shorter | for |
| Wayne_Shorter | 18 |
| Wayne_Shorter | the |
| Wayne_Shorter | new |
| Wayne_Shorter | york |
| Wayne_Shorter | times |
| Wayne_Shorter | described |
| Wayne_Shorter | shorter |
| Wayne_Shorter | in |
| Wayne_Shorter | 2008 |
| Wayne_Shorter | as |
| Wayne_Shorter | probably |
| Wayne_Shorter | jazz’s |
| Wayne_Shorter | greatest |
| Wayne_Shorter | living |
| Wayne_Shorter | small |
| Wayne_Shorter | group |
| Wayne_Shorter | composer |
| Wayne_Shorter | and |
| Wayne_Shorter | a |
| Wayne_Shorter | contender |
| Wayne_Shorter | for |
| Wayne_Shorter | greatest |
| Wayne_Shorter | living |
| Wayne_Shorter | improviser |
| Wayne_Shorter | in |
| Wayne_Shorter | 2017 |
| Wayne_Shorter | he |
| Wayne_Shorter | was |
| Wayne_Shorter | awarded |
| Wayne_Shorter | the |
| Wayne_Shorter | polar |
| Wayne_Shorter | music |
| Wayne_Shorter | prize |
| Wayne_Shorter | en |
| Shannon_Powell | shannon |
| Shannon_Powell | powell |
| Shannon_Powell | born |
| Shannon_Powell | april |
| Shannon_Powell | 8 |
| Shannon_Powell | 1962 |
| Shannon_Powell | is |
| Shannon_Powell | an |
| Shannon_Powell | american |
| Shannon_Powell | jazz |
| Shannon_Powell | and |
| Shannon_Powell | ragtime |
| Shannon_Powell | drummer |
| Shannon_Powell | he |
| Shannon_Powell | has |
| Shannon_Powell | toured |
| Shannon_Powell | internationally |
| Shannon_Powell | and |
| Shannon_Powell | played |
| Shannon_Powell | with |
| Shannon_Powell | ellis |
| Shannon_Powell | marsalis |
| Shannon_Powell | harry |
| Shannon_Powell | connick |
| Shannon_Powell | jr |
| Shannon_Powell | danny |
| Shannon_Powell | barker |
| Shannon_Powell | branford |
| Shannon_Powell | marsalis |
| Shannon_Powell | wynton |
| Shannon_Powell | marsalis |
| Shannon_Powell | and |
| Shannon_Powell | the |
| Shannon_Powell | lincoln |
| Shannon_Powell | center |
| Shannon_Powell | jazz |
| Shannon_Powell | orchestra |
| Shannon_Powell | diana |
| Shannon_Powell | krall |
| Shannon_Powell | earl |
| Shannon_Powell | king |
| Shannon_Powell | dr |
| Shannon_Powell | john |
| Shannon_Powell | marcus |
| Shannon_Powell | roberts |
| Shannon_Powell | john |
| Shannon_Powell | scofield |
| Shannon_Powell | jason |
| Shannon_Powell | marsalis |
| Shannon_Powell | leroy |
| Shannon_Powell | jones |
| Shannon_Powell | nicholas |
| Shannon_Powell | payton |
| Shannon_Powell | and |
| Shannon_Powell | donald |
| Shannon_Powell | harrison |
| Shannon_Powell | jr |
| Shannon_Powell | powell |
| Shannon_Powell | toured |
| Shannon_Powell | and |
| Shannon_Powell | recorded |
| Shannon_Powell | with |
| Shannon_Powell | fellow |
| Shannon_Powell | new |
| Shannon_Powell | orleans |
| Shannon_Powell | native |
| Shannon_Powell | harry |
| Shannon_Powell | connick |
| Shannon_Powell | jr |
| Shannon_Powell | en |
| Mulgrew_Miller | mulgrew |
| Mulgrew_Miller | miller |
| Mulgrew_Miller | august |
| Mulgrew_Miller | 13 |
| Mulgrew_Miller | 1955 |
| Mulgrew_Miller | may |
| Mulgrew_Miller | 29 |
| Mulgrew_Miller | 2013 |
| Mulgrew_Miller | was |
| Mulgrew_Miller | an |
| Mulgrew_Miller | american |
| Mulgrew_Miller | jazz |
| Mulgrew_Miller | pianist |
| Mulgrew_Miller | composer |
| Mulgrew_Miller | and |
| Mulgrew_Miller | educator |
| Mulgrew_Miller | as |
| Mulgrew_Miller | a |
| Mulgrew_Miller | child |
| Mulgrew_Miller | he |
| Mulgrew_Miller | played |
| Mulgrew_Miller | in |
| Mulgrew_Miller | churches |
| Mulgrew_Miller | and |
| Mulgrew_Miller | was |
| Mulgrew_Miller | influenced |
| Mulgrew_Miller | on |
| Mulgrew_Miller | piano |
| Mulgrew_Miller | by |
| Mulgrew_Miller | ramsey |
| Mulgrew_Miller | lewis |
| Mulgrew_Miller | and |
| Mulgrew_Miller | then |
| Mulgrew_Miller | oscar |
| Mulgrew_Miller | peterson |
| Mulgrew_Miller | aspects |
| Mulgrew_Miller | of |
| Mulgrew_Miller | their |
| Mulgrew_Miller | styles |
| Mulgrew_Miller | remained |
| Mulgrew_Miller | in |
| Mulgrew_Miller | his |
| Mulgrew_Miller | playing |
| Mulgrew_Miller | but |
| Mulgrew_Miller | he |
| Mulgrew_Miller | added |
| Mulgrew_Miller | the |
| Mulgrew_Miller | greater |
| Mulgrew_Miller | harmonic |
| Mulgrew_Miller | freedom |
| Mulgrew_Miller | of |
| Mulgrew_Miller | mccoy |
| Mulgrew_Miller | tyner |
| Mulgrew_Miller | and |
| Mulgrew_Miller | others |
| Mulgrew_Miller | in |
| Mulgrew_Miller | developing |
| Mulgrew_Miller | as |
| Mulgrew_Miller | a |
| Mulgrew_Miller | hard |
| Mulgrew_Miller | bop |
| Mulgrew_Miller | player |
| Mulgrew_Miller | and |
| Mulgrew_Miller | then |
| Mulgrew_Miller | in |
| Mulgrew_Miller | creating |
| Mulgrew_Miller | his |
| Mulgrew_Miller | own |
| Mulgrew_Miller | style |
| Mulgrew_Miller | which |
| Mulgrew_Miller | influenced |
| Mulgrew_Miller | others |
| Mulgrew_Miller | from |
| Mulgrew_Miller | the |
| Mulgrew_Miller | 1980s |
| Mulgrew_Miller | on |
| Mulgrew_Miller | after |
| Mulgrew_Miller | leaving |
| Mulgrew_Miller | university |
| Mulgrew_Miller | he |
| Mulgrew_Miller | was |
| Mulgrew_Miller | pianist |
| Mulgrew_Miller | with |
| Mulgrew_Miller | the |
| Mulgrew_Miller | duke |
| Mulgrew_Miller | ellington |
| Mulgrew_Miller | orchestra |
| Mulgrew_Miller | for |
| Mulgrew_Miller | three |
| Mulgrew_Miller | years |
| Mulgrew_Miller | then |
| Mulgrew_Miller | accompanied |
| Mulgrew_Miller | vocalist |
| Mulgrew_Miller | betty |
| Mulgrew_Miller | carter |
| Mulgrew_Miller | three |
| Mulgrew_Miller | year |
| Mulgrew_Miller | stints |
| Mulgrew_Miller | with |
| Mulgrew_Miller | trumpeter |
| Mulgrew_Miller | woody |
| Mulgrew_Miller | shaw |
| Mulgrew_Miller | and |
| Mulgrew_Miller | with |
| Mulgrew_Miller | drummer |
| Mulgrew_Miller | art |
| Mulgrew_Miller | blakey’s |
| Mulgrew_Miller | high |
| Mulgrew_Miller | profile |
| Mulgrew_Miller | jazz |
| Mulgrew_Miller | messengers |
| Mulgrew_Miller | followed |
| Mulgrew_Miller | by |
| Mulgrew_Miller | the |
| Mulgrew_Miller | end |
| Mulgrew_Miller | of |
| Mulgrew_Miller | which |
| Mulgrew_Miller | miller |
| Mulgrew_Miller | had |
| Mulgrew_Miller | formed |
| Mulgrew_Miller | his |
| Mulgrew_Miller | own |
| Mulgrew_Miller | bands |
| Mulgrew_Miller | and |
| Mulgrew_Miller | begun |
| Mulgrew_Miller | recording |
| Mulgrew_Miller | under |
| Mulgrew_Miller | his |
| Mulgrew_Miller | own |
| Mulgrew_Miller | name |
| Mulgrew_Miller | he |
| Mulgrew_Miller | was |
| Mulgrew_Miller | then |
| Mulgrew_Miller | part |
| Mulgrew_Miller | of |
| Mulgrew_Miller | drummer |
| Mulgrew_Miller | tony |
| Mulgrew_Miller | williams |
| Mulgrew_Miller | quintet |
| Mulgrew_Miller | from |
| Mulgrew_Miller | its |
| Mulgrew_Miller | foundation |
| Mulgrew_Miller | while |
| Mulgrew_Miller | continuing |
| Mulgrew_Miller | to |
| Mulgrew_Miller | play |
| Mulgrew_Miller | and |
| Mulgrew_Miller | record |
| Mulgrew_Miller | with |
| Mulgrew_Miller | numerous |
| Mulgrew_Miller | other |
| Mulgrew_Miller | leaders |
| Mulgrew_Miller | mostly |
| Mulgrew_Miller | in |
| Mulgrew_Miller | small |
| Mulgrew_Miller | groups |
| Mulgrew_Miller | miller |
| Mulgrew_Miller | was |
| Mulgrew_Miller | director |
| Mulgrew_Miller | of |
| Mulgrew_Miller | jazz |
| Mulgrew_Miller | studies |
| Mulgrew_Miller | at |
| Mulgrew_Miller | william |
| Mulgrew_Miller | paterson |
| Mulgrew_Miller | university |
| Mulgrew_Miller | from |
| Mulgrew_Miller | 2005 |
| Mulgrew_Miller | and |
| Mulgrew_Miller | continued |
| Mulgrew_Miller | to |
| Mulgrew_Miller | play |
| Mulgrew_Miller | and |
| Mulgrew_Miller | tour |
| Mulgrew_Miller | internationally |
| Mulgrew_Miller | with |
| Mulgrew_Miller | other |
| Mulgrew_Miller | high |
| Mulgrew_Miller | profile |
| Mulgrew_Miller | figures |
| Mulgrew_Miller | in |
| Mulgrew_Miller | the |
| Mulgrew_Miller | music |
| Mulgrew_Miller | until |
| Mulgrew_Miller | his |
| Mulgrew_Miller | death |
| Mulgrew_Miller | from |
| Mulgrew_Miller | a |
| Mulgrew_Miller | stroke |
| Mulgrew_Miller | at |
| Mulgrew_Miller | the |
| Mulgrew_Miller | age |
| Mulgrew_Miller | of |
| Mulgrew_Miller | 57 |
| Mulgrew_Miller | en |
| Frank_McComb | frank |
| Frank_McComb | mccomb |
| Frank_McComb | born |
| Frank_McComb | july |
| Frank_McComb | 15 |
| Frank_McComb | 1970 |
| Frank_McComb | is |
| Frank_McComb | a |
| Frank_McComb | soul |
| Frank_McComb | singer |
| Frank_McComb | and |
| Frank_McComb | record |
| Frank_McComb | producer |
| Frank_McComb | he |
| Frank_McComb | has |
| Frank_McComb | collaborated |
| Frank_McComb | with |
| Frank_McComb | prince |
| Frank_McComb | chaka |
| Frank_McComb | khan |
| Frank_McComb | will |
| Frank_McComb | smith |
| Frank_McComb | najee |
| Frank_McComb | branford |
| Frank_McComb | marsalis |
| Frank_McComb | george |
| Frank_McComb | duke |
| Frank_McComb | frankie |
| Frank_McComb | beverly |
| Frank_McComb | and |
| Frank_McComb | maze |
| Frank_McComb | phyllis |
| Frank_McComb | hyman |
| Frank_McComb | gamble |
| Frank_McComb | and |
| Frank_McComb | huff |
| Frank_McComb | patrice |
| Frank_McComb | rushen |
| Frank_McComb | lalah |
| Frank_McComb | hathaway |
| Frank_McComb | fred |
| Frank_McComb | hammond |
| Frank_McComb | and |
| Frank_McComb | john |
| Frank_McComb | p |
| Frank_McComb | kee |
| Frank_McComb | en |
| Clifford_Brown | clifford |
| Clifford_Brown | benjamin |
| Clifford_Brown | brown |
| Clifford_Brown | october |
| Clifford_Brown | 30 |
| Clifford_Brown | 1930 |
| Clifford_Brown | june |
| Clifford_Brown | 26 |
| Clifford_Brown | 1956 |
| Clifford_Brown | was |
| Clifford_Brown | an |
| Clifford_Brown | american |
| Clifford_Brown | jazz |
| Clifford_Brown | trumpeter |
| Clifford_Brown | he |
| Clifford_Brown | died |
| Clifford_Brown | at |
| Clifford_Brown | the |
| Clifford_Brown | age |
| Clifford_Brown | of |
| Clifford_Brown | 25 |
| Clifford_Brown | in |
| Clifford_Brown | a |
| Clifford_Brown | car |
| Clifford_Brown | accident |
| Clifford_Brown | leaving |
| Clifford_Brown | behind |
| Clifford_Brown | four |
| Clifford_Brown | years |
| Clifford_Brown | worth |
| Clifford_Brown | of |
| Clifford_Brown | recordings |
| Clifford_Brown | his |
| Clifford_Brown | compositions |
| Clifford_Brown | sandu |
| Clifford_Brown | joy |
| Clifford_Brown | spring |
| Clifford_Brown | and |
| Clifford_Brown | daahoud |
| Clifford_Brown | have |
| Clifford_Brown | become |
| Clifford_Brown | jazz |
| Clifford_Brown | standards |
| Clifford_Brown | brown |
| Clifford_Brown | won |
| Clifford_Brown | the |
| Clifford_Brown | downbeat |
| Clifford_Brown | magazine |
| Clifford_Brown | critics |
| Clifford_Brown | poll |
| Clifford_Brown | for |
| Clifford_Brown | new |
| Clifford_Brown | star |
| Clifford_Brown | of |
| Clifford_Brown | the |
| Clifford_Brown | year |
| Clifford_Brown | in |
| Clifford_Brown | 1954 |
| Clifford_Brown | he |
| Clifford_Brown | was |
| Clifford_Brown | inducted |
| Clifford_Brown | into |
| Clifford_Brown | the |
| Clifford_Brown | downbeat |
| Clifford_Brown | hall |
| Clifford_Brown | of |
| Clifford_Brown | fame |
| Clifford_Brown | in |
| Clifford_Brown | 1972 |
| Clifford_Brown | en |
| Veronica_Swift | veronica |
| Veronica_Swift | swift |
| Veronica_Swift | born |
| Veronica_Swift | may |
| Veronica_Swift | 14 |
| Veronica_Swift | 1994 |
| Veronica_Swift | is |
| Veronica_Swift | an |
| Veronica_Swift | american |
| Veronica_Swift | jazz |
| Veronica_Swift | and |
| Veronica_Swift | bebop |
| Veronica_Swift | singer |
| Veronica_Swift | en |
| Buster_Williams | charles |
| Buster_Williams | anthony |
| Buster_Williams | buster |
| Buster_Williams | williams |
| Buster_Williams | born |
| Buster_Williams | april |
| Buster_Williams | 17 |
| Buster_Williams | 1942 |
| Buster_Williams | is |
| Buster_Williams | an |
| Buster_Williams | american |
| Buster_Williams | jazz |
| Buster_Williams | bassist |
| Buster_Williams | williams |
| Buster_Williams | is |
| Buster_Williams | known |
| Buster_Williams | for |
| Buster_Williams | his |
| Buster_Williams | membership |
| Buster_Williams | in |
| Buster_Williams | pianist |
| Buster_Williams | herbie |
| Buster_Williams | hancock’s |
| Buster_Williams | early |
| Buster_Williams | 1970s |
| Buster_Williams | group |
| Buster_Williams | working |
| Buster_Williams | with |
| Buster_Williams | guitarist |
| Buster_Williams | larry |
| Buster_Williams | coryell |
| Buster_Williams | from |
| Buster_Williams | the |
| Buster_Williams | 1980s |
| Buster_Williams | to |
| Buster_Williams | present |
| Buster_Williams | working |
| Buster_Williams | in |
| Buster_Williams | the |
| Buster_Williams | thelonious |
| Buster_Williams | monk |
| Buster_Williams | repertory |
| Buster_Williams | band |
| Buster_Williams | sphere |
| Buster_Williams | and |
| Buster_Williams | as |
| Buster_Williams | the |
| Buster_Williams | accompanist |
| Buster_Williams | of |
| Buster_Williams | choice |
| Buster_Williams | for |
| Buster_Williams | many |
| Buster_Williams | singers |
| Buster_Williams | including |
| Buster_Williams | nancy |
| Buster_Williams | wilson |
| Buster_Williams | en |
| Elvin_Jones | elvin |
| Elvin_Jones | ray |
| Elvin_Jones | jones |
| Elvin_Jones | september |
| Elvin_Jones | 9 |
| Elvin_Jones | 1927 |
| Elvin_Jones | may |
| Elvin_Jones | 18 |
| Elvin_Jones | 2004 |
| Elvin_Jones | was |
| Elvin_Jones | an |
| Elvin_Jones | american |
| Elvin_Jones | jazz |
| Elvin_Jones | drummer |
| Elvin_Jones | of |
| Elvin_Jones | the |
| Elvin_Jones | post |
| Elvin_Jones | bop |
| Elvin_Jones | era |
| Elvin_Jones | he |
| Elvin_Jones | showed |
| Elvin_Jones | an |
| Elvin_Jones | interest |
| Elvin_Jones | in |
| Elvin_Jones | drums |
| Elvin_Jones | at |
| Elvin_Jones | a |
| Elvin_Jones | young |
| Elvin_Jones | age |
| Elvin_Jones | watching |
| Elvin_Jones | the |
| Elvin_Jones | circus |
| Elvin_Jones | bands |
| Elvin_Jones | march |
| Elvin_Jones | by |
| Elvin_Jones | his |
| Elvin_Jones | family’s |
| Elvin_Jones | home |
| Elvin_Jones | in |
| Elvin_Jones | pontiac |
| Elvin_Jones | michigan |
| Elvin_Jones | he |
| Elvin_Jones | served |
| Elvin_Jones | in |
| Elvin_Jones | the |
| Elvin_Jones | united |
| Elvin_Jones | states |
| Elvin_Jones | army |
| Elvin_Jones | from |
| Elvin_Jones | 1946 |
| Elvin_Jones | to |
| Elvin_Jones | 1949 |
| Elvin_Jones | and |
| Elvin_Jones | subsequently |
| Elvin_Jones | played |
| Elvin_Jones | in |
| Elvin_Jones | a |
| Elvin_Jones | detroit |
| Elvin_Jones | house |
| Elvin_Jones | band |
| Elvin_Jones | led |
| Elvin_Jones | by |
| Elvin_Jones | billy |
| Elvin_Jones | mitchell |
| Elvin_Jones | he |
| Elvin_Jones | moved |
| Elvin_Jones | to |
| Elvin_Jones | new |
| Elvin_Jones | york |
| Elvin_Jones | city |
| Elvin_Jones | in |
| Elvin_Jones | 1955 |
| Elvin_Jones | and |
| Elvin_Jones | worked |
| Elvin_Jones | as |
| Elvin_Jones | a |
| Elvin_Jones | drummer |
| Elvin_Jones | for |
| Elvin_Jones | john |
| Elvin_Jones | coltrane |
| Elvin_Jones | charles |
| Elvin_Jones | mingus |
| Elvin_Jones | teddy |
| Elvin_Jones | charles |
| Elvin_Jones | bud |
| Elvin_Jones | powell |
| Elvin_Jones | and |
| Elvin_Jones | miles |
| Elvin_Jones | davis |
| Elvin_Jones | from |
| Elvin_Jones | 1960 |
| Elvin_Jones | to |
| Elvin_Jones | 1966 |
| Elvin_Jones | he |
| Elvin_Jones | was |
| Elvin_Jones | a |
| Elvin_Jones | member |
| Elvin_Jones | of |
| Elvin_Jones | the |
| Elvin_Jones | john |
| Elvin_Jones | coltrane |
| Elvin_Jones | quartet |
| Elvin_Jones | along |
| Elvin_Jones | with |
| Elvin_Jones | jimmy |
| Elvin_Jones | garrison |
| Elvin_Jones | on |
| Elvin_Jones | bass |
| Elvin_Jones | and |
| Elvin_Jones | mccoy |
| Elvin_Jones | tyner |
| Elvin_Jones | on |
| Elvin_Jones | piano |
| Elvin_Jones | a |
| Elvin_Jones | celebrated |
| Elvin_Jones | recording |
| Elvin_Jones | phase |
| Elvin_Jones | appearing |
| Elvin_Jones | on |
| Elvin_Jones | such |
| Elvin_Jones | albums |
| Elvin_Jones | as |
| Elvin_Jones | my |
| Elvin_Jones | favorite |
| Elvin_Jones | things |
| Elvin_Jones | a |
| Elvin_Jones | love |
| Elvin_Jones | supreme |
| Elvin_Jones | ascension |
| Elvin_Jones | and |
| Elvin_Jones | live |
| Elvin_Jones | at |
| Elvin_Jones | birdland |
| Elvin_Jones | following |
| Elvin_Jones | his |
| Elvin_Jones | work |
| Elvin_Jones | with |
| Elvin_Jones | coltrane |
| Elvin_Jones | jones |
| Elvin_Jones | led |
| Elvin_Jones | several |
| Elvin_Jones | small |
| Elvin_Jones | groups |
| Elvin_Jones | some |
| Elvin_Jones | under |
| Elvin_Jones | the |
| Elvin_Jones | name |
| Elvin_Jones | the |
| Elvin_Jones | elvin |
| Elvin_Jones | jones |
| Elvin_Jones | jazz |
| Elvin_Jones | machine |
| Elvin_Jones | his |
| Elvin_Jones | brothers |
| Elvin_Jones | hank |
| Elvin_Jones | jones |
| Elvin_Jones | and |
| Elvin_Jones | thad |
| Elvin_Jones | jones |
| Elvin_Jones | were |
| Elvin_Jones | also |
| Elvin_Jones | jazz |
| Elvin_Jones | musicians |
| Elvin_Jones | with |
| Elvin_Jones | whom |
| Elvin_Jones | he |
| Elvin_Jones | recorded |
| Elvin_Jones | he |
| Elvin_Jones | was |
| Elvin_Jones | inducted |
| Elvin_Jones | into |
| Elvin_Jones | the |
| Elvin_Jones | modern |
| Elvin_Jones | drummer |
| Elvin_Jones | hall |
| Elvin_Jones | of |
| Elvin_Jones | fame |
| Elvin_Jones | in |
| Elvin_Jones | 1995 |
| Elvin_Jones | en |
| Maynard_Ferguson | walter |
| Maynard_Ferguson | maynard |
| Maynard_Ferguson | ferguson |
| Maynard_Ferguson | cm |
| Maynard_Ferguson | may |
| Maynard_Ferguson | 4 |
| Maynard_Ferguson | 1928 |
| Maynard_Ferguson | august |
| Maynard_Ferguson | 23 |
| Maynard_Ferguson | 2006 |
| Maynard_Ferguson | was |
| Maynard_Ferguson | a |
| Maynard_Ferguson | canadian |
| Maynard_Ferguson | jazz |
| Maynard_Ferguson | trumpeter |
| Maynard_Ferguson | and |
| Maynard_Ferguson | bandleader |
| Maynard_Ferguson | he |
| Maynard_Ferguson | came |
| Maynard_Ferguson | to |
| Maynard_Ferguson | prominence |
| Maynard_Ferguson | in |
| Maynard_Ferguson | stan |
| Maynard_Ferguson | kenton’s |
| Maynard_Ferguson | orchestra |
| Maynard_Ferguson | before |
| Maynard_Ferguson | forming |
| Maynard_Ferguson | his |
| Maynard_Ferguson | own |
| Maynard_Ferguson | big |
| Maynard_Ferguson | band |
| Maynard_Ferguson | in |
| Maynard_Ferguson | 1957 |
| Maynard_Ferguson | he |
| Maynard_Ferguson | was |
| Maynard_Ferguson | noted |
| Maynard_Ferguson | for |
| Maynard_Ferguson | his |
| Maynard_Ferguson | bands |
| Maynard_Ferguson | which |
| Maynard_Ferguson | often |
| Maynard_Ferguson | served |
| Maynard_Ferguson | as |
| Maynard_Ferguson | stepping |
| Maynard_Ferguson | stones |
| Maynard_Ferguson | for |
| Maynard_Ferguson | up |
| Maynard_Ferguson | and |
| Maynard_Ferguson | coming |
| Maynard_Ferguson | talent |
| Maynard_Ferguson | his |
| Maynard_Ferguson | versatility |
| Maynard_Ferguson | on |
| Maynard_Ferguson | several |
| Maynard_Ferguson | instruments |
| Maynard_Ferguson | and |
| Maynard_Ferguson | his |
| Maynard_Ferguson | ability |
| Maynard_Ferguson | to |
| Maynard_Ferguson | play |
| Maynard_Ferguson | in |
| Maynard_Ferguson | a |
| Maynard_Ferguson | high |
| Maynard_Ferguson | register |
| Maynard_Ferguson | en |
| Lionel_Hampton | lionel |
| Lionel_Hampton | leo |
| Lionel_Hampton | hampton |
| Lionel_Hampton | april |
| Lionel_Hampton | 20 |
| Lionel_Hampton | 1908 |
| Lionel_Hampton | august |
| Lionel_Hampton | 31 |
| Lionel_Hampton | 2002 |
| Lionel_Hampton | was |
| Lionel_Hampton | an |
| Lionel_Hampton | american |
| Lionel_Hampton | jazz |
| Lionel_Hampton | vibraphonist |
| Lionel_Hampton | pianist |
| Lionel_Hampton | percussionist |
| Lionel_Hampton | and |
| Lionel_Hampton | bandleader |
| Lionel_Hampton | hampton |
| Lionel_Hampton | worked |
| Lionel_Hampton | with |
| Lionel_Hampton | jazz |
| Lionel_Hampton | musicians |
| Lionel_Hampton | from |
| Lionel_Hampton | teddy |
| Lionel_Hampton | wilson |
| Lionel_Hampton | benny |
| Lionel_Hampton | goodman |
| Lionel_Hampton | and |
| Lionel_Hampton | buddy |
| Lionel_Hampton | rich |
| Lionel_Hampton | to |
| Lionel_Hampton | charlie |
| Lionel_Hampton | parker |
| Lionel_Hampton | charles |
| Lionel_Hampton | mingus |
| Lionel_Hampton | and |
| Lionel_Hampton | quincy |
| Lionel_Hampton | jones |
| Lionel_Hampton | in |
| Lionel_Hampton | 1992 |
| Lionel_Hampton | he |
| Lionel_Hampton | was |
| Lionel_Hampton | inducted |
| Lionel_Hampton | into |
| Lionel_Hampton | the |
| Lionel_Hampton | alabama |
| Lionel_Hampton | jazz |
| Lionel_Hampton | hall |
| Lionel_Hampton | of |
| Lionel_Hampton | fame |
| Lionel_Hampton | and |
| Lionel_Hampton | he |
| Lionel_Hampton | was |
| Lionel_Hampton | awarded |
| Lionel_Hampton | the |
| Lionel_Hampton | national |
| Lionel_Hampton | medal |
| Lionel_Hampton | of |
| Lionel_Hampton | arts |
| Lionel_Hampton | in |
| Lionel_Hampton | 1996 |
| Lionel_Hampton | en |
| Count_Basie | william |
| Count_Basie | james |
| Count_Basie | count |
| Count_Basie | basie |
| Count_Basie | be |
| Count_Basie | 阞 |
| Count_Basie | si |
| Count_Basie | august |
| Count_Basie | 21 |
| Count_Basie | 1904 |
| Count_Basie | april |
| Count_Basie | 26 |
| Count_Basie | 1984 |
| Count_Basie | was |
| Count_Basie | an |
| Count_Basie | american |
| Count_Basie | jazz |
| Count_Basie | pianist |
| Count_Basie | organist |
| Count_Basie | bandleader |
| Count_Basie | and |
| Count_Basie | composer |
| Count_Basie | in |
| Count_Basie | 1935 |
| Count_Basie | he |
| Count_Basie | formed |
| Count_Basie | the |
| Count_Basie | count |
| Count_Basie | basie |
| Count_Basie | orchestra |
| Count_Basie | and |
| Count_Basie | in |
| Count_Basie | 1936 |
| Count_Basie | took |
| Count_Basie | them |
| Count_Basie | to |
| Count_Basie | chicago |
| Count_Basie | for |
| Count_Basie | a |
| Count_Basie | long |
| Count_Basie | engagement |
| Count_Basie | and |
| Count_Basie | their |
| Count_Basie | first |
| Count_Basie | recording |
| Count_Basie | he |
| Count_Basie | led |
| Count_Basie | the |
| Count_Basie | group |
| Count_Basie | for |
| Count_Basie | almost |
| Count_Basie | 50 |
| Count_Basie | years |
| Count_Basie | creating |
| Count_Basie | innovations |
| Count_Basie | like |
| Count_Basie | the |
| Count_Basie | use |
| Count_Basie | of |
| Count_Basie | two |
| Count_Basie | split |
| Count_Basie | tenor |
| Count_Basie | saxophones |
| Count_Basie | emphasizing |
| Count_Basie | the |
| Count_Basie | rhythm |
| Count_Basie | section |
| Count_Basie | riffing |
| Count_Basie | with |
| Count_Basie | a |
| Count_Basie | big |
| Count_Basie | band |
| Count_Basie | using |
| Count_Basie | arrangers |
| Count_Basie | to |
| Count_Basie | broaden |
| Count_Basie | their |
| Count_Basie | sound |
| Count_Basie | and |
| Count_Basie | others |
| Count_Basie | many |
| Count_Basie | musicians |
| Count_Basie | came |
| Count_Basie | to |
| Count_Basie | prominence |
| Count_Basie | under |
| Count_Basie | his |
| Count_Basie | direction |
| Count_Basie | including |
| Count_Basie | the |
| Count_Basie | tenor |
| Count_Basie | saxophonists |
| Count_Basie | lester |
| Count_Basie | young |
| Count_Basie | and |
| Count_Basie | herschel |
| Count_Basie | evans |
| Count_Basie | the |
| Count_Basie | guitarist |
| Count_Basie | freddie |
| Count_Basie | green |
| Count_Basie | trumpeters |
| Count_Basie | buck |
| Count_Basie | clayton |
| Count_Basie | and |
| Count_Basie | harry |
| Count_Basie | sweets |
| Count_Basie | edison |
| Count_Basie | plunger |
| Count_Basie | trombonist |
| Count_Basie | al |
| Count_Basie | grey |
| Count_Basie | and |
| Count_Basie | singers |
| Count_Basie | jimmy |
| Count_Basie | rushing |
| Count_Basie | helen |
| Count_Basie | humes |
| Count_Basie | thelma |
| Count_Basie | carpenter |
| Count_Basie | and |
| Count_Basie | joe |
| Count_Basie | williams |
| Count_Basie | en |
| Lenny_Kravitz | leonard |
| Lenny_Kravitz | albert |
| Lenny_Kravitz | kravitz |
| Lenny_Kravitz | born |
| Lenny_Kravitz | may |
| Lenny_Kravitz | 26 |
| Lenny_Kravitz | 1964 |
| Lenny_Kravitz | is |
| Lenny_Kravitz | an |
| Lenny_Kravitz | american |
| Lenny_Kravitz | singer |
| Lenny_Kravitz | songwriter |
| Lenny_Kravitz | record |
| Lenny_Kravitz | producer |
| Lenny_Kravitz | multi |
| Lenny_Kravitz | instrumentalist |
| Lenny_Kravitz | and |
| Lenny_Kravitz | actor |
| Lenny_Kravitz | his |
| Lenny_Kravitz | style |
| Lenny_Kravitz | incorporates |
| Lenny_Kravitz | elements |
| Lenny_Kravitz | of |
| Lenny_Kravitz | rock |
| Lenny_Kravitz | blues |
| Lenny_Kravitz | soul |
| Lenny_Kravitz | r |
| Lenny_Kravitz | b |
| Lenny_Kravitz | funk |
| Lenny_Kravitz | jazz |
| Lenny_Kravitz | reggae |
| Lenny_Kravitz | hard |
| Lenny_Kravitz | rock |
| Lenny_Kravitz | psychedelic |
| Lenny_Kravitz | pop |
| Lenny_Kravitz | folk |
| Lenny_Kravitz | and |
| Lenny_Kravitz | ballads |
| Lenny_Kravitz | kravitz |
| Lenny_Kravitz | won |
| Lenny_Kravitz | the |
| Lenny_Kravitz | grammy |
| Lenny_Kravitz | award |
| Lenny_Kravitz | for |
| Lenny_Kravitz | best |
| Lenny_Kravitz | male |
| Lenny_Kravitz | rock |
| Lenny_Kravitz | vocal |
| Lenny_Kravitz | performance |
| Lenny_Kravitz | four |
| Lenny_Kravitz | years |
| Lenny_Kravitz | in |
| Lenny_Kravitz | a |
| Lenny_Kravitz | row |
| Lenny_Kravitz | from |
| Lenny_Kravitz | 1999 |
| Lenny_Kravitz | to |
| Lenny_Kravitz | 2002 |
| Lenny_Kravitz | breaking |
| Lenny_Kravitz | the |
| Lenny_Kravitz | record |
| Lenny_Kravitz | for |
| Lenny_Kravitz | most |
| Lenny_Kravitz | wins |
| Lenny_Kravitz | in |
| Lenny_Kravitz | that |
| Lenny_Kravitz | category |
| Lenny_Kravitz | and |
| Lenny_Kravitz | setting |
| Lenny_Kravitz | the |
| Lenny_Kravitz | record |
| Lenny_Kravitz | for |
| Lenny_Kravitz | most |
| Lenny_Kravitz | consecutive |
| Lenny_Kravitz | wins |
| Lenny_Kravitz | in |
| Lenny_Kravitz | one |
| Lenny_Kravitz | category |
| Lenny_Kravitz | by |
| Lenny_Kravitz | a |
| Lenny_Kravitz | male |
| Lenny_Kravitz | he |
| Lenny_Kravitz | has |
| Lenny_Kravitz | been |
| Lenny_Kravitz | nominated |
| Lenny_Kravitz | for |
| Lenny_Kravitz | and |
| Lenny_Kravitz | won |
| Lenny_Kravitz | other |
| Lenny_Kravitz | awards |
| Lenny_Kravitz | including |
| Lenny_Kravitz | american |
| Lenny_Kravitz | music |
| Lenny_Kravitz | awards |
| Lenny_Kravitz | mtv |
| Lenny_Kravitz | video |
| Lenny_Kravitz | music |
| Lenny_Kravitz | awards |
| Lenny_Kravitz | radio |
| Lenny_Kravitz | music |
| Lenny_Kravitz | awards |
| Lenny_Kravitz | brit |
| Lenny_Kravitz | awards |
| Lenny_Kravitz | and |
| Lenny_Kravitz | blockbuster |
| Lenny_Kravitz | entertainment |
| Lenny_Kravitz | awards |
| Lenny_Kravitz | kravitz’s |
| Lenny_Kravitz | hit |
| Lenny_Kravitz | singles |
| Lenny_Kravitz | include |
| Lenny_Kravitz | it |
| Lenny_Kravitz | ain’t |
| Lenny_Kravitz | over |
| Lenny_Kravitz | til |
| Lenny_Kravitz | it’s |
| Lenny_Kravitz | over |
| Lenny_Kravitz | 1991 |
| Lenny_Kravitz | and |
| Lenny_Kravitz | again |
| Lenny_Kravitz | 2000 |
| Lenny_Kravitz | each |
| Lenny_Kravitz | of |
| Lenny_Kravitz | which |
| Lenny_Kravitz | reached |
| Lenny_Kravitz | the |
| Lenny_Kravitz | top |
| Lenny_Kravitz | 10 |
| Lenny_Kravitz | on |
| Lenny_Kravitz | the |
| Lenny_Kravitz | billboard |
| Lenny_Kravitz | top |
| Lenny_Kravitz | 100 |
| Lenny_Kravitz | chart |
| Lenny_Kravitz | other |
| Lenny_Kravitz | hits |
| Lenny_Kravitz | include |
| Lenny_Kravitz | let |
| Lenny_Kravitz | love |
| Lenny_Kravitz | rule |
| Lenny_Kravitz | 1989 |
| Lenny_Kravitz | always |
| Lenny_Kravitz | on |
| Lenny_Kravitz | the |
| Lenny_Kravitz | run |
| Lenny_Kravitz | 1991 |
| Lenny_Kravitz | are |
| Lenny_Kravitz | you |
| Lenny_Kravitz | gonna |
| Lenny_Kravitz | go |
| Lenny_Kravitz | my |
| Lenny_Kravitz | way |
| Lenny_Kravitz | 1993 |
| Lenny_Kravitz | fly |
| Lenny_Kravitz | away |
| Lenny_Kravitz | 1998 |
| Lenny_Kravitz | and |
| Lenny_Kravitz | american |
| Lenny_Kravitz | woman |
| Lenny_Kravitz | 1999 |
| Lenny_Kravitz | each |
| Lenny_Kravitz | of |
| Lenny_Kravitz | which |
| Lenny_Kravitz | reached |
| Lenny_Kravitz | the |
| Lenny_Kravitz | top |
| Lenny_Kravitz | 10 |
| Lenny_Kravitz | on |
| Lenny_Kravitz | the |
| Lenny_Kravitz | alternative |
| Lenny_Kravitz | airplay |
| Lenny_Kravitz | chart |
| Lenny_Kravitz | kravitz |
| Lenny_Kravitz | was |
| Lenny_Kravitz | ranked |
| Lenny_Kravitz | at |
| Lenny_Kravitz | no |
| Lenny_Kravitz | 93 |
| Lenny_Kravitz | on |
| Lenny_Kravitz | vh1 |
| Lenny_Kravitz | s |
| Lenny_Kravitz | 100 |
| Lenny_Kravitz | greatest |
| Lenny_Kravitz | artists |
| Lenny_Kravitz | of |
| Lenny_Kravitz | hard |
| Lenny_Kravitz | rock |
| Lenny_Kravitz | he |
| Lenny_Kravitz | was |
| Lenny_Kravitz | made |
| Lenny_Kravitz | an |
| Lenny_Kravitz | officer |
| Lenny_Kravitz | of |
| Lenny_Kravitz | the |
| Lenny_Kravitz | ordre |
| Lenny_Kravitz | des |
| Lenny_Kravitz | arts |
| Lenny_Kravitz | et |
| Lenny_Kravitz | des |
| Lenny_Kravitz | lettres |
| Lenny_Kravitz | in |
| Lenny_Kravitz | 2011 |
| Lenny_Kravitz | and |
| Lenny_Kravitz | has |
| Lenny_Kravitz | played |
| Lenny_Kravitz | cinna |
| Lenny_Kravitz | in |
| Lenny_Kravitz | the |
| Lenny_Kravitz | hunger |
| Lenny_Kravitz | games |
| Lenny_Kravitz | film |
| Lenny_Kravitz | series |
| Lenny_Kravitz | in |
| Lenny_Kravitz | his |
| Lenny_Kravitz | career |
| Lenny_Kravitz | kravitz |
| Lenny_Kravitz | has |
| Lenny_Kravitz | sold |
| Lenny_Kravitz | over |
| Lenny_Kravitz | 40 |
| Lenny_Kravitz | million |
| Lenny_Kravitz | albums |
| Lenny_Kravitz | worldwide |
| Lenny_Kravitz | en |
| Victor_Goines | victor |
| Victor_Goines | louis |
| Victor_Goines | goines |
| Victor_Goines | born |
| Victor_Goines | august |
| Victor_Goines | 6 |
| Victor_Goines | 1961 |
| Victor_Goines | is |
| Victor_Goines | a |
| Victor_Goines | jazz |
| Victor_Goines | saxophonist |
| Victor_Goines | and |
| Victor_Goines | clarinetist |
| Victor_Goines | from |
| Victor_Goines | 2000 |
| Victor_Goines | to |
| Victor_Goines | 2007 |
| Victor_Goines | he |
| Victor_Goines | was |
| Victor_Goines | director |
| Victor_Goines | of |
| Victor_Goines | the |
| Victor_Goines | jazz |
| Victor_Goines | program |
| Victor_Goines | at |
| Victor_Goines | juilliard |
| Victor_Goines | he |
| Victor_Goines | has |
| Victor_Goines | been |
| Victor_Goines | a |
| Victor_Goines | member |
| Victor_Goines | of |
| Victor_Goines | jazz |
| Victor_Goines | at |
| Victor_Goines | lincoln |
| Victor_Goines | center |
| Victor_Goines | orchestra |
| Victor_Goines | and |
| Victor_Goines | the |
| Victor_Goines | wynton |
| Victor_Goines | marsalis |
| Victor_Goines | septet |
| Victor_Goines | since |
| Victor_Goines | 1993 |
| Victor_Goines | goines |
| Victor_Goines | has |
| Victor_Goines | served |
| Victor_Goines | as |
| Victor_Goines | the |
| Victor_Goines | director |
| Victor_Goines | of |
| Victor_Goines | jazz |
| Victor_Goines | studies |
| Victor_Goines | and |
| Victor_Goines | professor |
| Victor_Goines | for |
| Victor_Goines | the |
| Victor_Goines | bienen |
| Victor_Goines | school |
| Victor_Goines | of |
| Victor_Goines | music |
| Victor_Goines | at |
| Victor_Goines | northwestern |
| Victor_Goines | university |
| Victor_Goines | since |
| Victor_Goines | 2008 |
| Victor_Goines | goines |
| Victor_Goines | has |
| Victor_Goines | collaborated |
| Victor_Goines | with |
| Victor_Goines | terence |
| Victor_Goines | blanchard |
| Victor_Goines | dee |
| Victor_Goines | dee |
| Victor_Goines | bridgewater |
| Victor_Goines | ruth |
| Victor_Goines | brown |
| Victor_Goines | ray |
| Victor_Goines | charles |
| Victor_Goines | bo |
| Victor_Goines | diddley |
| Victor_Goines | bob |
| Victor_Goines | dylan |
| Victor_Goines | dizzy |
| Victor_Goines | gillespie |
| Victor_Goines | freddie |
| Victor_Goines | green |
| Victor_Goines | lionel |
| Victor_Goines | hampton |
| Victor_Goines | freddie |
| Victor_Goines | hubbard |
| Victor_Goines | b.b |
| Victor_Goines | king |
| Victor_Goines | lenny |
| Victor_Goines | kravitz |
| Victor_Goines | branford |
| Victor_Goines | marsalis |
| Victor_Goines | ellis |
| Victor_Goines | marsalis |
| Victor_Goines | james |
| Victor_Goines | moody |
| Victor_Goines | dianne |
| Victor_Goines | reeves |
| Victor_Goines | marcus |
| Victor_Goines | roberts |
| Victor_Goines | diana |
| Victor_Goines | ross |
| Victor_Goines | eric |
| Victor_Goines | clapton |
| Victor_Goines | wycliffe |
| Victor_Goines | gordon |
| Victor_Goines | and |
| Victor_Goines | stevie |
| Victor_Goines | wonder |
| Victor_Goines | he |
| Victor_Goines | has |
| Victor_Goines | performed |
| Victor_Goines | on |
| Victor_Goines | more |
| Victor_Goines | than |
| Victor_Goines | 20 |
| Victor_Goines | recordings |
| Victor_Goines | including |
| Victor_Goines | the |
| Victor_Goines | soundtracks |
| Victor_Goines | for |
| Victor_Goines | three |
| Victor_Goines | ken |
| Victor_Goines | burns |
| Victor_Goines | documentaries |
| Victor_Goines | and |
| Victor_Goines | the |
| Victor_Goines | films |
| Victor_Goines | undercover |
| Victor_Goines | blues |
| Victor_Goines | 1993 |
| Victor_Goines | night |
| Victor_Goines | falls |
| Victor_Goines | on |
| Victor_Goines | manhattan |
| Victor_Goines | 1997 |
| Victor_Goines | and |
| Victor_Goines | rosewood |
| Victor_Goines | 1997 |
| Victor_Goines | he |
| Victor_Goines | has |
| Victor_Goines | composed |
| Victor_Goines | more |
| Victor_Goines | than |
| Victor_Goines | 200 |
| Victor_Goines | original |
| Victor_Goines | works |
| Victor_Goines | including |
| Victor_Goines | jazz |
| Victor_Goines | at |
| Victor_Goines | lincoln |
| Victor_Goines | center |
| Victor_Goines | and |
| Victor_Goines | ascap |
| Victor_Goines | commissions |
| Victor_Goines | he |
| Victor_Goines | has |
| Victor_Goines | also |
| Victor_Goines | served |
| Victor_Goines | on |
| Victor_Goines | the |
| Victor_Goines | faculties |
| Victor_Goines | of |
| Victor_Goines | florida |
| Victor_Goines | a |
| Victor_Goines | m |
| Victor_Goines | university |
| Victor_Goines | university |
| Victor_Goines | of |
| Victor_Goines | new |
| Victor_Goines | orleans |
| Victor_Goines | loyola |
| Victor_Goines | university |
| Victor_Goines | of |
| Victor_Goines | new |
| Victor_Goines | orleans |
| Victor_Goines | and |
| Victor_Goines | xavier |
| Victor_Goines | university |
| Victor_Goines | of |
| Victor_Goines | louisiana |
| Victor_Goines | goines |
| Victor_Goines | is |
| Victor_Goines | an |
| Victor_Goines | artist |
| Victor_Goines | for |
| Victor_Goines | buffet |
| Victor_Goines | crampon |
| Victor_Goines | and |
| Victor_Goines | vandoren |
| Victor_Goines | en |
| Eric_Clapton | eric |
| Eric_Clapton | patrick |
| Eric_Clapton | clapton |
| Eric_Clapton | cbe |
| Eric_Clapton | born |
| Eric_Clapton | 30 |
| Eric_Clapton | march |
| Eric_Clapton | 1945 |
| Eric_Clapton | is |
| Eric_Clapton | an |
| Eric_Clapton | english |
| Eric_Clapton | rock |
| Eric_Clapton | and |
| Eric_Clapton | blues |
| Eric_Clapton | guitarist |
| Eric_Clapton | singer |
| Eric_Clapton | and |
| Eric_Clapton | songwriter |
| Eric_Clapton | widely |
| Eric_Clapton | regarded |
| Eric_Clapton | as |
| Eric_Clapton | one |
| Eric_Clapton | of |
| Eric_Clapton | the |
| Eric_Clapton | most |
| Eric_Clapton | important |
| Eric_Clapton | and |
| Eric_Clapton | influential |
| Eric_Clapton | guitarists |
| Eric_Clapton | of |
| Eric_Clapton | all |
| Eric_Clapton | time |
| Eric_Clapton | clapton |
| Eric_Clapton | ranked |
| Eric_Clapton | second |
| Eric_Clapton | in |
| Eric_Clapton | rolling |
| Eric_Clapton | stone’s |
| Eric_Clapton | list |
| Eric_Clapton | of |
| Eric_Clapton | the |
| Eric_Clapton | 100 |
| Eric_Clapton | greatest |
| Eric_Clapton | guitarists |
| Eric_Clapton | of |
| Eric_Clapton | all |
| Eric_Clapton | time |
| Eric_Clapton | and |
| Eric_Clapton | fourth |
| Eric_Clapton | in |
| Eric_Clapton | gibson’s |
| Eric_Clapton | top |
| Eric_Clapton | 50 |
| Eric_Clapton | guitarists |
| Eric_Clapton | of |
| Eric_Clapton | all |
| Eric_Clapton | time |
| Eric_Clapton | he |
| Eric_Clapton | was |
| Eric_Clapton | also |
| Eric_Clapton | named |
| Eric_Clapton | number |
| Eric_Clapton | five |
| Eric_Clapton | in |
| Eric_Clapton | time |
| Eric_Clapton | magazine’s |
| Eric_Clapton | list |
| Eric_Clapton | of |
| Eric_Clapton | the |
| Eric_Clapton | 10 |
| Eric_Clapton | best |
| Eric_Clapton | electric |
| Eric_Clapton | guitar |
| Eric_Clapton | players |
| Eric_Clapton | in |
| Eric_Clapton | 2009 |
| Eric_Clapton | after |
| Eric_Clapton | playing |
| Eric_Clapton | in |
| Eric_Clapton | a |
| Eric_Clapton | number |
| Eric_Clapton | of |
| Eric_Clapton | different |
| Eric_Clapton | local |
| Eric_Clapton | bands |
| Eric_Clapton | clapton |
| Eric_Clapton | joined |
| Eric_Clapton | the |
| Eric_Clapton | yardbirds |
| Eric_Clapton | in |
| Eric_Clapton | 1963 |
| Eric_Clapton | replacing |
| Eric_Clapton | founding |
| Eric_Clapton | guitarist |
| Eric_Clapton | top |
| Eric_Clapton | topham |
| Eric_Clapton | dissatisfied |
| Eric_Clapton | with |
| Eric_Clapton | the |
| Eric_Clapton | change |
| Eric_Clapton | of |
| Eric_Clapton | the |
| Eric_Clapton | yardbirds |
| Eric_Clapton | sound |
| Eric_Clapton | from |
| Eric_Clapton | blues |
| Eric_Clapton | rock |
| Eric_Clapton | to |
| Eric_Clapton | a |
| Eric_Clapton | more |
| Eric_Clapton | radio |
| Eric_Clapton | friendly |
| Eric_Clapton | pop |
| Eric_Clapton | rock |
| Eric_Clapton | sound |
| Eric_Clapton | clapton |
| Eric_Clapton | left |
| Eric_Clapton | in |
| Eric_Clapton | 1965 |
| Eric_Clapton | to |
| Eric_Clapton | play |
| Eric_Clapton | with |
| Eric_Clapton | john |
| Eric_Clapton | mayall |
| Eric_Clapton | the |
| Eric_Clapton | bluesbreakers |
| Eric_Clapton | on |
| Eric_Clapton | leaving |
| Eric_Clapton | mayall |
| Eric_Clapton | in |
| Eric_Clapton | 1966 |
| Eric_Clapton | after |
| Eric_Clapton | one |
| Eric_Clapton | album |
| Eric_Clapton | he |
| Eric_Clapton | formed |
| Eric_Clapton | the |
| Eric_Clapton | power |
| Eric_Clapton | trio |
| Eric_Clapton | cream |
| Eric_Clapton | with |
| Eric_Clapton | drummer |
| Eric_Clapton | ginger |
| Eric_Clapton | baker |
| Eric_Clapton | and |
| Eric_Clapton | bassist |
| Eric_Clapton | jack |
| Eric_Clapton | bruce |
| Eric_Clapton | in |
| Eric_Clapton | which |
| Eric_Clapton | clapton |
| Eric_Clapton | played |
| Eric_Clapton | sustained |
| Eric_Clapton | blues |
| Eric_Clapton | improvisations |
| Eric_Clapton | and |
| Eric_Clapton | arty |
| Eric_Clapton | blues |
| Eric_Clapton | based |
| Eric_Clapton | psychedelic |
| Eric_Clapton | pop |
| Eric_Clapton | after |
| Eric_Clapton | cream |
| Eric_Clapton | broke |
| Eric_Clapton | up |
| Eric_Clapton | in |
| Eric_Clapton | november |
| Eric_Clapton | 1968 |
| Eric_Clapton | he |
| Eric_Clapton | formed |
| Eric_Clapton | the |
| Eric_Clapton | blues |
| Eric_Clapton | rock |
| Eric_Clapton | band |
| Eric_Clapton | blind |
| Eric_Clapton | faith |
| Eric_Clapton | with |
| Eric_Clapton | baker |
| Eric_Clapton | steve |
| Eric_Clapton | winwood |
| Eric_Clapton | and |
| Eric_Clapton | ric |
| Eric_Clapton | grech |
| Eric_Clapton | recording |
| Eric_Clapton | one |
| Eric_Clapton | album |
| Eric_Clapton | and |
| Eric_Clapton | performing |
| Eric_Clapton | on |
| Eric_Clapton | one |
| Eric_Clapton | tour |
| Eric_Clapton | before |
| Eric_Clapton | they |
| Eric_Clapton | broke |
| Eric_Clapton | up |
| Eric_Clapton | clapton |
| Eric_Clapton | embarked |
| Eric_Clapton | on |
| Eric_Clapton | a |
| Eric_Clapton | solo |
| Eric_Clapton | career |
| Eric_Clapton | in |
| Eric_Clapton | 1970 |
| Eric_Clapton | alongside |
| Eric_Clapton | his |
| Eric_Clapton | solo |
| Eric_Clapton | career |
| Eric_Clapton | he |
| Eric_Clapton | also |
| Eric_Clapton | performed |
| Eric_Clapton | with |
| Eric_Clapton | delaney |
| Eric_Clapton | bonnie |
| Eric_Clapton | and |
| Eric_Clapton | derek |
| Eric_Clapton | and |
| Eric_Clapton | the |
| Eric_Clapton | dominos |
| Eric_Clapton | with |
| Eric_Clapton | whom |
| Eric_Clapton | he |
| Eric_Clapton | recorded |
| Eric_Clapton | layla |
| Eric_Clapton | one |
| Eric_Clapton | of |
| Eric_Clapton | his |
| Eric_Clapton | signature |
| Eric_Clapton | songs |
| Eric_Clapton | he |
| Eric_Clapton | continued |
| Eric_Clapton | to |
| Eric_Clapton | record |
| Eric_Clapton | a |
| Eric_Clapton | number |
| Eric_Clapton | of |
| Eric_Clapton | successful |
| Eric_Clapton | solo |
| Eric_Clapton | albums |
| Eric_Clapton | and |
| Eric_Clapton | songs |
| Eric_Clapton | over |
| Eric_Clapton | the |
| Eric_Clapton | next |
| Eric_Clapton | several |
| Eric_Clapton | decades |
| Eric_Clapton | including |
| Eric_Clapton | a |
| Eric_Clapton | 1974 |
| Eric_Clapton | cover |
| Eric_Clapton | of |
| Eric_Clapton | bob |
| Eric_Clapton | marley’s |
| Eric_Clapton | i |
| Eric_Clapton | shot |
| Eric_Clapton | the |
| Eric_Clapton | sheriff |
| Eric_Clapton | which |
| Eric_Clapton | helped |
| Eric_Clapton | reggae |
| Eric_Clapton | reach |
| Eric_Clapton | a |
| Eric_Clapton | mass |
| Eric_Clapton | market |
| Eric_Clapton | the |
| Eric_Clapton | country |
| Eric_Clapton | infused |
| Eric_Clapton | slowhand |
| Eric_Clapton | album |
| Eric_Clapton | 1977 |
| Eric_Clapton | and |
| Eric_Clapton | the |
| Eric_Clapton | pop |
| Eric_Clapton | rock |
| Eric_Clapton | of |
| Eric_Clapton | 1986 |
| Eric_Clapton | s |
| Eric_Clapton | august |
| Eric_Clapton | following |
| Eric_Clapton | the |
| Eric_Clapton | death |
| Eric_Clapton | of |
| Eric_Clapton | his |
| Eric_Clapton | son |
| Eric_Clapton | conor |
| Eric_Clapton | in |
| Eric_Clapton | 1991 |
| Eric_Clapton | clapton’s |
| Eric_Clapton | grief |
| Eric_Clapton | was |
| Eric_Clapton | expressed |
| Eric_Clapton | in |
| Eric_Clapton | the |
| Eric_Clapton | song |
| Eric_Clapton | tears |
| Eric_Clapton | in |
| Eric_Clapton | heaven |
| Eric_Clapton | which |
| Eric_Clapton | appeared |
| Eric_Clapton | on |
| Eric_Clapton | his |
| Eric_Clapton | unplugged |
| Eric_Clapton | album |
| Eric_Clapton | and |
| Eric_Clapton | in |
| Eric_Clapton | 1996 |
| Eric_Clapton | he |
| Eric_Clapton | had |
| Eric_Clapton | another |
| Eric_Clapton | top |
| Eric_Clapton | 40 |
| Eric_Clapton | hit |
| Eric_Clapton | with |
| Eric_Clapton | the |
| Eric_Clapton | r |
| Eric_Clapton | b |
| Eric_Clapton | crossover |
| Eric_Clapton | change |
| Eric_Clapton | the |
| Eric_Clapton | world |
| Eric_Clapton | in |
| Eric_Clapton | 1998 |
| Eric_Clapton | he |
| Eric_Clapton | released |
| Eric_Clapton | the |
| Eric_Clapton | grammy |
| Eric_Clapton | award |
| Eric_Clapton | winning |
| Eric_Clapton | my |
| Eric_Clapton | father’s |
| Eric_Clapton | eyes |
| Eric_Clapton | since |
| Eric_Clapton | 1999 |
| Eric_Clapton | he |
| Eric_Clapton | has |
| Eric_Clapton | recorded |
| Eric_Clapton | a |
| Eric_Clapton | number |
| Eric_Clapton | of |
| Eric_Clapton | traditional |
| Eric_Clapton | blues |
| Eric_Clapton | and |
| Eric_Clapton | blues |
| Eric_Clapton | rock |
| Eric_Clapton | albums |
| Eric_Clapton | and |
| Eric_Clapton | hosted |
| Eric_Clapton | the |
| Eric_Clapton | periodic |
| Eric_Clapton | crossroads |
| Eric_Clapton | guitar |
| Eric_Clapton | festival |
| Eric_Clapton | his |
| Eric_Clapton | most |
| Eric_Clapton | recent |
| Eric_Clapton | studio |
| Eric_Clapton | album |
| Eric_Clapton | is |
| Eric_Clapton | happy |
| Eric_Clapton | xmas |
| Eric_Clapton | 2018 |
| Eric_Clapton | clapton |
| Eric_Clapton | has |
| Eric_Clapton | received |
| Eric_Clapton | 18 |
| Eric_Clapton | grammy |
| Eric_Clapton | awards |
| Eric_Clapton | as |
| Eric_Clapton | well |
| Eric_Clapton | as |
| Eric_Clapton | the |
| Eric_Clapton | brit |
| Eric_Clapton | award |
| Eric_Clapton | for |
| Eric_Clapton | outstanding |
| Eric_Clapton | contribution |
| Eric_Clapton | to |
| Eric_Clapton | music |
| Eric_Clapton | in |
| Eric_Clapton | 2004 |
| Eric_Clapton | he |
| Eric_Clapton | was |
| Eric_Clapton | awarded |
| Eric_Clapton | a |
| Eric_Clapton | cbe |
| Eric_Clapton | for |
| Eric_Clapton | services |
| Eric_Clapton | to |
| Eric_Clapton | music |
| Eric_Clapton | he |
| Eric_Clapton | has |
| Eric_Clapton | received |
| Eric_Clapton | four |
| Eric_Clapton | ivor |
| Eric_Clapton | novello |
| Eric_Clapton | awards |
| Eric_Clapton | from |
| Eric_Clapton | the |
| Eric_Clapton | british |
| Eric_Clapton | academy |
| Eric_Clapton | of |
| Eric_Clapton | songwriters |
| Eric_Clapton | composers |
| Eric_Clapton | and |
| Eric_Clapton | authors |
| Eric_Clapton | including |
| Eric_Clapton | the |
| Eric_Clapton | lifetime |
| Eric_Clapton | achievement |
| Eric_Clapton | award |
| Eric_Clapton | he |
| Eric_Clapton | is |
| Eric_Clapton | the |
| Eric_Clapton | only |
| Eric_Clapton | three |
| Eric_Clapton | time |
| Eric_Clapton | inductee |
| Eric_Clapton | to |
| Eric_Clapton | the |
| Eric_Clapton | rock |
| Eric_Clapton | and |
| Eric_Clapton | roll |
| Eric_Clapton | hall |
| Eric_Clapton | of |
| Eric_Clapton | fame |
| Eric_Clapton | once |
| Eric_Clapton | as |
| Eric_Clapton | a |
| Eric_Clapton | solo |
| Eric_Clapton | artist |
| Eric_Clapton | and |
| Eric_Clapton | separately |
| Eric_Clapton | as |
| Eric_Clapton | a |
| Eric_Clapton | member |
| Eric_Clapton | of |
| Eric_Clapton | the |
| Eric_Clapton | yardbirds |
| Eric_Clapton | and |
| Eric_Clapton | of |
| Eric_Clapton | cream |
| Eric_Clapton | in |
| Eric_Clapton | his |
| Eric_Clapton | solo |
| Eric_Clapton | career |
| Eric_Clapton | clapton |
| Eric_Clapton | has |
| Eric_Clapton | sold |
| Eric_Clapton | more |
| Eric_Clapton | than |
| Eric_Clapton | 280 |
| Eric_Clapton | million |
| Eric_Clapton | records |
| Eric_Clapton | worldwide |
| Eric_Clapton | making |
| Eric_Clapton | him |
| Eric_Clapton | one |
| Eric_Clapton | of |
| Eric_Clapton | the |
| Eric_Clapton | best |
| Eric_Clapton | selling |
| Eric_Clapton | musicians |
| Eric_Clapton | of |
| Eric_Clapton | all |
| Eric_Clapton | time |
| Eric_Clapton | in |
| Eric_Clapton | 1998 |
| Eric_Clapton | clapton |
| Eric_Clapton | a |
| Eric_Clapton | recovering |
| Eric_Clapton | alcoholic |
| Eric_Clapton | and |
| Eric_Clapton | drug |
| Eric_Clapton | addict |
| Eric_Clapton | founded |
| Eric_Clapton | the |
| Eric_Clapton | crossroads |
| Eric_Clapton | centre |
| Eric_Clapton | on |
| Eric_Clapton | antigua |
| Eric_Clapton | a |
| Eric_Clapton | medical |
| Eric_Clapton | facility |
| Eric_Clapton | for |
| Eric_Clapton | recovering |
| Eric_Clapton | substance |
| Eric_Clapton | abusers |
| Eric_Clapton | en |
| Dianne_Reeves | dianne |
| Dianne_Reeves | elizabeth |
| Dianne_Reeves | reeves |
| Dianne_Reeves | born |
| Dianne_Reeves | october |
| Dianne_Reeves | 23 |
| Dianne_Reeves | 1956 |
| Dianne_Reeves | is |
| Dianne_Reeves | an |
| Dianne_Reeves | american |
| Dianne_Reeves | jazz |
| Dianne_Reeves | singer |
| Dianne_Reeves | en |
| Terri_Lyne_Carrington | terri |
| Terri_Lyne_Carrington | lyne |
| Terri_Lyne_Carrington | carrington |
| Terri_Lyne_Carrington | born |
| Terri_Lyne_Carrington | august |
| Terri_Lyne_Carrington | 4 |
| Terri_Lyne_Carrington | 1965 |
| Terri_Lyne_Carrington | is |
| Terri_Lyne_Carrington | an |
| Terri_Lyne_Carrington | american |
| Terri_Lyne_Carrington | jazz |
| Terri_Lyne_Carrington | drummer |
| Terri_Lyne_Carrington | composer |
| Terri_Lyne_Carrington | producer |
| Terri_Lyne_Carrington | and |
| Terri_Lyne_Carrington | educator |
| Terri_Lyne_Carrington | she |
| Terri_Lyne_Carrington | has |
| Terri_Lyne_Carrington | played |
| Terri_Lyne_Carrington | with |
| Terri_Lyne_Carrington | dizzy |
| Terri_Lyne_Carrington | gillespie |
| Terri_Lyne_Carrington | stan |
| Terri_Lyne_Carrington | getz |
| Terri_Lyne_Carrington | clark |
| Terri_Lyne_Carrington | terry |
| Terri_Lyne_Carrington | herbie |
| Terri_Lyne_Carrington | hancock |
| Terri_Lyne_Carrington | wayne |
| Terri_Lyne_Carrington | shorter |
| Terri_Lyne_Carrington | joe |
| Terri_Lyne_Carrington | sample |
| Terri_Lyne_Carrington | al |
| Terri_Lyne_Carrington | jarreau |
| Terri_Lyne_Carrington | yellowjackets |
| Terri_Lyne_Carrington | and |
| Terri_Lyne_Carrington | many |
| Terri_Lyne_Carrington | others |
| Terri_Lyne_Carrington | she |
| Terri_Lyne_Carrington | toured |
| Terri_Lyne_Carrington | with |
| Terri_Lyne_Carrington | each |
| Terri_Lyne_Carrington | of |
| Terri_Lyne_Carrington | hancock’s |
| Terri_Lyne_Carrington | musical |
| Terri_Lyne_Carrington | configurations |
| Terri_Lyne_Carrington | from |
| Terri_Lyne_Carrington | electric |
| Terri_Lyne_Carrington | to |
| Terri_Lyne_Carrington | acoustic |
| Terri_Lyne_Carrington | between |
| Terri_Lyne_Carrington | 1997 |
| Terri_Lyne_Carrington | and |
| Terri_Lyne_Carrington | 2007 |
| Terri_Lyne_Carrington | in |
| Terri_Lyne_Carrington | 2007 |
| Terri_Lyne_Carrington | she |
| Terri_Lyne_Carrington | was |
| Terri_Lyne_Carrington | appointed |
| Terri_Lyne_Carrington | professor |
| Terri_Lyne_Carrington | at |
| Terri_Lyne_Carrington | her |
| Terri_Lyne_Carrington | alma |
| Terri_Lyne_Carrington | mater |
| Terri_Lyne_Carrington | berklee |
| Terri_Lyne_Carrington | college |
| Terri_Lyne_Carrington | of |
| Terri_Lyne_Carrington | music |
| Terri_Lyne_Carrington | where |
| Terri_Lyne_Carrington | she |
| Terri_Lyne_Carrington | received |
| Terri_Lyne_Carrington | an |
| Terri_Lyne_Carrington | honorary |
| Terri_Lyne_Carrington | doctorate |
| Terri_Lyne_Carrington | in |
| Terri_Lyne_Carrington | 2003 |
| Terri_Lyne_Carrington | she |
| Terri_Lyne_Carrington | has |
| Terri_Lyne_Carrington | won |
| Terri_Lyne_Carrington | three |
| Terri_Lyne_Carrington | grammy |
| Terri_Lyne_Carrington | awards |
| Terri_Lyne_Carrington | including |
| Terri_Lyne_Carrington | a |
| Terri_Lyne_Carrington | 2013 |
| Terri_Lyne_Carrington | award |
| Terri_Lyne_Carrington | for |
| Terri_Lyne_Carrington | best |
| Terri_Lyne_Carrington | jazz |
| Terri_Lyne_Carrington | instrumental |
| Terri_Lyne_Carrington | album |
| Terri_Lyne_Carrington | which |
| Terri_Lyne_Carrington | established |
| Terri_Lyne_Carrington | her |
| Terri_Lyne_Carrington | as |
| Terri_Lyne_Carrington | the |
| Terri_Lyne_Carrington | first |
| Terri_Lyne_Carrington | female |
| Terri_Lyne_Carrington | musician |
| Terri_Lyne_Carrington | to |
| Terri_Lyne_Carrington | win |
| Terri_Lyne_Carrington | a |
| Terri_Lyne_Carrington | grammy |
| Terri_Lyne_Carrington | in |
| Terri_Lyne_Carrington | this |
| Terri_Lyne_Carrington | category |
| Terri_Lyne_Carrington | carrington |
| Terri_Lyne_Carrington | serves |
| Terri_Lyne_Carrington | as |
| Terri_Lyne_Carrington | founder |
| Terri_Lyne_Carrington | and |
| Terri_Lyne_Carrington | artistic |
| Terri_Lyne_Carrington | director |
| Terri_Lyne_Carrington | of |
| Terri_Lyne_Carrington | the |
| Terri_Lyne_Carrington | berklee |
| Terri_Lyne_Carrington | institute |
| Terri_Lyne_Carrington | of |
| Terri_Lyne_Carrington | jazz |
| Terri_Lyne_Carrington | and |
| Terri_Lyne_Carrington | gender |
| Terri_Lyne_Carrington | justice |
| Terri_Lyne_Carrington | and |
| Terri_Lyne_Carrington | the |
| Terri_Lyne_Carrington | carr |
| Terri_Lyne_Carrington | center |
| Terri_Lyne_Carrington | in |
| Terri_Lyne_Carrington | detroit |
| Terri_Lyne_Carrington | mi |
| Terri_Lyne_Carrington | she |
| Terri_Lyne_Carrington | also |
| Terri_Lyne_Carrington | serves |
| Terri_Lyne_Carrington | on |
| Terri_Lyne_Carrington | the |
| Terri_Lyne_Carrington | board |
| Terri_Lyne_Carrington | of |
| Terri_Lyne_Carrington | trustees |
| Terri_Lyne_Carrington | for |
| Terri_Lyne_Carrington | the |
| Terri_Lyne_Carrington | recording |
| Terri_Lyne_Carrington | academy |
| Terri_Lyne_Carrington | board |
| Terri_Lyne_Carrington | of |
| Terri_Lyne_Carrington | directors |
| Terri_Lyne_Carrington | for |
| Terri_Lyne_Carrington | international |
| Terri_Lyne_Carrington | society |
| Terri_Lyne_Carrington | for |
| Terri_Lyne_Carrington | jazz |
| Terri_Lyne_Carrington | arrangers |
| Terri_Lyne_Carrington | and |
| Terri_Lyne_Carrington | composers |
| Terri_Lyne_Carrington | and |
| Terri_Lyne_Carrington | the |
| Terri_Lyne_Carrington | advisory |
| Terri_Lyne_Carrington | board |
| Terri_Lyne_Carrington | for |
| Terri_Lyne_Carrington | the |
| Terri_Lyne_Carrington | history |
| Terri_Lyne_Carrington | makers |
| Terri_Lyne_Carrington | and |
| Terri_Lyne_Carrington | new |
| Terri_Lyne_Carrington | music |
| Terri_Lyne_Carrington | usa |
| Terri_Lyne_Carrington | en |
| Alexa_Tarantino | alexa |
| Alexa_Tarantino | tarantino |
| Alexa_Tarantino | born |
| Alexa_Tarantino | may |
| Alexa_Tarantino | 30 |
| Alexa_Tarantino | 1992 |
| Alexa_Tarantino | in |
| Alexa_Tarantino | west |
| Alexa_Tarantino | hartford |
| Alexa_Tarantino | connecticut |
| Alexa_Tarantino | is |
| Alexa_Tarantino | an |
| Alexa_Tarantino | american |
| Alexa_Tarantino | jazz |
| Alexa_Tarantino | saxophonist |
| Alexa_Tarantino | woodwind |
| Alexa_Tarantino | doubler |
| Alexa_Tarantino | composer |
| Alexa_Tarantino | and |
| Alexa_Tarantino | educator |
| Alexa_Tarantino | en |
| Charlie_Haden | charles |
| Charlie_Haden | edward |
| Charlie_Haden | haden |
| Charlie_Haden | august |
| Charlie_Haden | 6 |
| Charlie_Haden | 1937 |
| Charlie_Haden | july |
| Charlie_Haden | 11 |
| Charlie_Haden | 2014 |
| Charlie_Haden | was |
| Charlie_Haden | an |
| Charlie_Haden | american |
| Charlie_Haden | jazz |
| Charlie_Haden | double |
| Charlie_Haden | bass |
| Charlie_Haden | player |
| Charlie_Haden | bandleader |
| Charlie_Haden | composer |
| Charlie_Haden | and |
| Charlie_Haden | educator |
| Charlie_Haden | whose |
| Charlie_Haden | career |
| Charlie_Haden | spanned |
| Charlie_Haden | more |
| Charlie_Haden | than |
| Charlie_Haden | 50 |
| Charlie_Haden | years |
| Charlie_Haden | in |
| Charlie_Haden | the |
| Charlie_Haden | late |
| Charlie_Haden | 1950s |
| Charlie_Haden | he |
| Charlie_Haden | was |
| Charlie_Haden | an |
| Charlie_Haden | original |
| Charlie_Haden | member |
| Charlie_Haden | of |
| Charlie_Haden | the |
| Charlie_Haden | ground |
| Charlie_Haden | breaking |
| Charlie_Haden | ornette |
| Charlie_Haden | coleman |
| Charlie_Haden | quartet |
| Charlie_Haden | haden |
| Charlie_Haden | revolutionized |
| Charlie_Haden | the |
| Charlie_Haden | harmonic |
| Charlie_Haden | concept |
| Charlie_Haden | of |
| Charlie_Haden | bass |
| Charlie_Haden | playing |
| Charlie_Haden | in |
| Charlie_Haden | jazz |
| Charlie_Haden | german |
| Charlie_Haden | musicologist |
| Charlie_Haden | joachim |
| Charlie_Haden | ernst |
| Charlie_Haden | berendt |
| Charlie_Haden | wrote |
| Charlie_Haden | that |
| Charlie_Haden | haden’s |
| Charlie_Haden | ability |
| Charlie_Haden | to |
| Charlie_Haden | create |
| Charlie_Haden | serendipitous |
| Charlie_Haden | harmonies |
| Charlie_Haden | by |
| Charlie_Haden | improvising |
| Charlie_Haden | melodic |
| Charlie_Haden | responses |
| Charlie_Haden | to |
| Charlie_Haden | coleman’s |
| Charlie_Haden | free |
| Charlie_Haden | form |
| Charlie_Haden | solos |
| Charlie_Haden | rather |
| Charlie_Haden | than |
| Charlie_Haden | sticking |
| Charlie_Haden | to |
| Charlie_Haden | predetermined |
| Charlie_Haden | harmonies |
| Charlie_Haden | was |
| Charlie_Haden | both |
| Charlie_Haden | radical |
| Charlie_Haden | and |
| Charlie_Haden | mesmerizing |
| Charlie_Haden | his |
| Charlie_Haden | virtuosity |
| Charlie_Haden | lies |
| Charlie_Haden | 夷 |
| Charlie_Haden | n |
| Charlie_Haden | an |
| Charlie_Haden | incredible |
| Charlie_Haden | ability |
| Charlie_Haden | to |
| Charlie_Haden | make |
| Charlie_Haden | the |
| Charlie_Haden | double |
| Charlie_Haden | bass |
| Charlie_Haden | sound |
| Charlie_Haden | out |
| Charlie_Haden | haden |
| Charlie_Haden | cultivated |
| Charlie_Haden | the |
| Charlie_Haden | instrument’s |
| Charlie_Haden | gravity |
| Charlie_Haden | as |
| Charlie_Haden | no |
| Charlie_Haden | one |
| Charlie_Haden | else |
| Charlie_Haden | in |
| Charlie_Haden | jazz |
| Charlie_Haden | he |
| Charlie_Haden | is |
| Charlie_Haden | a |
| Charlie_Haden | master |
| Charlie_Haden | of |
| Charlie_Haden | simplicity |
| Charlie_Haden | which |
| Charlie_Haden | is |
| Charlie_Haden | one |
| Charlie_Haden | of |
| Charlie_Haden | the |
| Charlie_Haden | most |
| Charlie_Haden | difficult |
| Charlie_Haden | things |
| Charlie_Haden | to |
| Charlie_Haden | achieve |
| Charlie_Haden | haden |
| Charlie_Haden | played |
| Charlie_Haden | a |
| Charlie_Haden | vital |
| Charlie_Haden | role |
| Charlie_Haden | in |
| Charlie_Haden | this |
| Charlie_Haden | revolutionary |
| Charlie_Haden | new |
| Charlie_Haden | approach |
| Charlie_Haden | evolving |
| Charlie_Haden | a |
| Charlie_Haden | way |
| Charlie_Haden | of |
| Charlie_Haden | playing |
| Charlie_Haden | that |
| Charlie_Haden | sometimes |
| Charlie_Haden | complemented |
| Charlie_Haden | the |
| Charlie_Haden | soloist |
| Charlie_Haden | and |
| Charlie_Haden | sometimes |
| Charlie_Haden | moved |
| Charlie_Haden | independently |
| Charlie_Haden | in |
| Charlie_Haden | this |
| Charlie_Haden | respect |
| Charlie_Haden | as |
| Charlie_Haden | did |
| Charlie_Haden | his |
| Charlie_Haden | predecessor |
| Charlie_Haden | bassists |
| Charlie_Haden | jimmy |
| Charlie_Haden | blanton |
| Charlie_Haden | and |
| Charlie_Haden | charles |
| Charlie_Haden | mingus |
| Charlie_Haden | haden |
| Charlie_Haden | helped |
| Charlie_Haden | liberate |
| Charlie_Haden | the |
| Charlie_Haden | bassist |
| Charlie_Haden | from |
| Charlie_Haden | a |
| Charlie_Haden | strictly |
| Charlie_Haden | accompanying |
| Charlie_Haden | role |
| Charlie_Haden | to |
| Charlie_Haden | becoming |
| Charlie_Haden | a |
| Charlie_Haden | more |
| Charlie_Haden | direct |
| Charlie_Haden | participant |
| Charlie_Haden | in |
| Charlie_Haden | group |
| Charlie_Haden | improvisation |
| Charlie_Haden | in |
| Charlie_Haden | 1969 |
| Charlie_Haden | he |
| Charlie_Haden | formed |
| Charlie_Haden | his |
| Charlie_Haden | first |
| Charlie_Haden | band |
| Charlie_Haden | the |
| Charlie_Haden | liberation |
| Charlie_Haden | music |
| Charlie_Haden | orchestra |
| Charlie_Haden | featuring |
| Charlie_Haden | arrangements |
| Charlie_Haden | by |
| Charlie_Haden | pianist |
| Charlie_Haden | carla |
| Charlie_Haden | bley |
| Charlie_Haden | in |
| Charlie_Haden | the |
| Charlie_Haden | late |
| Charlie_Haden | 1960s |
| Charlie_Haden | he |
| Charlie_Haden | became |
| Charlie_Haden | a |
| Charlie_Haden | member |
| Charlie_Haden | of |
| Charlie_Haden | pianist |
| Charlie_Haden | keith |
| Charlie_Haden | jarrett’s |
| Charlie_Haden | trio |
| Charlie_Haden | quartet |
| Charlie_Haden | and |
| Charlie_Haden | quintet |
| Charlie_Haden | in |
| Charlie_Haden | the |
| Charlie_Haden | 1980s |
| Charlie_Haden | he |
| Charlie_Haden | formed |
| Charlie_Haden | his |
| Charlie_Haden | band |
| Charlie_Haden | quartet |
| Charlie_Haden | west |
| Charlie_Haden | haden |
| Charlie_Haden | also |
| Charlie_Haden | often |
| Charlie_Haden | recorded |
| Charlie_Haden | and |
| Charlie_Haden | performed |
| Charlie_Haden | in |
| Charlie_Haden | a |
| Charlie_Haden | duo |
| Charlie_Haden | setting |
| Charlie_Haden | with |
| Charlie_Haden | musicians |
| Charlie_Haden | including |
| Charlie_Haden | guitarist |
| Charlie_Haden | pat |
| Charlie_Haden | metheny |
| Charlie_Haden | and |
| Charlie_Haden | pianist |
| Charlie_Haden | hank |
| Charlie_Haden | jones |
| Charlie_Haden | en |
| Larry_Willis | lawrence |
| Larry_Willis | elliott |
| Larry_Willis | willis |
| Larry_Willis | december |
| Larry_Willis | 20 |
| Larry_Willis | 1942 |
| Larry_Willis | september |
| Larry_Willis | 29 |
| Larry_Willis | 2019 |
| Larry_Willis | was |
| Larry_Willis | an |
| Larry_Willis | american |
| Larry_Willis | jazz |
| Larry_Willis | pianist |
| Larry_Willis | and |
| Larry_Willis | composer |
| Larry_Willis | he |
| Larry_Willis | performed |
| Larry_Willis | in |
| Larry_Willis | a |
| Larry_Willis | wide |
| Larry_Willis | range |
| Larry_Willis | of |
| Larry_Willis | styles |
| Larry_Willis | including |
| Larry_Willis | jazz |
| Larry_Willis | fusion |
| Larry_Willis | afro |
| Larry_Willis | cuban |
| Larry_Willis | jazz |
| Larry_Willis | bebop |
| Larry_Willis | and |
| Larry_Willis | avant |
| Larry_Willis | garde |
| Larry_Willis | willis |
| Larry_Willis | was |
| Larry_Willis | born |
| Larry_Willis | in |
| Larry_Willis | new |
| Larry_Willis | york |
| Larry_Willis | city |
| Larry_Willis | after |
| Larry_Willis | his |
| Larry_Willis | first |
| Larry_Willis | year |
| Larry_Willis | studying |
| Larry_Willis | music |
| Larry_Willis | theory |
| Larry_Willis | at |
| Larry_Willis | the |
| Larry_Willis | manhattan |
| Larry_Willis | school |
| Larry_Willis | of |
| Larry_Willis | music |
| Larry_Willis | he |
| Larry_Willis | began |
| Larry_Willis | performing |
| Larry_Willis | regularly |
| Larry_Willis | with |
| Larry_Willis | jackie |
| Larry_Willis | mclean |
| Larry_Willis | after |
| Larry_Willis | he |
| Larry_Willis | graduated |
| Larry_Willis | he |
| Larry_Willis | made |
| Larry_Willis | his |
| Larry_Willis | first |
| Larry_Willis | jazz |
| Larry_Willis | recording |
| Larry_Willis | mclean’s |
| Larry_Willis | right |
| Larry_Willis | now |
| Larry_Willis | in |
| Larry_Willis | january |
| Larry_Willis | 1965 |
| Larry_Willis | which |
| Larry_Willis | featured |
| Larry_Willis | two |
| Larry_Willis | of |
| Larry_Willis | willis |
| Larry_Willis | compositions |
| Larry_Willis | his |
| Larry_Willis | first |
| Larry_Willis | recording |
| Larry_Willis | of |
| Larry_Willis | any |
| Larry_Willis | type |
| Larry_Willis | however |
| Larry_Willis | was |
| Larry_Willis | as |
| Larry_Willis | a |
| Larry_Willis | singer |
| Larry_Willis | with |
| Larry_Willis | the |
| Larry_Willis | performing |
| Larry_Willis | an |
| Larry_Willis | opera |
| Larry_Willis | by |
| Larry_Willis | aaron |
| Larry_Willis | copland |
| Larry_Willis | under |
| Larry_Willis | the |
| Larry_Willis | direction |
| Larry_Willis | of |
| Larry_Willis | leonard |
| Larry_Willis | bernstein |
| Larry_Willis | he |
| Larry_Willis | decided |
| Larry_Willis | to |
| Larry_Willis | concentrate |
| Larry_Willis | on |
| Larry_Willis | jazz |
| Larry_Willis | because |
| Larry_Willis | of |
| Larry_Willis | the |
| Larry_Willis | difficulties |
| Larry_Willis | african |
| Larry_Willis | american |
| Larry_Willis | musicians |
| Larry_Willis | had |
| Larry_Willis | in |
| Larry_Willis | finding |
| Larry_Willis | work |
| Larry_Willis | in |
| Larry_Willis | concert |
| Larry_Willis | music |
| Larry_Willis | throughout |
| Larry_Willis | his |
| Larry_Willis | career |
| Larry_Willis | he |
| Larry_Willis | performed |
| Larry_Willis | with |
| Larry_Willis | a |
| Larry_Willis | wide |
| Larry_Willis | range |
| Larry_Willis | of |
| Larry_Willis | musicians |
| Larry_Willis | including |
| Larry_Willis | several |
| Larry_Willis | years |
| Larry_Willis | as |
| Larry_Willis | keyboardist |
| Larry_Willis | for |
| Larry_Willis | blood |
| Larry_Willis | sweat |
| Larry_Willis | tears |
| Larry_Willis | beginning |
| Larry_Willis | in |
| Larry_Willis | 1972 |
| Larry_Willis | he |
| Larry_Willis | spent |
| Larry_Willis | several |
| Larry_Willis | years |
| Larry_Willis | as |
| Larry_Willis | pianist |
| Larry_Willis | for |
| Larry_Willis | trumpeters |
| Larry_Willis | nat |
| Larry_Willis | adderley |
| Larry_Willis | and |
| Larry_Willis | woody |
| Larry_Willis | shaw |
| Larry_Willis | as |
| Larry_Willis | well |
| Larry_Willis | as |
| Larry_Willis | long |
| Larry_Willis | and |
| Larry_Willis | productive |
| Larry_Willis | tenures |
| Larry_Willis | with |
| Larry_Willis | roy |
| Larry_Willis | hargrove |
| Larry_Willis | and |
| Larry_Willis | with |
| Larry_Willis | jerry |
| Larry_Willis | gonzalez |
| Larry_Willis | and |
| Larry_Willis | his |
| Larry_Willis | fort |
| Larry_Willis | apache |
| Larry_Willis | band |
| Larry_Willis | his |
| Larry_Willis | late |
| Larry_Willis | recording |
| Larry_Willis | with |
| Larry_Willis | paul |
| Larry_Willis | murphy |
| Larry_Willis | expos |
| Larry_Willis | 矇 |
| Larry_Willis | demonstrated |
| Larry_Willis | the |
| Larry_Willis | fusion |
| Larry_Willis | principles |
| Larry_Willis | of |
| Larry_Willis | bebop |
| Larry_Willis | and |
| Larry_Willis | avant |
| Larry_Willis | garde |
| Larry_Willis | jazz |
| Larry_Willis | his |
| Larry_Willis | composition |
| Larry_Willis | sanctuary |
| Larry_Willis | began |
| Larry_Willis | exploring |
| Larry_Willis | works |
| Larry_Willis | employing |
| Larry_Willis | strings |
| Larry_Willis | after |
| Larry_Willis | a |
| Larry_Willis | successful |
| Larry_Willis | performance |
| Larry_Willis | in |
| Larry_Willis | frank |
| Larry_Willis | lloyd |
| Larry_Willis | wright’s |
| Larry_Willis | annie |
| Larry_Willis | pfieffer |
| Larry_Willis | chapel |
| Larry_Willis | at |
| Larry_Willis | florida |
| Larry_Willis | southern |
| Larry_Willis | college’s |
| Larry_Willis | child |
| Larry_Willis | of |
| Larry_Willis | the |
| Larry_Willis | sun |
| Larry_Willis | jazz |
| Larry_Willis | festival |
| Larry_Willis | he |
| Larry_Willis | was |
| Larry_Willis | commissioned |
| Larry_Willis | to |
| Larry_Willis | write |
| Larry_Willis | a |
| Larry_Willis | full |
| Larry_Willis | scale |
| Larry_Willis | orchestral |
| Larry_Willis | work |
| Larry_Willis | for |
| Larry_Willis | jazz |
| Larry_Willis | trio |
| Larry_Willis | and |
| Larry_Willis | orchestra |
| Larry_Willis | he |
| Larry_Willis | worked |
| Larry_Willis | with |
| Larry_Willis | hugh |
| Larry_Willis | masekela |
| Larry_Willis | on |
| Larry_Willis | a |
| Larry_Willis | south |
| Larry_Willis | african |
| Larry_Willis | suite |
| Larry_Willis | of |
| Larry_Willis | music |
| Larry_Willis | and |
| Larry_Willis | interpreted |
| Larry_Willis | miles |
| Larry_Willis | davis |
| Larry_Willis | work |
| Larry_Willis | he |
| Larry_Willis | was |
| Larry_Willis | in |
| Larry_Willis | the |
| Larry_Willis | round |
| Larry_Willis | about |
| Larry_Willis | midnight |
| Larry_Willis | tour |
| Larry_Willis | of |
| Larry_Willis | miles |
| Larry_Willis | davis |
| Larry_Willis | music |
| Larry_Willis | he |
| Larry_Willis | received |
| Larry_Willis | the |
| Larry_Willis | don |
| Larry_Willis | redman |
| Larry_Willis | award |
| Larry_Willis | in |
| Larry_Willis | 2011 |
| Larry_Willis | and |
| Larry_Willis | the |
| Larry_Willis | benny |
| Larry_Willis | golson |
| Larry_Willis | jazz |
| Larry_Willis | master |
| Larry_Willis | award |
| Larry_Willis | at |
| Larry_Willis | howard |
| Larry_Willis | university |
| Larry_Willis | in |
| Larry_Willis | 2012 |
| Larry_Willis | he |
| Larry_Willis | died |
| Larry_Willis | of |
| Larry_Willis | an |
| Larry_Willis | aneurysm |
| Larry_Willis | in |
| Larry_Willis | baltimore |
| Larry_Willis | at |
| Larry_Willis | the |
| Larry_Willis | age |
| Larry_Willis | of |
| Larry_Willis | 76 |
| Larry_Willis | en |
| Gary_Numan | gary |
| Gary_Numan | anthony |
| Gary_Numan | james |
| Gary_Numan | webb |
| Gary_Numan | born |
| Gary_Numan | 8 |
| Gary_Numan | march |
| Gary_Numan | 1958 |
| Gary_Numan | better |
| Gary_Numan | known |
| Gary_Numan | as |
| Gary_Numan | gary |
| Gary_Numan | numan |
| Gary_Numan | is |
| Gary_Numan | an |
| Gary_Numan | english |
| Gary_Numan | musician |
| Gary_Numan | singer |
| Gary_Numan | songwriter |
| Gary_Numan | composer |
| Gary_Numan | and |
| Gary_Numan | record |
| Gary_Numan | producer |
| Gary_Numan | he |
| Gary_Numan | entered |
| Gary_Numan | the |
| Gary_Numan | music |
| Gary_Numan | industry |
| Gary_Numan | as |
| Gary_Numan | the |
| Gary_Numan | frontman |
| Gary_Numan | of |
| Gary_Numan | the |
| Gary_Numan | new |
| Gary_Numan | wave |
| Gary_Numan | band |
| Gary_Numan | tubeway |
| Gary_Numan | army |
| Gary_Numan | after |
| Gary_Numan | releasing |
| Gary_Numan | two |
| Gary_Numan | albums |
| Gary_Numan | with |
| Gary_Numan | the |
| Gary_Numan | band |
| Gary_Numan | he |
| Gary_Numan | released |
| Gary_Numan | his |
| Gary_Numan | debut |
| Gary_Numan | solo |
| Gary_Numan | album |
| Gary_Numan | the |
| Gary_Numan | pleasure |
| Gary_Numan | principle |
| Gary_Numan | in |
| Gary_Numan | 1979 |
| Gary_Numan | topping |
| Gary_Numan | the |
| Gary_Numan | uk |
| Gary_Numan | albums |
| Gary_Numan | chart |
| Gary_Numan | while |
| Gary_Numan | his |
| Gary_Numan | commercial |
| Gary_Numan | popularity |
| Gary_Numan | peaked |
| Gary_Numan | in |
| Gary_Numan | the |
| Gary_Numan | late |
| Gary_Numan | 1970s |
| Gary_Numan | and |
| Gary_Numan | early |
| Gary_Numan | 1980s |
| Gary_Numan | with |
| Gary_Numan | hits |
| Gary_Numan | including |
| Gary_Numan | are |
| Gary_Numan | friends |
| Gary_Numan | electric |
| Gary_Numan | and |
| Gary_Numan | cars |
| Gary_Numan | both |
| Gary_Numan | of |
| Gary_Numan | which |
| Gary_Numan | reached |
| Gary_Numan | number |
| Gary_Numan | one |
| Gary_Numan | on |
| Gary_Numan | the |
| Gary_Numan | uk |
| Gary_Numan | singles |
| Gary_Numan | chart |
| Gary_Numan | numan |
| Gary_Numan | maintains |
| Gary_Numan | a |
| Gary_Numan | cult |
| Gary_Numan | following |
| Gary_Numan | he |
| Gary_Numan | has |
| Gary_Numan | sold |
| Gary_Numan | over |
| Gary_Numan | 10 |
| Gary_Numan | million |
| Gary_Numan | records |
| Gary_Numan | numan |
| Gary_Numan | faced |
| Gary_Numan | intense |
| Gary_Numan | hostility |
| Gary_Numan | from |
| Gary_Numan | critics |
| Gary_Numan | and |
| Gary_Numan | fellow |
| Gary_Numan | musicians |
| Gary_Numan | in |
| Gary_Numan | his |
| Gary_Numan | early |
| Gary_Numan | career |
| Gary_Numan | but |
| Gary_Numan | has |
| Gary_Numan | since |
| Gary_Numan | come |
| Gary_Numan | to |
| Gary_Numan | be |
| Gary_Numan | regarded |
| Gary_Numan | as |
| Gary_Numan | a |
| Gary_Numan | pioneer |
| Gary_Numan | of |
| Gary_Numan | electronic |
| Gary_Numan | music |
| Gary_Numan | he |
| Gary_Numan | developed |
| Gary_Numan | a |
| Gary_Numan | signature |
| Gary_Numan | sound |
| Gary_Numan | consisting |
| Gary_Numan | of |
| Gary_Numan | heavy |
| Gary_Numan | synthesiser |
| Gary_Numan | hooks |
| Gary_Numan | fed |
| Gary_Numan | through |
| Gary_Numan | guitar |
| Gary_Numan | effects |
| Gary_Numan | pedals |
| Gary_Numan | and |
| Gary_Numan | is |
| Gary_Numan | also |
| Gary_Numan | known |
| Gary_Numan | for |
| Gary_Numan | his |
| Gary_Numan | distinctive |
| Gary_Numan | voice |
| Gary_Numan | and |
| Gary_Numan | androgynous |
| Gary_Numan | android |
| Gary_Numan | persona |
| Gary_Numan | in |
| Gary_Numan | 2017 |
| Gary_Numan | he |
| Gary_Numan | received |
| Gary_Numan | an |
| Gary_Numan | ivor |
| Gary_Numan | novello |
| Gary_Numan | award |
| Gary_Numan | the |
| Gary_Numan | inspiration |
| Gary_Numan | award |
| Gary_Numan | from |
| Gary_Numan | the |
| Gary_Numan | british |
| Gary_Numan | academy |
| Gary_Numan | of |
| Gary_Numan | songwriters |
| Gary_Numan | composers |
| Gary_Numan | and |
| Gary_Numan | authors |
| Gary_Numan | en |
| Lee_Morgan | edward |
| Lee_Morgan | lee |
| Lee_Morgan | morgan |
| Lee_Morgan | july |
| Lee_Morgan | 10 |
| Lee_Morgan | 1938 |
| Lee_Morgan | february |
| Lee_Morgan | 19 |
| Lee_Morgan | 1972 |
| Lee_Morgan | was |
| Lee_Morgan | an |
| Lee_Morgan | american |
| Lee_Morgan | jazz |
| Lee_Morgan | trumpeter |
| Lee_Morgan | and |
| Lee_Morgan | composer |
| Lee_Morgan | one |
| Lee_Morgan | of |
| Lee_Morgan | the |
| Lee_Morgan | key |
| Lee_Morgan | hard |
| Lee_Morgan | bop |
| Lee_Morgan | musicians |
| Lee_Morgan | of |
| Lee_Morgan | the |
| Lee_Morgan | 1960s |
| Lee_Morgan | morgan |
| Lee_Morgan | came |
| Lee_Morgan | to |
| Lee_Morgan | prominence |
| Lee_Morgan | in |
| Lee_Morgan | his |
| Lee_Morgan | late |
| Lee_Morgan | teens |
| Lee_Morgan | recording |
| Lee_Morgan | on |
| Lee_Morgan | john |
| Lee_Morgan | coltrane’s |
| Lee_Morgan | blue |
| Lee_Morgan | train |
| Lee_Morgan | 1957 |
| Lee_Morgan | and |
| Lee_Morgan | with |
| Lee_Morgan | the |
| Lee_Morgan | band |
| Lee_Morgan | of |
| Lee_Morgan | drummer |
| Lee_Morgan | art |
| Lee_Morgan | blakey |
| Lee_Morgan | before |
| Lee_Morgan | launching |
| Lee_Morgan | a |
| Lee_Morgan | solo |
| Lee_Morgan | career |
| Lee_Morgan | morgan |
| Lee_Morgan | stayed |
| Lee_Morgan | with |
| Lee_Morgan | blakey |
| Lee_Morgan | until |
| Lee_Morgan | 1961 |
| Lee_Morgan | and |
| Lee_Morgan | started |
| Lee_Morgan | to |
| Lee_Morgan | record |
| Lee_Morgan | as |
| Lee_Morgan | leader |
| Lee_Morgan | in |
| Lee_Morgan | the |
| Lee_Morgan | late |
| Lee_Morgan | 50s |
| Lee_Morgan | his |
| Lee_Morgan | song |
| Lee_Morgan | the |
| Lee_Morgan | sidewinder |
| Lee_Morgan | on |
| Lee_Morgan | the |
| Lee_Morgan | album |
| Lee_Morgan | of |
| Lee_Morgan | the |
| Lee_Morgan | same |
| Lee_Morgan | name |
| Lee_Morgan | became |
| Lee_Morgan | a |
| Lee_Morgan | surprise |
| Lee_Morgan | crossover |
| Lee_Morgan | hit |
| Lee_Morgan | on |
| Lee_Morgan | the |
| Lee_Morgan | pop |
| Lee_Morgan | and |
| Lee_Morgan | r |
| Lee_Morgan | b |
| Lee_Morgan | charts |
| Lee_Morgan | in |
| Lee_Morgan | 1964 |
| Lee_Morgan | while |
| Lee_Morgan | morgan’s |
| Lee_Morgan | subsequent |
| Lee_Morgan | recordings |
| Lee_Morgan | found |
| Lee_Morgan | him |
| Lee_Morgan | touching |
| Lee_Morgan | on |
| Lee_Morgan | other |
| Lee_Morgan | styles |
| Lee_Morgan | of |
| Lee_Morgan | music |
| Lee_Morgan | such |
| Lee_Morgan | as |
| Lee_Morgan | post |
| Lee_Morgan | bop |
| Lee_Morgan | and |
| Lee_Morgan | avant |
| Lee_Morgan | garde |
| Lee_Morgan | jazz |
| Lee_Morgan | as |
| Lee_Morgan | his |
| Lee_Morgan | artistry |
| Lee_Morgan | matured |
| Lee_Morgan | soon |
| Lee_Morgan | after |
| Lee_Morgan | the |
| Lee_Morgan | sidewinder |
| Lee_Morgan | was |
| Lee_Morgan | released |
| Lee_Morgan | morgan |
| Lee_Morgan | rejoined |
| Lee_Morgan | blakey |
| Lee_Morgan | for |
| Lee_Morgan | a |
| Lee_Morgan | short |
| Lee_Morgan | period |
| Lee_Morgan | after |
| Lee_Morgan | leaving |
| Lee_Morgan | blakey |
| Lee_Morgan | for |
| Lee_Morgan | the |
| Lee_Morgan | final |
| Lee_Morgan | time |
| Lee_Morgan | morgan |
| Lee_Morgan | continued |
| Lee_Morgan | to |
| Lee_Morgan | work |
| Lee_Morgan | prolifically |
| Lee_Morgan | as |
| Lee_Morgan | both |
| Lee_Morgan | a |
| Lee_Morgan | leader |
| Lee_Morgan | and |
| Lee_Morgan | a |
| Lee_Morgan | sideman |
| Lee_Morgan | with |
| Lee_Morgan | the |
| Lee_Morgan | likes |
| Lee_Morgan | of |
| Lee_Morgan | hank |
| Lee_Morgan | mobley |
| Lee_Morgan | and |
| Lee_Morgan | wayne |
| Lee_Morgan | shorter |
| Lee_Morgan | becoming |
| Lee_Morgan | a |
| Lee_Morgan | cornerstone |
| Lee_Morgan | of |
| Lee_Morgan | the |
| Lee_Morgan | blue |
| Lee_Morgan | note |
| Lee_Morgan | label |
| Lee_Morgan | morgan |
| Lee_Morgan | died |
| Lee_Morgan | at |
| Lee_Morgan | the |
| Lee_Morgan | age |
| Lee_Morgan | of |
| Lee_Morgan | 33 |
| Lee_Morgan | when |
| Lee_Morgan | his |
| Lee_Morgan | common |
| Lee_Morgan | law |
| Lee_Morgan | wife |
| Lee_Morgan | helen |
| Lee_Morgan | shot |
| Lee_Morgan | and |
| Lee_Morgan | killed |
| Lee_Morgan | him |
| Lee_Morgan | following |
| Lee_Morgan | a |
| Lee_Morgan | confrontation |
| Lee_Morgan | at |
| Lee_Morgan | slugs |
| Lee_Morgan | saloon |
| Lee_Morgan | in |
| Lee_Morgan | new |
| Lee_Morgan | york |
| Lee_Morgan | city |
| Lee_Morgan | en |
| Kevin_Eubanks | kevin |
| Kevin_Eubanks | tyrone |
| Kevin_Eubanks | eubanks |
| Kevin_Eubanks | born |
| Kevin_Eubanks | november |
| Kevin_Eubanks | 15 |
| Kevin_Eubanks | 1957 |
| Kevin_Eubanks | is |
| Kevin_Eubanks | an |
| Kevin_Eubanks | american |
| Kevin_Eubanks | jazz |
| Kevin_Eubanks | and |
| Kevin_Eubanks | fusion |
| Kevin_Eubanks | guitarist |
| Kevin_Eubanks | and |
| Kevin_Eubanks | composer |
| Kevin_Eubanks | he |
| Kevin_Eubanks | was |
| Kevin_Eubanks | the |
| Kevin_Eubanks | leader |
| Kevin_Eubanks | of |
| Kevin_Eubanks | the |
| Kevin_Eubanks | tonight |
| Kevin_Eubanks | show |
| Kevin_Eubanks | band |
| Kevin_Eubanks | with |
| Kevin_Eubanks | host |
| Kevin_Eubanks | jay |
| Kevin_Eubanks | leno |
| Kevin_Eubanks | from |
| Kevin_Eubanks | 1995 |
| Kevin_Eubanks | to |
| Kevin_Eubanks | 2010 |
| Kevin_Eubanks | he |
| Kevin_Eubanks | also |
| Kevin_Eubanks | led |
| Kevin_Eubanks | the |
| Kevin_Eubanks | primetime |
| Kevin_Eubanks | band |
| Kevin_Eubanks | on |
| Kevin_Eubanks | the |
| Kevin_Eubanks | short |
| Kevin_Eubanks | lived |
| Kevin_Eubanks | the |
| Kevin_Eubanks | jay |
| Kevin_Eubanks | leno |
| Kevin_Eubanks | show |
| Kevin_Eubanks | en |
| Horace_Silver | horace |
| Horace_Silver | ward |
| Horace_Silver | martin |
| Horace_Silver | tavares |
| Horace_Silver | silver |
| Horace_Silver | september |
| Horace_Silver | 2 |
| Horace_Silver | 1928 |
| Horace_Silver | june |
| Horace_Silver | 18 |
| Horace_Silver | 2014 |
| Horace_Silver | was |
| Horace_Silver | an |
| Horace_Silver | american |
| Horace_Silver | jazz |
| Horace_Silver | pianist |
| Horace_Silver | composer |
| Horace_Silver | and |
| Horace_Silver | arranger |
| Horace_Silver | particularly |
| Horace_Silver | in |
| Horace_Silver | the |
| Horace_Silver | hard |
| Horace_Silver | bop |
| Horace_Silver | style |
| Horace_Silver | that |
| Horace_Silver | he |
| Horace_Silver | helped |
| Horace_Silver | pioneer |
| Horace_Silver | in |
| Horace_Silver | the |
| Horace_Silver | 1950s |
| Horace_Silver | after |
| Horace_Silver | playing |
| Horace_Silver | tenor |
| Horace_Silver | saxophone |
| Horace_Silver | and |
| Horace_Silver | piano |
| Horace_Silver | at |
| Horace_Silver | school |
| Horace_Silver | in |
| Horace_Silver | connecticut |
| Horace_Silver | silver |
| Horace_Silver | got |
| Horace_Silver | his |
| Horace_Silver | break |
| Horace_Silver | on |
| Horace_Silver | piano |
| Horace_Silver | when |
| Horace_Silver | his |
| Horace_Silver | trio |
| Horace_Silver | was |
| Horace_Silver | recruited |
| Horace_Silver | by |
| Horace_Silver | stan |
| Horace_Silver | getz |
| Horace_Silver | in |
| Horace_Silver | 1950 |
| Horace_Silver | silver |
| Horace_Silver | soon |
| Horace_Silver | moved |
| Horace_Silver | to |
| Horace_Silver | new |
| Horace_Silver | york |
| Horace_Silver | city |
| Horace_Silver | where |
| Horace_Silver | he |
| Horace_Silver | developed |
| Horace_Silver | a |
| Horace_Silver | reputation |
| Horace_Silver | as |
| Horace_Silver | a |
| Horace_Silver | composer |
| Horace_Silver | and |
| Horace_Silver | for |
| Horace_Silver | his |
| Horace_Silver | bluesy |
| Horace_Silver | playing |
| Horace_Silver | frequent |
| Horace_Silver | sideman |
| Horace_Silver | recordings |
| Horace_Silver | in |
| Horace_Silver | the |
| Horace_Silver | mid |
| Horace_Silver | 1950s |
| Horace_Silver | helped |
| Horace_Silver | further |
| Horace_Silver | but |
| Horace_Silver | it |
| Horace_Silver | was |
| Horace_Silver | his |
| Horace_Silver | work |
| Horace_Silver | with |
| Horace_Silver | the |
| Horace_Silver | jazz |
| Horace_Silver | messengers |
| Horace_Silver | co |
| Horace_Silver | led |
| Horace_Silver | by |
| Horace_Silver | art |
| Horace_Silver | blakey |
| Horace_Silver | that |
| Horace_Silver | brought |
| Horace_Silver | both |
| Horace_Silver | his |
| Horace_Silver | writing |
| Horace_Silver | and |
| Horace_Silver | playing |
| Horace_Silver | most |
| Horace_Silver | attention |
| Horace_Silver | their |
| Horace_Silver | horace |
| Horace_Silver | silver |
| Horace_Silver | and |
| Horace_Silver | the |
| Horace_Silver | jazz |
| Horace_Silver | messengers |
| Horace_Silver | album |
| Horace_Silver | contained |
| Horace_Silver | silver’s |
| Horace_Silver | first |
| Horace_Silver | hit |
| Horace_Silver | the |
| Horace_Silver | preacher |
| Horace_Silver | after |
| Horace_Silver | leaving |
| Horace_Silver | blakey |
| Horace_Silver | in |
| Horace_Silver | 1956 |
| Horace_Silver | silver |
| Horace_Silver | formed |
| Horace_Silver | his |
| Horace_Silver | own |
| Horace_Silver | quintet |
| Horace_Silver | with |
| Horace_Silver | what |
| Horace_Silver | became |
| Horace_Silver | the |
| Horace_Silver | standard |
| Horace_Silver | small |
| Horace_Silver | group |
| Horace_Silver | line |
| Horace_Silver | up |
| Horace_Silver | of |
| Horace_Silver | tenor |
| Horace_Silver | saxophone |
| Horace_Silver | trumpet |
| Horace_Silver | piano |
| Horace_Silver | bass |
| Horace_Silver | and |
| Horace_Silver | drums |
| Horace_Silver | their |
| Horace_Silver | public |
| Horace_Silver | performances |
| Horace_Silver | and |
| Horace_Silver | frequent |
| Horace_Silver | recordings |
| Horace_Silver | for |
| Horace_Silver | blue |
| Horace_Silver | note |
| Horace_Silver | records |
| Horace_Silver | increased |
| Horace_Silver | silver’s |
| Horace_Silver | popularity |
| Horace_Silver | even |
| Horace_Silver | through |
| Horace_Silver | changes |
| Horace_Silver | of |
| Horace_Silver | personnel |
| Horace_Silver | his |
| Horace_Silver | most |
| Horace_Silver | successful |
| Horace_Silver | album |
| Horace_Silver | was |
| Horace_Silver | song |
| Horace_Silver | for |
| Horace_Silver | my |
| Horace_Silver | father |
| Horace_Silver | made |
| Horace_Silver | with |
| Horace_Silver | two |
| Horace_Silver | iterations |
| Horace_Silver | of |
| Horace_Silver | the |
| Horace_Silver | quintet |
| Horace_Silver | in |
| Horace_Silver | 1963 |
| Horace_Silver | and |
| Horace_Silver | 1964 |
| Horace_Silver | several |
| Horace_Silver | changes |
| Horace_Silver | occurred |
| Horace_Silver | in |
| Horace_Silver | the |
| Horace_Silver | early |
| Horace_Silver | 1970s |
| Horace_Silver | silver |
| Horace_Silver | disbanded |
| Horace_Silver | his |
| Horace_Silver | group |
| Horace_Silver | to |
| Horace_Silver | spend |
| Horace_Silver | more |
| Horace_Silver | time |
| Horace_Silver | with |
| Horace_Silver | his |
| Horace_Silver | wife |
| Horace_Silver | and |
| Horace_Silver | to |
| Horace_Silver | concentrate |
| Horace_Silver | on |
| Horace_Silver | composing |
| Horace_Silver | he |
| Horace_Silver | included |
| Horace_Silver | lyrics |
| Horace_Silver | in |
| Horace_Silver | his |
| Horace_Silver | recordings |
| Horace_Silver | and |
| Horace_Silver | his |
| Horace_Silver | interest |
| Horace_Silver | in |
| Horace_Silver | spiritualism |
| Horace_Silver | developed |
| Horace_Silver | the |
| Horace_Silver | last |
| Horace_Silver | two |
| Horace_Silver | of |
| Horace_Silver | these |
| Horace_Silver | were |
| Horace_Silver | often |
| Horace_Silver | combined |
| Horace_Silver | resulting |
| Horace_Silver | in |
| Horace_Silver | commercially |
| Horace_Silver | unsuccessful |
| Horace_Silver | releases |
| Horace_Silver | such |
| Horace_Silver | as |
| Horace_Silver | the |
| Horace_Silver | united |
| Horace_Silver | states |
| Horace_Silver | of |
| Horace_Silver | mind |
| Horace_Silver | series |
| Horace_Silver | silver |
| Horace_Silver | left |
| Horace_Silver | blue |
| Horace_Silver | note |
| Horace_Silver | after |
| Horace_Silver | 28 |
| Horace_Silver | years |
| Horace_Silver | founded |
| Horace_Silver | his |
| Horace_Silver | own |
| Horace_Silver | record |
| Horace_Silver | label |
| Horace_Silver | and |
| Horace_Silver | scaled |
| Horace_Silver | back |
| Horace_Silver | his |
| Horace_Silver | touring |
| Horace_Silver | in |
| Horace_Silver | the |
| Horace_Silver | 1980s |
| Horace_Silver | relying |
| Horace_Silver | in |
| Horace_Silver | part |
| Horace_Silver | on |
| Horace_Silver | royalties |
| Horace_Silver | from |
| Horace_Silver | his |
| Horace_Silver | compositions |
| Horace_Silver | for |
| Horace_Silver | income |
| Horace_Silver | in |
| Horace_Silver | 1993 |
| Horace_Silver | he |
| Horace_Silver | returned |
| Horace_Silver | to |
| Horace_Silver | major |
| Horace_Silver | record |
| Horace_Silver | labels |
| Horace_Silver | releasing |
| Horace_Silver | five |
| Horace_Silver | albums |
| Horace_Silver | before |
| Horace_Silver | gradually |
| Horace_Silver | withdrawing |
| Horace_Silver | from |
| Horace_Silver | public |
| Horace_Silver | view |
| Horace_Silver | because |
| Horace_Silver | of |
| Horace_Silver | health |
| Horace_Silver | problems |
| Horace_Silver | as |
| Horace_Silver | a |
| Horace_Silver | player |
| Horace_Silver | silver |
| Horace_Silver | transitioned |
| Horace_Silver | from |
| Horace_Silver | bebop |
| Horace_Silver | to |
| Horace_Silver | hard |
| Horace_Silver | bop |
| Horace_Silver | by |
| Horace_Silver | stressing |
| Horace_Silver | melody |
| Horace_Silver | rather |
| Horace_Silver | than |
| Horace_Silver | complex |
| Horace_Silver | harmony |
| Horace_Silver | and |
| Horace_Silver | combined |
| Horace_Silver | clean |
| Horace_Silver | and |
| Horace_Silver | often |
| Horace_Silver | humorous |
| Horace_Silver | right |
| Horace_Silver | hand |
| Horace_Silver | lines |
| Horace_Silver | with |
| Horace_Silver | darker |
| Horace_Silver | notes |
| Horace_Silver | and |
| Horace_Silver | chords |
| Horace_Silver | in |
| Horace_Silver | a |
| Horace_Silver | near |
| Horace_Silver | perpetual |
| Horace_Silver | left |
| Horace_Silver | hand |
| Horace_Silver | rumble |
| Horace_Silver | his |
| Horace_Silver | compositions |
| Horace_Silver | similarly |
| Horace_Silver | emphasized |
| Horace_Silver | catchy |
| Horace_Silver | melodies |
| Horace_Silver | but |
| Horace_Silver | often |
| Horace_Silver | also |
| Horace_Silver | contained |
| Horace_Silver | dissonant |
| Horace_Silver | harmonies |
| Horace_Silver | many |
| Horace_Silver | of |
| Horace_Silver | his |
| Horace_Silver | varied |
| Horace_Silver | repertoire |
| Horace_Silver | of |
| Horace_Silver | songs |
| Horace_Silver | including |
| Horace_Silver | doodlin |
| Horace_Silver | peace |
| Horace_Silver | and |
| Horace_Silver | sister |
| Horace_Silver | sadie |
| Horace_Silver | became |
| Horace_Silver | jazz |
| Horace_Silver | standards |
| Horace_Silver | that |
| Horace_Silver | are |
| Horace_Silver | still |
| Horace_Silver | widely |
| Horace_Silver | played |
| Horace_Silver | his |
| Horace_Silver | considerable |
| Horace_Silver | legacy |
| Horace_Silver | encompasses |
| Horace_Silver | his |
| Horace_Silver | influence |
| Horace_Silver | on |
| Horace_Silver | other |
| Horace_Silver | pianists |
| Horace_Silver | and |
| Horace_Silver | composers |
| Horace_Silver | and |
| Horace_Silver | the |
| Horace_Silver | development |
| Horace_Silver | of |
| Horace_Silver | young |
| Horace_Silver | jazz |
| Horace_Silver | talents |
| Horace_Silver | who |
| Horace_Silver | appeared |
| Horace_Silver | in |
| Horace_Silver | his |
| Horace_Silver | bands |
| Horace_Silver | over |
| Horace_Silver | the |
| Horace_Silver | course |
| Horace_Silver | of |
| Horace_Silver | four |
| Horace_Silver | decades |
| Horace_Silver | en |
| The_Clayton_Brothers | the |
| The_Clayton_Brothers | clayton |
| The_Clayton_Brothers | brothers |
| The_Clayton_Brothers | is |
| The_Clayton_Brothers | the |
| The_Clayton_Brothers | brain |
| The_Clayton_Brothers | child |
| The_Clayton_Brothers | of |
| The_Clayton_Brothers | saxophonist |
| The_Clayton_Brothers | jeff |
| The_Clayton_Brothers | clayton |
| The_Clayton_Brothers | according |
| The_Clayton_Brothers | to |
| The_Clayton_Brothers | jeff |
| The_Clayton_Brothers | some |
| The_Clayton_Brothers | 30 |
| The_Clayton_Brothers | years |
| The_Clayton_Brothers | ago |
| The_Clayton_Brothers | he |
| The_Clayton_Brothers | and |
| The_Clayton_Brothers | his |
| The_Clayton_Brothers | brother |
| The_Clayton_Brothers | grammy |
| The_Clayton_Brothers | award |
| The_Clayton_Brothers | winning |
| The_Clayton_Brothers | bassist |
| The_Clayton_Brothers | john |
| The_Clayton_Brothers | clayton |
| The_Clayton_Brothers | agreed |
| The_Clayton_Brothers | to |
| The_Clayton_Brothers | support |
| The_Clayton_Brothers | each |
| The_Clayton_Brothers | other’s |
| The_Clayton_Brothers | preferred |
| The_Clayton_Brothers | formats |
| The_Clayton_Brothers | jeff’s |
| The_Clayton_Brothers | love |
| The_Clayton_Brothers | of |
| The_Clayton_Brothers | small |
| The_Clayton_Brothers | groups |
| The_Clayton_Brothers | lead |
| The_Clayton_Brothers | to |
| The_Clayton_Brothers | formation |
| The_Clayton_Brothers | of |
| The_Clayton_Brothers | the |
| The_Clayton_Brothers | clayton |
| The_Clayton_Brothers | brothers |
| The_Clayton_Brothers | quintet |
| The_Clayton_Brothers | john’s |
| The_Clayton_Brothers | love |
| The_Clayton_Brothers | for |
| The_Clayton_Brothers | big |
| The_Clayton_Brothers | bands |
| The_Clayton_Brothers | led |
| The_Clayton_Brothers | to |
| The_Clayton_Brothers | formation |
| The_Clayton_Brothers | of |
| The_Clayton_Brothers | the |
| The_Clayton_Brothers | clayton |
| The_Clayton_Brothers | hamilton |
| The_Clayton_Brothers | jazz |
| The_Clayton_Brothers | orchestra |
| The_Clayton_Brothers | with |
| The_Clayton_Brothers | drummer |
| The_Clayton_Brothers | jeff |
| The_Clayton_Brothers | hamilton |
| The_Clayton_Brothers | of |
| The_Clayton_Brothers | which |
| The_Clayton_Brothers | brother |
| The_Clayton_Brothers | jeff |
| The_Clayton_Brothers | is |
| The_Clayton_Brothers | a |
| The_Clayton_Brothers | part |
| The_Clayton_Brothers | the |
| The_Clayton_Brothers | current |
| The_Clayton_Brothers | roster |
| The_Clayton_Brothers | of |
| The_Clayton_Brothers | the |
| The_Clayton_Brothers | clayton |
| The_Clayton_Brothers | brothers |
| The_Clayton_Brothers | quintet |
| The_Clayton_Brothers | includes |
| The_Clayton_Brothers | brothers |
| The_Clayton_Brothers | jeff |
| The_Clayton_Brothers | and |
| The_Clayton_Brothers | john |
| The_Clayton_Brothers | along |
| The_Clayton_Brothers | with |
| The_Clayton_Brothers | john’s |
| The_Clayton_Brothers | son |
| The_Clayton_Brothers | gerald |
| The_Clayton_Brothers | clayton |
| The_Clayton_Brothers | piano |
| The_Clayton_Brothers | obed |
| The_Clayton_Brothers | calvaire |
| The_Clayton_Brothers | drums |
| The_Clayton_Brothers | and |
| The_Clayton_Brothers | terell |
| The_Clayton_Brothers | stafford |
| The_Clayton_Brothers | trumpet |
| The_Clayton_Brothers | the |
| The_Clayton_Brothers | band’s |
| The_Clayton_Brothers | latest |
| The_Clayton_Brothers | album |
| The_Clayton_Brothers | the |
| The_Clayton_Brothers | gathering |
| The_Clayton_Brothers | was |
| The_Clayton_Brothers | released |
| The_Clayton_Brothers | in |
| The_Clayton_Brothers | december |
| The_Clayton_Brothers | 2012 |
| The_Clayton_Brothers | en |
| Gary_Moore | robert |
| Gary_Moore | william |
| Gary_Moore | gary |
| Gary_Moore | moore |
| Gary_Moore | 4 |
| Gary_Moore | april |
| Gary_Moore | 1952 |
| Gary_Moore | 6 |
| Gary_Moore | february |
| Gary_Moore | 2011 |
| Gary_Moore | was |
| Gary_Moore | a |
| Gary_Moore | northern |
| Gary_Moore | irish |
| Gary_Moore | musician |
| Gary_Moore | singer |
| Gary_Moore | and |
| Gary_Moore | songwriter |
| Gary_Moore | over |
| Gary_Moore | the |
| Gary_Moore | course |
| Gary_Moore | of |
| Gary_Moore | his |
| Gary_Moore | career |
| Gary_Moore | he |
| Gary_Moore | played |
| Gary_Moore | in |
| Gary_Moore | various |
| Gary_Moore | groups |
| Gary_Moore | and |
| Gary_Moore | performed |
| Gary_Moore | an |
| Gary_Moore | eclectic |
| Gary_Moore | range |
| Gary_Moore | of |
| Gary_Moore | music |
| Gary_Moore | including |
| Gary_Moore | blues |
| Gary_Moore | hard |
| Gary_Moore | rock |
| Gary_Moore | heavy |
| Gary_Moore | metal |
| Gary_Moore | and |
| Gary_Moore | jazz |
| Gary_Moore | fusion |
| Gary_Moore | influenced |
| Gary_Moore | by |
| Gary_Moore | peter |
| Gary_Moore | green |
| Gary_Moore | and |
| Gary_Moore | eric |
| Gary_Moore | clapton |
| Gary_Moore | moore |
| Gary_Moore | began |
| Gary_Moore | his |
| Gary_Moore | career |
| Gary_Moore | in |
| Gary_Moore | the |
| Gary_Moore | late |
| Gary_Moore | 1960s |
| Gary_Moore | when |
| Gary_Moore | he |
| Gary_Moore | joined |
| Gary_Moore | skid |
| Gary_Moore | row |
| Gary_Moore | with |
| Gary_Moore | whom |
| Gary_Moore | he |
| Gary_Moore | released |
| Gary_Moore | two |
| Gary_Moore | albums |
| Gary_Moore | after |
| Gary_Moore | moore |
| Gary_Moore | left |
| Gary_Moore | the |
| Gary_Moore | group |
| Gary_Moore | he |
| Gary_Moore | joined |
| Gary_Moore | thin |
| Gary_Moore | lizzy |
| Gary_Moore | featuring |
| Gary_Moore | his |
| Gary_Moore | former |
| Gary_Moore | skid |
| Gary_Moore | row |
| Gary_Moore | bandmate |
| Gary_Moore | and |
| Gary_Moore | frequent |
| Gary_Moore | collaborator |
| Gary_Moore | phil |
| Gary_Moore | lynott |
| Gary_Moore | moore |
| Gary_Moore | began |
| Gary_Moore | his |
| Gary_Moore | solo |
| Gary_Moore | career |
| Gary_Moore | in |
| Gary_Moore | the |
| Gary_Moore | 1970s |
| Gary_Moore | and |
| Gary_Moore | achieved |
| Gary_Moore | major |
| Gary_Moore | success |
| Gary_Moore | with |
| Gary_Moore | 1978 |
| Gary_Moore | s |
| Gary_Moore | parisienne |
| Gary_Moore | walkways |
| Gary_Moore | which |
| Gary_Moore | is |
| Gary_Moore | considered |
| Gary_Moore | his |
| Gary_Moore | signature |
| Gary_Moore | song |
| Gary_Moore | during |
| Gary_Moore | the |
| Gary_Moore | 1980s |
| Gary_Moore | moore |
| Gary_Moore | transitioned |
| Gary_Moore | into |
| Gary_Moore | playing |
| Gary_Moore | hard |
| Gary_Moore | rock |
| Gary_Moore | and |
| Gary_Moore | heavy |
| Gary_Moore | metal |
| Gary_Moore | with |
| Gary_Moore | varying |
| Gary_Moore | degrees |
| Gary_Moore | of |
| Gary_Moore | international |
| Gary_Moore | success |
| Gary_Moore | in |
| Gary_Moore | 1990 |
| Gary_Moore | he |
| Gary_Moore | returned |
| Gary_Moore | to |
| Gary_Moore | his |
| Gary_Moore | roots |
| Gary_Moore | with |
| Gary_Moore | still |
| Gary_Moore | got |
| Gary_Moore | the |
| Gary_Moore | blues |
| Gary_Moore | which |
| Gary_Moore | became |
| Gary_Moore | the |
| Gary_Moore | most |
| Gary_Moore | successful |
| Gary_Moore | album |
| Gary_Moore | of |
| Gary_Moore | his |
| Gary_Moore | career |
| Gary_Moore | moore |
| Gary_Moore | continued |
| Gary_Moore | to |
| Gary_Moore | release |
| Gary_Moore | new |
| Gary_Moore | music |
| Gary_Moore | throughout |
| Gary_Moore | his |
| Gary_Moore | later |
| Gary_Moore | career |
| Gary_Moore | collaborating |
| Gary_Moore | with |
| Gary_Moore | other |
| Gary_Moore | artists |
| Gary_Moore | from |
| Gary_Moore | time |
| Gary_Moore | to |
| Gary_Moore | time |
| Gary_Moore | moore |
| Gary_Moore | died |
| Gary_Moore | on |
| Gary_Moore | 6 |
| Gary_Moore | february |
| Gary_Moore | 2011 |
| Gary_Moore | from |
| Gary_Moore | a |
| Gary_Moore | heart |
| Gary_Moore | attack |
| Gary_Moore | while |
| Gary_Moore | on |
| Gary_Moore | holiday |
| Gary_Moore | in |
| Gary_Moore | spain |
| Gary_Moore | moore |
| Gary_Moore | was |
| Gary_Moore | often |
| Gary_Moore | described |
| Gary_Moore | as |
| Gary_Moore | a |
| Gary_Moore | virtuoso |
| Gary_Moore | and |
| Gary_Moore | has |
| Gary_Moore | been |
| Gary_Moore | cited |
| Gary_Moore | as |
| Gary_Moore | an |
| Gary_Moore | influence |
| Gary_Moore | by |
| Gary_Moore | many |
| Gary_Moore | other |
| Gary_Moore | guitar |
| Gary_Moore | players |
| Gary_Moore | he |
| Gary_Moore | was |
| Gary_Moore | voted |
| Gary_Moore | one |
| Gary_Moore | of |
| Gary_Moore | the |
| Gary_Moore | greatest |
| Gary_Moore | guitarists |
| Gary_Moore | of |
| Gary_Moore | all |
| Gary_Moore | time |
| Gary_Moore | on |
| Gary_Moore | respective |
| Gary_Moore | lists |
| Gary_Moore | by |
| Gary_Moore | total |
| Gary_Moore | guitar |
| Gary_Moore | and |
| Gary_Moore | louder |
| Gary_Moore | irish |
| Gary_Moore | singer |
| Gary_Moore | songwriter |
| Gary_Moore | bob |
| Gary_Moore | geldof |
| Gary_Moore | said |
| Gary_Moore | that |
| Gary_Moore | without |
| Gary_Moore | question |
| Gary_Moore | moore |
| Gary_Moore | was |
| Gary_Moore | one |
| Gary_Moore | of |
| Gary_Moore | the |
| Gary_Moore | great |
| Gary_Moore | irish |
| Gary_Moore | bluesmen |
| Gary_Moore | for |
| Gary_Moore | most |
| Gary_Moore | of |
| Gary_Moore | his |
| Gary_Moore | career |
| Gary_Moore | moore |
| Gary_Moore | was |
| Gary_Moore | heavily |
| Gary_Moore | associated |
| Gary_Moore | with |
| Gary_Moore | peter |
| Gary_Moore | green’s |
| Gary_Moore | famed |
| Gary_Moore | 1959 |
| Gary_Moore | gibson |
| Gary_Moore | les |
| Gary_Moore | paul |
| Gary_Moore | guitar |
| Gary_Moore | later |
| Gary_Moore | he |
| Gary_Moore | was |
| Gary_Moore | honoured |
| Gary_Moore | by |
| Gary_Moore | gibson |
| Gary_Moore | and |
| Gary_Moore | fender |
| Gary_Moore | with |
| Gary_Moore | several |
| Gary_Moore | signature |
| Gary_Moore | model |
| Gary_Moore | guitars |
| Gary_Moore | en |
| Buddy_Guy | george |
| Buddy_Guy | buddy |
| Buddy_Guy | guy |
| Buddy_Guy | born |
| Buddy_Guy | july |
| Buddy_Guy | 30 |
| Buddy_Guy | 1936 |
| Buddy_Guy | is |
| Buddy_Guy | an |
| Buddy_Guy | american |
| Buddy_Guy | blues |
| Buddy_Guy | guitarist |
| Buddy_Guy | and |
| Buddy_Guy | singer |
| Buddy_Guy | he |
| Buddy_Guy | is |
| Buddy_Guy | an |
| Buddy_Guy | exponent |
| Buddy_Guy | of |
| Buddy_Guy | chicago |
| Buddy_Guy | blues |
| Buddy_Guy | who |
| Buddy_Guy | has |
| Buddy_Guy | influenced |
| Buddy_Guy | generations |
| Buddy_Guy | of |
| Buddy_Guy | guitarists |
| Buddy_Guy | including |
| Buddy_Guy | eric |
| Buddy_Guy | clapton |
| Buddy_Guy | jimi |
| Buddy_Guy | hendrix |
| Buddy_Guy | jimmy |
| Buddy_Guy | page |
| Buddy_Guy | keith |
| Buddy_Guy | richards |
| Buddy_Guy | stevie |
| Buddy_Guy | ray |
| Buddy_Guy | vaughan |
| Buddy_Guy | jeff |
| Buddy_Guy | beck |
| Buddy_Guy | gary |
| Buddy_Guy | clark |
| Buddy_Guy | jr |
| Buddy_Guy | and |
| Buddy_Guy | john |
| Buddy_Guy | mayer |
| Buddy_Guy | in |
| Buddy_Guy | the |
| Buddy_Guy | 1960s |
| Buddy_Guy | guy |
| Buddy_Guy | played |
| Buddy_Guy | with |
| Buddy_Guy | muddy |
| Buddy_Guy | waters |
| Buddy_Guy | as |
| Buddy_Guy | a |
| Buddy_Guy | session |
| Buddy_Guy | guitarist |
| Buddy_Guy | at |
| Buddy_Guy | chess |
| Buddy_Guy | records |
| Buddy_Guy | and |
| Buddy_Guy | began |
| Buddy_Guy | a |
| Buddy_Guy | musical |
| Buddy_Guy | partnership |
| Buddy_Guy | with |
| Buddy_Guy | blues |
| Buddy_Guy | harp |
| Buddy_Guy | virtuoso |
| Buddy_Guy | junior |
| Buddy_Guy | wells |
| Buddy_Guy | guy |
| Buddy_Guy | was |
| Buddy_Guy | ranked |
| Buddy_Guy | 23rd |
| Buddy_Guy | in |
| Buddy_Guy | rolling |
| Buddy_Guy | stone |
| Buddy_Guy | magazine’s |
| Buddy_Guy | 100 |
| Buddy_Guy | greatest |
| Buddy_Guy | guitarists |
| Buddy_Guy | of |
| Buddy_Guy | all |
| Buddy_Guy | time |
| Buddy_Guy | his |
| Buddy_Guy | song |
| Buddy_Guy | stone |
| Buddy_Guy | crazy |
| Buddy_Guy | was |
| Buddy_Guy | ranked |
| Buddy_Guy | 78th |
| Buddy_Guy | in |
| Buddy_Guy | the |
| Buddy_Guy | rolling |
| Buddy_Guy | stone |
| Buddy_Guy | list |
| Buddy_Guy | of |
| Buddy_Guy | the |
| Buddy_Guy | 100 |
| Buddy_Guy | greatest |
| Buddy_Guy | guitar |
| Buddy_Guy | songs |
| Buddy_Guy | of |
| Buddy_Guy | all |
| Buddy_Guy | time |
| Buddy_Guy | clapton |
| Buddy_Guy | once |
| Buddy_Guy | described |
| Buddy_Guy | him |
| Buddy_Guy | as |
| Buddy_Guy | the |
| Buddy_Guy | best |
| Buddy_Guy | guitar |
| Buddy_Guy | player |
| Buddy_Guy | alive |
| Buddy_Guy | in |
| Buddy_Guy | 1999 |
| Buddy_Guy | guy |
| Buddy_Guy | wrote |
| Buddy_Guy | the |
| Buddy_Guy | book |
| Buddy_Guy | damn |
| Buddy_Guy | right |
| Buddy_Guy | i’ve |
| Buddy_Guy | got |
| Buddy_Guy | the |
| Buddy_Guy | blues |
| Buddy_Guy | with |
| Buddy_Guy | donald |
| Buddy_Guy | wilcock |
| Buddy_Guy | his |
| Buddy_Guy | autobiography |
| Buddy_Guy | when |
| Buddy_Guy | i |
| Buddy_Guy | left |
| Buddy_Guy | home |
| Buddy_Guy | my |
| Buddy_Guy | story |
| Buddy_Guy | was |
| Buddy_Guy | published |
| Buddy_Guy | in |
| Buddy_Guy | 2012 |
| Buddy_Guy | en |
| Jackson_Browne | clyde |
| Jackson_Browne | jackson |
| Jackson_Browne | browne |
| Jackson_Browne | born |
| Jackson_Browne | october |
| Jackson_Browne | 9 |
| Jackson_Browne | 1948 |
| Jackson_Browne | is |
| Jackson_Browne | an |
| Jackson_Browne | american |
| Jackson_Browne | singer |
| Jackson_Browne | songwriter |
| Jackson_Browne | and |
| Jackson_Browne | musician |
| Jackson_Browne | who |
| Jackson_Browne | has |
| Jackson_Browne | sold |
| Jackson_Browne | over |
| Jackson_Browne | 18 |
| Jackson_Browne | million |
| Jackson_Browne | albums |
| Jackson_Browne | in |
| Jackson_Browne | the |
| Jackson_Browne | united |
| Jackson_Browne | states |
| Jackson_Browne | emerging |
| Jackson_Browne | as |
| Jackson_Browne | a |
| Jackson_Browne | precocious |
| Jackson_Browne | teenage |
| Jackson_Browne | songwriter |
| Jackson_Browne | in |
| Jackson_Browne | mid |
| Jackson_Browne | 1960s |
| Jackson_Browne | los |
| Jackson_Browne | angeles |
| Jackson_Browne | he |
| Jackson_Browne | had |
| Jackson_Browne | his |
| Jackson_Browne | first |
| Jackson_Browne | successes |
| Jackson_Browne | writing |
| Jackson_Browne | songs |
| Jackson_Browne | for |
| Jackson_Browne | others |
| Jackson_Browne | writing |
| Jackson_Browne | these |
| Jackson_Browne | days |
| Jackson_Browne | as |
| Jackson_Browne | a |
| Jackson_Browne | 16 |
| Jackson_Browne | year |
| Jackson_Browne | old |
| Jackson_Browne | the |
| Jackson_Browne | song |
| Jackson_Browne | became |
| Jackson_Browne | a |
| Jackson_Browne | minor |
| Jackson_Browne | hit |
| Jackson_Browne | for |
| Jackson_Browne | the |
| Jackson_Browne | german |
| Jackson_Browne | singer |
| Jackson_Browne | and |
| Jackson_Browne | andy |
| Jackson_Browne | warhol |
| Jackson_Browne | prot |
| Jackson_Browne | 矇 |
| Jackson_Browne | g |
| Jackson_Browne | 矇 |
| Jackson_Browne | nico |
| Jackson_Browne | in |
| Jackson_Browne | 1967 |
| Jackson_Browne | he |
| Jackson_Browne | also |
| Jackson_Browne | wrote |
| Jackson_Browne | several |
| Jackson_Browne | songs |
| Jackson_Browne | for |
| Jackson_Browne | fellow |
| Jackson_Browne | southern |
| Jackson_Browne | california |
| Jackson_Browne | bands |
| Jackson_Browne | nitty |
| Jackson_Browne | gritty |
| Jackson_Browne | dirt |
| Jackson_Browne | band |
| Jackson_Browne | with |
| Jackson_Browne | whom |
| Jackson_Browne | he |
| Jackson_Browne | was |
| Jackson_Browne | briefly |
| Jackson_Browne | a |
| Jackson_Browne | member |
| Jackson_Browne | in |
| Jackson_Browne | 1966 |
| Jackson_Browne | and |
| Jackson_Browne | the |
| Jackson_Browne | eagles |
| Jackson_Browne | the |
| Jackson_Browne | latter |
| Jackson_Browne | of |
| Jackson_Browne | whom |
| Jackson_Browne | had |
| Jackson_Browne | their |
| Jackson_Browne | first |
| Jackson_Browne | billboard |
| Jackson_Browne | top |
| Jackson_Browne | 40 |
| Jackson_Browne | hit |
| Jackson_Browne | in |
| Jackson_Browne | 1972 |
| Jackson_Browne | with |
| Jackson_Browne | the |
| Jackson_Browne | browne |
| Jackson_Browne | co |
| Jackson_Browne | written |
| Jackson_Browne | song |
| Jackson_Browne | take |
| Jackson_Browne | it |
| Jackson_Browne | easy |
| Jackson_Browne | encouraged |
| Jackson_Browne | by |
| Jackson_Browne | his |
| Jackson_Browne | successes |
| Jackson_Browne | writing |
| Jackson_Browne | songs |
| Jackson_Browne | for |
| Jackson_Browne | others |
| Jackson_Browne | browne |
| Jackson_Browne | released |
| Jackson_Browne | his |
| Jackson_Browne | self |
| Jackson_Browne | titled |
| Jackson_Browne | debut |
| Jackson_Browne | album |
| Jackson_Browne | in |
| Jackson_Browne | 1972 |
| Jackson_Browne | which |
| Jackson_Browne | spawned |
| Jackson_Browne | two |
| Jackson_Browne | top |
| Jackson_Browne | 40 |
| Jackson_Browne | hits |
| Jackson_Browne | of |
| Jackson_Browne | his |
| Jackson_Browne | own |
| Jackson_Browne | doctor |
| Jackson_Browne | my |
| Jackson_Browne | eyes |
| Jackson_Browne | and |
| Jackson_Browne | rock |
| Jackson_Browne | me |
| Jackson_Browne | on |
| Jackson_Browne | the |
| Jackson_Browne | water |
| Jackson_Browne | for |
| Jackson_Browne | his |
| Jackson_Browne | debut |
| Jackson_Browne | album |
| Jackson_Browne | as |
| Jackson_Browne | well |
| Jackson_Browne | as |
| Jackson_Browne | for |
| Jackson_Browne | the |
| Jackson_Browne | next |
| Jackson_Browne | several |
| Jackson_Browne | albums |
| Jackson_Browne | and |
| Jackson_Browne | concert |
| Jackson_Browne | tours |
| Jackson_Browne | browne |
| Jackson_Browne | started |
| Jackson_Browne | working |
| Jackson_Browne | closely |
| Jackson_Browne | with |
| Jackson_Browne | the |
| Jackson_Browne | section |
| Jackson_Browne | a |
| Jackson_Browne | prolific |
| Jackson_Browne | session |
| Jackson_Browne | band |
| Jackson_Browne | that |
| Jackson_Browne | also |
| Jackson_Browne | worked |
| Jackson_Browne | with |
| Jackson_Browne | a |
| Jackson_Browne | number |
| Jackson_Browne | of |
| Jackson_Browne | other |
| Jackson_Browne | prominent |
| Jackson_Browne | singer |
| Jackson_Browne | songwriters |
| Jackson_Browne | of |
| Jackson_Browne | the |
| Jackson_Browne | era |
| Jackson_Browne | his |
| Jackson_Browne | second |
| Jackson_Browne | album |
| Jackson_Browne | for |
| Jackson_Browne | everyman |
| Jackson_Browne | was |
| Jackson_Browne | released |
| Jackson_Browne | in |
| Jackson_Browne | 1973 |
| Jackson_Browne | and |
| Jackson_Browne | while |
| Jackson_Browne | it |
| Jackson_Browne | lacked |
| Jackson_Browne | an |
| Jackson_Browne | enduring |
| Jackson_Browne | single |
| Jackson_Browne | has |
| Jackson_Browne | been |
| Jackson_Browne | retrospectively |
| Jackson_Browne | assessed |
| Jackson_Browne | as |
| Jackson_Browne | some |
| Jackson_Browne | of |
| Jackson_Browne | his |
| Jackson_Browne | best |
| Jackson_Browne | work |
| Jackson_Browne | appearing |
| Jackson_Browne | highly |
| Jackson_Browne | on |
| Jackson_Browne | several |
| Jackson_Browne | best |
| Jackson_Browne | album |
| Jackson_Browne | of |
| Jackson_Browne | all |
| Jackson_Browne | time |
| Jackson_Browne | lists |
| Jackson_Browne | his |
| Jackson_Browne | third |
| Jackson_Browne | album |
| Jackson_Browne | late |
| Jackson_Browne | for |
| Jackson_Browne | the |
| Jackson_Browne | sky |
| Jackson_Browne | was |
| Jackson_Browne | his |
| Jackson_Browne | most |
| Jackson_Browne | successful |
| Jackson_Browne | to |
| Jackson_Browne | that |
| Jackson_Browne | point |
| Jackson_Browne | peaking |
| Jackson_Browne | at |
| Jackson_Browne | number |
| Jackson_Browne | 14 |
| Jackson_Browne | on |
| Jackson_Browne | the |
| Jackson_Browne | billboard |
| Jackson_Browne | 200 |
| Jackson_Browne | album |
| Jackson_Browne | chart |
| Jackson_Browne | and |
| Jackson_Browne | earning |
| Jackson_Browne | browne |
| Jackson_Browne | his |
| Jackson_Browne | first |
| Jackson_Browne | grammy |
| Jackson_Browne | nomination |
| Jackson_Browne | for |
| Jackson_Browne | album |
| Jackson_Browne | of |
| Jackson_Browne | the |
| Jackson_Browne | year |
| Jackson_Browne | his |
| Jackson_Browne | fourth |
| Jackson_Browne | album |
| Jackson_Browne | the |
| Jackson_Browne | pretender |
| Jackson_Browne | continued |
| Jackson_Browne | the |
| Jackson_Browne | pattern |
| Jackson_Browne | of |
| Jackson_Browne | each |
| Jackson_Browne | album |
| Jackson_Browne | topping |
| Jackson_Browne | the |
| Jackson_Browne | previous |
| Jackson_Browne | by |
| Jackson_Browne | peaking |
| Jackson_Browne | at |
| Jackson_Browne | number |
| Jackson_Browne | 5 |
| Jackson_Browne | on |
| Jackson_Browne | the |
| Jackson_Browne | album |
| Jackson_Browne | chart |
| Jackson_Browne | and |
| Jackson_Browne | spawned |
| Jackson_Browne | the |
| Jackson_Browne | hit |
| Jackson_Browne | singles |
| Jackson_Browne | here |
| Jackson_Browne | come |
| Jackson_Browne | those |
| Jackson_Browne | tears |
| Jackson_Browne | again |
| Jackson_Browne | and |
| Jackson_Browne | the |
| Jackson_Browne | pretender |
| Jackson_Browne | it |
| Jackson_Browne | would |
| Jackson_Browne | be |
| Jackson_Browne | the |
| Jackson_Browne | 1977 |
| Jackson_Browne | album |
| Jackson_Browne | running |
| Jackson_Browne | on |
| Jackson_Browne | empty |
| Jackson_Browne | however |
| Jackson_Browne | that |
| Jackson_Browne | would |
| Jackson_Browne | be |
| Jackson_Browne | his |
| Jackson_Browne | signature |
| Jackson_Browne | work |
| Jackson_Browne | peaking |
| Jackson_Browne | at |
| Jackson_Browne | number |
| Jackson_Browne | 3 |
| Jackson_Browne | on |
| Jackson_Browne | the |
| Jackson_Browne | album |
| Jackson_Browne | chart |
| Jackson_Browne | and |
| Jackson_Browne | remaining |
| Jackson_Browne | there |
| Jackson_Browne | for |
| Jackson_Browne | over |
| Jackson_Browne | a |
| Jackson_Browne | year |
| Jackson_Browne | both |
| Jackson_Browne | a |
| Jackson_Browne | live |
| Jackson_Browne | album |
| Jackson_Browne | and |
| Jackson_Browne | a |
| Jackson_Browne | concept |
| Jackson_Browne | album |
| Jackson_Browne | the |
| Jackson_Browne | songs |
| Jackson_Browne | on |
| Jackson_Browne | the |
| Jackson_Browne | album |
| Jackson_Browne | explore |
| Jackson_Browne | the |
| Jackson_Browne | themes |
| Jackson_Browne | of |
| Jackson_Browne | life |
| Jackson_Browne | as |
| Jackson_Browne | a |
| Jackson_Browne | touring |
| Jackson_Browne | musician |
| Jackson_Browne | and |
| Jackson_Browne | the |
| Jackson_Browne | album |
| Jackson_Browne | was |
| Jackson_Browne | recorded |
| Jackson_Browne | both |
| Jackson_Browne | on |
| Jackson_Browne | stage |
| Jackson_Browne | and |
| Jackson_Browne | in |
| Jackson_Browne | places |
| Jackson_Browne | touring |
| Jackson_Browne | musicians |
| Jackson_Browne | spend |
| Jackson_Browne | time |
| Jackson_Browne | when |
| Jackson_Browne | not |
| Jackson_Browne | playing |
| Jackson_Browne | such |
| Jackson_Browne | as |
| Jackson_Browne | hotel |
| Jackson_Browne | rooms |
| Jackson_Browne | backstage |
| Jackson_Browne | and |
| Jackson_Browne | in |
| Jackson_Browne | one |
| Jackson_Browne | case |
| Jackson_Browne | on |
| Jackson_Browne | a |
| Jackson_Browne | moving |
| Jackson_Browne | tour |
| Jackson_Browne | bus |
| Jackson_Browne | the |
| Jackson_Browne | album |
| Jackson_Browne | produced |
| Jackson_Browne | two |
| Jackson_Browne | top |
| Jackson_Browne | 40 |
| Jackson_Browne | singles |
| Jackson_Browne | running |
| Jackson_Browne | on |
| Jackson_Browne | empty |
| Jackson_Browne | and |
| Jackson_Browne | the |
| Jackson_Browne | load |
| Jackson_Browne | out |
| Jackson_Browne | stay |
| Jackson_Browne | and |
| Jackson_Browne | many |
| Jackson_Browne | of |
| Jackson_Browne | the |
| Jackson_Browne | other |
| Jackson_Browne | tracks |
| Jackson_Browne | became |
| Jackson_Browne | popular |
| Jackson_Browne | radio |
| Jackson_Browne | hits |
| Jackson_Browne | on |
| Jackson_Browne | the |
| Jackson_Browne | aor |
| Jackson_Browne | format |
| Jackson_Browne | successful |
| Jackson_Browne | albums |
| Jackson_Browne | continued |
| Jackson_Browne | through |
| Jackson_Browne | the |
| Jackson_Browne | 1980s |
| Jackson_Browne | including |
| Jackson_Browne | the |
| Jackson_Browne | 1980 |
| Jackson_Browne | album |
| Jackson_Browne | hold |
| Jackson_Browne | out |
| Jackson_Browne | his |
| Jackson_Browne | only |
| Jackson_Browne | number |
| Jackson_Browne | 1 |
| Jackson_Browne | album |
| Jackson_Browne | the |
| Jackson_Browne | non |
| Jackson_Browne | album |
| Jackson_Browne | single |
| Jackson_Browne | somebody’s |
| Jackson_Browne | baby |
| Jackson_Browne | which |
| Jackson_Browne | was |
| Jackson_Browne | used |
| Jackson_Browne | in |
| Jackson_Browne | the |
| Jackson_Browne | film |
| Jackson_Browne | fast |
| Jackson_Browne | times |
| Jackson_Browne | at |
| Jackson_Browne | ridgemont |
| Jackson_Browne | high |
| Jackson_Browne | and |
| Jackson_Browne | 1983 |
| Jackson_Browne | s |
| Jackson_Browne | lawyers |
| Jackson_Browne | in |
| Jackson_Browne | love |
| Jackson_Browne | which |
| Jackson_Browne | included |
| Jackson_Browne | the |
| Jackson_Browne | hit |
| Jackson_Browne | single |
| Jackson_Browne | tender |
| Jackson_Browne | is |
| Jackson_Browne | the |
| Jackson_Browne | night |
| Jackson_Browne | in |
| Jackson_Browne | 1986 |
| Jackson_Browne | he |
| Jackson_Browne | released |
| Jackson_Browne | lives |
| Jackson_Browne | in |
| Jackson_Browne | the |
| Jackson_Browne | balance |
| Jackson_Browne | which |
| Jackson_Browne | had |
| Jackson_Browne | several |
| Jackson_Browne | radio |
| Jackson_Browne | hits |
| Jackson_Browne | and |
| Jackson_Browne | included |
| Jackson_Browne | the |
| Jackson_Browne | introspective |
| Jackson_Browne | in |
| Jackson_Browne | the |
| Jackson_Browne | shape |
| Jackson_Browne | of |
| Jackson_Browne | a |
| Jackson_Browne | heart |
| Jackson_Browne | which |
| Jackson_Browne | was |
| Jackson_Browne | inspired |
| Jackson_Browne | by |
| Jackson_Browne | the |
| Jackson_Browne | suicide |
| Jackson_Browne | of |
| Jackson_Browne | his |
| Jackson_Browne | first |
| Jackson_Browne | wife |
| Jackson_Browne | a |
| Jackson_Browne | decade |
| Jackson_Browne | prior |
| Jackson_Browne | his |
| Jackson_Browne | string |
| Jackson_Browne | of |
| Jackson_Browne | hit |
| Jackson_Browne | albums |
| Jackson_Browne | came |
| Jackson_Browne | to |
| Jackson_Browne | an |
| Jackson_Browne | end |
| Jackson_Browne | at |
| Jackson_Browne | that |
| Jackson_Browne | point |
| Jackson_Browne | as |
| Jackson_Browne | his |
| Jackson_Browne | next |
| Jackson_Browne | several |
| Jackson_Browne | albums |
| Jackson_Browne | failed |
| Jackson_Browne | to |
| Jackson_Browne | produce |
| Jackson_Browne | a |
| Jackson_Browne | gold |
| Jackson_Browne | or |
| Jackson_Browne | platinum |
| Jackson_Browne | riaa |
| Jackson_Browne | rating |
| Jackson_Browne | he |
| Jackson_Browne | released |
| Jackson_Browne | two |
| Jackson_Browne | compilation |
| Jackson_Browne | albums |
| Jackson_Browne | the |
| Jackson_Browne | next |
| Jackson_Browne | voice |
| Jackson_Browne | you |
| Jackson_Browne | hear |
| Jackson_Browne | the |
| Jackson_Browne | best |
| Jackson_Browne | of |
| Jackson_Browne | jackson |
| Jackson_Browne | browne |
| Jackson_Browne | in |
| Jackson_Browne | 1997 |
| Jackson_Browne | and |
| Jackson_Browne | the |
| Jackson_Browne | very |
| Jackson_Browne | best |
| Jackson_Browne | of |
| Jackson_Browne | jackson |
| Jackson_Browne | browne |
| Jackson_Browne | released |
| Jackson_Browne | in |
| Jackson_Browne | conjunction |
| Jackson_Browne | with |
| Jackson_Browne | his |
| Jackson_Browne | rock |
| Jackson_Browne | and |
| Jackson_Browne | roll |
| Jackson_Browne | hall |
| Jackson_Browne | of |
| Jackson_Browne | fame |
| Jackson_Browne | induction |
| Jackson_Browne | in |
| Jackson_Browne | 2004 |
| Jackson_Browne | his |
| Jackson_Browne | most |
| Jackson_Browne | recent |
| Jackson_Browne | studio |
| Jackson_Browne | album |
| Jackson_Browne | is |
| Jackson_Browne | 2021 |
| Jackson_Browne | s |
| Jackson_Browne | downhill |
| Jackson_Browne | from |
| Jackson_Browne | everywhere |
| Jackson_Browne | the |
| Jackson_Browne | follow |
| Jackson_Browne | up |
| Jackson_Browne | to |
| Jackson_Browne | 2014 |
| Jackson_Browne | s |
| Jackson_Browne | standing |
| Jackson_Browne | in |
| Jackson_Browne | the |
| Jackson_Browne | breach |
| Jackson_Browne | which |
| Jackson_Browne | included |
| Jackson_Browne | the |
| Jackson_Browne | first |
| Jackson_Browne | fully |
| Jackson_Browne | realized |
| Jackson_Browne | version |
| Jackson_Browne | of |
| Jackson_Browne | his |
| Jackson_Browne | song |
| Jackson_Browne | the |
| Jackson_Browne | birds |
| Jackson_Browne | of |
| Jackson_Browne | st |
| Jackson_Browne | marks |
| Jackson_Browne | a |
| Jackson_Browne | song |
| Jackson_Browne | he |
| Jackson_Browne | had |
| Jackson_Browne | written |
| Jackson_Browne | at |
| Jackson_Browne | age |
| Jackson_Browne | 18 |
| Jackson_Browne | in |
| Jackson_Browne | 2015 |
| Jackson_Browne | rolling |
| Jackson_Browne | stone |
| Jackson_Browne | ranked |
| Jackson_Browne | him |
| Jackson_Browne | as |
| Jackson_Browne | 37th |
| Jackson_Browne | in |
| Jackson_Browne | its |
| Jackson_Browne | list |
| Jackson_Browne | of |
| Jackson_Browne | the |
| Jackson_Browne | 100 |
| Jackson_Browne | greatest |
| Jackson_Browne | songwriters |
| Jackson_Browne | of |
| Jackson_Browne | all |
| Jackson_Browne | time |
| Jackson_Browne | en |
| Willie_Nelson | willie |
| Willie_Nelson | hugh |
| Willie_Nelson | nelson |
| Willie_Nelson | born |
| Willie_Nelson | april |
| Willie_Nelson | 29 |
| Willie_Nelson | 1933 |
| Willie_Nelson | is |
| Willie_Nelson | an |
| Willie_Nelson | american |
| Willie_Nelson | musician |
| Willie_Nelson | actor |
| Willie_Nelson | and |
| Willie_Nelson | activist |
| Willie_Nelson | the |
| Willie_Nelson | critical |
| Willie_Nelson | success |
| Willie_Nelson | of |
| Willie_Nelson | the |
| Willie_Nelson | album |
| Willie_Nelson | shotgun |
| Willie_Nelson | willie |
| Willie_Nelson | 1973 |
| Willie_Nelson | combined |
| Willie_Nelson | with |
| Willie_Nelson | the |
| Willie_Nelson | critical |
| Willie_Nelson | and |
| Willie_Nelson | commercial |
| Willie_Nelson | success |
| Willie_Nelson | of |
| Willie_Nelson | red |
| Willie_Nelson | headed |
| Willie_Nelson | stranger |
| Willie_Nelson | 1975 |
| Willie_Nelson | and |
| Willie_Nelson | stardust |
| Willie_Nelson | 1978 |
| Willie_Nelson | made |
| Willie_Nelson | nelson |
| Willie_Nelson | one |
| Willie_Nelson | of |
| Willie_Nelson | the |
| Willie_Nelson | most |
| Willie_Nelson | recognized |
| Willie_Nelson | artists |
| Willie_Nelson | in |
| Willie_Nelson | country |
| Willie_Nelson | music |
| Willie_Nelson | he |
| Willie_Nelson | was |
| Willie_Nelson | one |
| Willie_Nelson | of |
| Willie_Nelson | the |
| Willie_Nelson | main |
| Willie_Nelson | figures |
| Willie_Nelson | of |
| Willie_Nelson | outlaw |
| Willie_Nelson | country |
| Willie_Nelson | a |
| Willie_Nelson | subgenre |
| Willie_Nelson | of |
| Willie_Nelson | country |
| Willie_Nelson | music |
| Willie_Nelson | that |
| Willie_Nelson | developed |
| Willie_Nelson | in |
| Willie_Nelson | the |
| Willie_Nelson | late |
| Willie_Nelson | 1960s |
| Willie_Nelson | as |
| Willie_Nelson | a |
| Willie_Nelson | reaction |
| Willie_Nelson | to |
| Willie_Nelson | the |
| Willie_Nelson | conservative |
| Willie_Nelson | restrictions |
| Willie_Nelson | of |
| Willie_Nelson | the |
| Willie_Nelson | nashville |
| Willie_Nelson | sound |
| Willie_Nelson | nelson |
| Willie_Nelson | has |
| Willie_Nelson | acted |
| Willie_Nelson | in |
| Willie_Nelson | over |
| Willie_Nelson | 30 |
| Willie_Nelson | films |
| Willie_Nelson | co |
| Willie_Nelson | authored |
| Willie_Nelson | several |
| Willie_Nelson | books |
| Willie_Nelson | and |
| Willie_Nelson | has |
| Willie_Nelson | been |
| Willie_Nelson | involved |
| Willie_Nelson | in |
| Willie_Nelson | activism |
| Willie_Nelson | for |
| Willie_Nelson | the |
| Willie_Nelson | use |
| Willie_Nelson | of |
| Willie_Nelson | biofuels |
| Willie_Nelson | and |
| Willie_Nelson | the |
| Willie_Nelson | legalization |
| Willie_Nelson | of |
| Willie_Nelson | marijuana |
| Willie_Nelson | born |
| Willie_Nelson | during |
| Willie_Nelson | the |
| Willie_Nelson | great |
| Willie_Nelson | depression |
| Willie_Nelson | and |
| Willie_Nelson | raised |
| Willie_Nelson | by |
| Willie_Nelson | his |
| Willie_Nelson | grandparents |
| Willie_Nelson | nelson |
| Willie_Nelson | wrote |
| Willie_Nelson | his |
| Willie_Nelson | first |
| Willie_Nelson | song |
| Willie_Nelson | at |
| Willie_Nelson | age |
| Willie_Nelson | seven |
| Willie_Nelson | and |
| Willie_Nelson | joined |
| Willie_Nelson | his |
| Willie_Nelson | first |
| Willie_Nelson | band |
| Willie_Nelson | at |
| Willie_Nelson | ten |
| Willie_Nelson | during |
| Willie_Nelson | high |
| Willie_Nelson | school |
| Willie_Nelson | he |
| Willie_Nelson | toured |
| Willie_Nelson | locally |
| Willie_Nelson | with |
| Willie_Nelson | the |
| Willie_Nelson | bohemian |
| Willie_Nelson | polka |
| Willie_Nelson | as |
| Willie_Nelson | their |
| Willie_Nelson | lead |
| Willie_Nelson | singer |
| Willie_Nelson | and |
| Willie_Nelson | guitar |
| Willie_Nelson | player |
| Willie_Nelson | after |
| Willie_Nelson | graduating |
| Willie_Nelson | from |
| Willie_Nelson | high |
| Willie_Nelson | school |
| Willie_Nelson | in |
| Willie_Nelson | 1950 |
| Willie_Nelson | he |
| Willie_Nelson | joined |
| Willie_Nelson | the |
| Willie_Nelson | u.s |
| Willie_Nelson | air |
| Willie_Nelson | force |
| Willie_Nelson | but |
| Willie_Nelson | was |
| Willie_Nelson | later |
| Willie_Nelson | discharged |
| Willie_Nelson | due |
| Willie_Nelson | to |
| Willie_Nelson | back |
| Willie_Nelson | problems |
| Willie_Nelson | after |
| Willie_Nelson | his |
| Willie_Nelson | return |
| Willie_Nelson | nelson |
| Willie_Nelson | attended |
| Willie_Nelson | baylor |
| Willie_Nelson | university |
| Willie_Nelson | for |
| Willie_Nelson | two |
| Willie_Nelson | years |
| Willie_Nelson | but |
| Willie_Nelson | dropped |
| Willie_Nelson | out |
| Willie_Nelson | because |
| Willie_Nelson | he |
| Willie_Nelson | was |
| Willie_Nelson | succeeding |
| Willie_Nelson | in |
| Willie_Nelson | music |
| Willie_Nelson | during |
| Willie_Nelson | this |
| Willie_Nelson | time |
| Willie_Nelson | he |
| Willie_Nelson | worked |
| Willie_Nelson | as |
| Willie_Nelson | a |
| Willie_Nelson | disc |
| Willie_Nelson | jockey |
| Willie_Nelson | in |
| Willie_Nelson | texas |
| Willie_Nelson | radio |
| Willie_Nelson | stations |
| Willie_Nelson | and |
| Willie_Nelson | a |
| Willie_Nelson | singer |
| Willie_Nelson | in |
| Willie_Nelson | honky |
| Willie_Nelson | tonks |
| Willie_Nelson | nelson |
| Willie_Nelson | moved |
| Willie_Nelson | to |
| Willie_Nelson | vancouver |
| Willie_Nelson | washington |
| Willie_Nelson | where |
| Willie_Nelson | he |
| Willie_Nelson | wrote |
| Willie_Nelson | family |
| Willie_Nelson | bible |
| Willie_Nelson | and |
| Willie_Nelson | recorded |
| Willie_Nelson | the |
| Willie_Nelson | song |
| Willie_Nelson | lumberjack |
| Willie_Nelson | in |
| Willie_Nelson | 1956 |
| Willie_Nelson | he |
| Willie_Nelson | also |
| Willie_Nelson | worked |
| Willie_Nelson | as |
| Willie_Nelson | a |
| Willie_Nelson | disc |
| Willie_Nelson | jockey |
| Willie_Nelson | at |
| Willie_Nelson | various |
| Willie_Nelson | radio |
| Willie_Nelson | stations |
| Willie_Nelson | in |
| Willie_Nelson | vancouver |
| Willie_Nelson | and |
| Willie_Nelson | nearby |
| Willie_Nelson | portland |
| Willie_Nelson | oregon |
| Willie_Nelson | in |
| Willie_Nelson | 1958 |
| Willie_Nelson | he |
| Willie_Nelson | moved |
| Willie_Nelson | to |
| Willie_Nelson | houston |
| Willie_Nelson | texas |
| Willie_Nelson | after |
| Willie_Nelson | signing |
| Willie_Nelson | a |
| Willie_Nelson | contract |
| Willie_Nelson | with |
| Willie_Nelson | d |
| Willie_Nelson | records |
| Willie_Nelson | he |
| Willie_Nelson | sang |
| Willie_Nelson | at |
| Willie_Nelson | the |
| Willie_Nelson | esquire |
| Willie_Nelson | ballroom |
| Willie_Nelson | weekly |
| Willie_Nelson | and |
| Willie_Nelson | he |
| Willie_Nelson | worked |
| Willie_Nelson | as |
| Willie_Nelson | a |
| Willie_Nelson | disc |
| Willie_Nelson | jockey |
| Willie_Nelson | during |
| Willie_Nelson | that |
| Willie_Nelson | time |
| Willie_Nelson | he |
| Willie_Nelson | wrote |
| Willie_Nelson | songs |
| Willie_Nelson | that |
| Willie_Nelson | would |
| Willie_Nelson | become |
| Willie_Nelson | country |
| Willie_Nelson | standards |
| Willie_Nelson | including |
| Willie_Nelson | funny |
| Willie_Nelson | how |
| Willie_Nelson | time |
| Willie_Nelson | slips |
| Willie_Nelson | away |
| Willie_Nelson | hello |
| Willie_Nelson | walls |
| Willie_Nelson | pretty |
| Willie_Nelson | paper |
| Willie_Nelson | and |
| Willie_Nelson | crazy |
| Willie_Nelson | in |
| Willie_Nelson | 1960 |
| Willie_Nelson | he |
| Willie_Nelson | moved |
| Willie_Nelson | to |
| Willie_Nelson | nashville |
| Willie_Nelson | tennessee |
| Willie_Nelson | and |
| Willie_Nelson | later |
| Willie_Nelson | signed |
| Willie_Nelson | a |
| Willie_Nelson | publishing |
| Willie_Nelson | contract |
| Willie_Nelson | with |
| Willie_Nelson | pamper |
| Willie_Nelson | music |
| Willie_Nelson | which |
| Willie_Nelson | allowed |
| Willie_Nelson | him |
| Willie_Nelson | to |
| Willie_Nelson | join |
| Willie_Nelson | ray |
| Willie_Nelson | price’s |
| Willie_Nelson | band |
| Willie_Nelson | as |
| Willie_Nelson | a |
| Willie_Nelson | bassist |
| Willie_Nelson | in |
| Willie_Nelson | 1962 |
| Willie_Nelson | he |
| Willie_Nelson | recorded |
| Willie_Nelson | his |
| Willie_Nelson | first |
| Willie_Nelson | album |
| Willie_Nelson | and |
| Willie_Nelson | then |
| Willie_Nelson | i |
| Willie_Nelson | wrote |
| Willie_Nelson | due |
| Willie_Nelson | to |
| Willie_Nelson | this |
| Willie_Nelson | success |
| Willie_Nelson | nelson |
| Willie_Nelson | signed |
| Willie_Nelson | in |
| Willie_Nelson | 1964 |
| Willie_Nelson | with |
| Willie_Nelson | rca |
| Willie_Nelson | victor |
| Willie_Nelson | and |
| Willie_Nelson | joined |
| Willie_Nelson | the |
| Willie_Nelson | grand |
| Willie_Nelson | ole |
| Willie_Nelson | opry |
| Willie_Nelson | the |
| Willie_Nelson | following |
| Willie_Nelson | year |
| Willie_Nelson | after |
| Willie_Nelson | mid |
| Willie_Nelson | chart |
| Willie_Nelson | hits |
| Willie_Nelson | in |
| Willie_Nelson | the |
| Willie_Nelson | late |
| Willie_Nelson | 1960s |
| Willie_Nelson | and |
| Willie_Nelson | the |
| Willie_Nelson | early |
| Willie_Nelson | 1970s |
| Willie_Nelson | nelson |
| Willie_Nelson | retired |
| Willie_Nelson | in |
| Willie_Nelson | 1972 |
| Willie_Nelson | and |
| Willie_Nelson | moved |
| Willie_Nelson | to |
| Willie_Nelson | austin |
| Willie_Nelson | texas |
| Willie_Nelson | the |
| Willie_Nelson | ongoing |
| Willie_Nelson | music |
| Willie_Nelson | scene |
| Willie_Nelson | of |
| Willie_Nelson | austin |
| Willie_Nelson | motivated |
| Willie_Nelson | nelson |
| Willie_Nelson | to |
| Willie_Nelson | return |
| Willie_Nelson | from |
| Willie_Nelson | retirement |
| Willie_Nelson | performing |
| Willie_Nelson | frequently |
| Willie_Nelson | at |
| Willie_Nelson | the |
| Willie_Nelson | armadillo |
| Willie_Nelson | world |
| Willie_Nelson | headquarters |
| Willie_Nelson | in |
| Willie_Nelson | 1973 |
| Willie_Nelson | after |
| Willie_Nelson | signing |
| Willie_Nelson | with |
| Willie_Nelson | atlantic |
| Willie_Nelson | records |
| Willie_Nelson | nelson |
| Willie_Nelson | turned |
| Willie_Nelson | to |
| Willie_Nelson | outlaw |
| Willie_Nelson | country |
| Willie_Nelson | including |
| Willie_Nelson | albums |
| Willie_Nelson | such |
| Willie_Nelson | as |
| Willie_Nelson | shotgun |
| Willie_Nelson | willie |
| Willie_Nelson | and |
| Willie_Nelson | phases |
| Willie_Nelson | and |
| Willie_Nelson | stages |
| Willie_Nelson | in |
| Willie_Nelson | 1975 |
| Willie_Nelson | he |
| Willie_Nelson | switched |
| Willie_Nelson | to |
| Willie_Nelson | columbia |
| Willie_Nelson | records |
| Willie_Nelson | where |
| Willie_Nelson | he |
| Willie_Nelson | recorded |
| Willie_Nelson | the |
| Willie_Nelson | critically |
| Willie_Nelson | acclaimed |
| Willie_Nelson | album |
| Willie_Nelson | red |
| Willie_Nelson | headed |
| Willie_Nelson | stranger |
| Willie_Nelson | the |
| Willie_Nelson | same |
| Willie_Nelson | year |
| Willie_Nelson | he |
| Willie_Nelson | recorded |
| Willie_Nelson | another |
| Willie_Nelson | outlaw |
| Willie_Nelson | country |
| Willie_Nelson | album |
| Willie_Nelson | wanted |
| Willie_Nelson | the |
| Willie_Nelson | outlaws |
| Willie_Nelson | along |
| Willie_Nelson | with |
| Willie_Nelson | waylon |
| Willie_Nelson | jennings |
| Willie_Nelson | jessi |
| Willie_Nelson | colter |
| Willie_Nelson | and |
| Willie_Nelson | tompall |
| Willie_Nelson | glaser |
| Willie_Nelson | during |
| Willie_Nelson | the |
| Willie_Nelson | mid |
| Willie_Nelson | 1980s |
| Willie_Nelson | while |
| Willie_Nelson | creating |
| Willie_Nelson | hit |
| Willie_Nelson | albums |
| Willie_Nelson | like |
| Willie_Nelson | honeysuckle |
| Willie_Nelson | rose |
| Willie_Nelson | and |
| Willie_Nelson | recording |
| Willie_Nelson | hit |
| Willie_Nelson | songs |
| Willie_Nelson | like |
| Willie_Nelson | on |
| Willie_Nelson | the |
| Willie_Nelson | road |
| Willie_Nelson | again |
| Willie_Nelson | to |
| Willie_Nelson | all |
| Willie_Nelson | the |
| Willie_Nelson | girls |
| Willie_Nelson | i’ve |
| Willie_Nelson | loved |
| Willie_Nelson | before |
| Willie_Nelson | and |
| Willie_Nelson | pancho |
| Willie_Nelson | and |
| Willie_Nelson | lefty |
| Willie_Nelson | he |
| Willie_Nelson | joined |
| Willie_Nelson | the |
| Willie_Nelson | country |
| Willie_Nelson | supergroup |
| Willie_Nelson | the |
| Willie_Nelson | highwaymen |
| Willie_Nelson | along |
| Willie_Nelson | with |
| Willie_Nelson | fellow |
| Willie_Nelson | singers |
| Willie_Nelson | johnny |
| Willie_Nelson | cash |
| Willie_Nelson | waylon |
| Willie_Nelson | jennings |
| Willie_Nelson | and |
| Willie_Nelson | kris |
| Willie_Nelson | kristofferson |
| Willie_Nelson | in |
| Willie_Nelson | 1990 |
| Willie_Nelson | nelson’s |
| Willie_Nelson | assets |
| Willie_Nelson | were |
| Willie_Nelson | seized |
| Willie_Nelson | by |
| Willie_Nelson | the |
| Willie_Nelson | internal |
| Willie_Nelson | revenue |
| Willie_Nelson | service |
| Willie_Nelson | which |
| Willie_Nelson | claimed |
| Willie_Nelson | that |
| Willie_Nelson | he |
| Willie_Nelson | owed |
| Willie_Nelson | 32 |
| Willie_Nelson | million |
| Willie_Nelson | the |
| Willie_Nelson | difficulty |
| Willie_Nelson | of |
| Willie_Nelson | paying |
| Willie_Nelson | his |
| Willie_Nelson | outstanding |
| Willie_Nelson | debt |
| Willie_Nelson | was |
| Willie_Nelson | aggravated |
| Willie_Nelson | by |
| Willie_Nelson | weak |
| Willie_Nelson | investments |
| Willie_Nelson | he |
| Willie_Nelson | had |
| Willie_Nelson | made |
| Willie_Nelson | during |
| Willie_Nelson | the |
| Willie_Nelson | 1980s |
| Willie_Nelson | in |
| Willie_Nelson | 1992 |
| Willie_Nelson | nelson |
| Willie_Nelson | released |
| Willie_Nelson | the |
| Willie_Nelson | irs |
| Willie_Nelson | tapes |
| Willie_Nelson | who’ll |
| Willie_Nelson | buy |
| Willie_Nelson | my |
| Willie_Nelson | memories |
| Willie_Nelson | the |
| Willie_Nelson | profits |
| Willie_Nelson | of |
| Willie_Nelson | the |
| Willie_Nelson | double |
| Willie_Nelson | album |
| Willie_Nelson | estined |
| Willie_Nelson | to |
| Willie_Nelson | the |
| Willie_Nelson | irs |
| Willie_Nelson | nd |
| Willie_Nelson | the |
| Willie_Nelson | auction |
| Willie_Nelson | of |
| Willie_Nelson | nelson’s |
| Willie_Nelson | assets |
| Willie_Nelson | cleared |
| Willie_Nelson | his |
| Willie_Nelson | debt |
| Willie_Nelson | during |
| Willie_Nelson | the |
| Willie_Nelson | 1990s |
| Willie_Nelson | and |
| Willie_Nelson | 2000s |
| Willie_Nelson | nelson |
| Willie_Nelson | continued |
| Willie_Nelson | touring |
| Willie_Nelson | extensively |
| Willie_Nelson | and |
| Willie_Nelson | released |
| Willie_Nelson | albums |
| Willie_Nelson | every |
| Willie_Nelson | year |
| Willie_Nelson | reviews |
| Willie_Nelson | ranged |
| Willie_Nelson | from |
| Willie_Nelson | positive |
| Willie_Nelson | to |
| Willie_Nelson | mixed |
| Willie_Nelson | he |
| Willie_Nelson | explored |
| Willie_Nelson | genres |
| Willie_Nelson | such |
| Willie_Nelson | as |
| Willie_Nelson | reggae |
| Willie_Nelson | blues |
| Willie_Nelson | jazz |
| Willie_Nelson | and |
| Willie_Nelson | folk |
| Willie_Nelson | nelson |
| Willie_Nelson | made |
| Willie_Nelson | his |
| Willie_Nelson | first |
| Willie_Nelson | movie |
| Willie_Nelson | appearance |
| Willie_Nelson | in |
| Willie_Nelson | the |
| Willie_Nelson | 1979 |
| Willie_Nelson | film |
| Willie_Nelson | the |
| Willie_Nelson | electric |
| Willie_Nelson | horseman |
| Willie_Nelson | followed |
| Willie_Nelson | by |
| Willie_Nelson | other |
| Willie_Nelson | appearances |
| Willie_Nelson | in |
| Willie_Nelson | movies |
| Willie_Nelson | and |
| Willie_Nelson | on |
| Willie_Nelson | television |
| Willie_Nelson | nelson |
| Willie_Nelson | is |
| Willie_Nelson | a |
| Willie_Nelson | major |
| Willie_Nelson | liberal |
| Willie_Nelson | activist |
| Willie_Nelson | and |
| Willie_Nelson | the |
| Willie_Nelson | co |
| Willie_Nelson | chair |
| Willie_Nelson | of |
| Willie_Nelson | the |
| Willie_Nelson | advisory |
| Willie_Nelson | board |
| Willie_Nelson | of |
| Willie_Nelson | the |
| Willie_Nelson | national |
| Willie_Nelson | organization |
| Willie_Nelson | for |
| Willie_Nelson | the |
| Willie_Nelson | reform |
| Willie_Nelson | of |
| Willie_Nelson | marijuana |
| Willie_Nelson | laws |
| Willie_Nelson | norml |
| Willie_Nelson | which |
| Willie_Nelson | is |
| Willie_Nelson | in |
| Willie_Nelson | favor |
| Willie_Nelson | of |
| Willie_Nelson | marijuana |
| Willie_Nelson | legalization |
| Willie_Nelson | on |
| Willie_Nelson | the |
| Willie_Nelson | environmental |
| Willie_Nelson | front |
| Willie_Nelson | nelson |
| Willie_Nelson | owns |
| Willie_Nelson | the |
| Willie_Nelson | biodiesel |
| Willie_Nelson | brand |
| Willie_Nelson | willie |
| Willie_Nelson | nelson |
| Willie_Nelson | biodiesel |
| Willie_Nelson | whose |
| Willie_Nelson | product |
| Willie_Nelson | is |
| Willie_Nelson | made |
| Willie_Nelson | from |
| Willie_Nelson | vegetable |
| Willie_Nelson | oil |
| Willie_Nelson | nelson |
| Willie_Nelson | is |
| Willie_Nelson | also |
| Willie_Nelson | the |
| Willie_Nelson | honorary |
| Willie_Nelson | chairman |
| Willie_Nelson | of |
| Willie_Nelson | the |
| Willie_Nelson | advisory |
| Willie_Nelson | board |
| Willie_Nelson | of |
| Willie_Nelson | the |
| Willie_Nelson | texas |
| Willie_Nelson | music |
| Willie_Nelson | project |
| Willie_Nelson | the |
| Willie_Nelson | official |
| Willie_Nelson | music |
| Willie_Nelson | charity |
| Willie_Nelson | of |
| Willie_Nelson | the |
| Willie_Nelson | state |
| Willie_Nelson | of |
| Willie_Nelson | texas |
| Willie_Nelson | en |
| Ray_Charles | ray |
| Ray_Charles | charles |
| Ray_Charles | robinson |
| Ray_Charles | sr |
| Ray_Charles | september |
| Ray_Charles | 23 |
| Ray_Charles | 1930 |
| Ray_Charles | june |
| Ray_Charles | 10 |
| Ray_Charles | 2004 |
| Ray_Charles | was |
| Ray_Charles | an |
| Ray_Charles | american |
| Ray_Charles | singer |
| Ray_Charles | songwriter |
| Ray_Charles | pianist |
| Ray_Charles | and |
| Ray_Charles | composer |
| Ray_Charles | among |
| Ray_Charles | friends |
| Ray_Charles | and |
| Ray_Charles | fellow |
| Ray_Charles | musicians |
| Ray_Charles | he |
| Ray_Charles | preferred |
| Ray_Charles | being |
| Ray_Charles | called |
| Ray_Charles | brother |
| Ray_Charles | ray |
| Ray_Charles | he |
| Ray_Charles | was |
| Ray_Charles | often |
| Ray_Charles | referred |
| Ray_Charles | to |
| Ray_Charles | as |
| Ray_Charles | the |
| Ray_Charles | genius |
| Ray_Charles | charles |
| Ray_Charles | was |
| Ray_Charles | blinded |
| Ray_Charles | during |
| Ray_Charles | childhood |
| Ray_Charles | possibly |
| Ray_Charles | due |
| Ray_Charles | to |
| Ray_Charles | glaucoma |
| Ray_Charles | charles |
| Ray_Charles | pioneered |
| Ray_Charles | the |
| Ray_Charles | soul |
| Ray_Charles | music |
| Ray_Charles | genre |
| Ray_Charles | during |
| Ray_Charles | the |
| Ray_Charles | 1950s |
| Ray_Charles | by |
| Ray_Charles | combining |
| Ray_Charles | blues |
| Ray_Charles | jazz |
| Ray_Charles | rhythm |
| Ray_Charles | and |
| Ray_Charles | blues |
| Ray_Charles | and |
| Ray_Charles | gospel |
| Ray_Charles | styles |
| Ray_Charles | into |
| Ray_Charles | the |
| Ray_Charles | music |
| Ray_Charles | he |
| Ray_Charles | recorded |
| Ray_Charles | for |
| Ray_Charles | atlantic |
| Ray_Charles | he |
| Ray_Charles | contributed |
| Ray_Charles | to |
| Ray_Charles | the |
| Ray_Charles | integration |
| Ray_Charles | of |
| Ray_Charles | country |
| Ray_Charles | music |
| Ray_Charles | rhythm |
| Ray_Charles | and |
| Ray_Charles | blues |
| Ray_Charles | and |
| Ray_Charles | pop |
| Ray_Charles | music |
| Ray_Charles | during |
| Ray_Charles | the |
| Ray_Charles | 1960s |
| Ray_Charles | with |
| Ray_Charles | his |
| Ray_Charles | crossover |
| Ray_Charles | success |
| Ray_Charles | on |
| Ray_Charles | abc |
| Ray_Charles | records |
| Ray_Charles | notably |
| Ray_Charles | with |
| Ray_Charles | his |
| Ray_Charles | two |
| Ray_Charles | modern |
| Ray_Charles | sounds |
| Ray_Charles | albums |
| Ray_Charles | while |
| Ray_Charles | he |
| Ray_Charles | was |
| Ray_Charles | with |
| Ray_Charles | abc |
| Ray_Charles | charles |
| Ray_Charles | became |
| Ray_Charles | one |
| Ray_Charles | of |
| Ray_Charles | the |
| Ray_Charles | first |
| Ray_Charles | black |
| Ray_Charles | musicians |
| Ray_Charles | to |
| Ray_Charles | be |
| Ray_Charles | granted |
| Ray_Charles | artistic |
| Ray_Charles | control |
| Ray_Charles | by |
| Ray_Charles | a |
| Ray_Charles | mainstream |
| Ray_Charles | record |
| Ray_Charles | company |
| Ray_Charles | charles’s |
| Ray_Charles | 1960 |
| Ray_Charles | hit |
| Ray_Charles | georgia |
| Ray_Charles | on |
| Ray_Charles | my |
| Ray_Charles | mind |
| Ray_Charles | was |
| Ray_Charles | the |
| Ray_Charles | first |
| Ray_Charles | of |
| Ray_Charles | his |
| Ray_Charles | three |
| Ray_Charles | career |
| Ray_Charles | no |
| Ray_Charles | 1 |
| Ray_Charles | hits |
| Ray_Charles | on |
| Ray_Charles | the |
| Ray_Charles | billboard |
| Ray_Charles | hot |
| Ray_Charles | 100 |
| Ray_Charles | his |
| Ray_Charles | 1962 |
| Ray_Charles | album |
| Ray_Charles | modern |
| Ray_Charles | sounds |
| Ray_Charles | in |
| Ray_Charles | country |
| Ray_Charles | and |
| Ray_Charles | western |
| Ray_Charles | music |
| Ray_Charles | became |
| Ray_Charles | his |
| Ray_Charles | first |
| Ray_Charles | album |
| Ray_Charles | to |
| Ray_Charles | top |
| Ray_Charles | the |
| Ray_Charles | billboard |
| Ray_Charles | 200 |
| Ray_Charles | charles |
| Ray_Charles | had |
| Ray_Charles | multiple |
| Ray_Charles | singles |
| Ray_Charles | reach |
| Ray_Charles | the |
| Ray_Charles | top |
| Ray_Charles | 40 |
| Ray_Charles | on |
| Ray_Charles | various |
| Ray_Charles | billboard |
| Ray_Charles | charts |
| Ray_Charles | 44 |
| Ray_Charles | on |
| Ray_Charles | the |
| Ray_Charles | us |
| Ray_Charles | r |
| Ray_Charles | b |
| Ray_Charles | singles |
| Ray_Charles | chart |
| Ray_Charles | 11 |
| Ray_Charles | on |
| Ray_Charles | the |
| Ray_Charles | hot |
| Ray_Charles | 100 |
| Ray_Charles | singles |
| Ray_Charles | chart |
| Ray_Charles | 2 |
| Ray_Charles | on |
| Ray_Charles | the |
| Ray_Charles | hot |
| Ray_Charles | country |
| Ray_Charles | singles |
| Ray_Charles | charts |
| Ray_Charles | charles |
| Ray_Charles | cited |
| Ray_Charles | nat |
| Ray_Charles | king |
| Ray_Charles | cole |
| Ray_Charles | as |
| Ray_Charles | a |
| Ray_Charles | primary |
| Ray_Charles | influence |
| Ray_Charles | but |
| Ray_Charles | his |
| Ray_Charles | music |
| Ray_Charles | was |
| Ray_Charles | also |
| Ray_Charles | influenced |
| Ray_Charles | by |
| Ray_Charles | louis |
| Ray_Charles | jordan |
| Ray_Charles | and |
| Ray_Charles | charles |
| Ray_Charles | brown |
| Ray_Charles | he |
| Ray_Charles | had |
| Ray_Charles | a |
| Ray_Charles | lifelong |
| Ray_Charles | friendship |
| Ray_Charles | and |
| Ray_Charles | occasional |
| Ray_Charles | partnership |
| Ray_Charles | with |
| Ray_Charles | quincy |
| Ray_Charles | jones |
| Ray_Charles | frank |
| Ray_Charles | sinatra |
| Ray_Charles | called |
| Ray_Charles | ray |
| Ray_Charles | charles |
| Ray_Charles | the |
| Ray_Charles | only |
| Ray_Charles | true |
| Ray_Charles | genius |
| Ray_Charles | in |
| Ray_Charles | show |
| Ray_Charles | business |
| Ray_Charles | although |
| Ray_Charles | charles |
| Ray_Charles | downplayed |
| Ray_Charles | this |
| Ray_Charles | notion |
| Ray_Charles | billy |
| Ray_Charles | joel |
| Ray_Charles | said |
| Ray_Charles | this |
| Ray_Charles | may |
| Ray_Charles | sound |
| Ray_Charles | like |
| Ray_Charles | sacrilege |
| Ray_Charles | but |
| Ray_Charles | i |
| Ray_Charles | think |
| Ray_Charles | ray |
| Ray_Charles | charles |
| Ray_Charles | was |
| Ray_Charles | more |
| Ray_Charles | important |
| Ray_Charles | than |
| Ray_Charles | elvis |
| Ray_Charles | presley |
| Ray_Charles | for |
| Ray_Charles | his |
| Ray_Charles | musical |
| Ray_Charles | contributions |
| Ray_Charles | charles |
| Ray_Charles | received |
| Ray_Charles | the |
| Ray_Charles | kennedy |
| Ray_Charles | center |
| Ray_Charles | honors |
| Ray_Charles | the |
| Ray_Charles | national |
| Ray_Charles | medal |
| Ray_Charles | of |
| Ray_Charles | arts |
| Ray_Charles | and |
| Ray_Charles | the |
| Ray_Charles | polar |
| Ray_Charles | music |
| Ray_Charles | prize |
| Ray_Charles | he |
| Ray_Charles | won |
| Ray_Charles | 18 |
| Ray_Charles | grammy |
| Ray_Charles | awards |
| Ray_Charles | including |
| Ray_Charles | 5 |
| Ray_Charles | posthumously |
| Ray_Charles | charles |
| Ray_Charles | was |
| Ray_Charles | honored |
| Ray_Charles | with |
| Ray_Charles | the |
| Ray_Charles | grammy |
| Ray_Charles | lifetime |
| Ray_Charles | achievement |
| Ray_Charles | award |
| Ray_Charles | in |
| Ray_Charles | 1987 |
| Ray_Charles | and |
| Ray_Charles | 10 |
| Ray_Charles | of |
| Ray_Charles | his |
| Ray_Charles | recordings |
| Ray_Charles | have |
| Ray_Charles | been |
| Ray_Charles | inducted |
| Ray_Charles | into |
| Ray_Charles | the |
| Ray_Charles | grammy |
| Ray_Charles | hall |
| Ray_Charles | of |
| Ray_Charles | fame |
| Ray_Charles | rolling |
| Ray_Charles | stone |
| Ray_Charles | ranked |
| Ray_Charles | charles |
| Ray_Charles | no |
| Ray_Charles | 10 |
| Ray_Charles | on |
| Ray_Charles | their |
| Ray_Charles | list |
| Ray_Charles | of |
| Ray_Charles | the |
| Ray_Charles | 100 |
| Ray_Charles | greatest |
| Ray_Charles | artists |
| Ray_Charles | of |
| Ray_Charles | all |
| Ray_Charles | time |
| Ray_Charles | and |
| Ray_Charles | no |
| Ray_Charles | 2 |
| Ray_Charles | on |
| Ray_Charles | their |
| Ray_Charles | list |
| Ray_Charles | of |
| Ray_Charles | the |
| Ray_Charles | 100 |
| Ray_Charles | greatest |
| Ray_Charles | singers |
| Ray_Charles | of |
| Ray_Charles | all |
| Ray_Charles | time |
| Ray_Charles | en |
| Randy_Sandke | jay |
| Randy_Sandke | randall |
| Randy_Sandke | sandke |
| Randy_Sandke | born |
| Randy_Sandke | may |
| Randy_Sandke | 5 |
| Randy_Sandke | 1949 |
| Randy_Sandke | in |
| Randy_Sandke | chicago |
| Randy_Sandke | illinois |
| Randy_Sandke | is |
| Randy_Sandke | a |
| Randy_Sandke | jazz |
| Randy_Sandke | trumpeter |
| Randy_Sandke | and |
| Randy_Sandke | guitarist |
| Randy_Sandke | while |
| Randy_Sandke | a |
| Randy_Sandke | student |
| Randy_Sandke | at |
| Randy_Sandke | indiana |
| Randy_Sandke | university |
| Randy_Sandke | in |
| Randy_Sandke | 1968 |
| Randy_Sandke | he |
| Randy_Sandke | and |
| Randy_Sandke | michael |
| Randy_Sandke | brecker |
| Randy_Sandke | started |
| Randy_Sandke | a |
| Randy_Sandke | jazz |
| Randy_Sandke | rock |
| Randy_Sandke | band |
| Randy_Sandke | mrs |
| Randy_Sandke | seamon’s |
| Randy_Sandke | sound |
| Randy_Sandke | band |
| Randy_Sandke | that |
| Randy_Sandke | performed |
| Randy_Sandke | at |
| Randy_Sandke | the |
| Randy_Sandke | notre |
| Randy_Sandke | dame |
| Randy_Sandke | collegiate |
| Randy_Sandke | jazz |
| Randy_Sandke | festival |
| Randy_Sandke | he |
| Randy_Sandke | was |
| Randy_Sandke | invited |
| Randy_Sandke | to |
| Randy_Sandke | be |
| Randy_Sandke | a |
| Randy_Sandke | member |
| Randy_Sandke | of |
| Randy_Sandke | the |
| Randy_Sandke | backing |
| Randy_Sandke | band |
| Randy_Sandke | for |
| Randy_Sandke | rock |
| Randy_Sandke | singer |
| Randy_Sandke | janis |
| Randy_Sandke | joplin |
| Randy_Sandke | but |
| Randy_Sandke | a |
| Randy_Sandke | throat |
| Randy_Sandke | problem |
| Randy_Sandke | kept |
| Randy_Sandke | him |
| Randy_Sandke | from |
| Randy_Sandke | performing |
| Randy_Sandke | despite |
| Randy_Sandke | a |
| Randy_Sandke | successful |
| Randy_Sandke | operation |
| Randy_Sandke | on |
| Randy_Sandke | his |
| Randy_Sandke | throat |
| Randy_Sandke | he |
| Randy_Sandke | gave |
| Randy_Sandke | up |
| Randy_Sandke | the |
| Randy_Sandke | trumpet |
| Randy_Sandke | moved |
| Randy_Sandke | to |
| Randy_Sandke | new |
| Randy_Sandke | york |
| Randy_Sandke | city |
| Randy_Sandke | and |
| Randy_Sandke | played |
| Randy_Sandke | guitar |
| Randy_Sandke | for |
| Randy_Sandke | the |
| Randy_Sandke | next |
| Randy_Sandke | ten |
| Randy_Sandke | years |
| Randy_Sandke | when |
| Randy_Sandke | he |
| Randy_Sandke | returned |
| Randy_Sandke | to |
| Randy_Sandke | the |
| Randy_Sandke | trumpet |
| Randy_Sandke | he |
| Randy_Sandke | became |
| Randy_Sandke | a |
| Randy_Sandke | member |
| Randy_Sandke | of |
| Randy_Sandke | the |
| Randy_Sandke | nighthawks |
| Randy_Sandke | orchestra |
| Randy_Sandke | led |
| Randy_Sandke | by |
| Randy_Sandke | vince |
| Randy_Sandke | giordano |
| Randy_Sandke | followed |
| Randy_Sandke | by |
| Randy_Sandke | membership |
| Randy_Sandke | in |
| Randy_Sandke | bechet’s |
| Randy_Sandke | legacy |
| Randy_Sandke | led |
| Randy_Sandke | by |
| Randy_Sandke | bob |
| Randy_Sandke | wilber |
| Randy_Sandke | from |
| Randy_Sandke | 1984 |
| Randy_Sandke | 985 |
| Randy_Sandke | he |
| Randy_Sandke | was |
| Randy_Sandke | part |
| Randy_Sandke | of |
| Randy_Sandke | benny |
| Randy_Sandke | goodman’s |
| Randy_Sandke | last |
| Randy_Sandke | band |
| Randy_Sandke | sandke |
| Randy_Sandke | remarks |
| Randy_Sandke | in |
| Randy_Sandke | the |
| Randy_Sandke | liner |
| Randy_Sandke | notes |
| Randy_Sandke | to |
| Randy_Sandke | the |
| Randy_Sandke | subway |
| Randy_Sandke | ballet |
| Randy_Sandke | okay |
| Randy_Sandke | i |
| Randy_Sandke | worked |
| Randy_Sandke | with |
| Randy_Sandke | benny |
| Randy_Sandke | goodman |
| Randy_Sandke | but |
| Randy_Sandke | so |
| Randy_Sandke | did |
| Randy_Sandke | fats |
| Randy_Sandke | navarro |
| Randy_Sandke | and |
| Randy_Sandke | herbie |
| Randy_Sandke | hancock |
| Randy_Sandke | and |
| Randy_Sandke | nobody |
| Randy_Sandke | refers |
| Randy_Sandke | to |
| Randy_Sandke | them |
| Randy_Sandke | as |
| Randy_Sandke | swing |
| Randy_Sandke | musicians |
| Randy_Sandke | being |
| Randy_Sandke | thus |
| Randy_Sandke | labeled |
| Randy_Sandke | is |
| Randy_Sandke | somewhat |
| Randy_Sandke | akin |
| Randy_Sandke | to |
| Randy_Sandke | being |
| Randy_Sandke | called |
| Randy_Sandke | a |
| Randy_Sandke | child |
| Randy_Sandke | molester |
| Randy_Sandke | in |
| Randy_Sandke | that |
| Randy_Sandke | the |
| Randy_Sandke | tag |
| Randy_Sandke | never |
| Randy_Sandke | seems |
| Randy_Sandke | to |
| Randy_Sandke | go |
| Randy_Sandke | away |
| Randy_Sandke | and |
| Randy_Sandke | both |
| Randy_Sandke | can |
| Randy_Sandke | be |
| Randy_Sandke | equally |
| Randy_Sandke | deleterious |
| Randy_Sandke | to |
| Randy_Sandke | one’s |
| Randy_Sandke | career |
| Randy_Sandke | he |
| Randy_Sandke | has |
| Randy_Sandke | recorded |
| Randy_Sandke | over |
| Randy_Sandke | twenty |
| Randy_Sandke | albums |
| Randy_Sandke | as |
| Randy_Sandke | a |
| Randy_Sandke | leader |
| Randy_Sandke | ranging |
| Randy_Sandke | from |
| Randy_Sandke | revisitings |
| Randy_Sandke | of |
| Randy_Sandke | music |
| Randy_Sandke | from |
| Randy_Sandke | the |
| Randy_Sandke | 1920s |
| Randy_Sandke | and |
| Randy_Sandke | 1930s |
| Randy_Sandke | to |
| Randy_Sandke | explorations |
| Randy_Sandke | of |
| Randy_Sandke | contemporary |
| Randy_Sandke | idioms |
| Randy_Sandke | in |
| Randy_Sandke | the |
| Randy_Sandke | company |
| Randy_Sandke | michael |
| Randy_Sandke | brecker |
| Randy_Sandke | kenny |
| Randy_Sandke | barron |
| Randy_Sandke | marty |
| Randy_Sandke | ehrlich |
| Randy_Sandke | bill |
| Randy_Sandke | charlap |
| Randy_Sandke | and |
| Randy_Sandke | uri |
| Randy_Sandke | caine |
| Randy_Sandke | he |
| Randy_Sandke | became |
| Randy_Sandke | interested |
| Randy_Sandke | in |
| Randy_Sandke | exploring |
| Randy_Sandke | dissonant |
| Randy_Sandke | nonstandard |
| Randy_Sandke | harmonies |
| Randy_Sandke | that |
| Randy_Sandke | lie |
| Randy_Sandke | outside |
| Randy_Sandke | of |
| Randy_Sandke | conventional |
| Randy_Sandke | triadic |
| Randy_Sandke | harmony |
| Randy_Sandke | creating |
| Randy_Sandke | a |
| Randy_Sandke | musical |
| Randy_Sandke | theory |
| Randy_Sandke | of |
| Randy_Sandke | what |
| Randy_Sandke | he |
| Randy_Sandke | calls |
| Randy_Sandke | metatonality |
| Randy_Sandke | a |
| Randy_Sandke | harmonic |
| Randy_Sandke | system |
| Randy_Sandke | outlined |
| Randy_Sandke | in |
| Randy_Sandke | his |
| Randy_Sandke | book |
| Randy_Sandke | harmony |
| Randy_Sandke | for |
| Randy_Sandke | a |
| Randy_Sandke | new |
| Randy_Sandke | millennium |
| Randy_Sandke | he |
| Randy_Sandke | has |
| Randy_Sandke | led |
| Randy_Sandke | the |
| Randy_Sandke | new |
| Randy_Sandke | york |
| Randy_Sandke | all |
| Randy_Sandke | stars |
| Randy_Sandke | with |
| Randy_Sandke | dan |
| Randy_Sandke | barrett |
| Randy_Sandke | and |
| Randy_Sandke | ken |
| Randy_Sandke | peplowski |
| Randy_Sandke | the |
| Randy_Sandke | metatonal |
| Randy_Sandke | band |
| Randy_Sandke | with |
| Randy_Sandke | marvin |
| Randy_Sandke | smith |
| Randy_Sandke | and |
| Randy_Sandke | ted |
| Randy_Sandke | rosenthal |
| Randy_Sandke | and |
| Randy_Sandke | has |
| Randy_Sandke | done |
| Randy_Sandke | arrangements |
| Randy_Sandke | for |
| Randy_Sandke | the |
| Randy_Sandke | carnegie |
| Randy_Sandke | hall |
| Randy_Sandke | jazz |
| Randy_Sandke | orchestra |
| Randy_Sandke | his |
| Randy_Sandke | writings |
| Randy_Sandke | include |
| Randy_Sandke | a |
| Randy_Sandke | method |
| Randy_Sandke | book |
| Randy_Sandke | about |
| Randy_Sandke | his |
| Randy_Sandke | metatonal |
| Randy_Sandke | approach |
| Randy_Sandke | to |
| Randy_Sandke | harmony |
| Randy_Sandke | he |
| Randy_Sandke | has |
| Randy_Sandke | a |
| Randy_Sandke | brother |
| Randy_Sandke | jordan |
| Randy_Sandke | sandke |
| Randy_Sandke | who |
| Randy_Sandke | is |
| Randy_Sandke | a |
| Randy_Sandke | trumpeter |
| Randy_Sandke | both |
| Randy_Sandke | brothers |
| Randy_Sandke | played |
| Randy_Sandke | in |
| Randy_Sandke | the |
| Randy_Sandke | widespread |
| Randy_Sandke | depression |
| Randy_Sandke | jazz |
| Randy_Sandke | orchestra |
| Randy_Sandke | his |
| Randy_Sandke | albums |
| Randy_Sandke | include |
| Randy_Sandke | trumpet |
| Randy_Sandke | after |
| Randy_Sandke | dark |
| Randy_Sandke | a |
| Randy_Sandke | jazz |
| Randy_Sandke | with |
| Randy_Sandke | strings |
| Randy_Sandke | album |
| Randy_Sandke | that |
| Randy_Sandke | uses |
| Randy_Sandke | renaissance |
| Randy_Sandke | viols |
| Randy_Sandke | instead |
| Randy_Sandke | of |
| Randy_Sandke | modern |
| Randy_Sandke | violins |
| Randy_Sandke | inside |
| Randy_Sandke | out |
| Randy_Sandke | and |
| Randy_Sandke | outside |
| Randy_Sandke | in |
| Randy_Sandke | bring |
| Randy_Sandke | together |
| Randy_Sandke | mainstream |
| Randy_Sandke | jazz |
| Randy_Sandke | musicians |
| Randy_Sandke | such |
| Randy_Sandke | as |
| Randy_Sandke | ken |
| Randy_Sandke | peplowski |
| Randy_Sandke | and |
| Randy_Sandke | avant |
| Randy_Sandke | garde |
| Randy_Sandke | jazz |
| Randy_Sandke | musicians |
| Randy_Sandke | ray |
| Randy_Sandke | anderson |
| Randy_Sandke | and |
| Randy_Sandke | uri |
| Randy_Sandke | caine |
| Randy_Sandke | his |
| Randy_Sandke | work |
| Randy_Sandke | appeared |
| Randy_Sandke | in |
| Randy_Sandke | the |
| Randy_Sandke | movies |
| Randy_Sandke | the |
| Randy_Sandke | cotton |
| Randy_Sandke | club |
| Randy_Sandke | bullets |
| Randy_Sandke | over |
| Randy_Sandke | broadway |
| Randy_Sandke | and |
| Randy_Sandke | the |
| Randy_Sandke | curse |
| Randy_Sandke | of |
| Randy_Sandke | the |
| Randy_Sandke | jade |
| Randy_Sandke | scorpion |
| Randy_Sandke | en |
| Ray_Mantilla | raymond |
| Ray_Mantilla | mantilla |
| Ray_Mantilla | june |
| Ray_Mantilla | 22 |
| Ray_Mantilla | 1934 |
| Ray_Mantilla | march |
| Ray_Mantilla | 21 |
| Ray_Mantilla | 2020 |
| Ray_Mantilla | was |
| Ray_Mantilla | an |
| Ray_Mantilla | american |
| Ray_Mantilla | percussionist |
| Ray_Mantilla | en |
| Rodney_Whitaker | rodney |
| Rodney_Whitaker | whitaker |
| Rodney_Whitaker | born |
| Rodney_Whitaker | february |
| Rodney_Whitaker | 22 |
| Rodney_Whitaker | 1968 |
| Rodney_Whitaker | is |
| Rodney_Whitaker | an |
| Rodney_Whitaker | american |
| Rodney_Whitaker | jazz |
| Rodney_Whitaker | double |
| Rodney_Whitaker | bass |
| Rodney_Whitaker | player |
| Rodney_Whitaker | and |
| Rodney_Whitaker | educator |
| Rodney_Whitaker | en |
| Jack_DeJohnette | jack |
| Jack_DeJohnette | dejohnette |
| Jack_DeJohnette | born |
| Jack_DeJohnette | august |
| Jack_DeJohnette | 9 |
| Jack_DeJohnette | 1942 |
| Jack_DeJohnette | is |
| Jack_DeJohnette | an |
| Jack_DeJohnette | american |
| Jack_DeJohnette | jazz |
| Jack_DeJohnette | drummer |
| Jack_DeJohnette | pianist |
| Jack_DeJohnette | and |
| Jack_DeJohnette | composer |
| Jack_DeJohnette | an |
| Jack_DeJohnette | important |
| Jack_DeJohnette | figure |
| Jack_DeJohnette | of |
| Jack_DeJohnette | the |
| Jack_DeJohnette | fusion |
| Jack_DeJohnette | era |
| Jack_DeJohnette | of |
| Jack_DeJohnette | jazz |
| Jack_DeJohnette | dejohnette |
| Jack_DeJohnette | is |
| Jack_DeJohnette | one |
| Jack_DeJohnette | of |
| Jack_DeJohnette | the |
| Jack_DeJohnette | most |
| Jack_DeJohnette | influential |
| Jack_DeJohnette | jazz |
| Jack_DeJohnette | drummers |
| Jack_DeJohnette | of |
| Jack_DeJohnette | the |
| Jack_DeJohnette | 20th |
| Jack_DeJohnette | century |
| Jack_DeJohnette | given |
| Jack_DeJohnette | his |
| Jack_DeJohnette | extensive |
| Jack_DeJohnette | work |
| Jack_DeJohnette | as |
| Jack_DeJohnette | leader |
| Jack_DeJohnette | and |
| Jack_DeJohnette | sideman |
| Jack_DeJohnette | for |
| Jack_DeJohnette | musicians |
| Jack_DeJohnette | including |
| Jack_DeJohnette | charles |
| Jack_DeJohnette | lloyd |
| Jack_DeJohnette | freddie |
| Jack_DeJohnette | hubbard |
| Jack_DeJohnette | keith |
| Jack_DeJohnette | jarrett |
| Jack_DeJohnette | bill |
| Jack_DeJohnette | evans |
| Jack_DeJohnette | john |
| Jack_DeJohnette | abercrombie |
| Jack_DeJohnette | alice |
| Jack_DeJohnette | coltrane |
| Jack_DeJohnette | sonny |
| Jack_DeJohnette | rollins |
| Jack_DeJohnette | miles |
| Jack_DeJohnette | davis |
| Jack_DeJohnette | joe |
| Jack_DeJohnette | henderson |
| Jack_DeJohnette | michael |
| Jack_DeJohnette | brecker |
| Jack_DeJohnette | herbie |
| Jack_DeJohnette | hancock |
| Jack_DeJohnette | and |
| Jack_DeJohnette | john |
| Jack_DeJohnette | scofield |
| Jack_DeJohnette | he |
| Jack_DeJohnette | was |
| Jack_DeJohnette | inducted |
| Jack_DeJohnette | into |
| Jack_DeJohnette | the |
| Jack_DeJohnette | modern |
| Jack_DeJohnette | drummer |
| Jack_DeJohnette | hall |
| Jack_DeJohnette | of |
| Jack_DeJohnette | fame |
| Jack_DeJohnette | in |
| Jack_DeJohnette | 2007 |
| Jack_DeJohnette | en |
| Duke_Ellington | edward |
| Duke_Ellington | kennedy |
| Duke_Ellington | duke |
| Duke_Ellington | ellington |
| Duke_Ellington | april |
| Duke_Ellington | 29 |
| Duke_Ellington | 1899 |
| Duke_Ellington | may |
| Duke_Ellington | 24 |
| Duke_Ellington | 1974 |
| Duke_Ellington | was |
| Duke_Ellington | an |
| Duke_Ellington | american |
| Duke_Ellington | composer |
| Duke_Ellington | pianist |
| Duke_Ellington | and |
| Duke_Ellington | leader |
| Duke_Ellington | of |
| Duke_Ellington | a |
| Duke_Ellington | jazz |
| Duke_Ellington | orchestra |
| Duke_Ellington | from |
| Duke_Ellington | 1923 |
| Duke_Ellington | through |
| Duke_Ellington | the |
| Duke_Ellington | rest |
| Duke_Ellington | of |
| Duke_Ellington | his |
| Duke_Ellington | life |
| Duke_Ellington | born |
| Duke_Ellington | in |
| Duke_Ellington | washington |
| Duke_Ellington | d.c |
| Duke_Ellington | ellington |
| Duke_Ellington | was |
| Duke_Ellington | based |
| Duke_Ellington | in |
| Duke_Ellington | new |
| Duke_Ellington | york |
| Duke_Ellington | city |
| Duke_Ellington | from |
| Duke_Ellington | the |
| Duke_Ellington | mid |
| Duke_Ellington | 1920s |
| Duke_Ellington | and |
| Duke_Ellington | gained |
| Duke_Ellington | a |
| Duke_Ellington | national |
| Duke_Ellington | profile |
| Duke_Ellington | through |
| Duke_Ellington | his |
| Duke_Ellington | orchestra’s |
| Duke_Ellington | appearances |
| Duke_Ellington | at |
| Duke_Ellington | the |
| Duke_Ellington | cotton |
| Duke_Ellington | club |
| Duke_Ellington | in |
| Duke_Ellington | harlem |
| Duke_Ellington | in |
| Duke_Ellington | the |
| Duke_Ellington | 1930s |
| Duke_Ellington | his |
| Duke_Ellington | orchestra |
| Duke_Ellington | toured |
| Duke_Ellington | europe |
| Duke_Ellington | several |
| Duke_Ellington | times |
| Duke_Ellington | some |
| Duke_Ellington | of |
| Duke_Ellington | the |
| Duke_Ellington | jazz |
| Duke_Ellington | musicians |
| Duke_Ellington | who |
| Duke_Ellington | were |
| Duke_Ellington | members |
| Duke_Ellington | of |
| Duke_Ellington | ellington’s |
| Duke_Ellington | orchestra |
| Duke_Ellington | such |
| Duke_Ellington | as |
| Duke_Ellington | saxophonist |
| Duke_Ellington | johnny |
| Duke_Ellington | hodges |
| Duke_Ellington | are |
| Duke_Ellington | considered |
| Duke_Ellington | among |
| Duke_Ellington | the |
| Duke_Ellington | best |
| Duke_Ellington | players |
| Duke_Ellington | in |
| Duke_Ellington | the |
| Duke_Ellington | idiom |
| Duke_Ellington | ellington |
| Duke_Ellington | melded |
| Duke_Ellington | them |
| Duke_Ellington | into |
| Duke_Ellington | the |
| Duke_Ellington | best |
| Duke_Ellington | regarded |
| Duke_Ellington | orchestral |
| Duke_Ellington | unit |
| Duke_Ellington | in |
| Duke_Ellington | the |
| Duke_Ellington | history |
| Duke_Ellington | of |
| Duke_Ellington | jazz |
| Duke_Ellington | some |
| Duke_Ellington | members |
| Duke_Ellington | stayed |
| Duke_Ellington | with |
| Duke_Ellington | the |
| Duke_Ellington | orchestra |
| Duke_Ellington | for |
| Duke_Ellington | several |
| Duke_Ellington | decades |
| Duke_Ellington | a |
| Duke_Ellington | master |
| Duke_Ellington | at |
| Duke_Ellington | writing |
| Duke_Ellington | miniatures |
| Duke_Ellington | for |
| Duke_Ellington | the |
| Duke_Ellington | three |
| Duke_Ellington | minute |
| Duke_Ellington | 78 |
| Duke_Ellington | rpm |
| Duke_Ellington | recording |
| Duke_Ellington | format |
| Duke_Ellington | ellington |
| Duke_Ellington | wrote |
| Duke_Ellington | or |
| Duke_Ellington | collaborated |
| Duke_Ellington | on |
| Duke_Ellington | more |
| Duke_Ellington | than |
| Duke_Ellington | one |
| Duke_Ellington | thousand |
| Duke_Ellington | compositions |
| Duke_Ellington | his |
| Duke_Ellington | extensive |
| Duke_Ellington | body |
| Duke_Ellington | of |
| Duke_Ellington | work |
| Duke_Ellington | is |
| Duke_Ellington | the |
| Duke_Ellington | largest |
| Duke_Ellington | recorded |
| Duke_Ellington | personal |
| Duke_Ellington | jazz |
| Duke_Ellington | legacy |
| Duke_Ellington | and |
| Duke_Ellington | many |
| Duke_Ellington | of |
| Duke_Ellington | his |
| Duke_Ellington | pieces |
| Duke_Ellington | have |
| Duke_Ellington | become |
| Duke_Ellington | standards |
| Duke_Ellington | he |
| Duke_Ellington | also |
| Duke_Ellington | recorded |
| Duke_Ellington | songs |
| Duke_Ellington | written |
| Duke_Ellington | by |
| Duke_Ellington | his |
| Duke_Ellington | bandsmen |
| Duke_Ellington | such |
| Duke_Ellington | as |
| Duke_Ellington | juan |
| Duke_Ellington | tizol’s |
| Duke_Ellington | caravan |
| Duke_Ellington | which |
| Duke_Ellington | brought |
| Duke_Ellington | a |
| Duke_Ellington | spanish |
| Duke_Ellington | tinge |
| Duke_Ellington | to |
| Duke_Ellington | big |
| Duke_Ellington | band |
| Duke_Ellington | jazz |
| Duke_Ellington | at |
| Duke_Ellington | the |
| Duke_Ellington | end |
| Duke_Ellington | of |
| Duke_Ellington | the |
| Duke_Ellington | 1930s |
| Duke_Ellington | ellington |
| Duke_Ellington | began |
| Duke_Ellington | a |
| Duke_Ellington | nearly |
| Duke_Ellington | thirty |
| Duke_Ellington | year |
| Duke_Ellington | collaboration |
| Duke_Ellington | with |
| Duke_Ellington | composer |
| Duke_Ellington | arranger |
| Duke_Ellington | pianist |
| Duke_Ellington | billy |
| Duke_Ellington | strayhorn |
| Duke_Ellington | whom |
| Duke_Ellington | he |
| Duke_Ellington | called |
| Duke_Ellington | his |
| Duke_Ellington | writing |
| Duke_Ellington | and |
| Duke_Ellington | arranging |
| Duke_Ellington | companion |
| Duke_Ellington | with |
| Duke_Ellington | strayhorn |
| Duke_Ellington | he |
| Duke_Ellington | composed |
| Duke_Ellington | multiple |
| Duke_Ellington | extended |
| Duke_Ellington | compositions |
| Duke_Ellington | or |
| Duke_Ellington | suites |
| Duke_Ellington | as |
| Duke_Ellington | well |
| Duke_Ellington | as |
| Duke_Ellington | many |
| Duke_Ellington | short |
| Duke_Ellington | pieces |
| Duke_Ellington | for |
| Duke_Ellington | a |
| Duke_Ellington | few |
| Duke_Ellington | years |
| Duke_Ellington | at |
| Duke_Ellington | the |
| Duke_Ellington | beginning |
| Duke_Ellington | of |
| Duke_Ellington | strayhorn’s |
| Duke_Ellington | involvement |
| Duke_Ellington | ellington’s |
| Duke_Ellington | orchestra |
| Duke_Ellington | is |
| Duke_Ellington | considered |
| Duke_Ellington | to |
| Duke_Ellington | have |
| Duke_Ellington | been |
| Duke_Ellington | at |
| Duke_Ellington | its |
| Duke_Ellington | peak |
| Duke_Ellington | with |
| Duke_Ellington | bassist |
| Duke_Ellington | jimmy |
| Duke_Ellington | blanton |
| Duke_Ellington | and |
| Duke_Ellington | tenor |
| Duke_Ellington | saxophonist |
| Duke_Ellington | ben |
| Duke_Ellington | webster |
| Duke_Ellington | briefly |
| Duke_Ellington | members |
| Duke_Ellington | following |
| Duke_Ellington | a |
| Duke_Ellington | low |
| Duke_Ellington | profile |
| Duke_Ellington | period |
| Duke_Ellington | hodges |
| Duke_Ellington | temporarily |
| Duke_Ellington | left |
| Duke_Ellington | an |
| Duke_Ellington | appearance |
| Duke_Ellington | by |
| Duke_Ellington | ellington |
| Duke_Ellington | and |
| Duke_Ellington | his |
| Duke_Ellington | orchestra |
| Duke_Ellington | at |
| Duke_Ellington | the |
| Duke_Ellington | newport |
| Duke_Ellington | jazz |
| Duke_Ellington | festival |
| Duke_Ellington | in |
| Duke_Ellington | july |
| Duke_Ellington | 1956 |
| Duke_Ellington | led |
| Duke_Ellington | to |
| Duke_Ellington | a |
| Duke_Ellington | major |
| Duke_Ellington | revival |
| Duke_Ellington | and |
| Duke_Ellington | regular |
| Duke_Ellington | world |
| Duke_Ellington | tours |
| Duke_Ellington | ellington |
| Duke_Ellington | recorded |
| Duke_Ellington | for |
| Duke_Ellington | most |
| Duke_Ellington | american |
| Duke_Ellington | record |
| Duke_Ellington | companies |
| Duke_Ellington | of |
| Duke_Ellington | his |
| Duke_Ellington | era |
| Duke_Ellington | performed |
| Duke_Ellington | in |
| Duke_Ellington | and |
| Duke_Ellington | scored |
| Duke_Ellington | several |
| Duke_Ellington | films |
| Duke_Ellington | and |
| Duke_Ellington | composed |
| Duke_Ellington | a |
| Duke_Ellington | handful |
| Duke_Ellington | of |
| Duke_Ellington | stage |
| Duke_Ellington | musicals |
| Duke_Ellington | although |
| Duke_Ellington | a |
| Duke_Ellington | pivotal |
| Duke_Ellington | figure |
| Duke_Ellington | in |
| Duke_Ellington | the |
| Duke_Ellington | history |
| Duke_Ellington | of |
| Duke_Ellington | jazz |
| Duke_Ellington | in |
| Duke_Ellington | the |
| Duke_Ellington | opinion |
| Duke_Ellington | of |
| Duke_Ellington | gunther |
| Duke_Ellington | schuller |
| Duke_Ellington | and |
| Duke_Ellington | barry |
| Duke_Ellington | kernfeld |
| Duke_Ellington | the |
| Duke_Ellington | most |
| Duke_Ellington | significant |
| Duke_Ellington | composer |
| Duke_Ellington | of |
| Duke_Ellington | the |
| Duke_Ellington | genre |
| Duke_Ellington | ellington |
| Duke_Ellington | himself |
| Duke_Ellington | embraced |
| Duke_Ellington | the |
| Duke_Ellington | phrase |
| Duke_Ellington | beyond |
| Duke_Ellington | category |
| Duke_Ellington | considering |
| Duke_Ellington | it |
| Duke_Ellington | a |
| Duke_Ellington | liberating |
| Duke_Ellington | principle |
| Duke_Ellington | and |
| Duke_Ellington | referring |
| Duke_Ellington | to |
| Duke_Ellington | his |
| Duke_Ellington | music |
| Duke_Ellington | as |
| Duke_Ellington | part |
| Duke_Ellington | of |
| Duke_Ellington | the |
| Duke_Ellington | more |
| Duke_Ellington | general |
| Duke_Ellington | category |
| Duke_Ellington | of |
| Duke_Ellington | american |
| Duke_Ellington | music |
| Duke_Ellington | ellington |
| Duke_Ellington | was |
| Duke_Ellington | known |
| Duke_Ellington | for |
| Duke_Ellington | his |
| Duke_Ellington | inventive |
| Duke_Ellington | use |
| Duke_Ellington | of |
| Duke_Ellington | the |
| Duke_Ellington | orchestra |
| Duke_Ellington | or |
| Duke_Ellington | big |
| Duke_Ellington | band |
| Duke_Ellington | as |
| Duke_Ellington | well |
| Duke_Ellington | as |
| Duke_Ellington | for |
| Duke_Ellington | his |
| Duke_Ellington | eloquence |
| Duke_Ellington | and |
| Duke_Ellington | charisma |
| Duke_Ellington | he |
| Duke_Ellington | was |
| Duke_Ellington | awarded |
| Duke_Ellington | a |
| Duke_Ellington | posthumous |
| Duke_Ellington | pulitzer |
| Duke_Ellington | prize |
| Duke_Ellington | special |
| Duke_Ellington | award |
| Duke_Ellington | for |
| Duke_Ellington | music |
| Duke_Ellington | in |
| Duke_Ellington | 1999 |
| Duke_Ellington | en |
| Winard_Harper | hiram |
| Winard_Harper | winard |
| Winard_Harper | harper |
| Winard_Harper | born |
| Winard_Harper | june |
| Winard_Harper | 4 |
| Winard_Harper | 1962 |
| Winard_Harper | is |
| Winard_Harper | an |
| Winard_Harper | american |
| Winard_Harper | jazz |
| Winard_Harper | drummer |
| Winard_Harper | en |
| Charles_Mingus | charles |
| Charles_Mingus | mingus |
| Charles_Mingus | jr |
| Charles_Mingus | april |
| Charles_Mingus | 22 |
| Charles_Mingus | 1922 |
| Charles_Mingus | january |
| Charles_Mingus | 5 |
| Charles_Mingus | 1979 |
| Charles_Mingus | was |
| Charles_Mingus | an |
| Charles_Mingus | american |
| Charles_Mingus | jazz |
| Charles_Mingus | double |
| Charles_Mingus | bassist |
| Charles_Mingus | pianist |
| Charles_Mingus | composer |
| Charles_Mingus | and |
| Charles_Mingus | bandleader |
| Charles_Mingus | a |
| Charles_Mingus | major |
| Charles_Mingus | proponent |
| Charles_Mingus | of |
| Charles_Mingus | collective |
| Charles_Mingus | improvisation |
| Charles_Mingus | he |
| Charles_Mingus | is |
| Charles_Mingus | considered |
| Charles_Mingus | to |
| Charles_Mingus | be |
| Charles_Mingus | one |
| Charles_Mingus | of |
| Charles_Mingus | the |
| Charles_Mingus | greatest |
| Charles_Mingus | jazz |
| Charles_Mingus | musicians |
| Charles_Mingus | and |
| Charles_Mingus | composers |
| Charles_Mingus | in |
| Charles_Mingus | history |
| Charles_Mingus | with |
| Charles_Mingus | a |
| Charles_Mingus | career |
| Charles_Mingus | spanning |
| Charles_Mingus | three |
| Charles_Mingus | decades |
| Charles_Mingus | and |
| Charles_Mingus | collaborations |
| Charles_Mingus | with |
| Charles_Mingus | other |
| Charles_Mingus | jazz |
| Charles_Mingus | musicians |
| Charles_Mingus | such |
| Charles_Mingus | as |
| Charles_Mingus | louis |
| Charles_Mingus | armstrong |
| Charles_Mingus | duke |
| Charles_Mingus | ellington |
| Charles_Mingus | charlie |
| Charles_Mingus | parker |
| Charles_Mingus | dizzy |
| Charles_Mingus | gillespie |
| Charles_Mingus | and |
| Charles_Mingus | herbie |
| Charles_Mingus | hancock |
| Charles_Mingus | mingus’s |
| Charles_Mingus | compositions |
| Charles_Mingus | continue |
| Charles_Mingus | to |
| Charles_Mingus | be |
| Charles_Mingus | played |
| Charles_Mingus | by |
| Charles_Mingus | contemporary |
| Charles_Mingus | musicians |
| Charles_Mingus | ranging |
| Charles_Mingus | from |
| Charles_Mingus | the |
| Charles_Mingus | repertory |
| Charles_Mingus | bands |
| Charles_Mingus | mingus |
| Charles_Mingus | big |
| Charles_Mingus | band |
| Charles_Mingus | mingus |
| Charles_Mingus | dynasty |
| Charles_Mingus | and |
| Charles_Mingus | mingus |
| Charles_Mingus | orchestra |
| Charles_Mingus | to |
| Charles_Mingus | the |
| Charles_Mingus | high |
| Charles_Mingus | school |
| Charles_Mingus | students |
| Charles_Mingus | who |
| Charles_Mingus | play |
| Charles_Mingus | the |
| Charles_Mingus | charts |
| Charles_Mingus | and |
| Charles_Mingus | compete |
| Charles_Mingus | in |
| Charles_Mingus | the |
| Charles_Mingus | charles |
| Charles_Mingus | mingus |
| Charles_Mingus | high |
| Charles_Mingus | school |
| Charles_Mingus | competition |
| Charles_Mingus | in |
| Charles_Mingus | 1993 |
| Charles_Mingus | the |
| Charles_Mingus | library |
| Charles_Mingus | of |
| Charles_Mingus | congress |
| Charles_Mingus | acquired |
| Charles_Mingus | mingus’s |
| Charles_Mingus | collected |
| Charles_Mingus | papers |
| Charles_Mingus | ncluding |
| Charles_Mingus | scores |
| Charles_Mingus | sound |
| Charles_Mingus | recordings |
| Charles_Mingus | correspondence |
| Charles_Mingus | and |
| Charles_Mingus | photos |
| Charles_Mingus | n |
| Charles_Mingus | what |
| Charles_Mingus | they |
| Charles_Mingus | described |
| Charles_Mingus | as |
| Charles_Mingus | the |
| Charles_Mingus | most |
| Charles_Mingus | important |
| Charles_Mingus | acquisition |
| Charles_Mingus | of |
| Charles_Mingus | a |
| Charles_Mingus | manuscript |
| Charles_Mingus | collection |
| Charles_Mingus | relating |
| Charles_Mingus | to |
| Charles_Mingus | jazz |
| Charles_Mingus | in |
| Charles_Mingus | the |
| Charles_Mingus | library’s |
| Charles_Mingus | history |
| Charles_Mingus | en |
| Kenny_Kirkland | kenneth |
| Kenny_Kirkland | david |
| Kenny_Kirkland | kirkland |
| Kenny_Kirkland | september |
| Kenny_Kirkland | 28 |
| Kenny_Kirkland | 1955 |
| Kenny_Kirkland | november |
| Kenny_Kirkland | 12 |
| Kenny_Kirkland | 1998 |
| Kenny_Kirkland | was |
| Kenny_Kirkland | an |
| Kenny_Kirkland | american |
| Kenny_Kirkland | pianist |
| Kenny_Kirkland | keyboardist |
| Kenny_Kirkland | en |
| Terence_Blanchard | terence |
| Terence_Blanchard | oliver |
| Terence_Blanchard | blanchard |
| Terence_Blanchard | born |
| Terence_Blanchard | march |
| Terence_Blanchard | 13 |
| Terence_Blanchard | 1962 |
| Terence_Blanchard | is |
| Terence_Blanchard | an |
| Terence_Blanchard | american |
| Terence_Blanchard | trumpeter |
| Terence_Blanchard | and |
| Terence_Blanchard | composer |
| Terence_Blanchard | he |
| Terence_Blanchard | started |
| Terence_Blanchard | his |
| Terence_Blanchard | career |
| Terence_Blanchard | in |
| Terence_Blanchard | 1982 |
| Terence_Blanchard | as |
| Terence_Blanchard | a |
| Terence_Blanchard | member |
| Terence_Blanchard | of |
| Terence_Blanchard | the |
| Terence_Blanchard | lionel |
| Terence_Blanchard | hampton |
| Terence_Blanchard | orchestra |
| Terence_Blanchard | then |
| Terence_Blanchard | the |
| Terence_Blanchard | jazz |
| Terence_Blanchard | messengers |
| Terence_Blanchard | he |
| Terence_Blanchard | has |
| Terence_Blanchard | composed |
| Terence_Blanchard | more |
| Terence_Blanchard | than |
| Terence_Blanchard | forty |
| Terence_Blanchard | film |
| Terence_Blanchard | scores |
| Terence_Blanchard | and |
| Terence_Blanchard | performed |
| Terence_Blanchard | on |
| Terence_Blanchard | more |
| Terence_Blanchard | than |
| Terence_Blanchard | fifty |
| Terence_Blanchard | a |
| Terence_Blanchard | frequent |
| Terence_Blanchard | collaborator |
| Terence_Blanchard | with |
| Terence_Blanchard | director |
| Terence_Blanchard | spike |
| Terence_Blanchard | lee |
| Terence_Blanchard | he |
| Terence_Blanchard | has |
| Terence_Blanchard | been |
| Terence_Blanchard | nominated |
| Terence_Blanchard | for |
| Terence_Blanchard | two |
| Terence_Blanchard | academy |
| Terence_Blanchard | awards |
| Terence_Blanchard | for |
| Terence_Blanchard | composing |
| Terence_Blanchard | the |
| Terence_Blanchard | scores |
| Terence_Blanchard | for |
| Terence_Blanchard | lee’s |
| Terence_Blanchard | films |
| Terence_Blanchard | blackkklansman |
| Terence_Blanchard | 2018 |
| Terence_Blanchard | and |
| Terence_Blanchard | da |
| Terence_Blanchard | 5 |
| Terence_Blanchard | bloods |
| Terence_Blanchard | 2020 |
| Terence_Blanchard | he |
| Terence_Blanchard | has |
| Terence_Blanchard | won |
| Terence_Blanchard | five |
| Terence_Blanchard | grammy |
| Terence_Blanchard | awards |
| Terence_Blanchard | from |
| Terence_Blanchard | fourteen |
| Terence_Blanchard | nominations |
| Terence_Blanchard | from |
| Terence_Blanchard | 2000 |
| Terence_Blanchard | to |
| Terence_Blanchard | 2011 |
| Terence_Blanchard | blanchard |
| Terence_Blanchard | served |
| Terence_Blanchard | as |
| Terence_Blanchard | artistic |
| Terence_Blanchard | director |
| Terence_Blanchard | of |
| Terence_Blanchard | the |
| Terence_Blanchard | thelonious |
| Terence_Blanchard | monk |
| Terence_Blanchard | institute |
| Terence_Blanchard | of |
| Terence_Blanchard | jazz |
| Terence_Blanchard | in |
| Terence_Blanchard | 2011 |
| Terence_Blanchard | he |
| Terence_Blanchard | was |
| Terence_Blanchard | named |
| Terence_Blanchard | artistic |
| Terence_Blanchard | director |
| Terence_Blanchard | of |
| Terence_Blanchard | the |
| Terence_Blanchard | henry |
| Terence_Blanchard | mancini |
| Terence_Blanchard | institute |
| Terence_Blanchard | at |
| Terence_Blanchard | the |
| Terence_Blanchard | university |
| Terence_Blanchard | of |
| Terence_Blanchard | miami |
| Terence_Blanchard | and |
| Terence_Blanchard | in |
| Terence_Blanchard | 2015 |
| Terence_Blanchard | he |
| Terence_Blanchard | became |
| Terence_Blanchard | a |
| Terence_Blanchard | visiting |
| Terence_Blanchard | scholar |
| Terence_Blanchard | in |
| Terence_Blanchard | jazz |
| Terence_Blanchard | composition |
| Terence_Blanchard | at |
| Terence_Blanchard | the |
| Terence_Blanchard | berklee |
| Terence_Blanchard | college |
| Terence_Blanchard | of |
| Terence_Blanchard | music |
| Terence_Blanchard | in |
| Terence_Blanchard | 2019 |
| Terence_Blanchard | the |
| Terence_Blanchard | university |
| Terence_Blanchard | of |
| Terence_Blanchard | california |
| Terence_Blanchard | los |
| Terence_Blanchard | angeles |
| Terence_Blanchard | ucla |
| Terence_Blanchard | named |
| Terence_Blanchard | blanchard |
| Terence_Blanchard | to |
| Terence_Blanchard | its |
| Terence_Blanchard | endowed |
| Terence_Blanchard | chair |
| Terence_Blanchard | in |
| Terence_Blanchard | jazz |
| Terence_Blanchard | studies |
| Terence_Blanchard | where |
| Terence_Blanchard | he |
| Terence_Blanchard | will |
| Terence_Blanchard | remain |
| Terence_Blanchard | until |
| Terence_Blanchard | 2024 |
| Terence_Blanchard | the |
| Terence_Blanchard | metropolitan |
| Terence_Blanchard | opera |
| Terence_Blanchard | in |
| Terence_Blanchard | new |
| Terence_Blanchard | york |
| Terence_Blanchard | staged |
| Terence_Blanchard | blanchard’s |
| Terence_Blanchard | opera |
| Terence_Blanchard | fire |
| Terence_Blanchard | shut |
| Terence_Blanchard | up |
| Terence_Blanchard | in |
| Terence_Blanchard | my |
| Terence_Blanchard | bones |
| Terence_Blanchard | in |
| Terence_Blanchard | its |
| Terence_Blanchard | 2021 |
| Terence_Blanchard | 2022 |
| Terence_Blanchard | season |
| Terence_Blanchard | the |
| Terence_Blanchard | first |
| Terence_Blanchard | opera |
| Terence_Blanchard | by |
| Terence_Blanchard | an |
| Terence_Blanchard | african |
| Terence_Blanchard | american |
| Terence_Blanchard | composer |
| Terence_Blanchard | in |
| Terence_Blanchard | the |
| Terence_Blanchard | organization’s |
| Terence_Blanchard | history |
| Terence_Blanchard | en |
| Paul_Bley | paul |
| Paul_Bley | bley |
| Paul_Bley | cm |
| Paul_Bley | november |
| Paul_Bley | 10 |
| Paul_Bley | 1932 |
| Paul_Bley | january |
| Paul_Bley | 3 |
| Paul_Bley | 2016 |
| Paul_Bley | was |
| Paul_Bley | a |
| Paul_Bley | jazz |
| Paul_Bley | pianist |
| Paul_Bley | known |
| Paul_Bley | for |
| Paul_Bley | his |
| Paul_Bley | contributions |
| Paul_Bley | to |
| Paul_Bley | the |
| Paul_Bley | free |
| Paul_Bley | jazz |
| Paul_Bley | movement |
| Paul_Bley | of |
| Paul_Bley | the |
| Paul_Bley | 1960s |
| Paul_Bley | as |
| Paul_Bley | well |
| Paul_Bley | as |
| Paul_Bley | his |
| Paul_Bley | innovations |
| Paul_Bley | and |
| Paul_Bley | influence |
| Paul_Bley | on |
| Paul_Bley | trio |
| Paul_Bley | playing |
| Paul_Bley | and |
| Paul_Bley | his |
| Paul_Bley | early |
| Paul_Bley | live |
| Paul_Bley | performance |
| Paul_Bley | on |
| Paul_Bley | the |
| Paul_Bley | moog |
| Paul_Bley | and |
| Paul_Bley | arp |
| Paul_Bley | audio |
| Paul_Bley | synthesizers |
| Paul_Bley | his |
| Paul_Bley | music |
| Paul_Bley | has |
| Paul_Bley | been |
| Paul_Bley | described |
| Paul_Bley | by |
| Paul_Bley | ben |
| Paul_Bley | ratliff |
| Paul_Bley | of |
| Paul_Bley | the |
| Paul_Bley | new |
| Paul_Bley | york |
| Paul_Bley | times |
| Paul_Bley | as |
| Paul_Bley | deeply |
| Paul_Bley | original |
| Paul_Bley | and |
| Paul_Bley | aesthetically |
| Paul_Bley | aggressive |
| Paul_Bley | bley’s |
| Paul_Bley | prolific |
| Paul_Bley | output |
| Paul_Bley | includes |
| Paul_Bley | influential |
| Paul_Bley | recordings |
| Paul_Bley | from |
| Paul_Bley | the |
| Paul_Bley | 1950s |
| Paul_Bley | through |
| Paul_Bley | to |
| Paul_Bley | his |
| Paul_Bley | solo |
| Paul_Bley | piano |
| Paul_Bley | recordings |
| Paul_Bley | of |
| Paul_Bley | the |
| Paul_Bley | 2000s |
| Paul_Bley | en |
| Jann_Arden | jann |
| Jann_Arden | arden |
| Jann_Arden | cm |
| Jann_Arden | born |
| Jann_Arden | jann |
| Jann_Arden | arden |
| Jann_Arden | anne |
| Jann_Arden | richards |
| Jann_Arden | march |
| Jann_Arden | 27 |
| Jann_Arden | 1962 |
| Jann_Arden | is |
| Jann_Arden | a |
| Jann_Arden | canadian |
| Jann_Arden | singer |
| Jann_Arden | songwriter |
| Jann_Arden | and |
| Jann_Arden | actress |
| Jann_Arden | she |
| Jann_Arden | is |
| Jann_Arden | famous |
| Jann_Arden | for |
| Jann_Arden | her |
| Jann_Arden | signature |
| Jann_Arden | ballads |
| Jann_Arden | could |
| Jann_Arden | i |
| Jann_Arden | be |
| Jann_Arden | your |
| Jann_Arden | girl |
| Jann_Arden | and |
| Jann_Arden | insensitive |
| Jann_Arden | which |
| Jann_Arden | is |
| Jann_Arden | her |
| Jann_Arden | biggest |
| Jann_Arden | hit |
| Jann_Arden | to |
| Jann_Arden | date |
| Jann_Arden | en |
| Richard_Johnson_(pianist) | richard |
| Richard_Johnson_(pianist) | doron |
| Richard_Johnson_(pianist) | johnson |
| Richard_Johnson_(pianist) | is |
| Richard_Johnson_(pianist) | an |
| Richard_Johnson_(pianist) | american |
| Richard_Johnson_(pianist) | composer |
| Richard_Johnson_(pianist) | jazz |
| Richard_Johnson_(pianist) | pianist |
| Richard_Johnson_(pianist) | and |
| Richard_Johnson_(pianist) | music |
| Richard_Johnson_(pianist) | professor |
| Richard_Johnson_(pianist) | he |
| Richard_Johnson_(pianist) | is |
| Richard_Johnson_(pianist) | a |
| Richard_Johnson_(pianist) | jazz |
| Richard_Johnson_(pianist) | professor |
| Richard_Johnson_(pianist) | at |
| Richard_Johnson_(pianist) | the |
| Richard_Johnson_(pianist) | peabody |
| Richard_Johnson_(pianist) | conservatory |
| Richard_Johnson_(pianist) | of |
| Richard_Johnson_(pianist) | music |
| Richard_Johnson_(pianist) | in |
| Richard_Johnson_(pianist) | baltimore |
| Richard_Johnson_(pianist) | johnson |
| Richard_Johnson_(pianist) | often |
| Richard_Johnson_(pianist) | plays |
| Richard_Johnson_(pianist) | at |
| Richard_Johnson_(pianist) | music |
| Richard_Johnson_(pianist) | venues |
| Richard_Johnson_(pianist) | and |
| Richard_Johnson_(pianist) | jazz |
| Richard_Johnson_(pianist) | festivals |
| Richard_Johnson_(pianist) | such |
| Richard_Johnson_(pianist) | as |
| Richard_Johnson_(pianist) | the |
| Richard_Johnson_(pianist) | detroit |
| Richard_Johnson_(pianist) | international |
| Richard_Johnson_(pianist) | jazz |
| Richard_Johnson_(pianist) | festival |
| Richard_Johnson_(pianist) | marciac |
| Richard_Johnson_(pianist) | france |
| Richard_Johnson_(pianist) | jazz |
| Richard_Johnson_(pianist) | festival |
| Richard_Johnson_(pianist) | chicago |
| Richard_Johnson_(pianist) | jazz |
| Richard_Johnson_(pianist) | festival |
| Richard_Johnson_(pianist) | and |
| Richard_Johnson_(pianist) | hyde |
| Richard_Johnson_(pianist) | park |
| Richard_Johnson_(pianist) | jazz |
| Richard_Johnson_(pianist) | festival |
| Richard_Johnson_(pianist) | en |
| Flora_Purim | flora |
| Flora_Purim | purim |
| Flora_Purim | born |
| Flora_Purim | march |
| Flora_Purim | 6 |
| Flora_Purim | 1942 |
| Flora_Purim | is |
| Flora_Purim | a |
| Flora_Purim | brazilian |
| Flora_Purim | jazz |
| Flora_Purim | singer |
| Flora_Purim | known |
| Flora_Purim | primarily |
| Flora_Purim | for |
| Flora_Purim | her |
| Flora_Purim | work |
| Flora_Purim | in |
| Flora_Purim | the |
| Flora_Purim | jazz |
| Flora_Purim | fusion |
| Flora_Purim | style |
| Flora_Purim | she |
| Flora_Purim | became |
| Flora_Purim | prominent |
| Flora_Purim | for |
| Flora_Purim | her |
| Flora_Purim | part |
| Flora_Purim | in |
| Flora_Purim | return |
| Flora_Purim | to |
| Flora_Purim | forever |
| Flora_Purim | with |
| Flora_Purim | chick |
| Flora_Purim | corea |
| Flora_Purim | and |
| Flora_Purim | stanley |
| Flora_Purim | clarke |
| Flora_Purim | she |
| Flora_Purim | has |
| Flora_Purim | recorded |
| Flora_Purim | and |
| Flora_Purim | performed |
| Flora_Purim | with |
| Flora_Purim | numerous |
| Flora_Purim | artists |
| Flora_Purim | including |
| Flora_Purim | dizzy |
| Flora_Purim | gillespie |
| Flora_Purim | gil |
| Flora_Purim | evans |
| Flora_Purim | opa |
| Flora_Purim | stan |
| Flora_Purim | getz |
| Flora_Purim | george |
| Flora_Purim | duke |
| Flora_Purim | mickey |
| Flora_Purim | hart |
| Flora_Purim | of |
| Flora_Purim | the |
| Flora_Purim | grateful |
| Flora_Purim | dead |
| Flora_Purim | santana |
| Flora_Purim | jaco |
| Flora_Purim | pastorius |
| Flora_Purim | and |
| Flora_Purim | her |
| Flora_Purim | husband |
| Flora_Purim | airto |
| Flora_Purim | moreira |
| Flora_Purim | in |
| Flora_Purim | 2002 |
| Flora_Purim | purim |
| Flora_Purim | was |
| Flora_Purim | the |
| Flora_Purim | recipient |
| Flora_Purim | of |
| Flora_Purim | one |
| Flora_Purim | of |
| Flora_Purim | brazil’s |
| Flora_Purim | highest |
| Flora_Purim | awards |
| Flora_Purim | the |
| Flora_Purim | 2002 |
| Flora_Purim | ordem |
| Flora_Purim | do |
| Flora_Purim | rio |
| Flora_Purim | branco |
| Flora_Purim | for |
| Flora_Purim | lifetime |
| Flora_Purim | achievement |
| Flora_Purim | she |
| Flora_Purim | has |
| Flora_Purim | been |
| Flora_Purim | called |
| Flora_Purim | the |
| Flora_Purim | queen |
| Flora_Purim | of |
| Flora_Purim | brazilian |
| Flora_Purim | jazz |
| Flora_Purim | en |
| James_Morrison_(jazz_musician) | james |
| James_Morrison_(jazz_musician) | lloyd |
| James_Morrison_(jazz_musician) | morrison |
| James_Morrison_(jazz_musician) | am |
| James_Morrison_(jazz_musician) | born |
| James_Morrison_(jazz_musician) | 11 |
| James_Morrison_(jazz_musician) | november |
| James_Morrison_(jazz_musician) | 1962 |
| James_Morrison_(jazz_musician) | is |
| James_Morrison_(jazz_musician) | an |
| James_Morrison_(jazz_musician) | australian |
| James_Morrison_(jazz_musician) | jazz |
| James_Morrison_(jazz_musician) | musician |
| James_Morrison_(jazz_musician) | although |
| James_Morrison_(jazz_musician) | his |
| James_Morrison_(jazz_musician) | main |
| James_Morrison_(jazz_musician) | instrument |
| James_Morrison_(jazz_musician) | is |
| James_Morrison_(jazz_musician) | trumpet |
| James_Morrison_(jazz_musician) | he |
| James_Morrison_(jazz_musician) | has |
| James_Morrison_(jazz_musician) | also |
| James_Morrison_(jazz_musician) | performed |
| James_Morrison_(jazz_musician) | on |
| James_Morrison_(jazz_musician) | trombone |
| James_Morrison_(jazz_musician) | tuba |
| James_Morrison_(jazz_musician) | euphonium |
| James_Morrison_(jazz_musician) | flugelhorn |
| James_Morrison_(jazz_musician) | saxophone |
| James_Morrison_(jazz_musician) | clarinet |
| James_Morrison_(jazz_musician) | double |
| James_Morrison_(jazz_musician) | bass |
| James_Morrison_(jazz_musician) | guitar |
| James_Morrison_(jazz_musician) | and |
| James_Morrison_(jazz_musician) | piano |
| James_Morrison_(jazz_musician) | he |
| James_Morrison_(jazz_musician) | is |
| James_Morrison_(jazz_musician) | a |
| James_Morrison_(jazz_musician) | composer |
| James_Morrison_(jazz_musician) | writing |
| James_Morrison_(jazz_musician) | jazz |
| James_Morrison_(jazz_musician) | charts |
| James_Morrison_(jazz_musician) | for |
| James_Morrison_(jazz_musician) | ensembles |
| James_Morrison_(jazz_musician) | of |
| James_Morrison_(jazz_musician) | various |
| James_Morrison_(jazz_musician) | sizes |
| James_Morrison_(jazz_musician) | and |
| James_Morrison_(jazz_musician) | proficiency |
| James_Morrison_(jazz_musician) | levels |
| James_Morrison_(jazz_musician) | he |
| James_Morrison_(jazz_musician) | composed |
| James_Morrison_(jazz_musician) | and |
| James_Morrison_(jazz_musician) | performed |
| James_Morrison_(jazz_musician) | the |
| James_Morrison_(jazz_musician) | opening |
| James_Morrison_(jazz_musician) | fanfare |
| James_Morrison_(jazz_musician) | at |
| James_Morrison_(jazz_musician) | the |
| James_Morrison_(jazz_musician) | sydney |
| James_Morrison_(jazz_musician) | 2000 |
| James_Morrison_(jazz_musician) | olympic |
| James_Morrison_(jazz_musician) | games |
| James_Morrison_(jazz_musician) | in |
| James_Morrison_(jazz_musician) | 2009 |
| James_Morrison_(jazz_musician) | he |
| James_Morrison_(jazz_musician) | joined |
| James_Morrison_(jazz_musician) | steve |
| James_Morrison_(jazz_musician) | pizzati |
| James_Morrison_(jazz_musician) | and |
| James_Morrison_(jazz_musician) | warren |
| James_Morrison_(jazz_musician) | brown |
| James_Morrison_(jazz_musician) | as |
| James_Morrison_(jazz_musician) | a |
| James_Morrison_(jazz_musician) | presenter |
| James_Morrison_(jazz_musician) | on |
| James_Morrison_(jazz_musician) | top |
| James_Morrison_(jazz_musician) | gear |
| James_Morrison_(jazz_musician) | australia |
| James_Morrison_(jazz_musician) | at |
| James_Morrison_(jazz_musician) | the |
| James_Morrison_(jazz_musician) | aria |
| James_Morrison_(jazz_musician) | music |
| James_Morrison_(jazz_musician) | awards |
| James_Morrison_(jazz_musician) | of |
| James_Morrison_(jazz_musician) | 2010 |
| James_Morrison_(jazz_musician) | morrison |
| James_Morrison_(jazz_musician) | and |
| James_Morrison_(jazz_musician) | a |
| James_Morrison_(jazz_musician) | cappella |
| James_Morrison_(jazz_musician) | group |
| James_Morrison_(jazz_musician) | the |
| James_Morrison_(jazz_musician) | idea |
| James_Morrison_(jazz_musician) | of |
| James_Morrison_(jazz_musician) | north |
| James_Morrison_(jazz_musician) | won |
| James_Morrison_(jazz_musician) | best |
| James_Morrison_(jazz_musician) | jazz |
| James_Morrison_(jazz_musician) | album |
| James_Morrison_(jazz_musician) | for |
| James_Morrison_(jazz_musician) | their |
| James_Morrison_(jazz_musician) | collaboration |
| James_Morrison_(jazz_musician) | on |
| James_Morrison_(jazz_musician) | feels |
| James_Morrison_(jazz_musician) | like |
| James_Morrison_(jazz_musician) | spring |
| James_Morrison_(jazz_musician) | in |
| James_Morrison_(jazz_musician) | 2012 |
| James_Morrison_(jazz_musician) | morrison |
| James_Morrison_(jazz_musician) | was |
| James_Morrison_(jazz_musician) | appointed |
| James_Morrison_(jazz_musician) | as |
| James_Morrison_(jazz_musician) | artistic |
| James_Morrison_(jazz_musician) | director |
| James_Morrison_(jazz_musician) | of |
| James_Morrison_(jazz_musician) | the |
| James_Morrison_(jazz_musician) | queensland |
| James_Morrison_(jazz_musician) | music |
| James_Morrison_(jazz_musician) | festival |
| James_Morrison_(jazz_musician) | for |
| James_Morrison_(jazz_musician) | the |
| James_Morrison_(jazz_musician) | 2013 |
| James_Morrison_(jazz_musician) | and |
| James_Morrison_(jazz_musician) | 2015 |
| James_Morrison_(jazz_musician) | festivals |
| James_Morrison_(jazz_musician) | he |
| James_Morrison_(jazz_musician) | was |
| James_Morrison_(jazz_musician) | inducted |
| James_Morrison_(jazz_musician) | into |
| James_Morrison_(jazz_musician) | the |
| James_Morrison_(jazz_musician) | graeme |
| James_Morrison_(jazz_musician) | bell |
| James_Morrison_(jazz_musician) | hall |
| James_Morrison_(jazz_musician) | of |
| James_Morrison_(jazz_musician) | fame |
| James_Morrison_(jazz_musician) | 2013 |
| James_Morrison_(jazz_musician) | at |
| James_Morrison_(jazz_musician) | the |
| James_Morrison_(jazz_musician) | australian |
| James_Morrison_(jazz_musician) | jazz |
| James_Morrison_(jazz_musician) | bell |
| James_Morrison_(jazz_musician) | awards |
| James_Morrison_(jazz_musician) | in |
| James_Morrison_(jazz_musician) | july |
| James_Morrison_(jazz_musician) | 2013 |
| James_Morrison_(jazz_musician) | he |
| James_Morrison_(jazz_musician) | conducted |
| James_Morrison_(jazz_musician) | the |
| James_Morrison_(jazz_musician) | world’s |
| James_Morrison_(jazz_musician) | largest |
| James_Morrison_(jazz_musician) | orchestra |
| James_Morrison_(jazz_musician) | in |
| James_Morrison_(jazz_musician) | brisbane’s |
| James_Morrison_(jazz_musician) | suncorp |
| James_Morrison_(jazz_musician) | stadium |
| James_Morrison_(jazz_musician) | consisting |
| James_Morrison_(jazz_musician) | of |
| James_Morrison_(jazz_musician) | 7,224 |
| James_Morrison_(jazz_musician) | musicians |
| James_Morrison_(jazz_musician) | in |
| James_Morrison_(jazz_musician) | march |
| James_Morrison_(jazz_musician) | 2015 |
| James_Morrison_(jazz_musician) | morrison |
| James_Morrison_(jazz_musician) | opened |
| James_Morrison_(jazz_musician) | the |
| James_Morrison_(jazz_musician) | james |
| James_Morrison_(jazz_musician) | morrison |
| James_Morrison_(jazz_musician) | academy |
| James_Morrison_(jazz_musician) | of |
| James_Morrison_(jazz_musician) | music |
| James_Morrison_(jazz_musician) | in |
| James_Morrison_(jazz_musician) | mount |
| James_Morrison_(jazz_musician) | gambier |
| James_Morrison_(jazz_musician) | south |
| James_Morrison_(jazz_musician) | australia |
| James_Morrison_(jazz_musician) | a |
| James_Morrison_(jazz_musician) | tertiary |
| James_Morrison_(jazz_musician) | level |
| James_Morrison_(jazz_musician) | dedicated |
| James_Morrison_(jazz_musician) | jazz |
| James_Morrison_(jazz_musician) | school |
| James_Morrison_(jazz_musician) | offering |
| James_Morrison_(jazz_musician) | a |
| James_Morrison_(jazz_musician) | degree |
| James_Morrison_(jazz_musician) | in |
| James_Morrison_(jazz_musician) | jazz |
| James_Morrison_(jazz_musician) | performance |
| James_Morrison_(jazz_musician) | en |
| Keb’_Mo’ | kevin |
| Keb’_Mo’ | roosevelt |
| Keb’_Mo’ | moore |
| Keb’_Mo’ | born |
| Keb’_Mo’ | october |
| Keb’_Mo’ | 3 |
| Keb’_Mo’ | 1951 |
| Keb’_Mo’ | known |
| Keb’_Mo’ | as |
| Keb’_Mo’ | keb |
| Keb’_Mo’ | mo |
| Keb’_Mo’ | is |
| Keb’_Mo’ | an |
| Keb’_Mo’ | american |
| Keb’_Mo’ | blues |
| Keb’_Mo’ | musician |
| Keb’_Mo’ | and |
| Keb’_Mo’ | five |
| Keb’_Mo’ | time |
| Keb’_Mo’ | grammy |
| Keb’_Mo’ | award |
| Keb’_Mo’ | winner |
| Keb’_Mo’ | he |
| Keb’_Mo’ | is |
| Keb’_Mo’ | a |
| Keb’_Mo’ | singer |
| Keb’_Mo’ | guitarist |
| Keb’_Mo’ | and |
| Keb’_Mo’ | songwriter |
| Keb’_Mo’ | living |
| Keb’_Mo’ | in |
| Keb’_Mo’ | nashville |
| Keb’_Mo’ | tennessee |
| Keb’_Mo’ | he |
| Keb’_Mo’ | has |
| Keb’_Mo’ | been |
| Keb’_Mo’ | described |
| Keb’_Mo’ | as |
| Keb’_Mo’ | a |
| Keb’_Mo’ | living |
| Keb’_Mo’ | link |
| Keb’_Mo’ | to |
| Keb’_Mo’ | the |
| Keb’_Mo’ | seminal |
| Keb’_Mo’ | delta |
| Keb’_Mo’ | blues |
| Keb’_Mo’ | that |
| Keb’_Mo’ | travelled |
| Keb’_Mo’ | up |
| Keb’_Mo’ | the |
| Keb’_Mo’ | mississippi |
| Keb’_Mo’ | river |
| Keb’_Mo’ | and |
| Keb’_Mo’ | across |
| Keb’_Mo’ | the |
| Keb’_Mo’ | expanse |
| Keb’_Mo’ | of |
| Keb’_Mo’ | america |
| Keb’_Mo’ | his |
| Keb’_Mo’ | post |
| Keb’_Mo’ | modern |
| Keb’_Mo’ | blues |
| Keb’_Mo’ | style |
| Keb’_Mo’ | is |
| Keb’_Mo’ | influenced |
| Keb’_Mo’ | by |
| Keb’_Mo’ | many |
| Keb’_Mo’ | eras |
| Keb’_Mo’ | and |
| Keb’_Mo’ | genres |
| Keb’_Mo’ | including |
| Keb’_Mo’ | folk |
| Keb’_Mo’ | rock |
| Keb’_Mo’ | jazz |
| Keb’_Mo’ | pop |
| Keb’_Mo’ | and |
| Keb’_Mo’ | country |
| Keb’_Mo’ | the |
| Keb’_Mo’ | moniker |
| Keb’_Mo’ | keb |
| Keb’_Mo’ | mo |
| Keb’_Mo’ | was |
| Keb’_Mo’ | coined |
| Keb’_Mo’ | by |
| Keb’_Mo’ | his |
| Keb’_Mo’ | original |
| Keb’_Mo’ | drummer |
| Keb’_Mo’ | quentin |
| Keb’_Mo’ | dennard |
| Keb’_Mo’ | and |
| Keb’_Mo’ | picked |
| Keb’_Mo’ | up |
| Keb’_Mo’ | by |
| Keb’_Mo’ | his |
| Keb’_Mo’ | record |
| Keb’_Mo’ | label |
| Keb’_Mo’ | as |
| Keb’_Mo’ | a |
| Keb’_Mo’ | street |
| Keb’_Mo’ | talk |
| Keb’_Mo’ | abbreviation |
| Keb’_Mo’ | of |
| Keb’_Mo’ | his |
| Keb’_Mo’ | given |
| Keb’_Mo’ | name |
| Keb’_Mo’ | en |
| Mousey_Alexander | elmer |
| Mousey_Alexander | mousey |
| Mousey_Alexander | alexander |
| Mousey_Alexander | june |
| Mousey_Alexander | 19 |
| Mousey_Alexander | 1922 |
| Mousey_Alexander | october |
| Mousey_Alexander | 9 |
| Mousey_Alexander | 1988 |
| Mousey_Alexander | was |
| Mousey_Alexander | an |
| Mousey_Alexander | american |
| Mousey_Alexander | jazz |
| Mousey_Alexander | drummer |
| Mousey_Alexander | en |
| Benny_Green_(pianist) | benny |
| Benny_Green_(pianist) | green |
| Benny_Green_(pianist) | born |
| Benny_Green_(pianist) | april |
| Benny_Green_(pianist) | 4 |
| Benny_Green_(pianist) | 1963 |
| Benny_Green_(pianist) | is |
| Benny_Green_(pianist) | an |
| Benny_Green_(pianist) | american |
| Benny_Green_(pianist) | hard |
| Benny_Green_(pianist) | bop |
| Benny_Green_(pianist) | jazz |
| Benny_Green_(pianist) | pianist |
| Benny_Green_(pianist) | who |
| Benny_Green_(pianist) | was |
| Benny_Green_(pianist) | a |
| Benny_Green_(pianist) | member |
| Benny_Green_(pianist) | of |
| Benny_Green_(pianist) | art |
| Benny_Green_(pianist) | blakey’s |
| Benny_Green_(pianist) | jazz |
| Benny_Green_(pianist) | messengers |
| Benny_Green_(pianist) | he |
| Benny_Green_(pianist) | has |
| Benny_Green_(pianist) | been |
| Benny_Green_(pianist) | compared |
| Benny_Green_(pianist) | to |
| Benny_Green_(pianist) | bud |
| Benny_Green_(pianist) | powell |
| Benny_Green_(pianist) | and |
| Benny_Green_(pianist) | oscar |
| Benny_Green_(pianist) | peterson |
| Benny_Green_(pianist) | in |
| Benny_Green_(pianist) | style |
| Benny_Green_(pianist) | and |
| Benny_Green_(pianist) | counts |
| Benny_Green_(pianist) | them |
| Benny_Green_(pianist) | as |
| Benny_Green_(pianist) | influences |
| Benny_Green_(pianist) | en |
| Natalie_Cressman | natalie |
| Natalie_Cressman | cressman |
| Natalie_Cressman | is |
| Natalie_Cressman | an |
| Natalie_Cressman | american |
| Natalie_Cressman | jazz |
| Natalie_Cressman | trombonist |
| Natalie_Cressman | and |
| Natalie_Cressman | vocalist |
| Natalie_Cressman | en |
| Blood | blood |
| Blood | is |
| Blood | a |
| Blood | body |
| Blood | fluid |
| Blood | in |
| Blood | humans |
| Blood | and |
| Blood | other |
| Blood | animals |
| Blood | that |
| Blood | delivers |
| Blood | necessary |
| Blood | substances |
| Blood | such |
| Blood | as |
| Blood | nutrients |
| Blood | and |
| Blood | oxygen |
| Blood | to |
| Blood | the |
| Blood | cells |
| Blood | and |
| Blood | transports |
| Blood | metabolic |
| Blood | waste |
| Blood | products |
| Blood | away |
| Blood | from |
| Blood | those |
| Blood | same |
| Blood | cells |
| Blood | in |
| Blood | vertebrates |
| Blood | it |
| Blood | is |
| Blood | composed |
| Blood | of |
| Blood | blood |
| Blood | cells |
| Blood | suspended |
| Blood | in |
| Blood | blood |
| Blood | plasma |
| Blood | plasma |
| Blood | which |
| Blood | constitutes |
| Blood | 55 |
| Blood | of |
| Blood | blood |
| Blood | fluid |
| Blood | is |
| Blood | mostly |
| Blood | water |
| Blood | 92 |
| Blood | by |
| Blood | volume |
| Blood | and |
| Blood | contains |
| Blood | proteins |
| Blood | glucose |
| Blood | mineral |
| Blood | ions |
| Blood | hormones |
| Blood | carbon |
| Blood | dioxide |
| Blood | plasma |
| Blood | being |
| Blood | the |
| Blood | main |
| Blood | medium |
| Blood | for |
| Blood | excretory |
| Blood | product |
| Blood | transportation |
| Blood | and |
| Blood | blood |
| Blood | cells |
| Blood | themselves |
| Blood | albumin |
| Blood | is |
| Blood | the |
| Blood | main |
| Blood | protein |
| Blood | in |
| Blood | plasma |
| Blood | and |
| Blood | it |
| Blood | functions |
| Blood | to |
| Blood | regulate |
| Blood | the |
| Blood | colloidal |
| Blood | osmotic |
| Blood | pressure |
| Blood | of |
| Blood | blood |
| Blood | the |
| Blood | blood |
| Blood | cells |
| Blood | are |
| Blood | mainly |
| Blood | red |
| Blood | blood |
| Blood | cells |
| Blood | also |
| Blood | called |
| Blood | rbcs |
| Blood | or |
| Blood | erythrocytes |
| Blood | white |
| Blood | blood |
| Blood | cells |
| Blood | also |
| Blood | called |
| Blood | wbcs |
| Blood | or |
| Blood | leukocytes |
| Blood | and |
| Blood | platelets |
| Blood | also |
| Blood | called |
| Blood | thrombocytes |
| Blood | the |
| Blood | most |
| Blood | abundant |
| Blood | cells |
| Blood | in |
| Blood | vertebrate |
| Blood | blood |
| Blood | are |
| Blood | red |
| Blood | blood |
| Blood | cells |
| Blood | these |
| Blood | contain |
| Blood | hemoglobin |
| Blood | an |
| Blood | iron |
| Blood | containing |
| Blood | protein |
| Blood | which |
| Blood | facilitates |
| Blood | oxygen |
| Blood | transport |
| Blood | by |
| Blood | reversibly |
| Blood | binding |
| Blood | to |
| Blood | this |
| Blood | respiratory |
| Blood | gas |
| Blood | and |
| Blood | greatly |
| Blood | increasing |
| Blood | its |
| Blood | solubility |
| Blood | in |
| Blood | blood |
| Blood | in |
| Blood | contrast |
| Blood | carbon |
| Blood | dioxide |
| Blood | is |
| Blood | mostly |
| Blood | transported |
| Blood | extracellularly |
| Blood | as |
| Blood | bicarbonate |
| Blood | ion |
| Blood | transported |
| Blood | in |
| Blood | plasma |
| Blood | vertebrate |
| Blood | blood |
| Blood | is |
| Blood | bright |
| Blood | red |
| Blood | when |
| Blood | its |
| Blood | hemoglobin |
| Blood | is |
| Blood | oxygenated |
| Blood | and |
| Blood | dark |
| Blood | red |
| Blood | when |
| Blood | it |
| Blood | is |
| Blood | deoxygenated |
| Blood | some |
| Blood | animals |
| Blood | such |
| Blood | as |
| Blood | crustaceans |
| Blood | and |
| Blood | mollusks |
| Blood | use |
| Blood | hemocyanin |
| Blood | to |
| Blood | carry |
| Blood | oxygen |
| Blood | instead |
| Blood | of |
| Blood | hemoglobin |
| Blood | insects |
| Blood | and |
| Blood | some |
| Blood | mollusks |
| Blood | use |
| Blood | a |
| Blood | fluid |
| Blood | called |
| Blood | hemolymph |
| Blood | instead |
| Blood | of |
| Blood | blood |
| Blood | the |
| Blood | difference |
| Blood | being |
| Blood | that |
| Blood | hemolymph |
| Blood | is |
| Blood | not |
| Blood | contained |
| Blood | in |
| Blood | a |
| Blood | closed |
| Blood | circulatory |
| Blood | system |
| Blood | in |
| Blood | most |
| Blood | insects |
| Blood | this |
| Blood | blood |
| Blood | does |
| Blood | not |
| Blood | contain |
| Blood | oxygen |
| Blood | carrying |
| Blood | molecules |
| Blood | such |
| Blood | as |
| Blood | hemoglobin |
| Blood | because |
| Blood | their |
| Blood | bodies |
| Blood | are |
| Blood | small |
| Blood | enough |
| Blood | for |
| Blood | their |
| Blood | tracheal |
| Blood | system |
| Blood | to |
| Blood | suffice |
| Blood | for |
| Blood | supplying |
| Blood | oxygen |
| Blood | jawed |
| Blood | vertebrates |
| Blood | have |
| Blood | an |
| Blood | adaptive |
| Blood | immune |
| Blood | system |
| Blood | based |
| Blood | largely |
| Blood | on |
| Blood | white |
| Blood | blood |
| Blood | cells |
| Blood | white |
| Blood | blood |
| Blood | cells |
| Blood | help |
| Blood | to |
| Blood | resist |
| Blood | infections |
| Blood | and |
| Blood | parasites |
| Blood | platelets |
| Blood | are |
| Blood | important |
| Blood | in |
| Blood | the |
| Blood | clotting |
| Blood | of |
| Blood | blood |
| Blood | arthropods |
| Blood | using |
| Blood | hemolymph |
| Blood | have |
| Blood | hemocytes |
| Blood | as |
| Blood | part |
| Blood | of |
| Blood | their |
| Blood | immune |
| Blood | system |
| Blood | blood |
| Blood | is |
| Blood | circulated |
| Blood | around |
| Blood | the |
| Blood | body |
| Blood | through |
| Blood | blood |
| Blood | vessels |
| Blood | by |
| Blood | the |
| Blood | pumping |
| Blood | action |
| Blood | of |
| Blood | the |
| Blood | heart |
| Blood | in |
| Blood | animals |
| Blood | with |
| Blood | lungs |
| Blood | arterial |
| Blood | blood |
| Blood | carries |
| Blood | oxygen |
| Blood | from |
| Blood | inhaled |
| Blood | air |
| Blood | to |
| Blood | the |
| Blood | tissues |
| Blood | of |
| Blood | the |
| Blood | body |
| Blood | and |
| Blood | venous |
| Blood | blood |
| Blood | carries |
| Blood | carbon |
| Blood | dioxide |
| Blood | a |
| Blood | waste |
| Blood | product |
| Blood | of |
| Blood | metabolism |
| Blood | produced |
| Blood | by |
| Blood | cells |
| Blood | from |
| Blood | the |
| Blood | tissues |
| Blood | to |
| Blood | the |
| Blood | lungs |
| Blood | to |
| Blood | be |
| Blood | exhaled |
| Blood | medical |
| Blood | terms |
| Blood | related |
| Blood | to |
| Blood | blood |
| Blood | often |
| Blood | begin |
| Blood | with |
| Blood | hemo |
| Blood | or |
| Blood | hemato |
| Blood | also |
| Blood | spelled |
| Blood | haemo |
| Blood | and |
| Blood | haemato |
| Blood | from |
| Blood | the |
| Blood | greek |
| Blood | word |
| Blood | 帢 |
| Blood | 廒 |
| Blood | 煎 |
| Blood | 樁 |
| Blood | haima |
| Blood | for |
| Blood | blood |
| Blood | in |
| Blood | terms |
| Blood | of |
| Blood | anatomy |
| Blood | and |
| Blood | histology |
| Blood | blood |
| Blood | is |
| Blood | considered |
| Blood | a |
| Blood | specialized |
| Blood | form |
| Blood | of |
| Blood | connective |
| Blood | tissue |
| Blood | given |
| Blood | its |
| Blood | origin |
| Blood | in |
| Blood | the |
| Blood | bones |
| Blood | and |
| Blood | the |
| Blood | presence |
| Blood | of |
| Blood | potential |
| Blood | molecular |
| Blood | fibers |
| Blood | in |
| Blood | the |
| Blood | form |
| Blood | of |
| Blood | fibrinogen |
| Blood | en |
| Al_Foster | aloysius |
| Al_Foster | tyrone |
| Al_Foster | foster |
| Al_Foster | born |
| Al_Foster | january |
| Al_Foster | 18 |
| Al_Foster | 1943 |
| Al_Foster | is |
| Al_Foster | an |
| Al_Foster | american |
| Al_Foster | jazz |
| Al_Foster | drummer |
| Al_Foster | foster |
| Al_Foster | played |
| Al_Foster | with |
| Al_Foster | miles |
| Al_Foster | davis |
| Al_Foster | during |
| Al_Foster | the |
| Al_Foster | 1970s |
| Al_Foster | and |
| Al_Foster | was |
| Al_Foster | one |
| Al_Foster | of |
| Al_Foster | the |
| Al_Foster | few |
| Al_Foster | people |
| Al_Foster | to |
| Al_Foster | have |
| Al_Foster | contact |
| Al_Foster | with |
| Al_Foster | davis |
| Al_Foster | during |
| Al_Foster | his |
| Al_Foster | retirement |
| Al_Foster | from |
| Al_Foster | 1975 |
| Al_Foster | 981 |
| Al_Foster | foster |
| Al_Foster | also |
| Al_Foster | played |
| Al_Foster | on |
| Al_Foster | davis’s |
| Al_Foster | 1981 |
| Al_Foster | comeback |
| Al_Foster | album |
| Al_Foster | the |
| Al_Foster | man |
| Al_Foster | with |
| Al_Foster | the |
| Al_Foster | horn |
| Al_Foster | he |
| Al_Foster | was |
| Al_Foster | the |
| Al_Foster | only |
| Al_Foster | musician |
| Al_Foster | to |
| Al_Foster | play |
| Al_Foster | in |
| Al_Foster | davis’s |
| Al_Foster | band |
| Al_Foster | both |
| Al_Foster | before |
| Al_Foster | and |
| Al_Foster | after |
| Al_Foster | his |
| Al_Foster | retirement |
| Al_Foster | he |
| Al_Foster | has |
| Al_Foster | toured |
| Al_Foster | extensively |
| Al_Foster | with |
| Al_Foster | herbie |
| Al_Foster | hancock |
| Al_Foster | sonny |
| Al_Foster | rollins |
| Al_Foster | and |
| Al_Foster | joe |
| Al_Foster | henderson |
| Al_Foster | en |
| Tony_Williams_(drummer) | anthony |
| Tony_Williams_(drummer) | tillmon |
| Tony_Williams_(drummer) | williams |
| Tony_Williams_(drummer) | december |
| Tony_Williams_(drummer) | 12 |
| Tony_Williams_(drummer) | 1945 |
| Tony_Williams_(drummer) | february |
| Tony_Williams_(drummer) | 23 |
| Tony_Williams_(drummer) | 1997 |
| Tony_Williams_(drummer) | was |
| Tony_Williams_(drummer) | an |
| Tony_Williams_(drummer) | american |
| Tony_Williams_(drummer) | jazz |
| Tony_Williams_(drummer) | drummer |
| Tony_Williams_(drummer) | williams |
| Tony_Williams_(drummer) | first |
| Tony_Williams_(drummer) | gained |
| Tony_Williams_(drummer) | fame |
| Tony_Williams_(drummer) | in |
| Tony_Williams_(drummer) | the |
| Tony_Williams_(drummer) | band |
| Tony_Williams_(drummer) | of |
| Tony_Williams_(drummer) | trumpeter |
| Tony_Williams_(drummer) | miles |
| Tony_Williams_(drummer) | davis |
| Tony_Williams_(drummer) | and |
| Tony_Williams_(drummer) | pioneered |
| Tony_Williams_(drummer) | jazz |
| Tony_Williams_(drummer) | fusion |
| Tony_Williams_(drummer) | he |
| Tony_Williams_(drummer) | was |
| Tony_Williams_(drummer) | inducted |
| Tony_Williams_(drummer) | into |
| Tony_Williams_(drummer) | the |
| Tony_Williams_(drummer) | modern |
| Tony_Williams_(drummer) | drummer |
| Tony_Williams_(drummer) | hall |
| Tony_Williams_(drummer) | of |
| Tony_Williams_(drummer) | fame |
| Tony_Williams_(drummer) | in |
| Tony_Williams_(drummer) | 1986 |
| Tony_Williams_(drummer) | during |
| Tony_Williams_(drummer) | his |
| Tony_Williams_(drummer) | lifetime |
| Tony_Williams_(drummer) | music |
| Tony_Williams_(drummer) | critic |
| Tony_Williams_(drummer) | robert |
| Tony_Williams_(drummer) | christgau |
| Tony_Williams_(drummer) | described |
| Tony_Williams_(drummer) | williams |
| Tony_Williams_(drummer) | as |
| Tony_Williams_(drummer) | probably |
| Tony_Williams_(drummer) | the |
| Tony_Williams_(drummer) | best |
| Tony_Williams_(drummer) | drummer |
| Tony_Williams_(drummer) | in |
| Tony_Williams_(drummer) | the |
| Tony_Williams_(drummer) | world |
| Tony_Williams_(drummer) | en |
| Reggie_Workman | reginald |
| Reggie_Workman | reggie |
| Reggie_Workman | workman |
| Reggie_Workman | born |
| Reggie_Workman | june |
| Reggie_Workman | 26 |
| Reggie_Workman | 1937 |
| Reggie_Workman | in |
| Reggie_Workman | philadelphia |
| Reggie_Workman | pennsylvania |
| Reggie_Workman | is |
| Reggie_Workman | an |
| Reggie_Workman | american |
| Reggie_Workman | avant |
| Reggie_Workman | garde |
| Reggie_Workman | jazz |
| Reggie_Workman | and |
| Reggie_Workman | hard |
| Reggie_Workman | bop |
| Reggie_Workman | double |
| Reggie_Workman | bassist |
| Reggie_Workman | recognized |
| Reggie_Workman | for |
| Reggie_Workman | his |
| Reggie_Workman | work |
| Reggie_Workman | with |
| Reggie_Workman | both |
| Reggie_Workman | john |
| Reggie_Workman | coltrane |
| Reggie_Workman | and |
| Reggie_Workman | art |
| Reggie_Workman | blakey |
| Reggie_Workman | en |
| Betty_Carter | betty |
| Betty_Carter | carter |
| Betty_Carter | born |
| Betty_Carter | lillie |
| Betty_Carter | mae |
| Betty_Carter | jones |
| Betty_Carter | may |
| Betty_Carter | 16 |
| Betty_Carter | 1929 |
| Betty_Carter | september |
| Betty_Carter | 26 |
| Betty_Carter | 1998 |
| Betty_Carter | was |
| Betty_Carter | an |
| Betty_Carter | american |
| Betty_Carter | jazz |
| Betty_Carter | singer |
| Betty_Carter | known |
| Betty_Carter | for |
| Betty_Carter | her |
| Betty_Carter | improvisational |
| Betty_Carter | technique |
| Betty_Carter | scatting |
| Betty_Carter | and |
| Betty_Carter | other |
| Betty_Carter | complex |
| Betty_Carter | musical |
| Betty_Carter | abilities |
| Betty_Carter | that |
| Betty_Carter | demonstrated |
| Betty_Carter | her |
| Betty_Carter | vocal |
| Betty_Carter | talent |
| Betty_Carter | and |
| Betty_Carter | imaginative |
| Betty_Carter | interpretation |
| Betty_Carter | of |
| Betty_Carter | lyrics |
| Betty_Carter | and |
| Betty_Carter | melodies |
| Betty_Carter | vocalist |
| Betty_Carter | carmen |
| Betty_Carter | mcrae |
| Betty_Carter | once |
| Betty_Carter | remarked |
| Betty_Carter | there’s |
| Betty_Carter | really |
| Betty_Carter | only |
| Betty_Carter | one |
| Betty_Carter | jazz |
| Betty_Carter | singer |
| Betty_Carter | nly |
| Betty_Carter | one |
| Betty_Carter | betty |
| Betty_Carter | carter |
| Betty_Carter | en |
| Saskia_Laroo | saskia |
| Saskia_Laroo | laroo |
| Saskia_Laroo | born |
| Saskia_Laroo | 31 |
| Saskia_Laroo | july |
| Saskia_Laroo | 1959 |
| Saskia_Laroo | in |
| Saskia_Laroo | amsterdam |
| Saskia_Laroo | is |
| Saskia_Laroo | a |
| Saskia_Laroo | dutch |
| Saskia_Laroo | jazz |
| Saskia_Laroo | musician |
| Saskia_Laroo | who |
| Saskia_Laroo | has |
| Saskia_Laroo | been |
| Saskia_Laroo | dubbed |
| Saskia_Laroo | the |
| Saskia_Laroo | lady |
| Saskia_Laroo | miles |
| Saskia_Laroo | davis |
| Saskia_Laroo | her |
| Saskia_Laroo | music |
| Saskia_Laroo | style |
| Saskia_Laroo | can |
| Saskia_Laroo | be |
| Saskia_Laroo | described |
| Saskia_Laroo | as |
| Saskia_Laroo | a |
| Saskia_Laroo | combination |
| Saskia_Laroo | of |
| Saskia_Laroo | jazz |
| Saskia_Laroo | pop |
| Saskia_Laroo | electronic |
| Saskia_Laroo | dance |
| Saskia_Laroo | music |
| Saskia_Laroo | latin |
| Saskia_Laroo | and |
| Saskia_Laroo | world |
| Saskia_Laroo | music |
| Saskia_Laroo | en |
| Eric_Revis | eric |
| Eric_Revis | revis |
| Eric_Revis | born |
| Eric_Revis | may |
| Eric_Revis | 31 |
| Eric_Revis | 1967 |
| Eric_Revis | is |
| Eric_Revis | a |
| Eric_Revis | jazz |
| Eric_Revis | bassist |
| Eric_Revis | and |
| Eric_Revis | composer |
| Eric_Revis | revis |
| Eric_Revis | came |
| Eric_Revis | to |
| Eric_Revis | prominence |
| Eric_Revis | as |
| Eric_Revis | a |
| Eric_Revis | bassist |
| Eric_Revis | with |
| Eric_Revis | singer |
| Eric_Revis | betty |
| Eric_Revis | carter |
| Eric_Revis | in |
| Eric_Revis | the |
| Eric_Revis | mid |
| Eric_Revis | 1990s |
| Eric_Revis | since |
| Eric_Revis | 1997 |
| Eric_Revis | he |
| Eric_Revis | has |
| Eric_Revis | been |
| Eric_Revis | a |
| Eric_Revis | member |
| Eric_Revis | of |
| Eric_Revis | branford |
| Eric_Revis | marsalis’s |
| Eric_Revis | ensemble |
| Eric_Revis | his |
| Eric_Revis | debut |
| Eric_Revis | album |
| Eric_Revis | tales |
| Eric_Revis | of |
| Eric_Revis | the |
| Eric_Revis | stuttering |
| Eric_Revis | mime |
| Eric_Revis | was |
| Eric_Revis | released |
| Eric_Revis | in |
| Eric_Revis | 2004 |
| Eric_Revis | on |
| Eric_Revis | his |
| Eric_Revis | own |
| Eric_Revis | 11 |
| Eric_Revis | 11 |
| Eric_Revis | records |
| Eric_Revis | revis |
| Eric_Revis | studied |
| Eric_Revis | under |
| Eric_Revis | ellis |
| Eric_Revis | marsalis |
| Eric_Revis | at |
| Eric_Revis | the |
| Eric_Revis | university |
| Eric_Revis | of |
| Eric_Revis | new |
| Eric_Revis | orleans |
| Eric_Revis | and |
| Eric_Revis | at |
| Eric_Revis | st |
| Eric_Revis | mary’s |
| Eric_Revis | university |
| Eric_Revis | texas |
| Eric_Revis | he |
| Eric_Revis | directed |
| Eric_Revis | the |
| Eric_Revis | jazz |
| Eric_Revis | ensemble |
| Eric_Revis | at |
| Eric_Revis | trinity |
| Eric_Revis | university |
| Eric_Revis | in |
| Eric_Revis | san |
| Eric_Revis | antonio |
| Eric_Revis | texas |
| Eric_Revis | in |
| Eric_Revis | 2007 |
| Eric_Revis | and |
| Eric_Revis | 2008 |
| Eric_Revis | en |
| Oliver_Jones_(pianist) | oliver |
| Oliver_Jones_(pianist) | theophilus |
| Oliver_Jones_(pianist) | jones |
| Oliver_Jones_(pianist) | oc |
| Oliver_Jones_(pianist) | cq |
| Oliver_Jones_(pianist) | born |
| Oliver_Jones_(pianist) | september |
| Oliver_Jones_(pianist) | 11 |
| Oliver_Jones_(pianist) | 1934 |
| Oliver_Jones_(pianist) | in |
| Oliver_Jones_(pianist) | little |
| Oliver_Jones_(pianist) | burgundy |
| Oliver_Jones_(pianist) | montreal |
| Oliver_Jones_(pianist) | quebec |
| Oliver_Jones_(pianist) | is |
| Oliver_Jones_(pianist) | a |
| Oliver_Jones_(pianist) | canadian |
| Oliver_Jones_(pianist) | jazz |
| Oliver_Jones_(pianist) | pianist |
| Oliver_Jones_(pianist) | organist |
| Oliver_Jones_(pianist) | composer |
| Oliver_Jones_(pianist) | and |
| Oliver_Jones_(pianist) | arranger |
| Oliver_Jones_(pianist) | en |
| Dee_Dee_Bridgewater | dee |
| Dee_Dee_Bridgewater | dee |
| Dee_Dee_Bridgewater | bridgewater |
| Dee_Dee_Bridgewater | n |
| Dee_Dee_Bridgewater | 矇 |
| Dee_Dee_Bridgewater | e |
| Dee_Dee_Bridgewater | denise |
| Dee_Dee_Bridgewater | garrett |
| Dee_Dee_Bridgewater | may |
| Dee_Dee_Bridgewater | 27 |
| Dee_Dee_Bridgewater | 1950 |
| Dee_Dee_Bridgewater | is |
| Dee_Dee_Bridgewater | an |
| Dee_Dee_Bridgewater | american |
| Dee_Dee_Bridgewater | jazz |
| Dee_Dee_Bridgewater | singer |
| Dee_Dee_Bridgewater | she |
| Dee_Dee_Bridgewater | is |
| Dee_Dee_Bridgewater | a |
| Dee_Dee_Bridgewater | three |
| Dee_Dee_Bridgewater | time |
| Dee_Dee_Bridgewater | grammy |
| Dee_Dee_Bridgewater | award |
| Dee_Dee_Bridgewater | winning |
| Dee_Dee_Bridgewater | singer |
| Dee_Dee_Bridgewater | songwriter |
| Dee_Dee_Bridgewater | as |
| Dee_Dee_Bridgewater | well |
| Dee_Dee_Bridgewater | as |
| Dee_Dee_Bridgewater | a |
| Dee_Dee_Bridgewater | tony |
| Dee_Dee_Bridgewater | award |
| Dee_Dee_Bridgewater | winning |
| Dee_Dee_Bridgewater | stage |
| Dee_Dee_Bridgewater | actress |
| Dee_Dee_Bridgewater | for |
| Dee_Dee_Bridgewater | 23 |
| Dee_Dee_Bridgewater | years |
| Dee_Dee_Bridgewater | she |
| Dee_Dee_Bridgewater | was |
| Dee_Dee_Bridgewater | the |
| Dee_Dee_Bridgewater | host |
| Dee_Dee_Bridgewater | of |
| Dee_Dee_Bridgewater | national |
| Dee_Dee_Bridgewater | public |
| Dee_Dee_Bridgewater | radio’s |
| Dee_Dee_Bridgewater | syndicated |
| Dee_Dee_Bridgewater | radio |
| Dee_Dee_Bridgewater | show |
| Dee_Dee_Bridgewater | jazzset |
| Dee_Dee_Bridgewater | with |
| Dee_Dee_Bridgewater | dee |
| Dee_Dee_Bridgewater | dee |
| Dee_Dee_Bridgewater | bridgewater |
| Dee_Dee_Bridgewater | she |
| Dee_Dee_Bridgewater | is |
| Dee_Dee_Bridgewater | a |
| Dee_Dee_Bridgewater | united |
| Dee_Dee_Bridgewater | nations |
| Dee_Dee_Bridgewater | goodwill |
| Dee_Dee_Bridgewater | ambassador |
| Dee_Dee_Bridgewater | for |
| Dee_Dee_Bridgewater | the |
| Dee_Dee_Bridgewater | food |
| Dee_Dee_Bridgewater | and |
| Dee_Dee_Bridgewater | agriculture |
| Dee_Dee_Bridgewater | organization |
| Dee_Dee_Bridgewater | en |
| Robert_M._Rucker | robert |
| Robert_M._Rucker | mansfield |
| Robert_M._Rucker | rucker |
| Robert_M._Rucker | born |
| Robert_M._Rucker | chicago |
| Robert_M._Rucker | illinois |
| Robert_M._Rucker | raised |
| Robert_M._Rucker | in |
| Robert_M._Rucker | miami |
| Robert_M._Rucker | florida |
| Robert_M._Rucker | is |
| Robert_M._Rucker | a |
| Robert_M._Rucker | jazz |
| Robert_M._Rucker | drummer |
| Robert_M._Rucker | music |
| Robert_M._Rucker | teacher |
| Robert_M._Rucker | and |
| Robert_M._Rucker | composer |
| Robert_M._Rucker | rucker |
| Robert_M._Rucker | has |
| Robert_M._Rucker | recorded |
| Robert_M._Rucker | and |
| Robert_M._Rucker | performed |
| Robert_M._Rucker | with |
| Robert_M._Rucker | many |
| Robert_M._Rucker | notable |
| Robert_M._Rucker | artists |
| Robert_M._Rucker | such |
| Robert_M._Rucker | as |
| Robert_M._Rucker | wynton |
| Robert_M._Rucker | marsalis |
| Robert_M._Rucker | marcus |
| Robert_M._Rucker | roberts |
| Robert_M._Rucker | wes |
| Robert_M._Rucker | anderson |
| Robert_M._Rucker | herb |
| Robert_M._Rucker | harris |
| Robert_M._Rucker | scotty |
| Robert_M._Rucker | barnhart |
| Robert_M._Rucker | philip |
| Robert_M._Rucker | harper |
| Robert_M._Rucker | eric |
| Robert_M._Rucker | lewis |
| Robert_M._Rucker | stephon |
| Robert_M._Rucker | harris |
| Robert_M._Rucker | eddie |
| Robert_M._Rucker | henderson |
| Robert_M._Rucker | sam |
| Robert_M._Rucker | and |
| Robert_M._Rucker | dave |
| Robert_M._Rucker | stephen |
| Robert_M._Rucker | marley |
| Robert_M._Rucker | and |
| Robert_M._Rucker | dead |
| Robert_M._Rucker | prez |
| Robert_M._Rucker | he |
| Robert_M._Rucker | has |
| Robert_M._Rucker | also |
| Robert_M._Rucker | produced |
| Robert_M._Rucker | music |
| Robert_M._Rucker | for |
| Robert_M._Rucker | sony |
| Robert_M._Rucker | pictures |
| Robert_M._Rucker | new |
| Robert_M._Rucker | york |
| Robert_M._Rucker | university |
| Robert_M._Rucker | stern |
| Robert_M._Rucker | school |
| Robert_M._Rucker | of |
| Robert_M._Rucker | business |
| Robert_M._Rucker | and |
| Robert_M._Rucker | performs |
| Robert_M._Rucker | with |
| Robert_M._Rucker | a |
| Robert_M._Rucker | jazz |
| Robert_M._Rucker | band |
| Robert_M._Rucker | called |
| Robert_M._Rucker | the |
| Robert_M._Rucker | robert |
| Robert_M._Rucker | rucker |
| Robert_M._Rucker | project |
| Robert_M._Rucker | en |
| Nine_Inch_Nails | nine |
| Nine_Inch_Nails | inch |
| Nine_Inch_Nails | nails |
| Nine_Inch_Nails | commonly |
| Nine_Inch_Nails | abbreviated |
| Nine_Inch_Nails | as |
| Nine_Inch_Nails | nin |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | stylized |
| Nine_Inch_Nails | as |
| Nine_Inch_Nails | ni |
| Nine_Inch_Nails | is |
| Nine_Inch_Nails | an |
| Nine_Inch_Nails | american |
| Nine_Inch_Nails | industrial |
| Nine_Inch_Nails | rock |
| Nine_Inch_Nails | band |
| Nine_Inch_Nails | formed |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 1988 |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | cleveland |
| Nine_Inch_Nails | ohio |
| Nine_Inch_Nails | singer |
| Nine_Inch_Nails | songwriter |
| Nine_Inch_Nails | multi |
| Nine_Inch_Nails | instrumentalist |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | producer |
| Nine_Inch_Nails | trent |
| Nine_Inch_Nails | reznor |
| Nine_Inch_Nails | was |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | only |
| Nine_Inch_Nails | permanent |
| Nine_Inch_Nails | member |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | band |
| Nine_Inch_Nails | until |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | official |
| Nine_Inch_Nails | addition |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | english |
| Nine_Inch_Nails | musician |
| Nine_Inch_Nails | atticus |
| Nine_Inch_Nails | ross |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 2016 |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | band’s |
| Nine_Inch_Nails | debut |
| Nine_Inch_Nails | album |
| Nine_Inch_Nails | pretty |
| Nine_Inch_Nails | hate |
| Nine_Inch_Nails | machine |
| Nine_Inch_Nails | 1989 |
| Nine_Inch_Nails | was |
| Nine_Inch_Nails | released |
| Nine_Inch_Nails | via |
| Nine_Inch_Nails | tvt |
| Nine_Inch_Nails | records |
| Nine_Inch_Nails | after |
| Nine_Inch_Nails | feuding |
| Nine_Inch_Nails | with |
| Nine_Inch_Nails | tvt |
| Nine_Inch_Nails | about |
| Nine_Inch_Nails | how |
| Nine_Inch_Nails | to |
| Nine_Inch_Nails | promote |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | album |
| Nine_Inch_Nails | reznor |
| Nine_Inch_Nails | signed |
| Nine_Inch_Nails | with |
| Nine_Inch_Nails | interscope |
| Nine_Inch_Nails | records |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | released |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | ep |
| Nine_Inch_Nails | broken |
| Nine_Inch_Nails | 1992 |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | following |
| Nine_Inch_Nails | nine |
| Nine_Inch_Nails | inch |
| Nine_Inch_Nails | nails |
| Nine_Inch_Nails | albums |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | downward |
| Nine_Inch_Nails | spiral |
| Nine_Inch_Nails | 1994 |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | fragile |
| Nine_Inch_Nails | 1999 |
| Nine_Inch_Nails | were |
| Nine_Inch_Nails | released |
| Nine_Inch_Nails | to |
| Nine_Inch_Nails | critical |
| Nine_Inch_Nails | acclaim |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | commercial |
| Nine_Inch_Nails | success |
| Nine_Inch_Nails | following |
| Nine_Inch_Nails | a |
| Nine_Inch_Nails | hiatus |
| Nine_Inch_Nails | nine |
| Nine_Inch_Nails | inch |
| Nine_Inch_Nails | nails |
| Nine_Inch_Nails | resumed |
| Nine_Inch_Nails | touring |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 2005 |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | released |
| Nine_Inch_Nails | their |
| Nine_Inch_Nails | fourth |
| Nine_Inch_Nails | album |
| Nine_Inch_Nails | with |
| Nine_Inch_Nails | teeth |
| Nine_Inch_Nails | 2005 |
| Nine_Inch_Nails | following |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | release |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | year |
| Nine_Inch_Nails | zero |
| Nine_Inch_Nails | 2007 |
| Nine_Inch_Nails | reznor |
| Nine_Inch_Nails | left |
| Nine_Inch_Nails | interscope |
| Nine_Inch_Nails | after |
| Nine_Inch_Nails | a |
| Nine_Inch_Nails | feud |
| Nine_Inch_Nails | nine |
| Nine_Inch_Nails | inch |
| Nine_Inch_Nails | nails |
| Nine_Inch_Nails | continued |
| Nine_Inch_Nails | touring |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | independently |
| Nine_Inch_Nails | released |
| Nine_Inch_Nails | ghosts |
| Nine_Inch_Nails | i |
| Nine_Inch_Nails | v |
| Nine_Inch_Nails | 2008 |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | slip |
| Nine_Inch_Nails | 2008 |
| Nine_Inch_Nails | before |
| Nine_Inch_Nails | a |
| Nine_Inch_Nails | second |
| Nine_Inch_Nails | hiatus |
| Nine_Inch_Nails | their |
| Nine_Inch_Nails | eighth |
| Nine_Inch_Nails | album |
| Nine_Inch_Nails | hesitation |
| Nine_Inch_Nails | marks |
| Nine_Inch_Nails | 2013 |
| Nine_Inch_Nails | was |
| Nine_Inch_Nails | followed |
| Nine_Inch_Nails | by |
| Nine_Inch_Nails | a |
| Nine_Inch_Nails | trilogy |
| Nine_Inch_Nails | consisting |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | eps |
| Nine_Inch_Nails | not |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | actual |
| Nine_Inch_Nails | events |
| Nine_Inch_Nails | 2016 |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | add |
| Nine_Inch_Nails | violence |
| Nine_Inch_Nails | 2017 |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | their |
| Nine_Inch_Nails | ninth |
| Nine_Inch_Nails | album |
| Nine_Inch_Nails | bad |
| Nine_Inch_Nails | witch |
| Nine_Inch_Nails | 2018 |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 2020 |
| Nine_Inch_Nails | nine |
| Nine_Inch_Nails | inch |
| Nine_Inch_Nails | nails |
| Nine_Inch_Nails | released |
| Nine_Inch_Nails | two |
| Nine_Inch_Nails | further |
| Nine_Inch_Nails | instalments |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | ghosts |
| Nine_Inch_Nails | series |
| Nine_Inch_Nails | ghosts |
| Nine_Inch_Nails | v |
| Nine_Inch_Nails | together |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | ghosts |
| Nine_Inch_Nails | vi |
| Nine_Inch_Nails | locusts |
| Nine_Inch_Nails | when |
| Nine_Inch_Nails | touring |
| Nine_Inch_Nails | reznor |
| Nine_Inch_Nails | typically |
| Nine_Inch_Nails | assembles |
| Nine_Inch_Nails | a |
| Nine_Inch_Nails | live |
| Nine_Inch_Nails | band |
| Nine_Inch_Nails | to |
| Nine_Inch_Nails | perform |
| Nine_Inch_Nails | with |
| Nine_Inch_Nails | him |
| Nine_Inch_Nails | under |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | nine |
| Nine_Inch_Nails | inch |
| Nine_Inch_Nails | nails |
| Nine_Inch_Nails | name |
| Nine_Inch_Nails | not |
| Nine_Inch_Nails | including |
| Nine_Inch_Nails | sporadic |
| Nine_Inch_Nails | band |
| Nine_Inch_Nails | hiatuses |
| Nine_Inch_Nails | this |
| Nine_Inch_Nails | live |
| Nine_Inch_Nails | band |
| Nine_Inch_Nails | has |
| Nine_Inch_Nails | varied |
| Nine_Inch_Nails | over |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | decades |
| Nine_Inch_Nails | with |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | most |
| Nine_Inch_Nails | recent |
| Nine_Inch_Nails | lineup |
| Nine_Inch_Nails | consisting |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | robin |
| Nine_Inch_Nails | finck |
| Nine_Inch_Nails | who |
| Nine_Inch_Nails | initially |
| Nine_Inch_Nails | joined |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 1994 |
| Nine_Inch_Nails | alessandro |
| Nine_Inch_Nails | cortini |
| Nine_Inch_Nails | who |
| Nine_Inch_Nails | initially |
| Nine_Inch_Nails | joined |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 2005 |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | ilan |
| Nine_Inch_Nails | rubin |
| Nine_Inch_Nails | who |
| Nine_Inch_Nails | initially |
| Nine_Inch_Nails | joined |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 2009 |
| Nine_Inch_Nails | alongside |
| Nine_Inch_Nails | reznor |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | ross |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | band’s |
| Nine_Inch_Nails | concerts |
| Nine_Inch_Nails | are |
| Nine_Inch_Nails | noted |
| Nine_Inch_Nails | for |
| Nine_Inch_Nails | their |
| Nine_Inch_Nails | extensive |
| Nine_Inch_Nails | use |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | thematic |
| Nine_Inch_Nails | visual |
| Nine_Inch_Nails | elements |
| Nine_Inch_Nails | complex |
| Nine_Inch_Nails | special |
| Nine_Inch_Nails | effects |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | elaborate |
| Nine_Inch_Nails | lighting |
| Nine_Inch_Nails | songs |
| Nine_Inch_Nails | are |
| Nine_Inch_Nails | often |
| Nine_Inch_Nails | rearranged |
| Nine_Inch_Nails | to |
| Nine_Inch_Nails | fit |
| Nine_Inch_Nails | any |
| Nine_Inch_Nails | given |
| Nine_Inch_Nails | performance |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | melodies |
| Nine_Inch_Nails | or |
| Nine_Inch_Nails | lyrics |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | songs |
| Nine_Inch_Nails | that |
| Nine_Inch_Nails | are |
| Nine_Inch_Nails | not |
| Nine_Inch_Nails | scheduled |
| Nine_Inch_Nails | to |
| Nine_Inch_Nails | be |
| Nine_Inch_Nails | performed |
| Nine_Inch_Nails | are |
| Nine_Inch_Nails | sometimes |
| Nine_Inch_Nails | assimilated |
| Nine_Inch_Nails | into |
| Nine_Inch_Nails | other |
| Nine_Inch_Nails | songs |
| Nine_Inch_Nails | nine |
| Nine_Inch_Nails | inch |
| Nine_Inch_Nails | nails |
| Nine_Inch_Nails | has |
| Nine_Inch_Nails | sold |
| Nine_Inch_Nails | over |
| Nine_Inch_Nails | 20 |
| Nine_Inch_Nails | million |
| Nine_Inch_Nails | records |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | have |
| Nine_Inch_Nails | been |
| Nine_Inch_Nails | nominated |
| Nine_Inch_Nails | for |
| Nine_Inch_Nails | 13 |
| Nine_Inch_Nails | grammy |
| Nine_Inch_Nails | awards |
| Nine_Inch_Nails | winning |
| Nine_Inch_Nails | for |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | songs |
| Nine_Inch_Nails | wish |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 1992 |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | happiness |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | slavery |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 1996 |
| Nine_Inch_Nails | time |
| Nine_Inch_Nails | magazine |
| Nine_Inch_Nails | named |
| Nine_Inch_Nails | reznor |
| Nine_Inch_Nails | one |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | its |
| Nine_Inch_Nails | most |
| Nine_Inch_Nails | influential |
| Nine_Inch_Nails | people |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 1997 |
| Nine_Inch_Nails | while |
| Nine_Inch_Nails | spin |
| Nine_Inch_Nails | magazine |
| Nine_Inch_Nails | has |
| Nine_Inch_Nails | described |
| Nine_Inch_Nails | him |
| Nine_Inch_Nails | as |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | most |
| Nine_Inch_Nails | vital |
| Nine_Inch_Nails | artist |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | music |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 2004 |
| Nine_Inch_Nails | rolling |
| Nine_Inch_Nails | stone |
| Nine_Inch_Nails | placed |
| Nine_Inch_Nails | nine |
| Nine_Inch_Nails | inch |
| Nine_Inch_Nails | nails |
| Nine_Inch_Nails | at |
| Nine_Inch_Nails | no |
| Nine_Inch_Nails | 94 |
| Nine_Inch_Nails | on |
| Nine_Inch_Nails | its |
| Nine_Inch_Nails | list |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | 100 |
| Nine_Inch_Nails | greatest |
| Nine_Inch_Nails | artists |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | all |
| Nine_Inch_Nails | time |
| Nine_Inch_Nails | nine |
| Nine_Inch_Nails | inch |
| Nine_Inch_Nails | nails |
| Nine_Inch_Nails | were |
| Nine_Inch_Nails | nominated |
| Nine_Inch_Nails | for |
| Nine_Inch_Nails | induction |
| Nine_Inch_Nails | into |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | rock |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | roll |
| Nine_Inch_Nails | hall |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | fame |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 2014 |
| Nine_Inch_Nails | their |
| Nine_Inch_Nails | first |
| Nine_Inch_Nails | year |
| Nine_Inch_Nails | of |
| Nine_Inch_Nails | eligibility |
| Nine_Inch_Nails | they |
| Nine_Inch_Nails | were |
| Nine_Inch_Nails | nominated |
| Nine_Inch_Nails | again |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | 2015 |
| Nine_Inch_Nails | and |
| Nine_Inch_Nails | 2020 |
| Nine_Inch_Nails | with |
| Nine_Inch_Nails | the |
| Nine_Inch_Nails | latter |
| Nine_Inch_Nails | resulting |
| Nine_Inch_Nails | in |
| Nine_Inch_Nails | an |
| Nine_Inch_Nails | induction |
| Nine_Inch_Nails | en |
| Germaine_Bazzle | germaine |
| Germaine_Bazzle | bazzle |
| Germaine_Bazzle | born |
| Germaine_Bazzle | march |
| Germaine_Bazzle | 28 |
| Germaine_Bazzle | 1932 |
| Germaine_Bazzle | is |
| Germaine_Bazzle | a |
| Germaine_Bazzle | jazz |
| Germaine_Bazzle | vocalist |
| Germaine_Bazzle | from |
| Germaine_Bazzle | new |
| Germaine_Bazzle | orleans |
| Germaine_Bazzle | en |
| Black_Note | black |
| Black_Note | note |
| Black_Note | were |
| Black_Note | an |
| Black_Note | american |
| Black_Note | jazz |
| Black_Note | ensemble |
| Black_Note | formed |
| Black_Note | in |
| Black_Note | 1991 |
| Black_Note | the |
| Black_Note | band |
| Black_Note | released |
| Black_Note | four |
| Black_Note | albums |
| Black_Note | on |
| Black_Note | columbia |
| Black_Note | records |
| Black_Note | impulse |
| Black_Note | records |
| Black_Note | red |
| Black_Note | records |
| Black_Note | and |
| Black_Note | they |
| Black_Note | won |
| Black_Note | first |
| Black_Note | prize |
| Black_Note | at |
| Black_Note | the |
| Black_Note | john |
| Black_Note | coltrane |
| Black_Note | young |
| Black_Note | artist |
| Black_Note | competition |
| Black_Note | in |
| Black_Note | 1991 |
| Black_Note | en |
| Bo_Stief | bo |
| Bo_Stief | stief |
| Bo_Stief | born |
| Bo_Stief | 15 |
| Bo_Stief | october |
| Bo_Stief | 1946 |
| Bo_Stief | is |
| Bo_Stief | a |
| Bo_Stief | danish |
| Bo_Stief | jazz |
| Bo_Stief | and |
| Bo_Stief | rock |
| Bo_Stief | bassist |
| Bo_Stief | composer |
| Bo_Stief | and |
| Bo_Stief | arranger |
| Bo_Stief | born |
| Bo_Stief | in |
| Bo_Stief | copenhagen |
| Bo_Stief | he |
| Bo_Stief | has |
| Bo_Stief | worked |
| Bo_Stief | or |
| Bo_Stief | recorded |
| Bo_Stief | with |
| Bo_Stief | don |
| Bo_Stief | cherry |
| Bo_Stief | miles |
| Bo_Stief | davis |
| Bo_Stief | stan |
| Bo_Stief | getz |
| Bo_Stief | dizzy |
| Bo_Stief | gillespie |
| Bo_Stief | dexter |
| Bo_Stief | gordon |
| Bo_Stief | johnny |
| Bo_Stief | griffin |
| Bo_Stief | jackie |
| Bo_Stief | mclean |
| Bo_Stief | george |
| Bo_Stief | russell |
| Bo_Stief | kenny |
| Bo_Stief | drew |
| Bo_Stief | and |
| Bo_Stief | ben |
| Bo_Stief | webster |
| Bo_Stief | among |
| Bo_Stief | many |
| Bo_Stief | other |
| Bo_Stief | prominent |
| Bo_Stief | jazz |
| Bo_Stief | musicians |
| Bo_Stief | since |
| Bo_Stief | 1980 |
| Bo_Stief | stief |
| Bo_Stief | has |
| Bo_Stief | been |
| Bo_Stief | leading |
| Bo_Stief | bands |
| Bo_Stief | as |
| Bo_Stief | chasing |
| Bo_Stief | dreams |
| Bo_Stief | dream |
| Bo_Stief | machine |
| Bo_Stief | or |
| Bo_Stief | one |
| Bo_Stief | song |
| Bo_Stief | iii |
| Bo_Stief | in |
| Bo_Stief | 2005 |
| Bo_Stief | he |
| Bo_Stief | was |
| Bo_Stief | awarded |
| Bo_Stief | the |
| Bo_Stief | danish |
| Bo_Stief | django |
| Bo_Stief | d |
| Bo_Stief | r |
| Bo_Stief | as |
| Bo_Stief | master |
| Bo_Stief | of |
| Bo_Stief | jazz |
| Bo_Stief | en |
| Doug_Watkins | douglas |
| Doug_Watkins | watkins |
| Doug_Watkins | march |
| Doug_Watkins | 2 |
| Doug_Watkins | 1934 |
| Doug_Watkins | february |
| Doug_Watkins | 5 |
| Doug_Watkins | 1962 |
| Doug_Watkins | was |
| Doug_Watkins | an |
| Doug_Watkins | american |
| Doug_Watkins | jazz |
| Doug_Watkins | double |
| Doug_Watkins | bassist |
| Doug_Watkins | he |
| Doug_Watkins | was |
| Doug_Watkins | best |
| Doug_Watkins | known |
| Doug_Watkins | for |
| Doug_Watkins | being |
| Doug_Watkins | an |
| Doug_Watkins | accompanist |
| Doug_Watkins | to |
| Doug_Watkins | various |
| Doug_Watkins | hard |
| Doug_Watkins | bop |
| Doug_Watkins | artists |
| Doug_Watkins | in |
| Doug_Watkins | the |
| Doug_Watkins | detroit |
| Doug_Watkins | area |
| Doug_Watkins | including |
| Doug_Watkins | donald |
| Doug_Watkins | byrd |
| Doug_Watkins | and |
| Doug_Watkins | jackie |
| Doug_Watkins | mclean |
| Doug_Watkins | en |
| Jeff_Beck | geoffrey |
| Jeff_Beck | arnold |
| Jeff_Beck | beck |
| Jeff_Beck | born |
| Jeff_Beck | 24 |
| Jeff_Beck | june |
| Jeff_Beck | 1944 |
| Jeff_Beck | is |
| Jeff_Beck | an |
| Jeff_Beck | english |
| Jeff_Beck | rock |
| Jeff_Beck | guitarist |
| Jeff_Beck | he |
| Jeff_Beck | rose |
| Jeff_Beck | to |
| Jeff_Beck | prominence |
| Jeff_Beck | with |
| Jeff_Beck | the |
| Jeff_Beck | yardbirds |
| Jeff_Beck | and |
| Jeff_Beck | after |
| Jeff_Beck | fronted |
| Jeff_Beck | the |
| Jeff_Beck | jeff |
| Jeff_Beck | beck |
| Jeff_Beck | group |
| Jeff_Beck | and |
| Jeff_Beck | beck |
| Jeff_Beck | bogert |
| Jeff_Beck | appice |
| Jeff_Beck | in |
| Jeff_Beck | 1975 |
| Jeff_Beck | he |
| Jeff_Beck | switched |
| Jeff_Beck | to |
| Jeff_Beck | a |
| Jeff_Beck | mainly |
| Jeff_Beck | instrumental |
| Jeff_Beck | style |
| Jeff_Beck | with |
| Jeff_Beck | a |
| Jeff_Beck | focus |
| Jeff_Beck | on |
| Jeff_Beck | innovative |
| Jeff_Beck | sound |
| Jeff_Beck | and |
| Jeff_Beck | his |
| Jeff_Beck | releases |
| Jeff_Beck | have |
| Jeff_Beck | spanned |
| Jeff_Beck | genres |
| Jeff_Beck | ranging |
| Jeff_Beck | from |
| Jeff_Beck | blues |
| Jeff_Beck | rock |
| Jeff_Beck | hard |
| Jeff_Beck | rock |
| Jeff_Beck | jazz |
| Jeff_Beck | fusion |
| Jeff_Beck | and |
| Jeff_Beck | a |
| Jeff_Beck | blend |
| Jeff_Beck | of |
| Jeff_Beck | guitar |
| Jeff_Beck | rock |
| Jeff_Beck | and |
| Jeff_Beck | electronica |
| Jeff_Beck | beck |
| Jeff_Beck | is |
| Jeff_Beck | considered |
| Jeff_Beck | among |
| Jeff_Beck | the |
| Jeff_Beck | greatest |
| Jeff_Beck | players |
| Jeff_Beck | in |
| Jeff_Beck | history |
| Jeff_Beck | with |
| Jeff_Beck | rolling |
| Jeff_Beck | stone |
| Jeff_Beck | upon |
| Jeff_Beck | whose |
| Jeff_Beck | cover |
| Jeff_Beck | he |
| Jeff_Beck | has |
| Jeff_Beck | appeared |
| Jeff_Beck | three |
| Jeff_Beck | times |
| Jeff_Beck | describing |
| Jeff_Beck | him |
| Jeff_Beck | as |
| Jeff_Beck | one |
| Jeff_Beck | of |
| Jeff_Beck | the |
| Jeff_Beck | most |
| Jeff_Beck | influential |
| Jeff_Beck | lead |
| Jeff_Beck | guitarists |
| Jeff_Beck | in |
| Jeff_Beck | rock |
| Jeff_Beck | he |
| Jeff_Beck | is |
| Jeff_Beck | often |
| Jeff_Beck | called |
| Jeff_Beck | a |
| Jeff_Beck | guitarist’s |
| Jeff_Beck | guitarist |
| Jeff_Beck | although |
| Jeff_Beck | he |
| Jeff_Beck | recorded |
| Jeff_Beck | two |
| Jeff_Beck | hit |
| Jeff_Beck | albums |
| Jeff_Beck | in |
| Jeff_Beck | 1975 |
| Jeff_Beck | and |
| Jeff_Beck | 1976 |
| Jeff_Beck | as |
| Jeff_Beck | a |
| Jeff_Beck | solo |
| Jeff_Beck | act |
| Jeff_Beck | beck |
| Jeff_Beck | has |
| Jeff_Beck | not |
| Jeff_Beck | established |
| Jeff_Beck | or |
| Jeff_Beck | maintained |
| Jeff_Beck | the |
| Jeff_Beck | sustained |
| Jeff_Beck | commercial |
| Jeff_Beck | success |
| Jeff_Beck | of |
| Jeff_Beck | many |
| Jeff_Beck | of |
| Jeff_Beck | his |
| Jeff_Beck | contemporaries |
| Jeff_Beck | and |
| Jeff_Beck | bandmates |
| Jeff_Beck | however |
| Jeff_Beck | he |
| Jeff_Beck | has |
| Jeff_Beck | recorded |
| Jeff_Beck | with |
| Jeff_Beck | many |
| Jeff_Beck | artists |
| Jeff_Beck | beck |
| Jeff_Beck | has |
| Jeff_Beck | earned |
| Jeff_Beck | wide |
| Jeff_Beck | critical |
| Jeff_Beck | praise |
| Jeff_Beck | and |
| Jeff_Beck | received |
| Jeff_Beck | the |
| Jeff_Beck | grammy |
| Jeff_Beck | award |
| Jeff_Beck | for |
| Jeff_Beck | best |
| Jeff_Beck | rock |
| Jeff_Beck | instrumental |
| Jeff_Beck | performance |
| Jeff_Beck | six |
| Jeff_Beck | times |
| Jeff_Beck | and |
| Jeff_Beck | best |
| Jeff_Beck | pop |
| Jeff_Beck | instrumental |
| Jeff_Beck | performance |
| Jeff_Beck | once |
| Jeff_Beck | in |
| Jeff_Beck | 2014 |
| Jeff_Beck | he |
| Jeff_Beck | received |
| Jeff_Beck | the |
| Jeff_Beck | british |
| Jeff_Beck | academy’s |
| Jeff_Beck | ivor |
| Jeff_Beck | novello |
| Jeff_Beck | award |
| Jeff_Beck | for |
| Jeff_Beck | outstanding |
| Jeff_Beck | contribution |
| Jeff_Beck | to |
| Jeff_Beck | british |
| Jeff_Beck | music |
| Jeff_Beck | beck |
| Jeff_Beck | has |
| Jeff_Beck | been |
| Jeff_Beck | inducted |
| Jeff_Beck | into |
| Jeff_Beck | the |
| Jeff_Beck | rock |
| Jeff_Beck | and |
| Jeff_Beck | roll |
| Jeff_Beck | hall |
| Jeff_Beck | of |
| Jeff_Beck | fame |
| Jeff_Beck | twice |
| Jeff_Beck | as |
| Jeff_Beck | a |
| Jeff_Beck | member |
| Jeff_Beck | of |
| Jeff_Beck | the |
| Jeff_Beck | yardbirds |
| Jeff_Beck | 1992 |
| Jeff_Beck | and |
| Jeff_Beck | as |
| Jeff_Beck | a |
| Jeff_Beck | solo |
| Jeff_Beck | artist |
| Jeff_Beck | 2009 |
| Jeff_Beck | en |
| Jackie_McLean | john |
| Jackie_McLean | lenwood |
| Jackie_McLean | jackie |
| Jackie_McLean | mclean |
| Jackie_McLean | may |
| Jackie_McLean | 17 |
| Jackie_McLean | 1931 |
| Jackie_McLean | march |
| Jackie_McLean | 31 |
| Jackie_McLean | 2006 |
| Jackie_McLean | was |
| Jackie_McLean | an |
| Jackie_McLean | american |
| Jackie_McLean | jazz |
| Jackie_McLean | alto |
| Jackie_McLean | saxophonist |
| Jackie_McLean | composer |
| Jackie_McLean | bandleader |
| Jackie_McLean | and |
| Jackie_McLean | educator |
| Jackie_McLean | and |
| Jackie_McLean | is |
| Jackie_McLean | one |
| Jackie_McLean | of |
| Jackie_McLean | the |
| Jackie_McLean | few |
| Jackie_McLean | musicians |
| Jackie_McLean | to |
| Jackie_McLean | be |
| Jackie_McLean | elected |
| Jackie_McLean | to |
| Jackie_McLean | the |
| Jackie_McLean | downbeat |
| Jackie_McLean | hall |
| Jackie_McLean | of |
| Jackie_McLean | fame |
| Jackie_McLean | in |
| Jackie_McLean | the |
| Jackie_McLean | year |
| Jackie_McLean | of |
| Jackie_McLean | their |
| Jackie_McLean | death |
| Jackie_McLean | en |
| Bob_Cranshaw | melbourne |
| Bob_Cranshaw | robert |
| Bob_Cranshaw | cranshaw |
| Bob_Cranshaw | december |
| Bob_Cranshaw | 3 |
| Bob_Cranshaw | 1932 |
| Bob_Cranshaw | november |
| Bob_Cranshaw | 2 |
| Bob_Cranshaw | 2016 |
| Bob_Cranshaw | was |
| Bob_Cranshaw | an |
| Bob_Cranshaw | american |
| Bob_Cranshaw | jazz |
| Bob_Cranshaw | bassist |
| Bob_Cranshaw | his |
| Bob_Cranshaw | career |
| Bob_Cranshaw | spanned |
| Bob_Cranshaw | the |
| Bob_Cranshaw | heyday |
| Bob_Cranshaw | of |
| Bob_Cranshaw | blue |
| Bob_Cranshaw | note |
| Bob_Cranshaw | records |
| Bob_Cranshaw | to |
| Bob_Cranshaw | his |
| Bob_Cranshaw | recent |
| Bob_Cranshaw | involvement |
| Bob_Cranshaw | with |
| Bob_Cranshaw | the |
| Bob_Cranshaw | musicians |
| Bob_Cranshaw | union |
| Bob_Cranshaw | he |
| Bob_Cranshaw | is |
| Bob_Cranshaw | perhaps |
| Bob_Cranshaw | best |
| Bob_Cranshaw | known |
| Bob_Cranshaw | for |
| Bob_Cranshaw | his |
| Bob_Cranshaw | long |
| Bob_Cranshaw | association |
| Bob_Cranshaw | with |
| Bob_Cranshaw | sonny |
| Bob_Cranshaw | rollins |
| Bob_Cranshaw | cranshaw |
| Bob_Cranshaw | performed |
| Bob_Cranshaw | in |
| Bob_Cranshaw | rollins’s |
| Bob_Cranshaw | working |
| Bob_Cranshaw | band |
| Bob_Cranshaw | on |
| Bob_Cranshaw | and |
| Bob_Cranshaw | off |
| Bob_Cranshaw | for |
| Bob_Cranshaw | over |
| Bob_Cranshaw | five |
| Bob_Cranshaw | decades |
| Bob_Cranshaw | starting |
| Bob_Cranshaw | with |
| Bob_Cranshaw | a |
| Bob_Cranshaw | live |
| Bob_Cranshaw | appearance |
| Bob_Cranshaw | at |
| Bob_Cranshaw | the |
| Bob_Cranshaw | 1959 |
| Bob_Cranshaw | playboy |
| Bob_Cranshaw | jazz |
| Bob_Cranshaw | festival |
| Bob_Cranshaw | in |
| Bob_Cranshaw | chicago |
| Bob_Cranshaw | and |
| Bob_Cranshaw | on |
| Bob_Cranshaw | record |
| Bob_Cranshaw | with |
| Bob_Cranshaw | the |
| Bob_Cranshaw | 1962 |
| Bob_Cranshaw | album |
| Bob_Cranshaw | the |
| Bob_Cranshaw | bridge |
| Bob_Cranshaw | cranshaw |
| Bob_Cranshaw | died |
| Bob_Cranshaw | at |
| Bob_Cranshaw | the |
| Bob_Cranshaw | age |
| Bob_Cranshaw | of |
| Bob_Cranshaw | 83 |
| Bob_Cranshaw | on |
| Bob_Cranshaw | november |
| Bob_Cranshaw | 2 |
| Bob_Cranshaw | 2016 |
| Bob_Cranshaw | in |
| Bob_Cranshaw | manhattan |
| Bob_Cranshaw | new |
| Bob_Cranshaw | york |
| Bob_Cranshaw | from |
| Bob_Cranshaw | stage |
| Bob_Cranshaw | iv |
| Bob_Cranshaw | cancer |
| Bob_Cranshaw | en |
| Woody_Herman | woodrow |
| Woody_Herman | charles |
| Woody_Herman | herman |
| Woody_Herman | may |
| Woody_Herman | 16 |
| Woody_Herman | 1913 |
| Woody_Herman | october |
| Woody_Herman | 29 |
| Woody_Herman | 1987 |
| Woody_Herman | was |
| Woody_Herman | an |
| Woody_Herman | american |
| Woody_Herman | jazz |
| Woody_Herman | clarinetist |
| Woody_Herman | saxophonist |
| Woody_Herman | singer |
| Woody_Herman | and |
| Woody_Herman | big |
| Woody_Herman | band |
| Woody_Herman | leader |
| Woody_Herman | leading |
| Woody_Herman | groups |
| Woody_Herman | called |
| Woody_Herman | the |
| Woody_Herman | herd |
| Woody_Herman | herman |
| Woody_Herman | came |
| Woody_Herman | to |
| Woody_Herman | prominence |
| Woody_Herman | in |
| Woody_Herman | the |
| Woody_Herman | late |
| Woody_Herman | 1930s |
| Woody_Herman | and |
| Woody_Herman | was |
| Woody_Herman | active |
| Woody_Herman | until |
| Woody_Herman | his |
| Woody_Herman | death |
| Woody_Herman | in |
| Woody_Herman | 1987 |
| Woody_Herman | his |
| Woody_Herman | bands |
| Woody_Herman | often |
| Woody_Herman | played |
| Woody_Herman | music |
| Woody_Herman | that |
| Woody_Herman | was |
| Woody_Herman | cutting |
| Woody_Herman | edge |
| Woody_Herman | and |
| Woody_Herman | experimental |
| Woody_Herman | for |
| Woody_Herman | its |
| Woody_Herman | time |
| Woody_Herman | their |
| Woody_Herman | recordings |
| Woody_Herman | received |
| Woody_Herman | numerous |
| Woody_Herman | grammy |
| Woody_Herman | nominations |
| Woody_Herman | en |
| Donald_Byrd | donaldson |
| Donald_Byrd | toussaint |
| Donald_Byrd | l’ouverture |
| Donald_Byrd | byrd |
| Donald_Byrd | ii |
| Donald_Byrd | december |
| Donald_Byrd | 9 |
| Donald_Byrd | 1932 |
| Donald_Byrd | february |
| Donald_Byrd | 4 |
| Donald_Byrd | 2013 |
| Donald_Byrd | was |
| Donald_Byrd | an |
| Donald_Byrd | american |
| Donald_Byrd | jazz |
| Donald_Byrd | and |
| Donald_Byrd | rhythm |
| Donald_Byrd | blues |
| Donald_Byrd | trumpeter |
| Donald_Byrd | and |
| Donald_Byrd | vocalist |
| Donald_Byrd | a |
| Donald_Byrd | sideman |
| Donald_Byrd | for |
| Donald_Byrd | many |
| Donald_Byrd | other |
| Donald_Byrd | jazz |
| Donald_Byrd | musicians |
| Donald_Byrd | of |
| Donald_Byrd | his |
| Donald_Byrd | generation |
| Donald_Byrd | byrd |
| Donald_Byrd | was |
| Donald_Byrd | known |
| Donald_Byrd | as |
| Donald_Byrd | one |
| Donald_Byrd | of |
| Donald_Byrd | the |
| Donald_Byrd | rare |
| Donald_Byrd | bebop |
| Donald_Byrd | jazz |
| Donald_Byrd | musicians |
| Donald_Byrd | who |
| Donald_Byrd | successfully |
| Donald_Byrd | explored |
| Donald_Byrd | funk |
| Donald_Byrd | and |
| Donald_Byrd | soul |
| Donald_Byrd | while |
| Donald_Byrd | remaining |
| Donald_Byrd | a |
| Donald_Byrd | jazz |
| Donald_Byrd | artist |
| Donald_Byrd | as |
| Donald_Byrd | a |
| Donald_Byrd | bandleader |
| Donald_Byrd | byrd |
| Donald_Byrd | was |
| Donald_Byrd | an |
| Donald_Byrd | influence |
| Donald_Byrd | on |
| Donald_Byrd | the |
| Donald_Byrd | early |
| Donald_Byrd | career |
| Donald_Byrd | of |
| Donald_Byrd | herbie |
| Donald_Byrd | hancock |
| Donald_Byrd | en |
| Harry_Sokal_(musician) | harald |
| Harry_Sokal_(musician) | sokal |
| Harry_Sokal_(musician) | born |
| Harry_Sokal_(musician) | 18 |
| Harry_Sokal_(musician) | march |
| Harry_Sokal_(musician) | 1954 |
| Harry_Sokal_(musician) | is |
| Harry_Sokal_(musician) | an |
| Harry_Sokal_(musician) | austrian |
| Harry_Sokal_(musician) | jazz |
| Harry_Sokal_(musician) | saxophonist |
| Harry_Sokal_(musician) | en |
| McCoy_Tyner | alfred |
| McCoy_Tyner | mccoy |
| McCoy_Tyner | tyner |
| McCoy_Tyner | december |
| McCoy_Tyner | 11 |
| McCoy_Tyner | 1938 |
| McCoy_Tyner | march |
| McCoy_Tyner | 6 |
| McCoy_Tyner | 2020 |
| McCoy_Tyner | was |
| McCoy_Tyner | an |
| McCoy_Tyner | american |
| McCoy_Tyner | jazz |
| McCoy_Tyner | pianist |
| McCoy_Tyner | and |
| McCoy_Tyner | composer |
| McCoy_Tyner | known |
| McCoy_Tyner | for |
| McCoy_Tyner | his |
| McCoy_Tyner | work |
| McCoy_Tyner | with |
| McCoy_Tyner | the |
| McCoy_Tyner | john |
| McCoy_Tyner | coltrane |
| McCoy_Tyner | quartet |
| McCoy_Tyner | and |
| McCoy_Tyner | a |
| McCoy_Tyner | long |
| McCoy_Tyner | solo |
| McCoy_Tyner | career |
| McCoy_Tyner | he |
| McCoy_Tyner | was |
| McCoy_Tyner | an |
| McCoy_Tyner | nea |
| McCoy_Tyner | jazz |
| McCoy_Tyner | master |
| McCoy_Tyner | and |
| McCoy_Tyner | a |
| McCoy_Tyner | five |
| McCoy_Tyner | time |
| McCoy_Tyner | grammy |
| McCoy_Tyner | winner |
| McCoy_Tyner | not |
| McCoy_Tyner | a |
| McCoy_Tyner | player |
| McCoy_Tyner | of |
| McCoy_Tyner | electric |
| McCoy_Tyner | keyboards |
| McCoy_Tyner | and |
| McCoy_Tyner | synthesizers |
| McCoy_Tyner | he |
| McCoy_Tyner | was |
| McCoy_Tyner | committed |
| McCoy_Tyner | to |
| McCoy_Tyner | acoustic |
| McCoy_Tyner | instrumentation |
| McCoy_Tyner | tyner |
| McCoy_Tyner | who |
| McCoy_Tyner | was |
| McCoy_Tyner | widely |
| McCoy_Tyner | imitated |
| McCoy_Tyner | is |
| McCoy_Tyner | one |
| McCoy_Tyner | of |
| McCoy_Tyner | the |
| McCoy_Tyner | most |
| McCoy_Tyner | recognizable |
| McCoy_Tyner | and |
| McCoy_Tyner | most |
| McCoy_Tyner | influential |
| McCoy_Tyner | pianists |
| McCoy_Tyner | in |
| McCoy_Tyner | jazz |
| McCoy_Tyner | history |
| McCoy_Tyner | en |
| Candy_Dulfer | candy |
| Candy_Dulfer | dulfer |
| Candy_Dulfer | born |
| Candy_Dulfer | 19 |
| Candy_Dulfer | september |
| Candy_Dulfer | 1969 |
| Candy_Dulfer | is |
| Candy_Dulfer | a |
| Candy_Dulfer | dutch |
| Candy_Dulfer | jazz |
| Candy_Dulfer | and |
| Candy_Dulfer | pop |
| Candy_Dulfer | saxophonist |
| Candy_Dulfer | she |
| Candy_Dulfer | is |
| Candy_Dulfer | the |
| Candy_Dulfer | daughter |
| Candy_Dulfer | of |
| Candy_Dulfer | jazz |
| Candy_Dulfer | saxophonist |
| Candy_Dulfer | hans |
| Candy_Dulfer | dulfer |
| Candy_Dulfer | she |
| Candy_Dulfer | began |
| Candy_Dulfer | playing |
| Candy_Dulfer | at |
| Candy_Dulfer | age |
| Candy_Dulfer | six |
| Candy_Dulfer | and |
| Candy_Dulfer | founded |
| Candy_Dulfer | her |
| Candy_Dulfer | band |
| Candy_Dulfer | funky |
| Candy_Dulfer | stuff |
| Candy_Dulfer | when |
| Candy_Dulfer | she |
| Candy_Dulfer | was |
| Candy_Dulfer | fourteen |
| Candy_Dulfer | her |
| Candy_Dulfer | debut |
| Candy_Dulfer | album |
| Candy_Dulfer | saxuality |
| Candy_Dulfer | 1990 |
| Candy_Dulfer | received |
| Candy_Dulfer | a |
| Candy_Dulfer | grammy |
| Candy_Dulfer | nomination |
| Candy_Dulfer | she |
| Candy_Dulfer | has |
| Candy_Dulfer | performed |
| Candy_Dulfer | and |
| Candy_Dulfer | recorded |
| Candy_Dulfer | with |
| Candy_Dulfer | hans |
| Candy_Dulfer | dulfer |
| Candy_Dulfer | prince |
| Candy_Dulfer | dave |
| Candy_Dulfer | stewart |
| Candy_Dulfer | van |
| Candy_Dulfer | morrison |
| Candy_Dulfer | angie |
| Candy_Dulfer | stone |
| Candy_Dulfer | maceo |
| Candy_Dulfer | parker |
| Candy_Dulfer | and |
| Candy_Dulfer | rick |
| Candy_Dulfer | braun |
| Candy_Dulfer | and |
| Candy_Dulfer | has |
| Candy_Dulfer | performed |
| Candy_Dulfer | live |
| Candy_Dulfer | with |
| Candy_Dulfer | alan |
| Candy_Dulfer | parsons |
| Candy_Dulfer | 1995 |
| Candy_Dulfer | pink |
| Candy_Dulfer | floyd |
| Candy_Dulfer | 1990 |
| Candy_Dulfer | and |
| Candy_Dulfer | tower |
| Candy_Dulfer | of |
| Candy_Dulfer | power |
| Candy_Dulfer | 2014 |
| Candy_Dulfer | she |
| Candy_Dulfer | hosted |
| Candy_Dulfer | the |
| Candy_Dulfer | dutch |
| Candy_Dulfer | television |
| Candy_Dulfer | series |
| Candy_Dulfer | candy |
| Candy_Dulfer | meets |
| Candy_Dulfer | 2007 |
| Candy_Dulfer | in |
| Candy_Dulfer | which |
| Candy_Dulfer | she |
| Candy_Dulfer | interviewed |
| Candy_Dulfer | musicians |
| Candy_Dulfer | in |
| Candy_Dulfer | 2013 |
| Candy_Dulfer | she |
| Candy_Dulfer | became |
| Candy_Dulfer | a |
| Candy_Dulfer | judge |
| Candy_Dulfer | in |
| Candy_Dulfer | the |
| Candy_Dulfer | 5th |
| Candy_Dulfer | season |
| Candy_Dulfer | of |
| Candy_Dulfer | the |
| Candy_Dulfer | dutch |
| Candy_Dulfer | version |
| Candy_Dulfer | of |
| Candy_Dulfer | x |
| Candy_Dulfer | factor |
| Candy_Dulfer | en |
| Andreas_Varady | andreas |
| Andreas_Varady | varady |
| Andreas_Varady | born |
| Andreas_Varady | 24 |
| Andreas_Varady | july |
| Andreas_Varady | 1997 |
| Andreas_Varady | is |
| Andreas_Varady | a |
| Andreas_Varady | slovak |
| Andreas_Varady | hungarian |
| Andreas_Varady | jazz |
| Andreas_Varady | guitarist |
| Andreas_Varady | managed |
| Andreas_Varady | by |
| Andreas_Varady | quincy |
| Andreas_Varady | jones |
| Andreas_Varady | regarded |
| Andreas_Varady | as |
| Andreas_Varady | a |
| Andreas_Varady | child |
| Andreas_Varady | prodigy |
| Andreas_Varady | he |
| Andreas_Varady | has |
| Andreas_Varady | been |
| Andreas_Varady | influenced |
| Andreas_Varady | by |
| Andreas_Varady | guitarists |
| Andreas_Varady | django |
| Andreas_Varady | reinhardt |
| Andreas_Varady | wes |
| Andreas_Varady | montgomery |
| Andreas_Varady | and |
| Andreas_Varady | george |
| Andreas_Varady | benson |
| Andreas_Varady | and |
| Andreas_Varady | has |
| Andreas_Varady | been |
| Andreas_Varady | performing |
| Andreas_Varady | internationally |
| Andreas_Varady | since |
| Andreas_Varady | the |
| Andreas_Varady | age |
| Andreas_Varady | of |
| Andreas_Varady | thirteen |
| Andreas_Varady | en |
| Freddie_Hubbard | frederick |
| Freddie_Hubbard | dewayne |
| Freddie_Hubbard | hubbard |
| Freddie_Hubbard | april |
| Freddie_Hubbard | 7 |
| Freddie_Hubbard | 1938 |
| Freddie_Hubbard | december |
| Freddie_Hubbard | 29 |
| Freddie_Hubbard | 2008 |
| Freddie_Hubbard | was |
| Freddie_Hubbard | an |
| Freddie_Hubbard | american |
| Freddie_Hubbard | jazz |
| Freddie_Hubbard | trumpeter |
| Freddie_Hubbard | he |
| Freddie_Hubbard | played |
| Freddie_Hubbard | bebop |
| Freddie_Hubbard | hard |
| Freddie_Hubbard | bop |
| Freddie_Hubbard | and |
| Freddie_Hubbard | post |
| Freddie_Hubbard | bop |
| Freddie_Hubbard | styles |
| Freddie_Hubbard | from |
| Freddie_Hubbard | the |
| Freddie_Hubbard | early |
| Freddie_Hubbard | 1960s |
| Freddie_Hubbard | onwards |
| Freddie_Hubbard | his |
| Freddie_Hubbard | unmistakable |
| Freddie_Hubbard | and |
| Freddie_Hubbard | influential |
| Freddie_Hubbard | tone |
| Freddie_Hubbard | contributed |
| Freddie_Hubbard | to |
| Freddie_Hubbard | new |
| Freddie_Hubbard | perspectives |
| Freddie_Hubbard | for |
| Freddie_Hubbard | modern |
| Freddie_Hubbard | jazz |
| Freddie_Hubbard | and |
| Freddie_Hubbard | bebop |
| Freddie_Hubbard | en |
| Randy_Gelispie | randy |
| Randy_Gelispie | uncle |
| Randy_Gelispie | g |
| Randy_Gelispie | gelispie |
| Randy_Gelispie | is |
| Randy_Gelispie | an |
| Randy_Gelispie | american |
| Randy_Gelispie | jazz |
| Randy_Gelispie | percussionist |
| Randy_Gelispie | drummer |
| Randy_Gelispie | and |
| Randy_Gelispie | educator |
| Randy_Gelispie | born |
| Randy_Gelispie | and |
| Randy_Gelispie | raised |
| Randy_Gelispie | in |
| Randy_Gelispie | akron |
| Randy_Gelispie | ohio |
| Randy_Gelispie | randy |
| Randy_Gelispie | gelispie |
| Randy_Gelispie | began |
| Randy_Gelispie | playing |
| Randy_Gelispie | drums |
| Randy_Gelispie | at |
| Randy_Gelispie | a |
| Randy_Gelispie | young |
| Randy_Gelispie | age |
| Randy_Gelispie | gelispie |
| Randy_Gelispie | is |
| Randy_Gelispie | the |
| Randy_Gelispie | instructor |
| Randy_Gelispie | of |
| Randy_Gelispie | jazz |
| Randy_Gelispie | drums |
| Randy_Gelispie | at |
| Randy_Gelispie | the |
| Randy_Gelispie | michigan |
| Randy_Gelispie | state |
| Randy_Gelispie | university |
| Randy_Gelispie | college |
| Randy_Gelispie | of |
| Randy_Gelispie | music |
| Randy_Gelispie | he |
| Randy_Gelispie | has |
| Randy_Gelispie | been |
| Randy_Gelispie | a |
| Randy_Gelispie | professional |
| Randy_Gelispie | jazz |
| Randy_Gelispie | drummer |
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| Randy_Gelispie | he |
| Randy_Gelispie | started |
| Randy_Gelispie | playing |
| Randy_Gelispie | with |
| Randy_Gelispie | a |
| Randy_Gelispie | 10 |
| Randy_Gelispie | piece |
| Randy_Gelispie | band |
| Randy_Gelispie | in |
| Randy_Gelispie | the |
| Randy_Gelispie | ninth |
| Randy_Gelispie | grade |
| Randy_Gelispie | gelispie |
| Randy_Gelispie | has |
| Randy_Gelispie | traveled |
| Randy_Gelispie | on |
| Randy_Gelispie | the |
| Randy_Gelispie | road |
| Randy_Gelispie | with |
| Randy_Gelispie | wes |
| Randy_Gelispie | montgomery |
| Randy_Gelispie | sonny |
| Randy_Gelispie | stitt |
| Randy_Gelispie | dinah |
| Randy_Gelispie | washington |
| Randy_Gelispie | etta |
| Randy_Gelispie | jones |
| Randy_Gelispie | lou |
| Randy_Gelispie | donaldson |
| Randy_Gelispie | and |
| Randy_Gelispie | gene |
| Randy_Gelispie | ammons |
| Randy_Gelispie | in |
| Randy_Gelispie | the |
| Randy_Gelispie | detroit |
| Randy_Gelispie | area |
| Randy_Gelispie | he |
| Randy_Gelispie | has |
| Randy_Gelispie | performed |
| Randy_Gelispie | with |
| Randy_Gelispie | joe |
| Randy_Gelispie | williams |
| Randy_Gelispie | nancy |
| Randy_Gelispie | wilson |
| Randy_Gelispie | dizzy |
| Randy_Gelispie | gillespie |
| Randy_Gelispie | tommy |
| Randy_Gelispie | flanagan |
| Randy_Gelispie | barry |
| Randy_Gelispie | harris |
| Randy_Gelispie | oliver |
| Randy_Gelispie | jones |
| Randy_Gelispie | o |
| Randy_Gelispie | c |
| Randy_Gelispie | smith |
| Randy_Gelispie | al |
| Randy_Gelispie | hibbler |
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| Randy_Gelispie | geri |
| Randy_Gelispie | allen |
| Randy_Gelispie | blues |
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| Randy_Gelispie | he |
| Randy_Gelispie | has |
| Randy_Gelispie | worked |
| Randy_Gelispie | with |
| Randy_Gelispie | include |
| Randy_Gelispie | jimmy |
| Randy_Gelispie | witherspoon |
| Randy_Gelispie | john |
| Randy_Gelispie | lee |
| Randy_Gelispie | hooker |
| Randy_Gelispie | and |
| Randy_Gelispie | big |
| Randy_Gelispie | maybelle |
| Randy_Gelispie | locally |
| Randy_Gelispie | he |
| Randy_Gelispie | has |
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| Randy_Gelispie | with |
| Randy_Gelispie | many |
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| Randy_Gelispie | musicians |
| Randy_Gelispie | including |
| Randy_Gelispie | marcus |
| Randy_Gelispie | belgrave |
| Randy_Gelispie | rodney |
| Randy_Gelispie | whitaker |
| Randy_Gelispie | bill |
| Randy_Gelispie | heid |
| Randy_Gelispie | andrew |
| Randy_Gelispie | speight |
| Randy_Gelispie | and |
| Randy_Gelispie | wycliffe |
| Randy_Gelispie | gordon |
| Randy_Gelispie | en |
| Peter_Bernstein_(guitarist) | peter |
| Peter_Bernstein_(guitarist) | andrew |
| Peter_Bernstein_(guitarist) | bernstein |
| Peter_Bernstein_(guitarist) | born |
| Peter_Bernstein_(guitarist) | september |
| Peter_Bernstein_(guitarist) | 3 |
| Peter_Bernstein_(guitarist) | 1967 |
| Peter_Bernstein_(guitarist) | is |
| Peter_Bernstein_(guitarist) | an |
| Peter_Bernstein_(guitarist) | american |
| Peter_Bernstein_(guitarist) | jazz |
| Peter_Bernstein_(guitarist) | guitarist |
| Peter_Bernstein_(guitarist) | en |
| Quincy_Jones | quincy |
| Quincy_Jones | delight |
| Quincy_Jones | jones |
| Quincy_Jones | jr |
| Quincy_Jones | born |
| Quincy_Jones | march |
| Quincy_Jones | 14 |
| Quincy_Jones | 1933 |
| Quincy_Jones | is |
| Quincy_Jones | an |
| Quincy_Jones | american |
| Quincy_Jones | record |
| Quincy_Jones | producer |
| Quincy_Jones | musician |
| Quincy_Jones | songwriter |
| Quincy_Jones | composer |
| Quincy_Jones | arranger |
| Quincy_Jones | and |
| Quincy_Jones | film |
| Quincy_Jones | and |
| Quincy_Jones | television |
| Quincy_Jones | producer |
| Quincy_Jones | his |
| Quincy_Jones | career |
| Quincy_Jones | spans |
| Quincy_Jones | 70 |
| Quincy_Jones | years |
| Quincy_Jones | in |
| Quincy_Jones | the |
| Quincy_Jones | entertainment |
| Quincy_Jones | industry |
| Quincy_Jones | with |
| Quincy_Jones | a |
| Quincy_Jones | record |
| Quincy_Jones | of |
| Quincy_Jones | 80 |
| Quincy_Jones | grammy |
| Quincy_Jones | award |
| Quincy_Jones | nominations |
| Quincy_Jones | 28 |
| Quincy_Jones | grammys |
| Quincy_Jones | and |
| Quincy_Jones | a |
| Quincy_Jones | grammy |
| Quincy_Jones | legend |
| Quincy_Jones | award |
| Quincy_Jones | in |
| Quincy_Jones | 1992 |
| Quincy_Jones | jones |
| Quincy_Jones | came |
| Quincy_Jones | to |
| Quincy_Jones | prominence |
| Quincy_Jones | in |
| Quincy_Jones | the |
| Quincy_Jones | 1950s |
| Quincy_Jones | as |
| Quincy_Jones | a |
| Quincy_Jones | jazz |
| Quincy_Jones | arranger |
| Quincy_Jones | and |
| Quincy_Jones | conductor |
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| Quincy_Jones | working |
| Quincy_Jones | on |
| Quincy_Jones | pop |
| Quincy_Jones | music |
| Quincy_Jones | and |
| Quincy_Jones | film |
| Quincy_Jones | scores |
| Quincy_Jones | in |
| Quincy_Jones | 1968 |
| Quincy_Jones | jones |
| Quincy_Jones | and |
| Quincy_Jones | his |
| Quincy_Jones | songwriting |
| Quincy_Jones | partner |
| Quincy_Jones | bob |
| Quincy_Jones | russell |
| Quincy_Jones | became |
| Quincy_Jones | the |
| Quincy_Jones | first |
| Quincy_Jones | african |
| Quincy_Jones | americans |
| Quincy_Jones | to |
| Quincy_Jones | be |
| Quincy_Jones | nominated |
| Quincy_Jones | for |
| Quincy_Jones | an |
| Quincy_Jones | academy |
| Quincy_Jones | award |
| Quincy_Jones | for |
| Quincy_Jones | best |
| Quincy_Jones | original |
| Quincy_Jones | song |
| Quincy_Jones | for |
| Quincy_Jones | the |
| Quincy_Jones | eyes |
| Quincy_Jones | of |
| Quincy_Jones | love |
| Quincy_Jones | from |
| Quincy_Jones | the |
| Quincy_Jones | film |
| Quincy_Jones | banning |
| Quincy_Jones | jones |
| Quincy_Jones | was |
| Quincy_Jones | also |
| Quincy_Jones | nominated |
| Quincy_Jones | for |
| Quincy_Jones | an |
| Quincy_Jones | academy |
| Quincy_Jones | award |
| Quincy_Jones | for |
| Quincy_Jones | best |
| Quincy_Jones | original |
| Quincy_Jones | score |
| Quincy_Jones | for |
| Quincy_Jones | his |
| Quincy_Jones | work |
| Quincy_Jones | on |
| Quincy_Jones | the |
| Quincy_Jones | 1967 |
| Quincy_Jones | film |
| Quincy_Jones | in |
| Quincy_Jones | cold |
| Quincy_Jones | blood |
| Quincy_Jones | making |
| Quincy_Jones | him |
| Quincy_Jones | the |
| Quincy_Jones | first |
| Quincy_Jones | african |
| Quincy_Jones | american |
| Quincy_Jones | to |
| Quincy_Jones | be |
| Quincy_Jones | nominated |
| Quincy_Jones | twice |
| Quincy_Jones | in |
| Quincy_Jones | the |
| Quincy_Jones | same |
| Quincy_Jones | year |
| Quincy_Jones | jones |
| Quincy_Jones | produced |
| Quincy_Jones | three |
| Quincy_Jones | of |
| Quincy_Jones | michael |
| Quincy_Jones | jackson’s |
| Quincy_Jones | most |
| Quincy_Jones | successful |
| Quincy_Jones | albums |
| Quincy_Jones | off |
| Quincy_Jones | the |
| Quincy_Jones | wall |
| Quincy_Jones | 1979 |
| Quincy_Jones | thriller |
| Quincy_Jones | 1982 |
| Quincy_Jones | and |
| Quincy_Jones | bad |
| Quincy_Jones | 1987 |
| Quincy_Jones | in |
| Quincy_Jones | 1985 |
| Quincy_Jones | jones |
| Quincy_Jones | produced |
| Quincy_Jones | and |
| Quincy_Jones | conducted |
| Quincy_Jones | the |
| Quincy_Jones | charity |
| Quincy_Jones | song |
| Quincy_Jones | we |
| Quincy_Jones | are |
| Quincy_Jones | the |
| Quincy_Jones | world |
| Quincy_Jones | which |
| Quincy_Jones | raised |
| Quincy_Jones | funds |
| Quincy_Jones | for |
| Quincy_Jones | victims |
| Quincy_Jones | of |
| Quincy_Jones | famine |
| Quincy_Jones | in |
| Quincy_Jones | ethiopia |
| Quincy_Jones | in |
| Quincy_Jones | 1971 |
| Quincy_Jones | he |
| Quincy_Jones | became |
| Quincy_Jones | the |
| Quincy_Jones | first |
| Quincy_Jones | african |
| Quincy_Jones | american |
| Quincy_Jones | to |
| Quincy_Jones | be |
| Quincy_Jones | the |
| Quincy_Jones | musical |
| Quincy_Jones | director |
| Quincy_Jones | and |
| Quincy_Jones | conductor |
| Quincy_Jones | of |
| Quincy_Jones | the |
| Quincy_Jones | academy |
| Quincy_Jones | awards |
| Quincy_Jones | in |
| Quincy_Jones | 1995 |
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| Quincy_Jones | was |
| Quincy_Jones | the |
| Quincy_Jones | first |
| Quincy_Jones | african |
| Quincy_Jones | american |
| Quincy_Jones | to |
| Quincy_Jones | receive |
| Quincy_Jones | the |
| Quincy_Jones | academy’s |
| Quincy_Jones | jean |
| Quincy_Jones | hersholt |
| Quincy_Jones | humanitarian |
| Quincy_Jones | award |
| Quincy_Jones | he |
| Quincy_Jones | is |
| Quincy_Jones | tied |
| Quincy_Jones | with |
| Quincy_Jones | sound |
| Quincy_Jones | designer |
| Quincy_Jones | willie |
| Quincy_Jones | d |
| Quincy_Jones | burton |
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| Quincy_Jones | nominations |
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| Quincy_Jones | 2013 |
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| Quincy_Jones | roll |
| Quincy_Jones | hall |
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| Quincy_Jones | fame |
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| Quincy_Jones | the |
| Quincy_Jones | winner |
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| Quincy_Jones | lou |
| Quincy_Jones | adler |
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| Quincy_Jones | the |
| Quincy_Jones | ahmet |
| Quincy_Jones | ertegun |
| Quincy_Jones | award |
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| Quincy_Jones | time |
| Quincy_Jones | en |
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| Dwayne_Dolphin | jazz |
| Dwayne_Dolphin | and |
| Dwayne_Dolphin | funk |
| Dwayne_Dolphin | bassist |
| Dwayne_Dolphin | en |
| Igor_Butman | igor |
| Igor_Butman | butman |
| Igor_Butman | par |
| Igor_Butman | is |
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| Igor_Butman | russian |
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| Igor_Butman | saxophonist |
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| Igor_Butman | st |
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| Igor_Butman | russia |
| Igor_Butman | in |
| Igor_Butman | 1961 |
| Igor_Butman | butman |
| Igor_Butman | holds |
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| Igor_Butman | both |
| Igor_Butman | the |
| Igor_Butman | us |
| Igor_Butman | and |
| Igor_Butman | russian |
| Igor_Butman | federation |
| Igor_Butman | he |
| Igor_Butman | is |
| Igor_Butman | considered |
| Igor_Butman | to |
| Igor_Butman | be |
| Igor_Butman | a |
| Igor_Butman | virtuoso |
| Igor_Butman | saxophonist |
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| Igor_Butman | a |
| Igor_Butman | skilled |
| Igor_Butman | bandleader |
| Igor_Butman | american |
| Igor_Butman | saxophonist |
| Igor_Butman | grover |
| Igor_Butman | washington |
| Igor_Butman | jr |
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| Igor_Butman | butman |
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| Igor_Butman | now |
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| Igor_Butman | trumpet |
| Igor_Butman | player |
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| Don_Friedman | donald |
| Don_Friedman | ernest |
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| Don_Friedman | 4 |
| Don_Friedman | 1935 |
| Don_Friedman | june |
| Don_Friedman | 30 |
| Don_Friedman | 2016 |
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| Don_Friedman | an |
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| Don_Friedman | he |
| Don_Friedman | began |
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| Don_Friedman | los |
| Don_Friedman | angeles |
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| Don_Friedman | york |
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| Joshua_Redman | joshua |
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| Joshua_Redman | american |
| Joshua_Redman | jazz |
| Joshua_Redman | saxophonist |
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| Joshua_Redman | composer |
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| Roy_Hargrove | roy |
| Roy_Hargrove | anthony |
| Roy_Hargrove | hargrove |
| Roy_Hargrove | october |
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| Roy_Hargrove | 1969 |
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| Roy_Hargrove | flugelhorn |
| Roy_Hargrove | he |
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| Roy_Hargrove | winning |
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| Roy_Hargrove | grammy |
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| Roy_Hargrove | 2002 |
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| Roy_Hargrove | crossing |
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| Roy_Hargrove | hip |
| Roy_Hargrove | hop |
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| Paul_Young | paul |
| Paul_Young | antony |
| Paul_Young | young |
| Paul_Young | born |
| Paul_Young | 17 |
| Paul_Young | january |
| Paul_Young | 1956 |
| Paul_Young | is |
| Paul_Young | an |
| Paul_Young | english |
| Paul_Young | singer |
| Paul_Young | songwriter |
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| Paul_Young | musician |
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| Paul_Young | frontman |
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| Paul_Young | the |
| Paul_Young | short |
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| Paul_Young | kat |
| Paul_Young | kool |
| Paul_Young | the |
| Paul_Young | kool |
| Paul_Young | cats |
| Paul_Young | streetband |
| Paul_Young | and |
| Paul_Young | q |
| Paul_Young | tips |
| Paul_Young | he |
| Paul_Young | became |
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| Paul_Young | teen |
| Paul_Young | idol |
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| Paul_Young | solo |
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| Paul_Young | 1980s |
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| Paul_Young | hit |
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| Paul_Young | include |
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| Paul_Young | i |
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| Paul_Young | everything |
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| Paul_Young | change |
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| Paul_Young | the |
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| Paul_Young | singles |
| Paul_Young | chart |
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| Paul_Young | in |
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| Paul_Young | his |
| Paul_Young | debut |
| Paul_Young | album |
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| Paul_Young | first |
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| Paul_Young | three |
| Paul_Young | uk |
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| Paul_Young | one |
| Paul_Young | albums |
| Paul_Young | made |
| Paul_Young | him |
| Paul_Young | a |
| Paul_Young | household |
| Paul_Young | name |
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| Paul_Young | smooth |
| Paul_Young | yet |
| Paul_Young | soulful |
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| Paul_Young | known |
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| Paul_Young | blue |
| Paul_Young | eyed |
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| Paul_Young | 1985 |
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| Paul_Young | awards |
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| Paul_Young | award |
| Paul_Young | for |
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| Paul_Young | male |
| Paul_Young | associated |
| Paul_Young | with |
| Paul_Young | the |
| Paul_Young | second |
| Paul_Young | british |
| Paul_Young | invasion |
| Paul_Young | of |
| Paul_Young | the |
| Paul_Young | us |
| Paul_Young | every |
| Paul_Young | time |
| Paul_Young | you |
| Paul_Young | go |
| Paul_Young | away |
| Paul_Young | reached |
| Paul_Young | number |
| Paul_Young | one |
| Paul_Young | on |
| Paul_Young | the |
| Paul_Young | billboard |
| Paul_Young | hot |
| Paul_Young | 100 |
| Paul_Young | in |
| Paul_Young | 1985 |
| Paul_Young | it |
| Paul_Young | also |
| Paul_Young | won |
| Paul_Young | best |
| Paul_Young | british |
| Paul_Young | video |
| Paul_Young | at |
| Paul_Young | the |
| Paul_Young | 1986 |
| Paul_Young | brit |
| Paul_Young | awards |
| Paul_Young | in |
| Paul_Young | july |
| Paul_Young | 1985 |
| Paul_Young | young |
| Paul_Young | appeared |
| Paul_Young | at |
| Paul_Young | live |
| Paul_Young | aid |
| Paul_Young | held |
| Paul_Young | at |
| Paul_Young | wembley |
| Paul_Young | stadium |
| Paul_Young | london |
| Paul_Young | performing |
| Paul_Young | the |
| Paul_Young | band |
| Paul_Young | aid |
| Paul_Young | hit |
| Paul_Young | do |
| Paul_Young | they |
| Paul_Young | know |
| Paul_Young | it’s |
| Paul_Young | christmas |
| Paul_Young | having |
| Paul_Young | sung |
| Paul_Young | the |
| Paul_Young | opening |
| Paul_Young | lines |
| Paul_Young | on |
| Paul_Young | the |
| Paul_Young | original |
| Paul_Young | single |
| Paul_Young | release |
| Paul_Young | and |
| Paul_Young | his |
| Paul_Young | own |
| Paul_Young | hits |
| Paul_Young | come |
| Paul_Young | back |
| Paul_Young | and |
| Paul_Young | stay |
| Paul_Young | and |
| Paul_Young | every |
| Paul_Young | time |
| Paul_Young | you |
| Paul_Young | go |
| Paul_Young | away |
| Paul_Young | with |
| Paul_Young | alison |
| Paul_Young | moyet |
| Paul_Young | joining |
| Paul_Young | him |
| Paul_Young | on |
| Paul_Young | stage |
| Paul_Young | to |
| Paul_Young | perform |
| Paul_Young | that’s |
| Paul_Young | the |
| Paul_Young | way |
| Paul_Young | love |
| Paul_Young | is |
| Paul_Young | since |
| Paul_Young | the |
| Paul_Young | mid |
| Paul_Young | 1990s |
| Paul_Young | young |
| Paul_Young | has |
| Paul_Young | performed |
| Paul_Young | with |
| Paul_Young | his |
| Paul_Young | band |
| Paul_Young | los |
| Paul_Young | pacaminos |
| Paul_Young | en |
| Richard_Davis_(bassist) | richard |
| Richard_Davis_(bassist) | davis |
| Richard_Davis_(bassist) | born |
| Richard_Davis_(bassist) | april |
| Richard_Davis_(bassist) | 15 |
| Richard_Davis_(bassist) | 1930 |
| Richard_Davis_(bassist) | is |
| Richard_Davis_(bassist) | an |
| Richard_Davis_(bassist) | american |
| Richard_Davis_(bassist) | jazz |
| Richard_Davis_(bassist) | bassist |
| Richard_Davis_(bassist) | among |
| Richard_Davis_(bassist) | his |
| Richard_Davis_(bassist) | best |
| Richard_Davis_(bassist) | known |
| Richard_Davis_(bassist) | contributions |
| Richard_Davis_(bassist) | to |
| Richard_Davis_(bassist) | the |
| Richard_Davis_(bassist) | albums |
| Richard_Davis_(bassist) | of |
| Richard_Davis_(bassist) | others |
| Richard_Davis_(bassist) | are |
| Richard_Davis_(bassist) | eric |
| Richard_Davis_(bassist) | dolphy’s |
| Richard_Davis_(bassist) | out |
| Richard_Davis_(bassist) | to |
| Richard_Davis_(bassist) | lunch |
| Richard_Davis_(bassist) | andrew |
| Richard_Davis_(bassist) | hill’s |
| Richard_Davis_(bassist) | point |
| Richard_Davis_(bassist) | of |
| Richard_Davis_(bassist) | departure |
| Richard_Davis_(bassist) | and |
| Richard_Davis_(bassist) | van |
| Richard_Davis_(bassist) | morrison’s |
| Richard_Davis_(bassist) | astral |
| Richard_Davis_(bassist) | weeks |
| Richard_Davis_(bassist) | of |
| Richard_Davis_(bassist) | which |
| Richard_Davis_(bassist) | critic |
| Richard_Davis_(bassist) | greil |
| Richard_Davis_(bassist) | marcus |
| Richard_Davis_(bassist) | wrote |
| Richard_Davis_(bassist) | in |
| Richard_Davis_(bassist) | the |
| Richard_Davis_(bassist) | rolling |
| Richard_Davis_(bassist) | stone |
| Richard_Davis_(bassist) | illustrated |
| Richard_Davis_(bassist) | history |
| Richard_Davis_(bassist) | of |
| Richard_Davis_(bassist) | rock |
| Richard_Davis_(bassist) | and |
| Richard_Davis_(bassist) | roll |
| Richard_Davis_(bassist) | richard |
| Richard_Davis_(bassist) | davis |
| Richard_Davis_(bassist) | provided |
| Richard_Davis_(bassist) | the |
| Richard_Davis_(bassist) | greatest |
| Richard_Davis_(bassist) | bass |
| Richard_Davis_(bassist) | ever |
| Richard_Davis_(bassist) | heard |
| Richard_Davis_(bassist) | on |
| Richard_Davis_(bassist) | a |
| Richard_Davis_(bassist) | rock |
| Richard_Davis_(bassist) | album |
| Richard_Davis_(bassist) | en |
| Orrin_Keepnews | orrin |
| Orrin_Keepnews | keepnews |
| Orrin_Keepnews | march |
| Orrin_Keepnews | 2 |
| Orrin_Keepnews | 1923 |
| Orrin_Keepnews | march |
| Orrin_Keepnews | 1 |
| Orrin_Keepnews | 2015 |
| Orrin_Keepnews | was |
| Orrin_Keepnews | an |
| Orrin_Keepnews | american |
| Orrin_Keepnews | jazz |
| Orrin_Keepnews | writer |
| Orrin_Keepnews | and |
| Orrin_Keepnews | record |
| Orrin_Keepnews | producer |
| Orrin_Keepnews | known |
| Orrin_Keepnews | for |
| Orrin_Keepnews | founding |
| Orrin_Keepnews | riverside |
| Orrin_Keepnews | records |
| Orrin_Keepnews | and |
| Orrin_Keepnews | milestone |
| Orrin_Keepnews | records |
| Orrin_Keepnews | for |
| Orrin_Keepnews | freelance |
| Orrin_Keepnews | work |
| Orrin_Keepnews | and |
| Orrin_Keepnews | for |
| Orrin_Keepnews | his |
| Orrin_Keepnews | work |
| Orrin_Keepnews | at |
| Orrin_Keepnews | other |
| Orrin_Keepnews | labels |
| Orrin_Keepnews | en |
| Dizzy_Gillespie | john |
| Dizzy_Gillespie | birks |
| Dizzy_Gillespie | dizzy |
| Dizzy_Gillespie | gillespie |
| Dizzy_Gillespie | 氶 |
| Dizzy_Gillespie | 阞 |
| Dizzy_Gillespie | l |
| Dizzy_Gillespie | spi |
| Dizzy_Gillespie | october |
| Dizzy_Gillespie | 21 |
| Dizzy_Gillespie | 1917 |
| Dizzy_Gillespie | january |
| Dizzy_Gillespie | 6 |
| Dizzy_Gillespie | 1993 |
| Dizzy_Gillespie | was |
| Dizzy_Gillespie | an |
| Dizzy_Gillespie | american |
| Dizzy_Gillespie | jazz |
| Dizzy_Gillespie | trumpeter |
| Dizzy_Gillespie | bandleader |
| Dizzy_Gillespie | composer |
| Dizzy_Gillespie | educator |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | singer |
| Dizzy_Gillespie | he |
| Dizzy_Gillespie | was |
| Dizzy_Gillespie | a |
| Dizzy_Gillespie | trumpet |
| Dizzy_Gillespie | virtuoso |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | improviser |
| Dizzy_Gillespie | building |
| Dizzy_Gillespie | on |
| Dizzy_Gillespie | the |
| Dizzy_Gillespie | virtuoso |
| Dizzy_Gillespie | style |
| Dizzy_Gillespie | of |
| Dizzy_Gillespie | roy |
| Dizzy_Gillespie | eldridge |
| Dizzy_Gillespie | but |
| Dizzy_Gillespie | adding |
| Dizzy_Gillespie | layers |
| Dizzy_Gillespie | of |
| Dizzy_Gillespie | harmonic |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | rhythmic |
| Dizzy_Gillespie | complexity |
| Dizzy_Gillespie | previously |
| Dizzy_Gillespie | unheard |
| Dizzy_Gillespie | in |
| Dizzy_Gillespie | jazz |
| Dizzy_Gillespie | his |
| Dizzy_Gillespie | combination |
| Dizzy_Gillespie | of |
| Dizzy_Gillespie | musicianship |
| Dizzy_Gillespie | showmanship |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | wit |
| Dizzy_Gillespie | made |
| Dizzy_Gillespie | him |
| Dizzy_Gillespie | a |
| Dizzy_Gillespie | leading |
| Dizzy_Gillespie | popularizer |
| Dizzy_Gillespie | of |
| Dizzy_Gillespie | the |
| Dizzy_Gillespie | new |
| Dizzy_Gillespie | music |
| Dizzy_Gillespie | called |
| Dizzy_Gillespie | bebop |
| Dizzy_Gillespie | his |
| Dizzy_Gillespie | beret |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | horn |
| Dizzy_Gillespie | rimmed |
| Dizzy_Gillespie | spectacles |
| Dizzy_Gillespie | scat |
| Dizzy_Gillespie | singing |
| Dizzy_Gillespie | bent |
| Dizzy_Gillespie | horn |
| Dizzy_Gillespie | pouched |
| Dizzy_Gillespie | cheeks |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | light |
| Dizzy_Gillespie | hearted |
| Dizzy_Gillespie | personality |
| Dizzy_Gillespie | provided |
| Dizzy_Gillespie | one |
| Dizzy_Gillespie | of |
| Dizzy_Gillespie | bebop’s |
| Dizzy_Gillespie | most |
| Dizzy_Gillespie | prominent |
| Dizzy_Gillespie | symbols |
| Dizzy_Gillespie | in |
| Dizzy_Gillespie | the |
| Dizzy_Gillespie | 1940s |
| Dizzy_Gillespie | gillespie |
| Dizzy_Gillespie | with |
| Dizzy_Gillespie | charlie |
| Dizzy_Gillespie | parker |
| Dizzy_Gillespie | became |
| Dizzy_Gillespie | a |
| Dizzy_Gillespie | major |
| Dizzy_Gillespie | figure |
| Dizzy_Gillespie | in |
| Dizzy_Gillespie | the |
| Dizzy_Gillespie | development |
| Dizzy_Gillespie | of |
| Dizzy_Gillespie | bebop |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | modern |
| Dizzy_Gillespie | jazz |
| Dizzy_Gillespie | he |
| Dizzy_Gillespie | taught |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | influenced |
| Dizzy_Gillespie | many |
| Dizzy_Gillespie | other |
| Dizzy_Gillespie | musicians |
| Dizzy_Gillespie | including |
| Dizzy_Gillespie | trumpeters |
| Dizzy_Gillespie | miles |
| Dizzy_Gillespie | davis |
| Dizzy_Gillespie | jon |
| Dizzy_Gillespie | faddis |
| Dizzy_Gillespie | fats |
| Dizzy_Gillespie | navarro |
| Dizzy_Gillespie | clifford |
| Dizzy_Gillespie | brown |
| Dizzy_Gillespie | arturo |
| Dizzy_Gillespie | sandoval |
| Dizzy_Gillespie | lee |
| Dizzy_Gillespie | morgan |
| Dizzy_Gillespie | chuck |
| Dizzy_Gillespie | mangione |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | balladeer |
| Dizzy_Gillespie | johnny |
| Dizzy_Gillespie | hartman |
| Dizzy_Gillespie | scott |
| Dizzy_Gillespie | yanow |
| Dizzy_Gillespie | wrote |
| Dizzy_Gillespie | dizzy |
| Dizzy_Gillespie | gillespie’s |
| Dizzy_Gillespie | contributions |
| Dizzy_Gillespie | to |
| Dizzy_Gillespie | jazz |
| Dizzy_Gillespie | were |
| Dizzy_Gillespie | huge |
| Dizzy_Gillespie | one |
| Dizzy_Gillespie | of |
| Dizzy_Gillespie | the |
| Dizzy_Gillespie | greatest |
| Dizzy_Gillespie | jazz |
| Dizzy_Gillespie | trumpeters |
| Dizzy_Gillespie | of |
| Dizzy_Gillespie | all |
| Dizzy_Gillespie | time |
| Dizzy_Gillespie | gillespie |
| Dizzy_Gillespie | was |
| Dizzy_Gillespie | such |
| Dizzy_Gillespie | a |
| Dizzy_Gillespie | complex |
| Dizzy_Gillespie | player |
| Dizzy_Gillespie | that |
| Dizzy_Gillespie | his |
| Dizzy_Gillespie | contemporaries |
| Dizzy_Gillespie | ended |
| Dizzy_Gillespie | up |
| Dizzy_Gillespie | being |
| Dizzy_Gillespie | similar |
| Dizzy_Gillespie | to |
| Dizzy_Gillespie | those |
| Dizzy_Gillespie | of |
| Dizzy_Gillespie | miles |
| Dizzy_Gillespie | davis |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | fats |
| Dizzy_Gillespie | navarro |
| Dizzy_Gillespie | instead |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | it |
| Dizzy_Gillespie | was |
| Dizzy_Gillespie | not |
| Dizzy_Gillespie | until |
| Dizzy_Gillespie | jon |
| Dizzy_Gillespie | faddis’s |
| Dizzy_Gillespie | emergence |
| Dizzy_Gillespie | in |
| Dizzy_Gillespie | the |
| Dizzy_Gillespie | 1970s |
| Dizzy_Gillespie | that |
| Dizzy_Gillespie | dizzy’s |
| Dizzy_Gillespie | style |
| Dizzy_Gillespie | was |
| Dizzy_Gillespie | successfully |
| Dizzy_Gillespie | recreated |
| Dizzy_Gillespie | gillespie |
| Dizzy_Gillespie | is |
| Dizzy_Gillespie | remembered |
| Dizzy_Gillespie | by |
| Dizzy_Gillespie | both |
| Dizzy_Gillespie | critics |
| Dizzy_Gillespie | and |
| Dizzy_Gillespie | fans |
| Dizzy_Gillespie | alike |
| Dizzy_Gillespie | as |
| Dizzy_Gillespie | one |
| Dizzy_Gillespie | of |
| Dizzy_Gillespie | the |
| Dizzy_Gillespie | greatest |
| Dizzy_Gillespie | jazz |
| Dizzy_Gillespie | trumpeters |
| Dizzy_Gillespie | of |
| Dizzy_Gillespie | all |
| Dizzy_Gillespie | time |
| Dizzy_Gillespie | en |
| Eddie_Harris | eddie |
| Eddie_Harris | harris |
| Eddie_Harris | october |
| Eddie_Harris | 20 |
| Eddie_Harris | 1934 |
| Eddie_Harris | november |
| Eddie_Harris | 5 |
| Eddie_Harris | 1996 |
| Eddie_Harris | was |
| Eddie_Harris | an |
| Eddie_Harris | american |
| Eddie_Harris | jazz |
| Eddie_Harris | musician |
| Eddie_Harris | best |
| Eddie_Harris | known |
| Eddie_Harris | for |
| Eddie_Harris | playing |
| Eddie_Harris | tenor |
| Eddie_Harris | saxophone |
| Eddie_Harris | and |
| Eddie_Harris | for |
| Eddie_Harris | introducing |
| Eddie_Harris | the |
| Eddie_Harris | electrically |
| Eddie_Harris | amplified |
| Eddie_Harris | saxophone |
| Eddie_Harris | he |
| Eddie_Harris | was |
| Eddie_Harris | also |
| Eddie_Harris | fluent |
| Eddie_Harris | on |
| Eddie_Harris | the |
| Eddie_Harris | electric |
| Eddie_Harris | piano |
| Eddie_Harris | and |
| Eddie_Harris | organ |
| Eddie_Harris | his |
| Eddie_Harris | best |
| Eddie_Harris | known |
| Eddie_Harris | compositions |
| Eddie_Harris | are |
| Eddie_Harris | freedom |
| Eddie_Harris | jazz |
| Eddie_Harris | dance |
| Eddie_Harris | popularized |
| Eddie_Harris | by |
| Eddie_Harris | miles |
| Eddie_Harris | davis |
| Eddie_Harris | in |
| Eddie_Harris | 1966 |
| Eddie_Harris | and |
| Eddie_Harris | listen |
| Eddie_Harris | here |
| Eddie_Harris | en |
| Kenny_Dorham | mckinley |
| Kenny_Dorham | howard |
| Kenny_Dorham | kenny |
| Kenny_Dorham | dorham |
| Kenny_Dorham | august |
| Kenny_Dorham | 30 |
| Kenny_Dorham | 1924 |
| Kenny_Dorham | december |
| Kenny_Dorham | 5 |
| Kenny_Dorham | 1972 |
| Kenny_Dorham | was |
| Kenny_Dorham | an |
| Kenny_Dorham | american |
| Kenny_Dorham | jazz |
| Kenny_Dorham | trumpeter |
| Kenny_Dorham | singer |
| Kenny_Dorham | and |
| Kenny_Dorham | composer |
| Kenny_Dorham | dorham’s |
| Kenny_Dorham | talent |
| Kenny_Dorham | is |
| Kenny_Dorham | frequently |
| Kenny_Dorham | lauded |
| Kenny_Dorham | by |
| Kenny_Dorham | critics |
| Kenny_Dorham | and |
| Kenny_Dorham | other |
| Kenny_Dorham | musicians |
| Kenny_Dorham | but |
| Kenny_Dorham | he |
| Kenny_Dorham | never |
| Kenny_Dorham | received |
| Kenny_Dorham | the |
| Kenny_Dorham | kind |
| Kenny_Dorham | of |
| Kenny_Dorham | attention |
| Kenny_Dorham | or |
| Kenny_Dorham | public |
| Kenny_Dorham | recognition |
| Kenny_Dorham | from |
| Kenny_Dorham | the |
| Kenny_Dorham | jazz |
| Kenny_Dorham | establishment |
| Kenny_Dorham | that |
| Kenny_Dorham | many |
| Kenny_Dorham | of |
| Kenny_Dorham | his |
| Kenny_Dorham | peers |
| Kenny_Dorham | did |
| Kenny_Dorham | for |
| Kenny_Dorham | this |
| Kenny_Dorham | reason |
| Kenny_Dorham | writer |
| Kenny_Dorham | gary |
| Kenny_Dorham | giddins |
| Kenny_Dorham | said |
| Kenny_Dorham | that |
| Kenny_Dorham | dorham’s |
| Kenny_Dorham | name |
| Kenny_Dorham | has |
| Kenny_Dorham | become |
| Kenny_Dorham | virtually |
| Kenny_Dorham | synonymous |
| Kenny_Dorham | with |
| Kenny_Dorham | underrated |
| Kenny_Dorham | dorham |
| Kenny_Dorham | composed |
| Kenny_Dorham | the |
| Kenny_Dorham | jazz |
| Kenny_Dorham | standard |
| Kenny_Dorham | blue |
| Kenny_Dorham | bossa |
| Kenny_Dorham | which |
| Kenny_Dorham | first |
| Kenny_Dorham | appeared |
| Kenny_Dorham | on |
| Kenny_Dorham | joe |
| Kenny_Dorham | henderson’s |
| Kenny_Dorham | album |
| Kenny_Dorham | page |
| Kenny_Dorham | one |
| Kenny_Dorham | en |
| Oscar_Peterson | oscar |
| Oscar_Peterson | emmanuel |
| Oscar_Peterson | peterson |
| Oscar_Peterson | cc |
| Oscar_Peterson | cq |
| Oscar_Peterson | oont |
| Oscar_Peterson | august |
| Oscar_Peterson | 15 |
| Oscar_Peterson | 1925 |
| Oscar_Peterson | december |
| Oscar_Peterson | 23 |
| Oscar_Peterson | 2007 |
| Oscar_Peterson | was |
| Oscar_Peterson | a |
| Oscar_Peterson | canadian |
| Oscar_Peterson | jazz |
| Oscar_Peterson | pianist |
| Oscar_Peterson | virtuoso |
| Oscar_Peterson | and |
| Oscar_Peterson | composer |
| Oscar_Peterson | he |
| Oscar_Peterson | was |
| Oscar_Peterson | called |
| Oscar_Peterson | the |
| Oscar_Peterson | maharaja |
| Oscar_Peterson | of |
| Oscar_Peterson | the |
| Oscar_Peterson | keyboard |
| Oscar_Peterson | by |
| Oscar_Peterson | duke |
| Oscar_Peterson | ellington |
| Oscar_Peterson | simply |
| Oscar_Peterson | o.p |
| Oscar_Peterson | by |
| Oscar_Peterson | his |
| Oscar_Peterson | friends |
| Oscar_Peterson | and |
| Oscar_Peterson | informally |
| Oscar_Peterson | in |
| Oscar_Peterson | the |
| Oscar_Peterson | jazz |
| Oscar_Peterson | community |
| Oscar_Peterson | as |
| Oscar_Peterson | the |
| Oscar_Peterson | king |
| Oscar_Peterson | of |
| Oscar_Peterson | inside |
| Oscar_Peterson | swing |
| Oscar_Peterson | he |
| Oscar_Peterson | released |
| Oscar_Peterson | over |
| Oscar_Peterson | 200 |
| Oscar_Peterson | recordings |
| Oscar_Peterson | won |
| Oscar_Peterson | seven |
| Oscar_Peterson | grammy |
| Oscar_Peterson | awards |
| Oscar_Peterson | as |
| Oscar_Peterson | well |
| Oscar_Peterson | as |
| Oscar_Peterson | a |
| Oscar_Peterson | lifetime |
| Oscar_Peterson | achievement |
| Oscar_Peterson | award |
| Oscar_Peterson | from |
| Oscar_Peterson | the |
| Oscar_Peterson | recording |
| Oscar_Peterson | academy |
| Oscar_Peterson | and |
| Oscar_Peterson | received |
| Oscar_Peterson | numerous |
| Oscar_Peterson | other |
| Oscar_Peterson | awards |
| Oscar_Peterson | and |
| Oscar_Peterson | honours |
| Oscar_Peterson | he |
| Oscar_Peterson | is |
| Oscar_Peterson | considered |
| Oscar_Peterson | one |
| Oscar_Peterson | of |
| Oscar_Peterson | history’s |
| Oscar_Peterson | great |
| Oscar_Peterson | jazz |
| Oscar_Peterson | pianists |
| Oscar_Peterson | and |
| Oscar_Peterson | played |
| Oscar_Peterson | thousands |
| Oscar_Peterson | of |
| Oscar_Peterson | concerts |
| Oscar_Peterson | worldwide |
| Oscar_Peterson | in |
| Oscar_Peterson | a |
| Oscar_Peterson | career |
| Oscar_Peterson | lasting |
| Oscar_Peterson | more |
| Oscar_Peterson | than |
| Oscar_Peterson | 60 |
| Oscar_Peterson | years |
| Oscar_Peterson | en |
| B.B._King | riley |
| B.B._King | b |
| B.B._King | king |
| B.B._King | september |
| B.B._King | 16 |
| B.B._King | 1925 |
| B.B._King | may |
| B.B._King | 14 |
| B.B._King | 2015 |
| B.B._King | known |
| B.B._King | professionally |
| B.B._King | as |
| B.B._King | b.b |
| B.B._King | king |
| B.B._King | was |
| B.B._King | an |
| B.B._King | american |
| B.B._King | blues |
| B.B._King | singer |
| B.B._King | songwriter |
| B.B._King | guitarist |
| B.B._King | and |
| B.B._King | record |
| B.B._King | producer |
| B.B._King | he |
| B.B._King | introduced |
| B.B._King | a |
| B.B._King | sophisticated |
| B.B._King | style |
| B.B._King | of |
| B.B._King | soloing |
| B.B._King | based |
| B.B._King | on |
| B.B._King | fluid |
| B.B._King | string |
| B.B._King | bending |
| B.B._King | shimmering |
| B.B._King | vibrato |
| B.B._King | and |
| B.B._King | staccato |
| B.B._King | picking |
| B.B._King | that |
| B.B._King | influenced |
| B.B._King | many |
| B.B._King | later |
| B.B._King | blues |
| B.B._King | electric |
| B.B._King | guitar |
| B.B._King | players |
| B.B._King | allmusic |
| B.B._King | recognized |
| B.B._King | king |
| B.B._King | as |
| B.B._King | the |
| B.B._King | single |
| B.B._King | most |
| B.B._King | important |
| B.B._King | electric |
| B.B._King | guitarist |
| B.B._King | of |
| B.B._King | the |
| B.B._King | last |
| B.B._King | half |
| B.B._King | of |
| B.B._King | the |
| B.B._King | 20th |
| B.B._King | century |
| B.B._King | king |
| B.B._King | was |
| B.B._King | inducted |
| B.B._King | into |
| B.B._King | the |
| B.B._King | rock |
| B.B._King | and |
| B.B._King | roll |
| B.B._King | hall |
| B.B._King | of |
| B.B._King | fame |
| B.B._King | in |
| B.B._King | 1987 |
| B.B._King | and |
| B.B._King | is |
| B.B._King | one |
| B.B._King | of |
| B.B._King | the |
| B.B._King | most |
| B.B._King | influential |
| B.B._King | blues |
| B.B._King | musicians |
| B.B._King | of |
| B.B._King | all |
| B.B._King | time |
| B.B._King | earning |
| B.B._King | the |
| B.B._King | nickname |
| B.B._King | the |
| B.B._King | king |
| B.B._King | of |
| B.B._King | the |
| B.B._King | blues |
| B.B._King | and |
| B.B._King | is |
| B.B._King | considered |
| B.B._King | one |
| B.B._King | of |
| B.B._King | the |
| B.B._King | three |
| B.B._King | kings |
| B.B._King | of |
| B.B._King | the |
| B.B._King | blues |
| B.B._King | guitar |
| B.B._King | along |
| B.B._King | with |
| B.B._King | albert |
| B.B._King | king |
| B.B._King | and |
| B.B._King | freddie |
| B.B._King | king |
| B.B._King | none |
| B.B._King | of |
| B.B._King | whom |
| B.B._King | are |
| B.B._King | related |
| B.B._King | king |
| B.B._King | performed |
| B.B._King | tirelessly |
| B.B._King | throughout |
| B.B._King | his |
| B.B._King | musical |
| B.B._King | career |
| B.B._King | appearing |
| B.B._King | on |
| B.B._King | average |
| B.B._King | at |
| B.B._King | more |
| B.B._King | than |
| B.B._King | 200 |
| B.B._King | concerts |
| B.B._King | per |
| B.B._King | year |
| B.B._King | into |
| B.B._King | his |
| B.B._King | 70s |
| B.B._King | in |
| B.B._King | 1956 |
| B.B._King | alone |
| B.B._King | he |
| B.B._King | appeared |
| B.B._King | at |
| B.B._King | 342 |
| B.B._King | shows |
| B.B._King | king |
| B.B._King | was |
| B.B._King | born |
| B.B._King | on |
| B.B._King | a |
| B.B._King | cotton |
| B.B._King | plantation |
| B.B._King | in |
| B.B._King | itta |
| B.B._King | bena |
| B.B._King | mississippi |
| B.B._King | and |
| B.B._King | later |
| B.B._King | worked |
| B.B._King | at |
| B.B._King | a |
| B.B._King | cotton |
| B.B._King | gin |
| B.B._King | in |
| B.B._King | indianola |
| B.B._King | mississippi |
| B.B._King | he |
| B.B._King | was |
| B.B._King | attracted |
| B.B._King | to |
| B.B._King | music |
| B.B._King | and |
| B.B._King | the |
| B.B._King | guitar |
| B.B._King | in |
| B.B._King | church |
| B.B._King | and |
| B.B._King | began |
| B.B._King | his |
| B.B._King | career |
| B.B._King | in |
| B.B._King | juke |
| B.B._King | joints |
| B.B._King | and |
| B.B._King | local |
| B.B._King | radio |
| B.B._King | he |
| B.B._King | later |
| B.B._King | lived |
| B.B._King | in |
| B.B._King | memphis |
| B.B._King | tennessee |
| B.B._King | and |
| B.B._King | chicago |
| B.B._King | and |
| B.B._King | as |
| B.B._King | his |
| B.B._King | fame |
| B.B._King | grew |
| B.B._King | toured |
| B.B._King | the |
| B.B._King | world |
| B.B._King | extensively |
| B.B._King | king |
| B.B._King | died |
| B.B._King | at |
| B.B._King | the |
| B.B._King | age |
| B.B._King | of |
| B.B._King | 89 |
| B.B._King | in |
| B.B._King | las |
| B.B._King | vegas |
| B.B._King | nevada |
| B.B._King | on |
| B.B._King | may |
| B.B._King | 14 |
| B.B._King | 2015 |
| B.B._King | en |
| Ben_Wolfe | benjamin |
| Ben_Wolfe | jonah |
| Ben_Wolfe | wolfe |
| Ben_Wolfe | is |
| Ben_Wolfe | an |
| Ben_Wolfe | american |
| Ben_Wolfe | jazz |
| Ben_Wolfe | bassist |
| Ben_Wolfe | who |
| Ben_Wolfe | has |
| Ben_Wolfe | performed |
| Ben_Wolfe | in |
| Ben_Wolfe | groups |
| Ben_Wolfe | with |
| Ben_Wolfe | wynton |
| Ben_Wolfe | marsalis |
| Ben_Wolfe | harry |
| Ben_Wolfe | connick |
| Ben_Wolfe | jr |
| Ben_Wolfe | and |
| Ben_Wolfe | diana |
| Ben_Wolfe | krall |
| Ben_Wolfe | he |
| Ben_Wolfe | is |
| Ben_Wolfe | currently |
| Ben_Wolfe | on |
| Ben_Wolfe | the |
| Ben_Wolfe | teaching |
| Ben_Wolfe | faculty |
| Ben_Wolfe | at |
| Ben_Wolfe | the |
| Ben_Wolfe | juilliard |
| Ben_Wolfe | school |
| Ben_Wolfe | jazz |
| Ben_Wolfe | division |
| Ben_Wolfe | en |
| Chick_Corea | armando |
| Chick_Corea | anthony |
| Chick_Corea | chick |
| Chick_Corea | corea |
| Chick_Corea | june |
| Chick_Corea | 12 |
| Chick_Corea | 1941 |
| Chick_Corea | february |
| Chick_Corea | 9 |
| Chick_Corea | 2021 |
| Chick_Corea | was |
| Chick_Corea | an |
| Chick_Corea | american |
| Chick_Corea | jazz |
| Chick_Corea | composer |
| Chick_Corea | keyboardist |
| Chick_Corea | bandleader |
| Chick_Corea | and |
| Chick_Corea | occasional |
| Chick_Corea | percussionist |
| Chick_Corea | his |
| Chick_Corea | compositions |
| Chick_Corea | spain |
| Chick_Corea | 500 |
| Chick_Corea | miles |
| Chick_Corea | high |
| Chick_Corea | la |
| Chick_Corea | fiesta |
| Chick_Corea | armando’s |
| Chick_Corea | rhumba |
| Chick_Corea | and |
| Chick_Corea | windows |
| Chick_Corea | are |
| Chick_Corea | widely |
| Chick_Corea | considered |
| Chick_Corea | jazz |
| Chick_Corea | standards |
| Chick_Corea | as |
| Chick_Corea | a |
| Chick_Corea | member |
| Chick_Corea | of |
| Chick_Corea | miles |
| Chick_Corea | davis’s |
| Chick_Corea | band |
| Chick_Corea | in |
| Chick_Corea | the |
| Chick_Corea | late |
| Chick_Corea | 1960s |
| Chick_Corea | he |
| Chick_Corea | participated |
| Chick_Corea | in |
| Chick_Corea | the |
| Chick_Corea | birth |
| Chick_Corea | of |
| Chick_Corea | jazz |
| Chick_Corea | fusion |
| Chick_Corea | in |
| Chick_Corea | the |
| Chick_Corea | 1970s |
| Chick_Corea | he |
| Chick_Corea | formed |
| Chick_Corea | return |
| Chick_Corea | to |
| Chick_Corea | forever |
| Chick_Corea | along |
| Chick_Corea | with |
| Chick_Corea | mccoy |
| Chick_Corea | tyner |
| Chick_Corea | herbie |
| Chick_Corea | hancock |
| Chick_Corea | and |
| Chick_Corea | keith |
| Chick_Corea | jarrett |
| Chick_Corea | corea |
| Chick_Corea | is |
| Chick_Corea | considered |
| Chick_Corea | one |
| Chick_Corea | of |
| Chick_Corea | the |
| Chick_Corea | foremost |
| Chick_Corea | jazz |
| Chick_Corea | pianists |
| Chick_Corea | of |
| Chick_Corea | the |
| Chick_Corea | post |
| Chick_Corea | john |
| Chick_Corea | coltrane |
| Chick_Corea | era |
| Chick_Corea | corea |
| Chick_Corea | continued |
| Chick_Corea | to |
| Chick_Corea | collaborate |
| Chick_Corea | frequently |
| Chick_Corea | while |
| Chick_Corea | exploring |
| Chick_Corea | different |
| Chick_Corea | musical |
| Chick_Corea | styles |
| Chick_Corea | throughout |
| Chick_Corea | the |
| Chick_Corea | 1980s |
| Chick_Corea | and |
| Chick_Corea | 1990s |
| Chick_Corea | he |
| Chick_Corea | won |
| Chick_Corea | 25 |
| Chick_Corea | grammy |
| Chick_Corea | awards |
| Chick_Corea | and |
| Chick_Corea | was |
| Chick_Corea | nominated |
| Chick_Corea | over |
| Chick_Corea | 60 |
| Chick_Corea | times |
| Chick_Corea | en |
| Don_Pullen | don |
| Don_Pullen | gabriel |
| Don_Pullen | pullen |
| Don_Pullen | december |
| Don_Pullen | 25 |
| Don_Pullen | 1941 |
| Don_Pullen | april |
| Don_Pullen | 22 |
| Don_Pullen | 1995 |
| Don_Pullen | was |
| Don_Pullen | an |
| Don_Pullen | american |
| Don_Pullen | jazz |
| Don_Pullen | pianist |
| Don_Pullen | and |
| Don_Pullen | organist |
| Don_Pullen | pullen |
| Don_Pullen | developed |
| Don_Pullen | a |
| Don_Pullen | strikingly |
| Don_Pullen | individual |
| Don_Pullen | style |
| Don_Pullen | throughout |
| Don_Pullen | his |
| Don_Pullen | career |
| Don_Pullen | he |
| Don_Pullen | composed |
| Don_Pullen | pieces |
| Don_Pullen | ranging |
| Don_Pullen | from |
| Don_Pullen | blues |
| Don_Pullen | to |
| Don_Pullen | bebop |
| Don_Pullen | and |
| Don_Pullen | modern |
| Don_Pullen | jazz |
| Don_Pullen | the |
| Don_Pullen | great |
| Don_Pullen | variety |
| Don_Pullen | of |
| Don_Pullen | his |
| Don_Pullen | body |
| Don_Pullen | of |
| Don_Pullen | work |
| Don_Pullen | makes |
| Don_Pullen | it |
| Don_Pullen | difficult |
| Don_Pullen | to |
| Don_Pullen | pigeonhole |
| Don_Pullen | his |
| Don_Pullen | musical |
| Don_Pullen | style |
| Don_Pullen | en |
| Bonnie_Raitt | bonnie |
| Bonnie_Raitt | lynn |
| Bonnie_Raitt | raitt |
| Bonnie_Raitt | re |
| Bonnie_Raitt | 阞 |
| Bonnie_Raitt | t |
| Bonnie_Raitt | born |
| Bonnie_Raitt | november |
| Bonnie_Raitt | 8 |
| Bonnie_Raitt | 1949 |
| Bonnie_Raitt | is |
| Bonnie_Raitt | an |
| Bonnie_Raitt | american |
| Bonnie_Raitt | blues |
| Bonnie_Raitt | singer |
| Bonnie_Raitt | guitarist |
| Bonnie_Raitt | songwriter |
| Bonnie_Raitt | and |
| Bonnie_Raitt | activist |
| Bonnie_Raitt | during |
| Bonnie_Raitt | the |
| Bonnie_Raitt | 1970s |
| Bonnie_Raitt | raitt |
| Bonnie_Raitt | released |
| Bonnie_Raitt | a |
| Bonnie_Raitt | series |
| Bonnie_Raitt | of |
| Bonnie_Raitt | roots |
| Bonnie_Raitt | influenced |
| Bonnie_Raitt | albums |
| Bonnie_Raitt | that |
| Bonnie_Raitt | incorporated |
| Bonnie_Raitt | elements |
| Bonnie_Raitt | of |
| Bonnie_Raitt | blues |
| Bonnie_Raitt | rock |
| Bonnie_Raitt | folk |
| Bonnie_Raitt | and |
| Bonnie_Raitt | country |
| Bonnie_Raitt | she |
| Bonnie_Raitt | was |
| Bonnie_Raitt | also |
| Bonnie_Raitt | a |
| Bonnie_Raitt | frequent |
| Bonnie_Raitt | session |
| Bonnie_Raitt | player |
| Bonnie_Raitt | and |
| Bonnie_Raitt | collaborator |
| Bonnie_Raitt | with |
| Bonnie_Raitt | other |
| Bonnie_Raitt | artists |
| Bonnie_Raitt | including |
| Bonnie_Raitt | warren |
| Bonnie_Raitt | zevon |
| Bonnie_Raitt | little |
| Bonnie_Raitt | feat |
| Bonnie_Raitt | jackson |
| Bonnie_Raitt | browne |
| Bonnie_Raitt | the |
| Bonnie_Raitt | pointer |
| Bonnie_Raitt | sisters |
| Bonnie_Raitt | john |
| Bonnie_Raitt | prine |
| Bonnie_Raitt | and |
| Bonnie_Raitt | leon |
| Bonnie_Raitt | russell |
| Bonnie_Raitt | in |
| Bonnie_Raitt | 1989 |
| Bonnie_Raitt | after |
| Bonnie_Raitt | several |
| Bonnie_Raitt | years |
| Bonnie_Raitt | of |
| Bonnie_Raitt | critical |
| Bonnie_Raitt | acclaim |
| Bonnie_Raitt | but |
| Bonnie_Raitt | little |
| Bonnie_Raitt | commercial |
| Bonnie_Raitt | success |
| Bonnie_Raitt | she |
| Bonnie_Raitt | had |
| Bonnie_Raitt | a |
| Bonnie_Raitt | major |
| Bonnie_Raitt | hit |
| Bonnie_Raitt | with |
| Bonnie_Raitt | the |
| Bonnie_Raitt | album |
| Bonnie_Raitt | nick |
| Bonnie_Raitt | of |
| Bonnie_Raitt | time |
| Bonnie_Raitt | the |
| Bonnie_Raitt | following |
| Bonnie_Raitt | two |
| Bonnie_Raitt | albums |
| Bonnie_Raitt | luck |
| Bonnie_Raitt | of |
| Bonnie_Raitt | the |
| Bonnie_Raitt | draw |
| Bonnie_Raitt | 1991 |
| Bonnie_Raitt | and |
| Bonnie_Raitt | longing |
| Bonnie_Raitt | in |
| Bonnie_Raitt | their |
| Bonnie_Raitt | hearts |
| Bonnie_Raitt | 1994 |
| Bonnie_Raitt | were |
| Bonnie_Raitt | multimillion |
| Bonnie_Raitt | sellers |
| Bonnie_Raitt | generating |
| Bonnie_Raitt | several |
| Bonnie_Raitt | hit |
| Bonnie_Raitt | singles |
| Bonnie_Raitt | including |
| Bonnie_Raitt | something |
| Bonnie_Raitt | to |
| Bonnie_Raitt | talk |
| Bonnie_Raitt | about |
| Bonnie_Raitt | love |
| Bonnie_Raitt | sneakin |
| Bonnie_Raitt | up |
| Bonnie_Raitt | on |
| Bonnie_Raitt | you |
| Bonnie_Raitt | and |
| Bonnie_Raitt | the |
| Bonnie_Raitt | ballad |
| Bonnie_Raitt | i |
| Bonnie_Raitt | can’t |
| Bonnie_Raitt | make |
| Bonnie_Raitt | you |
| Bonnie_Raitt | love |
| Bonnie_Raitt | me |
| Bonnie_Raitt | with |
| Bonnie_Raitt | bruce |
| Bonnie_Raitt | hornsby |
| Bonnie_Raitt | on |
| Bonnie_Raitt | piano |
| Bonnie_Raitt | raitt |
| Bonnie_Raitt | has |
| Bonnie_Raitt | received |
| Bonnie_Raitt | 10 |
| Bonnie_Raitt | grammy |
| Bonnie_Raitt | awards |
| Bonnie_Raitt | she |
| Bonnie_Raitt | is |
| Bonnie_Raitt | listed |
| Bonnie_Raitt | as |
| Bonnie_Raitt | number |
| Bonnie_Raitt | 50 |
| Bonnie_Raitt | in |
| Bonnie_Raitt | rolling |
| Bonnie_Raitt | stone’s |
| Bonnie_Raitt | list |
| Bonnie_Raitt | of |
| Bonnie_Raitt | the |
| Bonnie_Raitt | 100 |
| Bonnie_Raitt | greatest |
| Bonnie_Raitt | singers |
| Bonnie_Raitt | of |
| Bonnie_Raitt | all |
| Bonnie_Raitt | time |
| Bonnie_Raitt | and |
| Bonnie_Raitt | number |
| Bonnie_Raitt | 89 |
| Bonnie_Raitt | on |
| Bonnie_Raitt | the |
| Bonnie_Raitt | magazine’s |
| Bonnie_Raitt | list |
| Bonnie_Raitt | of |
| Bonnie_Raitt | the |
| Bonnie_Raitt | 100 |
| Bonnie_Raitt | greatest |
| Bonnie_Raitt | guitarists |
| Bonnie_Raitt | of |
| Bonnie_Raitt | all |
| Bonnie_Raitt | time |
| Bonnie_Raitt | australian |
| Bonnie_Raitt | country |
| Bonnie_Raitt | music |
| Bonnie_Raitt | artist |
| Bonnie_Raitt | graeme |
| Bonnie_Raitt | connors |
| Bonnie_Raitt | has |
| Bonnie_Raitt | said |
| Bonnie_Raitt | bonnie |
| Bonnie_Raitt | raitt |
| Bonnie_Raitt | does |
| Bonnie_Raitt | something |
| Bonnie_Raitt | with |
| Bonnie_Raitt | a |
| Bonnie_Raitt | lyric |
| Bonnie_Raitt | no |
| Bonnie_Raitt | one |
| Bonnie_Raitt | else |
| Bonnie_Raitt | can |
| Bonnie_Raitt | do |
| Bonnie_Raitt | she |
| Bonnie_Raitt | bends |
| Bonnie_Raitt | it |
| Bonnie_Raitt | and |
| Bonnie_Raitt | twists |
| Bonnie_Raitt | it |
| Bonnie_Raitt | right |
| Bonnie_Raitt | into |
| Bonnie_Raitt | your |
| Bonnie_Raitt | heart |
| Bonnie_Raitt | en |
| Bobby_Watson | robert |
| Bobby_Watson | michael |
| Bobby_Watson | watson |
| Bobby_Watson | jr |
| Bobby_Watson | born |
| Bobby_Watson | august |
| Bobby_Watson | 23 |
| Bobby_Watson | 1953 |
| Bobby_Watson | known |
| Bobby_Watson | professionally |
| Bobby_Watson | as |
| Bobby_Watson | bobby |
| Bobby_Watson | watson |
| Bobby_Watson | is |
| Bobby_Watson | an |
| Bobby_Watson | american |
| Bobby_Watson | saxophonist |
| Bobby_Watson | composer |
| Bobby_Watson | and |
| Bobby_Watson | educator |
| Bobby_Watson | en |
| Ed_Cherney | edward |
| Ed_Cherney | cherney |
| Ed_Cherney | 1950 |
| Ed_Cherney | october |
| Ed_Cherney | 22 |
| Ed_Cherney | 2019 |
| Ed_Cherney | was |
| Ed_Cherney | an |
| Ed_Cherney | american |
| Ed_Cherney | recording |
| Ed_Cherney | engineer |
| Ed_Cherney | and |
| Ed_Cherney | record |
| Ed_Cherney | producer |
| Ed_Cherney | based |
| Ed_Cherney | in |
| Ed_Cherney | los |
| Ed_Cherney | angeles |
| Ed_Cherney | california |
| Ed_Cherney | united |
| Ed_Cherney | states |
| Ed_Cherney | over |
| Ed_Cherney | his |
| Ed_Cherney | career |
| Ed_Cherney | he |
| Ed_Cherney | earned |
| Ed_Cherney | four |
| Ed_Cherney | grammy |
| Ed_Cherney | awards |
| Ed_Cherney | one |
| Ed_Cherney | emmy |
| Ed_Cherney | award |
| Ed_Cherney | and |
| Ed_Cherney | five |
| Ed_Cherney | tec |
| Ed_Cherney | awards |
| Ed_Cherney | cherney |
| Ed_Cherney | was |
| Ed_Cherney | also |
| Ed_Cherney | known |
| Ed_Cherney | within |
| Ed_Cherney | the |
| Ed_Cherney | film |
| Ed_Cherney | world |
| Ed_Cherney | for |
| Ed_Cherney | his |
| Ed_Cherney | work |
| Ed_Cherney | on |
| Ed_Cherney | a |
| Ed_Cherney | mighty |
| Ed_Cherney | wind |
| Ed_Cherney | the |
| Ed_Cherney | bourne |
| Ed_Cherney | legacy |
| Ed_Cherney | and |
| Ed_Cherney | fast |
| Ed_Cherney | times |
| Ed_Cherney | at |
| Ed_Cherney | ridgemont |
| Ed_Cherney | high |
| Ed_Cherney | en |
| Tupac_Shakur | tupac |
| Tupac_Shakur | amaru |
| Tupac_Shakur | shakur |
| Tupac_Shakur | tu |
| Tupac_Shakur | p |
| Tupac_Shakur | k |
| Tupac_Shakur | k |
| Tupac_Shakur | r |
| Tupac_Shakur | too |
| Tupac_Shakur | pahk |
| Tupac_Shakur | sh |
| Tupac_Shakur | koor |
| Tupac_Shakur | born |
| Tupac_Shakur | lesane |
| Tupac_Shakur | parish |
| Tupac_Shakur | crooks |
| Tupac_Shakur | june |
| Tupac_Shakur | 16 |
| Tupac_Shakur | 1971 |
| Tupac_Shakur | september |
| Tupac_Shakur | 13 |
| Tupac_Shakur | 1996 |
| Tupac_Shakur | better |
| Tupac_Shakur | known |
| Tupac_Shakur | by |
| Tupac_Shakur | his |
| Tupac_Shakur | stage |
| Tupac_Shakur | name |
| Tupac_Shakur | 2pac |
| Tupac_Shakur | and |
| Tupac_Shakur | later |
| Tupac_Shakur | by |
| Tupac_Shakur | his |
| Tupac_Shakur | alias |
| Tupac_Shakur | makaveli |
| Tupac_Shakur | was |
| Tupac_Shakur | an |
| Tupac_Shakur | american |
| Tupac_Shakur | rapper |
| Tupac_Shakur | considered |
| Tupac_Shakur | one |
| Tupac_Shakur | of |
| Tupac_Shakur | the |
| Tupac_Shakur | most |
| Tupac_Shakur | influential |
| Tupac_Shakur | rappers |
| Tupac_Shakur | of |
| Tupac_Shakur | all |
| Tupac_Shakur | time |
| Tupac_Shakur | shakur |
| Tupac_Shakur | is |
| Tupac_Shakur | among |
| Tupac_Shakur | the |
| Tupac_Shakur | best |
| Tupac_Shakur | selling |
| Tupac_Shakur | music |
| Tupac_Shakur | artists |
| Tupac_Shakur | having |
| Tupac_Shakur | sold |
| Tupac_Shakur | more |
| Tupac_Shakur | than |
| Tupac_Shakur | 75 |
| Tupac_Shakur | million |
| Tupac_Shakur | records |
| Tupac_Shakur | worldwide |
| Tupac_Shakur | much |
| Tupac_Shakur | of |
| Tupac_Shakur | shakur’s |
| Tupac_Shakur | music |
| Tupac_Shakur | has |
| Tupac_Shakur | been |
| Tupac_Shakur | noted |
| Tupac_Shakur | for |
| Tupac_Shakur | addressing |
| Tupac_Shakur | contemporary |
| Tupac_Shakur | social |
| Tupac_Shakur | issues |
| Tupac_Shakur | that |
| Tupac_Shakur | plagued |
| Tupac_Shakur | inner |
| Tupac_Shakur | cities |
| Tupac_Shakur | and |
| Tupac_Shakur | he |
| Tupac_Shakur | is |
| Tupac_Shakur | considered |
| Tupac_Shakur | a |
| Tupac_Shakur | symbol |
| Tupac_Shakur | of |
| Tupac_Shakur | activism |
| Tupac_Shakur | against |
| Tupac_Shakur | inequality |
| Tupac_Shakur | shakur |
| Tupac_Shakur | was |
| Tupac_Shakur | born |
| Tupac_Shakur | in |
| Tupac_Shakur | manhattan |
| Tupac_Shakur | new |
| Tupac_Shakur | york |
| Tupac_Shakur | city |
| Tupac_Shakur | but |
| Tupac_Shakur | relocated |
| Tupac_Shakur | to |
| Tupac_Shakur | baltimore |
| Tupac_Shakur | maryland |
| Tupac_Shakur | in |
| Tupac_Shakur | 1984 |
| Tupac_Shakur | and |
| Tupac_Shakur | then |
| Tupac_Shakur | the |
| Tupac_Shakur | san |
| Tupac_Shakur | francisco |
| Tupac_Shakur | bay |
| Tupac_Shakur | area |
| Tupac_Shakur | in |
| Tupac_Shakur | 1988 |
| Tupac_Shakur | he |
| Tupac_Shakur | moved |
| Tupac_Shakur | to |
| Tupac_Shakur | los |
| Tupac_Shakur | angeles |
| Tupac_Shakur | in |
| Tupac_Shakur | 1993 |
| Tupac_Shakur | to |
| Tupac_Shakur | further |
| Tupac_Shakur | pursue |
| Tupac_Shakur | his |
| Tupac_Shakur | music |
| Tupac_Shakur | career |
| Tupac_Shakur | by |
| Tupac_Shakur | the |
| Tupac_Shakur | time |
| Tupac_Shakur | he |
| Tupac_Shakur | released |
| Tupac_Shakur | his |
| Tupac_Shakur | debut |
| Tupac_Shakur | album |
| Tupac_Shakur | 2pacalypse |
| Tupac_Shakur | now |
| Tupac_Shakur | in |
| Tupac_Shakur | 1991 |
| Tupac_Shakur | he |
| Tupac_Shakur | had |
| Tupac_Shakur | become |
| Tupac_Shakur | a |
| Tupac_Shakur | central |
| Tupac_Shakur | figure |
| Tupac_Shakur | in |
| Tupac_Shakur | west |
| Tupac_Shakur | coast |
| Tupac_Shakur | hip |
| Tupac_Shakur | hop |
| Tupac_Shakur | introducing |
| Tupac_Shakur | social |
| Tupac_Shakur | issues |
| Tupac_Shakur | to |
| Tupac_Shakur | the |
| Tupac_Shakur | genre |
| Tupac_Shakur | at |
| Tupac_Shakur | a |
| Tupac_Shakur | time |
| Tupac_Shakur | when |
| Tupac_Shakur | gangsta |
| Tupac_Shakur | rap |
| Tupac_Shakur | was |
| Tupac_Shakur | dominant |
| Tupac_Shakur | in |
| Tupac_Shakur | the |
| Tupac_Shakur | mainstream |
| Tupac_Shakur | shakur |
| Tupac_Shakur | achieved |
| Tupac_Shakur | further |
| Tupac_Shakur | critical |
| Tupac_Shakur | and |
| Tupac_Shakur | commercial |
| Tupac_Shakur | success |
| Tupac_Shakur | with |
| Tupac_Shakur | his |
| Tupac_Shakur | follow |
| Tupac_Shakur | up |
| Tupac_Shakur | albums |
| Tupac_Shakur | strictly |
| Tupac_Shakur | 4 |
| Tupac_Shakur | my |
| Tupac_Shakur | n.i.g.g.a.z |
| Tupac_Shakur | 1993 |
| Tupac_Shakur | and |
| Tupac_Shakur | me |
| Tupac_Shakur | against |
| Tupac_Shakur | the |
| Tupac_Shakur | world |
| Tupac_Shakur | 1995 |
| Tupac_Shakur | in |
| Tupac_Shakur | 1995 |
| Tupac_Shakur | shakur |
| Tupac_Shakur | served |
| Tupac_Shakur | eight |
| Tupac_Shakur | months |
| Tupac_Shakur | in |
| Tupac_Shakur | prison |
| Tupac_Shakur | on |
| Tupac_Shakur | sexual |
| Tupac_Shakur | abuse |
| Tupac_Shakur | charges |
| Tupac_Shakur | but |
| Tupac_Shakur | was |
| Tupac_Shakur | released |
| Tupac_Shakur | pending |
| Tupac_Shakur | appeal |
| Tupac_Shakur | after |
| Tupac_Shakur | agreeing |
| Tupac_Shakur | to |
| Tupac_Shakur | sign |
| Tupac_Shakur | with |
| Tupac_Shakur | marion |
| Tupac_Shakur | suge |
| Tupac_Shakur | knight’s |
| Tupac_Shakur | label |
| Tupac_Shakur | death |
| Tupac_Shakur | row |
| Tupac_Shakur | records |
| Tupac_Shakur | in |
| Tupac_Shakur | exchange |
| Tupac_Shakur | for |
| Tupac_Shakur | knight |
| Tupac_Shakur | posting |
| Tupac_Shakur | his |
| Tupac_Shakur | bail |
| Tupac_Shakur | following |
| Tupac_Shakur | his |
| Tupac_Shakur | release |
| Tupac_Shakur | shakur |
| Tupac_Shakur | became |
| Tupac_Shakur | heavily |
| Tupac_Shakur | involved |
| Tupac_Shakur | in |
| Tupac_Shakur | the |
| Tupac_Shakur | growing |
| Tupac_Shakur | east |
| Tupac_Shakur | coast |
| Tupac_Shakur | est |
| Tupac_Shakur | coast |
| Tupac_Shakur | hip |
| Tupac_Shakur | hop |
| Tupac_Shakur | rivalry |
| Tupac_Shakur | his |
| Tupac_Shakur | double |
| Tupac_Shakur | disc |
| Tupac_Shakur | album |
| Tupac_Shakur | all |
| Tupac_Shakur | eyez |
| Tupac_Shakur | on |
| Tupac_Shakur | me |
| Tupac_Shakur | 1996 |
| Tupac_Shakur | abandoning |
| Tupac_Shakur | introspective |
| Tupac_Shakur | lyrics |
| Tupac_Shakur | for |
| Tupac_Shakur | volatile |
| Tupac_Shakur | gangsta |
| Tupac_Shakur | rap |
| Tupac_Shakur | was |
| Tupac_Shakur | certified |
| Tupac_Shakur | diamond |
| Tupac_Shakur | by |
| Tupac_Shakur | the |
| Tupac_Shakur | riaa |
| Tupac_Shakur | on |
| Tupac_Shakur | september |
| Tupac_Shakur | 7 |
| Tupac_Shakur | 1996 |
| Tupac_Shakur | shakur |
| Tupac_Shakur | was |
| Tupac_Shakur | shot |
| Tupac_Shakur | four |
| Tupac_Shakur | times |
| Tupac_Shakur | by |
| Tupac_Shakur | an |
| Tupac_Shakur | unknown |
| Tupac_Shakur | assailant |
| Tupac_Shakur | in |
| Tupac_Shakur | a |
| Tupac_Shakur | drive |
| Tupac_Shakur | by |
| Tupac_Shakur | shooting |
| Tupac_Shakur | in |
| Tupac_Shakur | las |
| Tupac_Shakur | vegas |
| Tupac_Shakur | nevada |
| Tupac_Shakur | he |
| Tupac_Shakur | died |
| Tupac_Shakur | six |
| Tupac_Shakur | days |
| Tupac_Shakur | later |
| Tupac_Shakur | and |
| Tupac_Shakur | the |
| Tupac_Shakur | gunman |
| Tupac_Shakur | was |
| Tupac_Shakur | never |
| Tupac_Shakur | captured |
| Tupac_Shakur | shakur’s |
| Tupac_Shakur | friend |
| Tupac_Shakur | turned |
| Tupac_Shakur | rival |
| Tupac_Shakur | the |
| Tupac_Shakur | notorious |
| Tupac_Shakur | b.i.g |
| Tupac_Shakur | was |
| Tupac_Shakur | at |
| Tupac_Shakur | first |
| Tupac_Shakur | considered |
| Tupac_Shakur | a |
| Tupac_Shakur | suspect |
| Tupac_Shakur | due |
| Tupac_Shakur | to |
| Tupac_Shakur | the |
| Tupac_Shakur | pair’s |
| Tupac_Shakur | public |
| Tupac_Shakur | feud |
| Tupac_Shakur | but |
| Tupac_Shakur | was |
| Tupac_Shakur | also |
| Tupac_Shakur | murdered |
| Tupac_Shakur | in |
| Tupac_Shakur | another |
| Tupac_Shakur | drive |
| Tupac_Shakur | by |
| Tupac_Shakur | shooting |
| Tupac_Shakur | six |
| Tupac_Shakur | months |
| Tupac_Shakur | later |
| Tupac_Shakur | in |
| Tupac_Shakur | march |
| Tupac_Shakur | 1997 |
| Tupac_Shakur | while |
| Tupac_Shakur | visiting |
| Tupac_Shakur | los |
| Tupac_Shakur | angeles |
| Tupac_Shakur | california |
| Tupac_Shakur | five |
| Tupac_Shakur | more |
| Tupac_Shakur | albums |
| Tupac_Shakur | have |
| Tupac_Shakur | been |
| Tupac_Shakur | released |
| Tupac_Shakur | since |
| Tupac_Shakur | shakur’s |
| Tupac_Shakur | death |
| Tupac_Shakur | all |
| Tupac_Shakur | of |
| Tupac_Shakur | which |
| Tupac_Shakur | have |
| Tupac_Shakur | been |
| Tupac_Shakur | certified |
| Tupac_Shakur | platinum |
| Tupac_Shakur | in |
| Tupac_Shakur | the |
| Tupac_Shakur | united |
| Tupac_Shakur | states |
| Tupac_Shakur | in |
| Tupac_Shakur | 2002 |
| Tupac_Shakur | he |
| Tupac_Shakur | was |
| Tupac_Shakur | inducted |
| Tupac_Shakur | into |
| Tupac_Shakur | the |
| Tupac_Shakur | hip |
| Tupac_Shakur | hop |
| Tupac_Shakur | hall |
| Tupac_Shakur | of |
| Tupac_Shakur | fame |
| Tupac_Shakur | in |
| Tupac_Shakur | 2017 |
| Tupac_Shakur | he |
| Tupac_Shakur | was |
| Tupac_Shakur | inducted |
| Tupac_Shakur | into |
| Tupac_Shakur | the |
| Tupac_Shakur | rock |
| Tupac_Shakur | and |
| Tupac_Shakur | roll |
| Tupac_Shakur | hall |
| Tupac_Shakur | of |
| Tupac_Shakur | fame |
| Tupac_Shakur | in |
| Tupac_Shakur | his |
| Tupac_Shakur | first |
| Tupac_Shakur | year |
| Tupac_Shakur | of |
| Tupac_Shakur | eligibility |
| Tupac_Shakur | rolling |
| Tupac_Shakur | stone |
| Tupac_Shakur | named |
| Tupac_Shakur | shakur |
| Tupac_Shakur | in |
| Tupac_Shakur | its |
| Tupac_Shakur | list |
| Tupac_Shakur | of |
| Tupac_Shakur | the |
| Tupac_Shakur | 100 |
| Tupac_Shakur | greatest |
| Tupac_Shakur | artists |
| Tupac_Shakur | of |
| Tupac_Shakur | all |
| Tupac_Shakur | time |
| Tupac_Shakur | outside |
| Tupac_Shakur | music |
| Tupac_Shakur | shakur |
| Tupac_Shakur | also |
| Tupac_Shakur | found |
| Tupac_Shakur | considerable |
| Tupac_Shakur | success |
| Tupac_Shakur | as |
| Tupac_Shakur | an |
| Tupac_Shakur | actor |
| Tupac_Shakur | with |
| Tupac_Shakur | his |
| Tupac_Shakur | starring |
| Tupac_Shakur | roles |
| Tupac_Shakur | as |
| Tupac_Shakur | bishop |
| Tupac_Shakur | in |
| Tupac_Shakur | juice |
| Tupac_Shakur | 1992 |
| Tupac_Shakur | lucky |
| Tupac_Shakur | in |
| Tupac_Shakur | poetic |
| Tupac_Shakur | justice |
| Tupac_Shakur | 1993 |
| Tupac_Shakur | where |
| Tupac_Shakur | he |
| Tupac_Shakur | starred |
| Tupac_Shakur | alongside |
| Tupac_Shakur | janet |
| Tupac_Shakur | jackson |
| Tupac_Shakur | ezekiel |
| Tupac_Shakur | in |
| Tupac_Shakur | gridlock’d |
| Tupac_Shakur | 1997 |
| Tupac_Shakur | and |
| Tupac_Shakur | jake |
| Tupac_Shakur | in |
| Tupac_Shakur | gang |
| Tupac_Shakur | related |
| Tupac_Shakur | 1997 |
| Tupac_Shakur | all |
| Tupac_Shakur | of |
| Tupac_Shakur | which |
| Tupac_Shakur | garnered |
| Tupac_Shakur | praise |
| Tupac_Shakur | from |
| Tupac_Shakur | critics |
| Tupac_Shakur | en |
| Solomon_Ilori | solomon |
| Solomon_Ilori | gbadegesin |
| Solomon_Ilori | ilori |
| Solomon_Ilori | born |
| Solomon_Ilori | c |
| Solomon_Ilori | 1934 |
| Solomon_Ilori | is |
| Solomon_Ilori | a |
| Solomon_Ilori | nigerian |
| Solomon_Ilori | drummer |
| Solomon_Ilori | and |
| Solomon_Ilori | percussionist |
| Solomon_Ilori | who |
| Solomon_Ilori | moved |
| Solomon_Ilori | to |
| Solomon_Ilori | new |
| Solomon_Ilori | york |
| Solomon_Ilori | city |
| Solomon_Ilori | in |
| Solomon_Ilori | 1958 |
| Solomon_Ilori | and |
| Solomon_Ilori | collaborated |
| Solomon_Ilori | with |
| Solomon_Ilori | jazz |
| Solomon_Ilori | artists |
| Solomon_Ilori | such |
| Solomon_Ilori | as |
| Solomon_Ilori | art |
| Solomon_Ilori | blakey |
| Solomon_Ilori | and |
| Solomon_Ilori | harry |
| Solomon_Ilori | belafonte |
| Solomon_Ilori | before |
| Solomon_Ilori | recording |
| Solomon_Ilori | his |
| Solomon_Ilori | debut |
| Solomon_Ilori | album |
| Solomon_Ilori | for |
| Solomon_Ilori | blue |
| Solomon_Ilori | note |
| Solomon_Ilori | records |
| Solomon_Ilori | in |
| Solomon_Ilori | 1963 |
| Solomon_Ilori | en |
| Darren_Barrett | darren |
| Darren_Barrett | barrett |
| Darren_Barrett | is |
| Darren_Barrett | a |
| Darren_Barrett | canadian |
| Darren_Barrett | jazz |
| Darren_Barrett | musician |
| Darren_Barrett | who |
| Darren_Barrett | won |
| Darren_Barrett | the |
| Darren_Barrett | 1997 |
| Darren_Barrett | thelonious |
| Darren_Barrett | monk |
| Darren_Barrett | international |
| Darren_Barrett | jazz |
| Darren_Barrett | competition |
| Darren_Barrett | and |
| Darren_Barrett | is |
| Darren_Barrett | a |
| Darren_Barrett | professor |
| Darren_Barrett | at |
| Darren_Barrett | berklee |
| Darren_Barrett | college |
| Darren_Barrett | of |
| Darren_Barrett | music |
| Darren_Barrett | en |
| Hank_Mobley | henry |
| Hank_Mobley | hank |
| Hank_Mobley | mobley |
| Hank_Mobley | july |
| Hank_Mobley | 7 |
| Hank_Mobley | 1930 |
| Hank_Mobley | may |
| Hank_Mobley | 30 |
| Hank_Mobley | 1986 |
| Hank_Mobley | was |
| Hank_Mobley | an |
| Hank_Mobley | american |
| Hank_Mobley | hard |
| Hank_Mobley | bop |
| Hank_Mobley | and |
| Hank_Mobley | soul |
| Hank_Mobley | jazz |
| Hank_Mobley | tenor |
| Hank_Mobley | saxophonist |
| Hank_Mobley | and |
| Hank_Mobley | composer |
| Hank_Mobley | mobley |
| Hank_Mobley | was |
| Hank_Mobley | described |
| Hank_Mobley | by |
| Hank_Mobley | leonard |
| Hank_Mobley | feather |
| Hank_Mobley | as |
| Hank_Mobley | the |
| Hank_Mobley | middleweight |
| Hank_Mobley | champion |
| Hank_Mobley | of |
| Hank_Mobley | the |
| Hank_Mobley | tenor |
| Hank_Mobley | saxophone |
| Hank_Mobley | a |
| Hank_Mobley | metaphor |
| Hank_Mobley | used |
| Hank_Mobley | to |
| Hank_Mobley | describe |
| Hank_Mobley | his |
| Hank_Mobley | tone |
| Hank_Mobley | that |
| Hank_Mobley | was |
| Hank_Mobley | neither |
| Hank_Mobley | as |
| Hank_Mobley | aggressive |
| Hank_Mobley | as |
| Hank_Mobley | john |
| Hank_Mobley | coltrane |
| Hank_Mobley | nor |
| Hank_Mobley | as |
| Hank_Mobley | mellow |
| Hank_Mobley | as |
| Hank_Mobley | stan |
| Hank_Mobley | getz |
| Hank_Mobley | and |
| Hank_Mobley | his |
| Hank_Mobley | style |
| Hank_Mobley | that |
| Hank_Mobley | was |
| Hank_Mobley | laid |
| Hank_Mobley | back |
| Hank_Mobley | subtle |
| Hank_Mobley | and |
| Hank_Mobley | melodic |
| Hank_Mobley | especially |
| Hank_Mobley | in |
| Hank_Mobley | contrast |
| Hank_Mobley | with |
| Hank_Mobley | players |
| Hank_Mobley | like |
| Hank_Mobley | coltrane |
| Hank_Mobley | and |
| Hank_Mobley | sonny |
| Hank_Mobley | rollins |
| Hank_Mobley | the |
| Hank_Mobley | critic |
| Hank_Mobley | stacia |
| Hank_Mobley | proefrock |
| Hank_Mobley | claimed |
| Hank_Mobley | him |
| Hank_Mobley | one |
| Hank_Mobley | of |
| Hank_Mobley | the |
| Hank_Mobley | most |
| Hank_Mobley | underrated |
| Hank_Mobley | musicians |
| Hank_Mobley | of |
| Hank_Mobley | the |
| Hank_Mobley | bop |
| Hank_Mobley | era |
| Hank_Mobley | en |
| Percy_Heath | percy |
| Percy_Heath | heath |
| Percy_Heath | april |
| Percy_Heath | 30 |
| Percy_Heath | 1923 |
| Percy_Heath | april |
| Percy_Heath | 28 |
| Percy_Heath | 2005 |
| Percy_Heath | was |
| Percy_Heath | an |
| Percy_Heath | american |
| Percy_Heath | jazz |
| Percy_Heath | bassist |
| Percy_Heath | brother |
| Percy_Heath | of |
| Percy_Heath | saxophonist |
| Percy_Heath | jimmy |
| Percy_Heath | heath |
| Percy_Heath | and |
| Percy_Heath | drummer |
| Percy_Heath | albert |
| Percy_Heath | heath |
| Percy_Heath | with |
| Percy_Heath | whom |
| Percy_Heath | he |
| Percy_Heath | formed |
| Percy_Heath | the |
| Percy_Heath | heath |
| Percy_Heath | brothers |
| Percy_Heath | in |
| Percy_Heath | 1975 |
| Percy_Heath | heath |
| Percy_Heath | played |
| Percy_Heath | with |
| Percy_Heath | the |
| Percy_Heath | modern |
| Percy_Heath | jazz |
| Percy_Heath | quartet |
| Percy_Heath | throughout |
| Percy_Heath | their |
| Percy_Heath | long |
| Percy_Heath | history |
| Percy_Heath | and |
| Percy_Heath | also |
| Percy_Heath | worked |
| Percy_Heath | with |
| Percy_Heath | miles |
| Percy_Heath | davis |
| Percy_Heath | dizzy |
| Percy_Heath | gillespie |
| Percy_Heath | charlie |
| Percy_Heath | parker |
| Percy_Heath | wes |
| Percy_Heath | montgomery |
| Percy_Heath | and |
| Percy_Heath | thelonious |
| Percy_Heath | monk |
| Percy_Heath | en |
| Lewis_Nash | lewis |
| Lewis_Nash | nash |
| Lewis_Nash | born |
| Lewis_Nash | december |
| Lewis_Nash | 30 |
| Lewis_Nash | 1958 |
| Lewis_Nash | is |
| Lewis_Nash | an |
| Lewis_Nash | american |
| Lewis_Nash | jazz |
| Lewis_Nash | drummer |
| Lewis_Nash | according |
| Lewis_Nash | to |
| Lewis_Nash | modern |
| Lewis_Nash | drummer |
| Lewis_Nash | magazine |
| Lewis_Nash | nash |
| Lewis_Nash | has |
| Lewis_Nash | one |
| Lewis_Nash | of |
| Lewis_Nash | the |
| Lewis_Nash | longest |
| Lewis_Nash | discographies |
| Lewis_Nash | in |
| Lewis_Nash | jazz |
| Lewis_Nash | and |
| Lewis_Nash | has |
| Lewis_Nash | played |
| Lewis_Nash | on |
| Lewis_Nash | over |
| Lewis_Nash | 400 |
| Lewis_Nash | records |
| Lewis_Nash | earning |
| Lewis_Nash | him |
| Lewis_Nash | the |
| Lewis_Nash | honor |
| Lewis_Nash | of |
| Lewis_Nash | jazz’s |
| Lewis_Nash | most |
| Lewis_Nash | valuable |
| Lewis_Nash | player |
| Lewis_Nash | by |
| Lewis_Nash | the |
| Lewis_Nash | magazine |
| Lewis_Nash | in |
| Lewis_Nash | its |
| Lewis_Nash | may |
| Lewis_Nash | 2009 |
| Lewis_Nash | issue |
| Lewis_Nash | nash |
| Lewis_Nash | is |
| Lewis_Nash | noted |
| Lewis_Nash | for |
| Lewis_Nash | his |
| Lewis_Nash | adaptability |
| Lewis_Nash | to |
| Lewis_Nash | a |
| Lewis_Nash | vast |
| Lewis_Nash | array |
| Lewis_Nash | of |
| Lewis_Nash | genres |
| Lewis_Nash | as |
| Lewis_Nash | evidenced |
| Lewis_Nash | by |
| Lewis_Nash | his |
| Lewis_Nash | performances |
| Lewis_Nash | with |
| Lewis_Nash | such |
| Lewis_Nash | different |
| Lewis_Nash | musicians |
| Lewis_Nash | as |
| Lewis_Nash | tommy |
| Lewis_Nash | flanagan |
| Lewis_Nash | and |
| Lewis_Nash | don |
| Lewis_Nash | pullen |
| Lewis_Nash | nash |
| Lewis_Nash | has |
| Lewis_Nash | made |
| Lewis_Nash | 5 |
| Lewis_Nash | recordings |
| Lewis_Nash | as |
| Lewis_Nash | bandleader |
| Lewis_Nash | rhythm |
| Lewis_Nash | is |
| Lewis_Nash | my |
| Lewis_Nash | business |
| Lewis_Nash | 1989 |
| Lewis_Nash | it |
| Lewis_Nash | don’t |
| Lewis_Nash | mean |
| Lewis_Nash | a |
| Lewis_Nash | thing |
| Lewis_Nash | 2003 |
| Lewis_Nash | japanese |
| Lewis_Nash | import |
| Lewis_Nash | and |
| Lewis_Nash | stompin |
| Lewis_Nash | at |
| Lewis_Nash | the |
| Lewis_Nash | savoy |
| Lewis_Nash | 2005 |
| Lewis_Nash | japanese |
| Lewis_Nash | import |
| Lewis_Nash | lewis |
| Lewis_Nash | nash |
| Lewis_Nash | and |
| Lewis_Nash | the |
| Lewis_Nash | bebop |
| Lewis_Nash | all |
| Lewis_Nash | stars |
| Lewis_Nash | featuring |
| Lewis_Nash | frank |
| Lewis_Nash | wess |
| Lewis_Nash | 2008 |
| Lewis_Nash | japanese |
| Lewis_Nash | import |
| Lewis_Nash | and |
| Lewis_Nash | the |
| Lewis_Nash | highest |
| Lewis_Nash | mountain |
| Lewis_Nash | 2012 |
| Lewis_Nash | in |
| Lewis_Nash | 2008 |
| Lewis_Nash | nash |
| Lewis_Nash | became |
| Lewis_Nash | part |
| Lewis_Nash | of |
| Lewis_Nash | the |
| Lewis_Nash | blue |
| Lewis_Nash | note |
| Lewis_Nash | 7 |
| Lewis_Nash | a |
| Lewis_Nash | septet |
| Lewis_Nash | formed |
| Lewis_Nash | that |
| Lewis_Nash | year |
| Lewis_Nash | in |
| Lewis_Nash | honor |
| Lewis_Nash | of |
| Lewis_Nash | the |
| Lewis_Nash | 70th |
| Lewis_Nash | anniversary |
| Lewis_Nash | of |
| Lewis_Nash | blue |
| Lewis_Nash | note |
| Lewis_Nash | records |
| Lewis_Nash | en |
| Oliver_Nelson | oliver |
| Oliver_Nelson | edward |
| Oliver_Nelson | nelson |
| Oliver_Nelson | june |
| Oliver_Nelson | 4 |
| Oliver_Nelson | 1932 |
| Oliver_Nelson | october |
| Oliver_Nelson | 28 |
| Oliver_Nelson | 1975 |
| Oliver_Nelson | was |
| Oliver_Nelson | an |
| Oliver_Nelson | american |
| Oliver_Nelson | jazz |
| Oliver_Nelson | saxophonist |
| Oliver_Nelson | clarinetist |
| Oliver_Nelson | arranger |
| Oliver_Nelson | composer |
| Oliver_Nelson | and |
| Oliver_Nelson | bandleader |
| Oliver_Nelson | his |
| Oliver_Nelson | 1961 |
| Oliver_Nelson | impulse |
| Oliver_Nelson | album |
| Oliver_Nelson | the |
| Oliver_Nelson | blues |
| Oliver_Nelson | and |
| Oliver_Nelson | the |
| Oliver_Nelson | abstract |
| Oliver_Nelson | truth |
| Oliver_Nelson | 1961 |
| Oliver_Nelson | is |
| Oliver_Nelson | regarded |
| Oliver_Nelson | as |
| Oliver_Nelson | one |
| Oliver_Nelson | of |
| Oliver_Nelson | the |
| Oliver_Nelson | most |
| Oliver_Nelson | significant |
| Oliver_Nelson | recordings |
| Oliver_Nelson | of |
| Oliver_Nelson | its |
| Oliver_Nelson | era |
| Oliver_Nelson | the |
| Oliver_Nelson | centerpiece |
| Oliver_Nelson | of |
| Oliver_Nelson | the |
| Oliver_Nelson | album |
| Oliver_Nelson | is |
| Oliver_Nelson | the |
| Oliver_Nelson | definitive |
| Oliver_Nelson | version |
| Oliver_Nelson | of |
| Oliver_Nelson | nelson’s |
| Oliver_Nelson | composition |
| Oliver_Nelson | stolen |
| Oliver_Nelson | moments |
| Oliver_Nelson | other |
| Oliver_Nelson | important |
| Oliver_Nelson | recordings |
| Oliver_Nelson | from |
| Oliver_Nelson | the |
| Oliver_Nelson | early |
| Oliver_Nelson | 1960s |
| Oliver_Nelson | are |
| Oliver_Nelson | more |
| Oliver_Nelson | blues |
| Oliver_Nelson | and |
| Oliver_Nelson | the |
| Oliver_Nelson | abstract |
| Oliver_Nelson | truth |
| Oliver_Nelson | and |
| Oliver_Nelson | sound |
| Oliver_Nelson | pieces |
| Oliver_Nelson | both |
| Oliver_Nelson | also |
| Oliver_Nelson | on |
| Oliver_Nelson | impulse |
| Oliver_Nelson | en |
| Richard_Ashcroft | richard |
| Richard_Ashcroft | paul |
| Richard_Ashcroft | ashcroft |
| Richard_Ashcroft | born |
| Richard_Ashcroft | 11 |
| Richard_Ashcroft | september |
| Richard_Ashcroft | 1971 |
| Richard_Ashcroft | is |
| Richard_Ashcroft | an |
| Richard_Ashcroft | english |
| Richard_Ashcroft | singer |
| Richard_Ashcroft | and |
| Richard_Ashcroft | songwriter |
| Richard_Ashcroft | he |
| Richard_Ashcroft | was |
| Richard_Ashcroft | the |
| Richard_Ashcroft | lead |
| Richard_Ashcroft | singer |
| Richard_Ashcroft | and |
| Richard_Ashcroft | occasional |
| Richard_Ashcroft | rhythm |
| Richard_Ashcroft | guitarist |
| Richard_Ashcroft | of |
| Richard_Ashcroft | the |
| Richard_Ashcroft | alternative |
| Richard_Ashcroft | rock |
| Richard_Ashcroft | band |
| Richard_Ashcroft | the |
| Richard_Ashcroft | verve |
| Richard_Ashcroft | from |
| Richard_Ashcroft | their |
| Richard_Ashcroft | formation |
| Richard_Ashcroft | in |
| Richard_Ashcroft | 1990 |
| Richard_Ashcroft | until |
| Richard_Ashcroft | their |
| Richard_Ashcroft | original |
| Richard_Ashcroft | split |
| Richard_Ashcroft | in |
| Richard_Ashcroft | 1999 |
| Richard_Ashcroft | songs |
| Richard_Ashcroft | he |
| Richard_Ashcroft | wrote |
| Richard_Ashcroft | for |
| Richard_Ashcroft | the |
| Richard_Ashcroft | band |
| Richard_Ashcroft | include |
| Richard_Ashcroft | bitter |
| Richard_Ashcroft | sweet |
| Richard_Ashcroft | symphony |
| Richard_Ashcroft | lucky |
| Richard_Ashcroft | man |
| Richard_Ashcroft | and |
| Richard_Ashcroft | the |
| Richard_Ashcroft | uk |
| Richard_Ashcroft | number |
| Richard_Ashcroft | one |
| Richard_Ashcroft | the |
| Richard_Ashcroft | drugs |
| Richard_Ashcroft | don’t |
| Richard_Ashcroft | work |
| Richard_Ashcroft | he |
| Richard_Ashcroft | became |
| Richard_Ashcroft | a |
| Richard_Ashcroft | successful |
| Richard_Ashcroft | solo |
| Richard_Ashcroft | artist |
| Richard_Ashcroft | releasing |
| Richard_Ashcroft | three |
| Richard_Ashcroft | uk |
| Richard_Ashcroft | top |
| Richard_Ashcroft | three |
| Richard_Ashcroft | solo |
| Richard_Ashcroft | albums |
| Richard_Ashcroft | the |
| Richard_Ashcroft | verve |
| Richard_Ashcroft | reformed |
| Richard_Ashcroft | in |
| Richard_Ashcroft | 2007 |
| Richard_Ashcroft | but |
| Richard_Ashcroft | again |
| Richard_Ashcroft | broke |
| Richard_Ashcroft | up |
| Richard_Ashcroft | by |
| Richard_Ashcroft | summer |
| Richard_Ashcroft | 2009 |
| Richard_Ashcroft | ashcroft |
| Richard_Ashcroft | then |
| Richard_Ashcroft | founded |
| Richard_Ashcroft | a |
| Richard_Ashcroft | new |
| Richard_Ashcroft | band |
| Richard_Ashcroft | rpa |
| Richard_Ashcroft | the |
| Richard_Ashcroft | united |
| Richard_Ashcroft | nations |
| Richard_Ashcroft | of |
| Richard_Ashcroft | sound |
| Richard_Ashcroft | and |
| Richard_Ashcroft | released |
| Richard_Ashcroft | a |
| Richard_Ashcroft | new |
| Richard_Ashcroft | album |
| Richard_Ashcroft | on |
| Richard_Ashcroft | 19 |
| Richard_Ashcroft | july |
| Richard_Ashcroft | 2010 |
| Richard_Ashcroft | ashcroft |
| Richard_Ashcroft | released |
| Richard_Ashcroft | his |
| Richard_Ashcroft | fourth |
| Richard_Ashcroft | solo |
| Richard_Ashcroft | album |
| Richard_Ashcroft | these |
| Richard_Ashcroft | people |
| Richard_Ashcroft | on |
| Richard_Ashcroft | 20 |
| Richard_Ashcroft | may |
| Richard_Ashcroft | 2016 |
| Richard_Ashcroft | in |
| Richard_Ashcroft | may |
| Richard_Ashcroft | 2019 |
| Richard_Ashcroft | ashcroft |
| Richard_Ashcroft | received |
| Richard_Ashcroft | the |
| Richard_Ashcroft | ivor |
| Richard_Ashcroft | novello |
| Richard_Ashcroft | award |
| Richard_Ashcroft | for |
| Richard_Ashcroft | outstanding |
| Richard_Ashcroft | contribution |
| Richard_Ashcroft | to |
| Richard_Ashcroft | british |
| Richard_Ashcroft | music |
| Richard_Ashcroft | from |
| Richard_Ashcroft | the |
| Richard_Ashcroft | british |
| Richard_Ashcroft | academy |
| Richard_Ashcroft | of |
| Richard_Ashcroft | songwriters |
| Richard_Ashcroft | composers |
| Richard_Ashcroft | and |
| Richard_Ashcroft | authors |
| Richard_Ashcroft | chris |
| Richard_Ashcroft | martin |
| Richard_Ashcroft | of |
| Richard_Ashcroft | coldplay |
| Richard_Ashcroft | has |
| Richard_Ashcroft | described |
| Richard_Ashcroft | ashcroft |
| Richard_Ashcroft | as |
| Richard_Ashcroft | the |
| Richard_Ashcroft | best |
| Richard_Ashcroft | singer |
| Richard_Ashcroft | in |
| Richard_Ashcroft | the |
| Richard_Ashcroft | world |
| Richard_Ashcroft | en |
| Blue_Mitchell | richard |
| Blue_Mitchell | allen |
| Blue_Mitchell | blue |
| Blue_Mitchell | mitchell |
| Blue_Mitchell | march |
| Blue_Mitchell | 13 |
| Blue_Mitchell | 1930 |
| Blue_Mitchell | may |
| Blue_Mitchell | 21 |
| Blue_Mitchell | 1979 |
| Blue_Mitchell | was |
| Blue_Mitchell | an |
| Blue_Mitchell | american |
| Blue_Mitchell | jazz |
| Blue_Mitchell | rhythm |
| Blue_Mitchell | and |
| Blue_Mitchell | blues |
| Blue_Mitchell | soul |
| Blue_Mitchell | rock |
| Blue_Mitchell | and |
| Blue_Mitchell | funk |
| Blue_Mitchell | trumpeter |
| Blue_Mitchell | and |
| Blue_Mitchell | composer |
| Blue_Mitchell | recording |
| Blue_Mitchell | albums |
| Blue_Mitchell | as |
| Blue_Mitchell | leader |
| Blue_Mitchell | and |
| Blue_Mitchell | sideman |
| Blue_Mitchell | for |
| Blue_Mitchell | riverside |
| Blue_Mitchell | mainstream |
| Blue_Mitchell | records |
| Blue_Mitchell | and |
| Blue_Mitchell | blue |
| Blue_Mitchell | note |
| Blue_Mitchell | en |
| Joey_Calderazzo | joseph |
| Joey_Calderazzo | dominick |
| Joey_Calderazzo | calderazzo |
| Joey_Calderazzo | born |
| Joey_Calderazzo | february |
| Joey_Calderazzo | 27 |
| Joey_Calderazzo | 1965 |
| Joey_Calderazzo | is |
| Joey_Calderazzo | a |
| Joey_Calderazzo | jazz |
| Joey_Calderazzo | pianist |
| Joey_Calderazzo | and |
| Joey_Calderazzo | brother |
| Joey_Calderazzo | of |
| Joey_Calderazzo | musician |
| Joey_Calderazzo | gene |
| Joey_Calderazzo | calderazzo |
| Joey_Calderazzo | he |
| Joey_Calderazzo | played |
| Joey_Calderazzo | extensively |
| Joey_Calderazzo | in |
| Joey_Calderazzo | bands |
| Joey_Calderazzo | led |
| Joey_Calderazzo | by |
| Joey_Calderazzo | michael |
| Joey_Calderazzo | brecker |
| Joey_Calderazzo | and |
| Joey_Calderazzo | branford |
| Joey_Calderazzo | marsalis |
| Joey_Calderazzo | and |
| Joey_Calderazzo | has |
| Joey_Calderazzo | also |
| Joey_Calderazzo | led |
| Joey_Calderazzo | his |
| Joey_Calderazzo | own |
| Joey_Calderazzo | bands |
| Joey_Calderazzo | en |
| Dayna_Stephens | dayna |
| Dayna_Stephens | stephens |
| Dayna_Stephens | born |
| Dayna_Stephens | august |
| Dayna_Stephens | 1 |
| Dayna_Stephens | 1978 |
| Dayna_Stephens | is |
| Dayna_Stephens | an |
| Dayna_Stephens | american |
| Dayna_Stephens | jazz |
| Dayna_Stephens | saxophonist |
| Dayna_Stephens | and |
| Dayna_Stephens | composer |
| Dayna_Stephens | in |
| Dayna_Stephens | addition |
| Dayna_Stephens | to |
| Dayna_Stephens | leading |
| Dayna_Stephens | his |
| Dayna_Stephens | own |
| Dayna_Stephens | group |
| Dayna_Stephens | stephens |
| Dayna_Stephens | has |
| Dayna_Stephens | performed |
| Dayna_Stephens | extensively |
| Dayna_Stephens | with |
| Dayna_Stephens | kenny |
| Dayna_Stephens | barron |
| Dayna_Stephens | ambrose |
| Dayna_Stephens | akinmusire |
| Dayna_Stephens | taylor |
| Dayna_Stephens | eigsti |
| Dayna_Stephens | julian |
| Dayna_Stephens | lage |
| Dayna_Stephens | eric |
| Dayna_Stephens | harland |
| Dayna_Stephens | and |
| Dayna_Stephens | gerald |
| Dayna_Stephens | clayton |
| Dayna_Stephens | stephens |
| Dayna_Stephens | grew |
| Dayna_Stephens | up |
| Dayna_Stephens | in |
| Dayna_Stephens | the |
| Dayna_Stephens | san |
| Dayna_Stephens | francisco |
| Dayna_Stephens | bay |
| Dayna_Stephens | area |
| Dayna_Stephens | and |
| Dayna_Stephens | attended |
| Dayna_Stephens | berkeley |
| Dayna_Stephens | high |
| Dayna_Stephens | school |
| Dayna_Stephens | he |
| Dayna_Stephens | went |
| Dayna_Stephens | on |
| Dayna_Stephens | to |
| Dayna_Stephens | study |
| Dayna_Stephens | at |
| Dayna_Stephens | the |
| Dayna_Stephens | berklee |
| Dayna_Stephens | school |
| Dayna_Stephens | of |
| Dayna_Stephens | music |
| Dayna_Stephens | and |
| Dayna_Stephens | later |
| Dayna_Stephens | at |
| Dayna_Stephens | the |
| Dayna_Stephens | thelonious |
| Dayna_Stephens | monk |
| Dayna_Stephens | institute |
| Dayna_Stephens | of |
| Dayna_Stephens | jazz |
| Dayna_Stephens | stephens’s |
| Dayna_Stephens | albums |
| Dayna_Stephens | include |
| Dayna_Stephens | the |
| Dayna_Stephens | timeless |
| Dayna_Stephens | now |
| Dayna_Stephens | 2007 |
| Dayna_Stephens | today |
| Dayna_Stephens | is |
| Dayna_Stephens | tomorrow |
| Dayna_Stephens | 2012 |
| Dayna_Stephens | that |
| Dayna_Stephens | nepenthetic |
| Dayna_Stephens | place |
| Dayna_Stephens | 2013 |
| Dayna_Stephens | i’ll |
| Dayna_Stephens | take |
| Dayna_Stephens | my |
| Dayna_Stephens | chances |
| Dayna_Stephens | 2013 |
| Dayna_Stephens | and |
| Dayna_Stephens | peace |
| Dayna_Stephens | 2014 |
| Dayna_Stephens | peace |
| Dayna_Stephens | features |
| Dayna_Stephens | guitarist |
| Dayna_Stephens | julian |
| Dayna_Stephens | lage |
| Dayna_Stephens | pianist |
| Dayna_Stephens | brad |
| Dayna_Stephens | mehldau |
| Dayna_Stephens | bassist |
| Dayna_Stephens | larry |
| Dayna_Stephens | grenadier |
| Dayna_Stephens | and |
| Dayna_Stephens | drummer |
| Dayna_Stephens | eric |
| Dayna_Stephens | harland |
| Dayna_Stephens | gratitude |
| Dayna_Stephens | was |
| Dayna_Stephens | released |
| Dayna_Stephens | in |
| Dayna_Stephens | 2017 |
| Dayna_Stephens | en |
| Grover_Washington_Jr. | grover |
| Grover_Washington_Jr. | washington |
| Grover_Washington_Jr. | jr |
| Grover_Washington_Jr. | december |
| Grover_Washington_Jr. | 12 |
| Grover_Washington_Jr. | 1943 |
| Grover_Washington_Jr. | december |
| Grover_Washington_Jr. | 17 |
| Grover_Washington_Jr. | 1999 |
| Grover_Washington_Jr. | was |
| Grover_Washington_Jr. | an |
| Grover_Washington_Jr. | american |
| Grover_Washington_Jr. | jazz |
| Grover_Washington_Jr. | funk |
| Grover_Washington_Jr. | soul |
| Grover_Washington_Jr. | jazz |
| Grover_Washington_Jr. | saxophonist |
| Grover_Washington_Jr. | along |
| Grover_Washington_Jr. | with |
| Grover_Washington_Jr. | wes |
| Grover_Washington_Jr. | montgomery |
| Grover_Washington_Jr. | and |
| Grover_Washington_Jr. | george |
| Grover_Washington_Jr. | benson |
| Grover_Washington_Jr. | he |
| Grover_Washington_Jr. | is |
| Grover_Washington_Jr. | considered |
| Grover_Washington_Jr. | by |
| Grover_Washington_Jr. | many |
| Grover_Washington_Jr. | to |
| Grover_Washington_Jr. | be |
| Grover_Washington_Jr. | one |
| Grover_Washington_Jr. | of |
| Grover_Washington_Jr. | the |
| Grover_Washington_Jr. | founders |
| Grover_Washington_Jr. | of |
| Grover_Washington_Jr. | the |
| Grover_Washington_Jr. | smooth |
| Grover_Washington_Jr. | jazz |
| Grover_Washington_Jr. | genre.he |
| Grover_Washington_Jr. | wrote |
| Grover_Washington_Jr. | some |
| Grover_Washington_Jr. | of |
| Grover_Washington_Jr. | his |
| Grover_Washington_Jr. | material |
| Grover_Washington_Jr. | and |
| Grover_Washington_Jr. | later |
| Grover_Washington_Jr. | became |
| Grover_Washington_Jr. | an |
| Grover_Washington_Jr. | arranger |
| Grover_Washington_Jr. | and |
| Grover_Washington_Jr. | producer |
| Grover_Washington_Jr. | throughout |
| Grover_Washington_Jr. | the |
| Grover_Washington_Jr. | 1970s |
| Grover_Washington_Jr. | and |
| Grover_Washington_Jr. | 1980s |
| Grover_Washington_Jr. | washington |
| Grover_Washington_Jr. | made |
| Grover_Washington_Jr. | some |
| Grover_Washington_Jr. | of |
| Grover_Washington_Jr. | the |
| Grover_Washington_Jr. | genre’s |
| Grover_Washington_Jr. | most |
| Grover_Washington_Jr. | memorable |
| Grover_Washington_Jr. | hits |
| Grover_Washington_Jr. | including |
| Grover_Washington_Jr. | mister |
| Grover_Washington_Jr. | magic |
| Grover_Washington_Jr. | reed |
| Grover_Washington_Jr. | seed |
| Grover_Washington_Jr. | black |
| Grover_Washington_Jr. | frost |
| Grover_Washington_Jr. | winelight |
| Grover_Washington_Jr. | inner |
| Grover_Washington_Jr. | city |
| Grover_Washington_Jr. | blues |
| Grover_Washington_Jr. | let |
| Grover_Washington_Jr. | it |
| Grover_Washington_Jr. | flow |
| Grover_Washington_Jr. | for |
| Grover_Washington_Jr. | dr |
| Grover_Washington_Jr. | j |
| Grover_Washington_Jr. | and |
| Grover_Washington_Jr. | the |
| Grover_Washington_Jr. | best |
| Grover_Washington_Jr. | is |
| Grover_Washington_Jr. | yet |
| Grover_Washington_Jr. | to |
| Grover_Washington_Jr. | come |
| Grover_Washington_Jr. | in |
| Grover_Washington_Jr. | addition |
| Grover_Washington_Jr. | he |
| Grover_Washington_Jr. | performed |
| Grover_Washington_Jr. | very |
| Grover_Washington_Jr. | frequently |
| Grover_Washington_Jr. | with |
| Grover_Washington_Jr. | other |
| Grover_Washington_Jr. | artists |
| Grover_Washington_Jr. | including |
| Grover_Washington_Jr. | bill |
| Grover_Washington_Jr. | withers |
| Grover_Washington_Jr. | on |
| Grover_Washington_Jr. | just |
| Grover_Washington_Jr. | the |
| Grover_Washington_Jr. | two |
| Grover_Washington_Jr. | of |
| Grover_Washington_Jr. | us |
| Grover_Washington_Jr. | patti |
| Grover_Washington_Jr. | labelle |
| Grover_Washington_Jr. | on |
| Grover_Washington_Jr. | the |
| Grover_Washington_Jr. | best |
| Grover_Washington_Jr. | is |
| Grover_Washington_Jr. | yet |
| Grover_Washington_Jr. | to |
| Grover_Washington_Jr. | come |
| Grover_Washington_Jr. | and |
| Grover_Washington_Jr. | phyllis |
| Grover_Washington_Jr. | hyman |
| Grover_Washington_Jr. | on |
| Grover_Washington_Jr. | a |
| Grover_Washington_Jr. | sacred |
| Grover_Washington_Jr. | kind |
| Grover_Washington_Jr. | of |
| Grover_Washington_Jr. | love |
| Grover_Washington_Jr. | he |
| Grover_Washington_Jr. | is |
| Grover_Washington_Jr. | also |
| Grover_Washington_Jr. | remembered |
| Grover_Washington_Jr. | for |
| Grover_Washington_Jr. | his |
| Grover_Washington_Jr. | take |
| Grover_Washington_Jr. | on |
| Grover_Washington_Jr. | the |
| Grover_Washington_Jr. | dave |
| Grover_Washington_Jr. | brubeck |
| Grover_Washington_Jr. | classic |
| Grover_Washington_Jr. | take |
| Grover_Washington_Jr. | five |
| Grover_Washington_Jr. | and |
| Grover_Washington_Jr. | for |
| Grover_Washington_Jr. | his |
| Grover_Washington_Jr. | 1996 |
| Grover_Washington_Jr. | version |
| Grover_Washington_Jr. | of |
| Grover_Washington_Jr. | soulful |
| Grover_Washington_Jr. | strut |
| Grover_Washington_Jr. | although |
| Grover_Washington_Jr. | he |
| Grover_Washington_Jr. | was |
| Grover_Washington_Jr. | later |
| Grover_Washington_Jr. | photographed |
| Grover_Washington_Jr. | with |
| Grover_Washington_Jr. | keilwerth |
| Grover_Washington_Jr. | sx90 |
| Grover_Washington_Jr. | and |
| Grover_Washington_Jr. | sx90r |
| Grover_Washington_Jr. | black |
| Grover_Washington_Jr. | nickel |
| Grover_Washington_Jr. | plated |
| Grover_Washington_Jr. | soprano |
| Grover_Washington_Jr. | alto |
| Grover_Washington_Jr. | and |
| Grover_Washington_Jr. | tenor |
| Grover_Washington_Jr. | saxophones |
| Grover_Washington_Jr. | on |
| Grover_Washington_Jr. | album |
| Grover_Washington_Jr. | covers |
| Grover_Washington_Jr. | he |
| Grover_Washington_Jr. | rarely |
| Grover_Washington_Jr. | played |
| Grover_Washington_Jr. | them |
| Grover_Washington_Jr. | live |
| Grover_Washington_Jr. | or |
| Grover_Washington_Jr. | in |
| Grover_Washington_Jr. | the |
| Grover_Washington_Jr. | studio |
| Grover_Washington_Jr. | en |
| Willie_Jones_III | willie |
| Willie_Jones_III | jones |
| Willie_Jones_III | iii |
| Willie_Jones_III | born |
| Willie_Jones_III | june |
| Willie_Jones_III | 8 |
| Willie_Jones_III | 1968 |
| Willie_Jones_III | in |
| Willie_Jones_III | los |
| Willie_Jones_III | angeles |
| Willie_Jones_III | california |
| Willie_Jones_III | is |
| Willie_Jones_III | a |
| Willie_Jones_III | jazz |
| Willie_Jones_III | drummer |
| Willie_Jones_III | he |
| Willie_Jones_III | has |
| Willie_Jones_III | played |
| Willie_Jones_III | toured |
| Willie_Jones_III | and |
| Willie_Jones_III | recorded |
| Willie_Jones_III | with |
| Willie_Jones_III | horace |
| Willie_Jones_III | silver |
| Willie_Jones_III | roy |
| Willie_Jones_III | hargrove |
| Willie_Jones_III | hank |
| Willie_Jones_III | jones |
| Willie_Jones_III | cedar |
| Willie_Jones_III | walton |
| Willie_Jones_III | and |
| Willie_Jones_III | herbie |
| Willie_Jones_III | hancock |
| Willie_Jones_III | he |
| Willie_Jones_III | played |
| Willie_Jones_III | on |
| Willie_Jones_III | arturo |
| Willie_Jones_III | sandoval’s |
| Willie_Jones_III | grammy |
| Willie_Jones_III | winning |
| Willie_Jones_III | album |
| Willie_Jones_III | hot |
| Willie_Jones_III | house |
| Willie_Jones_III | 1998 |
| Willie_Jones_III | en |
| Anton_Kwiatkowski | anton |
| Anton_Kwiatkowski | kwiatkowski |
| Anton_Kwiatkowski | is |
| Anton_Kwiatkowski | a |
| Anton_Kwiatkowski | canadian |
| Anton_Kwiatkowski | recording |
| Anton_Kwiatkowski | engineer |
| Anton_Kwiatkowski | and |
| Anton_Kwiatkowski | record |
| Anton_Kwiatkowski | producer |
| Anton_Kwiatkowski | who |
| Anton_Kwiatkowski | began |
| Anton_Kwiatkowski | his |
| Anton_Kwiatkowski | career |
| Anton_Kwiatkowski | in |
| Anton_Kwiatkowski | england |
| Anton_Kwiatkowski | en |
| Wycliffe_Gordon | professor |
| Wycliffe_Gordon | wycliffe |
| Wycliffe_Gordon | a |
| Wycliffe_Gordon | gordon |
| Wycliffe_Gordon | born |
| Wycliffe_Gordon | may |
| Wycliffe_Gordon | 29 |
| Wycliffe_Gordon | 1967 |
| Wycliffe_Gordon | is |
| Wycliffe_Gordon | an |
| Wycliffe_Gordon | american |
| Wycliffe_Gordon | jazz |
| Wycliffe_Gordon | trombonist |
| Wycliffe_Gordon | arranger |
| Wycliffe_Gordon | composer |
| Wycliffe_Gordon | band |
| Wycliffe_Gordon | leader |
| Wycliffe_Gordon | and |
| Wycliffe_Gordon | music |
| Wycliffe_Gordon | educator |
| Wycliffe_Gordon | at |
| Wycliffe_Gordon | the |
| Wycliffe_Gordon | collegiate |
| Wycliffe_Gordon | conservatory |
| Wycliffe_Gordon | level |
| Wycliffe_Gordon | gordon |
| Wycliffe_Gordon | also |
| Wycliffe_Gordon | sings |
| Wycliffe_Gordon | and |
| Wycliffe_Gordon | plays |
| Wycliffe_Gordon | didgeridoo |
| Wycliffe_Gordon | trumpet |
| Wycliffe_Gordon | tuba |
| Wycliffe_Gordon | and |
| Wycliffe_Gordon | piano |
| Wycliffe_Gordon | his |
| Wycliffe_Gordon | nickname |
| Wycliffe_Gordon | is |
| Wycliffe_Gordon | pinecone |
| Wycliffe_Gordon | en |
| John_Mayer_Trio | the |
| John_Mayer_Trio | john |
| John_Mayer_Trio | mayer |
| John_Mayer_Trio | trio |
| John_Mayer_Trio | is |
| John_Mayer_Trio | a |
| John_Mayer_Trio | blues |
| John_Mayer_Trio | rock |
| John_Mayer_Trio | band |
| John_Mayer_Trio | that |
| John_Mayer_Trio | formed |
| John_Mayer_Trio | in |
| John_Mayer_Trio | los |
| John_Mayer_Trio | angeles |
| John_Mayer_Trio | california |
| John_Mayer_Trio | in |
| John_Mayer_Trio | 2005 |
| John_Mayer_Trio | comprising |
| John_Mayer_Trio | singer |
| John_Mayer_Trio | songwriter |
| John_Mayer_Trio | and |
| John_Mayer_Trio | guitarist |
| John_Mayer_Trio | john |
| John_Mayer_Trio | mayer |
| John_Mayer_Trio | bassist |
| John_Mayer_Trio | pino |
| John_Mayer_Trio | palladino |
| John_Mayer_Trio | and |
| John_Mayer_Trio | drummer |
| John_Mayer_Trio | steve |
| John_Mayer_Trio | jordan |
| John_Mayer_Trio | the |
| John_Mayer_Trio | band |
| John_Mayer_Trio | has |
| John_Mayer_Trio | released |
| John_Mayer_Trio | one |
| John_Mayer_Trio | live |
| John_Mayer_Trio | album |
| John_Mayer_Trio | try |
| John_Mayer_Trio | in |
| John_Mayer_Trio | 2005 |
| John_Mayer_Trio | three |
| John_Mayer_Trio | of |
| John_Mayer_Trio | the |
| John_Mayer_Trio | songs |
| John_Mayer_Trio | on |
| John_Mayer_Trio | the |
| John_Mayer_Trio | album |
| John_Mayer_Trio | were |
| John_Mayer_Trio | co |
| John_Mayer_Trio | written |
| John_Mayer_Trio | by |
| John_Mayer_Trio | jordan |
| John_Mayer_Trio | mayer |
| John_Mayer_Trio | and |
| John_Mayer_Trio | palladino |
| John_Mayer_Trio | and |
| John_Mayer_Trio | the |
| John_Mayer_Trio | album |
| John_Mayer_Trio | was |
| John_Mayer_Trio | co |
| John_Mayer_Trio | produced |
| John_Mayer_Trio | by |
| John_Mayer_Trio | mayer |
| John_Mayer_Trio | and |
| John_Mayer_Trio | jordan |
| John_Mayer_Trio | en |
| Vincent_Herring | vincent |
| Vincent_Herring | dwayne |
| Vincent_Herring | herring |
| Vincent_Herring | born |
| Vincent_Herring | november |
| Vincent_Herring | 19 |
| Vincent_Herring | 1964 |
| Vincent_Herring | is |
| Vincent_Herring | an |
| Vincent_Herring | american |
| Vincent_Herring | jazz |
| Vincent_Herring | saxophonist |
| Vincent_Herring | flautist |
| Vincent_Herring | composer |
| Vincent_Herring | and |
| Vincent_Herring | educator |
| Vincent_Herring | known |
| Vincent_Herring | for |
| Vincent_Herring | his |
| Vincent_Herring | fiery |
| Vincent_Herring | and |
| Vincent_Herring | soulful |
| Vincent_Herring | playing |
| Vincent_Herring | in |
| Vincent_Herring | the |
| Vincent_Herring | bands |
| Vincent_Herring | of |
| Vincent_Herring | horace |
| Vincent_Herring | silver |
| Vincent_Herring | freddie |
| Vincent_Herring | hubbard |
| Vincent_Herring | and |
| Vincent_Herring | nat |
| Vincent_Herring | adderley |
| Vincent_Herring | in |
| Vincent_Herring | the |
| Vincent_Herring | earlier |
| Vincent_Herring | stages |
| Vincent_Herring | of |
| Vincent_Herring | his |
| Vincent_Herring | career |
| Vincent_Herring | he |
| Vincent_Herring | now |
| Vincent_Herring | frequently |
| Vincent_Herring | performs |
| Vincent_Herring | around |
| Vincent_Herring | the |
| Vincent_Herring | world |
| Vincent_Herring | with |
| Vincent_Herring | his |
| Vincent_Herring | own |
| Vincent_Herring | groups |
| Vincent_Herring | and |
| Vincent_Herring | is |
| Vincent_Herring | heavily |
| Vincent_Herring | involved |
| Vincent_Herring | in |
| Vincent_Herring | jazz |
| Vincent_Herring | education |
| Vincent_Herring | en |
| Camille_Thurman | camille |
| Camille_Thurman | thurman |
| Camille_Thurman | born |
| Camille_Thurman | december |
| Camille_Thurman | 22 |
| Camille_Thurman | 1986 |
| Camille_Thurman | is |
| Camille_Thurman | an |
| Camille_Thurman | american |
| Camille_Thurman | jazz |
| Camille_Thurman | musician |
| Camille_Thurman | composer |
| Camille_Thurman | and |
| Camille_Thurman | member |
| Camille_Thurman | of |
| Camille_Thurman | the |
| Camille_Thurman | jazz |
| Camille_Thurman | at |
| Camille_Thurman | lincoln |
| Camille_Thurman | center |
| Camille_Thurman | orchestra |
| Camille_Thurman | her |
| Camille_Thurman | first |
| Camille_Thurman | two |
| Camille_Thurman | albums |
| Camille_Thurman | released |
| Camille_Thurman | by |
| Camille_Thurman | chesky |
| Camille_Thurman | records |
| Camille_Thurman | in |
| Camille_Thurman | 2018 |
| Camille_Thurman | and |
| Camille_Thurman | 2017 |
| Camille_Thurman | peaked |
| Camille_Thurman | at |
| Camille_Thurman | 3 |
| Camille_Thurman | and |
| Camille_Thurman | 25 |
| Camille_Thurman | respectively |
| Camille_Thurman | on |
| Camille_Thurman | the |
| Camille_Thurman | billboard |
| Camille_Thurman | jazz |
| Camille_Thurman | albums |
| Camille_Thurman | chart |
| Camille_Thurman | she |
| Camille_Thurman | has |
| Camille_Thurman | performed |
| Camille_Thurman | at |
| Camille_Thurman | the |
| Camille_Thurman | kennedy |
| Camille_Thurman | center |
| Camille_Thurman | and |
| Camille_Thurman | was |
| Camille_Thurman | a |
| Camille_Thurman | runner |
| Camille_Thurman | up |
| Camille_Thurman | for |
| Camille_Thurman | the |
| Camille_Thurman | 2013 |
| Camille_Thurman | sarah |
| Camille_Thurman | vaughan |
| Camille_Thurman | international |
| Camille_Thurman | vocal |
| Camille_Thurman | competition |
| Camille_Thurman | en |
| Roman_Miroshnichenko | roman |
| Roman_Miroshnichenko | maksimovich |
| Roman_Miroshnichenko | miroshnichenko |
| Roman_Miroshnichenko | russian |
| Roman_Miroshnichenko | 郋 |
| Roman_Miroshnichenko | 邾 |
| Roman_Miroshnichenko | 訄 |
| Roman_Miroshnichenko | 郇 |
| Roman_Miroshnichenko | 訄 |
| Roman_Miroshnichenko | 郕 |
| Roman_Miroshnichenko | 邽 |
| Roman_Miroshnichenko | 邾 |
| Roman_Miroshnichenko | 郋 |
| Roman_Miroshnichenko | 赲 |
| Roman_Miroshnichenko | 邽 |
| Roman_Miroshnichenko | 邽 |
| Roman_Miroshnichenko | 郋 |
| Roman_Miroshnichenko | 郇 |
| Roman_Miroshnichenko | 邽 |
| Roman_Miroshnichenko | 迮 |
| Roman_Miroshnichenko | 郇 |
| Roman_Miroshnichenko | 郕 |
| Roman_Miroshnichenko | 郋 |
| Roman_Miroshnichenko | born |
| Roman_Miroshnichenko | june |
| Roman_Miroshnichenko | 4 |
| Roman_Miroshnichenko | 1977 |
| Roman_Miroshnichenko | is |
| Roman_Miroshnichenko | a |
| Roman_Miroshnichenko | ukrainian |
| Roman_Miroshnichenko | and |
| Roman_Miroshnichenko | russian |
| Roman_Miroshnichenko | multi |
| Roman_Miroshnichenko | award |
| Roman_Miroshnichenko | winning |
| Roman_Miroshnichenko | jazz |
| Roman_Miroshnichenko | fusion |
| Roman_Miroshnichenko | guitarist |
| Roman_Miroshnichenko | composer |
| Roman_Miroshnichenko | and |
| Roman_Miroshnichenko | record |
| Roman_Miroshnichenko | producer |
| Roman_Miroshnichenko | he |
| Roman_Miroshnichenko | has |
| Roman_Miroshnichenko | received |
| Roman_Miroshnichenko | numerous |
| Roman_Miroshnichenko | accolades |
| Roman_Miroshnichenko | including |
| Roman_Miroshnichenko | four |
| Roman_Miroshnichenko | the |
| Roman_Miroshnichenko | independent |
| Roman_Miroshnichenko | music |
| Roman_Miroshnichenko | awards |
| Roman_Miroshnichenko | 1st |
| Roman_Miroshnichenko | prize |
| Roman_Miroshnichenko | of |
| Roman_Miroshnichenko | the |
| Roman_Miroshnichenko | usa |
| Roman_Miroshnichenko | songwriting |
| Roman_Miroshnichenko | competition |
| Roman_Miroshnichenko | 1st |
| Roman_Miroshnichenko | prize |
| Roman_Miroshnichenko | of |
| Roman_Miroshnichenko | the |
| Roman_Miroshnichenko | international |
| Roman_Miroshnichenko | acoustic |
| Roman_Miroshnichenko | music |
| Roman_Miroshnichenko | awards |
| Roman_Miroshnichenko | three |
| Roman_Miroshnichenko | global |
| Roman_Miroshnichenko | music |
| Roman_Miroshnichenko | awards |
| Roman_Miroshnichenko | and |
| Roman_Miroshnichenko | three |
| Roman_Miroshnichenko | hollywood |
| Roman_Miroshnichenko | music |
| Roman_Miroshnichenko | in |
| Roman_Miroshnichenko | media |
| Roman_Miroshnichenko | awards |
| Roman_Miroshnichenko | nominees |
| Roman_Miroshnichenko | en |
| Aaron_Goldberg | aaron |
| Aaron_Goldberg | goldberg |
| Aaron_Goldberg | is |
| Aaron_Goldberg | an |
| Aaron_Goldberg | american |
| Aaron_Goldberg | jazz |
| Aaron_Goldberg | pianist |
| Aaron_Goldberg | described |
| Aaron_Goldberg | by |
| Aaron_Goldberg | the |
| Aaron_Goldberg | new |
| Aaron_Goldberg | york |
| Aaron_Goldberg | times |
| Aaron_Goldberg | as |
| Aaron_Goldberg | a |
| Aaron_Goldberg | post |
| Aaron_Goldberg | bop |
| Aaron_Goldberg | pianist |
| Aaron_Goldberg | of |
| Aaron_Goldberg | exemplary |
| Aaron_Goldberg | taste |
| Aaron_Goldberg | and |
| Aaron_Goldberg | range |
| Aaron_Goldberg | goldberg |
| Aaron_Goldberg | has |
| Aaron_Goldberg | released |
| Aaron_Goldberg | five |
| Aaron_Goldberg | albums |
| Aaron_Goldberg | as |
| Aaron_Goldberg | a |
| Aaron_Goldberg | solo |
| Aaron_Goldberg | artist |
| Aaron_Goldberg | and |
| Aaron_Goldberg | has |
| Aaron_Goldberg | performed |
| Aaron_Goldberg | and |
| Aaron_Goldberg | collaborated |
| Aaron_Goldberg | with |
| Aaron_Goldberg | joshua |
| Aaron_Goldberg | redman |
| Aaron_Goldberg | wynton |
| Aaron_Goldberg | marsalis |
| Aaron_Goldberg | kurt |
| Aaron_Goldberg | rosenwinkel |
| Aaron_Goldberg | and |
| Aaron_Goldberg | guillermo |
| Aaron_Goldberg | klein |
| Aaron_Goldberg | among |
| Aaron_Goldberg | others |
| Aaron_Goldberg | en |
| John_Mayer | john |
| John_Mayer | clayton |
| John_Mayer | mayer |
| John_Mayer | me |
| John_Mayer | 阞 |
| John_Mayer | r |
| John_Mayer | may |
| John_Mayer | r |
| John_Mayer | born |
| John_Mayer | october |
| John_Mayer | 16 |
| John_Mayer | 1977 |
| John_Mayer | is |
| John_Mayer | an |
| John_Mayer | american |
| John_Mayer | singer |
| John_Mayer | songwriter |
| John_Mayer | and |
| John_Mayer | guitarist |
| John_Mayer | born |
| John_Mayer | and |
| John_Mayer | raised |
| John_Mayer | in |
| John_Mayer | fairfield |
| John_Mayer | county |
| John_Mayer | connecticut |
| John_Mayer | mayer |
| John_Mayer | attended |
| John_Mayer | berklee |
| John_Mayer | college |
| John_Mayer | of |
| John_Mayer | music |
| John_Mayer | in |
| John_Mayer | boston |
| John_Mayer | but |
| John_Mayer | left |
| John_Mayer | and |
| John_Mayer | moved |
| John_Mayer | to |
| John_Mayer | atlanta |
| John_Mayer | in |
| John_Mayer | 1997 |
| John_Mayer | with |
| John_Mayer | clay |
| John_Mayer | cook |
| John_Mayer | together |
| John_Mayer | they |
| John_Mayer | formed |
| John_Mayer | a |
| John_Mayer | short |
| John_Mayer | lived |
| John_Mayer | two |
| John_Mayer | man |
| John_Mayer | band |
| John_Mayer | called |
| John_Mayer | lo |
| John_Mayer | fi |
| John_Mayer | masters |
| John_Mayer | after |
| John_Mayer | their |
| John_Mayer | split |
| John_Mayer | mayer |
| John_Mayer | continued |
| John_Mayer | to |
| John_Mayer | play |
| John_Mayer | local |
| John_Mayer | clubs |
| John_Mayer | refining |
| John_Mayer | his |
| John_Mayer | skills |
| John_Mayer | and |
| John_Mayer | gaining |
| John_Mayer | a |
| John_Mayer | following |
| John_Mayer | after |
| John_Mayer | his |
| John_Mayer | appearance |
| John_Mayer | at |
| John_Mayer | a |
| John_Mayer | 2001 |
| John_Mayer | south |
| John_Mayer | by |
| John_Mayer | southwest |
| John_Mayer | festival |
| John_Mayer | he |
| John_Mayer | was |
| John_Mayer | signed |
| John_Mayer | to |
| John_Mayer | aware |
| John_Mayer | records |
| John_Mayer | and |
| John_Mayer | eventually |
| John_Mayer | to |
| John_Mayer | columbia |
| John_Mayer | records |
| John_Mayer | which |
| John_Mayer | released |
| John_Mayer | his |
| John_Mayer | first |
| John_Mayer | extended |
| John_Mayer | play |
| John_Mayer | inside |
| John_Mayer | wants |
| John_Mayer | out |
| John_Mayer | his |
| John_Mayer | following |
| John_Mayer | two |
| John_Mayer | studio |
| John_Mayer | albums |
| John_Mayer | oom |
| John_Mayer | for |
| John_Mayer | squares |
| John_Mayer | 2001 |
| John_Mayer | and |
| John_Mayer | heavier |
| John_Mayer | things |
| John_Mayer | 2003 |
| John_Mayer | erformed |
| John_Mayer | well |
| John_Mayer | commercially |
| John_Mayer | achieving |
| John_Mayer | multi |
| John_Mayer | platinum |
| John_Mayer | status |
| John_Mayer | in |
| John_Mayer | 2003 |
| John_Mayer | he |
| John_Mayer | won |
| John_Mayer | the |
| John_Mayer | grammy |
| John_Mayer | award |
| John_Mayer | for |
| John_Mayer | best |
| John_Mayer | male |
| John_Mayer | pop |
| John_Mayer | vocal |
| John_Mayer | performance |
| John_Mayer | for |
| John_Mayer | his |
| John_Mayer | single |
| John_Mayer | your |
| John_Mayer | body |
| John_Mayer | is |
| John_Mayer | a |
| John_Mayer | wonderland |
| John_Mayer | by |
| John_Mayer | 2005 |
| John_Mayer | mayer |
| John_Mayer | had |
| John_Mayer | moved |
| John_Mayer | away |
| John_Mayer | from |
| John_Mayer | the |
| John_Mayer | acoustic |
| John_Mayer | music |
| John_Mayer | that |
| John_Mayer | characterized |
| John_Mayer | his |
| John_Mayer | early |
| John_Mayer | records |
| John_Mayer | and |
| John_Mayer | begun |
| John_Mayer | performing |
| John_Mayer | the |
| John_Mayer | blues |
| John_Mayer | and |
| John_Mayer | rock |
| John_Mayer | music |
| John_Mayer | that |
| John_Mayer | had |
| John_Mayer | originally |
| John_Mayer | influenced |
| John_Mayer | him |
| John_Mayer | as |
| John_Mayer | a |
| John_Mayer | musician |
| John_Mayer | he |
| John_Mayer | collaborated |
| John_Mayer | with |
| John_Mayer | blues |
| John_Mayer | artists |
| John_Mayer | such |
| John_Mayer | as |
| John_Mayer | b |
| John_Mayer | b |
| John_Mayer | king |
| John_Mayer | buddy |
| John_Mayer | guy |
| John_Mayer | and |
| John_Mayer | eric |
| John_Mayer | clapton |
| John_Mayer | forming |
| John_Mayer | the |
| John_Mayer | john |
| John_Mayer | mayer |
| John_Mayer | trio |
| John_Mayer | he |
| John_Mayer | released |
| John_Mayer | a |
| John_Mayer | live |
| John_Mayer | album |
| John_Mayer | try |
| John_Mayer | in |
| John_Mayer | 2005 |
| John_Mayer | and |
| John_Mayer | his |
| John_Mayer | third |
| John_Mayer | studio |
| John_Mayer | album |
| John_Mayer | continuum |
| John_Mayer | in |
| John_Mayer | 2006 |
| John_Mayer | both |
| John_Mayer | albums |
| John_Mayer | received |
| John_Mayer | positive |
| John_Mayer | reviews |
| John_Mayer | and |
| John_Mayer | continuum |
| John_Mayer | earned |
| John_Mayer | mayer |
| John_Mayer | a |
| John_Mayer | 2007 |
| John_Mayer | grammy |
| John_Mayer | award |
| John_Mayer | for |
| John_Mayer | best |
| John_Mayer | pop |
| John_Mayer | vocal |
| John_Mayer | album |
| John_Mayer | he |
| John_Mayer | also |
| John_Mayer | won |
| John_Mayer | best |
| John_Mayer | male |
| John_Mayer | pop |
| John_Mayer | vocal |
| John_Mayer | performance |
| John_Mayer | for |
| John_Mayer | waiting |
| John_Mayer | on |
| John_Mayer | the |
| John_Mayer | world |
| John_Mayer | to |
| John_Mayer | change |
| John_Mayer | that |
| John_Mayer | album |
| John_Mayer | was |
| John_Mayer | followed |
| John_Mayer | by |
| John_Mayer | battle |
| John_Mayer | studies |
| John_Mayer | in |
| John_Mayer | 2009 |
| John_Mayer | a |
| John_Mayer | return |
| John_Mayer | to |
| John_Mayer | pop |
| John_Mayer | with |
| John_Mayer | a |
| John_Mayer | battle |
| John_Mayer | studies |
| John_Mayer | world |
| John_Mayer | tour |
| John_Mayer | after |
| John_Mayer | having |
| John_Mayer | several |
| John_Mayer | controversial |
| John_Mayer | incidents |
| John_Mayer | with |
| John_Mayer | the |
| John_Mayer | media |
| John_Mayer | mayer |
| John_Mayer | withdrew |
| John_Mayer | from |
| John_Mayer | public |
| John_Mayer | life |
| John_Mayer | in |
| John_Mayer | 2010 |
| John_Mayer | and |
| John_Mayer | began |
| John_Mayer | work |
| John_Mayer | on |
| John_Mayer | his |
| John_Mayer | fifth |
| John_Mayer | studio |
| John_Mayer | album |
| John_Mayer | born |
| John_Mayer | and |
| John_Mayer | raised |
| John_Mayer | which |
| John_Mayer | drew |
| John_Mayer | inspiration |
| John_Mayer | from |
| John_Mayer | the |
| John_Mayer | 1970s |
| John_Mayer | pop |
| John_Mayer | music |
| John_Mayer | of |
| John_Mayer | laurel |
| John_Mayer | canyon |
| John_Mayer | however |
| John_Mayer | the |
| John_Mayer | discovery |
| John_Mayer | of |
| John_Mayer | a |
| John_Mayer | granuloma |
| John_Mayer | on |
| John_Mayer | his |
| John_Mayer | vocal |
| John_Mayer | cords |
| John_Mayer | delayed |
| John_Mayer | the |
| John_Mayer | release |
| John_Mayer | of |
| John_Mayer | the |
| John_Mayer | album |
| John_Mayer | until |
| John_Mayer | may |
| John_Mayer | 2012 |
| John_Mayer | and |
| John_Mayer | forced |
| John_Mayer | him |
| John_Mayer | to |
| John_Mayer | cancel |
| John_Mayer | the |
| John_Mayer | planned |
| John_Mayer | tour |
| John_Mayer | the |
| John_Mayer | album |
| John_Mayer | received |
| John_Mayer | a |
| John_Mayer | generally |
| John_Mayer | favorable |
| John_Mayer | reception |
| John_Mayer | though |
| John_Mayer | was |
| John_Mayer | less |
| John_Mayer | commercially |
| John_Mayer | successful |
| John_Mayer | than |
| John_Mayer | his |
| John_Mayer | previous |
| John_Mayer | work |
| John_Mayer | mayer |
| John_Mayer | began |
| John_Mayer | performing |
| John_Mayer | as |
| John_Mayer | a |
| John_Mayer | singer |
| John_Mayer | again |
| John_Mayer | in |
| John_Mayer | january |
| John_Mayer | 2013 |
| John_Mayer | and |
| John_Mayer | that |
| John_Mayer | year |
| John_Mayer | released |
| John_Mayer | his |
| John_Mayer | sixth |
| John_Mayer | studio |
| John_Mayer | album |
| John_Mayer | paradise |
| John_Mayer | valley |
| John_Mayer | which |
| John_Mayer | incorporates |
| John_Mayer | country |
| John_Mayer | music |
| John_Mayer | influences |
| John_Mayer | by |
| John_Mayer | 2014 |
| John_Mayer | he |
| John_Mayer | had |
| John_Mayer | sold |
| John_Mayer | a |
| John_Mayer | total |
| John_Mayer | of |
| John_Mayer | over |
| John_Mayer | 20 |
| John_Mayer | million |
| John_Mayer | albums |
| John_Mayer | worldwide |
| John_Mayer | his |
| John_Mayer | seventh |
| John_Mayer | album |
| John_Mayer | the |
| John_Mayer | search |
| John_Mayer | for |
| John_Mayer | everything |
| John_Mayer | a |
| John_Mayer | loose |
| John_Mayer | concept |
| John_Mayer | album |
| John_Mayer | based |
| John_Mayer | around |
| John_Mayer | the |
| John_Mayer | theme |
| John_Mayer | of |
| John_Mayer | a |
| John_Mayer | romantic |
| John_Mayer | break |
| John_Mayer | up |
| John_Mayer | was |
| John_Mayer | released |
| John_Mayer | in |
| John_Mayer | 2017 |
| John_Mayer | mayer |
| John_Mayer | released |
| John_Mayer | his |
| John_Mayer | latest |
| John_Mayer | album |
| John_Mayer | sob |
| John_Mayer | rock |
| John_Mayer | inspired |
| John_Mayer | by |
| John_Mayer | 1980s |
| John_Mayer | soft |
| John_Mayer | rock |
| John_Mayer | music |
| John_Mayer | in |
| John_Mayer | july |
| John_Mayer | 2021 |
| John_Mayer | in |
| John_Mayer | 2015 |
| John_Mayer | three |
| John_Mayer | former |
| John_Mayer | members |
| John_Mayer | of |
| John_Mayer | the |
| John_Mayer | grateful |
| John_Mayer | dead |
| John_Mayer | joined |
| John_Mayer | with |
| John_Mayer | mayer |
| John_Mayer | and |
| John_Mayer | two |
| John_Mayer | other |
| John_Mayer | musicians |
| John_Mayer | to |
| John_Mayer | form |
| John_Mayer | the |
| John_Mayer | band |
| John_Mayer | dead |
| John_Mayer | company |
| John_Mayer | it |
| John_Mayer | is |
| John_Mayer | the |
| John_Mayer | latest |
| John_Mayer | of |
| John_Mayer | several |
| John_Mayer | reunions |
| John_Mayer | of |
| John_Mayer | the |
| John_Mayer | band’s |
| John_Mayer | surviving |
| John_Mayer | members |
| John_Mayer | since |
| John_Mayer | jerry |
| John_Mayer | garcia’s |
| John_Mayer | death |
| John_Mayer | in |
| John_Mayer | 1995 |
| John_Mayer | the |
| John_Mayer | band |
| John_Mayer | remains |
| John_Mayer | active |
| John_Mayer | and |
| John_Mayer | its |
| John_Mayer | tours |
| John_Mayer | have |
| John_Mayer | been |
| John_Mayer | well |
| John_Mayer | received |
| John_Mayer | mayer’s |
| John_Mayer | secondary |
| John_Mayer | career |
| John_Mayer | pursuits |
| John_Mayer | extend |
| John_Mayer | to |
| John_Mayer | television |
| John_Mayer | hosting |
| John_Mayer | comedy |
| John_Mayer | and |
| John_Mayer | writing |
| John_Mayer | he |
| John_Mayer | has |
| John_Mayer | authored |
| John_Mayer | columns |
| John_Mayer | for |
| John_Mayer | magazines |
| John_Mayer | such |
| John_Mayer | as |
| John_Mayer | esquire |
| John_Mayer | he |
| John_Mayer | supports |
| John_Mayer | various |
| John_Mayer | causes |
| John_Mayer | and |
| John_Mayer | has |
| John_Mayer | performed |
| John_Mayer | at |
| John_Mayer | charity |
| John_Mayer | benefits |
| John_Mayer | he |
| John_Mayer | is |
| John_Mayer | a |
| John_Mayer | watch |
| John_Mayer | aficionado |
| John_Mayer | with |
| John_Mayer | a |
| John_Mayer | collection |
| John_Mayer | he |
| John_Mayer | values |
| John_Mayer | in |
| John_Mayer | the |
| John_Mayer | tens |
| John_Mayer | of |
| John_Mayer | millions |
| John_Mayer | of |
| John_Mayer | dollars |
| John_Mayer | contributing |
| John_Mayer | to |
| John_Mayer | the |
| John_Mayer | watch |
| John_Mayer | site |
| John_Mayer | hodinkee |
| John_Mayer | and |
| John_Mayer | has |
| John_Mayer | been |
| John_Mayer | on |
| John_Mayer | the |
| John_Mayer | jury |
| John_Mayer | at |
| John_Mayer | the |
| John_Mayer | grand |
| John_Mayer | prix |
| John_Mayer | d’horlogerie |
| John_Mayer | de |
| John_Mayer | gen |
| John_Mayer | 癡 |
| John_Mayer | ve |
| John_Mayer | en |
| Vanessa_Rubin | vanessa |
| Vanessa_Rubin | rubin |
| Vanessa_Rubin | born |
| Vanessa_Rubin | march |
| Vanessa_Rubin | 14 |
| Vanessa_Rubin | 1957 |
| Vanessa_Rubin | is |
| Vanessa_Rubin | an |
| Vanessa_Rubin | american |
| Vanessa_Rubin | jazz |
| Vanessa_Rubin | vocalist |
| Vanessa_Rubin | en |
| Nat_Adderley | nathaniel |
| Nat_Adderley | carlyle |
| Nat_Adderley | adderley |
| Nat_Adderley | november |
| Nat_Adderley | 25 |
| Nat_Adderley | 1931 |
| Nat_Adderley | january |
| Nat_Adderley | 2 |
| Nat_Adderley | 2000 |
| Nat_Adderley | was |
| Nat_Adderley | an |
| Nat_Adderley | american |
| Nat_Adderley | jazz |
| Nat_Adderley | trumpeter |
| Nat_Adderley | he |
| Nat_Adderley | was |
| Nat_Adderley | the |
| Nat_Adderley | younger |
| Nat_Adderley | brother |
| Nat_Adderley | of |
| Nat_Adderley | saxophonist |
| Nat_Adderley | julian |
| Nat_Adderley | cannonball |
| Nat_Adderley | adderley |
| Nat_Adderley | whom |
| Nat_Adderley | he |
| Nat_Adderley | supported |
| Nat_Adderley | and |
| Nat_Adderley | played |
| Nat_Adderley | with |
| Nat_Adderley | for |
| Nat_Adderley | many |
| Nat_Adderley | years |
| Nat_Adderley | adderley’s |
| Nat_Adderley | composition |
| Nat_Adderley | work |
| Nat_Adderley | song |
| Nat_Adderley | 1960 |
| Nat_Adderley | is |
| Nat_Adderley | a |
| Nat_Adderley | jazz |
| Nat_Adderley | standard |
| Nat_Adderley | and |
| Nat_Adderley | also |
| Nat_Adderley | became |
| Nat_Adderley | a |
| Nat_Adderley | success |
| Nat_Adderley | on |
| Nat_Adderley | the |
| Nat_Adderley | pop |
| Nat_Adderley | charts |
| Nat_Adderley | after |
| Nat_Adderley | singer |
| Nat_Adderley | oscar |
| Nat_Adderley | brown |
| Nat_Adderley | jr |
| Nat_Adderley | wrote |
| Nat_Adderley | lyrics |
| Nat_Adderley | for |
| Nat_Adderley | it |
| Nat_Adderley | en |
| Dr._John | malcolm |
| Dr._John | john |
| Dr._John | rebennack |
| Dr._John | jr |
| Dr._John | november |
| Dr._John | 20 |
| Dr._John | 1941 |
| Dr._John | june |
| Dr._John | 6 |
| Dr._John | 2019 |
| Dr._John | better |
| Dr._John | known |
| Dr._John | by |
| Dr._John | his |
| Dr._John | stage |
| Dr._John | name |
| Dr._John | dr |
| Dr._John | john |
| Dr._John | was |
| Dr._John | an |
| Dr._John | american |
| Dr._John | singer |
| Dr._John | and |
| Dr._John | songwriter |
| Dr._John | his |
| Dr._John | music |
| Dr._John | combined |
| Dr._John | blues |
| Dr._John | pop |
| Dr._John | jazz |
| Dr._John | boogie |
| Dr._John | woogie |
| Dr._John | funk |
| Dr._John | and |
| Dr._John | rock |
| Dr._John | and |
| Dr._John | roll |
| Dr._John | active |
| Dr._John | as |
| Dr._John | a |
| Dr._John | session |
| Dr._John | musician |
| Dr._John | from |
| Dr._John | the |
| Dr._John | late |
| Dr._John | 1950s |
| Dr._John | until |
| Dr._John | his |
| Dr._John | death |
| Dr._John | he |
| Dr._John | gained |
| Dr._John | a |
| Dr._John | following |
| Dr._John | in |
| Dr._John | the |
| Dr._John | late |
| Dr._John | 1960s |
| Dr._John | after |
| Dr._John | the |
| Dr._John | release |
| Dr._John | of |
| Dr._John | his |
| Dr._John | album |
| Dr._John | gris |
| Dr._John | gris |
| Dr._John | and |
| Dr._John | his |
| Dr._John | appearance |
| Dr._John | at |
| Dr._John | the |
| Dr._John | bath |
| Dr._John | festival |
| Dr._John | of |
| Dr._John | blues |
| Dr._John | and |
| Dr._John | progressive |
| Dr._John | music |
| Dr._John | he |
| Dr._John | typically |
| Dr._John | performed |
| Dr._John | a |
| Dr._John | lively |
| Dr._John | theatrical |
| Dr._John | stage |
| Dr._John | show |
| Dr._John | inspired |
| Dr._John | by |
| Dr._John | medicine |
| Dr._John | shows |
| Dr._John | mardi |
| Dr._John | gras |
| Dr._John | costumes |
| Dr._John | and |
| Dr._John | voodoo |
| Dr._John | ceremonies |
| Dr._John | rebennack |
| Dr._John | recorded |
| Dr._John | thirty |
| Dr._John | studio |
| Dr._John | albums |
| Dr._John | and |
| Dr._John | nine |
| Dr._John | live |
| Dr._John | albums |
| Dr._John | as |
| Dr._John | well |
| Dr._John | as |
| Dr._John | contributing |
| Dr._John | to |
| Dr._John | thousands |
| Dr._John | of |
| Dr._John | other |
| Dr._John | musicians |
| Dr._John | recordings |
| Dr._John | in |
| Dr._John | 1973 |
| Dr._John | he |
| Dr._John | achieved |
| Dr._John | a |
| Dr._John | top |
| Dr._John | 10 |
| Dr._John | hit |
| Dr._John | single |
| Dr._John | with |
| Dr._John | right |
| Dr._John | place |
| Dr._John | wrong |
| Dr._John | time |
| Dr._John | en |
| Paul_Chambers | paul |
| Paul_Chambers | laurence |
| Paul_Chambers | dunbar |
| Paul_Chambers | chambers |
| Paul_Chambers | jr |
| Paul_Chambers | april |
| Paul_Chambers | 22 |
| Paul_Chambers | 1935 |
| Paul_Chambers | january |
| Paul_Chambers | 4 |
| Paul_Chambers | 1969 |
| Paul_Chambers | was |
| Paul_Chambers | an |
| Paul_Chambers | american |
| Paul_Chambers | jazz |
| Paul_Chambers | double |
| Paul_Chambers | bassist |
| Paul_Chambers | a |
| Paul_Chambers | fixture |
| Paul_Chambers | of |
| Paul_Chambers | rhythm |
| Paul_Chambers | sections |
| Paul_Chambers | during |
| Paul_Chambers | the |
| Paul_Chambers | 1950s |
| Paul_Chambers | and |
| Paul_Chambers | 1960s |
| Paul_Chambers | his |
| Paul_Chambers | importance |
| Paul_Chambers | in |
| Paul_Chambers | the |
| Paul_Chambers | development |
| Paul_Chambers | of |
| Paul_Chambers | jazz |
| Paul_Chambers | bass |
| Paul_Chambers | can |
| Paul_Chambers | be |
| Paul_Chambers | measured |
| Paul_Chambers | not |
| Paul_Chambers | only |
| Paul_Chambers | by |
| Paul_Chambers | the |
| Paul_Chambers | extent |
| Paul_Chambers | of |
| Paul_Chambers | his |
| Paul_Chambers | work |
| Paul_Chambers | in |
| Paul_Chambers | this |
| Paul_Chambers | short |
| Paul_Chambers | period |
| Paul_Chambers | but |
| Paul_Chambers | also |
| Paul_Chambers | by |
| Paul_Chambers | his |
| Paul_Chambers | impeccable |
| Paul_Chambers | timekeeping |
| Paul_Chambers | and |
| Paul_Chambers | virtuosic |
| Paul_Chambers | improvisations |
| Paul_Chambers | he |
| Paul_Chambers | was |
| Paul_Chambers | also |
| Paul_Chambers | known |
| Paul_Chambers | for |
| Paul_Chambers | his |
| Paul_Chambers | bowed |
| Paul_Chambers | solos |
| Paul_Chambers | chambers |
| Paul_Chambers | recorded |
| Paul_Chambers | about |
| Paul_Chambers | a |
| Paul_Chambers | dozen |
| Paul_Chambers | albums |
| Paul_Chambers | as |
| Paul_Chambers | a |
| Paul_Chambers | leader |
| Paul_Chambers | or |
| Paul_Chambers | co |
| Paul_Chambers | leader |
| Paul_Chambers | and |
| Paul_Chambers | over |
| Paul_Chambers | 100 |
| Paul_Chambers | more |
| Paul_Chambers | as |
| Paul_Chambers | a |
| Paul_Chambers | sideman |
| Paul_Chambers | especially |
| Paul_Chambers | as |
| Paul_Chambers | the |
| Paul_Chambers | anchor |
| Paul_Chambers | of |
| Paul_Chambers | trumpeter |
| Paul_Chambers | miles |
| Paul_Chambers | davis’s |
| Paul_Chambers | first |
| Paul_Chambers | great |
| Paul_Chambers | quintet |
| Paul_Chambers | 1955 |
| Paul_Chambers | 3 |
| Paul_Chambers | and |
| Paul_Chambers | with |
| Paul_Chambers | pianist |
| Paul_Chambers | wynton |
| Paul_Chambers | kelly |
| Paul_Chambers | 1963 |
| Paul_Chambers | 8 |
| Paul_Chambers | en |
| Stevie_Wonder | stevland |
| Stevie_Wonder | hardaway |
| Stevie_Wonder | morris |
| Stevie_Wonder | born |
| Stevie_Wonder | may |
| Stevie_Wonder | 13 |
| Stevie_Wonder | 1950 |
| Stevie_Wonder | known |
| Stevie_Wonder | professionally |
| Stevie_Wonder | as |
| Stevie_Wonder | stevie |
| Stevie_Wonder | wonder |
| Stevie_Wonder | is |
| Stevie_Wonder | an |
| Stevie_Wonder | american |
| Stevie_Wonder | singer |
| Stevie_Wonder | songwriter |
| Stevie_Wonder | musician |
| Stevie_Wonder | and |
| Stevie_Wonder | record |
| Stevie_Wonder | producer |
| Stevie_Wonder | wonder |
| Stevie_Wonder | is |
| Stevie_Wonder | credited |
| Stevie_Wonder | as |
| Stevie_Wonder | a |
| Stevie_Wonder | pioneer |
| Stevie_Wonder | and |
| Stevie_Wonder | influence |
| Stevie_Wonder | by |
| Stevie_Wonder | musicians |
| Stevie_Wonder | across |
| Stevie_Wonder | a |
| Stevie_Wonder | range |
| Stevie_Wonder | of |
| Stevie_Wonder | genres |
| Stevie_Wonder | that |
| Stevie_Wonder | includes |
| Stevie_Wonder | rhythm |
| Stevie_Wonder | and |
| Stevie_Wonder | blues |
| Stevie_Wonder | pop |
| Stevie_Wonder | soul |
| Stevie_Wonder | gospel |
| Stevie_Wonder | funk |
| Stevie_Wonder | and |
| Stevie_Wonder | jazz |
| Stevie_Wonder | a |
| Stevie_Wonder | virtual |
| Stevie_Wonder | one |
| Stevie_Wonder | man |
| Stevie_Wonder | band |
| Stevie_Wonder | his |
| Stevie_Wonder | use |
| Stevie_Wonder | of |
| Stevie_Wonder | synthesizers |
| Stevie_Wonder | and |
| Stevie_Wonder | other |
| Stevie_Wonder | electronic |
| Stevie_Wonder | musical |
| Stevie_Wonder | instruments |
| Stevie_Wonder | during |
| Stevie_Wonder | the |
| Stevie_Wonder | 1970s |
| Stevie_Wonder | reshaped |
| Stevie_Wonder | the |
| Stevie_Wonder | conventions |
| Stevie_Wonder | of |
| Stevie_Wonder | r |
| Stevie_Wonder | b |
| Stevie_Wonder | he |
| Stevie_Wonder | also |
| Stevie_Wonder | helped |
| Stevie_Wonder | drive |
| Stevie_Wonder | the |
| Stevie_Wonder | genre |
| Stevie_Wonder | into |
| Stevie_Wonder | the |
| Stevie_Wonder | album |
| Stevie_Wonder | era |
| Stevie_Wonder | crafting |
| Stevie_Wonder | his |
| Stevie_Wonder | lps |
| Stevie_Wonder | as |
| Stevie_Wonder | cohesive |
| Stevie_Wonder | consistent |
| Stevie_Wonder | socially |
| Stevie_Wonder | conscious |
| Stevie_Wonder | statements |
| Stevie_Wonder | with |
| Stevie_Wonder | complex |
| Stevie_Wonder | compositions |
| Stevie_Wonder | blind |
| Stevie_Wonder | since |
| Stevie_Wonder | shortly |
| Stevie_Wonder | after |
| Stevie_Wonder | his |
| Stevie_Wonder | birth |
| Stevie_Wonder | wonder |
| Stevie_Wonder | was |
| Stevie_Wonder | a |
| Stevie_Wonder | child |
| Stevie_Wonder | prodigy |
| Stevie_Wonder | who |
| Stevie_Wonder | signed |
| Stevie_Wonder | with |
| Stevie_Wonder | motown’s |
| Stevie_Wonder | tamla |
| Stevie_Wonder | label |
| Stevie_Wonder | at |
| Stevie_Wonder | the |
| Stevie_Wonder | age |
| Stevie_Wonder | of |
| Stevie_Wonder | 11 |
| Stevie_Wonder | where |
| Stevie_Wonder | he |
| Stevie_Wonder | was |
| Stevie_Wonder | given |
| Stevie_Wonder | the |
| Stevie_Wonder | professional |
| Stevie_Wonder | name |
| Stevie_Wonder | little |
| Stevie_Wonder | stevie |
| Stevie_Wonder | wonder |
| Stevie_Wonder | in |
| Stevie_Wonder | 1963 |
| Stevie_Wonder | the |
| Stevie_Wonder | single |
| Stevie_Wonder | fingertips |
| Stevie_Wonder | was |
| Stevie_Wonder | a |
| Stevie_Wonder | number |
| Stevie_Wonder | one |
| Stevie_Wonder | hit |
| Stevie_Wonder | on |
| Stevie_Wonder | the |
| Stevie_Wonder | billboard |
| Stevie_Wonder | hot |
| Stevie_Wonder | 100 |
| Stevie_Wonder | when |
| Stevie_Wonder | wonder |
| Stevie_Wonder | was |
| Stevie_Wonder | 13 |
| Stevie_Wonder | making |
| Stevie_Wonder | him |
| Stevie_Wonder | the |
| Stevie_Wonder | youngest |
| Stevie_Wonder | artist |
| Stevie_Wonder | ever |
| Stevie_Wonder | to |
| Stevie_Wonder | top |
| Stevie_Wonder | the |
| Stevie_Wonder | chart |
| Stevie_Wonder | wonder’s |
| Stevie_Wonder | critical |
| Stevie_Wonder | success |
| Stevie_Wonder | was |
| Stevie_Wonder | at |
| Stevie_Wonder | its |
| Stevie_Wonder | peak |
| Stevie_Wonder | in |
| Stevie_Wonder | the |
| Stevie_Wonder | 1970s |
| Stevie_Wonder | his |
| Stevie_Wonder | classic |
| Stevie_Wonder | period |
| Stevie_Wonder | began |
| Stevie_Wonder | in |
| Stevie_Wonder | 1972 |
| Stevie_Wonder | with |
| Stevie_Wonder | the |
| Stevie_Wonder | releases |
| Stevie_Wonder | of |
| Stevie_Wonder | music |
| Stevie_Wonder | of |
| Stevie_Wonder | my |
| Stevie_Wonder | mind |
| Stevie_Wonder | and |
| Stevie_Wonder | talking |
| Stevie_Wonder | book |
| Stevie_Wonder | the |
| Stevie_Wonder | latter |
| Stevie_Wonder | featuring |
| Stevie_Wonder | superstition |
| Stevie_Wonder | which |
| Stevie_Wonder | is |
| Stevie_Wonder | one |
| Stevie_Wonder | of |
| Stevie_Wonder | the |
| Stevie_Wonder | most |
| Stevie_Wonder | distinctive |
| Stevie_Wonder | and |
| Stevie_Wonder | famous |
| Stevie_Wonder | examples |
| Stevie_Wonder | of |
| Stevie_Wonder | the |
| Stevie_Wonder | sound |
| Stevie_Wonder | of |
| Stevie_Wonder | the |
| Stevie_Wonder | hohner |
| Stevie_Wonder | clavinet |
| Stevie_Wonder | keyboard |
| Stevie_Wonder | his |
| Stevie_Wonder | works |
| Stevie_Wonder | innervisions |
| Stevie_Wonder | 1973 |
| Stevie_Wonder | fulfillingness |
| Stevie_Wonder | first |
| Stevie_Wonder | finale |
| Stevie_Wonder | 1974 |
| Stevie_Wonder | and |
| Stevie_Wonder | songs |
| Stevie_Wonder | in |
| Stevie_Wonder | the |
| Stevie_Wonder | key |
| Stevie_Wonder | of |
| Stevie_Wonder | life |
| Stevie_Wonder | 1976 |
| Stevie_Wonder | all |
| Stevie_Wonder | won |
| Stevie_Wonder | the |
| Stevie_Wonder | grammy |
| Stevie_Wonder | award |
| Stevie_Wonder | for |
| Stevie_Wonder | album |
| Stevie_Wonder | of |
| Stevie_Wonder | the |
| Stevie_Wonder | year |
| Stevie_Wonder | making |
| Stevie_Wonder | him |
| Stevie_Wonder | the |
| Stevie_Wonder | tied |
| Stevie_Wonder | record |
| Stevie_Wonder | holder |
| Stevie_Wonder | for |
| Stevie_Wonder | the |
| Stevie_Wonder | most |
| Stevie_Wonder | album |
| Stevie_Wonder | of |
| Stevie_Wonder | the |
| Stevie_Wonder | year |
| Stevie_Wonder | wins |
| Stevie_Wonder | with |
| Stevie_Wonder | three |
| Stevie_Wonder | he |
| Stevie_Wonder | is |
| Stevie_Wonder | also |
| Stevie_Wonder | the |
| Stevie_Wonder | only |
| Stevie_Wonder | artist |
| Stevie_Wonder | to |
| Stevie_Wonder | have |
| Stevie_Wonder | won |
| Stevie_Wonder | the |
| Stevie_Wonder | award |
| Stevie_Wonder | with |
| Stevie_Wonder | three |
| Stevie_Wonder | consecutive |
| Stevie_Wonder | album |
| Stevie_Wonder | releases |
| Stevie_Wonder | his |
| Stevie_Wonder | classic |
| Stevie_Wonder | period |
| Stevie_Wonder | which |
| Stevie_Wonder | culminated |
| Stevie_Wonder | in |
| Stevie_Wonder | 1976 |
| Stevie_Wonder | was |
| Stevie_Wonder | marked |
| Stevie_Wonder | by |
| Stevie_Wonder | his |
| Stevie_Wonder | funky |
| Stevie_Wonder | keyboard |
| Stevie_Wonder | style |
| Stevie_Wonder | personal |
| Stevie_Wonder | control |
| Stevie_Wonder | of |
| Stevie_Wonder | production |
| Stevie_Wonder | and |
| Stevie_Wonder | use |
| Stevie_Wonder | of |
| Stevie_Wonder | integrated |
| Stevie_Wonder | series |
| Stevie_Wonder | of |
| Stevie_Wonder | songs |
| Stevie_Wonder | to |
| Stevie_Wonder | make |
| Stevie_Wonder | concept |
| Stevie_Wonder | albums |
| Stevie_Wonder | in |
| Stevie_Wonder | 1979 |
| Stevie_Wonder | wonder |
| Stevie_Wonder | used |
| Stevie_Wonder | computer |
| Stevie_Wonder | music |
| Stevie_Wonder | inc |
| Stevie_Wonder | s |
| Stevie_Wonder | early |
| Stevie_Wonder | music |
| Stevie_Wonder | sampler |
| Stevie_Wonder | the |
| Stevie_Wonder | melodian |
| Stevie_Wonder | on |
| Stevie_Wonder | his |
| Stevie_Wonder | soundtrack |
| Stevie_Wonder | album |
| Stevie_Wonder | stevie |
| Stevie_Wonder | wonder’s |
| Stevie_Wonder | journey |
| Stevie_Wonder | through |
| Stevie_Wonder | the |
| Stevie_Wonder | secret |
| Stevie_Wonder | life |
| Stevie_Wonder | of |
| Stevie_Wonder | plants |
| Stevie_Wonder | this |
| Stevie_Wonder | was |
| Stevie_Wonder | his |
| Stevie_Wonder | first |
| Stevie_Wonder | digital |
| Stevie_Wonder | recording |
| Stevie_Wonder | and |
| Stevie_Wonder | one |
| Stevie_Wonder | of |
| Stevie_Wonder | the |
| Stevie_Wonder | earliest |
| Stevie_Wonder | popular |
| Stevie_Wonder | albums |
| Stevie_Wonder | to |
| Stevie_Wonder | use |
| Stevie_Wonder | the |
| Stevie_Wonder | technology |
| Stevie_Wonder | which |
| Stevie_Wonder | wonder |
| Stevie_Wonder | used |
| Stevie_Wonder | for |
| Stevie_Wonder | all |
| Stevie_Wonder | subsequent |
| Stevie_Wonder | recordings |
| Stevie_Wonder | wonder |
| Stevie_Wonder | is |
| Stevie_Wonder | one |
| Stevie_Wonder | of |
| Stevie_Wonder | the |
| Stevie_Wonder | world’s |
| Stevie_Wonder | best |
| Stevie_Wonder | selling |
| Stevie_Wonder | musicians |
| Stevie_Wonder | with |
| Stevie_Wonder | sales |
| Stevie_Wonder | of |
| Stevie_Wonder | over |
| Stevie_Wonder | 100 |
| Stevie_Wonder | million |
| Stevie_Wonder | records |
| Stevie_Wonder | worldwide |
| Stevie_Wonder | he |
| Stevie_Wonder | has |
| Stevie_Wonder | won |
| Stevie_Wonder | 25 |
| Stevie_Wonder | grammy |
| Stevie_Wonder | awards |
| Stevie_Wonder | the |
| Stevie_Wonder | most |
| Stevie_Wonder | by |
| Stevie_Wonder | a |
| Stevie_Wonder | solo |
| Stevie_Wonder | artist |
| Stevie_Wonder | and |
| Stevie_Wonder | one |
| Stevie_Wonder | academy |
| Stevie_Wonder | award |
| Stevie_Wonder | best |
| Stevie_Wonder | original |
| Stevie_Wonder | song |
| Stevie_Wonder | for |
| Stevie_Wonder | the |
| Stevie_Wonder | 1984 |
| Stevie_Wonder | film |
| Stevie_Wonder | the |
| Stevie_Wonder | woman |
| Stevie_Wonder | in |
| Stevie_Wonder | red |
| Stevie_Wonder | wonder |
| Stevie_Wonder | has |
| Stevie_Wonder | been |
| Stevie_Wonder | inducted |
| Stevie_Wonder | into |
| Stevie_Wonder | the |
| Stevie_Wonder | rhythm |
| Stevie_Wonder | and |
| Stevie_Wonder | blues |
| Stevie_Wonder | music |
| Stevie_Wonder | hall |
| Stevie_Wonder | of |
| Stevie_Wonder | fame |
| Stevie_Wonder | rock |
| Stevie_Wonder | and |
| Stevie_Wonder | roll |
| Stevie_Wonder | hall |
| Stevie_Wonder | of |
| Stevie_Wonder | fame |
| Stevie_Wonder | and |
| Stevie_Wonder | songwriters |
| Stevie_Wonder | hall |
| Stevie_Wonder | of |
| Stevie_Wonder | fame |
| Stevie_Wonder | he |
| Stevie_Wonder | is |
| Stevie_Wonder | also |
| Stevie_Wonder | noted |
| Stevie_Wonder | for |
| Stevie_Wonder | his |
| Stevie_Wonder | work |
| Stevie_Wonder | as |
| Stevie_Wonder | an |
| Stevie_Wonder | activist |
| Stevie_Wonder | for |
| Stevie_Wonder | political |
| Stevie_Wonder | causes |
| Stevie_Wonder | including |
| Stevie_Wonder | his |
| Stevie_Wonder | 1980 |
| Stevie_Wonder | campaign |
| Stevie_Wonder | to |
| Stevie_Wonder | make |
| Stevie_Wonder | martin |
| Stevie_Wonder | luther |
| Stevie_Wonder | king |
| Stevie_Wonder | jr |
| Stevie_Wonder | s |
| Stevie_Wonder | birthday |
| Stevie_Wonder | a |
| Stevie_Wonder | federal |
| Stevie_Wonder | holiday |
| Stevie_Wonder | in |
| Stevie_Wonder | the |
| Stevie_Wonder | u.s |
| Stevie_Wonder | in |
| Stevie_Wonder | 2009 |
| Stevie_Wonder | he |
| Stevie_Wonder | was |
| Stevie_Wonder | named |
| Stevie_Wonder | a |
| Stevie_Wonder | united |
| Stevie_Wonder | nations |
| Stevie_Wonder | messenger |
| Stevie_Wonder | of |
| Stevie_Wonder | peace |
| Stevie_Wonder | and |
| Stevie_Wonder | in |
| Stevie_Wonder | 2014 |
| Stevie_Wonder | he |
| Stevie_Wonder | was |
| Stevie_Wonder | honored |
| Stevie_Wonder | with |
| Stevie_Wonder | the |
| Stevie_Wonder | presidential |
| Stevie_Wonder | medal |
| Stevie_Wonder | of |
| Stevie_Wonder | freedom |
| Stevie_Wonder | en |
| Billy_Taylor | billy |
| Billy_Taylor | taylor |
| Billy_Taylor | july |
| Billy_Taylor | 24 |
| Billy_Taylor | 1921 |
| Billy_Taylor | december |
| Billy_Taylor | 28 |
| Billy_Taylor | 2010 |
| Billy_Taylor | was |
| Billy_Taylor | an |
| Billy_Taylor | american |
| Billy_Taylor | jazz |
| Billy_Taylor | pianist |
| Billy_Taylor | composer |
| Billy_Taylor | broadcaster |
| Billy_Taylor | and |
| Billy_Taylor | educator |
| Billy_Taylor | he |
| Billy_Taylor | was |
| Billy_Taylor | the |
| Billy_Taylor | robert |
| Billy_Taylor | l |
| Billy_Taylor | jones |
| Billy_Taylor | distinguished |
| Billy_Taylor | professor |
| Billy_Taylor | of |
| Billy_Taylor | music |
| Billy_Taylor | at |
| Billy_Taylor | east |
| Billy_Taylor | carolina |
| Billy_Taylor | university |
| Billy_Taylor | in |
| Billy_Taylor | greenville |
| Billy_Taylor | and |
| Billy_Taylor | from |
| Billy_Taylor | 1994 |
| Billy_Taylor | was |
| Billy_Taylor | the |
| Billy_Taylor | artistic |
| Billy_Taylor | director |
| Billy_Taylor | for |
| Billy_Taylor | jazz |
| Billy_Taylor | at |
| Billy_Taylor | the |
| Billy_Taylor | john |
| Billy_Taylor | f |
| Billy_Taylor | kennedy |
| Billy_Taylor | center |
| Billy_Taylor | for |
| Billy_Taylor | the |
| Billy_Taylor | performing |
| Billy_Taylor | arts |
| Billy_Taylor | in |
| Billy_Taylor | washington |
| Billy_Taylor | d.c |
| Billy_Taylor | a |
| Billy_Taylor | jazz |
| Billy_Taylor | activist |
| Billy_Taylor | taylor |
| Billy_Taylor | sat |
| Billy_Taylor | on |
| Billy_Taylor | the |
| Billy_Taylor | honorary |
| Billy_Taylor | founders |
| Billy_Taylor | board |
| Billy_Taylor | of |
| Billy_Taylor | the |
| Billy_Taylor | jazz |
| Billy_Taylor | foundation |
| Billy_Taylor | of |
| Billy_Taylor | america |
| Billy_Taylor | an |
| Billy_Taylor | organisation |
| Billy_Taylor | he |
| Billy_Taylor | founded |
| Billy_Taylor | in |
| Billy_Taylor | 1989 |
| Billy_Taylor | with |
| Billy_Taylor | ann |
| Billy_Taylor | ruckert |
| Billy_Taylor | herb |
| Billy_Taylor | storfer |
| Billy_Taylor | and |
| Billy_Taylor | phoebe |
| Billy_Taylor | jacobs |
| Billy_Taylor | to |
| Billy_Taylor | save |
| Billy_Taylor | the |
| Billy_Taylor | homes |
| Billy_Taylor | and |
| Billy_Taylor | the |
| Billy_Taylor | lives |
| Billy_Taylor | of |
| Billy_Taylor | america’s |
| Billy_Taylor | elderly |
| Billy_Taylor | jazz |
| Billy_Taylor | and |
| Billy_Taylor | blues |
| Billy_Taylor | musicians |
| Billy_Taylor | later |
| Billy_Taylor | including |
| Billy_Taylor | musicians |
| Billy_Taylor | who |
| Billy_Taylor | survived |
| Billy_Taylor | hurricane |
| Billy_Taylor | katrina |
| Billy_Taylor | taylor |
| Billy_Taylor | was |
| Billy_Taylor | a |
| Billy_Taylor | jazz |
| Billy_Taylor | educator |
| Billy_Taylor | who |
| Billy_Taylor | lectured |
| Billy_Taylor | in |
| Billy_Taylor | colleges |
| Billy_Taylor | served |
| Billy_Taylor | on |
| Billy_Taylor | panels |
| Billy_Taylor | and |
| Billy_Taylor | travelled |
| Billy_Taylor | worldwide |
| Billy_Taylor | as |
| Billy_Taylor | a |
| Billy_Taylor | jazz |
| Billy_Taylor | ambassador |
| Billy_Taylor | critic |
| Billy_Taylor | leonard |
| Billy_Taylor | feather |
| Billy_Taylor | once |
| Billy_Taylor | said |
| Billy_Taylor | it |
| Billy_Taylor | is |
| Billy_Taylor | almost |
| Billy_Taylor | indisputable |
| Billy_Taylor | that |
| Billy_Taylor | dr |
| Billy_Taylor | billy |
| Billy_Taylor | taylor |
| Billy_Taylor | is |
| Billy_Taylor | the |
| Billy_Taylor | world’s |
| Billy_Taylor | foremost |
| Billy_Taylor | spokesman |
| Billy_Taylor | for |
| Billy_Taylor | jazz |
| Billy_Taylor | en |
| Tommy_Campbell_(musician) | thomas |
| Tommy_Campbell_(musician) | w |
| Tommy_Campbell_(musician) | campbell |
| Tommy_Campbell_(musician) | born |
| Tommy_Campbell_(musician) | february |
| Tommy_Campbell_(musician) | 14 |
| Tommy_Campbell_(musician) | 1957 |
| Tommy_Campbell_(musician) | norristown |
| Tommy_Campbell_(musician) | pennsylvania |
| Tommy_Campbell_(musician) | is |
| Tommy_Campbell_(musician) | an |
| Tommy_Campbell_(musician) | american |
| Tommy_Campbell_(musician) | jazz |
| Tommy_Campbell_(musician) | drummer |
| Tommy_Campbell_(musician) | campbell’s |
| Tommy_Campbell_(musician) | uncle |
| Tommy_Campbell_(musician) | is |
| Tommy_Campbell_(musician) | jimmy |
| Tommy_Campbell_(musician) | smith |
| Tommy_Campbell_(musician) | campbell |
| Tommy_Campbell_(musician) | played |
| Tommy_Campbell_(musician) | with |
| Tommy_Campbell_(musician) | him |
| Tommy_Campbell_(musician) | as |
| Tommy_Campbell_(musician) | a |
| Tommy_Campbell_(musician) | teenager |
| Tommy_Campbell_(musician) | and |
| Tommy_Campbell_(musician) | subsequently |
| Tommy_Campbell_(musician) | he |
| Tommy_Campbell_(musician) | was |
| Tommy_Campbell_(musician) | a |
| Tommy_Campbell_(musician) | student |
| Tommy_Campbell_(musician) | at |
| Tommy_Campbell_(musician) | berklee |
| Tommy_Campbell_(musician) | college |
| Tommy_Campbell_(musician) | of |
| Tommy_Campbell_(musician) | music |
| Tommy_Campbell_(musician) | from |
| Tommy_Campbell_(musician) | 1975 |
| Tommy_Campbell_(musician) | to |
| Tommy_Campbell_(musician) | 1979 |
| Tommy_Campbell_(musician) | where |
| Tommy_Campbell_(musician) | he |
| Tommy_Campbell_(musician) | played |
| Tommy_Campbell_(musician) | with |
| Tommy_Campbell_(musician) | tiger |
| Tommy_Campbell_(musician) | okoshi |
| Tommy_Campbell_(musician) | and |
| Tommy_Campbell_(musician) | marlena |
| Tommy_Campbell_(musician) | shaw |
| Tommy_Campbell_(musician) | and |
| Tommy_Campbell_(musician) | led |
| Tommy_Campbell_(musician) | a |
| Tommy_Campbell_(musician) | band |
| Tommy_Campbell_(musician) | which |
| Tommy_Campbell_(musician) | included |
| Tommy_Campbell_(musician) | kevin |
| Tommy_Campbell_(musician) | eubanks |
| Tommy_Campbell_(musician) | after |
| Tommy_Campbell_(musician) | graduating |
| Tommy_Campbell_(musician) | he |
| Tommy_Campbell_(musician) | became |
| Tommy_Campbell_(musician) | a |
| Tommy_Campbell_(musician) | member |
| Tommy_Campbell_(musician) | of |
| Tommy_Campbell_(musician) | dizzy |
| Tommy_Campbell_(musician) | gillespie’s |
| Tommy_Campbell_(musician) | big |
| Tommy_Campbell_(musician) | band |
| Tommy_Campbell_(musician) | where |
| Tommy_Campbell_(musician) | he |
| Tommy_Campbell_(musician) | worked |
| Tommy_Campbell_(musician) | until |
| Tommy_Campbell_(musician) | 1982 |
| Tommy_Campbell_(musician) | he |
| Tommy_Campbell_(musician) | then |
| Tommy_Campbell_(musician) | joined |
| Tommy_Campbell_(musician) | john |
| Tommy_Campbell_(musician) | mclaughlin’s |
| Tommy_Campbell_(musician) | group |
| Tommy_Campbell_(musician) | until |
| Tommy_Campbell_(musician) | 1984 |
| Tommy_Campbell_(musician) | he |
| Tommy_Campbell_(musician) | recorded |
| Tommy_Campbell_(musician) | with |
| Tommy_Campbell_(musician) | eubanks |
| Tommy_Campbell_(musician) | throughout |
| Tommy_Campbell_(musician) | the |
| Tommy_Campbell_(musician) | 1980s |
| Tommy_Campbell_(musician) | and |
| Tommy_Campbell_(musician) | played |
| Tommy_Campbell_(musician) | with |
| Tommy_Campbell_(musician) | sonny |
| Tommy_Campbell_(musician) | rollins |
| Tommy_Campbell_(musician) | tania |
| Tommy_Campbell_(musician) | maria |
| Tommy_Campbell_(musician) | gary |
| Tommy_Campbell_(musician) | burton |
| Tommy_Campbell_(musician) | igor |
| Tommy_Campbell_(musician) | butman |
| Tommy_Campbell_(musician) | and |
| Tommy_Campbell_(musician) | makoto |
| Tommy_Campbell_(musician) | ozone |
| Tommy_Campbell_(musician) | in |
| Tommy_Campbell_(musician) | the |
| Tommy_Campbell_(musician) | decade |
| Tommy_Campbell_(musician) | after |
| Tommy_Campbell_(musician) | relocating |
| Tommy_Campbell_(musician) | to |
| Tommy_Campbell_(musician) | new |
| Tommy_Campbell_(musician) | york |
| Tommy_Campbell_(musician) | city |
| Tommy_Campbell_(musician) | in |
| Tommy_Campbell_(musician) | 1988 |
| Tommy_Campbell_(musician) | he |
| Tommy_Campbell_(musician) | worked |
| Tommy_Campbell_(musician) | with |
| Tommy_Campbell_(musician) | his |
| Tommy_Campbell_(musician) | own |
| Tommy_Campbell_(musician) | group |
| Tommy_Campbell_(musician) | alongside |
| Tommy_Campbell_(musician) | charnett |
| Tommy_Campbell_(musician) | moffett |
| Tommy_Campbell_(musician) | aydin |
| Tommy_Campbell_(musician) | esen |
| Tommy_Campbell_(musician) | and |
| Tommy_Campbell_(musician) | eubanks |
| Tommy_Campbell_(musician) | he |
| Tommy_Campbell_(musician) | also |
| Tommy_Campbell_(musician) | worked |
| Tommy_Campbell_(musician) | in |
| Tommy_Campbell_(musician) | a |
| Tommy_Campbell_(musician) | trio |
| Tommy_Campbell_(musician) | setting |
| Tommy_Campbell_(musician) | with |
| Tommy_Campbell_(musician) | david |
| Tommy_Campbell_(musician) | kikoski |
| Tommy_Campbell_(musician) | and |
| Tommy_Campbell_(musician) | alex |
| Tommy_Campbell_(musician) | blake |
| Tommy_Campbell_(musician) | as |
| Tommy_Campbell_(musician) | a |
| Tommy_Campbell_(musician) | sideman |
| Tommy_Campbell_(musician) | he |
| Tommy_Campbell_(musician) | worked |
| Tommy_Campbell_(musician) | in |
| Tommy_Campbell_(musician) | the |
| Tommy_Campbell_(musician) | 1990s |
| Tommy_Campbell_(musician) | with |
| Tommy_Campbell_(musician) | stanley |
| Tommy_Campbell_(musician) | jordan |
| Tommy_Campbell_(musician) | the |
| Tommy_Campbell_(musician) | manhattan |
| Tommy_Campbell_(musician) | transfer |
| Tommy_Campbell_(musician) | the |
| Tommy_Campbell_(musician) | david |
| Tommy_Campbell_(musician) | murray |
| Tommy_Campbell_(musician) | ray |
| Tommy_Campbell_(musician) | anderson |
| Tommy_Campbell_(musician) | and |
| Tommy_Campbell_(musician) | mingus |
| Tommy_Campbell_(musician) | big |
| Tommy_Campbell_(musician) | band |
| Tommy_Campbell_(musician) | in |
| Tommy_Campbell_(musician) | early |
| Tommy_Campbell_(musician) | 1998 |
| Tommy_Campbell_(musician) | he |
| Tommy_Campbell_(musician) | moved |
| Tommy_Campbell_(musician) | to |
| Tommy_Campbell_(musician) | japan |
| Tommy_Campbell_(musician) | and |
| Tommy_Campbell_(musician) | has |
| Tommy_Campbell_(musician) | split |
| Tommy_Campbell_(musician) | his |
| Tommy_Campbell_(musician) | time |
| Tommy_Campbell_(musician) | between |
| Tommy_Campbell_(musician) | the |
| Tommy_Campbell_(musician) | two |
| Tommy_Campbell_(musician) | countries |
| Tommy_Campbell_(musician) | since |
| Tommy_Campbell_(musician) | then |
| Tommy_Campbell_(musician) | en |
| Clark_Terry | clark |
| Clark_Terry | virgil |
| Clark_Terry | terry |
| Clark_Terry | jr |
| Clark_Terry | december |
| Clark_Terry | 14 |
| Clark_Terry | 1920 |
| Clark_Terry | february |
| Clark_Terry | 21 |
| Clark_Terry | 2015 |
| Clark_Terry | was |
| Clark_Terry | an |
| Clark_Terry | american |
| Clark_Terry | swing |
| Clark_Terry | and |
| Clark_Terry | bebop |
| Clark_Terry | trumpeter |
| Clark_Terry | a |
| Clark_Terry | pioneer |
| Clark_Terry | of |
| Clark_Terry | the |
| Clark_Terry | flugelhorn |
| Clark_Terry | in |
| Clark_Terry | jazz |
| Clark_Terry | and |
| Clark_Terry | a |
| Clark_Terry | composer |
| Clark_Terry | and |
| Clark_Terry | educator |
| Clark_Terry | he |
| Clark_Terry | played |
| Clark_Terry | with |
| Clark_Terry | charlie |
| Clark_Terry | barnet |
| Clark_Terry | 1947 |
| Clark_Terry | count |
| Clark_Terry | basie |
| Clark_Terry | 1948 |
| Clark_Terry | 1 |
| Clark_Terry | duke |
| Clark_Terry | ellington |
| Clark_Terry | 1951 |
| Clark_Terry | 9 |
| Clark_Terry | quincy |
| Clark_Terry | jones |
| Clark_Terry | 1960 |
| Clark_Terry | and |
| Clark_Terry | oscar |
| Clark_Terry | peterson |
| Clark_Terry | 1964 |
| Clark_Terry | 6 |
| Clark_Terry | he |
| Clark_Terry | was |
| Clark_Terry | with |
| Clark_Terry | the |
| Clark_Terry | tonight |
| Clark_Terry | show |
| Clark_Terry | band |
| Clark_Terry | on |
| Clark_Terry | the |
| Clark_Terry | tonight |
| Clark_Terry | show |
| Clark_Terry | from |
| Clark_Terry | 1962 |
| Clark_Terry | to |
| Clark_Terry | 1972 |
| Clark_Terry | his |
| Clark_Terry | career |
| Clark_Terry | in |
| Clark_Terry | jazz |
| Clark_Terry | spanned |
| Clark_Terry | more |
| Clark_Terry | than |
| Clark_Terry | 70 |
| Clark_Terry | years |
| Clark_Terry | during |
| Clark_Terry | which |
| Clark_Terry | he |
| Clark_Terry | became |
| Clark_Terry | one |
| Clark_Terry | of |
| Clark_Terry | the |
| Clark_Terry | most |
| Clark_Terry | recorded |
| Clark_Terry | jazz |
| Clark_Terry | musicians |
| Clark_Terry | appearing |
| Clark_Terry | on |
| Clark_Terry | over |
| Clark_Terry | 900 |
| Clark_Terry | recordings |
| Clark_Terry | terry |
| Clark_Terry | also |
| Clark_Terry | mentored |
| Clark_Terry | quincy |
| Clark_Terry | jones |
| Clark_Terry | miles |
| Clark_Terry | davis |
| Clark_Terry | herbie |
| Clark_Terry | hancock |
| Clark_Terry | wynton |
| Clark_Terry | marsalis |
| Clark_Terry | pat |
| Clark_Terry | metheny |
| Clark_Terry | dianne |
| Clark_Terry | reeves |
| Clark_Terry | and |
| Clark_Terry | terri |
| Clark_Terry | lyne |
| Clark_Terry | carrington |
| Clark_Terry | en |
| Wessell_Anderson | wessell |
| Wessell_Anderson | warmdaddy |
| Wessell_Anderson | anderson |
| Wessell_Anderson | born |
| Wessell_Anderson | 1966 |
| Wessell_Anderson | is |
| Wessell_Anderson | an |
| Wessell_Anderson | american |
| Wessell_Anderson | jazz |
| Wessell_Anderson | alto |
| Wessell_Anderson | and |
| Wessell_Anderson | sopranino |
| Wessell_Anderson | saxophonist |
| Wessell_Anderson | anderson |
| Wessell_Anderson | grew |
| Wessell_Anderson | up |
| Wessell_Anderson | in |
| Wessell_Anderson | bedford |
| Wessell_Anderson | stuyvesant |
| Wessell_Anderson | and |
| Wessell_Anderson | crown |
| Wessell_Anderson | heights |
| Wessell_Anderson | and |
| Wessell_Anderson | played |
| Wessell_Anderson | jazz |
| Wessell_Anderson | early |
| Wessell_Anderson | on |
| Wessell_Anderson | at |
| Wessell_Anderson | the |
| Wessell_Anderson | urging |
| Wessell_Anderson | of |
| Wessell_Anderson | his |
| Wessell_Anderson | father |
| Wessell_Anderson | who |
| Wessell_Anderson | was |
| Wessell_Anderson | a |
| Wessell_Anderson | drummer |
| Wessell_Anderson | he |
| Wessell_Anderson | played |
| Wessell_Anderson | in |
| Wessell_Anderson | local |
| Wessell_Anderson | clubs |
| Wessell_Anderson | from |
| Wessell_Anderson | his |
| Wessell_Anderson | early |
| Wessell_Anderson | teenage |
| Wessell_Anderson | years |
| Wessell_Anderson | and |
| Wessell_Anderson | studied |
| Wessell_Anderson | at |
| Wessell_Anderson | the |
| Wessell_Anderson | jazzmobile |
| Wessell_Anderson | workshops |
| Wessell_Anderson | with |
| Wessell_Anderson | frank |
| Wessell_Anderson | wess |
| Wessell_Anderson | charles |
| Wessell_Anderson | davis |
| Wessell_Anderson | and |
| Wessell_Anderson | frank |
| Wessell_Anderson | foster |
| Wessell_Anderson | he |
| Wessell_Anderson | also |
| Wessell_Anderson | met |
| Wessell_Anderson | branford |
| Wessell_Anderson | marsalis |
| Wessell_Anderson | who |
| Wessell_Anderson | convinced |
| Wessell_Anderson | him |
| Wessell_Anderson | to |
| Wessell_Anderson | study |
| Wessell_Anderson | with |
| Wessell_Anderson | alvin |
| Wessell_Anderson | batiste |
| Wessell_Anderson | at |
| Wessell_Anderson | southern |
| Wessell_Anderson | university |
| Wessell_Anderson | in |
| Wessell_Anderson | louisiana |
| Wessell_Anderson | soon |
| Wessell_Anderson | after |
| Wessell_Anderson | this |
| Wessell_Anderson | anderson |
| Wessell_Anderson | began |
| Wessell_Anderson | touring |
| Wessell_Anderson | with |
| Wessell_Anderson | the |
| Wessell_Anderson | wynton |
| Wessell_Anderson | marsalis |
| Wessell_Anderson | septet |
| Wessell_Anderson | and |
| Wessell_Anderson | collaborated |
| Wessell_Anderson | with |
| Wessell_Anderson | marsalis |
| Wessell_Anderson | through |
| Wessell_Anderson | the |
| Wessell_Anderson | middle |
| Wessell_Anderson | of |
| Wessell_Anderson | the |
| Wessell_Anderson | 1990s |
| Wessell_Anderson | he |
| Wessell_Anderson | continued |
| Wessell_Anderson | to |
| Wessell_Anderson | play |
| Wessell_Anderson | with |
| Wessell_Anderson | marsalis’s |
| Wessell_Anderson | lincoln |
| Wessell_Anderson | center |
| Wessell_Anderson | jazz |
| Wessell_Anderson | orchestra |
| Wessell_Anderson | beyond |
| Wessell_Anderson | this |
| Wessell_Anderson | in |
| Wessell_Anderson | 1994 |
| Wessell_Anderson | he |
| Wessell_Anderson | released |
| Wessell_Anderson | his |
| Wessell_Anderson | debut |
| Wessell_Anderson | album |
| Wessell_Anderson | on |
| Wessell_Anderson | atlantic |
| Wessell_Anderson | records |
| Wessell_Anderson | eric |
| Wessell_Anderson | reed |
| Wessell_Anderson | and |
| Wessell_Anderson | ben |
| Wessell_Anderson | wolfe |
| Wessell_Anderson | were |
| Wessell_Anderson | among |
| Wessell_Anderson | those |
| Wessell_Anderson | who |
| Wessell_Anderson | played |
| Wessell_Anderson | as |
| Wessell_Anderson | sidemen |
| Wessell_Anderson | his |
| Wessell_Anderson | 1998 |
| Wessell_Anderson | album |
| Wessell_Anderson | live |
| Wessell_Anderson | at |
| Wessell_Anderson | the |
| Wessell_Anderson | village |
| Wessell_Anderson | vanguard |
| Wessell_Anderson | featured |
| Wessell_Anderson | irvin |
| Wessell_Anderson | mayfield |
| Wessell_Anderson | steve |
| Wessell_Anderson | kirby |
| Wessell_Anderson | xavier |
| Wessell_Anderson | davis |
| Wessell_Anderson | and |
| Wessell_Anderson | en |
| George_Mraz | george |
| George_Mraz | mraz |
| George_Mraz | born |
| George_Mraz | ji |
| George_Mraz | 穩 |
| George_Mraz | mr |
| George_Mraz | 獺 |
| George_Mraz | z |
| George_Mraz | 9 |
| George_Mraz | september |
| George_Mraz | 1944 |
| George_Mraz | 16 |
| George_Mraz | september |
| George_Mraz | 2021 |
| George_Mraz | was |
| George_Mraz | a |
| George_Mraz | czech |
| George_Mraz | born |
| George_Mraz | american |
| George_Mraz | jazz |
| George_Mraz | bassist |
| George_Mraz | and |
| George_Mraz | alto |
| George_Mraz | saxophonist |
| George_Mraz | he |
| George_Mraz | was |
| George_Mraz | a |
| George_Mraz | member |
| George_Mraz | of |
| George_Mraz | oscar |
| George_Mraz | peterson’s |
| George_Mraz | group |
| George_Mraz | and |
| George_Mraz | worked |
| George_Mraz | with |
| George_Mraz | pepper |
| George_Mraz | adams |
| George_Mraz | stan |
| George_Mraz | getz |
| George_Mraz | michel |
| George_Mraz | petrucciani |
| George_Mraz | stephane |
| George_Mraz | grappelli |
| George_Mraz | tommy |
| George_Mraz | flanagan |
| George_Mraz | jimmy |
| George_Mraz | raney |
| George_Mraz | chet |
| George_Mraz | baker |
| George_Mraz | joe |
| George_Mraz | henderson |
| George_Mraz | john |
| George_Mraz | abercrombie |
| George_Mraz | john |
| George_Mraz | scofield |
| George_Mraz | and |
| George_Mraz | richie |
| George_Mraz | beirach |
| George_Mraz | among |
| George_Mraz | others |
| George_Mraz | during |
| George_Mraz | the |
| George_Mraz | 1970s |
| George_Mraz | he |
| George_Mraz | was |
| George_Mraz | a |
| George_Mraz | member |
| George_Mraz | of |
| George_Mraz | the |
| George_Mraz | new |
| George_Mraz | york |
| George_Mraz | jazz |
| George_Mraz | quartet |
| George_Mraz | and |
| George_Mraz | the |
| George_Mraz | thad |
| George_Mraz | jones |
| George_Mraz | mel |
| George_Mraz | lewis |
| George_Mraz | orchestra |
| George_Mraz | and |
| George_Mraz | in |
| George_Mraz | the |
| George_Mraz | 1980s |
| George_Mraz | a |
| George_Mraz | member |
| George_Mraz | of |
| George_Mraz | quest |
| George_Mraz | he |
| George_Mraz | also |
| George_Mraz | appeared |
| George_Mraz | with |
| George_Mraz | joe |
| George_Mraz | lovano |
| George_Mraz | hank |
| George_Mraz | jones |
| George_Mraz | and |
| George_Mraz | paul |
| George_Mraz | motian |
| George_Mraz | on |
| George_Mraz | lovano’s |
| George_Mraz | records |
| George_Mraz | i’m |
| George_Mraz | all |
| George_Mraz | for |
| George_Mraz | you |
| George_Mraz | and |
| George_Mraz | joyous |
| George_Mraz | encounter |
| George_Mraz | en |
| Rickey_Minor | rickey |
| Rickey_Minor | minor |
| Rickey_Minor | is |
| Rickey_Minor | an |
| Rickey_Minor | american |
| Rickey_Minor | bass |
| Rickey_Minor | player |
| Rickey_Minor | music |
| Rickey_Minor | director |
| Rickey_Minor | composer |
| Rickey_Minor | and |
| Rickey_Minor | music |
| Rickey_Minor | producer |
| Rickey_Minor | he |
| Rickey_Minor | was |
| Rickey_Minor | the |
| Rickey_Minor | musical |
| Rickey_Minor | director |
| Rickey_Minor | and |
| Rickey_Minor | bandleader |
| Rickey_Minor | on |
| Rickey_Minor | the |
| Rickey_Minor | tonight |
| Rickey_Minor | show |
| Rickey_Minor | with |
| Rickey_Minor | jay |
| Rickey_Minor | leno |
| Rickey_Minor | from |
| Rickey_Minor | 2010 |
| Rickey_Minor | to |
| Rickey_Minor | 2014 |
| Rickey_Minor | taking |
| Rickey_Minor | over |
| Rickey_Minor | after |
| Rickey_Minor | kevin |
| Rickey_Minor | eubanks |
| Rickey_Minor | left |
| Rickey_Minor | minor |
| Rickey_Minor | worked |
| Rickey_Minor | as |
| Rickey_Minor | musical |
| Rickey_Minor | director |
| Rickey_Minor | for |
| Rickey_Minor | american |
| Rickey_Minor | idol |
| Rickey_Minor | minor |
| Rickey_Minor | has |
| Rickey_Minor | served |
| Rickey_Minor | as |
| Rickey_Minor | musical |
| Rickey_Minor | director |
| Rickey_Minor | for |
| Rickey_Minor | numerous |
| Rickey_Minor | superstar |
| Rickey_Minor | tours |
| Rickey_Minor | including |
| Rickey_Minor | whitney |
| Rickey_Minor | houston |
| Rickey_Minor | christina |
| Rickey_Minor | aguilera |
| Rickey_Minor | ray |
| Rickey_Minor | charles |
| Rickey_Minor | alicia |
| Rickey_Minor | keys |
| Rickey_Minor | and |
| Rickey_Minor | beyonc |
| Rickey_Minor | 矇 |
| Rickey_Minor | and |
| Rickey_Minor | for |
| Rickey_Minor | television |
| Rickey_Minor | productions |
| Rickey_Minor | including |
| Rickey_Minor | the |
| Rickey_Minor | grammy |
| Rickey_Minor | awards |
| Rickey_Minor | the |
| Rickey_Minor | naacp |
| Rickey_Minor | image |
| Rickey_Minor | awards |
| Rickey_Minor | and |
| Rickey_Minor | the |
| Rickey_Minor | super |
| Rickey_Minor | bowl |
| Rickey_Minor | he |
| Rickey_Minor | has |
| Rickey_Minor | received |
| Rickey_Minor | twelve |
| Rickey_Minor | primetime |
| Rickey_Minor | emmy |
| Rickey_Minor | award |
| Rickey_Minor | nominations |
| Rickey_Minor | for |
| Rickey_Minor | outstanding |
| Rickey_Minor | music |
| Rickey_Minor | direction |
| Rickey_Minor | winning |
| Rickey_Minor | two |
| Rickey_Minor | of |
| Rickey_Minor | them |
| Rickey_Minor | for |
| Rickey_Minor | taking |
| Rickey_Minor | the |
| Rickey_Minor | stage |
| Rickey_Minor | african |
| Rickey_Minor | american |
| Rickey_Minor | music |
| Rickey_Minor | and |
| Rickey_Minor | stories |
| Rickey_Minor | that |
| Rickey_Minor | changed |
| Rickey_Minor | america |
| Rickey_Minor | 2017 |
| Rickey_Minor | and |
| Rickey_Minor | the |
| Rickey_Minor | kennedy |
| Rickey_Minor | center |
| Rickey_Minor | honors |
| Rickey_Minor | 2020 |
| Rickey_Minor | en |
| Andrew_Hill_(jazz_musician) | andrew |
| Andrew_Hill_(jazz_musician) | hill |
| Andrew_Hill_(jazz_musician) | june |
| Andrew_Hill_(jazz_musician) | 30 |
| Andrew_Hill_(jazz_musician) | 1931 |
| Andrew_Hill_(jazz_musician) | april |
| Andrew_Hill_(jazz_musician) | 20 |
| Andrew_Hill_(jazz_musician) | 2007 |
| Andrew_Hill_(jazz_musician) | was |
| Andrew_Hill_(jazz_musician) | an |
| Andrew_Hill_(jazz_musician) | american |
| Andrew_Hill_(jazz_musician) | jazz |
| Andrew_Hill_(jazz_musician) | pianist |
| Andrew_Hill_(jazz_musician) | and |
| Andrew_Hill_(jazz_musician) | composer |
| Andrew_Hill_(jazz_musician) | jazz |
| Andrew_Hill_(jazz_musician) | critic |
| Andrew_Hill_(jazz_musician) | john |
| Andrew_Hill_(jazz_musician) | fordham |
| Andrew_Hill_(jazz_musician) | described |
| Andrew_Hill_(jazz_musician) | hill |
| Andrew_Hill_(jazz_musician) | as |
| Andrew_Hill_(jazz_musician) | a |
| Andrew_Hill_(jazz_musician) | uniquely |
| Andrew_Hill_(jazz_musician) | gifted |
| Andrew_Hill_(jazz_musician) | composer |
| Andrew_Hill_(jazz_musician) | pianist |
| Andrew_Hill_(jazz_musician) | and |
| Andrew_Hill_(jazz_musician) | educator |
| Andrew_Hill_(jazz_musician) | although |
| Andrew_Hill_(jazz_musician) | his |
| Andrew_Hill_(jazz_musician) | status |
| Andrew_Hill_(jazz_musician) | remained |
| Andrew_Hill_(jazz_musician) | largely |
| Andrew_Hill_(jazz_musician) | inside |
| Andrew_Hill_(jazz_musician) | knowledge |
| Andrew_Hill_(jazz_musician) | in |
| Andrew_Hill_(jazz_musician) | the |
| Andrew_Hill_(jazz_musician) | jazz |
| Andrew_Hill_(jazz_musician) | world |
| Andrew_Hill_(jazz_musician) | for |
| Andrew_Hill_(jazz_musician) | most |
| Andrew_Hill_(jazz_musician) | of |
| Andrew_Hill_(jazz_musician) | his |
| Andrew_Hill_(jazz_musician) | career |
| Andrew_Hill_(jazz_musician) | hill |
| Andrew_Hill_(jazz_musician) | recorded |
| Andrew_Hill_(jazz_musician) | for |
| Andrew_Hill_(jazz_musician) | blue |
| Andrew_Hill_(jazz_musician) | note |
| Andrew_Hill_(jazz_musician) | records |
| Andrew_Hill_(jazz_musician) | for |
| Andrew_Hill_(jazz_musician) | nearly |
| Andrew_Hill_(jazz_musician) | a |
| Andrew_Hill_(jazz_musician) | decade |
| Andrew_Hill_(jazz_musician) | producing |
| Andrew_Hill_(jazz_musician) | a |
| Andrew_Hill_(jazz_musician) | dozen |
| Andrew_Hill_(jazz_musician) | albums |
| Andrew_Hill_(jazz_musician) | en |
| Robert_Stewart_(saxophonist) | robert |
| Robert_Stewart_(saxophonist) | darrin |
| Robert_Stewart_(saxophonist) | stewart |
| Robert_Stewart_(saxophonist) | is |
| Robert_Stewart_(saxophonist) | an |
| Robert_Stewart_(saxophonist) | american |
| Robert_Stewart_(saxophonist) | saxophonist |
| Robert_Stewart_(saxophonist) | he |
| Robert_Stewart_(saxophonist) | recorded |
| Robert_Stewart_(saxophonist) | several |
| Robert_Stewart_(saxophonist) | albums |
| Robert_Stewart_(saxophonist) | under |
| Robert_Stewart_(saxophonist) | his |
| Robert_Stewart_(saxophonist) | own |
| Robert_Stewart_(saxophonist) | name |
| Robert_Stewart_(saxophonist) | during |
| Robert_Stewart_(saxophonist) | the |
| Robert_Stewart_(saxophonist) | period |
| Robert_Stewart_(saxophonist) | 1994 |
| Robert_Stewart_(saxophonist) | 006 |
| Robert_Stewart_(saxophonist) | he |
| Robert_Stewart_(saxophonist) | has |
| Robert_Stewart_(saxophonist) | also |
| Robert_Stewart_(saxophonist) | recorded |
| Robert_Stewart_(saxophonist) | as |
| Robert_Stewart_(saxophonist) | a |
| Robert_Stewart_(saxophonist) | sideman |
| Robert_Stewart_(saxophonist) | including |
| Robert_Stewart_(saxophonist) | on |
| Robert_Stewart_(saxophonist) | trumpeter |
| Robert_Stewart_(saxophonist) | wynton |
| Robert_Stewart_(saxophonist) | marsalis |
| Robert_Stewart_(saxophonist) | blood |
| Robert_Stewart_(saxophonist) | on |
| Robert_Stewart_(saxophonist) | the |
| Robert_Stewart_(saxophonist) | fields |
| Robert_Stewart_(saxophonist) | stewart |
| Robert_Stewart_(saxophonist) | went |
| Robert_Stewart_(saxophonist) | on |
| Robert_Stewart_(saxophonist) | multiple |
| Robert_Stewart_(saxophonist) | national |
| Robert_Stewart_(saxophonist) | and |
| Robert_Stewart_(saxophonist) | world |
| Robert_Stewart_(saxophonist) | tours |
| Robert_Stewart_(saxophonist) | during |
| Robert_Stewart_(saxophonist) | his |
| Robert_Stewart_(saxophonist) | 30 |
| Robert_Stewart_(saxophonist) | year |
| Robert_Stewart_(saxophonist) | career |
| Robert_Stewart_(saxophonist) | as |
| Robert_Stewart_(saxophonist) | a |
| Robert_Stewart_(saxophonist) | performer |
| Robert_Stewart_(saxophonist) | both |
| Robert_Stewart_(saxophonist) | under |
| Robert_Stewart_(saxophonist) | his |
| Robert_Stewart_(saxophonist) | own |
| Robert_Stewart_(saxophonist) | name |
| Robert_Stewart_(saxophonist) | and |
| Robert_Stewart_(saxophonist) | with |
| Robert_Stewart_(saxophonist) | the |
| Robert_Stewart_(saxophonist) | marsalis |
| Robert_Stewart_(saxophonist) | band |
| Robert_Stewart_(saxophonist) | en |
| Art_Pepper | arthur |
| Art_Pepper | edward |
| Art_Pepper | pepper |
| Art_Pepper | jr |
| Art_Pepper | september |
| Art_Pepper | 1 |
| Art_Pepper | 1925 |
| Art_Pepper | june |
| Art_Pepper | 15 |
| Art_Pepper | 1982 |
| Art_Pepper | was |
| Art_Pepper | an |
| Art_Pepper | american |
| Art_Pepper | alto |
| Art_Pepper | saxophonist |
| Art_Pepper | and |
| Art_Pepper | very |
| Art_Pepper | occasional |
| Art_Pepper | tenor |
| Art_Pepper | saxophonist |
| Art_Pepper | and |
| Art_Pepper | clarinetist |
| Art_Pepper | active |
| Art_Pepper | in |
| Art_Pepper | west |
| Art_Pepper | coast |
| Art_Pepper | jazz |
| Art_Pepper | pepper |
| Art_Pepper | came |
| Art_Pepper | to |
| Art_Pepper | prominence |
| Art_Pepper | in |
| Art_Pepper | stan |
| Art_Pepper | kenton’s |
| Art_Pepper | big |
| Art_Pepper | band |
| Art_Pepper | he |
| Art_Pepper | was |
| Art_Pepper | known |
| Art_Pepper | for |
| Art_Pepper | his |
| Art_Pepper | emotionally |
| Art_Pepper | charged |
| Art_Pepper | performances |
| Art_Pepper | and |
| Art_Pepper | several |
| Art_Pepper | stylistic |
| Art_Pepper | shifts |
| Art_Pepper | throughout |
| Art_Pepper | his |
| Art_Pepper | career |
| Art_Pepper | and |
| Art_Pepper | was |
| Art_Pepper | described |
| Art_Pepper | by |
| Art_Pepper | critic |
| Art_Pepper | scott |
| Art_Pepper | yanow |
| Art_Pepper | as |
| Art_Pepper | having |
| Art_Pepper | attained |
| Art_Pepper | his |
| Art_Pepper | goal |
| Art_Pepper | of |
| Art_Pepper | becoming |
| Art_Pepper | the |
| Art_Pepper | world’s |
| Art_Pepper | great |
| Art_Pepper | altoist |
| Art_Pepper | at |
| Art_Pepper | the |
| Art_Pepper | time |
| Art_Pepper | of |
| Art_Pepper | his |
| Art_Pepper | death |
| Art_Pepper | en |
| Carla_Bley | carla |
| Carla_Bley | bley |
| Carla_Bley | born |
| Carla_Bley | lovella |
| Carla_Bley | may |
| Carla_Bley | borg |
| Carla_Bley | may |
| Carla_Bley | 11 |
| Carla_Bley | 1936 |
| Carla_Bley | is |
| Carla_Bley | an |
| Carla_Bley | american |
| Carla_Bley | jazz |
| Carla_Bley | composer |
| Carla_Bley | pianist |
| Carla_Bley | organist |
| Carla_Bley | and |
| Carla_Bley | bandleader |
| Carla_Bley | an |
| Carla_Bley | important |
| Carla_Bley | figure |
| Carla_Bley | in |
| Carla_Bley | the |
| Carla_Bley | free |
| Carla_Bley | jazz |
| Carla_Bley | movement |
| Carla_Bley | of |
| Carla_Bley | the |
| Carla_Bley | 1960s |
| Carla_Bley | she |
| Carla_Bley | is |
| Carla_Bley | perhaps |
| Carla_Bley | best |
| Carla_Bley | known |
| Carla_Bley | for |
| Carla_Bley | her |
| Carla_Bley | jazz |
| Carla_Bley | opera |
| Carla_Bley | escalator |
| Carla_Bley | over |
| Carla_Bley | the |
| Carla_Bley | hill |
| Carla_Bley | released |
| Carla_Bley | as |
| Carla_Bley | a |
| Carla_Bley | triple |
| Carla_Bley | lp |
| Carla_Bley | set |
| Carla_Bley | as |
| Carla_Bley | well |
| Carla_Bley | as |
| Carla_Bley | a |
| Carla_Bley | book |
| Carla_Bley | of |
| Carla_Bley | compositions |
| Carla_Bley | that |
| Carla_Bley | have |
| Carla_Bley | been |
| Carla_Bley | performed |
| Carla_Bley | by |
| Carla_Bley | many |
| Carla_Bley | other |
| Carla_Bley | artists |
| Carla_Bley | including |
| Carla_Bley | gary |
| Carla_Bley | burton |
| Carla_Bley | jimmy |
| Carla_Bley | giuffre |
| Carla_Bley | george |
| Carla_Bley | russell |
| Carla_Bley | art |
| Carla_Bley | farmer |
| Carla_Bley | john |
| Carla_Bley | scofield |
| Carla_Bley | and |
| Carla_Bley | her |
| Carla_Bley | ex |
| Carla_Bley | husband |
| Carla_Bley | paul |
| Carla_Bley | bley |
| Carla_Bley | en |
| Donald_Brown_(musician) | donald |
| Donald_Brown_(musician) | ray |
| Donald_Brown_(musician) | brown |
| Donald_Brown_(musician) | born |
| Donald_Brown_(musician) | march |
| Donald_Brown_(musician) | 28 |
| Donald_Brown_(musician) | 1954 |
| Donald_Brown_(musician) | is |
| Donald_Brown_(musician) | an |
| Donald_Brown_(musician) | american |
| Donald_Brown_(musician) | jazz |
| Donald_Brown_(musician) | pianist |
| Donald_Brown_(musician) | and |
| Donald_Brown_(musician) | producer |
| Donald_Brown_(musician) | brown |
| Donald_Brown_(musician) | was |
| Donald_Brown_(musician) | born |
| Donald_Brown_(musician) | in |
| Donald_Brown_(musician) | hernando |
| Donald_Brown_(musician) | mississippi |
| Donald_Brown_(musician) | and |
| Donald_Brown_(musician) | raised |
| Donald_Brown_(musician) | in |
| Donald_Brown_(musician) | memphis |
| Donald_Brown_(musician) | tennessee |
| Donald_Brown_(musician) | where |
| Donald_Brown_(musician) | he |
| Donald_Brown_(musician) | learned |
| Donald_Brown_(musician) | to |
| Donald_Brown_(musician) | play |
| Donald_Brown_(musician) | trumpet |
| Donald_Brown_(musician) | and |
| Donald_Brown_(musician) | drums |
| Donald_Brown_(musician) | in |
| Donald_Brown_(musician) | his |
| Donald_Brown_(musician) | youth |
| Donald_Brown_(musician) | from |
| Donald_Brown_(musician) | 1972 |
| Donald_Brown_(musician) | to |
| Donald_Brown_(musician) | 1975 |
| Donald_Brown_(musician) | he |
| Donald_Brown_(musician) | was |
| Donald_Brown_(musician) | a |
| Donald_Brown_(musician) | student |
| Donald_Brown_(musician) | at |
| Donald_Brown_(musician) | memphis |
| Donald_Brown_(musician) | state |
| Donald_Brown_(musician) | university |
| Donald_Brown_(musician) | by |
| Donald_Brown_(musician) | which |
| Donald_Brown_(musician) | time |
| Donald_Brown_(musician) | he |
| Donald_Brown_(musician) | had |
| Donald_Brown_(musician) | made |
| Donald_Brown_(musician) | piano |
| Donald_Brown_(musician) | his |
| Donald_Brown_(musician) | primary |
| Donald_Brown_(musician) | instrument |
| Donald_Brown_(musician) | he |
| Donald_Brown_(musician) | was |
| Donald_Brown_(musician) | with |
| Donald_Brown_(musician) | art |
| Donald_Brown_(musician) | blakey’s |
| Donald_Brown_(musician) | jazz |
| Donald_Brown_(musician) | messengers |
| Donald_Brown_(musician) | from |
| Donald_Brown_(musician) | 1981 |
| Donald_Brown_(musician) | to |
| Donald_Brown_(musician) | 1982 |
| Donald_Brown_(musician) | then |
| Donald_Brown_(musician) | took |
| Donald_Brown_(musician) | teaching |
| Donald_Brown_(musician) | positions |
| Donald_Brown_(musician) | at |
| Donald_Brown_(musician) | berklee |
| Donald_Brown_(musician) | college |
| Donald_Brown_(musician) | of |
| Donald_Brown_(musician) | music |
| Donald_Brown_(musician) | from |
| Donald_Brown_(musician) | 1983 |
| Donald_Brown_(musician) | to |
| Donald_Brown_(musician) | 1985 |
| Donald_Brown_(musician) | and |
| Donald_Brown_(musician) | the |
| Donald_Brown_(musician) | university |
| Donald_Brown_(musician) | of |
| Donald_Brown_(musician) | tennessee |
| Donald_Brown_(musician) | from |
| Donald_Brown_(musician) | 1988 |
| Donald_Brown_(musician) | brown |
| Donald_Brown_(musician) | has |
| Donald_Brown_(musician) | recorded |
| Donald_Brown_(musician) | for |
| Donald_Brown_(musician) | evidence |
| Donald_Brown_(musician) | muse |
| Donald_Brown_(musician) | and |
| Donald_Brown_(musician) | sunnyside |
| Donald_Brown_(musician) | en |
| Reuben_Rogers | 堭 |
| Reuben_Rogers | 堥 |
| Reuben_Rogers | 堭 |
| Reuben_Rogers | 堿 |
| Reuben_Rogers | 堭 |
| Reuben_Rogers | 堬 |
| Reuben_Rogers | 堥 |
| Reuben_Rogers | 塈 |
| Reuben_Rogers | 堨 |
| Reuben_Rogers | 堿 |
| Reuben_Rogers | 堬 |
| Reuben_Rogers | 堜 |
| Reuben_Rogers | reuben |
| Reuben_Rogers | rogers |
| Reuben_Rogers | 媢 |
| Reuben_Rogers | 塈 |
| Reuben_Rogers | 堬 |
| Reuben_Rogers | 堿 |
| Reuben_Rogers | 塈 |
| Reuben_Rogers | 堬 |
| Reuben_Rogers | 堶 |
| Reuben_Rogers | 堧 |
| Reuben_Rogers | 堭 |
| Reuben_Rogers | 堹 |
| Reuben_Rogers | 15 |
| Reuben_Rogers | 堥 |
| Reuben_Rogers | 堭 |
| Reuben_Rogers | 1974 |
| Reuben_Rogers | 堻 |
| Reuben_Rogers | 塈 |
| Reuben_Rogers | 堛 |
| Reuben_Rogers | 堛 |
| Reuben_Rogers | 塈 |
| Reuben_Rogers | 堻 |
| Reuben_Rogers | 塈 |
| Reuben_Rogers | 塈 |
| Reuben_Rogers | 塈 |
| Reuben_Rogers | 堛 |
| Reuben_Rogers | 塈 |
| Reuben_Rogers | 堛 |
| Reuben_Rogers | 堶 |
| Reuben_Rogers | 堹 |
| Reuben_Rogers | 堜 |
| Reuben_Rogers | ar |
| Reuben_Rogers | reuben |
| Reuben_Rogers | renwick |
| Reuben_Rogers | rogers |
| Reuben_Rogers | 15 |
| Reuben_Rogers | november |
| Reuben_Rogers | 1974 |
| Reuben_Rogers | in |
| Reuben_Rogers | saint |
| Reuben_Rogers | thomas |
| Reuben_Rogers | ist |
| Reuben_Rogers | ein |
| Reuben_Rogers | amerikanischer |
| Reuben_Rogers | jazzmusiker |
| Reuben_Rogers | kontrabass |
| Reuben_Rogers | bassgitarre |
| Reuben_Rogers | auch |
| Reuben_Rogers | komposition |
| Reuben_Rogers | de |
| Reuben_Rogers | reuben |
| Reuben_Rogers | renwick |
| Reuben_Rogers | rogers |
| Reuben_Rogers | saint |
| Reuben_Rogers | thomas |
| Reuben_Rogers | 15 |
| Reuben_Rogers | november |
| Reuben_Rogers | 1974 |
| Reuben_Rogers | is |
| Reuben_Rogers | een |
| Reuben_Rogers | amerikaanse |
| Reuben_Rogers | jazzmuzikant |
| Reuben_Rogers | contrabas |
| Reuben_Rogers | basgitaar |
| Reuben_Rogers | en |
| Reuben_Rogers | componist |
| Reuben_Rogers | nl |
| Yusef_Lateef | yusef |
| Yusef_Lateef | abdul |
| Yusef_Lateef | lateef |
| Yusef_Lateef | born |
| Yusef_Lateef | william |
| Yusef_Lateef | emanuel |
| Yusef_Lateef | huddleston |
| Yusef_Lateef | october |
| Yusef_Lateef | 9 |
| Yusef_Lateef | 1920 |
| Yusef_Lateef | december |
| Yusef_Lateef | 23 |
| Yusef_Lateef | 2013 |
| Yusef_Lateef | was |
| Yusef_Lateef | an |
| Yusef_Lateef | american |
| Yusef_Lateef | jazz |
| Yusef_Lateef | multi |
| Yusef_Lateef | instrumentalist |
| Yusef_Lateef | composer |
| Yusef_Lateef | and |
| Yusef_Lateef | prominent |
| Yusef_Lateef | figure |
| Yusef_Lateef | among |
| Yusef_Lateef | the |
| Yusef_Lateef | ahmadiyya |
| Yusef_Lateef | community |
| Yusef_Lateef | in |
| Yusef_Lateef | america |
| Yusef_Lateef | although |
| Yusef_Lateef | lateef’s |
| Yusef_Lateef | main |
| Yusef_Lateef | instruments |
| Yusef_Lateef | were |
| Yusef_Lateef | the |
| Yusef_Lateef | tenor |
| Yusef_Lateef | saxophone |
| Yusef_Lateef | and |
| Yusef_Lateef | flute |
| Yusef_Lateef | he |
| Yusef_Lateef | also |
| Yusef_Lateef | played |
| Yusef_Lateef | oboe |
| Yusef_Lateef | and |
| Yusef_Lateef | bassoon |
| Yusef_Lateef | both |
| Yusef_Lateef | rare |
| Yusef_Lateef | in |
| Yusef_Lateef | jazz |
| Yusef_Lateef | and |
| Yusef_Lateef | non |
| Yusef_Lateef | western |
| Yusef_Lateef | instruments |
| Yusef_Lateef | such |
| Yusef_Lateef | as |
| Yusef_Lateef | the |
| Yusef_Lateef | bamboo |
| Yusef_Lateef | flute |
| Yusef_Lateef | shanai |
| Yusef_Lateef | shofar |
| Yusef_Lateef | xun |
| Yusef_Lateef | arghul |
| Yusef_Lateef | and |
| Yusef_Lateef | koto |
| Yusef_Lateef | he |
| Yusef_Lateef | is |
| Yusef_Lateef | known |
| Yusef_Lateef | for |
| Yusef_Lateef | having |
| Yusef_Lateef | been |
| Yusef_Lateef | an |
| Yusef_Lateef | innovator |
| Yusef_Lateef | in |
| Yusef_Lateef | the |
| Yusef_Lateef | blending |
| Yusef_Lateef | of |
| Yusef_Lateef | jazz |
| Yusef_Lateef | with |
| Yusef_Lateef | eastern |
| Yusef_Lateef | music |
| Yusef_Lateef | peter |
| Yusef_Lateef | keepnews |
| Yusef_Lateef | in |
| Yusef_Lateef | his |
| Yusef_Lateef | new |
| Yusef_Lateef | york |
| Yusef_Lateef | times |
| Yusef_Lateef | obituary |
| Yusef_Lateef | of |
| Yusef_Lateef | lateef |
| Yusef_Lateef | wrote |
| Yusef_Lateef | that |
| Yusef_Lateef | the |
| Yusef_Lateef | musician |
| Yusef_Lateef | played |
| Yusef_Lateef | world |
| Yusef_Lateef | music |
| Yusef_Lateef | before |
| Yusef_Lateef | world |
| Yusef_Lateef | music |
| Yusef_Lateef | had |
| Yusef_Lateef | a |
| Yusef_Lateef | name |
| Yusef_Lateef | lateef’s |
| Yusef_Lateef | books |
| Yusef_Lateef | included |
| Yusef_Lateef | two |
| Yusef_Lateef | novellas |
| Yusef_Lateef | entitled |
| Yusef_Lateef | a |
| Yusef_Lateef | night |
| Yusef_Lateef | in |
| Yusef_Lateef | the |
| Yusef_Lateef | garden |
| Yusef_Lateef | of |
| Yusef_Lateef | love |
| Yusef_Lateef | and |
| Yusef_Lateef | another |
| Yusef_Lateef | avenue |
| Yusef_Lateef | the |
| Yusef_Lateef | short |
| Yusef_Lateef | story |
| Yusef_Lateef | collections |
| Yusef_Lateef | spheres |
| Yusef_Lateef | and |
| Yusef_Lateef | rain |
| Yusef_Lateef | shapes |
| Yusef_Lateef | also |
| Yusef_Lateef | his |
| Yusef_Lateef | autobiography |
| Yusef_Lateef | the |
| Yusef_Lateef | gentle |
| Yusef_Lateef | giant |
| Yusef_Lateef | written |
| Yusef_Lateef | in |
| Yusef_Lateef | collaboration |
| Yusef_Lateef | with |
| Yusef_Lateef | herb |
| Yusef_Lateef | boyd |
| Yusef_Lateef | along |
| Yusef_Lateef | with |
| Yusef_Lateef | his |
| Yusef_Lateef | record |
| Yusef_Lateef | label |
| Yusef_Lateef | yal |
| Yusef_Lateef | records |
| Yusef_Lateef | lateef |
| Yusef_Lateef | owned |
| Yusef_Lateef | fana |
| Yusef_Lateef | music |
| Yusef_Lateef | a |
| Yusef_Lateef | music |
| Yusef_Lateef | publishing |
| Yusef_Lateef | company |
| Yusef_Lateef | lateef |
| Yusef_Lateef | published |
| Yusef_Lateef | his |
| Yusef_Lateef | own |
| Yusef_Lateef | work |
| Yusef_Lateef | through |
| Yusef_Lateef | fana |
| Yusef_Lateef | which |
| Yusef_Lateef | includes |
| Yusef_Lateef | yusef |
| Yusef_Lateef | lateef’s |
| Yusef_Lateef | flute |
| Yusef_Lateef | book |
| Yusef_Lateef | of |
| Yusef_Lateef | the |
| Yusef_Lateef | blues |
| Yusef_Lateef | and |
| Yusef_Lateef | many |
| Yusef_Lateef | of |
| Yusef_Lateef | his |
| Yusef_Lateef | own |
| Yusef_Lateef | orchestral |
| Yusef_Lateef | compositions |
| Yusef_Lateef | en |
| Eric_Lewis_(pianist) | eric |
| Eric_Lewis_(pianist) | robert |
| Eric_Lewis_(pianist) | lewis |
| Eric_Lewis_(pianist) | born |
| Eric_Lewis_(pianist) | may |
| Eric_Lewis_(pianist) | 13 |
| Eric_Lewis_(pianist) | 1973 |
| Eric_Lewis_(pianist) | popularly |
| Eric_Lewis_(pianist) | known |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | elew |
| Eric_Lewis_(pianist) | is |
| Eric_Lewis_(pianist) | an |
| Eric_Lewis_(pianist) | american |
| Eric_Lewis_(pianist) | jazz |
| Eric_Lewis_(pianist) | pianist |
| Eric_Lewis_(pianist) | who |
| Eric_Lewis_(pianist) | has |
| Eric_Lewis_(pianist) | found |
| Eric_Lewis_(pianist) | cross |
| Eric_Lewis_(pianist) | over |
| Eric_Lewis_(pianist) | success |
| Eric_Lewis_(pianist) | playing |
| Eric_Lewis_(pianist) | rock |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | pop |
| Eric_Lewis_(pianist) | music |
| Eric_Lewis_(pianist) | he |
| Eric_Lewis_(pianist) | is |
| Eric_Lewis_(pianist) | known |
| Eric_Lewis_(pianist) | for |
| Eric_Lewis_(pianist) | his |
| Eric_Lewis_(pianist) | unconventional |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | physical |
| Eric_Lewis_(pianist) | playing |
| Eric_Lewis_(pianist) | style |
| Eric_Lewis_(pianist) | which |
| Eric_Lewis_(pianist) | eschews |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | piano |
| Eric_Lewis_(pianist) | bench |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | includes |
| Eric_Lewis_(pianist) | reaching |
| Eric_Lewis_(pianist) | inside |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | piano |
| Eric_Lewis_(pianist) | lid |
| Eric_Lewis_(pianist) | to |
| Eric_Lewis_(pianist) | pull |
| Eric_Lewis_(pianist) | at |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | strings |
| Eric_Lewis_(pianist) | directly |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | well |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | creation |
| Eric_Lewis_(pianist) | that |
| Eric_Lewis_(pianist) | he |
| Eric_Lewis_(pianist) | calls |
| Eric_Lewis_(pianist) | rockjazz |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | genre |
| Eric_Lewis_(pianist) | that |
| Eric_Lewis_(pianist) | takes |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | improvisational |
| Eric_Lewis_(pianist) | aspect |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | jazz |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | threads |
| Eric_Lewis_(pianist) | it |
| Eric_Lewis_(pianist) | through |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | eye |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | needle |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | rock |
| Eric_Lewis_(pianist) | lewis |
| Eric_Lewis_(pianist) | began |
| Eric_Lewis_(pianist) | his |
| Eric_Lewis_(pianist) | career |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | jazz |
| Eric_Lewis_(pianist) | purist |
| Eric_Lewis_(pianist) | playing |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | sideman |
| Eric_Lewis_(pianist) | for |
| Eric_Lewis_(pianist) | jazz |
| Eric_Lewis_(pianist) | artists |
| Eric_Lewis_(pianist) | like |
| Eric_Lewis_(pianist) | wynton |
| Eric_Lewis_(pianist) | marsalis |
| Eric_Lewis_(pianist) | cassandra |
| Eric_Lewis_(pianist) | wilson |
| Eric_Lewis_(pianist) | elvin |
| Eric_Lewis_(pianist) | jones |
| Eric_Lewis_(pianist) | jon |
| Eric_Lewis_(pianist) | hendricks |
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| Eric_Lewis_(pianist) | roy |
| Eric_Lewis_(pianist) | hargrove |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | well |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | performing |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | member |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | lincoln |
| Eric_Lewis_(pianist) | center |
| Eric_Lewis_(pianist) | jazz |
| Eric_Lewis_(pianist) | orchestra |
| Eric_Lewis_(pianist) | however |
| Eric_Lewis_(pianist) | he |
| Eric_Lewis_(pianist) | eventually |
| Eric_Lewis_(pianist) | became |
| Eric_Lewis_(pianist) | interested |
| Eric_Lewis_(pianist) | in |
| Eric_Lewis_(pianist) | rock |
| Eric_Lewis_(pianist) | music |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | embarked |
| Eric_Lewis_(pianist) | on |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | solo |
| Eric_Lewis_(pianist) | career |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | crossover |
| Eric_Lewis_(pianist) | musician |
| Eric_Lewis_(pianist) | quickly |
| Eric_Lewis_(pianist) | gaining |
| Eric_Lewis_(pianist) | recognition |
| Eric_Lewis_(pianist) | for |
| Eric_Lewis_(pianist) | his |
| Eric_Lewis_(pianist) | instrumental |
| Eric_Lewis_(pianist) | rockjazz |
| Eric_Lewis_(pianist) | piano |
| Eric_Lewis_(pianist) | covers |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | mainstream |
| Eric_Lewis_(pianist) | rock |
| Eric_Lewis_(pianist) | hits |
| Eric_Lewis_(pianist) | like |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | rolling |
| Eric_Lewis_(pianist) | stones |
| Eric_Lewis_(pianist) | paint |
| Eric_Lewis_(pianist) | it |
| Eric_Lewis_(pianist) | black |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | killers |
| Eric_Lewis_(pianist) | mr |
| Eric_Lewis_(pianist) | brightside |
| Eric_Lewis_(pianist) | he |
| Eric_Lewis_(pianist) | released |
| Eric_Lewis_(pianist) | his |
| Eric_Lewis_(pianist) | first |
| Eric_Lewis_(pianist) | album |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | instrumental |
| Eric_Lewis_(pianist) | covers |
| Eric_Lewis_(pianist) | entitled |
| Eric_Lewis_(pianist) | elew |
| Eric_Lewis_(pianist) | rockjazz |
| Eric_Lewis_(pianist) | vol |
| Eric_Lewis_(pianist) | 1 |
| Eric_Lewis_(pianist) | on |
| Eric_Lewis_(pianist) | his |
| Eric_Lewis_(pianist) | own |
| Eric_Lewis_(pianist) | label |
| Eric_Lewis_(pianist) | ninjazz |
| Eric_Lewis_(pianist) | entertainment |
| Eric_Lewis_(pianist) | in |
| Eric_Lewis_(pianist) | march |
| Eric_Lewis_(pianist) | 2010 |
| Eric_Lewis_(pianist) | his |
| Eric_Lewis_(pianist) | distinctive |
| Eric_Lewis_(pianist) | style |
| Eric_Lewis_(pianist) | has |
| Eric_Lewis_(pianist) | helped |
| Eric_Lewis_(pianist) | him |
| Eric_Lewis_(pianist) | to |
| Eric_Lewis_(pianist) | amass |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | large |
| Eric_Lewis_(pianist) | following |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | celebrity |
| Eric_Lewis_(pianist) | fans |
| Eric_Lewis_(pianist) | including |
| Eric_Lewis_(pianist) | barack |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | michelle |
| Eric_Lewis_(pianist) | obama |
| Eric_Lewis_(pianist) | for |
| Eric_Lewis_(pianist) | whom |
| Eric_Lewis_(pianist) | he |
| Eric_Lewis_(pianist) | has |
| Eric_Lewis_(pianist) | played |
| Eric_Lewis_(pianist) | at |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | white |
| Eric_Lewis_(pianist) | house |
| Eric_Lewis_(pianist) | leonardo |
| Eric_Lewis_(pianist) | dicaprio |
| Eric_Lewis_(pianist) | donna |
| Eric_Lewis_(pianist) | karan |
| Eric_Lewis_(pianist) | t |
| Eric_Lewis_(pianist) | 矇 |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | leoni |
| Eric_Lewis_(pianist) | david |
| Eric_Lewis_(pianist) | duchovny |
| Eric_Lewis_(pianist) | hugh |
| Eric_Lewis_(pianist) | jackman |
| Eric_Lewis_(pianist) | forest |
| Eric_Lewis_(pianist) | whitaker |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | gerard |
| Eric_Lewis_(pianist) | butler |
| Eric_Lewis_(pianist) | throughout |
| Eric_Lewis_(pianist) | his |
| Eric_Lewis_(pianist) | career |
| Eric_Lewis_(pianist) | he |
| Eric_Lewis_(pianist) | has |
| Eric_Lewis_(pianist) | performed |
| Eric_Lewis_(pianist) | with |
| Eric_Lewis_(pianist) | musicians |
| Eric_Lewis_(pianist) | such |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | sting |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | roots |
| Eric_Lewis_(pianist) | natalie |
| Eric_Lewis_(pianist) | cole |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | esperanza |
| Eric_Lewis_(pianist) | spalding |
| Eric_Lewis_(pianist) | in |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | spring |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | 2011 |
| Eric_Lewis_(pianist) | he |
| Eric_Lewis_(pianist) | joined |
| Eric_Lewis_(pianist) | singer |
| Eric_Lewis_(pianist) | songwriter |
| Eric_Lewis_(pianist) | josh |
| Eric_Lewis_(pianist) | groban |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | opening |
| Eric_Lewis_(pianist) | act |
| Eric_Lewis_(pianist) | on |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | american |
| Eric_Lewis_(pianist) | leg |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | singer’s |
| Eric_Lewis_(pianist) | straight |
| Eric_Lewis_(pianist) | to |
| Eric_Lewis_(pianist) | you |
| Eric_Lewis_(pianist) | tour |
| Eric_Lewis_(pianist) | around |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | same |
| Eric_Lewis_(pianist) | time |
| Eric_Lewis_(pianist) | he |
| Eric_Lewis_(pianist) | appeared |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | contestant |
| Eric_Lewis_(pianist) | in |
| Eric_Lewis_(pianist) | an |
| Eric_Lewis_(pianist) | audition |
| Eric_Lewis_(pianist) | on |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | nbc |
| Eric_Lewis_(pianist) | reality |
| Eric_Lewis_(pianist) | series |
| Eric_Lewis_(pianist) | america’s |
| Eric_Lewis_(pianist) | got |
| Eric_Lewis_(pianist) | talent |
| Eric_Lewis_(pianist) | where |
| Eric_Lewis_(pianist) | he |
| Eric_Lewis_(pianist) | received |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | standing |
| Eric_Lewis_(pianist) | ovation |
| Eric_Lewis_(pianist) | from |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | crowd |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | positive |
| Eric_Lewis_(pianist) | scores |
| Eric_Lewis_(pianist) | from |
| Eric_Lewis_(pianist) | all |
| Eric_Lewis_(pianist) | three |
| Eric_Lewis_(pianist) | judges |
| Eric_Lewis_(pianist) | despite |
| Eric_Lewis_(pianist) | his |
| Eric_Lewis_(pianist) | positive |
| Eric_Lewis_(pianist) | reception |
| Eric_Lewis_(pianist) | he |
| Eric_Lewis_(pianist) | ultimately |
| Eric_Lewis_(pianist) | dropped |
| Eric_Lewis_(pianist) | out |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | competition |
| Eric_Lewis_(pianist) | in |
| Eric_Lewis_(pianist) | order |
| Eric_Lewis_(pianist) | to |
| Eric_Lewis_(pianist) | tour |
| Eric_Lewis_(pianist) | with |
| Eric_Lewis_(pianist) | groban |
| Eric_Lewis_(pianist) | in |
| Eric_Lewis_(pianist) | august |
| Eric_Lewis_(pianist) | 2012 |
| Eric_Lewis_(pianist) | he |
| Eric_Lewis_(pianist) | was |
| Eric_Lewis_(pianist) | featured |
| Eric_Lewis_(pianist) | on |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | mike |
| Eric_Lewis_(pianist) | stud |
| Eric_Lewis_(pianist) | remix |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | maroon |
| Eric_Lewis_(pianist) | 5 |
| Eric_Lewis_(pianist) | song |
| Eric_Lewis_(pianist) | one |
| Eric_Lewis_(pianist) | more |
| Eric_Lewis_(pianist) | night |
| Eric_Lewis_(pianist) | on |
| Eric_Lewis_(pianist) | august |
| Eric_Lewis_(pianist) | 28 |
| Eric_Lewis_(pianist) | 2012 |
| Eric_Lewis_(pianist) | lewis |
| Eric_Lewis_(pianist) | released |
| Eric_Lewis_(pianist) | his |
| Eric_Lewis_(pianist) | second |
| Eric_Lewis_(pianist) | solo |
| Eric_Lewis_(pianist) | album |
| Eric_Lewis_(pianist) | elew |
| Eric_Lewis_(pianist) | rockjazz |
| Eric_Lewis_(pianist) | vol |
| Eric_Lewis_(pianist) | 2 |
| Eric_Lewis_(pianist) | elew |
| Eric_Lewis_(pianist) | held |
| Eric_Lewis_(pianist) | in |
| Eric_Lewis_(pianist) | late |
| Eric_Lewis_(pianist) | 2015 |
| Eric_Lewis_(pianist) | a |
| Eric_Lewis_(pianist) | preview |
| Eric_Lewis_(pianist) | concert |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | his |
| Eric_Lewis_(pianist) | upcoming |
| Eric_Lewis_(pianist) | album |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | to |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | republic |
| Eric_Lewis_(pianist) | with |
| Eric_Lewis_(pianist) | jeff |
| Eric_Lewis_(pianist) | tain |
| Eric_Lewis_(pianist) | watts |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | reginald |
| Eric_Lewis_(pianist) | veal |
| Eric_Lewis_(pianist) | at |
| Eric_Lewis_(pianist) | dizzy’s |
| Eric_Lewis_(pianist) | club |
| Eric_Lewis_(pianist) | coca |
| Eric_Lewis_(pianist) | cola |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | to |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | republic |
| Eric_Lewis_(pianist) | was |
| Eric_Lewis_(pianist) | released |
| Eric_Lewis_(pianist) | later |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | following |
| Eric_Lewis_(pianist) | year |
| Eric_Lewis_(pianist) | in |
| Eric_Lewis_(pianist) | november |
| Eric_Lewis_(pianist) | 2016 |
| Eric_Lewis_(pianist) | since |
| Eric_Lewis_(pianist) | its |
| Eric_Lewis_(pianist) | conception |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | album |
| Eric_Lewis_(pianist) | has |
| Eric_Lewis_(pianist) | been |
| Eric_Lewis_(pianist) | praised |
| Eric_Lewis_(pianist) | by |
| Eric_Lewis_(pianist) | some |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | largest |
| Eric_Lewis_(pianist) | jazz |
| Eric_Lewis_(pianist) | outlets |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | publications |
| Eric_Lewis_(pianist) | in |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | world |
| Eric_Lewis_(pianist) | such |
| Eric_Lewis_(pianist) | as |
| Eric_Lewis_(pianist) | npr’s |
| Eric_Lewis_(pianist) | jazz |
| Eric_Lewis_(pianist) | night |
| Eric_Lewis_(pianist) | in |
| Eric_Lewis_(pianist) | america |
| Eric_Lewis_(pianist) | hosted |
| Eric_Lewis_(pianist) | by |
| Eric_Lewis_(pianist) | christian |
| Eric_Lewis_(pianist) | mcbride |
| Eric_Lewis_(pianist) | jazz |
| Eric_Lewis_(pianist) | times |
| Eric_Lewis_(pianist) | downbeat |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | all |
| Eric_Lewis_(pianist) | about |
| Eric_Lewis_(pianist) | jazz |
| Eric_Lewis_(pianist) | in |
| Eric_Lewis_(pianist) | summer |
| Eric_Lewis_(pianist) | 2016 |
| Eric_Lewis_(pianist) | elew |
| Eric_Lewis_(pianist) | was |
| Eric_Lewis_(pianist) | awarded |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | novus |
| Eric_Lewis_(pianist) | award |
| Eric_Lewis_(pianist) | at |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | headquarters |
| Eric_Lewis_(pianist) | of |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | united |
| Eric_Lewis_(pianist) | nations |
| Eric_Lewis_(pianist) | for |
| Eric_Lewis_(pianist) | contributing |
| Eric_Lewis_(pianist) | music |
| Eric_Lewis_(pianist) | and |
| Eric_Lewis_(pianist) | art |
| Eric_Lewis_(pianist) | to |
| Eric_Lewis_(pianist) | the |
| Eric_Lewis_(pianist) | world |
| Eric_Lewis_(pianist) | en |
| Wallace_Roney | wallace |
| Wallace_Roney | roney |
| Wallace_Roney | may |
| Wallace_Roney | 25 |
| Wallace_Roney | 1960 |
| Wallace_Roney | march |
| Wallace_Roney | 31 |
| Wallace_Roney | 2020 |
| Wallace_Roney | was |
| Wallace_Roney | an |
| Wallace_Roney | american |
| Wallace_Roney | jazz |
| Wallace_Roney | hard |
| Wallace_Roney | bop |
| Wallace_Roney | and |
| Wallace_Roney | post |
| Wallace_Roney | bop |
| Wallace_Roney | trumpeter |
| Wallace_Roney | roney |
| Wallace_Roney | took |
| Wallace_Roney | lessons |
| Wallace_Roney | from |
| Wallace_Roney | clark |
| Wallace_Roney | terry |
| Wallace_Roney | and |
| Wallace_Roney | dizzy |
| Wallace_Roney | gillespie |
| Wallace_Roney | and |
| Wallace_Roney | studied |
| Wallace_Roney | with |
| Wallace_Roney | miles |
| Wallace_Roney | davis |
| Wallace_Roney | from |
| Wallace_Roney | 1985 |
| Wallace_Roney | until |
| Wallace_Roney | the |
| Wallace_Roney | latter’s |
| Wallace_Roney | death |
| Wallace_Roney | in |
| Wallace_Roney | 1991 |
| Wallace_Roney | wallace |
| Wallace_Roney | credited |
| Wallace_Roney | davis |
| Wallace_Roney | as |
| Wallace_Roney | having |
| Wallace_Roney | helped |
| Wallace_Roney | to |
| Wallace_Roney | challenge |
| Wallace_Roney | and |
| Wallace_Roney | shape |
| Wallace_Roney | his |
| Wallace_Roney | creative |
| Wallace_Roney | approach |
| Wallace_Roney | to |
| Wallace_Roney | life |
| Wallace_Roney | as |
| Wallace_Roney | well |
| Wallace_Roney | as |
| Wallace_Roney | being |
| Wallace_Roney | his |
| Wallace_Roney | music |
| Wallace_Roney | instructor |
| Wallace_Roney | mentor |
| Wallace_Roney | and |
| Wallace_Roney | friend |
| Wallace_Roney | he |
| Wallace_Roney | was |
| Wallace_Roney | the |
| Wallace_Roney | only |
| Wallace_Roney | trumpet |
| Wallace_Roney | player |
| Wallace_Roney | davis |
| Wallace_Roney | personally |
| Wallace_Roney | mentored |
| Wallace_Roney | en |
| Herbie_Hancock | herbert |
| Herbie_Hancock | jeffrey |
| Herbie_Hancock | hancock |
| Herbie_Hancock | born |
| Herbie_Hancock | april |
| Herbie_Hancock | 12 |
| Herbie_Hancock | 1940 |
| Herbie_Hancock | is |
| Herbie_Hancock | an |
| Herbie_Hancock | american |
| Herbie_Hancock | jazz |
| Herbie_Hancock | pianist |
| Herbie_Hancock | keyboardist |
| Herbie_Hancock | bandleader |
| Herbie_Hancock | composer |
| Herbie_Hancock | and |
| Herbie_Hancock | occasional |
| Herbie_Hancock | actor |
| Herbie_Hancock | hancock |
| Herbie_Hancock | started |
| Herbie_Hancock | his |
| Herbie_Hancock | career |
| Herbie_Hancock | with |
| Herbie_Hancock | trumpeter |
| Herbie_Hancock | donald |
| Herbie_Hancock | byrd |
| Herbie_Hancock | group |
| Herbie_Hancock | he |
| Herbie_Hancock | shortly |
| Herbie_Hancock | thereafter |
| Herbie_Hancock | joined |
| Herbie_Hancock | the |
| Herbie_Hancock | miles |
| Herbie_Hancock | davis |
| Herbie_Hancock | quintet |
| Herbie_Hancock | where |
| Herbie_Hancock | he |
| Herbie_Hancock | helped |
| Herbie_Hancock | to |
| Herbie_Hancock | redefine |
| Herbie_Hancock | the |
| Herbie_Hancock | role |
| Herbie_Hancock | of |
| Herbie_Hancock | a |
| Herbie_Hancock | jazz |
| Herbie_Hancock | rhythm |
| Herbie_Hancock | section |
| Herbie_Hancock | and |
| Herbie_Hancock | was |
| Herbie_Hancock | one |
| Herbie_Hancock | of |
| Herbie_Hancock | the |
| Herbie_Hancock | primary |
| Herbie_Hancock | architects |
| Herbie_Hancock | of |
| Herbie_Hancock | the |
| Herbie_Hancock | post |
| Herbie_Hancock | bop |
| Herbie_Hancock | sound |
| Herbie_Hancock | in |
| Herbie_Hancock | the |
| Herbie_Hancock | 1970s |
| Herbie_Hancock | hancock |
| Herbie_Hancock | experimented |
| Herbie_Hancock | with |
| Herbie_Hancock | jazz |
| Herbie_Hancock | fusion |
| Herbie_Hancock | funk |
| Herbie_Hancock | and |
| Herbie_Hancock | electro |
| Herbie_Hancock | styles |
| Herbie_Hancock | utilizing |
| Herbie_Hancock | a |
| Herbie_Hancock | wide |
| Herbie_Hancock | array |
| Herbie_Hancock | of |
| Herbie_Hancock | synthesizers |
| Herbie_Hancock | and |
| Herbie_Hancock | electronics |
| Herbie_Hancock | it |
| Herbie_Hancock | was |
| Herbie_Hancock | during |
| Herbie_Hancock | this |
| Herbie_Hancock | period |
| Herbie_Hancock | that |
| Herbie_Hancock | he |
| Herbie_Hancock | released |
| Herbie_Hancock | perhaps |
| Herbie_Hancock | his |
| Herbie_Hancock | best |
| Herbie_Hancock | known |
| Herbie_Hancock | and |
| Herbie_Hancock | most |
| Herbie_Hancock | influential |
| Herbie_Hancock | album |
| Herbie_Hancock | head |
| Herbie_Hancock | hunters |
| Herbie_Hancock | hancock’s |
| Herbie_Hancock | best |
| Herbie_Hancock | known |
| Herbie_Hancock | compositions |
| Herbie_Hancock | include |
| Herbie_Hancock | cantaloupe |
| Herbie_Hancock | island |
| Herbie_Hancock | watermelon |
| Herbie_Hancock | man |
| Herbie_Hancock | maiden |
| Herbie_Hancock | voyage |
| Herbie_Hancock | and |
| Herbie_Hancock | chameleon |
| Herbie_Hancock | all |
| Herbie_Hancock | of |
| Herbie_Hancock | which |
| Herbie_Hancock | are |
| Herbie_Hancock | jazz |
| Herbie_Hancock | standards |
| Herbie_Hancock | during |
| Herbie_Hancock | the |
| Herbie_Hancock | 1980s |
| Herbie_Hancock | he |
| Herbie_Hancock | enjoyed |
| Herbie_Hancock | a |
| Herbie_Hancock | hit |
| Herbie_Hancock | single |
| Herbie_Hancock | with |
| Herbie_Hancock | the |
| Herbie_Hancock | electronic |
| Herbie_Hancock | instrumental |
| Herbie_Hancock | rockit |
| Herbie_Hancock | a |
| Herbie_Hancock | collaboration |
| Herbie_Hancock | with |
| Herbie_Hancock | bassist |
| Herbie_Hancock | producer |
| Herbie_Hancock | bill |
| Herbie_Hancock | laswell |
| Herbie_Hancock | his |
| Herbie_Hancock | 2007 |
| Herbie_Hancock | joni |
| Herbie_Hancock | mitchell |
| Herbie_Hancock | tribute |
| Herbie_Hancock | album |
| Herbie_Hancock | river |
| Herbie_Hancock | the |
| Herbie_Hancock | joni |
| Herbie_Hancock | letters |
| Herbie_Hancock | won |
| Herbie_Hancock | the |
| Herbie_Hancock | 2008 |
| Herbie_Hancock | grammy |
| Herbie_Hancock | award |
| Herbie_Hancock | for |
| Herbie_Hancock | album |
| Herbie_Hancock | of |
| Herbie_Hancock | the |
| Herbie_Hancock | year |
| Herbie_Hancock | only |
| Herbie_Hancock | the |
| Herbie_Hancock | second |
| Herbie_Hancock | jazz |
| Herbie_Hancock | album |
| Herbie_Hancock | to |
| Herbie_Hancock | win |
| Herbie_Hancock | the |
| Herbie_Hancock | award |
| Herbie_Hancock | after |
| Herbie_Hancock | getz |
| Herbie_Hancock | gilberto |
| Herbie_Hancock | in |
| Herbie_Hancock | 1965 |
| Herbie_Hancock | since |
| Herbie_Hancock | 2012 |
| Herbie_Hancock | hancock |
| Herbie_Hancock | has |
| Herbie_Hancock | served |
| Herbie_Hancock | as |
| Herbie_Hancock | a |
| Herbie_Hancock | professor |
| Herbie_Hancock | at |
| Herbie_Hancock | the |
| Herbie_Hancock | university |
| Herbie_Hancock | of |
| Herbie_Hancock | california |
| Herbie_Hancock | los |
| Herbie_Hancock | angeles |
| Herbie_Hancock | where |
| Herbie_Hancock | he |
| Herbie_Hancock | teaches |
| Herbie_Hancock | at |
| Herbie_Hancock | the |
| Herbie_Hancock | ucla |
| Herbie_Hancock | herb |
| Herbie_Hancock | alpert |
| Herbie_Hancock | school |
| Herbie_Hancock | of |
| Herbie_Hancock | music |
| Herbie_Hancock | he |
| Herbie_Hancock | is |
| Herbie_Hancock | also |
| Herbie_Hancock | the |
| Herbie_Hancock | chairman |
| Herbie_Hancock | of |
| Herbie_Hancock | the |
| Herbie_Hancock | herbie |
| Herbie_Hancock | hancock |
| Herbie_Hancock | institute |
| Herbie_Hancock | of |
| Herbie_Hancock | jazz |
| Herbie_Hancock | formerly |
| Herbie_Hancock | known |
| Herbie_Hancock | as |
| Herbie_Hancock | the |
| Herbie_Hancock | thelonious |
| Herbie_Hancock | monk |
| Herbie_Hancock | institute |
| Herbie_Hancock | of |
| Herbie_Hancock | jazz |
| Herbie_Hancock | until |
| Herbie_Hancock | 2019 |
| Herbie_Hancock | en |
| John_Scofield | john |
| John_Scofield | scofield |
| John_Scofield | born |
| John_Scofield | december |
| John_Scofield | 26 |
| John_Scofield | 1951 |
| John_Scofield | sometimes |
| John_Scofield | referred |
| John_Scofield | to |
| John_Scofield | as |
| John_Scofield | sco |
| John_Scofield | is |
| John_Scofield | an |
| John_Scofield | american |
| John_Scofield | jazz |
| John_Scofield | rock |
| John_Scofield | guitarist |
| John_Scofield | and |
| John_Scofield | composer |
| John_Scofield | whose |
| John_Scofield | music |
| John_Scofield | includes |
| John_Scofield | bebop |
| John_Scofield | jazz |
| John_Scofield | fusion |
| John_Scofield | funk |
| John_Scofield | blues |
| John_Scofield | soul |
| John_Scofield | and |
| John_Scofield | rock |
| John_Scofield | he |
| John_Scofield | has |
| John_Scofield | worked |
| John_Scofield | with |
| John_Scofield | miles |
| John_Scofield | davis |
| John_Scofield | dave |
| John_Scofield | liebman |
| John_Scofield | joe |
| John_Scofield | henderson |
| John_Scofield | charles |
| John_Scofield | mingus |
| John_Scofield | joey |
| John_Scofield | defrancesco |
| John_Scofield | herbie |
| John_Scofield | hancock |
| John_Scofield | eddie |
| John_Scofield | palmieri |
| John_Scofield | pat |
| John_Scofield | metheny |
| John_Scofield | bill |
| John_Scofield | frisell |
| John_Scofield | joe |
| John_Scofield | lovano |
| John_Scofield | pat |
| John_Scofield | martino |
| John_Scofield | mavis |
| John_Scofield | staples |
| John_Scofield | phil |
| John_Scofield | lesh |
| John_Scofield | billy |
| John_Scofield | cobham |
| John_Scofield | medeski |
| John_Scofield | martin |
| John_Scofield | wood |
| John_Scofield | george |
| John_Scofield | duke |
| John_Scofield | jaco |
| John_Scofield | pastorius |
| John_Scofield | john |
| John_Scofield | mayer |
| John_Scofield | robert |
| John_Scofield | glasper |
| John_Scofield | and |
| John_Scofield | gov’t |
| John_Scofield | mule |
| John_Scofield | en |
| Johnny_Griffin | john |
| Johnny_Griffin | arnold |
| Johnny_Griffin | griffin |
| Johnny_Griffin | iii |
| Johnny_Griffin | april |
| Johnny_Griffin | 24 |
| Johnny_Griffin | 1928 |
| Johnny_Griffin | july |
| Johnny_Griffin | 25 |
| Johnny_Griffin | 2008 |
| Johnny_Griffin | was |
| Johnny_Griffin | an |
| Johnny_Griffin | american |
| Johnny_Griffin | jazz |
| Johnny_Griffin | tenor |
| Johnny_Griffin | saxophonist |
| Johnny_Griffin | nicknamed |
| Johnny_Griffin | the |
| Johnny_Griffin | little |
| Johnny_Griffin | giant |
| Johnny_Griffin | for |
| Johnny_Griffin | his |
| Johnny_Griffin | short |
| Johnny_Griffin | stature |
| Johnny_Griffin | and |
| Johnny_Griffin | forceful |
| Johnny_Griffin | playing |
| Johnny_Griffin | griffin’s |
| Johnny_Griffin | career |
| Johnny_Griffin | began |
| Johnny_Griffin | in |
| Johnny_Griffin | the |
| Johnny_Griffin | mid |
| Johnny_Griffin | 1940s |
| Johnny_Griffin | and |
| Johnny_Griffin | continued |
| Johnny_Griffin | until |
| Johnny_Griffin | the |
| Johnny_Griffin | month |
| Johnny_Griffin | of |
| Johnny_Griffin | his |
| Johnny_Griffin | death |
| Johnny_Griffin | a |
| Johnny_Griffin | pioneering |
| Johnny_Griffin | figure |
| Johnny_Griffin | in |
| Johnny_Griffin | hard |
| Johnny_Griffin | bop |
| Johnny_Griffin | griffin |
| Johnny_Griffin | recorded |
| Johnny_Griffin | prolifically |
| Johnny_Griffin | as |
| Johnny_Griffin | a |
| Johnny_Griffin | bandleader |
| Johnny_Griffin | in |
| Johnny_Griffin | addition |
| Johnny_Griffin | to |
| Johnny_Griffin | stints |
| Johnny_Griffin | with |
| Johnny_Griffin | pianist |
| Johnny_Griffin | thelonious |
| Johnny_Griffin | monk |
| Johnny_Griffin | drummer |
| Johnny_Griffin | art |
| Johnny_Griffin | blakey |
| Johnny_Griffin | in |
| Johnny_Griffin | partnership |
| Johnny_Griffin | with |
| Johnny_Griffin | fellow |
| Johnny_Griffin | tenor |
| Johnny_Griffin | eddie |
| Johnny_Griffin | lockjaw |
| Johnny_Griffin | davis |
| Johnny_Griffin | and |
| Johnny_Griffin | as |
| Johnny_Griffin | a |
| Johnny_Griffin | member |
| Johnny_Griffin | of |
| Johnny_Griffin | the |
| Johnny_Griffin | kenny |
| Johnny_Griffin | clarke |
| Johnny_Griffin | francy |
| Johnny_Griffin | boland |
| Johnny_Griffin | big |
| Johnny_Griffin | band |
| Johnny_Griffin | after |
| Johnny_Griffin | he |
| Johnny_Griffin | moved |
| Johnny_Griffin | to |
| Johnny_Griffin | europe |
| Johnny_Griffin | in |
| Johnny_Griffin | the |
| Johnny_Griffin | 1960s |
| Johnny_Griffin | in |
| Johnny_Griffin | 1995 |
| Johnny_Griffin | griffin |
| Johnny_Griffin | was |
| Johnny_Griffin | awarded |
| Johnny_Griffin | an |
| Johnny_Griffin | honorary |
| Johnny_Griffin | doctorate |
| Johnny_Griffin | of |
| Johnny_Griffin | music |
| Johnny_Griffin | from |
| Johnny_Griffin | berklee |
| Johnny_Griffin | college |
| Johnny_Griffin | of |
| Johnny_Griffin | music |
| Johnny_Griffin | en |
| Branford_Marsalis | branford |
| Branford_Marsalis | marsalis |
| Branford_Marsalis | born |
| Branford_Marsalis | august |
| Branford_Marsalis | 26 |
| Branford_Marsalis | 1960 |
| Branford_Marsalis | is |
| Branford_Marsalis | an |
| Branford_Marsalis | american |
| Branford_Marsalis | saxophonist |
| Branford_Marsalis | composer |
| Branford_Marsalis | and |
| Branford_Marsalis | bandleader |
| Branford_Marsalis | while |
| Branford_Marsalis | primarily |
| Branford_Marsalis | known |
| Branford_Marsalis | for |
| Branford_Marsalis | his |
| Branford_Marsalis | work |
| Branford_Marsalis | in |
| Branford_Marsalis | jazz |
| Branford_Marsalis | as |
| Branford_Marsalis | the |
| Branford_Marsalis | leader |
| Branford_Marsalis | of |
| Branford_Marsalis | the |
| Branford_Marsalis | branford |
| Branford_Marsalis | marsalis |
| Branford_Marsalis | quartet |
| Branford_Marsalis | he |
| Branford_Marsalis | also |
| Branford_Marsalis | performs |
| Branford_Marsalis | frequently |
| Branford_Marsalis | as |
| Branford_Marsalis | a |
| Branford_Marsalis | soloist |
| Branford_Marsalis | with |
| Branford_Marsalis | classical |
| Branford_Marsalis | ensembles |
| Branford_Marsalis | and |
| Branford_Marsalis | has |
| Branford_Marsalis | led |
| Branford_Marsalis | the |
| Branford_Marsalis | group |
| Branford_Marsalis | buckshot |
| Branford_Marsalis | lefonque |
| Branford_Marsalis | from |
| Branford_Marsalis | 1992 |
| Branford_Marsalis | to |
| Branford_Marsalis | 1995 |
| Branford_Marsalis | he |
| Branford_Marsalis | led |
| Branford_Marsalis | the |
| Branford_Marsalis | tonight |
| Branford_Marsalis | show |
| Branford_Marsalis | band |
| Branford_Marsalis | en |
| Bobby_Timmons | robert |
| Bobby_Timmons | henry |
| Bobby_Timmons | timmons |
| Bobby_Timmons | december |
| Bobby_Timmons | 19 |
| Bobby_Timmons | 1935 |
| Bobby_Timmons | march |
| Bobby_Timmons | 1 |
| Bobby_Timmons | 1974 |
| Bobby_Timmons | was |
| Bobby_Timmons | an |
| Bobby_Timmons | american |
| Bobby_Timmons | jazz |
| Bobby_Timmons | pianist |
| Bobby_Timmons | and |
| Bobby_Timmons | composer |
| Bobby_Timmons | he |
| Bobby_Timmons | was |
| Bobby_Timmons | a |
| Bobby_Timmons | sideman |
| Bobby_Timmons | in |
| Bobby_Timmons | art |
| Bobby_Timmons | blakey’s |
| Bobby_Timmons | jazz |
| Bobby_Timmons | messengers |
| Bobby_Timmons | for |
| Bobby_Timmons | two |
| Bobby_Timmons | periods |
| Bobby_Timmons | july |
| Bobby_Timmons | 1958 |
| Bobby_Timmons | to |
| Bobby_Timmons | september |
| Bobby_Timmons | 1959 |
| Bobby_Timmons | february |
| Bobby_Timmons | 1960 |
| Bobby_Timmons | to |
| Bobby_Timmons | june |
| Bobby_Timmons | 1961 |
| Bobby_Timmons | between |
| Bobby_Timmons | which |
| Bobby_Timmons | he |
| Bobby_Timmons | was |
| Bobby_Timmons | part |
| Bobby_Timmons | of |
| Bobby_Timmons | cannonball |
| Bobby_Timmons | adderley’s |
| Bobby_Timmons | band |
| Bobby_Timmons | several |
| Bobby_Timmons | of |
| Bobby_Timmons | timmons |
| Bobby_Timmons | compositions |
| Bobby_Timmons | written |
| Bobby_Timmons | when |
| Bobby_Timmons | part |
| Bobby_Timmons | of |
| Bobby_Timmons | these |
| Bobby_Timmons | bands |
| Bobby_Timmons | including |
| Bobby_Timmons | moanin |
| Bobby_Timmons | dat |
| Bobby_Timmons | dere |
| Bobby_Timmons | and |
| Bobby_Timmons | this |
| Bobby_Timmons | here |
| Bobby_Timmons | enjoyed |
| Bobby_Timmons | commercial |
| Bobby_Timmons | success |
| Bobby_Timmons | and |
| Bobby_Timmons | brought |
| Bobby_Timmons | him |
| Bobby_Timmons | more |
| Bobby_Timmons | attention |
| Bobby_Timmons | in |
| Bobby_Timmons | the |
| Bobby_Timmons | early |
| Bobby_Timmons | and |
| Bobby_Timmons | mid |
| Bobby_Timmons | 1960s |
| Bobby_Timmons | he |
| Bobby_Timmons | led |
| Bobby_Timmons | a |
| Bobby_Timmons | series |
| Bobby_Timmons | of |
| Bobby_Timmons | piano |
| Bobby_Timmons | trios |
| Bobby_Timmons | that |
| Bobby_Timmons | toured |
| Bobby_Timmons | and |
| Bobby_Timmons | recorded |
| Bobby_Timmons | extensively |
| Bobby_Timmons | timmons |
| Bobby_Timmons | was |
| Bobby_Timmons | strongly |
| Bobby_Timmons | associated |
| Bobby_Timmons | with |
| Bobby_Timmons | the |
| Bobby_Timmons | soul |
| Bobby_Timmons | jazz |
| Bobby_Timmons | style |
| Bobby_Timmons | that |
| Bobby_Timmons | he |
| Bobby_Timmons | helped |
| Bobby_Timmons | initiate |
| Bobby_Timmons | this |
| Bobby_Timmons | link |
| Bobby_Timmons | to |
| Bobby_Timmons | apparently |
| Bobby_Timmons | simple |
| Bobby_Timmons | writing |
| Bobby_Timmons | and |
| Bobby_Timmons | playing |
| Bobby_Timmons | coupled |
| Bobby_Timmons | with |
| Bobby_Timmons | drug |
| Bobby_Timmons | and |
| Bobby_Timmons | alcohol |
| Bobby_Timmons | addiction |
| Bobby_Timmons | led |
| Bobby_Timmons | to |
| Bobby_Timmons | a |
| Bobby_Timmons | decline |
| Bobby_Timmons | in |
| Bobby_Timmons | his |
| Bobby_Timmons | career |
| Bobby_Timmons | timmons |
| Bobby_Timmons | died |
| Bobby_Timmons | aged |
| Bobby_Timmons | 38 |
| Bobby_Timmons | from |
| Bobby_Timmons | cirrhosis |
| Bobby_Timmons | several |
| Bobby_Timmons | critics |
| Bobby_Timmons | have |
| Bobby_Timmons | commented |
| Bobby_Timmons | that |
| Bobby_Timmons | his |
| Bobby_Timmons | contribution |
| Bobby_Timmons | to |
| Bobby_Timmons | jazz |
| Bobby_Timmons | remains |
| Bobby_Timmons | undervalued |
| Bobby_Timmons | en |
| Don_Henley | donald |
| Don_Henley | hugh |
| Don_Henley | don |
| Don_Henley | henley |
| Don_Henley | born |
| Don_Henley | july |
| Don_Henley | 22 |
| Don_Henley | 1947 |
| Don_Henley | is |
| Don_Henley | an |
| Don_Henley | american |
| Don_Henley | musician |
| Don_Henley | singer |
| Don_Henley | songwriter |
| Don_Henley | record |
| Don_Henley | producer |
| Don_Henley | and |
| Don_Henley | a |
| Don_Henley | founding |
| Don_Henley | member |
| Don_Henley | of |
| Don_Henley | the |
| Don_Henley | rock |
| Don_Henley | band |
| Don_Henley | eagles |
| Don_Henley | he |
| Don_Henley | was |
| Don_Henley | the |
| Don_Henley | drummer |
| Don_Henley | and |
| Don_Henley | co |
| Don_Henley | lead |
| Don_Henley | vocalist |
| Don_Henley | for |
| Don_Henley | the |
| Don_Henley | eagles |
| Don_Henley | from |
| Don_Henley | 1971 |
| Don_Henley | until |
| Don_Henley | the |
| Don_Henley | band |
| Don_Henley | broke |
| Don_Henley | up |
| Don_Henley | in |
| Don_Henley | 1980 |
| Don_Henley | and |
| Don_Henley | has |
| Don_Henley | reprised |
| Don_Henley | those |
| Don_Henley | duties |
| Don_Henley | for |
| Don_Henley | the |
| Don_Henley | group’s |
| Don_Henley | reunions |
| Don_Henley | since |
| Don_Henley | 1994 |
| Don_Henley | henley |
| Don_Henley | sang |
| Don_Henley | the |
| Don_Henley | lead |
| Don_Henley | vocals |
| Don_Henley | on |
| Don_Henley | eagles |
| Don_Henley | hits |
| Don_Henley | such |
| Don_Henley | as |
| Don_Henley | witchy |
| Don_Henley | woman |
| Don_Henley | desperado |
| Don_Henley | best |
| Don_Henley | of |
| Don_Henley | my |
| Don_Henley | love |
| Don_Henley | one |
| Don_Henley | of |
| Don_Henley | these |
| Don_Henley | nights |
| Don_Henley | hotel |
| Don_Henley | california |
| Don_Henley | life |
| Don_Henley | in |
| Don_Henley | the |
| Don_Henley | fast |
| Don_Henley | lane |
| Don_Henley | the |
| Don_Henley | long |
| Don_Henley | run |
| Don_Henley | and |
| Don_Henley | get |
| Don_Henley | over |
| Don_Henley | it |
| Don_Henley | after |
| Don_Henley | the |
| Don_Henley | eagles |
| Don_Henley | broke |
| Don_Henley | up |
| Don_Henley | in |
| Don_Henley | 1980 |
| Don_Henley | henley |
| Don_Henley | pursued |
| Don_Henley | a |
| Don_Henley | solo |
| Don_Henley | career |
| Don_Henley | and |
| Don_Henley | released |
| Don_Henley | his |
| Don_Henley | debut |
| Don_Henley | album |
| Don_Henley | i |
| Don_Henley | can’t |
| Don_Henley | stand |
| Don_Henley | still |
| Don_Henley | in |
| Don_Henley | 1982 |
| Don_Henley | he |
| Don_Henley | has |
| Don_Henley | released |
| Don_Henley | five |
| Don_Henley | studio |
| Don_Henley | albums |
| Don_Henley | two |
| Don_Henley | compilation |
| Don_Henley | albums |
| Don_Henley | and |
| Don_Henley | one |
| Don_Henley | live |
| Don_Henley | dvd |
| Don_Henley | his |
| Don_Henley | solo |
| Don_Henley | hits |
| Don_Henley | include |
| Don_Henley | dirty |
| Don_Henley | laundry |
| Don_Henley | the |
| Don_Henley | boys |
| Don_Henley | of |
| Don_Henley | summer |
| Don_Henley | all |
| Don_Henley | she |
| Don_Henley | wants |
| Don_Henley | to |
| Don_Henley | do |
| Don_Henley | is |
| Don_Henley | dance |
| Don_Henley | the |
| Don_Henley | heart |
| Don_Henley | of |
| Don_Henley | the |
| Don_Henley | matter |
| Don_Henley | the |
| Don_Henley | last |
| Don_Henley | worthless |
| Don_Henley | evening |
| Don_Henley | sunset |
| Don_Henley | grill |
| Don_Henley | not |
| Don_Henley | enough |
| Don_Henley | love |
| Don_Henley | in |
| Don_Henley | the |
| Don_Henley | world |
| Don_Henley | and |
| Don_Henley | the |
| Don_Henley | end |
| Don_Henley | of |
| Don_Henley | the |
| Don_Henley | innocence |
| Don_Henley | the |
| Don_Henley | eagles |
| Don_Henley | have |
| Don_Henley | sold |
| Don_Henley | over |
| Don_Henley | 150 |
| Don_Henley | million |
| Don_Henley | albums |
| Don_Henley | worldwide |
| Don_Henley | won |
| Don_Henley | six |
| Don_Henley | grammy |
| Don_Henley | awards |
| Don_Henley | had |
| Don_Henley | five |
| Don_Henley | number |
| Don_Henley | one |
| Don_Henley | singles |
| Don_Henley | 17 |
| Don_Henley | top |
| Don_Henley | 40 |
| Don_Henley | singles |
| Don_Henley | and |
| Don_Henley | six |
| Don_Henley | number |
| Don_Henley | one |
| Don_Henley | albums |
| Don_Henley | they |
| Don_Henley | were |
| Don_Henley | inducted |
| Don_Henley | into |
| Don_Henley | the |
| Don_Henley | rock |
| Don_Henley | and |
| Don_Henley | roll |
| Don_Henley | hall |
| Don_Henley | of |
| Don_Henley | fame |
| Don_Henley | in |
| Don_Henley | 1998 |
| Don_Henley | and |
| Don_Henley | are |
| Don_Henley | the |
| Don_Henley | highest |
| Don_Henley | selling |
| Don_Henley | american |
| Don_Henley | band |
| Don_Henley | in |
| Don_Henley | history |
| Don_Henley | as |
| Don_Henley | a |
| Don_Henley | solo |
| Don_Henley | artist |
| Don_Henley | henley |
| Don_Henley | has |
| Don_Henley | sold |
| Don_Henley | over |
| Don_Henley | 10 |
| Don_Henley | million |
| Don_Henley | albums |
| Don_Henley | worldwide |
| Don_Henley | had |
| Don_Henley | eight |
| Don_Henley | top |
| Don_Henley | 40 |
| Don_Henley | singles |
| Don_Henley | won |
| Don_Henley | two |
| Don_Henley | grammy |
| Don_Henley | awards |
| Don_Henley | and |
| Don_Henley | five |
| Don_Henley | mtv |
| Don_Henley | video |
| Don_Henley | music |
| Don_Henley | awards |
| Don_Henley | combined |
| Don_Henley | with |
| Don_Henley | the |
| Don_Henley | eagles |
| Don_Henley | and |
| Don_Henley | as |
| Don_Henley | a |
| Don_Henley | solo |
| Don_Henley | artist |
| Don_Henley | henley |
| Don_Henley | has |
| Don_Henley | released |
| Don_Henley | 25 |
| Don_Henley | top |
| Don_Henley | 40 |
| Don_Henley | singles |
| Don_Henley | on |
| Don_Henley | the |
| Don_Henley | billboard |
| Don_Henley | hot |
| Don_Henley | 100 |
| Don_Henley | he |
| Don_Henley | has |
| Don_Henley | also |
| Don_Henley | released |
| Don_Henley | seven |
| Don_Henley | studio |
| Don_Henley | albums |
| Don_Henley | with |
| Don_Henley | the |
| Don_Henley | eagles |
| Don_Henley | and |
| Don_Henley | five |
| Don_Henley | as |
| Don_Henley | a |
| Don_Henley | solo |
| Don_Henley | artist |
| Don_Henley | in |
| Don_Henley | 2008 |
| Don_Henley | he |
| Don_Henley | was |
| Don_Henley | ranked |
| Don_Henley | as |
| Don_Henley | the |
| Don_Henley | 87th |
| Don_Henley | greatest |
| Don_Henley | singer |
| Don_Henley | of |
| Don_Henley | all |
| Don_Henley | time |
| Don_Henley | by |
| Don_Henley | rolling |
| Don_Henley | stone |
| Don_Henley | magazine |
| Don_Henley | henley |
| Don_Henley | has |
| Don_Henley | also |
| Don_Henley | played |
| Don_Henley | a |
| Don_Henley | founding |
| Don_Henley | role |
| Don_Henley | in |
| Don_Henley | several |
| Don_Henley | environmental |
| Don_Henley | and |
| Don_Henley | political |
| Don_Henley | causes |
| Don_Henley | most |
| Don_Henley | notably |
| Don_Henley | the |
| Don_Henley | walden |
| Don_Henley | woods |
| Don_Henley | project |
| Don_Henley | from |
| Don_Henley | 1994 |
| Don_Henley | to |
| Don_Henley | 2016 |
| Don_Henley | he |
| Don_Henley | divided |
| Don_Henley | his |
| Don_Henley | musical |
| Don_Henley | activities |
| Don_Henley | between |
| Don_Henley | the |
| Don_Henley | eagles |
| Don_Henley | and |
| Don_Henley | his |
| Don_Henley | solo |
| Don_Henley | career |
| Don_Henley | en |
| Magos_Herrera | magos |
| Magos_Herrera | herrera |
| Magos_Herrera | born |
| Magos_Herrera | october |
| Magos_Herrera | 24 |
| Magos_Herrera | 1970 |
| Magos_Herrera | is |
| Magos_Herrera | a |
| Magos_Herrera | mexican |
| Magos_Herrera | jazz |
| Magos_Herrera | singer |
| Magos_Herrera | songwriter |
| Magos_Herrera | producer |
| Magos_Herrera | and |
| Magos_Herrera | educator |
| Magos_Herrera | she |
| Magos_Herrera | sings |
| Magos_Herrera | in |
| Magos_Herrera | english |
| Magos_Herrera | spanish |
| Magos_Herrera | and |
| Magos_Herrera | portuguese |
| Magos_Herrera | and |
| Magos_Herrera | has |
| Magos_Herrera | collaborated |
| Magos_Herrera | with |
| Magos_Herrera | javier |
| Magos_Herrera | lim |
| Magos_Herrera | 籀 |
| Magos_Herrera | n |
| Magos_Herrera | saxophonist |
| Magos_Herrera | tim |
| Magos_Herrera | ries |
| Magos_Herrera | aaron |
| Magos_Herrera | goldberg |
| Magos_Herrera | pedro |
| Magos_Herrera | aznar |
| Magos_Herrera | ed |
| Magos_Herrera | simon |
| Magos_Herrera | trio |
| Magos_Herrera | john |
| Magos_Herrera | patitucci |
| Magos_Herrera | luis |
| Magos_Herrera | perdomo |
| Magos_Herrera | adam |
| Magos_Herrera | rogers |
| Magos_Herrera | tim |
| Magos_Herrera | hagans |
| Magos_Herrera | alex |
| Magos_Herrera | kautz |
| Magos_Herrera | composer |
| Magos_Herrera | paola |
| Magos_Herrera | prestini |
| Magos_Herrera | former |
| Magos_Herrera | kronos |
| Magos_Herrera | quartet |
| Magos_Herrera | cellist |
| Magos_Herrera | jeff |
| Magos_Herrera | zeigler |
| Magos_Herrera | and |
| Magos_Herrera | many |
| Magos_Herrera | others |
| Magos_Herrera | herrera |
| Magos_Herrera | was |
| Magos_Herrera | nominated |
| Magos_Herrera | in |
| Magos_Herrera | 2006 |
| Magos_Herrera | and |
| Magos_Herrera | 2009 |
| Magos_Herrera | for |
| Magos_Herrera | lunas |
| Magos_Herrera | del |
| Magos_Herrera | auditorio |
| Magos_Herrera | awards |
| Magos_Herrera | presented |
| Magos_Herrera | by |
| Magos_Herrera | mexico |
| Magos_Herrera | city |
| Magos_Herrera | auditorio |
| Magos_Herrera | nacional |
| Magos_Herrera | for |
| Magos_Herrera | the |
| Magos_Herrera | best |
| Magos_Herrera | live |
| Magos_Herrera | performances |
| Magos_Herrera | for |
| Magos_Herrera | best |
| Magos_Herrera | jazz |
| Magos_Herrera | concert |
| Magos_Herrera | of |
| Magos_Herrera | the |
| Magos_Herrera | year |
| Magos_Herrera | her |
| Magos_Herrera | 2009 |
| Magos_Herrera | album |
| Magos_Herrera | distancia |
| Magos_Herrera | was |
| Magos_Herrera | nominated |
| Magos_Herrera | for |
| Magos_Herrera | a |
| Magos_Herrera | best |
| Magos_Herrera | jazz |
| Magos_Herrera | vocal |
| Magos_Herrera | album |
| Magos_Herrera | grammy |
| Magos_Herrera | award |
| Magos_Herrera | herrera |
| Magos_Herrera | was |
| Magos_Herrera | given |
| Magos_Herrera | the |
| Magos_Herrera | berklee |
| Magos_Herrera | latin |
| Magos_Herrera | masters |
| Magos_Herrera | award |
| Magos_Herrera | in |
| Magos_Herrera | 2015 |
| Magos_Herrera | in |
| Magos_Herrera | 2011 |
| Magos_Herrera | she |
| Magos_Herrera | was |
| Magos_Herrera | selected |
| Magos_Herrera | along |
| Magos_Herrera | with |
| Magos_Herrera | michelle |
| Magos_Herrera | obama |
| Magos_Herrera | as |
| Magos_Herrera | one |
| Magos_Herrera | of |
| Magos_Herrera | the |
| Magos_Herrera | most |
| Magos_Herrera | important |
| Magos_Herrera | women |
| Magos_Herrera | of |
| Magos_Herrera | the |
| Magos_Herrera | year |
| Magos_Herrera | by |
| Magos_Herrera | siempre |
| Magos_Herrera | mujer |
| Magos_Herrera | magazine |
| Magos_Herrera | herrera |
| Magos_Herrera | is |
| Magos_Herrera | a |
| Magos_Herrera | united |
| Magos_Herrera | nation’s |
| Magos_Herrera | spokesperson |
| Magos_Herrera | for |
| Magos_Herrera | un |
| Magos_Herrera | women |
| Magos_Herrera | unite |
| Magos_Herrera | a |
| Magos_Herrera | program |
| Magos_Herrera | promoting |
| Magos_Herrera | the |
| Magos_Herrera | elimination |
| Magos_Herrera | of |
| Magos_Herrera | violence |
| Magos_Herrera | against |
| Magos_Herrera | women |
| Magos_Herrera | and |
| Magos_Herrera | the |
| Magos_Herrera | un’s |
| Magos_Herrera | he |
| Magos_Herrera | for |
| Magos_Herrera | she |
| Magos_Herrera | campaigns |
| Magos_Herrera | to |
| Magos_Herrera | promote |
| Magos_Herrera | gender |
| Magos_Herrera | equality |
| Magos_Herrera | she |
| Magos_Herrera | currently |
| Magos_Herrera | lives |
| Magos_Herrera | in |
| Magos_Herrera | brooklyn |
| Magos_Herrera | new |
| Magos_Herrera | york |
| Magos_Herrera | with |
| Magos_Herrera | her |
| Magos_Herrera | husband |
| Magos_Herrera | brazilian |
| Magos_Herrera | jazz |
| Magos_Herrera | drummer |
| Magos_Herrera | alexandre |
| Magos_Herrera | kautz |
| Magos_Herrera | en |
| Billy_Higgins | billy |
| Billy_Higgins | higgins |
| Billy_Higgins | october |
| Billy_Higgins | 11 |
| Billy_Higgins | 1936 |
| Billy_Higgins | may |
| Billy_Higgins | 3 |
| Billy_Higgins | 2001 |
| Billy_Higgins | was |
| Billy_Higgins | an |
| Billy_Higgins | american |
| Billy_Higgins | jazz |
| Billy_Higgins | drummer |
| Billy_Higgins | he |
| Billy_Higgins | played |
| Billy_Higgins | mainly |
| Billy_Higgins | free |
| Billy_Higgins | jazz |
| Billy_Higgins | and |
| Billy_Higgins | hard |
| Billy_Higgins | bop |
| Billy_Higgins | en |
| Bob_Dylan | robert |
| Bob_Dylan | dylan |
| Bob_Dylan | born |
| Bob_Dylan | robert |
| Bob_Dylan | allen |
| Bob_Dylan | zimmerman |
| Bob_Dylan | may |
| Bob_Dylan | 24 |
| Bob_Dylan | 1941 |
| Bob_Dylan | is |
| Bob_Dylan | an |
| Bob_Dylan | american |
| Bob_Dylan | singer |
| Bob_Dylan | songwriter |
| Bob_Dylan | author |
| Bob_Dylan | and |
| Bob_Dylan | visual |
| Bob_Dylan | artist |
| Bob_Dylan | often |
| Bob_Dylan | regarded |
| Bob_Dylan | as |
| Bob_Dylan | one |
| Bob_Dylan | of |
| Bob_Dylan | the |
| Bob_Dylan | greatest |
| Bob_Dylan | songwriters |
| Bob_Dylan | of |
| Bob_Dylan | all |
| Bob_Dylan | time |
| Bob_Dylan | dylan |
| Bob_Dylan | has |
| Bob_Dylan | been |
| Bob_Dylan | a |
| Bob_Dylan | major |
| Bob_Dylan | figure |
| Bob_Dylan | in |
| Bob_Dylan | popular |
| Bob_Dylan | culture |
| Bob_Dylan | during |
| Bob_Dylan | a |
| Bob_Dylan | career |
| Bob_Dylan | spanning |
| Bob_Dylan | 60 |
| Bob_Dylan | years |
| Bob_Dylan | much |
| Bob_Dylan | of |
| Bob_Dylan | his |
| Bob_Dylan | most |
| Bob_Dylan | celebrated |
| Bob_Dylan | work |
| Bob_Dylan | dates |
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| Bob_Dylan | 1960s |
| Bob_Dylan | when |
| Bob_Dylan | songs |
| Bob_Dylan | such |
| Bob_Dylan | as |
| Bob_Dylan | blowin |
| Bob_Dylan | in |
| Bob_Dylan | the |
| Bob_Dylan | wind |
| Bob_Dylan | 1963 |
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| Bob_Dylan | the |
| Bob_Dylan | times |
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| Bob_Dylan | a |
| Bob_Dylan | changin |
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| Bob_Dylan | pop |
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| Bob_Dylan | songs |
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| Bob_Dylan | album |
| Bob_Dylan | features |
| Bob_Dylan | blowin |
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| Bob_Dylan | wind |
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| Bob_Dylan | bob |
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| Bob_Dylan | 1965 |
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| Bob_Dylan | 1966 |
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| Bob_Dylan | drew |
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| Bob_Dylan | rock |
| Bob_Dylan | instrumentation |
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| Bob_Dylan | space |
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| Bob_Dylan | 15 |
| Bob_Dylan | months |
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| Bob_Dylan | blonde |
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| Bob_Dylan | six |
| Bob_Dylan | minute |
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| Bob_Dylan | rolling |
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| Bob_Dylan | in |
| Bob_Dylan | july |
| Bob_Dylan | 1966 |
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| Bob_Dylan | motorcycle |
| Bob_Dylan | accident |
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| Bob_Dylan | body |
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| Bob_Dylan | the |
| Bob_Dylan | collaborative |
| Bob_Dylan | album |
| Bob_Dylan | the |
| Bob_Dylan | basement |
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| Bob_Dylan | 1975 |
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| Bob_Dylan | 1970s |
| Bob_Dylan | dylan |
| Bob_Dylan | explored |
| Bob_Dylan | country |
| Bob_Dylan | music |
| Bob_Dylan | and |
| Bob_Dylan | rural |
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| Bob_Dylan | in |
| Bob_Dylan | john |
| Bob_Dylan | wesley |
| Bob_Dylan | harding |
| Bob_Dylan | 1967 |
| Bob_Dylan | nashville |
| Bob_Dylan | skyline |
| Bob_Dylan | 1969 |
| Bob_Dylan | and |
| Bob_Dylan | new |
| Bob_Dylan | morning |
| Bob_Dylan | 1970 |
| Bob_Dylan | in |
| Bob_Dylan | 1975 |
| Bob_Dylan | he |
| Bob_Dylan | released |
| Bob_Dylan | blood |
| Bob_Dylan | on |
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| Bob_Dylan | tracks |
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| Bob_Dylan | as |
| Bob_Dylan | a |
| Bob_Dylan | return |
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| Bob_Dylan | form |
| Bob_Dylan | in |
| Bob_Dylan | the |
| Bob_Dylan | late |
| Bob_Dylan | 1970s |
| Bob_Dylan | he |
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| Bob_Dylan | born |
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| Bob_Dylan | christian |
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| Bob_Dylan | series |
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| Bob_Dylan | based |
| Bob_Dylan | idiom |
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| Bob_Dylan | 1997 |
| Bob_Dylan | album |
| Bob_Dylan | time |
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| Bob_Dylan | mind |
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| Bob_Dylan | the |
| Bob_Dylan | beginning |
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| Bob_Dylan | a |
| Bob_Dylan | renaissance |
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| Bob_Dylan | career |
| Bob_Dylan | he |
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| Bob_Dylan | released |
| Bob_Dylan | five |
| Bob_Dylan | critically |
| Bob_Dylan | acclaimed |
| Bob_Dylan | albums |
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| Bob_Dylan | original |
| Bob_Dylan | material |
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| Bob_Dylan | the |
| Bob_Dylan | most |
| Bob_Dylan | recent |
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| Bob_Dylan | ways |
| Bob_Dylan | 2020 |
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| Bob_Dylan | a |
| Bob_Dylan | series |
| Bob_Dylan | of |
| Bob_Dylan | three |
| Bob_Dylan | albums |
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| Bob_Dylan | the |
| Bob_Dylan | 2010s |
| Bob_Dylan | comprising |
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| Bob_Dylan | sinatra |
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| Bob_Dylan | tour |
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| Bob_Dylan | 1994 |
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| Bob_Dylan | eight |
| Bob_Dylan | books |
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| Bob_Dylan | drawings |
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| Bob_Dylan | paintings |
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| Bob_Dylan | major |
| Bob_Dylan | art |
| Bob_Dylan | galleries |
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| Bob_Dylan | has |
| Bob_Dylan | sold |
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| Bob_Dylan | than |
| Bob_Dylan | 125 |
| Bob_Dylan | million |
| Bob_Dylan | records |
| Bob_Dylan | making |
| Bob_Dylan | him |
| Bob_Dylan | one |
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| Bob_Dylan | selling |
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| Bob_Dylan | awards |
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| Bob_Dylan | presidential |
| Bob_Dylan | medal |
| Bob_Dylan | of |
| Bob_Dylan | freedom |
| Bob_Dylan | ten |
| Bob_Dylan | grammy |
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| Bob_Dylan | a |
| Bob_Dylan | golden |
| Bob_Dylan | globe |
| Bob_Dylan | award |
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| Bob_Dylan | an |
| Bob_Dylan | academy |
| Bob_Dylan | award |
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| Bob_Dylan | been |
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| Bob_Dylan | rock |
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| Bob_Dylan | roll |
| Bob_Dylan | hall |
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| Bob_Dylan | hall |
| Bob_Dylan | of |
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| Bob_Dylan | the |
| Bob_Dylan | pulitzer |
| Bob_Dylan | prize |
| Bob_Dylan | board |
| Bob_Dylan | in |
| Bob_Dylan | 2008 |
| Bob_Dylan | awarded |
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| Bob_Dylan | a |
| Bob_Dylan | special |
| Bob_Dylan | citation |
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| Bob_Dylan | extraordinary |
| Bob_Dylan | poetic |
| Bob_Dylan | power |
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| Bob_Dylan | 2016 |
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| Bob_Dylan | awarded |
| Bob_Dylan | the |
| Bob_Dylan | nobel |
| Bob_Dylan | prize |
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| Bob_Dylan | poetic |
| Bob_Dylan | expressions |
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| Bob_Dylan | great |
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| Bob_Dylan | song |
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| Bob_Dylan | en |
| Sean_Jones_(trumpeter) | sean |
| Sean_Jones_(trumpeter) | jones |
| Sean_Jones_(trumpeter) | born |
| Sean_Jones_(trumpeter) | may |
| Sean_Jones_(trumpeter) | 29 |
| Sean_Jones_(trumpeter) | 1978 |
| Sean_Jones_(trumpeter) | in |
| Sean_Jones_(trumpeter) | warren |
| Sean_Jones_(trumpeter) | ohio |
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| Sean_Jones_(trumpeter) | trumpeter |
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| Sean_Jones_(trumpeter) | composer |
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| Sean_Jones_(trumpeter) | 2007 |
| Sean_Jones_(trumpeter) | grammy |
| Sean_Jones_(trumpeter) | award |
| Sean_Jones_(trumpeter) | winning |
| Sean_Jones_(trumpeter) | album |
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| Sean_Jones_(trumpeter) | to |
| Sean_Jones_(trumpeter) | blue |
| Sean_Jones_(trumpeter) | by |
| Sean_Jones_(trumpeter) | nancy |
| Sean_Jones_(trumpeter) | wilson |
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| Sean_Jones_(trumpeter) | bandleader |
| Sean_Jones_(trumpeter) | jones |
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| Sean_Jones_(trumpeter) | seven |
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| Sean_Jones_(trumpeter) | mack |
| Sean_Jones_(trumpeter) | avenue |
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| Sean_Jones_(trumpeter) | label |
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| Sean_Jones_(trumpeter) | his |
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| Sean_Jones_(trumpeter) | groups |
| Sean_Jones_(trumpeter) | both |
| Sean_Jones_(trumpeter) | nationally |
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| Sean_Jones_(trumpeter) | music |
| Sean_Jones_(trumpeter) | venues |
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| Sean_Jones_(trumpeter) | jazz |
| Sean_Jones_(trumpeter) | festivals |
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| Sean_Jones_(trumpeter) | as |
| Sean_Jones_(trumpeter) | the |
| Sean_Jones_(trumpeter) | monterey |
| Sean_Jones_(trumpeter) | jazz |
| Sean_Jones_(trumpeter) | festival |
| Sean_Jones_(trumpeter) | detroit |
| Sean_Jones_(trumpeter) | international |
| Sean_Jones_(trumpeter) | jazz |
| Sean_Jones_(trumpeter) | festival |
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| Sean_Jones_(trumpeter) | and |
| Sean_Jones_(trumpeter) | montreal |
| Sean_Jones_(trumpeter) | international |
| Sean_Jones_(trumpeter) | jazz |
| Sean_Jones_(trumpeter) | festival |
| Sean_Jones_(trumpeter) | en |
| Bee_Gees | the |
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| Bee_Gees | a |
| Bee_Gees | music |
| Bee_Gees | group |
| Bee_Gees | formed |
| Bee_Gees | in |
| Bee_Gees | 1958 |
| Bee_Gees | featuring |
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| Bee_Gees | barry |
| Bee_Gees | robin |
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| Bee_Gees | maurice |
| Bee_Gees | gibb |
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| Bee_Gees | a |
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| Bee_Gees | act |
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| Bee_Gees | disco |
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| Bee_Gees | group |
| Bee_Gees | sang |
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| Bee_Gees | part |
| Bee_Gees | tight |
| Bee_Gees | harmonies |
| Bee_Gees | robin’s |
| Bee_Gees | clear |
| Bee_Gees | vibrato |
| Bee_Gees | lead |
| Bee_Gees | vocals |
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| Bee_Gees | r |
| Bee_Gees | b |
| Bee_Gees | falsetto |
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| Bee_Gees | sound |
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| Bee_Gees | the |
| Bee_Gees | mid |
| Bee_Gees | to |
| Bee_Gees | late |
| Bee_Gees | 1970s |
| Bee_Gees | and |
| Bee_Gees | 1980s |
| Bee_Gees | the |
| Bee_Gees | bee |
| Bee_Gees | gees |
| Bee_Gees | wrote |
| Bee_Gees | all |
| Bee_Gees | of |
| Bee_Gees | their |
| Bee_Gees | own |
| Bee_Gees | hits |
| Bee_Gees | as |
| Bee_Gees | well |
| Bee_Gees | as |
| Bee_Gees | writing |
| Bee_Gees | and |
| Bee_Gees | producing |
| Bee_Gees | several |
| Bee_Gees | major |
| Bee_Gees | hits |
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| Bee_Gees | artists |
| Bee_Gees | the |
| Bee_Gees | bee |
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| Bee_Gees | the |
| Bee_Gees | disco |
| Bee_Gees | kings |
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| Bee_Gees | on |
| Bee_Gees | the |
| Bee_Gees | isle |
| Bee_Gees | of |
| Bee_Gees | man |
| Bee_Gees | to |
| Bee_Gees | english |
| Bee_Gees | parents |
| Bee_Gees | the |
| Bee_Gees | gibb |
| Bee_Gees | brothers |
| Bee_Gees | lived |
| Bee_Gees | in |
| Bee_Gees | chorlton |
| Bee_Gees | manchester |
| Bee_Gees | england |
| Bee_Gees | until |
| Bee_Gees | the |
| Bee_Gees | late |
| Bee_Gees | 1950s |
| Bee_Gees | there |
| Bee_Gees | in |
| Bee_Gees | 1955 |
| Bee_Gees | they |
| Bee_Gees | formed |
| Bee_Gees | the |
| Bee_Gees | skiffle |
| Bee_Gees | rock |
| Bee_Gees | and |
| Bee_Gees | roll |
| Bee_Gees | group |
| Bee_Gees | the |
| Bee_Gees | rattlesnakes |
| Bee_Gees | the |
| Bee_Gees | family |
| Bee_Gees | then |
| Bee_Gees | moved |
| Bee_Gees | to |
| Bee_Gees | redcliffe |
| Bee_Gees | in |
| Bee_Gees | the |
| Bee_Gees | moreton |
| Bee_Gees | bay |
| Bee_Gees | region |
| Bee_Gees | queensland |
| Bee_Gees | australia |
| Bee_Gees | later |
| Bee_Gees | to |
| Bee_Gees | cribb |
| Bee_Gees | island |
| Bee_Gees | after |
| Bee_Gees | achieving |
| Bee_Gees | their |
| Bee_Gees | first |
| Bee_Gees | chart |
| Bee_Gees | success |
| Bee_Gees | in |
| Bee_Gees | australia |
| Bee_Gees | as |
| Bee_Gees | the |
| Bee_Gees | bee |
| Bee_Gees | gees |
| Bee_Gees | with |
| Bee_Gees | spicks |
| Bee_Gees | and |
| Bee_Gees | specks |
| Bee_Gees | their |
| Bee_Gees | twelfth |
| Bee_Gees | single |
| Bee_Gees | they |
| Bee_Gees | returned |
| Bee_Gees | to |
| Bee_Gees | the |
| Bee_Gees | uk |
| Bee_Gees | in |
| Bee_Gees | january |
| Bee_Gees | 1967 |
| Bee_Gees | when |
| Bee_Gees | producer |
| Bee_Gees | robert |
| Bee_Gees | stigwood |
| Bee_Gees | began |
| Bee_Gees | promoting |
| Bee_Gees | them |
| Bee_Gees | to |
| Bee_Gees | a |
| Bee_Gees | worldwide |
| Bee_Gees | audience |
| Bee_Gees | the |
| Bee_Gees | bee |
| Bee_Gees | gees |
| Bee_Gees | saturday |
| Bee_Gees | night |
| Bee_Gees | fever |
| Bee_Gees | soundtrack |
| Bee_Gees | 1977 |
| Bee_Gees | was |
| Bee_Gees | the |
| Bee_Gees | turning |
| Bee_Gees | point |
| Bee_Gees | of |
| Bee_Gees | their |
| Bee_Gees | career |
| Bee_Gees | with |
| Bee_Gees | both |
| Bee_Gees | the |
| Bee_Gees | film |
| Bee_Gees | and |
| Bee_Gees | soundtrack |
| Bee_Gees | having |
| Bee_Gees | a |
| Bee_Gees | cultural |
| Bee_Gees | impact |
| Bee_Gees | throughout |
| Bee_Gees | the |
| Bee_Gees | world |
| Bee_Gees | enhancing |
| Bee_Gees | the |
| Bee_Gees | disco |
| Bee_Gees | scene’s |
| Bee_Gees | mainstream |
| Bee_Gees | appeal |
| Bee_Gees | they |
| Bee_Gees | won |
| Bee_Gees | five |
| Bee_Gees | grammy |
| Bee_Gees | awards |
| Bee_Gees | for |
| Bee_Gees | saturday |
| Bee_Gees | night |
| Bee_Gees | fever |
| Bee_Gees | including |
| Bee_Gees | album |
| Bee_Gees | of |
| Bee_Gees | the |
| Bee_Gees | year |
| Bee_Gees | the |
| Bee_Gees | bee |
| Bee_Gees | gees |
| Bee_Gees | have |
| Bee_Gees | sold |
| Bee_Gees | over |
| Bee_Gees | 120 |
| Bee_Gees | million |
| Bee_Gees | records |
| Bee_Gees | worldwide |
| Bee_Gees | with |
| Bee_Gees | estimates |
| Bee_Gees | as |
| Bee_Gees | high |
| Bee_Gees | as |
| Bee_Gees | over |
| Bee_Gees | 220 |
| Bee_Gees | million |
| Bee_Gees | making |
| Bee_Gees | them |
| Bee_Gees | among |
| Bee_Gees | the |
| Bee_Gees | best |
| Bee_Gees | selling |
| Bee_Gees | music |
| Bee_Gees | artists |
| Bee_Gees | of |
| Bee_Gees | all |
| Bee_Gees | time |
| Bee_Gees | they |
| Bee_Gees | were |
| Bee_Gees | inducted |
| Bee_Gees | into |
| Bee_Gees | the |
| Bee_Gees | rock |
| Bee_Gees | and |
| Bee_Gees | roll |
| Bee_Gees | hall |
| Bee_Gees | of |
| Bee_Gees | fame |
| Bee_Gees | in |
| Bee_Gees | 1997 |
| Bee_Gees | the |
| Bee_Gees | presenter |
| Bee_Gees | of |
| Bee_Gees | the |
| Bee_Gees | award |
| Bee_Gees | to |
| Bee_Gees | britain’s |
| Bee_Gees | first |
| Bee_Gees | family |
| Bee_Gees | of |
| Bee_Gees | harmony |
| Bee_Gees | was |
| Bee_Gees | brian |
| Bee_Gees | wilson |
| Bee_Gees | historical |
| Bee_Gees | leader |
| Bee_Gees | of |
| Bee_Gees | the |
| Bee_Gees | beach |
| Bee_Gees | boys |
| Bee_Gees | another |
| Bee_Gees | family |
| Bee_Gees | act |
| Bee_Gees | featuring |
| Bee_Gees | three |
| Bee_Gees | harmonising |
| Bee_Gees | brothers |
| Bee_Gees | the |
| Bee_Gees | bee |
| Bee_Gees | gees |
| Bee_Gees | hall |
| Bee_Gees | of |
| Bee_Gees | fame |
| Bee_Gees | citation |
| Bee_Gees | says |
| Bee_Gees | only |
| Bee_Gees | elvis |
| Bee_Gees | presley |
| Bee_Gees | the |
| Bee_Gees | beatles |
| Bee_Gees | michael |
| Bee_Gees | jackson |
| Bee_Gees | garth |
| Bee_Gees | brooks |
| Bee_Gees | and |
| Bee_Gees | paul |
| Bee_Gees | mccartney |
| Bee_Gees | have |
| Bee_Gees | outsold |
| Bee_Gees | the |
| Bee_Gees | bee |
| Bee_Gees | gees |
| Bee_Gees | with |
| Bee_Gees | nine |
| Bee_Gees | 1 |
| Bee_Gees | hits |
| Bee_Gees | on |
| Bee_Gees | the |
| Bee_Gees | billboard |
| Bee_Gees | hot |
| Bee_Gees | 100 |
| Bee_Gees | the |
| Bee_Gees | bee |
| Bee_Gees | gees |
| Bee_Gees | are |
| Bee_Gees | the |
| Bee_Gees | third |
| Bee_Gees | most |
| Bee_Gees | successful |
| Bee_Gees | band |
| Bee_Gees | in |
| Bee_Gees | billboard |
| Bee_Gees | charts |
| Bee_Gees | history |
| Bee_Gees | behind |
| Bee_Gees | only |
| Bee_Gees | the |
| Bee_Gees | beatles |
| Bee_Gees | and |
| Bee_Gees | the |
| Bee_Gees | supremes |
| Bee_Gees | following |
| Bee_Gees | maurice’s |
| Bee_Gees | sudden |
| Bee_Gees | death |
| Bee_Gees | in |
| Bee_Gees | january |
| Bee_Gees | 2003 |
| Bee_Gees | at |
| Bee_Gees | the |
| Bee_Gees | age |
| Bee_Gees | of |
| Bee_Gees | 53 |
| Bee_Gees | barry |
| Bee_Gees | and |
| Bee_Gees | robin |
| Bee_Gees | retired |
| Bee_Gees | the |
| Bee_Gees | group’s |
| Bee_Gees | name |
| Bee_Gees | after |
| Bee_Gees | 45 |
| Bee_Gees | years |
| Bee_Gees | of |
| Bee_Gees | activity |
| Bee_Gees | in |
| Bee_Gees | 2009 |
| Bee_Gees | robin |
| Bee_Gees | announced |
| Bee_Gees | that |
| Bee_Gees | he |
| Bee_Gees | and |
| Bee_Gees | barry |
| Bee_Gees | had |
| Bee_Gees | agreed |
| Bee_Gees | that |
| Bee_Gees | the |
| Bee_Gees | bee |
| Bee_Gees | gees |
| Bee_Gees | would |
| Bee_Gees | re |
| Bee_Gees | form |
| Bee_Gees | and |
| Bee_Gees | perform |
| Bee_Gees | again |
| Bee_Gees | robin |
| Bee_Gees | died |
| Bee_Gees | in |
| Bee_Gees | may |
| Bee_Gees | 2012 |
| Bee_Gees | aged |
| Bee_Gees | 62 |
| Bee_Gees | after |
| Bee_Gees | a |
| Bee_Gees | prolonged |
| Bee_Gees | period |
| Bee_Gees | of |
| Bee_Gees | failing |
| Bee_Gees | health |
| Bee_Gees | leaving |
| Bee_Gees | barry |
| Bee_Gees | as |
| Bee_Gees | the |
| Bee_Gees | only |
| Bee_Gees | surviving |
| Bee_Gees | member |
| Bee_Gees | of |
| Bee_Gees | the |
| Bee_Gees | group |
| Bee_Gees | en |
| Jason_Marsalis | jason |
| Jason_Marsalis | marsalis |
| Jason_Marsalis | born |
| Jason_Marsalis | march |
| Jason_Marsalis | 4 |
| Jason_Marsalis | 1977 |
| Jason_Marsalis | is |
| Jason_Marsalis | an |
| Jason_Marsalis | american |
| Jason_Marsalis | jazz |
| Jason_Marsalis | drummer |
| Jason_Marsalis | and |
| Jason_Marsalis | member |
| Jason_Marsalis | of |
| Jason_Marsalis | the |
| Jason_Marsalis | marsalis |
| Jason_Marsalis | family |
| Jason_Marsalis | of |
| Jason_Marsalis | musicians |
| Jason_Marsalis | he |
| Jason_Marsalis | is |
| Jason_Marsalis | the |
| Jason_Marsalis | youngest |
| Jason_Marsalis | son |
| Jason_Marsalis | of |
| Jason_Marsalis | dolores |
| Jason_Marsalis | ferdinand |
| Jason_Marsalis | marsalis |
| Jason_Marsalis | and |
| Jason_Marsalis | the |
| Jason_Marsalis | late |
| Jason_Marsalis | ellis |
| Jason_Marsalis | marsalis |
| Jason_Marsalis | jr |
| Jason_Marsalis | en |
| Bill_Graham_(musician) | william |
| Bill_Graham_(musician) | henry |
| Bill_Graham_(musician) | graham |
| Bill_Graham_(musician) | september |
| Bill_Graham_(musician) | 8 |
| Bill_Graham_(musician) | 1918 |
| Bill_Graham_(musician) | december |
| Bill_Graham_(musician) | 29 |
| Bill_Graham_(musician) | 1975 |
| Bill_Graham_(musician) | was |
| Bill_Graham_(musician) | an |
| Bill_Graham_(musician) | american |
| Bill_Graham_(musician) | jazz |
| Bill_Graham_(musician) | saxophonist |
| Bill_Graham_(musician) | en |
| Raphael_Saadiq | raphael |
| Raphael_Saadiq | saadiq |
| Raphael_Saadiq | s |
| Raphael_Saadiq | di |
| Raphael_Saadiq | k |
| Raphael_Saadiq | born |
| Raphael_Saadiq | charles |
| Raphael_Saadiq | ray |
| Raphael_Saadiq | wiggins |
| Raphael_Saadiq | may |
| Raphael_Saadiq | 14 |
| Raphael_Saadiq | 1966 |
| Raphael_Saadiq | is |
| Raphael_Saadiq | an |
| Raphael_Saadiq | american |
| Raphael_Saadiq | singer |
| Raphael_Saadiq | songwriter |
| Raphael_Saadiq | multi |
| Raphael_Saadiq | instrumentalist |
| Raphael_Saadiq | and |
| Raphael_Saadiq | record |
| Raphael_Saadiq | producer |
| Raphael_Saadiq | he |
| Raphael_Saadiq | rose |
| Raphael_Saadiq | to |
| Raphael_Saadiq | fame |
| Raphael_Saadiq | as |
| Raphael_Saadiq | a |
| Raphael_Saadiq | member |
| Raphael_Saadiq | of |
| Raphael_Saadiq | the |
| Raphael_Saadiq | multiplatinum |
| Raphael_Saadiq | group |
| Raphael_Saadiq | tony |
| Raphael_Saadiq | toni |
| Raphael_Saadiq | ton |
| Raphael_Saadiq | 矇 |
| Raphael_Saadiq | in |
| Raphael_Saadiq | addition |
| Raphael_Saadiq | to |
| Raphael_Saadiq | his |
| Raphael_Saadiq | solo |
| Raphael_Saadiq | and |
| Raphael_Saadiq | group |
| Raphael_Saadiq | career |
| Raphael_Saadiq | he |
| Raphael_Saadiq | has |
| Raphael_Saadiq | also |
| Raphael_Saadiq | produced |
| Raphael_Saadiq | songs |
| Raphael_Saadiq | for |
| Raphael_Saadiq | such |
| Raphael_Saadiq | artists |
| Raphael_Saadiq | as |
| Raphael_Saadiq | erykah |
| Raphael_Saadiq | badu |
| Raphael_Saadiq | jill |
| Raphael_Saadiq | scott |
| Raphael_Saadiq | stevie |
| Raphael_Saadiq | wonder |
| Raphael_Saadiq | joss |
| Raphael_Saadiq | stone |
| Raphael_Saadiq | d’angelo |
| Raphael_Saadiq | tlc |
| Raphael_Saadiq | en |
| Raphael_Saadiq | vogue |
| Raphael_Saadiq | kelis |
| Raphael_Saadiq | mary |
| Raphael_Saadiq | j |
| Raphael_Saadiq | blige |
| Raphael_Saadiq | ledisi |
| Raphael_Saadiq | whitney |
| Raphael_Saadiq | houston |
| Raphael_Saadiq | solange |
| Raphael_Saadiq | knowles |
| Raphael_Saadiq | and |
| Raphael_Saadiq | john |
| Raphael_Saadiq | legend |
| Raphael_Saadiq | music |
| Raphael_Saadiq | critic |
| Raphael_Saadiq | robert |
| Raphael_Saadiq | christgau |
| Raphael_Saadiq | has |
| Raphael_Saadiq | called |
| Raphael_Saadiq | saadiq |
| Raphael_Saadiq | the |
| Raphael_Saadiq | preeminent |
| Raphael_Saadiq | r |
| Raphael_Saadiq | b |
| Raphael_Saadiq | artist |
| Raphael_Saadiq | of |
| Raphael_Saadiq | the |
| Raphael_Saadiq | 90s |
| Raphael_Saadiq | saadiq |
| Raphael_Saadiq | and |
| Raphael_Saadiq | d’angelo |
| Raphael_Saadiq | were |
| Raphael_Saadiq | occasional |
| Raphael_Saadiq | members |
| Raphael_Saadiq | of |
| Raphael_Saadiq | the |
| Raphael_Saadiq | ummah |
| Raphael_Saadiq | a |
| Raphael_Saadiq | music |
| Raphael_Saadiq | production |
| Raphael_Saadiq | collective |
| Raphael_Saadiq | composed |
| Raphael_Saadiq | of |
| Raphael_Saadiq | members |
| Raphael_Saadiq | q |
| Raphael_Saadiq | tip |
| Raphael_Saadiq | and |
| Raphael_Saadiq | ali |
| Raphael_Saadiq | shaheed |
| Raphael_Saadiq | muhammad |
| Raphael_Saadiq | of |
| Raphael_Saadiq | the |
| Raphael_Saadiq | hip |
| Raphael_Saadiq | hop |
| Raphael_Saadiq | group |
| Raphael_Saadiq | a |
| Raphael_Saadiq | tribe |
| Raphael_Saadiq | called |
| Raphael_Saadiq | quest |
| Raphael_Saadiq | and |
| Raphael_Saadiq | j |
| Raphael_Saadiq | dilla |
| Raphael_Saadiq | of |
| Raphael_Saadiq | slum |
| Raphael_Saadiq | village |
| Raphael_Saadiq | saadiq |
| Raphael_Saadiq | is |
| Raphael_Saadiq | also |
| Raphael_Saadiq | a |
| Raphael_Saadiq | co |
| Raphael_Saadiq | founder |
| Raphael_Saadiq | of |
| Raphael_Saadiq | independent |
| Raphael_Saadiq | video |
| Raphael_Saadiq | game |
| Raphael_Saadiq | developer |
| Raphael_Saadiq | illfonic |
| Raphael_Saadiq | which |
| Raphael_Saadiq | developed |
| Raphael_Saadiq | friday |
| Raphael_Saadiq | the |
| Raphael_Saadiq | 13th |
| Raphael_Saadiq | the |
| Raphael_Saadiq | game |
| Raphael_Saadiq | saadiq |
| Raphael_Saadiq | has |
| Raphael_Saadiq | released |
| Raphael_Saadiq | five |
| Raphael_Saadiq | solo |
| Raphael_Saadiq | albums |
| Raphael_Saadiq | including |
| Raphael_Saadiq | the |
| Raphael_Saadiq | critically |
| Raphael_Saadiq | acclaimed |
| Raphael_Saadiq | retro |
| Raphael_Saadiq | styled |
| Raphael_Saadiq | the |
| Raphael_Saadiq | way |
| Raphael_Saadiq | i |
| Raphael_Saadiq | see |
| Raphael_Saadiq | it |
| Raphael_Saadiq | 2008 |
| Raphael_Saadiq | and |
| Raphael_Saadiq | stone |
| Raphael_Saadiq | rollin |
| Raphael_Saadiq | 2011 |
| Raphael_Saadiq | the |
| Raphael_Saadiq | more |
| Raphael_Saadiq | contemporary |
| Raphael_Saadiq | sounding |
| Raphael_Saadiq | jimmy |
| Raphael_Saadiq | lee |
| Raphael_Saadiq | was |
| Raphael_Saadiq | released |
| Raphael_Saadiq | in |
| Raphael_Saadiq | 2019 |
| Raphael_Saadiq | inspired |
| Raphael_Saadiq | by |
| Raphael_Saadiq | spiritual |
| Raphael_Saadiq | and |
| Raphael_Saadiq | societal |
| Raphael_Saadiq | themes |
| Raphael_Saadiq | and |
| Raphael_Saadiq | personal |
| Raphael_Saadiq | family |
| Raphael_Saadiq | tragedies |
| Raphael_Saadiq | it |
| Raphael_Saadiq | earned |
| Raphael_Saadiq | saadiq |
| Raphael_Saadiq | further |
| Raphael_Saadiq | acclaim |
| Raphael_Saadiq | as |
| Raphael_Saadiq | a |
| Raphael_Saadiq | songwriter |
| Raphael_Saadiq | saadiq |
| Raphael_Saadiq | has |
| Raphael_Saadiq | received |
| Raphael_Saadiq | a |
| Raphael_Saadiq | grammy |
| Raphael_Saadiq | award |
| Raphael_Saadiq | two |
| Raphael_Saadiq | golden |
| Raphael_Saadiq | globe |
| Raphael_Saadiq | award |
| Raphael_Saadiq | nominations |
| Raphael_Saadiq | and |
| Raphael_Saadiq | an |
| Raphael_Saadiq | academy |
| Raphael_Saadiq | award |
| Raphael_Saadiq | nomination |
| Raphael_Saadiq | en |
| Justin_Kauflin | justin |
| Justin_Kauflin | kauflin |
| Justin_Kauflin | born |
| Justin_Kauflin | march |
| Justin_Kauflin | 10 |
| Justin_Kauflin | 1986 |
| Justin_Kauflin | is |
| Justin_Kauflin | an |
| Justin_Kauflin | american |
| Justin_Kauflin | jazz |
| Justin_Kauflin | pianist |
| Justin_Kauflin | composer |
| Justin_Kauflin | educator |
| Justin_Kauflin | and |
| Justin_Kauflin | record |
| Justin_Kauflin | producer |
| Justin_Kauflin | en |
| J._J._Johnson | j.j |
| J._J._Johnson | johnson |
| J._J._Johnson | january |
| J._J._Johnson | 22 |
| J._J._Johnson | 1924 |
| J._J._Johnson | february |
| J._J._Johnson | 4 |
| J._J._Johnson | 2001 |
| J._J._Johnson | born |
| J._J._Johnson | james |
| J._J._Johnson | louis |
| J._J._Johnson | johnson |
| J._J._Johnson | and |
| J._J._Johnson | also |
| J._J._Johnson | known |
| J._J._Johnson | as |
| J._J._Johnson | jay |
| J._J._Johnson | jay |
| J._J._Johnson | johnson |
| J._J._Johnson | was |
| J._J._Johnson | an |
| J._J._Johnson | american |
| J._J._Johnson | jazz |
| J._J._Johnson | trombonist |
| J._J._Johnson | composer |
| J._J._Johnson | and |
| J._J._Johnson | arranger |
| J._J._Johnson | johnson |
| J._J._Johnson | was |
| J._J._Johnson | one |
| J._J._Johnson | of |
| J._J._Johnson | the |
| J._J._Johnson | earliest |
| J._J._Johnson | trombonists |
| J._J._Johnson | to |
| J._J._Johnson | embrace |
| J._J._Johnson | bebop |
| J._J._Johnson | en |
| Keith_Jarrett | keith |
| Keith_Jarrett | jarrett |
| Keith_Jarrett | born |
| Keith_Jarrett | may |
| Keith_Jarrett | 8 |
| Keith_Jarrett | 1945 |
| Keith_Jarrett | is |
| Keith_Jarrett | an |
| Keith_Jarrett | american |
| Keith_Jarrett | jazz |
| Keith_Jarrett | and |
| Keith_Jarrett | classical |
| Keith_Jarrett | music |
| Keith_Jarrett | pianist |
| Keith_Jarrett | and |
| Keith_Jarrett | composer |
| Keith_Jarrett | jarrett |
| Keith_Jarrett | started |
| Keith_Jarrett | his |
| Keith_Jarrett | career |
| Keith_Jarrett | with |
| Keith_Jarrett | art |
| Keith_Jarrett | blakey |
| Keith_Jarrett | moving |
| Keith_Jarrett | on |
| Keith_Jarrett | to |
| Keith_Jarrett | play |
| Keith_Jarrett | with |
| Keith_Jarrett | charles |
| Keith_Jarrett | lloyd |
| Keith_Jarrett | and |
| Keith_Jarrett | miles |
| Keith_Jarrett | davis |
| Keith_Jarrett | since |
| Keith_Jarrett | the |
| Keith_Jarrett | early |
| Keith_Jarrett | 1970s |
| Keith_Jarrett | he |
| Keith_Jarrett | has |
| Keith_Jarrett | enjoyed |
| Keith_Jarrett | a |
| Keith_Jarrett | great |
| Keith_Jarrett | deal |
| Keith_Jarrett | of |
| Keith_Jarrett | success |
| Keith_Jarrett | as |
| Keith_Jarrett | a |
| Keith_Jarrett | group |
| Keith_Jarrett | leader |
| Keith_Jarrett | and |
| Keith_Jarrett | a |
| Keith_Jarrett | solo |
| Keith_Jarrett | performer |
| Keith_Jarrett | in |
| Keith_Jarrett | jazz |
| Keith_Jarrett | jazz |
| Keith_Jarrett | fusion |
| Keith_Jarrett | and |
| Keith_Jarrett | classical |
| Keith_Jarrett | music |
| Keith_Jarrett | his |
| Keith_Jarrett | improvisations |
| Keith_Jarrett | draw |
| Keith_Jarrett | from |
| Keith_Jarrett | the |
| Keith_Jarrett | traditions |
| Keith_Jarrett | of |
| Keith_Jarrett | jazz |
| Keith_Jarrett | and |
| Keith_Jarrett | other |
| Keith_Jarrett | genres |
| Keith_Jarrett | especially |
| Keith_Jarrett | western |
| Keith_Jarrett | classical |
| Keith_Jarrett | music |
| Keith_Jarrett | gospel |
| Keith_Jarrett | blues |
| Keith_Jarrett | and |
| Keith_Jarrett | ethnic |
| Keith_Jarrett | folk |
| Keith_Jarrett | music |
| Keith_Jarrett | in |
| Keith_Jarrett | 2003 |
| Keith_Jarrett | jarrett |
| Keith_Jarrett | received |
| Keith_Jarrett | the |
| Keith_Jarrett | polar |
| Keith_Jarrett | music |
| Keith_Jarrett | prize |
| Keith_Jarrett | the |
| Keith_Jarrett | first |
| Keith_Jarrett | recipient |
| Keith_Jarrett | of |
| Keith_Jarrett | both |
| Keith_Jarrett | the |
| Keith_Jarrett | contemporary |
| Keith_Jarrett | and |
| Keith_Jarrett | classical |
| Keith_Jarrett | musician |
| Keith_Jarrett | prizes |
| Keith_Jarrett | and |
| Keith_Jarrett | in |
| Keith_Jarrett | 2004 |
| Keith_Jarrett | he |
| Keith_Jarrett | received |
| Keith_Jarrett | the |
| Keith_Jarrett | l |
| Keith_Jarrett | 矇 |
| Keith_Jarrett | onie |
| Keith_Jarrett | sonning |
| Keith_Jarrett | music |
| Keith_Jarrett | prize |
| Keith_Jarrett | his |
| Keith_Jarrett | album |
| Keith_Jarrett | the |
| Keith_Jarrett | k |
| Keith_Jarrett | 繹 |
| Keith_Jarrett | ln |
| Keith_Jarrett | concert |
| Keith_Jarrett | 1975 |
| Keith_Jarrett | became |
| Keith_Jarrett | the |
| Keith_Jarrett | best |
| Keith_Jarrett | selling |
| Keith_Jarrett | piano |
| Keith_Jarrett | recording |
| Keith_Jarrett | in |
| Keith_Jarrett | history |
| Keith_Jarrett | in |
| Keith_Jarrett | 2008 |
| Keith_Jarrett | he |
| Keith_Jarrett | was |
| Keith_Jarrett | inducted |
| Keith_Jarrett | into |
| Keith_Jarrett | the |
| Keith_Jarrett | down |
| Keith_Jarrett | beat |
| Keith_Jarrett | jazz |
| Keith_Jarrett | hall |
| Keith_Jarrett | of |
| Keith_Jarrett | fame |
| Keith_Jarrett | in |
| Keith_Jarrett | the |
| Keith_Jarrett | magazine’s |
| Keith_Jarrett | 73rd |
| Keith_Jarrett | annual |
| Keith_Jarrett | readers |
| Keith_Jarrett | poll |
| Keith_Jarrett | jarrett |
| Keith_Jarrett | has |
| Keith_Jarrett | been |
| Keith_Jarrett | unable |
| Keith_Jarrett | to |
| Keith_Jarrett | perform |
| Keith_Jarrett | since |
| Keith_Jarrett | suffering |
| Keith_Jarrett | a |
| Keith_Jarrett | stroke |
| Keith_Jarrett | in |
| Keith_Jarrett | february |
| Keith_Jarrett | 2018 |
| Keith_Jarrett | and |
| Keith_Jarrett | a |
| Keith_Jarrett | second |
| Keith_Jarrett | stroke |
| Keith_Jarrett | in |
| Keith_Jarrett | may |
| Keith_Jarrett | 2018 |
| Keith_Jarrett | which |
| Keith_Jarrett | left |
| Keith_Jarrett | him |
| Keith_Jarrett | partially |
| Keith_Jarrett | paralyzed |
| Keith_Jarrett | and |
| Keith_Jarrett | unable |
| Keith_Jarrett | to |
| Keith_Jarrett | play |
| Keith_Jarrett | with |
| Keith_Jarrett | his |
| Keith_Jarrett | left |
| Keith_Jarrett | hand |
| Keith_Jarrett | en |
| Bill_Dowdy | bill |
| Bill_Dowdy | dowdy |
| Bill_Dowdy | august |
| Bill_Dowdy | 15 |
| Bill_Dowdy | 1932 |
| Bill_Dowdy | may |
| Bill_Dowdy | 12 |
| Bill_Dowdy | 2017 |
| Bill_Dowdy | was |
| Bill_Dowdy | an |
| Bill_Dowdy | american |
| Bill_Dowdy | jazz |
| Bill_Dowdy | musician |
| Bill_Dowdy | and |
| Bill_Dowdy | teacher |
| Bill_Dowdy | he |
| Bill_Dowdy | was |
| Bill_Dowdy | the |
| Bill_Dowdy | drummer |
| Bill_Dowdy | with |
| Bill_Dowdy | the |
| Bill_Dowdy | jazz |
| Bill_Dowdy | trio |
| Bill_Dowdy | the |
| Bill_Dowdy | three |
| Bill_Dowdy | sounds |
| Bill_Dowdy | the |
| Bill_Dowdy | three |
| Bill_Dowdy | sounds |
| Bill_Dowdy | recorded |
| Bill_Dowdy | over |
| Bill_Dowdy | ten |
| Bill_Dowdy | jazz |
| Bill_Dowdy | albums |
| Bill_Dowdy | from |
| Bill_Dowdy | the |
| Bill_Dowdy | 1950s |
| Bill_Dowdy | through |
| Bill_Dowdy | the |
| Bill_Dowdy | early |
| Bill_Dowdy | 1970s |
| Bill_Dowdy | and |
| Bill_Dowdy | played |
| Bill_Dowdy | with |
| Bill_Dowdy | lester |
| Bill_Dowdy | young |
| Bill_Dowdy | lou |
| Bill_Dowdy | donaldson |
| Bill_Dowdy | nat |
| Bill_Dowdy | adderley |
| Bill_Dowdy | johnny |
| Bill_Dowdy | griffin |
| Bill_Dowdy | anita |
| Bill_Dowdy | o’day |
| Bill_Dowdy | and |
| Bill_Dowdy | sonny |
| Bill_Dowdy | stitt |
| Bill_Dowdy | among |
| Bill_Dowdy | others |
| Bill_Dowdy | en |
| Philip_Harper_(trumpeter) | philip |
| Philip_Harper_(trumpeter) | harper |
| Philip_Harper_(trumpeter) | born |
| Philip_Harper_(trumpeter) | may |
| Philip_Harper_(trumpeter) | 10 |
| Philip_Harper_(trumpeter) | 1965 |
| Philip_Harper_(trumpeter) | in |
| Philip_Harper_(trumpeter) | baltimore |
| Philip_Harper_(trumpeter) | maryland |
| Philip_Harper_(trumpeter) | is |
| Philip_Harper_(trumpeter) | a |
| Philip_Harper_(trumpeter) | jazz |
| Philip_Harper_(trumpeter) | trumpeter |
| Philip_Harper_(trumpeter) | harper |
| Philip_Harper_(trumpeter) | grew |
| Philip_Harper_(trumpeter) | up |
| Philip_Harper_(trumpeter) | in |
| Philip_Harper_(trumpeter) | atlanta |
| Philip_Harper_(trumpeter) | and |
| Philip_Harper_(trumpeter) | studied |
| Philip_Harper_(trumpeter) | music |
| Philip_Harper_(trumpeter) | there |
| Philip_Harper_(trumpeter) | he |
| Philip_Harper_(trumpeter) | later |
| Philip_Harper_(trumpeter) | worked |
| Philip_Harper_(trumpeter) | with |
| Philip_Harper_(trumpeter) | the |
| Philip_Harper_(trumpeter) | jazz |
| Philip_Harper_(trumpeter) | messengers |
| Philip_Harper_(trumpeter) | and |
| Philip_Harper_(trumpeter) | charles |
| Philip_Harper_(trumpeter) | mingus |
| Philip_Harper_(trumpeter) | big |
| Philip_Harper_(trumpeter) | band |
| Philip_Harper_(trumpeter) | he |
| Philip_Harper_(trumpeter) | also |
| Philip_Harper_(trumpeter) | signed |
| Philip_Harper_(trumpeter) | with |
| Philip_Harper_(trumpeter) | verve |
| Philip_Harper_(trumpeter) | records |
| Philip_Harper_(trumpeter) | and |
| Philip_Harper_(trumpeter) | produced |
| Philip_Harper_(trumpeter) | four |
| Philip_Harper_(trumpeter) | albums |
| Philip_Harper_(trumpeter) | for |
| Philip_Harper_(trumpeter) | them |
| Philip_Harper_(trumpeter) | harper |
| Philip_Harper_(trumpeter) | played |
| Philip_Harper_(trumpeter) | from |
| Philip_Harper_(trumpeter) | 1988 |
| Philip_Harper_(trumpeter) | 993 |
| Philip_Harper_(trumpeter) | in |
| Philip_Harper_(trumpeter) | with |
| Philip_Harper_(trumpeter) | his |
| Philip_Harper_(trumpeter) | brother |
| Philip_Harper_(trumpeter) | winard |
| Philip_Harper_(trumpeter) | other |
| Philip_Harper_(trumpeter) | band |
| Philip_Harper_(trumpeter) | members |
| Philip_Harper_(trumpeter) | included |
| Philip_Harper_(trumpeter) | justin |
| Philip_Harper_(trumpeter) | robinson |
| Philip_Harper_(trumpeter) | on |
| Philip_Harper_(trumpeter) | alto |
| Philip_Harper_(trumpeter) | saxophone |
| Philip_Harper_(trumpeter) | stephen |
| Philip_Harper_(trumpeter) | scott |
| Philip_Harper_(trumpeter) | on |
| Philip_Harper_(trumpeter) | piano |
| Philip_Harper_(trumpeter) | and |
| Philip_Harper_(trumpeter) | michael |
| Philip_Harper_(trumpeter) | bowie |
| Philip_Harper_(trumpeter) | on |
| Philip_Harper_(trumpeter) | bass |
| Philip_Harper_(trumpeter) | en |
| Ron_Carter | ronald |
| Ron_Carter | levin |
| Ron_Carter | carter |
| Ron_Carter | born |
| Ron_Carter | may |
| Ron_Carter | 4 |
| Ron_Carter | 1937 |
| Ron_Carter | is |
| Ron_Carter | an |
| Ron_Carter | american |
| Ron_Carter | jazz |
| Ron_Carter | double |
| Ron_Carter | bassist |
| Ron_Carter | his |
| Ron_Carter | appearances |
| Ron_Carter | on |
| Ron_Carter | 2,221 |
| Ron_Carter | recording |
| Ron_Carter | sessions |
| Ron_Carter | make |
| Ron_Carter | him |
| Ron_Carter | the |
| Ron_Carter | most |
| Ron_Carter | recorded |
| Ron_Carter | jazz |
| Ron_Carter | bassist |
| Ron_Carter | in |
| Ron_Carter | history |
| Ron_Carter | carter |
| Ron_Carter | has |
| Ron_Carter | two |
| Ron_Carter | grammy |
| Ron_Carter | awards |
| Ron_Carter | carter |
| Ron_Carter | is |
| Ron_Carter | also |
| Ron_Carter | a |
| Ron_Carter | cellist |
| Ron_Carter | who |
| Ron_Carter | has |
| Ron_Carter | recorded |
| Ron_Carter | numerous |
| Ron_Carter | times |
| Ron_Carter | on |
| Ron_Carter | that |
| Ron_Carter | instrument |
| Ron_Carter | some |
| Ron_Carter | of |
| Ron_Carter | his |
| Ron_Carter | studio |
| Ron_Carter | albums |
| Ron_Carter | as |
| Ron_Carter | a |
| Ron_Carter | leader |
| Ron_Carter | include |
| Ron_Carter | blues |
| Ron_Carter | farm |
| Ron_Carter | 1973 |
| Ron_Carter | all |
| Ron_Carter | blues |
| Ron_Carter | 1973 |
| Ron_Carter | spanish |
| Ron_Carter | blue |
| Ron_Carter | 1974 |
| Ron_Carter | anything |
| Ron_Carter | goes |
| Ron_Carter | 1975 |
| Ron_Carter | yellow |
| Ron_Carter | green |
| Ron_Carter | 1976 |
| Ron_Carter | pastels |
| Ron_Carter | 1976 |
| Ron_Carter | piccolo |
| Ron_Carter | 1977 |
| Ron_Carter | third |
| Ron_Carter | plane |
| Ron_Carter | 1977 |
| Ron_Carter | peg |
| Ron_Carter | leg |
| Ron_Carter | 1978 |
| Ron_Carter | a |
| Ron_Carter | song |
| Ron_Carter | for |
| Ron_Carter | you |
| Ron_Carter | 1978 |
| Ron_Carter | etudes |
| Ron_Carter | 1982 |
| Ron_Carter | the |
| Ron_Carter | golden |
| Ron_Carter | striker |
| Ron_Carter | 2003 |
| Ron_Carter | dear |
| Ron_Carter | miles |
| Ron_Carter | 2006 |
| Ron_Carter | and |
| Ron_Carter | ron |
| Ron_Carter | carter’s |
| Ron_Carter | great |
| Ron_Carter | big |
| Ron_Carter | band |
| Ron_Carter | 2011 |
| Ron_Carter | en |
| Ben_Wendel | ben |
| Ben_Wendel | wendel |
| Ben_Wendel | is |
| Ben_Wendel | a |
| Ben_Wendel | jazz |
| Ben_Wendel | saxophonist |
| Ben_Wendel | bassoonist |
| Ben_Wendel | and |
| Ben_Wendel | pianist |
| Ben_Wendel | who |
| Ben_Wendel | is |
| Ben_Wendel | a |
| Ben_Wendel | founding |
| Ben_Wendel | member |
| Ben_Wendel | of |
| Ben_Wendel | the |
| Ben_Wendel | band |
| Ben_Wendel | kneebody |
| Ben_Wendel | he |
| Ben_Wendel | has |
| Ben_Wendel | worked |
| Ben_Wendel | with |
| Ben_Wendel | snoop |
| Ben_Wendel | dogg |
| Ben_Wendel | ignacio |
| Ben_Wendel | berroa |
| Ben_Wendel | daedelus |
| Ben_Wendel | taylor |
| Ben_Wendel | eigsti |
| Ben_Wendel | gerald |
| Ben_Wendel | clayton |
| Ben_Wendel | and |
| Ben_Wendel | tigran |
| Ben_Wendel | hamasyan |
| Ben_Wendel | en |
| Curtis_Fuller | curtis |
| Curtis_Fuller | dubois |
| Curtis_Fuller | fuller |
| Curtis_Fuller | december |
| Curtis_Fuller | 15 |
| Curtis_Fuller | 1932 |
| Curtis_Fuller | may |
| Curtis_Fuller | 8 |
| Curtis_Fuller | 2021 |
| Curtis_Fuller | was |
| Curtis_Fuller | an |
| Curtis_Fuller | american |
| Curtis_Fuller | jazz |
| Curtis_Fuller | trombonist |
| Curtis_Fuller | he |
| Curtis_Fuller | was |
| Curtis_Fuller | a |
| Curtis_Fuller | member |
| Curtis_Fuller | of |
| Curtis_Fuller | art |
| Curtis_Fuller | blakey’s |
| Curtis_Fuller | jazz |
| Curtis_Fuller | messengers |
| Curtis_Fuller | and |
| Curtis_Fuller | contributed |
| Curtis_Fuller | to |
| Curtis_Fuller | many |
| Curtis_Fuller | classic |
| Curtis_Fuller | jazz |
| Curtis_Fuller | recordings |
| Curtis_Fuller | en |
| Bob_Brookmeyer | robert |
| Bob_Brookmeyer | edward |
| Bob_Brookmeyer | bob |
| Bob_Brookmeyer | brookmeyer |
| Bob_Brookmeyer | december |
| Bob_Brookmeyer | 19 |
| Bob_Brookmeyer | 1929 |
| Bob_Brookmeyer | december |
| Bob_Brookmeyer | 15 |
| Bob_Brookmeyer | 2011 |
| Bob_Brookmeyer | was |
| Bob_Brookmeyer | an |
| Bob_Brookmeyer | american |
| Bob_Brookmeyer | jazz |
| Bob_Brookmeyer | valve |
| Bob_Brookmeyer | trombonist |
| Bob_Brookmeyer | pianist |
| Bob_Brookmeyer | arranger |
| Bob_Brookmeyer | and |
| Bob_Brookmeyer | composer |
| Bob_Brookmeyer | born |
| Bob_Brookmeyer | in |
| Bob_Brookmeyer | kansas |
| Bob_Brookmeyer | city |
| Bob_Brookmeyer | missouri |
| Bob_Brookmeyer | brookmeyer |
| Bob_Brookmeyer | first |
| Bob_Brookmeyer | gained |
| Bob_Brookmeyer | widespread |
| Bob_Brookmeyer | public |
| Bob_Brookmeyer | attention |
| Bob_Brookmeyer | as |
| Bob_Brookmeyer | a |
| Bob_Brookmeyer | member |
| Bob_Brookmeyer | of |
| Bob_Brookmeyer | gerry |
| Bob_Brookmeyer | mulligan’s |
| Bob_Brookmeyer | quartet |
| Bob_Brookmeyer | from |
| Bob_Brookmeyer | 1954 |
| Bob_Brookmeyer | to |
| Bob_Brookmeyer | 1957 |
| Bob_Brookmeyer | he |
| Bob_Brookmeyer | later |
| Bob_Brookmeyer | worked |
| Bob_Brookmeyer | with |
| Bob_Brookmeyer | jimmy |
| Bob_Brookmeyer | giuffre |
| Bob_Brookmeyer | before |
| Bob_Brookmeyer | rejoining |
| Bob_Brookmeyer | mulligan’s |
| Bob_Brookmeyer | concert |
| Bob_Brookmeyer | jazz |
| Bob_Brookmeyer | band |
| Bob_Brookmeyer | he |
| Bob_Brookmeyer | garnered |
| Bob_Brookmeyer | 8 |
| Bob_Brookmeyer | grammy |
| Bob_Brookmeyer | award |
| Bob_Brookmeyer | nominations |
| Bob_Brookmeyer | during |
| Bob_Brookmeyer | his |
| Bob_Brookmeyer | lifetime |
| Bob_Brookmeyer | en |
| Erica_von_Kleist | erica |
| Erica_von_Kleist | von |
| Erica_von_Kleist | kleist |
| Erica_von_Kleist | is |
| Erica_von_Kleist | a |
| Erica_von_Kleist | jazz |
| Erica_von_Kleist | flautist |
| Erica_von_Kleist | saxophonist |
| Erica_von_Kleist | and |
| Erica_von_Kleist | composer |
| Erica_von_Kleist | she |
| Erica_von_Kleist | is |
| Erica_von_Kleist | a |
| Erica_von_Kleist | descendant |
| Erica_von_Kleist | of |
| Erica_von_Kleist | the |
| Erica_von_Kleist | pomeranian |
| Erica_von_Kleist | prussian |
| Erica_von_Kleist | noble |
| Erica_von_Kleist | family |
| Erica_von_Kleist | von |
| Erica_von_Kleist | kleist |
| Erica_von_Kleist | as |
| Erica_von_Kleist | an |
| Erica_von_Kleist | educator |
| Erica_von_Kleist | erica |
| Erica_von_Kleist | has |
| Erica_von_Kleist | taught |
| Erica_von_Kleist | privately |
| Erica_von_Kleist | for |
| Erica_von_Kleist | over |
| Erica_von_Kleist | 15 |
| Erica_von_Kleist | years |
| Erica_von_Kleist | erica |
| Erica_von_Kleist | has |
| Erica_von_Kleist | released |
| Erica_von_Kleist | three |
| Erica_von_Kleist | albums |
| Erica_von_Kleist | as |
| Erica_von_Kleist | a |
| Erica_von_Kleist | bandleader |
| Erica_von_Kleist | roject |
| Erica_von_Kleist | e |
| Erica_von_Kleist | in |
| Erica_von_Kleist | 2005 |
| Erica_von_Kleist | rica |
| Erica_von_Kleist | von |
| Erica_von_Kleist | kleist |
| Erica_von_Kleist | no |
| Erica_von_Kleist | exceptions |
| Erica_von_Kleist | in |
| Erica_von_Kleist | 2009 |
| Erica_von_Kleist | and |
| Erica_von_Kleist | lpine |
| Erica_von_Kleist | clarity |
| Erica_von_Kleist | in |
| Erica_von_Kleist | 2014 |
| Erica_von_Kleist | en |
| Johnny_Helms | john |
| Johnny_Helms | newton |
| Johnny_Helms | johnny |
| Johnny_Helms | helms |
| Johnny_Helms | february |
| Johnny_Helms | 10 |
| Johnny_Helms | 1935 |
| Johnny_Helms | march |
| Johnny_Helms | 27 |
| Johnny_Helms | 2015 |
| Johnny_Helms | was |
| Johnny_Helms | an |
| Johnny_Helms | american |
| Johnny_Helms | jazz |
| Johnny_Helms | trumpet |
| Johnny_Helms | player |
| Johnny_Helms | bandleader |
| Johnny_Helms | and |
| Johnny_Helms | music |
| Johnny_Helms | educator |
| Johnny_Helms | from |
| Johnny_Helms | columbia |
| Johnny_Helms | south |
| Johnny_Helms | carolina |
| Johnny_Helms | he |
| Johnny_Helms | performed |
| Johnny_Helms | with |
| Johnny_Helms | chris |
| Johnny_Helms | potter |
| Johnny_Helms | tommy |
| Johnny_Helms | newsom |
| Johnny_Helms | bill |
| Johnny_Helms | watrous |
| Johnny_Helms | red |
| Johnny_Helms | rodney |
| Johnny_Helms | woody |
| Johnny_Helms | herman |
| Johnny_Helms | sam |
| Johnny_Helms | most |
| Johnny_Helms | and |
| Johnny_Helms | the |
| Johnny_Helms | clark |
| Johnny_Helms | terry |
| Johnny_Helms | big |
| Johnny_Helms | band |
| Johnny_Helms | among |
| Johnny_Helms | others |
| Johnny_Helms | in |
| Johnny_Helms | 1989 |
| Johnny_Helms | he |
| Johnny_Helms | was |
| Johnny_Helms | featured |
| Johnny_Helms | along |
| Johnny_Helms | with |
| Johnny_Helms | terry |
| Johnny_Helms | and |
| Johnny_Helms | oscar |
| Johnny_Helms | peterson |
| Johnny_Helms | as |
| Johnny_Helms | part |
| Johnny_Helms | of |
| Johnny_Helms | clark |
| Johnny_Helms | terry |
| Johnny_Helms | and |
| Johnny_Helms | friends |
| Johnny_Helms | at |
| Johnny_Helms | town |
| Johnny_Helms | hall |
| Johnny_Helms | during |
| Johnny_Helms | the |
| Johnny_Helms | jvc |
| Johnny_Helms | jazz |
| Johnny_Helms | festival |
| Johnny_Helms | en |
| Hugh_Masekela | hugh |
| Hugh_Masekela | ramapolo |
| Hugh_Masekela | masekela |
| Hugh_Masekela | 4 |
| Hugh_Masekela | april |
| Hugh_Masekela | 1939 |
| Hugh_Masekela | 23 |
| Hugh_Masekela | january |
| Hugh_Masekela | 2018 |
| Hugh_Masekela | was |
| Hugh_Masekela | a |
| Hugh_Masekela | south |
| Hugh_Masekela | african |
| Hugh_Masekela | trumpeter |
| Hugh_Masekela | flugelhornist |
| Hugh_Masekela | cornetist |
| Hugh_Masekela | singer |
| Hugh_Masekela | and |
| Hugh_Masekela | composer |
| Hugh_Masekela | who |
| Hugh_Masekela | was |
| Hugh_Masekela | described |
| Hugh_Masekela | as |
| Hugh_Masekela | the |
| Hugh_Masekela | father |
| Hugh_Masekela | of |
| Hugh_Masekela | south |
| Hugh_Masekela | african |
| Hugh_Masekela | jazz |
| Hugh_Masekela | masekela |
| Hugh_Masekela | was |
| Hugh_Masekela | known |
| Hugh_Masekela | for |
| Hugh_Masekela | his |
| Hugh_Masekela | jazz |
| Hugh_Masekela | compositions |
| Hugh_Masekela | and |
| Hugh_Masekela | for |
| Hugh_Masekela | writing |
| Hugh_Masekela | well |
| Hugh_Masekela | known |
| Hugh_Masekela | anti |
| Hugh_Masekela | apartheid |
| Hugh_Masekela | songs |
| Hugh_Masekela | such |
| Hugh_Masekela | as |
| Hugh_Masekela | soweto |
| Hugh_Masekela | blues |
| Hugh_Masekela | and |
| Hugh_Masekela | bring |
| Hugh_Masekela | him |
| Hugh_Masekela | back |
| Hugh_Masekela | home |
| Hugh_Masekela | he |
| Hugh_Masekela | also |
| Hugh_Masekela | had |
| Hugh_Masekela | a |
| Hugh_Masekela | number |
| Hugh_Masekela | one |
| Hugh_Masekela | us |
| Hugh_Masekela | pop |
| Hugh_Masekela | hit |
| Hugh_Masekela | in |
| Hugh_Masekela | 1968 |
| Hugh_Masekela | with |
| Hugh_Masekela | his |
| Hugh_Masekela | version |
| Hugh_Masekela | of |
| Hugh_Masekela | grazing |
| Hugh_Masekela | in |
| Hugh_Masekela | the |
| Hugh_Masekela | grass |
| Hugh_Masekela | en |
| Paul_Murphy_(musician) | paul |
| Paul_Murphy_(musician) | f |
| Paul_Murphy_(musician) | murphy |
| Paul_Murphy_(musician) | born |
| Paul_Murphy_(musician) | january |
| Paul_Murphy_(musician) | 25 |
| Paul_Murphy_(musician) | 1949 |
| Paul_Murphy_(musician) | is |
| Paul_Murphy_(musician) | a |
| Paul_Murphy_(musician) | percussionist |
| Paul_Murphy_(musician) | bandleader |
| Paul_Murphy_(musician) | and |
| Paul_Murphy_(musician) | composer |
| Paul_Murphy_(musician) | he |
| Paul_Murphy_(musician) | is |
| Paul_Murphy_(musician) | best |
| Paul_Murphy_(musician) | known |
| Paul_Murphy_(musician) | for |
| Paul_Murphy_(musician) | having |
| Paul_Murphy_(musician) | led |
| Paul_Murphy_(musician) | a |
| Paul_Murphy_(musician) | variety |
| Paul_Murphy_(musician) | of |
| Paul_Murphy_(musician) | small |
| Paul_Murphy_(musician) | jazz |
| Paul_Murphy_(musician) | ensembles |
| Paul_Murphy_(musician) | and |
| Paul_Murphy_(musician) | for |
| Paul_Murphy_(musician) | his |
| Paul_Murphy_(musician) | long |
| Paul_Murphy_(musician) | tenure |
| Paul_Murphy_(musician) | in |
| Paul_Murphy_(musician) | groups |
| Paul_Murphy_(musician) | led |
| Paul_Murphy_(musician) | by |
| Paul_Murphy_(musician) | saxophonist |
| Paul_Murphy_(musician) | jimmy |
| Paul_Murphy_(musician) | lyons |
| Paul_Murphy_(musician) | en |
| Marcus_Strickland | marcus |
| Marcus_Strickland | strickland |
| Marcus_Strickland | born |
| Marcus_Strickland | february |
| Marcus_Strickland | 24 |
| Marcus_Strickland | 1979 |
| Marcus_Strickland | in |
| Marcus_Strickland | gainesville |
| Marcus_Strickland | florida |
| Marcus_Strickland | united |
| Marcus_Strickland | states |
| Marcus_Strickland | is |
| Marcus_Strickland | an |
| Marcus_Strickland | american |
| Marcus_Strickland | jazz |
| Marcus_Strickland | soprano |
| Marcus_Strickland | alto |
| Marcus_Strickland | and |
| Marcus_Strickland | tenor |
| Marcus_Strickland | saxophonist |
| Marcus_Strickland | who |
| Marcus_Strickland | grew |
| Marcus_Strickland | up |
| Marcus_Strickland | in |
| Marcus_Strickland | miami |
| Marcus_Strickland | florida |
| Marcus_Strickland | down |
| Marcus_Strickland | beat |
| Marcus_Strickland | magazine’s |
| Marcus_Strickland | critics |
| Marcus_Strickland | poll |
| Marcus_Strickland | named |
| Marcus_Strickland | him |
| Marcus_Strickland | rising |
| Marcus_Strickland | star |
| Marcus_Strickland | on |
| Marcus_Strickland | tenor |
| Marcus_Strickland | saxophone |
| Marcus_Strickland | in |
| Marcus_Strickland | 2010 |
| Marcus_Strickland | and |
| Marcus_Strickland | rising |
| Marcus_Strickland | star |
| Marcus_Strickland | on |
| Marcus_Strickland | soprano |
| Marcus_Strickland | saxophone |
| Marcus_Strickland | in |
| Marcus_Strickland | 2008 |
| Marcus_Strickland | jazztimes |
| Marcus_Strickland | magazine’s |
| Marcus_Strickland | reader’s |
| Marcus_Strickland | poll |
| Marcus_Strickland | named |
| Marcus_Strickland | him |
| Marcus_Strickland | best |
| Marcus_Strickland | new |
| Marcus_Strickland | artist |
| Marcus_Strickland | in |
| Marcus_Strickland | 2006 |
| Marcus_Strickland | he |
| Marcus_Strickland | placed |
| Marcus_Strickland | third |
| Marcus_Strickland | in |
| Marcus_Strickland | the |
| Marcus_Strickland | 2002 |
| Marcus_Strickland | thelonious |
| Marcus_Strickland | monk |
| Marcus_Strickland | international |
| Marcus_Strickland | jazz |
| Marcus_Strickland | saxophone |
| Marcus_Strickland | competition |
| Marcus_Strickland | his |
| Marcus_Strickland | band |
| Marcus_Strickland | and |
| Marcus_Strickland | concept |
| Marcus_Strickland | project |
| Marcus_Strickland | twi |
| Marcus_Strickland | life |
| Marcus_Strickland | deals |
| Marcus_Strickland | with |
| Marcus_Strickland | the |
| Marcus_Strickland | connection |
| Marcus_Strickland | and |
| Marcus_Strickland | intersection |
| Marcus_Strickland | between |
| Marcus_Strickland | jazz |
| Marcus_Strickland | and |
| Marcus_Strickland | soul |
| Marcus_Strickland | hip |
| Marcus_Strickland | hop |
| Marcus_Strickland | as |
| Marcus_Strickland | inspired |
| Marcus_Strickland | by |
| Marcus_Strickland | the |
| Marcus_Strickland | j |
| Marcus_Strickland | dilla |
| Marcus_Strickland | aesthetic |
| Marcus_Strickland | of |
| Marcus_Strickland | intricacy |
| Marcus_Strickland | runk |
| Marcus_Strickland | drumming |
| Marcus_Strickland | and |
| Marcus_Strickland | tonal |
| Marcus_Strickland | nuance |
| Marcus_Strickland | strickland |
| Marcus_Strickland | becomes |
| Marcus_Strickland | beat |
| Marcus_Strickland | maker |
| Marcus_Strickland | composer |
| Marcus_Strickland | as |
| Marcus_Strickland | well |
| Marcus_Strickland | as |
| Marcus_Strickland | saxophonist |
| Marcus_Strickland | on |
| Marcus_Strickland | these |
| Marcus_Strickland | projects |
| Marcus_Strickland | the |
| Marcus_Strickland | saxophonist |
| Marcus_Strickland | has |
| Marcus_Strickland | nine |
| Marcus_Strickland | releases |
| Marcus_Strickland | as |
| Marcus_Strickland | a |
| Marcus_Strickland | leader |
| Marcus_Strickland | people |
| Marcus_Strickland | of |
| Marcus_Strickland | the |
| Marcus_Strickland | sun |
| Marcus_Strickland | 2018 |
| Marcus_Strickland | nihil |
| Marcus_Strickland | novi |
| Marcus_Strickland | 2016 |
| Marcus_Strickland | on |
| Marcus_Strickland | blue |
| Marcus_Strickland | note |
| Marcus_Strickland | records |
| Marcus_Strickland | triumph |
| Marcus_Strickland | of |
| Marcus_Strickland | the |
| Marcus_Strickland | heavy |
| Marcus_Strickland | vol |
| Marcus_Strickland | 1 |
| Marcus_Strickland | 2 |
| Marcus_Strickland | 2011 |
| Marcus_Strickland | idiosyncrasies |
| Marcus_Strickland | 2009 |
| Marcus_Strickland | open |
| Marcus_Strickland | reel |
| Marcus_Strickland | deck |
| Marcus_Strickland | 2007 |
| Marcus_Strickland | twi |
| Marcus_Strickland | life |
| Marcus_Strickland | 2006 |
| Marcus_Strickland | on |
| Marcus_Strickland | his |
| Marcus_Strickland | own |
| Marcus_Strickland | music |
| Marcus_Strickland | label |
| Marcus_Strickland | strick |
| Marcus_Strickland | muzik |
| Marcus_Strickland | launched |
| Marcus_Strickland | in |
| Marcus_Strickland | 2006 |
| Marcus_Strickland | of |
| Marcus_Strickland | song |
| Marcus_Strickland | 2009 |
| Marcus_Strickland | on |
| Marcus_Strickland | criss |
| Marcus_Strickland | cross |
| Marcus_Strickland | records |
| Marcus_Strickland | brotherhood |
| Marcus_Strickland | 2002 |
| Marcus_Strickland | at |
| Marcus_Strickland | last |
| Marcus_Strickland | 2001 |
| Marcus_Strickland | on |
| Marcus_Strickland | fresh |
| Marcus_Strickland | sound |
| Marcus_Strickland | records |
| Marcus_Strickland | in |
| Marcus_Strickland | addition |
| Marcus_Strickland | to |
| Marcus_Strickland | his |
| Marcus_Strickland | own |
| Marcus_Strickland | twi |
| Marcus_Strickland | life |
| Marcus_Strickland | trio |
| Marcus_Strickland | and |
| Marcus_Strickland | quartet |
| Marcus_Strickland | strickland |
| Marcus_Strickland | has |
| Marcus_Strickland | played |
| Marcus_Strickland | with |
| Marcus_Strickland | christian |
| Marcus_Strickland | mcbride |
| Marcus_Strickland | dave |
| Marcus_Strickland | douglas |
| Marcus_Strickland | jeff |
| Marcus_Strickland | tain |
| Marcus_Strickland | watts |
| Marcus_Strickland | and |
| Marcus_Strickland | also |
| Marcus_Strickland | had |
| Marcus_Strickland | a |
| Marcus_Strickland | five |
| Marcus_Strickland | year |
| Marcus_Strickland | stint |
| Marcus_Strickland | with |
| Marcus_Strickland | the |
| Marcus_Strickland | drummer |
| Marcus_Strickland | roy |
| Marcus_Strickland | haynes |
| Marcus_Strickland | strickland |
| Marcus_Strickland | has |
| Marcus_Strickland | been |
| Marcus_Strickland | on |
| Marcus_Strickland | two |
| Marcus_Strickland | grammy |
| Marcus_Strickland | nominated |
| Marcus_Strickland | recordings |
| Marcus_Strickland | including |
| Marcus_Strickland | fountain |
| Marcus_Strickland | of |
| Marcus_Strickland | youth |
| Marcus_Strickland | roy |
| Marcus_Strickland | haynes |
| Marcus_Strickland | keystone |
| Marcus_Strickland | he |
| Marcus_Strickland | considers |
| Marcus_Strickland | his |
| Marcus_Strickland | father |
| Marcus_Strickland | an |
| Marcus_Strickland | early |
| Marcus_Strickland | inspiration |
| Marcus_Strickland | as |
| Marcus_Strickland | he |
| Marcus_Strickland | had |
| Marcus_Strickland | been |
| Marcus_Strickland | a |
| Marcus_Strickland | drummer |
| Marcus_Strickland | in |
| Marcus_Strickland | jazz |
| Marcus_Strickland | and |
| Marcus_Strickland | rhythm |
| Marcus_Strickland | and |
| Marcus_Strickland | blues |
| Marcus_Strickland | but |
| Marcus_Strickland | is |
| Marcus_Strickland | now |
| Marcus_Strickland | a |
| Marcus_Strickland | lawyer |
| Marcus_Strickland | marcus |
| Marcus_Strickland | twin |
| Marcus_Strickland | brother |
| Marcus_Strickland | e.j |
| Marcus_Strickland | strickland |
| Marcus_Strickland | is |
| Marcus_Strickland | a |
| Marcus_Strickland | drummer |
| Marcus_Strickland | and |
| Marcus_Strickland | is |
| Marcus_Strickland | a |
| Marcus_Strickland | member |
| Marcus_Strickland | of |
| Marcus_Strickland | marcus |
| Marcus_Strickland | quartet |
| Marcus_Strickland | and |
| Marcus_Strickland | leads |
| Marcus_Strickland | his |
| Marcus_Strickland | own |
| Marcus_Strickland | quintet |
| Marcus_Strickland | as |
| Marcus_Strickland | well |
| Marcus_Strickland | en |
| Stanley_Turrentine | stanley |
| Stanley_Turrentine | william |
| Stanley_Turrentine | turrentine |
| Stanley_Turrentine | april |
| Stanley_Turrentine | 5 |
| Stanley_Turrentine | 1934 |
| Stanley_Turrentine | september |
| Stanley_Turrentine | 12 |
| Stanley_Turrentine | 2000 |
| Stanley_Turrentine | was |
| Stanley_Turrentine | an |
| Stanley_Turrentine | american |
| Stanley_Turrentine | jazz |
| Stanley_Turrentine | tenor |
| Stanley_Turrentine | saxophonist |
| Stanley_Turrentine | he |
| Stanley_Turrentine | began |
| Stanley_Turrentine | his |
| Stanley_Turrentine | career |
| Stanley_Turrentine | playing |
| Stanley_Turrentine | r |
| Stanley_Turrentine | b |
| Stanley_Turrentine | for |
| Stanley_Turrentine | earl |
| Stanley_Turrentine | bostic |
| Stanley_Turrentine | and |
| Stanley_Turrentine | later |
| Stanley_Turrentine | soul |
| Stanley_Turrentine | jazz |
| Stanley_Turrentine | recording |
| Stanley_Turrentine | for |
| Stanley_Turrentine | the |
| Stanley_Turrentine | blue |
| Stanley_Turrentine | note |
| Stanley_Turrentine | label |
| Stanley_Turrentine | from |
| Stanley_Turrentine | 1960 |
| Stanley_Turrentine | touched |
| Stanley_Turrentine | on |
| Stanley_Turrentine | jazz |
| Stanley_Turrentine | fusion |
| Stanley_Turrentine | during |
| Stanley_Turrentine | a |
| Stanley_Turrentine | stint |
| Stanley_Turrentine | on |
| Stanley_Turrentine | cti |
| Stanley_Turrentine | in |
| Stanley_Turrentine | the |
| Stanley_Turrentine | 1970s |
| Stanley_Turrentine | he |
| Stanley_Turrentine | was |
| Stanley_Turrentine | described |
| Stanley_Turrentine | by |
| Stanley_Turrentine | critic |
| Stanley_Turrentine | steve |
| Stanley_Turrentine | huey |
| Stanley_Turrentine | as |
| Stanley_Turrentine | renowned |
| Stanley_Turrentine | for |
| Stanley_Turrentine | his |
| Stanley_Turrentine | distinctively |
| Stanley_Turrentine | thick |
| Stanley_Turrentine | rippling |
| Stanley_Turrentine | tone |
| Stanley_Turrentine | and |
| Stanley_Turrentine | earthy |
| Stanley_Turrentine | grounding |
| Stanley_Turrentine | in |
| Stanley_Turrentine | the |
| Stanley_Turrentine | blues |
| Stanley_Turrentine | in |
| Stanley_Turrentine | the |
| Stanley_Turrentine | 1960s |
| Stanley_Turrentine | turrentine |
| Stanley_Turrentine | was |
| Stanley_Turrentine | married |
| Stanley_Turrentine | to |
| Stanley_Turrentine | organist |
| Stanley_Turrentine | shirley |
| Stanley_Turrentine | scott |
| Stanley_Turrentine | with |
| Stanley_Turrentine | whom |
| Stanley_Turrentine | he |
| Stanley_Turrentine | frequently |
| Stanley_Turrentine | recorded |
| Stanley_Turrentine | and |
| Stanley_Turrentine | he |
| Stanley_Turrentine | was |
| Stanley_Turrentine | the |
| Stanley_Turrentine | younger |
| Stanley_Turrentine | brother |
| Stanley_Turrentine | of |
| Stanley_Turrentine | trumpeter |
| Stanley_Turrentine | tommy |
| Stanley_Turrentine | turrentine |
| Stanley_Turrentine | en |
| Radovan_Tariska | radovan |
| Radovan_Tariska | tariska |
| Radovan_Tariska | born |
| Radovan_Tariska | august |
| Radovan_Tariska | 14 |
| Radovan_Tariska | 1979 |
| Radovan_Tariska | is |
| Radovan_Tariska | a |
| Radovan_Tariska | slovak |
| Radovan_Tariska | jazz |
| Radovan_Tariska | saxophonist |
| Radovan_Tariska | en |
| Booker_Little | booker |
| Booker_Little | little |
| Booker_Little | jr |
| Booker_Little | april |
| Booker_Little | 2 |
| Booker_Little | 1938 |
| Booker_Little | october |
| Booker_Little | 5 |
| Booker_Little | 1961 |
| Booker_Little | was |
| Booker_Little | an |
| Booker_Little | american |
| Booker_Little | jazz |
| Booker_Little | trumpeter |
| Booker_Little | and |
| Booker_Little | composer |
| Booker_Little | he |
| Booker_Little | appeared |
| Booker_Little | on |
| Booker_Little | many |
| Booker_Little | recordings |
| Booker_Little | in |
| Booker_Little | his |
| Booker_Little | short |
| Booker_Little | career |
| Booker_Little | both |
| Booker_Little | as |
| Booker_Little | a |
| Booker_Little | sideman |
| Booker_Little | and |
| Booker_Little | as |
| Booker_Little | a |
| Booker_Little | leader |
| Booker_Little | little |
| Booker_Little | performed |
| Booker_Little | with |
| Booker_Little | max |
| Booker_Little | roach |
| Booker_Little | john |
| Booker_Little | coltrane |
| Booker_Little | and |
| Booker_Little | eric |
| Booker_Little | dolphy |
| Booker_Little | and |
| Booker_Little | was |
| Booker_Little | strongly |
| Booker_Little | influenced |
| Booker_Little | by |
| Booker_Little | sonny |
| Booker_Little | rollins |
| Booker_Little | and |
| Booker_Little | clifford |
| Booker_Little | brown |
| Booker_Little | he |
| Booker_Little | died |
| Booker_Little | aged |
| Booker_Little | 23 |
| Booker_Little | en |
| Mary_J._Blige | mary |
| Mary_J._Blige | jane |
| Mary_J._Blige | blige |
| Mary_J._Blige | bla |
| Mary_J._Blige | 阞 |
| Mary_J._Blige | born |
| Mary_J._Blige | january |
| Mary_J._Blige | 11 |
| Mary_J._Blige | 1971 |
| Mary_J._Blige | is |
| Mary_J._Blige | an |
| Mary_J._Blige | american |
| Mary_J._Blige | singer |
| Mary_J._Blige | songwriter |
| Mary_J._Blige | and |
| Mary_J._Blige | actress |
| Mary_J._Blige | her |
| Mary_J._Blige | career |
| Mary_J._Blige | began |
| Mary_J._Blige | in |
| Mary_J._Blige | 1991 |
| Mary_J._Blige | when |
| Mary_J._Blige | she |
| Mary_J._Blige | was |
| Mary_J._Blige | signed |
| Mary_J._Blige | to |
| Mary_J._Blige | uptown |
| Mary_J._Blige | records |
| Mary_J._Blige | she |
| Mary_J._Blige | went |
| Mary_J._Blige | on |
| Mary_J._Blige | to |
| Mary_J._Blige | release |
| Mary_J._Blige | 13 |
| Mary_J._Blige | studio |
| Mary_J._Blige | albums |
| Mary_J._Blige | eight |
| Mary_J._Blige | of |
| Mary_J._Blige | which |
| Mary_J._Blige | have |
| Mary_J._Blige | achieved |
| Mary_J._Blige | multi |
| Mary_J._Blige | platinum |
| Mary_J._Blige | worldwide |
| Mary_J._Blige | sales |
| Mary_J._Blige | blige |
| Mary_J._Blige | has |
| Mary_J._Blige | won |
| Mary_J._Blige | nine |
| Mary_J._Blige | grammy |
| Mary_J._Blige | awards |
| Mary_J._Blige | four |
| Mary_J._Blige | american |
| Mary_J._Blige | music |
| Mary_J._Blige | awards |
| Mary_J._Blige | and |
| Mary_J._Blige | twelve |
| Mary_J._Blige | billboard |
| Mary_J._Blige | music |
| Mary_J._Blige | awards |
| Mary_J._Blige | she |
| Mary_J._Blige | has |
| Mary_J._Blige | been |
| Mary_J._Blige | nominated |
| Mary_J._Blige | for |
| Mary_J._Blige | three |
| Mary_J._Blige | golden |
| Mary_J._Blige | globe |
| Mary_J._Blige | awards |
| Mary_J._Blige | and |
| Mary_J._Blige | two |
| Mary_J._Blige | academy |
| Mary_J._Blige | awards |
| Mary_J._Blige | including |
| Mary_J._Blige | one |
| Mary_J._Blige | for |
| Mary_J._Blige | her |
| Mary_J._Blige | supporting |
| Mary_J._Blige | role |
| Mary_J._Blige | in |
| Mary_J._Blige | the |
| Mary_J._Blige | film |
| Mary_J._Blige | mudbound |
| Mary_J._Blige | 2017 |
| Mary_J._Blige | and |
| Mary_J._Blige | another |
| Mary_J._Blige | for |
| Mary_J._Blige | its |
| Mary_J._Blige | original |
| Mary_J._Blige | song |
| Mary_J._Blige | mighty |
| Mary_J._Blige | river |
| Mary_J._Blige | becoming |
| Mary_J._Blige | the |
| Mary_J._Blige | first |
| Mary_J._Blige | person |
| Mary_J._Blige | nominated |
| Mary_J._Blige | for |
| Mary_J._Blige | acting |
| Mary_J._Blige | and |
| Mary_J._Blige | songwriting |
| Mary_J._Blige | in |
| Mary_J._Blige | the |
| Mary_J._Blige | same |
| Mary_J._Blige | year |
| Mary_J._Blige | in |
| Mary_J._Blige | 1992 |
| Mary_J._Blige | blige |
| Mary_J._Blige | released |
| Mary_J._Blige | her |
| Mary_J._Blige | debut |
| Mary_J._Blige | album |
| Mary_J._Blige | what’s |
| Mary_J._Blige | the |
| Mary_J._Blige | 411 |
| Mary_J._Blige | which |
| Mary_J._Blige | is |
| Mary_J._Blige | credited |
| Mary_J._Blige | for |
| Mary_J._Blige | introducing |
| Mary_J._Blige | the |
| Mary_J._Blige | mix |
| Mary_J._Blige | of |
| Mary_J._Blige | r |
| Mary_J._Blige | b |
| Mary_J._Blige | and |
| Mary_J._Blige | hip |
| Mary_J._Blige | hop |
| Mary_J._Blige | into |
| Mary_J._Blige | mainstream |
| Mary_J._Blige | pop |
| Mary_J._Blige | culture |
| Mary_J._Blige | and |
| Mary_J._Blige | her |
| Mary_J._Blige | 1993 |
| Mary_J._Blige | what’s |
| Mary_J._Blige | the |
| Mary_J._Blige | 411 |
| Mary_J._Blige | remix |
| Mary_J._Blige | popularized |
| Mary_J._Blige | rap |
| Mary_J._Blige | as |
| Mary_J._Blige | a |
| Mary_J._Blige | featuring |
| Mary_J._Blige | act |
| Mary_J._Blige | it |
| Mary_J._Blige | is |
| Mary_J._Blige | the |
| Mary_J._Blige | first |
| Mary_J._Blige | album |
| Mary_J._Blige | by |
| Mary_J._Blige | a |
| Mary_J._Blige | singer |
| Mary_J._Blige | to |
| Mary_J._Blige | have |
| Mary_J._Blige | a |
| Mary_J._Blige | rapper |
| Mary_J._Blige | on |
| Mary_J._Blige | every |
| Mary_J._Blige | song |
| Mary_J._Blige | both |
| Mary_J._Blige | what’s |
| Mary_J._Blige | the |
| Mary_J._Blige | 411 |
| Mary_J._Blige | and |
| Mary_J._Blige | her |
| Mary_J._Blige | 1994 |
| Mary_J._Blige | album |
| Mary_J._Blige | my |
| Mary_J._Blige | life |
| Mary_J._Blige | are |
| Mary_J._Blige | featured |
| Mary_J._Blige | on |
| Mary_J._Blige | the |
| Mary_J._Blige | rolling |
| Mary_J._Blige | stone’s |
| Mary_J._Blige | 500 |
| Mary_J._Blige | greatest |
| Mary_J._Blige | albums |
| Mary_J._Blige | of |
| Mary_J._Blige | all |
| Mary_J._Blige | time |
| Mary_J._Blige | list |
| Mary_J._Blige | and |
| Mary_J._Blige | the |
| Mary_J._Blige | latter |
| Mary_J._Blige | on |
| Mary_J._Blige | time |
| Mary_J._Blige | magazine’s |
| Mary_J._Blige | all |
| Mary_J._Blige | time |
| Mary_J._Blige | 100 |
| Mary_J._Blige | albums |
| Mary_J._Blige | she |
| Mary_J._Blige | received |
| Mary_J._Blige | a |
| Mary_J._Blige | legends |
| Mary_J._Blige | award |
| Mary_J._Blige | at |
| Mary_J._Blige | the |
| Mary_J._Blige | world |
| Mary_J._Blige | music |
| Mary_J._Blige | awards |
| Mary_J._Blige | in |
| Mary_J._Blige | 2006 |
| Mary_J._Blige | and |
| Mary_J._Blige | the |
| Mary_J._Blige | voice |
| Mary_J._Blige | of |
| Mary_J._Blige | music |
| Mary_J._Blige | award |
| Mary_J._Blige | from |
| Mary_J._Blige | ascap |
| Mary_J._Blige | in |
| Mary_J._Blige | 2007 |
| Mary_J._Blige | billboard |
| Mary_J._Blige | ranked |
| Mary_J._Blige | blige |
| Mary_J._Blige | as |
| Mary_J._Blige | the |
| Mary_J._Blige | most |
| Mary_J._Blige | successful |
| Mary_J._Blige | female |
| Mary_J._Blige | r |
| Mary_J._Blige | b |
| Mary_J._Blige | hip |
| Mary_J._Blige | hop |
| Mary_J._Blige | artist |
| Mary_J._Blige | of |
| Mary_J._Blige | the |
| Mary_J._Blige | past |
| Mary_J._Blige | 25 |
| Mary_J._Blige | years |
| Mary_J._Blige | in |
| Mary_J._Blige | 2017 |
| Mary_J._Blige | billboard |
| Mary_J._Blige | magazine |
| Mary_J._Blige | named |
| Mary_J._Blige | her |
| Mary_J._Blige | 2006 |
| Mary_J._Blige | song |
| Mary_J._Blige | be |
| Mary_J._Blige | without |
| Mary_J._Blige | you |
| Mary_J._Blige | as |
| Mary_J._Blige | the |
| Mary_J._Blige | most |
| Mary_J._Blige | successful |
| Mary_J._Blige | r |
| Mary_J._Blige | b |
| Mary_J._Blige | hip |
| Mary_J._Blige | hop |
| Mary_J._Blige | song |
| Mary_J._Blige | of |
| Mary_J._Blige | all |
| Mary_J._Blige | time |
| Mary_J._Blige | as |
| Mary_J._Blige | it |
| Mary_J._Blige | spent |
| Mary_J._Blige | an |
| Mary_J._Blige | unparalleled |
| Mary_J._Blige | 15 |
| Mary_J._Blige | weeks |
| Mary_J._Blige | atop |
| Mary_J._Blige | the |
| Mary_J._Blige | hot |
| Mary_J._Blige | r |
| Mary_J._Blige | b |
| Mary_J._Blige | hip |
| Mary_J._Blige | hop |
| Mary_J._Blige | songs |
| Mary_J._Blige | chart |
| Mary_J._Blige | and |
| Mary_J._Blige | over |
| Mary_J._Blige | 75 |
| Mary_J._Blige | weeks |
| Mary_J._Blige | on |
| Mary_J._Blige | the |
| Mary_J._Blige | chart |
| Mary_J._Blige | in |
| Mary_J._Blige | 2011 |
| Mary_J._Blige | vh1 |
| Mary_J._Blige | ranked |
| Mary_J._Blige | blige |
| Mary_J._Blige | as |
| Mary_J._Blige | the |
| Mary_J._Blige | 80th |
| Mary_J._Blige | greatest |
| Mary_J._Blige | artist |
| Mary_J._Blige | of |
| Mary_J._Blige | all |
| Mary_J._Blige | time |
| Mary_J._Blige | in |
| Mary_J._Blige | 2012 |
| Mary_J._Blige | vh1 |
| Mary_J._Blige | ranked |
| Mary_J._Blige | blige |
| Mary_J._Blige | at |
| Mary_J._Blige | number |
| Mary_J._Blige | 9 |
| Mary_J._Blige | in |
| Mary_J._Blige | the |
| Mary_J._Blige | 100 |
| Mary_J._Blige | greatest |
| Mary_J._Blige | women |
| Mary_J._Blige | in |
| Mary_J._Blige | music |
| Mary_J._Blige | list |
| Mary_J._Blige | blige |
| Mary_J._Blige | has |
| Mary_J._Blige | also |
| Mary_J._Blige | made |
| Mary_J._Blige | a |
| Mary_J._Blige | successful |
| Mary_J._Blige | transition |
| Mary_J._Blige | to |
| Mary_J._Blige | both |
| Mary_J._Blige | the |
| Mary_J._Blige | television |
| Mary_J._Blige | and |
| Mary_J._Blige | movie |
| Mary_J._Blige | screens |
| Mary_J._Blige | with |
| Mary_J._Blige | supporting |
| Mary_J._Blige | roles |
| Mary_J._Blige | in |
| Mary_J._Blige | films |
| Mary_J._Blige | such |
| Mary_J._Blige | as |
| Mary_J._Blige | prison |
| Mary_J._Blige | song |
| Mary_J._Blige | 2001 |
| Mary_J._Blige | rock |
| Mary_J._Blige | of |
| Mary_J._Blige | ages |
| Mary_J._Blige | 2012 |
| Mary_J._Blige | betty |
| Mary_J._Blige | and |
| Mary_J._Blige | coretta |
| Mary_J._Blige | 2013 |
| Mary_J._Blige | black |
| Mary_J._Blige | nativity |
| Mary_J._Blige | 2013 |
| Mary_J._Blige | her |
| Mary_J._Blige | oscar |
| Mary_J._Blige | and |
| Mary_J._Blige | golden |
| Mary_J._Blige | globe |
| Mary_J._Blige | nominated |
| Mary_J._Blige | breakthrough |
| Mary_J._Blige | performance |
| Mary_J._Blige | as |
| Mary_J._Blige | florence |
| Mary_J._Blige | jackson |
| Mary_J._Blige | in |
| Mary_J._Blige | mudbound |
| Mary_J._Blige | 2017 |
| Mary_J._Blige | trolls |
| Mary_J._Blige | world |
| Mary_J._Blige | tour |
| Mary_J._Blige | 2020 |
| Mary_J._Blige | body |
| Mary_J._Blige | cam |
| Mary_J._Blige | 2020 |
| Mary_J._Blige | the |
| Mary_J._Blige | violent |
| Mary_J._Blige | heart |
| Mary_J._Blige | 2021 |
| Mary_J._Blige | and |
| Mary_J._Blige | co |
| Mary_J._Blige | starring |
| Mary_J._Blige | as |
| Mary_J._Blige | jazz |
| Mary_J._Blige | singer |
| Mary_J._Blige | dinah |
| Mary_J._Blige | washington |
| Mary_J._Blige | in |
| Mary_J._Blige | the |
| Mary_J._Blige | aretha |
| Mary_J._Blige | franklin |
| Mary_J._Blige | biopic |
| Mary_J._Blige | respect |
| Mary_J._Blige | 2021 |
| Mary_J._Blige | in |
| Mary_J._Blige | 2019 |
| Mary_J._Blige | blige |
| Mary_J._Blige | starred |
| Mary_J._Blige | as |
| Mary_J._Blige | cha |
| Mary_J._Blige | cha |
| Mary_J._Blige | on |
| Mary_J._Blige | the |
| Mary_J._Blige | first |
| Mary_J._Blige | season |
| Mary_J._Blige | of |
| Mary_J._Blige | the |
| Mary_J._Blige | netflix |
| Mary_J._Blige | television |
| Mary_J._Blige | series |
| Mary_J._Blige | the |
| Mary_J._Blige | umbrella |
| Mary_J._Blige | academy |
| Mary_J._Blige | she |
| Mary_J._Blige | currently |
| Mary_J._Blige | stars |
| Mary_J._Blige | as |
| Mary_J._Blige | monet |
| Mary_J._Blige | tejada |
| Mary_J._Blige | in |
| Mary_J._Blige | the |
| Mary_J._Blige | spin |
| Mary_J._Blige | off |
| Mary_J._Blige | of |
| Mary_J._Blige | the |
| Mary_J._Blige | highly |
| Mary_J._Blige | rated |
| Mary_J._Blige | tv |
| Mary_J._Blige | drama |
| Mary_J._Blige | power |
| Mary_J._Blige | in |
| Mary_J._Blige | power |
| Mary_J._Blige | book |
| Mary_J._Blige | ii |
| Mary_J._Blige | ghost |
| Mary_J._Blige | in |
| Mary_J._Blige | february |
| Mary_J._Blige | 2021 |
| Mary_J._Blige | blige |
| Mary_J._Blige | became |
| Mary_J._Blige | a |
| Mary_J._Blige | first |
| Mary_J._Blige | time |
| Mary_J._Blige | nominee |
| Mary_J._Blige | for |
| Mary_J._Blige | the |
| Mary_J._Blige | 2021 |
| Mary_J._Blige | class |
| Mary_J._Blige | of |
| Mary_J._Blige | the |
| Mary_J._Blige | rock |
| Mary_J._Blige | and |
| Mary_J._Blige | roll |
| Mary_J._Blige | hall |
| Mary_J._Blige | of |
| Mary_J._Blige | fame |
| Mary_J._Blige | a |
| Mary_J._Blige | documentary |
| Mary_J._Blige | film |
| Mary_J._Blige | about |
| Mary_J._Blige | her |
| Mary_J._Blige | musical |
| Mary_J._Blige | career |
| Mary_J._Blige | titled |
| Mary_J._Blige | mary |
| Mary_J._Blige | j |
| Mary_J._Blige | blige’s |
| Mary_J._Blige | my |
| Mary_J._Blige | life |
| Mary_J._Blige | was |
| Mary_J._Blige | released |
| Mary_J._Blige | on |
| Mary_J._Blige | amazon |
| Mary_J._Blige | prime |
| Mary_J._Blige | video |
| Mary_J._Blige | later |
| Mary_J._Blige | that |
| Mary_J._Blige | year |
| Mary_J._Blige | en |
| Thelonious_Monk | thelonious |
| Thelonious_Monk | sphere |
| Thelonious_Monk | monk |
| Thelonious_Monk | 庛 |
| Thelonious_Monk | lo |
| Thelonious_Monk | ni |
| Thelonious_Monk | s |
| Thelonious_Monk | october |
| Thelonious_Monk | 10 |
| Thelonious_Monk | 1917 |
| Thelonious_Monk | february |
| Thelonious_Monk | 17 |
| Thelonious_Monk | 1982 |
| Thelonious_Monk | was |
| Thelonious_Monk | an |
| Thelonious_Monk | american |
| Thelonious_Monk | jazz |
| Thelonious_Monk | pianist |
| Thelonious_Monk | and |
| Thelonious_Monk | composer |
| Thelonious_Monk | he |
| Thelonious_Monk | had |
| Thelonious_Monk | a |
| Thelonious_Monk | unique |
| Thelonious_Monk | improvisational |
| Thelonious_Monk | style |
| Thelonious_Monk | and |
| Thelonious_Monk | made |
| Thelonious_Monk | numerous |
| Thelonious_Monk | contributions |
| Thelonious_Monk | to |
| Thelonious_Monk | the |
| Thelonious_Monk | standard |
| Thelonious_Monk | jazz |
| Thelonious_Monk | repertoire |
| Thelonious_Monk | including |
| Thelonious_Monk | round |
| Thelonious_Monk | midnight |
| Thelonious_Monk | blue |
| Thelonious_Monk | monk |
| Thelonious_Monk | straight |
| Thelonious_Monk | no |
| Thelonious_Monk | chaser |
| Thelonious_Monk | ruby |
| Thelonious_Monk | my |
| Thelonious_Monk | dear |
| Thelonious_Monk | in |
| Thelonious_Monk | walked |
| Thelonious_Monk | bud |
| Thelonious_Monk | and |
| Thelonious_Monk | well |
| Thelonious_Monk | you |
| Thelonious_Monk | needn’t |
| Thelonious_Monk | monk |
| Thelonious_Monk | is |
| Thelonious_Monk | the |
| Thelonious_Monk | second |
| Thelonious_Monk | most |
| Thelonious_Monk | recorded |
| Thelonious_Monk | jazz |
| Thelonious_Monk | composer |
| Thelonious_Monk | after |
| Thelonious_Monk | duke |
| Thelonious_Monk | ellington |
| Thelonious_Monk | monk’s |
| Thelonious_Monk | compositions |
| Thelonious_Monk | and |
| Thelonious_Monk | improvisations |
| Thelonious_Monk | feature |
| Thelonious_Monk | dissonances |
| Thelonious_Monk | and |
| Thelonious_Monk | angular |
| Thelonious_Monk | melodic |
| Thelonious_Monk | twists |
| Thelonious_Monk | and |
| Thelonious_Monk | are |
| Thelonious_Monk | consistent |
| Thelonious_Monk | with |
| Thelonious_Monk | his |
| Thelonious_Monk | unorthodox |
| Thelonious_Monk | approach |
| Thelonious_Monk | to |
| Thelonious_Monk | the |
| Thelonious_Monk | piano |
| Thelonious_Monk | which |
| Thelonious_Monk | combined |
| Thelonious_Monk | a |
| Thelonious_Monk | highly |
| Thelonious_Monk | percussive |
| Thelonious_Monk | attack |
| Thelonious_Monk | with |
| Thelonious_Monk | abrupt |
| Thelonious_Monk | dramatic |
| Thelonious_Monk | use |
| Thelonious_Monk | of |
| Thelonious_Monk | switched |
| Thelonious_Monk | key |
| Thelonious_Monk | releases |
| Thelonious_Monk | silences |
| Thelonious_Monk | and |
| Thelonious_Monk | hesitations |
| Thelonious_Monk | monk |
| Thelonious_Monk | was |
| Thelonious_Monk | renowned |
| Thelonious_Monk | for |
| Thelonious_Monk | a |
| Thelonious_Monk | distinct |
| Thelonious_Monk | look |
| Thelonious_Monk | which |
| Thelonious_Monk | included |
| Thelonious_Monk | suits |
| Thelonious_Monk | hats |
| Thelonious_Monk | and |
| Thelonious_Monk | sunglasses |
| Thelonious_Monk | he |
| Thelonious_Monk | was |
| Thelonious_Monk | also |
| Thelonious_Monk | noted |
| Thelonious_Monk | for |
| Thelonious_Monk | an |
| Thelonious_Monk | idiosyncratic |
| Thelonious_Monk | habit |
| Thelonious_Monk | during |
| Thelonious_Monk | performances |
| Thelonious_Monk | while |
| Thelonious_Monk | other |
| Thelonious_Monk | musicians |
| Thelonious_Monk | continued |
| Thelonious_Monk | playing |
| Thelonious_Monk | monk |
| Thelonious_Monk | would |
| Thelonious_Monk | stop |
| Thelonious_Monk | stand |
| Thelonious_Monk | up |
| Thelonious_Monk | and |
| Thelonious_Monk | dance |
| Thelonious_Monk | for |
| Thelonious_Monk | a |
| Thelonious_Monk | few |
| Thelonious_Monk | moments |
| Thelonious_Monk | before |
| Thelonious_Monk | returning |
| Thelonious_Monk | to |
| Thelonious_Monk | the |
| Thelonious_Monk | piano |
| Thelonious_Monk | monk |
| Thelonious_Monk | is |
| Thelonious_Monk | one |
| Thelonious_Monk | of |
| Thelonious_Monk | five |
| Thelonious_Monk | jazz |
| Thelonious_Monk | musicians |
| Thelonious_Monk | to |
| Thelonious_Monk | have |
| Thelonious_Monk | been |
| Thelonious_Monk | featured |
| Thelonious_Monk | on |
| Thelonious_Monk | the |
| Thelonious_Monk | cover |
| Thelonious_Monk | of |
| Thelonious_Monk | time |
| Thelonious_Monk | magazine |
| Thelonious_Monk | the |
| Thelonious_Monk | others |
| Thelonious_Monk | being |
| Thelonious_Monk | louis |
| Thelonious_Monk | armstrong |
| Thelonious_Monk | dave |
| Thelonious_Monk | brubeck |
| Thelonious_Monk | duke |
| Thelonious_Monk | ellington |
| Thelonious_Monk | and |
| Thelonious_Monk | wynton |
| Thelonious_Monk | marsalis |
| Thelonious_Monk | en |
| Wynton_Marsalis | wynton |
| Wynton_Marsalis | learson |
| Wynton_Marsalis | marsalis |
| Wynton_Marsalis | born |
| Wynton_Marsalis | october |
| Wynton_Marsalis | 18 |
| Wynton_Marsalis | 1961 |
| Wynton_Marsalis | is |
| Wynton_Marsalis | an |
| Wynton_Marsalis | american |
| Wynton_Marsalis | trumpeter |
| Wynton_Marsalis | composer |
| Wynton_Marsalis | teacher |
| Wynton_Marsalis | and |
| Wynton_Marsalis | artistic |
| Wynton_Marsalis | director |
| Wynton_Marsalis | of |
| Wynton_Marsalis | jazz |
| Wynton_Marsalis | at |
| Wynton_Marsalis | lincoln |
| Wynton_Marsalis | center |
| Wynton_Marsalis | he |
| Wynton_Marsalis | has |
| Wynton_Marsalis | promoted |
| Wynton_Marsalis | classical |
| Wynton_Marsalis | and |
| Wynton_Marsalis | jazz |
| Wynton_Marsalis | music |
| Wynton_Marsalis | often |
| Wynton_Marsalis | to |
| Wynton_Marsalis | young |
| Wynton_Marsalis | audiences |
| Wynton_Marsalis | marsalis |
| Wynton_Marsalis | has |
| Wynton_Marsalis | won |
| Wynton_Marsalis | at |
| Wynton_Marsalis | least |
| Wynton_Marsalis | nine |
| Wynton_Marsalis | grammy |
| Wynton_Marsalis | awards |
| Wynton_Marsalis | and |
| Wynton_Marsalis | his |
| Wynton_Marsalis | blood |
| Wynton_Marsalis | on |
| Wynton_Marsalis | the |
| Wynton_Marsalis | fields |
| Wynton_Marsalis | was |
| Wynton_Marsalis | the |
| Wynton_Marsalis | first |
| Wynton_Marsalis | jazz |
| Wynton_Marsalis | composition |
| Wynton_Marsalis | to |
| Wynton_Marsalis | win |
| Wynton_Marsalis | the |
| Wynton_Marsalis | pulitzer |
| Wynton_Marsalis | prize |
| Wynton_Marsalis | for |
| Wynton_Marsalis | music |
| Wynton_Marsalis | he |
| Wynton_Marsalis | is |
| Wynton_Marsalis | the |
| Wynton_Marsalis | only |
| Wynton_Marsalis | musician |
| Wynton_Marsalis | to |
| Wynton_Marsalis | win |
| Wynton_Marsalis | a |
| Wynton_Marsalis | grammy |
| Wynton_Marsalis | award |
| Wynton_Marsalis | in |
| Wynton_Marsalis | jazz |
| Wynton_Marsalis | and |
| Wynton_Marsalis | classical |
| Wynton_Marsalis | during |
| Wynton_Marsalis | the |
| Wynton_Marsalis | same |
| Wynton_Marsalis | year |
| Wynton_Marsalis | en |
| Mighty_Clouds_of_Joy | the |
| Mighty_Clouds_of_Joy | mighty |
| Mighty_Clouds_of_Joy | clouds |
| Mighty_Clouds_of_Joy | of |
| Mighty_Clouds_of_Joy | joy |
| Mighty_Clouds_of_Joy | are |
| Mighty_Clouds_of_Joy | an |
| Mighty_Clouds_of_Joy | american |
| Mighty_Clouds_of_Joy | traditional |
| Mighty_Clouds_of_Joy | gospel |
| Mighty_Clouds_of_Joy | music |
| Mighty_Clouds_of_Joy | quartet |
| Mighty_Clouds_of_Joy | joe |
| Mighty_Clouds_of_Joy | ligon |
| Mighty_Clouds_of_Joy | bio |
| Mighty_Clouds_of_Joy | willie |
| Mighty_Clouds_of_Joy | joe |
| Mighty_Clouds_of_Joy | ligon |
| Mighty_Clouds_of_Joy | was |
| Mighty_Clouds_of_Joy | born |
| Mighty_Clouds_of_Joy | on |
| Mighty_Clouds_of_Joy | october |
| Mighty_Clouds_of_Joy | 11 |
| Mighty_Clouds_of_Joy | 1936 |
| Mighty_Clouds_of_Joy | and |
| Mighty_Clouds_of_Joy | died |
| Mighty_Clouds_of_Joy | on |
| Mighty_Clouds_of_Joy | december |
| Mighty_Clouds_of_Joy | 11 |
| Mighty_Clouds_of_Joy | 2016 |
| Mighty_Clouds_of_Joy | 80 |
| Mighty_Clouds_of_Joy | years |
| Mighty_Clouds_of_Joy | 2 |
| Mighty_Clouds_of_Joy | months |
| Mighty_Clouds_of_Joy | he |
| Mighty_Clouds_of_Joy | dedicated |
| Mighty_Clouds_of_Joy | his |
| Mighty_Clouds_of_Joy | life |
| Mighty_Clouds_of_Joy | to |
| Mighty_Clouds_of_Joy | jesus |
| Mighty_Clouds_of_Joy | making |
| Mighty_Clouds_of_Joy | many |
| Mighty_Clouds_of_Joy | hit |
| Mighty_Clouds_of_Joy | songs |
| Mighty_Clouds_of_Joy | some |
| Mighty_Clouds_of_Joy | include |
| Mighty_Clouds_of_Joy | walk |
| Mighty_Clouds_of_Joy | around |
| Mighty_Clouds_of_Joy | heaven |
| Mighty_Clouds_of_Joy | by |
| Mighty_Clouds_of_Joy | james |
| Mighty_Clouds_of_Joy | cleveland |
| Mighty_Clouds_of_Joy | and |
| Mighty_Clouds_of_Joy | cassetta |
| Mighty_Clouds_of_Joy | george |
| Mighty_Clouds_of_Joy | everybody |
| Mighty_Clouds_of_Joy | ought |
| Mighty_Clouds_of_Joy | to |
| Mighty_Clouds_of_Joy | praise |
| Mighty_Clouds_of_Joy | his |
| Mighty_Clouds_of_Joy | name |
| Mighty_Clouds_of_Joy | heavy |
| Mighty_Clouds_of_Joy | load |
| Mighty_Clouds_of_Joy | and |
| Mighty_Clouds_of_Joy | more |
| Mighty_Clouds_of_Joy | en |
| Roger_Ingram | roger |
| Roger_Ingram | o’neal |
| Roger_Ingram | ingram |
| Roger_Ingram | born |
| Roger_Ingram | november |
| Roger_Ingram | 13 |
| Roger_Ingram | 1957 |
| Roger_Ingram | is |
| Roger_Ingram | a |
| Roger_Ingram | jazz |
| Roger_Ingram | trumpeter |
| Roger_Ingram | educator |
| Roger_Ingram | author |
| Roger_Ingram | and |
| Roger_Ingram | instrument |
| Roger_Ingram | designer |
| Roger_Ingram | he |
| Roger_Ingram | played |
| Roger_Ingram | trumpet |
| Roger_Ingram | for |
| Roger_Ingram | the |
| Roger_Ingram | orchestras |
| Roger_Ingram | of |
| Roger_Ingram | maynard |
| Roger_Ingram | ferguson |
| Roger_Ingram | woody |
| Roger_Ingram | herman |
| Roger_Ingram | wynton |
| Roger_Ingram | marsalis |
| Roger_Ingram | ray |
| Roger_Ingram | charles |
| Roger_Ingram | and |
| Roger_Ingram | harry |
| Roger_Ingram | connick |
| Roger_Ingram | jr |
| Roger_Ingram | en |
| John_Gilmore_(musician) | john |
| John_Gilmore_(musician) | gilmore |
| John_Gilmore_(musician) | september |
| John_Gilmore_(musician) | 28 |
| John_Gilmore_(musician) | 1931 |
| John_Gilmore_(musician) | august |
| John_Gilmore_(musician) | 20 |
| John_Gilmore_(musician) | 1995 |
| John_Gilmore_(musician) | was |
| John_Gilmore_(musician) | an |
| John_Gilmore_(musician) | american |
| John_Gilmore_(musician) | jazz |
| John_Gilmore_(musician) | saxophonist |
| John_Gilmore_(musician) | clarinetist |
| John_Gilmore_(musician) | and |
| John_Gilmore_(musician) | percussionist |
| John_Gilmore_(musician) | he |
| John_Gilmore_(musician) | was |
| John_Gilmore_(musician) | known |
| John_Gilmore_(musician) | for |
| John_Gilmore_(musician) | his |
| John_Gilmore_(musician) | tenure |
| John_Gilmore_(musician) | with |
| John_Gilmore_(musician) | the |
| John_Gilmore_(musician) | avant |
| John_Gilmore_(musician) | garde |
| John_Gilmore_(musician) | keyboardist |
| John_Gilmore_(musician) | bandleader |
| John_Gilmore_(musician) | sun |
| John_Gilmore_(musician) | ra |
| John_Gilmore_(musician) | from |
| John_Gilmore_(musician) | the |
| John_Gilmore_(musician) | 1950s |
| John_Gilmore_(musician) | to |
| John_Gilmore_(musician) | the |
| John_Gilmore_(musician) | 1990s |
| John_Gilmore_(musician) | en |
| Hans_Dulfer | hans |
| Hans_Dulfer | dulfer |
| Hans_Dulfer | born |
| Hans_Dulfer | 28 |
| Hans_Dulfer | may |
| Hans_Dulfer | 1940 |
| Hans_Dulfer | is |
| Hans_Dulfer | a |
| Hans_Dulfer | dutch |
| Hans_Dulfer | jazz |
| Hans_Dulfer | musician |
| Hans_Dulfer | who |
| Hans_Dulfer | plays |
| Hans_Dulfer | tenor |
| Hans_Dulfer | saxophone |
| Hans_Dulfer | hans |
| Hans_Dulfer | dulfer |
| Hans_Dulfer | was |
| Hans_Dulfer | born |
| Hans_Dulfer | on |
| Hans_Dulfer | 28 |
| Hans_Dulfer | may |
| Hans_Dulfer | 1940 |
| Hans_Dulfer | in |
| Hans_Dulfer | amsterdam |
| Hans_Dulfer | netherlands |
| Hans_Dulfer | he |
| Hans_Dulfer | began |
| Hans_Dulfer | at |
| Hans_Dulfer | age |
| Hans_Dulfer | 17 |
| Hans_Dulfer | and |
| Hans_Dulfer | has |
| Hans_Dulfer | been |
| Hans_Dulfer | referred |
| Hans_Dulfer | to |
| Hans_Dulfer | as |
| Hans_Dulfer | big |
| Hans_Dulfer | boy |
| Hans_Dulfer | because |
| Hans_Dulfer | of |
| Hans_Dulfer | his |
| Hans_Dulfer | album |
| Hans_Dulfer | of |
| Hans_Dulfer | the |
| Hans_Dulfer | same |
| Hans_Dulfer | name |
| Hans_Dulfer | at |
| Hans_Dulfer | the |
| Hans_Dulfer | end |
| Hans_Dulfer | of |
| Hans_Dulfer | the |
| Hans_Dulfer | sixties |
| Hans_Dulfer | he |
| Hans_Dulfer | and |
| Hans_Dulfer | herbert |
| Hans_Dulfer | noord |
| Hans_Dulfer | hammond |
| Hans_Dulfer | organ |
| Hans_Dulfer | founded |
| Hans_Dulfer | a |
| Hans_Dulfer | quartet |
| Hans_Dulfer | that |
| Hans_Dulfer | played |
| Hans_Dulfer | saxophone |
| Hans_Dulfer | organ |
| Hans_Dulfer | funk |
| Hans_Dulfer | he |
| Hans_Dulfer | has |
| Hans_Dulfer | performed |
| Hans_Dulfer | a |
| Hans_Dulfer | considerable |
| Hans_Dulfer | amount |
| Hans_Dulfer | of |
| Hans_Dulfer | cross |
| Hans_Dulfer | over |
| Hans_Dulfer | jazz |
| Hans_Dulfer | and |
| Hans_Dulfer | jazz |
| Hans_Dulfer | fusion |
| Hans_Dulfer | and |
| Hans_Dulfer | has |
| Hans_Dulfer | also |
| Hans_Dulfer | worked |
| Hans_Dulfer | with |
| Hans_Dulfer | punk |
| Hans_Dulfer | rockers |
| Hans_Dulfer | he |
| Hans_Dulfer | has |
| Hans_Dulfer | recorded |
| Hans_Dulfer | an |
| Hans_Dulfer | album |
| Hans_Dulfer | with |
| Hans_Dulfer | saxophonist |
| Hans_Dulfer | frank |
| Hans_Dulfer | wright |
| Hans_Dulfer | titled |
| Hans_Dulfer | el |
| Hans_Dulfer | saxof |
| Hans_Dulfer | 籀 |
| Hans_Dulfer | n |
| Hans_Dulfer | he |
| Hans_Dulfer | has |
| Hans_Dulfer | comparatively |
| Hans_Dulfer | high |
| Hans_Dulfer | popularity |
| Hans_Dulfer | in |
| Hans_Dulfer | japan |
| Hans_Dulfer | where |
| Hans_Dulfer | hyperbeat |
| Hans_Dulfer | was |
| Hans_Dulfer | a |
| Hans_Dulfer | top |
| Hans_Dulfer | selling |
| Hans_Dulfer | cd |
| Hans_Dulfer | by |
| Hans_Dulfer | instrumental |
| Hans_Dulfer | standards |
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| Hans_Dulfer | japanese |
| Hans_Dulfer | film |
| Hans_Dulfer | maker |
| Hans_Dulfer | masaaki |
| Hans_Dulfer | yuasa |
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| Hans_Dulfer | that |
| Hans_Dulfer | he |
| Hans_Dulfer | listened |
| Hans_Dulfer | to |
| Hans_Dulfer | hans |
| Hans_Dulfer | dulfer’s |
| Hans_Dulfer | music |
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| Hans_Dulfer | game |
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| Hans_Dulfer | the |
| Hans_Dulfer | father |
| Hans_Dulfer | of |
| Hans_Dulfer | saxophonist |
| Hans_Dulfer | candy |
| Hans_Dulfer | dulfer |
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| Hans_Dulfer | album |
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| Charles_Williams_(musician) | williams |
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| Charles_Williams_(musician) | 18 |
| Charles_Williams_(musician) | 1932 |
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| Javon_Jackson | javon |
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| Javon_Jackson | charlie |
| Javon_Jackson | haden |
| Javon_Jackson | betty |
| Javon_Jackson | carter |
| Javon_Jackson | cedar |
| Javon_Jackson | walton |
| Javon_Jackson | ron |
| Javon_Jackson | carter |
| Javon_Jackson | dr |
| Javon_Jackson | lonnie |
| Javon_Jackson | smith |
| Javon_Jackson | stanley |
| Javon_Jackson | turrentine |
| Javon_Jackson | and |
| Javon_Jackson | ben |
| Javon_Jackson | e |
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| Javon_Jackson | neo |
| Javon_Jackson | jazz |
| Javon_Jackson | mixing |
| Javon_Jackson | hard |
| Javon_Jackson | bop |
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| Javon_Jackson | soul |
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| Javon_Jackson | funk |
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| Javon_Jackson | by |
| Javon_Jackson | producers |
| Javon_Jackson | lea |
| Javon_Jackson | reis |
| Javon_Jackson | bryant |
| Javon_Jackson | moe |
| Javon_Jackson | doe |
| Javon_Jackson | johnson |
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| Javon_Jackson | play |
| Javon_Jackson | on |
| Javon_Jackson | tupac |
| Javon_Jackson | shakur’s |
| Javon_Jackson | keep |
| Javon_Jackson | ya |
| Javon_Jackson | head |
| Javon_Jackson | up |
| Javon_Jackson | madukey |
| Javon_Jackson | remix |
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| Javon_Jackson | 1993 |
| Javon_Jackson | in |
| Javon_Jackson | 1992 |
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| Javon_Jackson | saxophonist |
| Javon_Jackson | illinois |
| Javon_Jackson | jacquet |
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| Javon_Jackson | spike |
| Javon_Jackson | lee’s |
| Javon_Jackson | malcolm |
| Javon_Jackson | x |
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| Javon_Jackson | playing |
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| Javon_Jackson | lionel |
| Javon_Jackson | hampton |
| Javon_Jackson | benny |
| Javon_Jackson | goodman |
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| Javon_Jackson | flying |
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| Javon_Jackson | 2013 |
| Javon_Jackson | in |
| Javon_Jackson | 2019 |
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| Javon_Jackson | festivals |
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| Zach_Brock | zach |
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| Miles_Davis | miles |
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| Miles_Davis | performed |
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| Miles_Davis | worldwide |
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| Miles_Davis | pneumonia |
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| Miles_Davis | important |
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| Miles_Davis | period |
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| Milt_Hinton | milton |
| Milt_Hinton | john |
| Milt_Hinton | hinton |
| Milt_Hinton | june |
| Milt_Hinton | 23 |
| Milt_Hinton | 1910 |
| Milt_Hinton | december |
| Milt_Hinton | 19 |
| Milt_Hinton | 2000 |
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| Milt_Hinton | photographer |
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| Milt_Hinton | of |
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| Milt_Hinton | bass |
| Milt_Hinton | players |
| Milt_Hinton | his |
| Milt_Hinton | nicknames |
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| Milt_Hinton | sporty |
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| Milt_Hinton | his |
| Milt_Hinton | years |
| Milt_Hinton | in |
| Milt_Hinton | chicago |
| Milt_Hinton | fump |
| Milt_Hinton | from |
| Milt_Hinton | his |
| Milt_Hinton | time |
| Milt_Hinton | on |
| Milt_Hinton | the |
| Milt_Hinton | road |
| Milt_Hinton | with |
| Milt_Hinton | cab |
| Milt_Hinton | calloway |
| Milt_Hinton | and |
| Milt_Hinton | the |
| Milt_Hinton | judge |
| Milt_Hinton | from |
| Milt_Hinton | the |
| Milt_Hinton | 1950s |
| Milt_Hinton | and |
| Milt_Hinton | beyond |
| Milt_Hinton | hinton’s |
| Milt_Hinton | recording |
| Milt_Hinton | career |
| Milt_Hinton | lasted |
| Milt_Hinton | over |
| Milt_Hinton | 60 |
| Milt_Hinton | years |
| Milt_Hinton | mostly |
| Milt_Hinton | in |
| Milt_Hinton | jazz |
| Milt_Hinton | but |
| Milt_Hinton | also |
| Milt_Hinton | with |
| Milt_Hinton | a |
| Milt_Hinton | variety |
| Milt_Hinton | of |
| Milt_Hinton | other |
| Milt_Hinton | genres |
| Milt_Hinton | as |
| Milt_Hinton | a |
| Milt_Hinton | prolific |
| Milt_Hinton | session |
| Milt_Hinton | musician |
| Milt_Hinton | he |
| Milt_Hinton | was |
| Milt_Hinton | also |
| Milt_Hinton | a |
| Milt_Hinton | photographer |
| Milt_Hinton | of |
| Milt_Hinton | note |
| Milt_Hinton | praised |
| Milt_Hinton | for |
| Milt_Hinton | documenting |
| Milt_Hinton | american |
| Milt_Hinton | jazz |
| Milt_Hinton | during |
| Milt_Hinton | the |
| Milt_Hinton | 20th |
| Milt_Hinton | century |
| Milt_Hinton | en |
| Pino_Palladino | giuseppe |
| Pino_Palladino | henry |
| Pino_Palladino | pino |
| Pino_Palladino | palladino |
| Pino_Palladino | born |
| Pino_Palladino | 17 |
| Pino_Palladino | october |
| Pino_Palladino | 1957 |
| Pino_Palladino | is |
| Pino_Palladino | a |
| Pino_Palladino | welsh |
| Pino_Palladino | musician |
| Pino_Palladino | songwriter |
| Pino_Palladino | and |
| Pino_Palladino | record |
| Pino_Palladino | producer |
| Pino_Palladino | a |
| Pino_Palladino | prolific |
| Pino_Palladino | session |
| Pino_Palladino | bassist |
| Pino_Palladino | he |
| Pino_Palladino | has |
| Pino_Palladino | played |
| Pino_Palladino | bass |
| Pino_Palladino | for |
| Pino_Palladino | acts |
| Pino_Palladino | such |
| Pino_Palladino | as |
| Pino_Palladino | the |
| Pino_Palladino | who |
| Pino_Palladino | the |
| Pino_Palladino | john |
| Pino_Palladino | mayer |
| Pino_Palladino | trio |
| Pino_Palladino | nine |
| Pino_Palladino | inch |
| Pino_Palladino | nails |
| Pino_Palladino | gary |
| Pino_Palladino | numan |
| Pino_Palladino | jeff |
| Pino_Palladino | beck |
| Pino_Palladino | and |
| Pino_Palladino | d’angelo |
| Pino_Palladino | en |
| Kurt_Rosenwinkel | kurt |
| Kurt_Rosenwinkel | rosenwinkel |
| Kurt_Rosenwinkel | born |
| Kurt_Rosenwinkel | october |
| Kurt_Rosenwinkel | 28 |
| Kurt_Rosenwinkel | 1970 |
| Kurt_Rosenwinkel | is |
| Kurt_Rosenwinkel | an |
| Kurt_Rosenwinkel | american |
| Kurt_Rosenwinkel | jazz |
| Kurt_Rosenwinkel | guitarist |
| Kurt_Rosenwinkel | en |
| Ambrose_Akinmusire | ambrose |
| Ambrose_Akinmusire | akinmusire |
| Ambrose_Akinmusire | 疆 |
| Ambrose_Akinmusire | kin |
| Ambrose_Akinmusire | mu |
| Ambrose_Akinmusire | siri |
| Ambrose_Akinmusire | born |
| Ambrose_Akinmusire | may |
| Ambrose_Akinmusire | 1 |
| Ambrose_Akinmusire | 1982 |
| Ambrose_Akinmusire | is |
| Ambrose_Akinmusire | an |
| Ambrose_Akinmusire | american |
| Ambrose_Akinmusire | avant |
| Ambrose_Akinmusire | garde |
| Ambrose_Akinmusire | jazz |
| Ambrose_Akinmusire | composer |
| Ambrose_Akinmusire | and |
| Ambrose_Akinmusire | trumpeter |
| Ambrose_Akinmusire | en |
| Darcy_James_Argue | darcy |
| Darcy_James_Argue | james |
| Darcy_James_Argue | argue |
| Darcy_James_Argue | is |
| Darcy_James_Argue | a |
| Darcy_James_Argue | jazz |
| Darcy_James_Argue | composer |
| Darcy_James_Argue | and |
| Darcy_James_Argue | bandleader |
| Darcy_James_Argue | known |
| Darcy_James_Argue | for |
| Darcy_James_Argue | his |
| Darcy_James_Argue | work |
| Darcy_James_Argue | with |
| Darcy_James_Argue | his |
| Darcy_James_Argue | 18 |
| Darcy_James_Argue | piece |
| Darcy_James_Argue | ensemble |
| Darcy_James_Argue | secret |
| Darcy_James_Argue | society |
| Darcy_James_Argue | en |
| Arturo_O’Farrill | arturo |
| Arturo_O’Farrill | o’farrill |
| Arturo_O’Farrill | born |
| Arturo_O’Farrill | june |
| Arturo_O’Farrill | 22 |
| Arturo_O’Farrill | 1960 |
| Arturo_O’Farrill | is |
| Arturo_O’Farrill | a |
| Arturo_O’Farrill | jazz |
| Arturo_O’Farrill | musician |
| Arturo_O’Farrill | the |
| Arturo_O’Farrill | son |
| Arturo_O’Farrill | of |
| Arturo_O’Farrill | latin |
| Arturo_O’Farrill | jazz |
| Arturo_O’Farrill | musician |
| Arturo_O’Farrill | arranger |
| Arturo_O’Farrill | and |
| Arturo_O’Farrill | bandleader |
| Arturo_O’Farrill | chico |
| Arturo_O’Farrill | o’farrill |
| Arturo_O’Farrill | and |
| Arturo_O’Farrill | pianist |
| Arturo_O’Farrill | composer |
| Arturo_O’Farrill | and |
| Arturo_O’Farrill | director |
| Arturo_O’Farrill | for |
| Arturo_O’Farrill | the |
| Arturo_O’Farrill | afro |
| Arturo_O’Farrill | latin |
| Arturo_O’Farrill | jazz |
| Arturo_O’Farrill | orchestra |
| Arturo_O’Farrill | he |
| Arturo_O’Farrill | is |
| Arturo_O’Farrill | best |
| Arturo_O’Farrill | known |
| Arturo_O’Farrill | for |
| Arturo_O’Farrill | his |
| Arturo_O’Farrill | contributions |
| Arturo_O’Farrill | to |
| Arturo_O’Farrill | contemporary |
| Arturo_O’Farrill | latin |
| Arturo_O’Farrill | jazz |
| Arturo_O’Farrill | more |
| Arturo_O’Farrill | specifically |
| Arturo_O’Farrill | afro |
| Arturo_O’Farrill | cuban |
| Arturo_O’Farrill | jazz |
| Arturo_O’Farrill | having |
| Arturo_O’Farrill | received |
| Arturo_O’Farrill | grammy |
| Arturo_O’Farrill | awards |
| Arturo_O’Farrill | and |
| Arturo_O’Farrill | nominations |
| Arturo_O’Farrill | though |
| Arturo_O’Farrill | he |
| Arturo_O’Farrill | has |
| Arturo_O’Farrill | trained |
| Arturo_O’Farrill | in |
| Arturo_O’Farrill | other |
| Arturo_O’Farrill | forms |
| Arturo_O’Farrill | such |
| Arturo_O’Farrill | as |
| Arturo_O’Farrill | free |
| Arturo_O’Farrill | jazz |
| Arturo_O’Farrill | and |
| Arturo_O’Farrill | experimented |
| Arturo_O’Farrill | briefly |
| Arturo_O’Farrill | with |
| Arturo_O’Farrill | hip |
| Arturo_O’Farrill | hop |
| Arturo_O’Farrill | en |
| Ximo_Tebar | ximo |
| Ximo_Tebar | tebar |
| Ximo_Tebar | march |
| Ximo_Tebar | 30 |
| Ximo_Tebar | 1963 |
| Ximo_Tebar | in |
| Ximo_Tebar | valencia |
| Ximo_Tebar | is |
| Ximo_Tebar | a |
| Ximo_Tebar | spanish |
| Ximo_Tebar | jazz |
| Ximo_Tebar | musician |
| Ximo_Tebar | guitar |
| Ximo_Tebar | composition |
| Ximo_Tebar | en |
| Maurice_Hines | maurice |
| Maurice_Hines | robert |
| Maurice_Hines | hines |
| Maurice_Hines | jr |
| Maurice_Hines | born |
| Maurice_Hines | december |
| Maurice_Hines | 13 |
| Maurice_Hines | 1943 |
| Maurice_Hines | is |
| Maurice_Hines | an |
| Maurice_Hines | american |
| Maurice_Hines | actor |
| Maurice_Hines | director |
| Maurice_Hines | singer |
| Maurice_Hines | and |
| Maurice_Hines | choreographer |
| Maurice_Hines | he |
| Maurice_Hines | is |
| Maurice_Hines | the |
| Maurice_Hines | older |
| Maurice_Hines | brother |
| Maurice_Hines | of |
| Maurice_Hines | dancer |
| Maurice_Hines | gregory |
| Maurice_Hines | hines |
| Maurice_Hines | en |
| Cedar_Walton | cedar |
| Cedar_Walton | anthony |
| Cedar_Walton | walton |
| Cedar_Walton | jr |
| Cedar_Walton | january |
| Cedar_Walton | 17 |
| Cedar_Walton | 1934 |
| Cedar_Walton | august |
| Cedar_Walton | 19 |
| Cedar_Walton | 2013 |
| Cedar_Walton | was |
| Cedar_Walton | an |
| Cedar_Walton | american |
| Cedar_Walton | hard |
| Cedar_Walton | bop |
| Cedar_Walton | jazz |
| Cedar_Walton | pianist |
| Cedar_Walton | he |
| Cedar_Walton | came |
| Cedar_Walton | to |
| Cedar_Walton | prominence |
| Cedar_Walton | as |
| Cedar_Walton | a |
| Cedar_Walton | member |
| Cedar_Walton | of |
| Cedar_Walton | drummer |
| Cedar_Walton | art |
| Cedar_Walton | blakey’s |
| Cedar_Walton | band |
| Cedar_Walton | the |
| Cedar_Walton | jazz |
| Cedar_Walton | messengers |
| Cedar_Walton | before |
| Cedar_Walton | establishing |
| Cedar_Walton | a |
| Cedar_Walton | long |
| Cedar_Walton | career |
| Cedar_Walton | as |
| Cedar_Walton | a |
| Cedar_Walton | bandleader |
| Cedar_Walton | and |
| Cedar_Walton | composer |
| Cedar_Walton | several |
| Cedar_Walton | of |
| Cedar_Walton | his |
| Cedar_Walton | compositions |
| Cedar_Walton | have |
| Cedar_Walton | become |
| Cedar_Walton | jazz |
| Cedar_Walton | standards |
| Cedar_Walton | including |
| Cedar_Walton | mosaic |
| Cedar_Walton | bolivia |
| Cedar_Walton | holy |
| Cedar_Walton | land |
| Cedar_Walton | mode |
| Cedar_Walton | for |
| Cedar_Walton | joe |
| Cedar_Walton | and |
| Cedar_Walton | fantasy |
| Cedar_Walton | in |
| Cedar_Walton | d |
| Cedar_Walton | en |
| The_Rolling_Stones | the |
| The_Rolling_Stones | rolling |
| The_Rolling_Stones | stones |
| The_Rolling_Stones | are |
| The_Rolling_Stones | an |
| The_Rolling_Stones | english |
| The_Rolling_Stones | rock |
| The_Rolling_Stones | band |
| The_Rolling_Stones | formed |
| The_Rolling_Stones | in |
| The_Rolling_Stones | london |
| The_Rolling_Stones | in |
| The_Rolling_Stones | 1962 |
| The_Rolling_Stones | active |
| The_Rolling_Stones | for |
| The_Rolling_Stones | almost |
| The_Rolling_Stones | six |
| The_Rolling_Stones | decades |
| The_Rolling_Stones | they |
| The_Rolling_Stones | are |
| The_Rolling_Stones | one |
| The_Rolling_Stones | of |
| The_Rolling_Stones | the |
| The_Rolling_Stones | most |
| The_Rolling_Stones | popular |
| The_Rolling_Stones | and |
| The_Rolling_Stones | enduring |
| The_Rolling_Stones | bands |
| The_Rolling_Stones | of |
| The_Rolling_Stones | the |
| The_Rolling_Stones | rock |
| The_Rolling_Stones | era |
| The_Rolling_Stones | in |
| The_Rolling_Stones | the |
| The_Rolling_Stones | early |
| The_Rolling_Stones | 1960s |
| The_Rolling_Stones | the |
| The_Rolling_Stones | rolling |
| The_Rolling_Stones | stones |
| The_Rolling_Stones | pioneered |
| The_Rolling_Stones | the |
| The_Rolling_Stones | gritty |
| The_Rolling_Stones | heavier |
| The_Rolling_Stones | driven |
| The_Rolling_Stones | sound |
| The_Rolling_Stones | that |
| The_Rolling_Stones | came |
| The_Rolling_Stones | to |
| The_Rolling_Stones | define |
| The_Rolling_Stones | hard |
| The_Rolling_Stones | rock |
| The_Rolling_Stones | their |
| The_Rolling_Stones | first |
| The_Rolling_Stones | stable |
| The_Rolling_Stones | line |
| The_Rolling_Stones | up |
| The_Rolling_Stones | comprised |
| The_Rolling_Stones | vocalist |
| The_Rolling_Stones | mick |
| The_Rolling_Stones | jagger |
| The_Rolling_Stones | multi |
| The_Rolling_Stones | instrumentalist |
| The_Rolling_Stones | brian |
| The_Rolling_Stones | jones |
| The_Rolling_Stones | guitarist |
| The_Rolling_Stones | keith |
| The_Rolling_Stones | richards |
| The_Rolling_Stones | bassist |
| The_Rolling_Stones | bill |
| The_Rolling_Stones | wyman |
| The_Rolling_Stones | and |
| The_Rolling_Stones | drummer |
| The_Rolling_Stones | charlie |
| The_Rolling_Stones | watts |
| The_Rolling_Stones | during |
| The_Rolling_Stones | their |
| The_Rolling_Stones | formative |
| The_Rolling_Stones | years |
| The_Rolling_Stones | jones |
| The_Rolling_Stones | was |
| The_Rolling_Stones | the |
| The_Rolling_Stones | primary |
| The_Rolling_Stones | leader |
| The_Rolling_Stones | he |
| The_Rolling_Stones | assembled |
| The_Rolling_Stones | the |
| The_Rolling_Stones | band |
| The_Rolling_Stones | named |
| The_Rolling_Stones | it |
| The_Rolling_Stones | and |
| The_Rolling_Stones | drove |
| The_Rolling_Stones | their |
| The_Rolling_Stones | sound |
| The_Rolling_Stones | and |
| The_Rolling_Stones | image |
| The_Rolling_Stones | after |
| The_Rolling_Stones | andrew |
| The_Rolling_Stones | loog |
| The_Rolling_Stones | oldham |
| The_Rolling_Stones | became |
| The_Rolling_Stones | the |
| The_Rolling_Stones | group’s |
| The_Rolling_Stones | manager |
| The_Rolling_Stones | in |
| The_Rolling_Stones | 1963 |
| The_Rolling_Stones | he |
| The_Rolling_Stones | encouraged |
| The_Rolling_Stones | them |
| The_Rolling_Stones | to |
| The_Rolling_Stones | write |
| The_Rolling_Stones | their |
| The_Rolling_Stones | own |
| The_Rolling_Stones | songs |
| The_Rolling_Stones | jagger |
| The_Rolling_Stones | and |
| The_Rolling_Stones | richards |
| The_Rolling_Stones | became |
| The_Rolling_Stones | the |
| The_Rolling_Stones | primary |
| The_Rolling_Stones | creative |
| The_Rolling_Stones | force |
| The_Rolling_Stones | behind |
| The_Rolling_Stones | the |
| The_Rolling_Stones | band |
| The_Rolling_Stones | alienating |
| The_Rolling_Stones | jones |
| The_Rolling_Stones | who |
| The_Rolling_Stones | developed |
| The_Rolling_Stones | a |
| The_Rolling_Stones | drug |
| The_Rolling_Stones | addiction |
| The_Rolling_Stones | that |
| The_Rolling_Stones | interfered |
| The_Rolling_Stones | with |
| The_Rolling_Stones | his |
| The_Rolling_Stones | ability |
| The_Rolling_Stones | to |
| The_Rolling_Stones | contribute |
| The_Rolling_Stones | meaningfully |
| The_Rolling_Stones | rooted |
| The_Rolling_Stones | in |
| The_Rolling_Stones | blues |
| The_Rolling_Stones | and |
| The_Rolling_Stones | early |
| The_Rolling_Stones | rock |
| The_Rolling_Stones | and |
| The_Rolling_Stones | roll |
| The_Rolling_Stones | the |
| The_Rolling_Stones | rolling |
| The_Rolling_Stones | stones |
| The_Rolling_Stones | started |
| The_Rolling_Stones | out |
| The_Rolling_Stones | playing |
| The_Rolling_Stones | covers |
| The_Rolling_Stones | and |
| The_Rolling_Stones | were |
| The_Rolling_Stones | at |
| The_Rolling_Stones | the |
| The_Rolling_Stones | forefront |
| The_Rolling_Stones | of |
| The_Rolling_Stones | the |
| The_Rolling_Stones | british |
| The_Rolling_Stones | invasion |
| The_Rolling_Stones | in |
| The_Rolling_Stones | 1964 |
| The_Rolling_Stones | also |
| The_Rolling_Stones | being |
| The_Rolling_Stones | identified |
| The_Rolling_Stones | with |
| The_Rolling_Stones | the |
| The_Rolling_Stones | youthful |
| The_Rolling_Stones | and |
| The_Rolling_Stones | rebellious |
| The_Rolling_Stones | counterculture |
| The_Rolling_Stones | of |
| The_Rolling_Stones | the |
| The_Rolling_Stones | 1960s |
| The_Rolling_Stones | they |
| The_Rolling_Stones | then |
| The_Rolling_Stones | found |
| The_Rolling_Stones | greater |
| The_Rolling_Stones | success |
| The_Rolling_Stones | with |
| The_Rolling_Stones | their |
| The_Rolling_Stones | own |
| The_Rolling_Stones | material |
| The_Rolling_Stones | as |
| The_Rolling_Stones | i |
| The_Rolling_Stones | can’t |
| The_Rolling_Stones | get |
| The_Rolling_Stones | no |
| The_Rolling_Stones | satisfaction |
| The_Rolling_Stones | 1965 |
| The_Rolling_Stones | get |
| The_Rolling_Stones | off |
| The_Rolling_Stones | of |
| The_Rolling_Stones | my |
| The_Rolling_Stones | cloud |
| The_Rolling_Stones | 1965 |
| The_Rolling_Stones | and |
| The_Rolling_Stones | paint |
| The_Rolling_Stones | it |
| The_Rolling_Stones | black |
| The_Rolling_Stones | 1966 |
| The_Rolling_Stones | became |
| The_Rolling_Stones | international |
| The_Rolling_Stones | no |
| The_Rolling_Stones | 1 |
| The_Rolling_Stones | hits |
| The_Rolling_Stones | aftermath |
| The_Rolling_Stones | 1966 |
| The_Rolling_Stones | their |
| The_Rolling_Stones | first |
| The_Rolling_Stones | entirely |
| The_Rolling_Stones | original |
| The_Rolling_Stones | album |
| The_Rolling_Stones | is |
| The_Rolling_Stones | considered |
| The_Rolling_Stones | the |
| The_Rolling_Stones | most |
| The_Rolling_Stones | important |
| The_Rolling_Stones | of |
| The_Rolling_Stones | their |
| The_Rolling_Stones | formative |
| The_Rolling_Stones | records |
| The_Rolling_Stones | in |
| The_Rolling_Stones | 1967 |
| The_Rolling_Stones | they |
| The_Rolling_Stones | had |
| The_Rolling_Stones | the |
| The_Rolling_Stones | double |
| The_Rolling_Stones | sided |
| The_Rolling_Stones | hit |
| The_Rolling_Stones | ruby |
| The_Rolling_Stones | tuesday |
| The_Rolling_Stones | let’s |
| The_Rolling_Stones | spend |
| The_Rolling_Stones | the |
| The_Rolling_Stones | night |
| The_Rolling_Stones | together |
| The_Rolling_Stones | and |
| The_Rolling_Stones | experimented |
| The_Rolling_Stones | with |
| The_Rolling_Stones | psychedelic |
| The_Rolling_Stones | rock |
| The_Rolling_Stones | on |
| The_Rolling_Stones | their |
| The_Rolling_Stones | satanic |
| The_Rolling_Stones | majesties |
| The_Rolling_Stones | request |
| The_Rolling_Stones | they |
| The_Rolling_Stones | returned |
| The_Rolling_Stones | to |
| The_Rolling_Stones | their |
| The_Rolling_Stones | roots |
| The_Rolling_Stones | with |
| The_Rolling_Stones | such |
| The_Rolling_Stones | hits |
| The_Rolling_Stones | as |
| The_Rolling_Stones | jumpin |
| The_Rolling_Stones | jack |
| The_Rolling_Stones | flash |
| The_Rolling_Stones | 1968 |
| The_Rolling_Stones | and |
| The_Rolling_Stones | honky |
| The_Rolling_Stones | tonk |
| The_Rolling_Stones | women |
| The_Rolling_Stones | 1969 |
| The_Rolling_Stones | and |
| The_Rolling_Stones | albums |
| The_Rolling_Stones | such |
| The_Rolling_Stones | as |
| The_Rolling_Stones | beggars |
| The_Rolling_Stones | banquet |
| The_Rolling_Stones | 1968 |
| The_Rolling_Stones | featuring |
| The_Rolling_Stones | sympathy |
| The_Rolling_Stones | for |
| The_Rolling_Stones | the |
| The_Rolling_Stones | devil |
| The_Rolling_Stones | and |
| The_Rolling_Stones | let |
| The_Rolling_Stones | it |
| The_Rolling_Stones | bleed |
| The_Rolling_Stones | 1969 |
| The_Rolling_Stones | featuring |
| The_Rolling_Stones | you |
| The_Rolling_Stones | can’t |
| The_Rolling_Stones | always |
| The_Rolling_Stones | get |
| The_Rolling_Stones | what |
| The_Rolling_Stones | you |
| The_Rolling_Stones | want |
| The_Rolling_Stones | and |
| The_Rolling_Stones | gimme |
| The_Rolling_Stones | shelter |
| The_Rolling_Stones | let |
| The_Rolling_Stones | it |
| The_Rolling_Stones | bleed |
| The_Rolling_Stones | was |
| The_Rolling_Stones | the |
| The_Rolling_Stones | first |
| The_Rolling_Stones | of |
| The_Rolling_Stones | five |
| The_Rolling_Stones | consecutive |
| The_Rolling_Stones | no |
| The_Rolling_Stones | 1 |
| The_Rolling_Stones | albums |
| The_Rolling_Stones | in |
| The_Rolling_Stones | the |
| The_Rolling_Stones | uk |
| The_Rolling_Stones | jones |
| The_Rolling_Stones | left |
| The_Rolling_Stones | the |
| The_Rolling_Stones | band |
| The_Rolling_Stones | shortly |
| The_Rolling_Stones | before |
| The_Rolling_Stones | his |
| The_Rolling_Stones | death |
| The_Rolling_Stones | in |
| The_Rolling_Stones | 1969 |
| The_Rolling_Stones | having |
| The_Rolling_Stones | been |
| The_Rolling_Stones | replaced |
| The_Rolling_Stones | by |
| The_Rolling_Stones | guitarist |
| The_Rolling_Stones | mick |
| The_Rolling_Stones | taylor |
| The_Rolling_Stones | that |
| The_Rolling_Stones | year |
| The_Rolling_Stones | they |
| The_Rolling_Stones | were |
| The_Rolling_Stones | first |
| The_Rolling_Stones | introduced |
| The_Rolling_Stones | on |
| The_Rolling_Stones | stage |
| The_Rolling_Stones | as |
| The_Rolling_Stones | the |
| The_Rolling_Stones | greatest |
| The_Rolling_Stones | rock |
| The_Rolling_Stones | and |
| The_Rolling_Stones | roll |
| The_Rolling_Stones | band |
| The_Rolling_Stones | in |
| The_Rolling_Stones | the |
| The_Rolling_Stones | world |
| The_Rolling_Stones | sticky |
| The_Rolling_Stones | fingers |
| The_Rolling_Stones | 1971 |
| The_Rolling_Stones | which |
| The_Rolling_Stones | yielded |
| The_Rolling_Stones | brown |
| The_Rolling_Stones | sugar |
| The_Rolling_Stones | and |
| The_Rolling_Stones | included |
| The_Rolling_Stones | the |
| The_Rolling_Stones | first |
| The_Rolling_Stones | usage |
| The_Rolling_Stones | of |
| The_Rolling_Stones | their |
| The_Rolling_Stones | tongue |
| The_Rolling_Stones | and |
| The_Rolling_Stones | lips |
| The_Rolling_Stones | logo |
| The_Rolling_Stones | was |
| The_Rolling_Stones | their |
| The_Rolling_Stones | first |
| The_Rolling_Stones | of |
| The_Rolling_Stones | eight |
| The_Rolling_Stones | consecutive |
| The_Rolling_Stones | no |
| The_Rolling_Stones | 1 |
| The_Rolling_Stones | studio |
| The_Rolling_Stones | albums |
| The_Rolling_Stones | in |
| The_Rolling_Stones | the |
| The_Rolling_Stones | us |
| The_Rolling_Stones | exile |
| The_Rolling_Stones | on |
| The_Rolling_Stones | main |
| The_Rolling_Stones | st |
| The_Rolling_Stones | 1972 |
| The_Rolling_Stones | featuring |
| The_Rolling_Stones | tumbling |
| The_Rolling_Stones | dice |
| The_Rolling_Stones | and |
| The_Rolling_Stones | goats |
| The_Rolling_Stones | head |
| The_Rolling_Stones | soup |
| The_Rolling_Stones | 1973 |
| The_Rolling_Stones | yielding |
| The_Rolling_Stones | the |
| The_Rolling_Stones | hit |
| The_Rolling_Stones | ballad |
| The_Rolling_Stones | angie |
| The_Rolling_Stones | were |
| The_Rolling_Stones | also |
| The_Rolling_Stones | best |
| The_Rolling_Stones | sellers |
| The_Rolling_Stones | taylor |
| The_Rolling_Stones | was |
| The_Rolling_Stones | replaced |
| The_Rolling_Stones | by |
| The_Rolling_Stones | ronnie |
| The_Rolling_Stones | wood |
| The_Rolling_Stones | in |
| The_Rolling_Stones | 1974 |
| The_Rolling_Stones | the |
| The_Rolling_Stones | band |
| The_Rolling_Stones | continued |
| The_Rolling_Stones | to |
| The_Rolling_Stones | release |
| The_Rolling_Stones | successful |
| The_Rolling_Stones | albums |
| The_Rolling_Stones | including |
| The_Rolling_Stones | their |
| The_Rolling_Stones | two |
| The_Rolling_Stones | largest |
| The_Rolling_Stones | sellers |
| The_Rolling_Stones | some |
| The_Rolling_Stones | girls |
| The_Rolling_Stones | 1978 |
| The_Rolling_Stones | featuring |
| The_Rolling_Stones | miss |
| The_Rolling_Stones | you |
| The_Rolling_Stones | and |
| The_Rolling_Stones | tattoo |
| The_Rolling_Stones | you |
| The_Rolling_Stones | 1981 |
| The_Rolling_Stones | featuring |
| The_Rolling_Stones | start |
| The_Rolling_Stones | me |
| The_Rolling_Stones | up |
| The_Rolling_Stones | steel |
| The_Rolling_Stones | wheels |
| The_Rolling_Stones | 1989 |
| The_Rolling_Stones | was |
| The_Rolling_Stones | widely |
| The_Rolling_Stones | considered |
| The_Rolling_Stones | a |
| The_Rolling_Stones | comeback |
| The_Rolling_Stones | album |
| The_Rolling_Stones | and |
| The_Rolling_Stones | was |
| The_Rolling_Stones | followed |
| The_Rolling_Stones | by |
| The_Rolling_Stones | voodoo |
| The_Rolling_Stones | lounge |
| The_Rolling_Stones | 1994 |
| The_Rolling_Stones | a |
| The_Rolling_Stones | worldwide |
| The_Rolling_Stones | number |
| The_Rolling_Stones | one |
| The_Rolling_Stones | album |
| The_Rolling_Stones | both |
| The_Rolling_Stones | releases |
| The_Rolling_Stones | were |
| The_Rolling_Stones | promoted |
| The_Rolling_Stones | by |
| The_Rolling_Stones | large |
| The_Rolling_Stones | stadium |
| The_Rolling_Stones | and |
| The_Rolling_Stones | arena |
| The_Rolling_Stones | tours |
| The_Rolling_Stones | as |
| The_Rolling_Stones | the |
| The_Rolling_Stones | stones |
| The_Rolling_Stones | continued |
| The_Rolling_Stones | to |
| The_Rolling_Stones | be |
| The_Rolling_Stones | a |
| The_Rolling_Stones | huge |
| The_Rolling_Stones | concert |
| The_Rolling_Stones | attraction |
| The_Rolling_Stones | by |
| The_Rolling_Stones | 2007 |
| The_Rolling_Stones | they |
| The_Rolling_Stones | had |
| The_Rolling_Stones | four |
| The_Rolling_Stones | of |
| The_Rolling_Stones | the |
| The_Rolling_Stones | top |
| The_Rolling_Stones | five |
| The_Rolling_Stones | highest |
| The_Rolling_Stones | grossing |
| The_Rolling_Stones | concert |
| The_Rolling_Stones | tours |
| The_Rolling_Stones | of |
| The_Rolling_Stones | all |
| The_Rolling_Stones | time |
| The_Rolling_Stones | from |
| The_Rolling_Stones | wyman’s |
| The_Rolling_Stones | departure |
| The_Rolling_Stones | in |
| The_Rolling_Stones | 1993 |
| The_Rolling_Stones | to |
| The_Rolling_Stones | watts |
| The_Rolling_Stones | death |
| The_Rolling_Stones | in |
| The_Rolling_Stones | 2021 |
| The_Rolling_Stones | the |
| The_Rolling_Stones | band |
| The_Rolling_Stones | continued |
| The_Rolling_Stones | as |
| The_Rolling_Stones | a |
| The_Rolling_Stones | four |
| The_Rolling_Stones | piece |
| The_Rolling_Stones | core |
| The_Rolling_Stones | with |
| The_Rolling_Stones | darryl |
| The_Rolling_Stones | jones |
| The_Rolling_Stones | playing |
| The_Rolling_Stones | bass |
| The_Rolling_Stones | on |
| The_Rolling_Stones | tour |
| The_Rolling_Stones | and |
| The_Rolling_Stones | on |
| The_Rolling_Stones | most |
| The_Rolling_Stones | studio |
| The_Rolling_Stones | recordings |
| The_Rolling_Stones | their |
| The_Rolling_Stones | latest |
| The_Rolling_Stones | album |
| The_Rolling_Stones | blue |
| The_Rolling_Stones | lonesome |
| The_Rolling_Stones | 2016 |
| The_Rolling_Stones | became |
| The_Rolling_Stones | their |
| The_Rolling_Stones | twelfth |
| The_Rolling_Stones | uk |
| The_Rolling_Stones | number |
| The_Rolling_Stones | one |
| The_Rolling_Stones | album |
| The_Rolling_Stones | the |
| The_Rolling_Stones | rolling |
| The_Rolling_Stones | stones |
| The_Rolling_Stones | estimated |
| The_Rolling_Stones | record |
| The_Rolling_Stones | sales |
| The_Rolling_Stones | of |
| The_Rolling_Stones | 200 |
| The_Rolling_Stones | million |
| The_Rolling_Stones | makes |
| The_Rolling_Stones | them |
| The_Rolling_Stones | one |
| The_Rolling_Stones | of |
| The_Rolling_Stones | the |
| The_Rolling_Stones | best |
| The_Rolling_Stones | selling |
| The_Rolling_Stones | music |
| The_Rolling_Stones | artists |
| The_Rolling_Stones | of |
| The_Rolling_Stones | all |
| The_Rolling_Stones | time |
| The_Rolling_Stones | the |
| The_Rolling_Stones | band |
| The_Rolling_Stones | has |
| The_Rolling_Stones | won |
| The_Rolling_Stones | three |
| The_Rolling_Stones | grammy |
| The_Rolling_Stones | awards |
| The_Rolling_Stones | and |
| The_Rolling_Stones | a |
| The_Rolling_Stones | grammy |
| The_Rolling_Stones | lifetime |
| The_Rolling_Stones | achievement |
| The_Rolling_Stones | award |
| The_Rolling_Stones | they |
| The_Rolling_Stones | were |
| The_Rolling_Stones | inducted |
| The_Rolling_Stones | into |
| The_Rolling_Stones | the |
| The_Rolling_Stones | rock |
| The_Rolling_Stones | and |
| The_Rolling_Stones | roll |
| The_Rolling_Stones | hall |
| The_Rolling_Stones | of |
| The_Rolling_Stones | fame |
| The_Rolling_Stones | in |
| The_Rolling_Stones | 1989 |
| The_Rolling_Stones | and |
| The_Rolling_Stones | the |
| The_Rolling_Stones | uk |
| The_Rolling_Stones | music |
| The_Rolling_Stones | hall |
| The_Rolling_Stones | of |
| The_Rolling_Stones | fame |
| The_Rolling_Stones | in |
| The_Rolling_Stones | 2004 |
| The_Rolling_Stones | in |
| The_Rolling_Stones | 2019 |
| The_Rolling_Stones | billboard |
| The_Rolling_Stones | magazine |
| The_Rolling_Stones | ranked |
| The_Rolling_Stones | the |
| The_Rolling_Stones | rolling |
| The_Rolling_Stones | stones |
| The_Rolling_Stones | second |
| The_Rolling_Stones | on |
| The_Rolling_Stones | their |
| The_Rolling_Stones | list |
| The_Rolling_Stones | of |
| The_Rolling_Stones | the |
| The_Rolling_Stones | greatest |
| The_Rolling_Stones | artists |
| The_Rolling_Stones | of |
| The_Rolling_Stones | all |
| The_Rolling_Stones | time |
| The_Rolling_Stones | based |
| The_Rolling_Stones | on |
| The_Rolling_Stones | us |
| The_Rolling_Stones | chart |
| The_Rolling_Stones | success |
| The_Rolling_Stones | they |
| The_Rolling_Stones | are |
| The_Rolling_Stones | ranked |
| The_Rolling_Stones | fourth |
| The_Rolling_Stones | on |
| The_Rolling_Stones | rolling |
| The_Rolling_Stones | stone’s |
| The_Rolling_Stones | list |
| The_Rolling_Stones | of |
| The_Rolling_Stones | the |
| The_Rolling_Stones | greatest |
| The_Rolling_Stones | artists |
| The_Rolling_Stones | of |
| The_Rolling_Stones | all |
| The_Rolling_Stones | time |
| The_Rolling_Stones | en |
| Jean_Toussaint | jean |
| Jean_Toussaint | toussaint |
| Jean_Toussaint | born |
| Jean_Toussaint | july |
| Jean_Toussaint | 27 |
| Jean_Toussaint | 1960 |
| Jean_Toussaint | is |
| Jean_Toussaint | an |
| Jean_Toussaint | american |
| Jean_Toussaint | jazz |
| Jean_Toussaint | tenor |
| Jean_Toussaint | and |
| Jean_Toussaint | soprano |
| Jean_Toussaint | saxophonist |
| Jean_Toussaint | en |
| Robert_Hurst_(musician) | robert |
| Robert_Hurst_(musician) | hurst |
| Robert_Hurst_(musician) | born |
| Robert_Hurst_(musician) | october |
| Robert_Hurst_(musician) | 4 |
| Robert_Hurst_(musician) | 1964 |
| Robert_Hurst_(musician) | is |
| Robert_Hurst_(musician) | an |
| Robert_Hurst_(musician) | american |
| Robert_Hurst_(musician) | jazz |
| Robert_Hurst_(musician) | bassist |
| Robert_Hurst_(musician) | en |
| Pharoah_Sanders | pharoah |
| Pharoah_Sanders | sanders |
| Pharoah_Sanders | born |
| Pharoah_Sanders | farrell |
| Pharoah_Sanders | sanders |
| Pharoah_Sanders | october |
| Pharoah_Sanders | 13 |
| Pharoah_Sanders | 1940 |
| Pharoah_Sanders | is |
| Pharoah_Sanders | an |
| Pharoah_Sanders | american |
| Pharoah_Sanders | jazz |
| Pharoah_Sanders | saxophonist |
| Pharoah_Sanders | a |
| Pharoah_Sanders | member |
| Pharoah_Sanders | of |
| Pharoah_Sanders | john |
| Pharoah_Sanders | coltrane’s |
| Pharoah_Sanders | groups |
| Pharoah_Sanders | of |
| Pharoah_Sanders | the |
| Pharoah_Sanders | mid |
| Pharoah_Sanders | 1960s |
| Pharoah_Sanders | sanders |
| Pharoah_Sanders | is |
| Pharoah_Sanders | known |
| Pharoah_Sanders | for |
| Pharoah_Sanders | his |
| Pharoah_Sanders | overblowing |
| Pharoah_Sanders | harmonic |
| Pharoah_Sanders | and |
| Pharoah_Sanders | multiphonic |
| Pharoah_Sanders | techniques |
| Pharoah_Sanders | on |
| Pharoah_Sanders | the |
| Pharoah_Sanders | saxophone |
| Pharoah_Sanders | as |
| Pharoah_Sanders | well |
| Pharoah_Sanders | as |
| Pharoah_Sanders | his |
| Pharoah_Sanders | use |
| Pharoah_Sanders | of |
| Pharoah_Sanders | sheets |
| Pharoah_Sanders | of |
| Pharoah_Sanders | sound |
| Pharoah_Sanders | he |
| Pharoah_Sanders | has |
| Pharoah_Sanders | released |
| Pharoah_Sanders | over |
| Pharoah_Sanders | 30 |
| Pharoah_Sanders | albums |
| Pharoah_Sanders | as |
| Pharoah_Sanders | a |
| Pharoah_Sanders | leader |
| Pharoah_Sanders | and |
| Pharoah_Sanders | has |
| Pharoah_Sanders | collaborated |
| Pharoah_Sanders | extensively |
| Pharoah_Sanders | with |
| Pharoah_Sanders | leon |
| Pharoah_Sanders | thomas |
| Pharoah_Sanders | and |
| Pharoah_Sanders | alice |
| Pharoah_Sanders | coltrane |
| Pharoah_Sanders | among |
| Pharoah_Sanders | others |
| Pharoah_Sanders | saxophonist |
| Pharoah_Sanders | ornette |
| Pharoah_Sanders | coleman |
| Pharoah_Sanders | described |
| Pharoah_Sanders | him |
| Pharoah_Sanders | as |
| Pharoah_Sanders | probably |
| Pharoah_Sanders | the |
| Pharoah_Sanders | best |
| Pharoah_Sanders | tenor |
| Pharoah_Sanders | player |
| Pharoah_Sanders | in |
| Pharoah_Sanders | the |
| Pharoah_Sanders | world |
| Pharoah_Sanders | sanders |
| Pharoah_Sanders | music |
| Pharoah_Sanders | has |
| Pharoah_Sanders | been |
| Pharoah_Sanders | called |
| Pharoah_Sanders | spiritual |
| Pharoah_Sanders | jazz |
| Pharoah_Sanders | due |
| Pharoah_Sanders | to |
| Pharoah_Sanders | his |
| Pharoah_Sanders | inspiration |
| Pharoah_Sanders | in |
| Pharoah_Sanders | religious |
| Pharoah_Sanders | concepts |
| Pharoah_Sanders | such |
| Pharoah_Sanders | as |
| Pharoah_Sanders | karma |
| Pharoah_Sanders | and |
| Pharoah_Sanders | tawhid |
| Pharoah_Sanders | and |
| Pharoah_Sanders | his |
| Pharoah_Sanders | rich |
| Pharoah_Sanders | meditative |
| Pharoah_Sanders | aesthetic |
| Pharoah_Sanders | this |
| Pharoah_Sanders | style |
| Pharoah_Sanders | is |
| Pharoah_Sanders | seen |
| Pharoah_Sanders | as |
| Pharoah_Sanders | a |
| Pharoah_Sanders | continuation |
| Pharoah_Sanders | of |
| Pharoah_Sanders | coltrane’s |
| Pharoah_Sanders | work |
| Pharoah_Sanders | on |
| Pharoah_Sanders | albums |
| Pharoah_Sanders | such |
| Pharoah_Sanders | as |
| Pharoah_Sanders | a |
| Pharoah_Sanders | love |
| Pharoah_Sanders | supreme |
| Pharoah_Sanders | as |
| Pharoah_Sanders | a |
| Pharoah_Sanders | result |
| Pharoah_Sanders | sanders |
| Pharoah_Sanders | is |
| Pharoah_Sanders | considered |
| Pharoah_Sanders | a |
| Pharoah_Sanders | disciple |
| Pharoah_Sanders | of |
| Pharoah_Sanders | coltrane |
| Pharoah_Sanders | or |
| Pharoah_Sanders | as |
| Pharoah_Sanders | albert |
| Pharoah_Sanders | ayler |
| Pharoah_Sanders | said |
| Pharoah_Sanders | trane |
| Pharoah_Sanders | was |
| Pharoah_Sanders | the |
| Pharoah_Sanders | father |
| Pharoah_Sanders | pharoah |
| Pharoah_Sanders | was |
| Pharoah_Sanders | the |
| Pharoah_Sanders | son |
| Pharoah_Sanders | i |
| Pharoah_Sanders | am |
| Pharoah_Sanders | the |
| Pharoah_Sanders | holy |
| Pharoah_Sanders | ghost |
| Pharoah_Sanders | en |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | tonight |
| The_Tonight_Show_Band | show |
| The_Tonight_Show_Band | band |
| The_Tonight_Show_Band | is |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | house |
| The_Tonight_Show_Band | band |
| The_Tonight_Show_Band | that |
| The_Tonight_Show_Band | plays |
| The_Tonight_Show_Band | on |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | american |
| The_Tonight_Show_Band | television |
| The_Tonight_Show_Band | variety |
| The_Tonight_Show_Band | show |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | tonight |
| The_Tonight_Show_Band | show |
| The_Tonight_Show_Band | from |
| The_Tonight_Show_Band | 1962 |
| The_Tonight_Show_Band | until |
| The_Tonight_Show_Band | 1992 |
| The_Tonight_Show_Band | when |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | show |
| The_Tonight_Show_Band | was |
| The_Tonight_Show_Band | known |
| The_Tonight_Show_Band | as |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | tonight |
| The_Tonight_Show_Band | show |
| The_Tonight_Show_Band | starring |
| The_Tonight_Show_Band | johnny |
| The_Tonight_Show_Band | carson |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | band |
| The_Tonight_Show_Band | was |
| The_Tonight_Show_Band | a |
| The_Tonight_Show_Band | 17 |
| The_Tonight_Show_Band | piece |
| The_Tonight_Show_Band | big |
| The_Tonight_Show_Band | band |
| The_Tonight_Show_Band | and |
| The_Tonight_Show_Band | was |
| The_Tonight_Show_Band | an |
| The_Tonight_Show_Band | important |
| The_Tonight_Show_Band | showcase |
| The_Tonight_Show_Band | for |
| The_Tonight_Show_Band | jazz |
| The_Tonight_Show_Band | on |
| The_Tonight_Show_Band | american |
| The_Tonight_Show_Band | television |
| The_Tonight_Show_Band | during |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | carson |
| The_Tonight_Show_Band | era |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | band |
| The_Tonight_Show_Band | was |
| The_Tonight_Show_Band | always |
| The_Tonight_Show_Band | billed |
| The_Tonight_Show_Band | as |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | nbc |
| The_Tonight_Show_Band | orchestra |
| The_Tonight_Show_Band | not |
| The_Tonight_Show_Band | to |
| The_Tonight_Show_Band | be |
| The_Tonight_Show_Band | confused |
| The_Tonight_Show_Band | with |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | nbc |
| The_Tonight_Show_Band | symphony |
| The_Tonight_Show_Band | orchestra |
| The_Tonight_Show_Band | and |
| The_Tonight_Show_Band | sometimes |
| The_Tonight_Show_Band | doc |
| The_Tonight_Show_Band | severinsen |
| The_Tonight_Show_Band | and |
| The_Tonight_Show_Band | the |
| The_Tonight_Show_Band | nbc |
| The_Tonight_Show_Band | orchestra |
| The_Tonight_Show_Band | en |
| Woody_Shaw | woody |
| Woody_Shaw | herman |
| Woody_Shaw | shaw |
| Woody_Shaw | jr |
| Woody_Shaw | december |
| Woody_Shaw | 24 |
| Woody_Shaw | 1944 |
| Woody_Shaw | may |
| Woody_Shaw | 10 |
| Woody_Shaw | 1989 |
| Woody_Shaw | was |
| Woody_Shaw | an |
| Woody_Shaw | american |
| Woody_Shaw | jazz |
| Woody_Shaw | trumpeter |
| Woody_Shaw | flugelhornist |
| Woody_Shaw | cornetist |
| Woody_Shaw | composer |
| Woody_Shaw | arranger |
| Woody_Shaw | band |
| Woody_Shaw | leader |
| Woody_Shaw | and |
| Woody_Shaw | educator |
| Woody_Shaw | shaw |
| Woody_Shaw | is |
| Woody_Shaw | widely |
| Woody_Shaw | known |
| Woody_Shaw | as |
| Woody_Shaw | one |
| Woody_Shaw | of |
| Woody_Shaw | the |
| Woody_Shaw | most |
| Woody_Shaw | important |
| Woody_Shaw | and |
| Woody_Shaw | influential |
| Woody_Shaw | jazz |
| Woody_Shaw | trumpeters |
| Woody_Shaw | and |
| Woody_Shaw | composers |
| Woody_Shaw | of |
| Woody_Shaw | the |
| Woody_Shaw | twentieth |
| Woody_Shaw | century |
| Woody_Shaw | he |
| Woody_Shaw | is |
| Woody_Shaw | often |
| Woody_Shaw | credited |
| Woody_Shaw | with |
| Woody_Shaw | revolutionizing |
| Woody_Shaw | the |
| Woody_Shaw | technical |
| Woody_Shaw | and |
| Woody_Shaw | harmonic |
| Woody_Shaw | language |
| Woody_Shaw | of |
| Woody_Shaw | modern |
| Woody_Shaw | jazz |
| Woody_Shaw | trumpet |
| Woody_Shaw | playing |
| Woody_Shaw | and |
| Woody_Shaw | to |
| Woody_Shaw | this |
| Woody_Shaw | day |
| Woody_Shaw | is |
| Woody_Shaw | regarded |
| Woody_Shaw | by |
| Woody_Shaw | many |
| Woody_Shaw | as |
| Woody_Shaw | one |
| Woody_Shaw | of |
| Woody_Shaw | the |
| Woody_Shaw | major |
| Woody_Shaw | innovators |
| Woody_Shaw | of |
| Woody_Shaw | the |
| Woody_Shaw | instrument |
| Woody_Shaw | he |
| Woody_Shaw | was |
| Woody_Shaw | an |
| Woody_Shaw | acclaimed |
| Woody_Shaw | virtuoso |
| Woody_Shaw | mentor |
| Woody_Shaw | and |
| Woody_Shaw | spokesperson |
| Woody_Shaw | for |
| Woody_Shaw | jazz |
| Woody_Shaw | and |
| Woody_Shaw | worked |
| Woody_Shaw | and |
| Woody_Shaw | recorded |
| Woody_Shaw | alongside |
| Woody_Shaw | many |
| Woody_Shaw | of |
| Woody_Shaw | the |
| Woody_Shaw | leading |
| Woody_Shaw | musicians |
| Woody_Shaw | of |
| Woody_Shaw | his |
| Woody_Shaw | time |
| Woody_Shaw | en |
| Ali_Jackson_(jazz_drummer) | ali |
| Ali_Jackson_(jazz_drummer) | jackson |
| Ali_Jackson_(jazz_drummer) | jr |
| Ali_Jackson_(jazz_drummer) | born |
| Ali_Jackson_(jazz_drummer) | april |
| Ali_Jackson_(jazz_drummer) | 3 |
| Ali_Jackson_(jazz_drummer) | 1976 |
| Ali_Jackson_(jazz_drummer) | is |
| Ali_Jackson_(jazz_drummer) | an |
| Ali_Jackson_(jazz_drummer) | american |
| Ali_Jackson_(jazz_drummer) | drummer |
| Ali_Jackson_(jazz_drummer) | musician |
| Ali_Jackson_(jazz_drummer) | composer |
| Ali_Jackson_(jazz_drummer) | arranger |
| Ali_Jackson_(jazz_drummer) | educator |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | percussionist |
| Ali_Jackson_(jazz_drummer) | son |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | ali |
| Ali_Jackson_(jazz_drummer) | jackson |
| Ali_Jackson_(jazz_drummer) | jazz |
| Ali_Jackson_(jazz_drummer) | bassist |
| Ali_Jackson_(jazz_drummer) | ali |
| Ali_Jackson_(jazz_drummer) | jr |
| Ali_Jackson_(jazz_drummer) | started |
| Ali_Jackson_(jazz_drummer) | playing |
| Ali_Jackson_(jazz_drummer) | drums |
| Ali_Jackson_(jazz_drummer) | at |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | age |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | 2 |
| Ali_Jackson_(jazz_drummer) | ali |
| Ali_Jackson_(jazz_drummer) | graduated |
| Ali_Jackson_(jazz_drummer) | as |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | music |
| Ali_Jackson_(jazz_drummer) | major |
| Ali_Jackson_(jazz_drummer) | with |
| Ali_Jackson_(jazz_drummer) | high |
| Ali_Jackson_(jazz_drummer) | honors |
| Ali_Jackson_(jazz_drummer) | from |
| Ali_Jackson_(jazz_drummer) | detroit |
| Ali_Jackson_(jazz_drummer) | prestigious |
| Ali_Jackson_(jazz_drummer) | ali |
| Ali_Jackson_(jazz_drummer) | natural |
| Ali_Jackson_(jazz_drummer) | ability |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | passion |
| Ali_Jackson_(jazz_drummer) | for |
| Ali_Jackson_(jazz_drummer) | music |
| Ali_Jackson_(jazz_drummer) | bloomed |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | by |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | age |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | 11 |
| Ali_Jackson_(jazz_drummer) | his |
| Ali_Jackson_(jazz_drummer) | aptitude |
| Ali_Jackson_(jazz_drummer) | flourished |
| Ali_Jackson_(jazz_drummer) | as |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | result |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | steady |
| Ali_Jackson_(jazz_drummer) | stream |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | lessons |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | mentoring |
| Ali_Jackson_(jazz_drummer) | from |
| Ali_Jackson_(jazz_drummer) | an |
| Ali_Jackson_(jazz_drummer) | all |
| Ali_Jackson_(jazz_drummer) | star |
| Ali_Jackson_(jazz_drummer) | lineup |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | music |
| Ali_Jackson_(jazz_drummer) | legends |
| Ali_Jackson_(jazz_drummer) | including |
| Ali_Jackson_(jazz_drummer) | max |
| Ali_Jackson_(jazz_drummer) | roach |
| Ali_Jackson_(jazz_drummer) | milt |
| Ali_Jackson_(jazz_drummer) | hinton |
| Ali_Jackson_(jazz_drummer) | dr |
| Ali_Jackson_(jazz_drummer) | donald |
| Ali_Jackson_(jazz_drummer) | byrd |
| Ali_Jackson_(jazz_drummer) | betty |
| Ali_Jackson_(jazz_drummer) | carter |
| Ali_Jackson_(jazz_drummer) | aretha |
| Ali_Jackson_(jazz_drummer) | franklin |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | james |
| Ali_Jackson_(jazz_drummer) | mtume |
| Ali_Jackson_(jazz_drummer) | during |
| Ali_Jackson_(jazz_drummer) | one |
| Ali_Jackson_(jazz_drummer) | lesson |
| Ali_Jackson_(jazz_drummer) | when |
| Ali_Jackson_(jazz_drummer) | he |
| Ali_Jackson_(jazz_drummer) | was |
| Ali_Jackson_(jazz_drummer) | 12 |
| Ali_Jackson_(jazz_drummer) | ali |
| Ali_Jackson_(jazz_drummer) | met |
| Ali_Jackson_(jazz_drummer) | wynton |
| Ali_Jackson_(jazz_drummer) | marsalis |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | impressed |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | trumpet |
| Ali_Jackson_(jazz_drummer) | virtuoso |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | future |
| Ali_Jackson_(jazz_drummer) | collaborator |
| Ali_Jackson_(jazz_drummer) | with |
| Ali_Jackson_(jazz_drummer) | his |
| Ali_Jackson_(jazz_drummer) | maturity |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | his |
| Ali_Jackson_(jazz_drummer) | advanced |
| Ali_Jackson_(jazz_drummer) | knowledge |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | piano |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | music |
| Ali_Jackson_(jazz_drummer) | theory |
| Ali_Jackson_(jazz_drummer) | skills |
| Ali_Jackson_(jazz_drummer) | rare |
| Ali_Jackson_(jazz_drummer) | among |
| Ali_Jackson_(jazz_drummer) | drummers |
| Ali_Jackson_(jazz_drummer) | ali |
| Ali_Jackson_(jazz_drummer) | graduated |
| Ali_Jackson_(jazz_drummer) | as |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | music |
| Ali_Jackson_(jazz_drummer) | major |
| Ali_Jackson_(jazz_drummer) | with |
| Ali_Jackson_(jazz_drummer) | high |
| Ali_Jackson_(jazz_drummer) | honors |
| Ali_Jackson_(jazz_drummer) | from |
| Ali_Jackson_(jazz_drummer) | detroit |
| Ali_Jackson_(jazz_drummer) | prestigious |
| Ali_Jackson_(jazz_drummer) | cass |
| Ali_Jackson_(jazz_drummer) | technical |
| Ali_Jackson_(jazz_drummer) | high |
| Ali_Jackson_(jazz_drummer) | school |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | program |
| Ali_Jackson_(jazz_drummer) | with |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | rich |
| Ali_Jackson_(jazz_drummer) | legacy |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | consistently |
| Ali_Jackson_(jazz_drummer) | producing |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | country |
| Ali_Jackson_(jazz_drummer) | top |
| Ali_Jackson_(jazz_drummer) | musicians |
| Ali_Jackson_(jazz_drummer) | as |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | student |
| Ali_Jackson_(jazz_drummer) | at |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | in |
| Ali_Jackson_(jazz_drummer) | new |
| Ali_Jackson_(jazz_drummer) | york |
| Ali_Jackson_(jazz_drummer) | city |
| Ali_Jackson_(jazz_drummer) | he |
| Ali_Jackson_(jazz_drummer) | was |
| Ali_Jackson_(jazz_drummer) | privileged |
| Ali_Jackson_(jazz_drummer) | to |
| Ali_Jackson_(jazz_drummer) | study |
| Ali_Jackson_(jazz_drummer) | with |
| Ali_Jackson_(jazz_drummer) | max |
| Ali_Jackson_(jazz_drummer) | roach |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | elvin |
| Ali_Jackson_(jazz_drummer) | jones |
| Ali_Jackson_(jazz_drummer) | he |
| Ali_Jackson_(jazz_drummer) | attended |
| Ali_Jackson_(jazz_drummer) | college |
| Ali_Jackson_(jazz_drummer) | on |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | full |
| Ali_Jackson_(jazz_drummer) | academic |
| Ali_Jackson_(jazz_drummer) | scholarship |
| Ali_Jackson_(jazz_drummer) | earning |
| Ali_Jackson_(jazz_drummer) | an |
| Ali_Jackson_(jazz_drummer) | undergraduate |
| Ali_Jackson_(jazz_drummer) | degree |
| Ali_Jackson_(jazz_drummer) | in |
| Ali_Jackson_(jazz_drummer) | music |
| Ali_Jackson_(jazz_drummer) | composition |
| Ali_Jackson_(jazz_drummer) | in |
| Ali_Jackson_(jazz_drummer) | 1994 |
| Ali_Jackson_(jazz_drummer) | ali |
| Ali_Jackson_(jazz_drummer) | was |
| Ali_Jackson_(jazz_drummer) | selected |
| Ali_Jackson_(jazz_drummer) | as |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | guest |
| Ali_Jackson_(jazz_drummer) | soloist |
| Ali_Jackson_(jazz_drummer) | for |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | beacons |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | jazz |
| Ali_Jackson_(jazz_drummer) | program |
| Ali_Jackson_(jazz_drummer) | honoring |
| Ali_Jackson_(jazz_drummer) | legendary |
| Ali_Jackson_(jazz_drummer) | jazz |
| Ali_Jackson_(jazz_drummer) | drummer |
| Ali_Jackson_(jazz_drummer) | max |
| Ali_Jackson_(jazz_drummer) | roach |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | thelonius |
| Ali_Jackson_(jazz_drummer) | monk |
| Ali_Jackson_(jazz_drummer) | institute |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | jazz |
| Ali_Jackson_(jazz_drummer) | aspen |
| Ali_Jackson_(jazz_drummer) | selected |
| Ali_Jackson_(jazz_drummer) | him |
| Ali_Jackson_(jazz_drummer) | to |
| Ali_Jackson_(jazz_drummer) | participate |
| Ali_Jackson_(jazz_drummer) | in |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | first |
| Ali_Jackson_(jazz_drummer) | annual |
| Ali_Jackson_(jazz_drummer) | jazz |
| Ali_Jackson_(jazz_drummer) | aspen |
| Ali_Jackson_(jazz_drummer) | for |
| Ali_Jackson_(jazz_drummer) | gifted |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | talented |
| Ali_Jackson_(jazz_drummer) | musicians |
| Ali_Jackson_(jazz_drummer) | ali |
| Ali_Jackson_(jazz_drummer) | was |
| Ali_Jackson_(jazz_drummer) | also |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | first |
| Ali_Jackson_(jazz_drummer) | recipient |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | state |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | michigan |
| Ali_Jackson_(jazz_drummer) | prestigious |
| Ali_Jackson_(jazz_drummer) | artserv |
| Ali_Jackson_(jazz_drummer) | emerging |
| Ali_Jackson_(jazz_drummer) | artist |
| Ali_Jackson_(jazz_drummer) | award |
| Ali_Jackson_(jazz_drummer) | in |
| Ali_Jackson_(jazz_drummer) | 1998 |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | program |
| Ali_Jackson_(jazz_drummer) | with |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | rich |
| Ali_Jackson_(jazz_drummer) | legacy |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | consistently |
| Ali_Jackson_(jazz_drummer) | producing |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | country |
| Ali_Jackson_(jazz_drummer) | top |
| Ali_Jackson_(jazz_drummer) | musicians |
| Ali_Jackson_(jazz_drummer) | as |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | student |
| Ali_Jackson_(jazz_drummer) | at |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | new |
| Ali_Jackson_(jazz_drummer) | school |
| Ali_Jackson_(jazz_drummer) | university |
| Ali_Jackson_(jazz_drummer) | for |
| Ali_Jackson_(jazz_drummer) | contemporary |
| Ali_Jackson_(jazz_drummer) | music |
| Ali_Jackson_(jazz_drummer) | in |
| Ali_Jackson_(jazz_drummer) | new |
| Ali_Jackson_(jazz_drummer) | york |
| Ali_Jackson_(jazz_drummer) | city |
| Ali_Jackson_(jazz_drummer) | he |
| Ali_Jackson_(jazz_drummer) | was |
| Ali_Jackson_(jazz_drummer) | privileged |
| Ali_Jackson_(jazz_drummer) | to |
| Ali_Jackson_(jazz_drummer) | study |
| Ali_Jackson_(jazz_drummer) | with |
| Ali_Jackson_(jazz_drummer) | max |
| Ali_Jackson_(jazz_drummer) | roach |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | elvin |
| Ali_Jackson_(jazz_drummer) | jones |
| Ali_Jackson_(jazz_drummer) | he |
| Ali_Jackson_(jazz_drummer) | attended |
| Ali_Jackson_(jazz_drummer) | college |
| Ali_Jackson_(jazz_drummer) | on |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | full |
| Ali_Jackson_(jazz_drummer) | academic |
| Ali_Jackson_(jazz_drummer) | scholarship |
| Ali_Jackson_(jazz_drummer) | earning |
| Ali_Jackson_(jazz_drummer) | an |
| Ali_Jackson_(jazz_drummer) | undergraduate |
| Ali_Jackson_(jazz_drummer) | degree |
| Ali_Jackson_(jazz_drummer) | in |
| Ali_Jackson_(jazz_drummer) | music |
| Ali_Jackson_(jazz_drummer) | composition |
| Ali_Jackson_(jazz_drummer) | in |
| Ali_Jackson_(jazz_drummer) | 1994 |
| Ali_Jackson_(jazz_drummer) | ali |
| Ali_Jackson_(jazz_drummer) | was |
| Ali_Jackson_(jazz_drummer) | selected |
| Ali_Jackson_(jazz_drummer) | as |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | guest |
| Ali_Jackson_(jazz_drummer) | soloist |
| Ali_Jackson_(jazz_drummer) | for |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | beacons |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | jazz |
| Ali_Jackson_(jazz_drummer) | program |
| Ali_Jackson_(jazz_drummer) | honoring |
| Ali_Jackson_(jazz_drummer) | legendary |
| Ali_Jackson_(jazz_drummer) | jazz |
| Ali_Jackson_(jazz_drummer) | drummer |
| Ali_Jackson_(jazz_drummer) | max |
| Ali_Jackson_(jazz_drummer) | roach |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | thelonius |
| Ali_Jackson_(jazz_drummer) | monk |
| Ali_Jackson_(jazz_drummer) | institute |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | jazz |
| Ali_Jackson_(jazz_drummer) | aspen |
| Ali_Jackson_(jazz_drummer) | selected |
| Ali_Jackson_(jazz_drummer) | him |
| Ali_Jackson_(jazz_drummer) | to |
| Ali_Jackson_(jazz_drummer) | participate |
| Ali_Jackson_(jazz_drummer) | in |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | first |
| Ali_Jackson_(jazz_drummer) | annual |
| Ali_Jackson_(jazz_drummer) | jazz |
| Ali_Jackson_(jazz_drummer) | aspen |
| Ali_Jackson_(jazz_drummer) | for |
| Ali_Jackson_(jazz_drummer) | gifted |
| Ali_Jackson_(jazz_drummer) | and |
| Ali_Jackson_(jazz_drummer) | talented |
| Ali_Jackson_(jazz_drummer) | musicians |
| Ali_Jackson_(jazz_drummer) | ali |
| Ali_Jackson_(jazz_drummer) | was |
| Ali_Jackson_(jazz_drummer) | also |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | first |
| Ali_Jackson_(jazz_drummer) | recipient |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | state |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | michigan |
| Ali_Jackson_(jazz_drummer) | prestigious |
| Ali_Jackson_(jazz_drummer) | artserv |
| Ali_Jackson_(jazz_drummer) | emerging |
| Ali_Jackson_(jazz_drummer) | artist |
| Ali_Jackson_(jazz_drummer) | award |
| Ali_Jackson_(jazz_drummer) | in |
| Ali_Jackson_(jazz_drummer) | 1998 |
| Ali_Jackson_(jazz_drummer) | jackson |
| Ali_Jackson_(jazz_drummer) | is |
| Ali_Jackson_(jazz_drummer) | from |
| Ali_Jackson_(jazz_drummer) | detroit |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | reviewer |
| Ali_Jackson_(jazz_drummer) | for |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | new |
| Ali_Jackson_(jazz_drummer) | york |
| Ali_Jackson_(jazz_drummer) | times |
| Ali_Jackson_(jazz_drummer) | in |
| Ali_Jackson_(jazz_drummer) | 2009 |
| Ali_Jackson_(jazz_drummer) | wrote |
| Ali_Jackson_(jazz_drummer) | that |
| Ali_Jackson_(jazz_drummer) | jackson |
| Ali_Jackson_(jazz_drummer) | generates |
| Ali_Jackson_(jazz_drummer) | a |
| Ali_Jackson_(jazz_drummer) | subtle |
| Ali_Jackson_(jazz_drummer) | but |
| Ali_Jackson_(jazz_drummer) | irresistible |
| Ali_Jackson_(jazz_drummer) | force |
| Ali_Jackson_(jazz_drummer) | when |
| Ali_Jackson_(jazz_drummer) | he |
| Ali_Jackson_(jazz_drummer) | plays |
| Ali_Jackson_(jazz_drummer) | making |
| Ali_Jackson_(jazz_drummer) | even |
| Ali_Jackson_(jazz_drummer) | the |
| Ali_Jackson_(jazz_drummer) | smallest |
| Ali_Jackson_(jazz_drummer) | gestures |
| Ali_Jackson_(jazz_drummer) | advance |
| Ali_Jackson_(jazz_drummer) | his |
| Ali_Jackson_(jazz_drummer) | agenda |
| Ali_Jackson_(jazz_drummer) | of |
| Ali_Jackson_(jazz_drummer) | locomotion |
| Ali_Jackson_(jazz_drummer) | en |
| Lalo_Schifrin | boris |
| Lalo_Schifrin | claudio |
| Lalo_Schifrin | lalo |
| Lalo_Schifrin | schifrin |
| Lalo_Schifrin | born |
| Lalo_Schifrin | june |
| Lalo_Schifrin | 21 |
| Lalo_Schifrin | 1932 |
| Lalo_Schifrin | is |
| Lalo_Schifrin | an |
| Lalo_Schifrin | argentine |
| Lalo_Schifrin | american |
| Lalo_Schifrin | pianist |
| Lalo_Schifrin | composer |
| Lalo_Schifrin | arranger |
| Lalo_Schifrin | and |
| Lalo_Schifrin | conductor |
| Lalo_Schifrin | he |
| Lalo_Schifrin | is |
| Lalo_Schifrin | best |
| Lalo_Schifrin | known |
| Lalo_Schifrin | for |
| Lalo_Schifrin | his |
| Lalo_Schifrin | large |
| Lalo_Schifrin | body |
| Lalo_Schifrin | of |
| Lalo_Schifrin | film |
| Lalo_Schifrin | and |
| Lalo_Schifrin | tv |
| Lalo_Schifrin | scores |
| Lalo_Schifrin | since |
| Lalo_Schifrin | the |
| Lalo_Schifrin | 1950s |
| Lalo_Schifrin | incorporating |
| Lalo_Schifrin | jazz |
| Lalo_Schifrin | and |
| Lalo_Schifrin | latin |
| Lalo_Schifrin | american |
| Lalo_Schifrin | musical |
| Lalo_Schifrin | elements |
| Lalo_Schifrin | alongside |
| Lalo_Schifrin | traditional |
| Lalo_Schifrin | orchestrations |
| Lalo_Schifrin | he |
| Lalo_Schifrin | is |
| Lalo_Schifrin | a |
| Lalo_Schifrin | five |
| Lalo_Schifrin | time |
| Lalo_Schifrin | grammy |
| Lalo_Schifrin | award |
| Lalo_Schifrin | winner |
| Lalo_Schifrin | and |
| Lalo_Schifrin | has |
| Lalo_Schifrin | been |
| Lalo_Schifrin | nominated |
| Lalo_Schifrin | for |
| Lalo_Schifrin | six |
| Lalo_Schifrin | academy |
| Lalo_Schifrin | awards |
| Lalo_Schifrin | and |
| Lalo_Schifrin | four |
| Lalo_Schifrin | emmy |
| Lalo_Schifrin | awards |
| Lalo_Schifrin | schifrin’s |
| Lalo_Schifrin | best |
| Lalo_Schifrin | known |
| Lalo_Schifrin | compositions |
| Lalo_Schifrin | include |
| Lalo_Schifrin | the |
| Lalo_Schifrin | theme |
| Lalo_Schifrin | from |
| Lalo_Schifrin | mission |
| Lalo_Schifrin | impossible |
| Lalo_Schifrin | and |
| Lalo_Schifrin | the |
| Lalo_Schifrin | scores |
| Lalo_Schifrin | to |
| Lalo_Schifrin | cool |
| Lalo_Schifrin | hand |
| Lalo_Schifrin | luke |
| Lalo_Schifrin | 1967 |
| Lalo_Schifrin | bullitt |
| Lalo_Schifrin | 1968 |
| Lalo_Schifrin | thx |
| Lalo_Schifrin | 1138 |
| Lalo_Schifrin | 1971 |
| Lalo_Schifrin | enter |
| Lalo_Schifrin | the |
| Lalo_Schifrin | dragon |
| Lalo_Schifrin | 1973 |
| Lalo_Schifrin | the |
| Lalo_Schifrin | four |
| Lalo_Schifrin | musketeers |
| Lalo_Schifrin | 1974 |
| Lalo_Schifrin | voyage |
| Lalo_Schifrin | of |
| Lalo_Schifrin | the |
| Lalo_Schifrin | damned |
| Lalo_Schifrin | 1976 |
| Lalo_Schifrin | the |
| Lalo_Schifrin | amityville |
| Lalo_Schifrin | horror |
| Lalo_Schifrin | 1979 |
| Lalo_Schifrin | and |
| Lalo_Schifrin | the |
| Lalo_Schifrin | rush |
| Lalo_Schifrin | hour |
| Lalo_Schifrin | trilogy |
| Lalo_Schifrin | 1998 |
| Lalo_Schifrin | 2007 |
| Lalo_Schifrin | schifrin |
| Lalo_Schifrin | is |
| Lalo_Schifrin | also |
| Lalo_Schifrin | noted |
| Lalo_Schifrin | for |
| Lalo_Schifrin | his |
| Lalo_Schifrin | collaborations |
| Lalo_Schifrin | with |
| Lalo_Schifrin | clint |
| Lalo_Schifrin | eastwood |
| Lalo_Schifrin | from |
| Lalo_Schifrin | the |
| Lalo_Schifrin | late |
| Lalo_Schifrin | 1960s |
| Lalo_Schifrin | to |
| Lalo_Schifrin | the |
| Lalo_Schifrin | 1980s |
| Lalo_Schifrin | particularly |
| Lalo_Schifrin | the |
| Lalo_Schifrin | dirty |
| Lalo_Schifrin | harry |
| Lalo_Schifrin | series |
| Lalo_Schifrin | of |
| Lalo_Schifrin | films |
| Lalo_Schifrin | in |
| Lalo_Schifrin | 2019 |
| Lalo_Schifrin | he |
| Lalo_Schifrin | received |
| Lalo_Schifrin | an |
| Lalo_Schifrin | honorary |
| Lalo_Schifrin | oscar |
| Lalo_Schifrin | in |
| Lalo_Schifrin | recognition |
| Lalo_Schifrin | of |
| Lalo_Schifrin | his |
| Lalo_Schifrin | unique |
| Lalo_Schifrin | musical |
| Lalo_Schifrin | style |
| Lalo_Schifrin | compositional |
| Lalo_Schifrin | integrity |
| Lalo_Schifrin | and |
| Lalo_Schifrin | influential |
| Lalo_Schifrin | contributions |
| Lalo_Schifrin | to |
| Lalo_Schifrin | the |
| Lalo_Schifrin | art |
| Lalo_Schifrin | of |
| Lalo_Schifrin | film |
| Lalo_Schifrin | scoring |
| Lalo_Schifrin | en |
| Joe_Temperley | joe |
| Joe_Temperley | temperley |
| Joe_Temperley | 20 |
| Joe_Temperley | september |
| Joe_Temperley | 1929 |
| Joe_Temperley | 11 |
| Joe_Temperley | may |
| Joe_Temperley | 2016 |
| Joe_Temperley | was |
| Joe_Temperley | a |
| Joe_Temperley | scottish |
| Joe_Temperley | jazz |
| Joe_Temperley | saxophonist |
| Joe_Temperley | he |
| Joe_Temperley | performed |
| Joe_Temperley | with |
| Joe_Temperley | various |
| Joe_Temperley | instruments |
| Joe_Temperley | but |
| Joe_Temperley | was |
| Joe_Temperley | most |
| Joe_Temperley | associated |
| Joe_Temperley | with |
| Joe_Temperley | the |
| Joe_Temperley | baritone |
| Joe_Temperley | saxophone |
| Joe_Temperley | soprano |
| Joe_Temperley | saxophone |
| Joe_Temperley | and |
| Joe_Temperley | bass |
| Joe_Temperley | clarinet |
| Joe_Temperley | en |
| Mark_Turner_(musician) | mark |
| Mark_Turner_(musician) | turner |
| Mark_Turner_(musician) | born |
| Mark_Turner_(musician) | november |
| Mark_Turner_(musician) | 10 |
| Mark_Turner_(musician) | 1965 |
| Mark_Turner_(musician) | is |
| Mark_Turner_(musician) | an |
| Mark_Turner_(musician) | american |
| Mark_Turner_(musician) | jazz |
| Mark_Turner_(musician) | saxophonist |
| Mark_Turner_(musician) | en |
| Sherrie_Maricle | sharon |
| Sherrie_Maricle | lee |
| Sherrie_Maricle | sherrie |
| Sherrie_Maricle | maricle |
| Sherrie_Maricle | born |
| Sherrie_Maricle | september |
| Sherrie_Maricle | 2 |
| Sherrie_Maricle | 1963 |
| Sherrie_Maricle | buffalo |
| Sherrie_Maricle | new |
| Sherrie_Maricle | york |
| Sherrie_Maricle | is |
| Sherrie_Maricle | an |
| Sherrie_Maricle | american |
| Sherrie_Maricle | jazz |
| Sherrie_Maricle | drummer |
| Sherrie_Maricle | maricle’s |
| Sherrie_Maricle | musical |
| Sherrie_Maricle | education |
| Sherrie_Maricle | began |
| Sherrie_Maricle | in |
| Sherrie_Maricle | the |
| Sherrie_Maricle | fourth |
| Sherrie_Maricle | grade |
| Sherrie_Maricle | when |
| Sherrie_Maricle | she |
| Sherrie_Maricle | started |
| Sherrie_Maricle | with |
| Sherrie_Maricle | the |
| Sherrie_Maricle | clarinet |
| Sherrie_Maricle | after |
| Sherrie_Maricle | being |
| Sherrie_Maricle | told |
| Sherrie_Maricle | that |
| Sherrie_Maricle | the |
| Sherrie_Maricle | trumpet |
| Sherrie_Maricle | was |
| Sherrie_Maricle | off |
| Sherrie_Maricle | limits |
| Sherrie_Maricle | to |
| Sherrie_Maricle | girls |
| Sherrie_Maricle | she |
| Sherrie_Maricle | moved |
| Sherrie_Maricle | on |
| Sherrie_Maricle | to |
| Sherrie_Maricle | the |
| Sherrie_Maricle | cello |
| Sherrie_Maricle | and |
| Sherrie_Maricle | settled |
| Sherrie_Maricle | on |
| Sherrie_Maricle | the |
| Sherrie_Maricle | drums |
| Sherrie_Maricle | in |
| Sherrie_Maricle | the |
| Sherrie_Maricle | sixth |
| Sherrie_Maricle | grade |
| Sherrie_Maricle | after |
| Sherrie_Maricle | seeing |
| Sherrie_Maricle | buddy |
| Sherrie_Maricle | rich |
| Sherrie_Maricle | play |
| Sherrie_Maricle | maricle |
| Sherrie_Maricle | began |
| Sherrie_Maricle | playing |
| Sherrie_Maricle | professionally |
| Sherrie_Maricle | performing |
| Sherrie_Maricle | locally |
| Sherrie_Maricle | with |
| Sherrie_Maricle | slam |
| Sherrie_Maricle | stewart |
| Sherrie_Maricle | while |
| Sherrie_Maricle | studying |
| Sherrie_Maricle | music |
| Sherrie_Maricle | ba |
| Sherrie_Maricle | 1985 |
| Sherrie_Maricle | at |
| Sherrie_Maricle | suny |
| Sherrie_Maricle | binghamton |
| Sherrie_Maricle | she |
| Sherrie_Maricle | then |
| Sherrie_Maricle | moved |
| Sherrie_Maricle | to |
| Sherrie_Maricle | new |
| Sherrie_Maricle | york |
| Sherrie_Maricle | city |
| Sherrie_Maricle | and |
| Sherrie_Maricle | attended |
| Sherrie_Maricle | new |
| Sherrie_Maricle | york |
| Sherrie_Maricle | university |
| Sherrie_Maricle | where |
| Sherrie_Maricle | she |
| Sherrie_Maricle | completed |
| Sherrie_Maricle | a |
| Sherrie_Maricle | master’s |
| Sherrie_Maricle | of |
| Sherrie_Maricle | arts |
| Sherrie_Maricle | in |
| Sherrie_Maricle | jazz |
| Sherrie_Maricle | performance |
| Sherrie_Maricle | in |
| Sherrie_Maricle | 1986 |
| Sherrie_Maricle | and |
| Sherrie_Maricle | a |
| Sherrie_Maricle | doctorate |
| Sherrie_Maricle | of |
| Sherrie_Maricle | philosophy |
| Sherrie_Maricle | in |
| Sherrie_Maricle | jazz |
| Sherrie_Maricle | performance |
| Sherrie_Maricle | composition |
| Sherrie_Maricle | in |
| Sherrie_Maricle | 2000 |
| Sherrie_Maricle | in |
| Sherrie_Maricle | the |
| Sherrie_Maricle | late |
| Sherrie_Maricle | 1980s |
| Sherrie_Maricle | she |
| Sherrie_Maricle | was |
| Sherrie_Maricle | appointed |
| Sherrie_Maricle | director |
| Sherrie_Maricle | of |
| Sherrie_Maricle | percussion |
| Sherrie_Maricle | studies |
| Sherrie_Maricle | at |
| Sherrie_Maricle | nyu |
| Sherrie_Maricle | maricle |
| Sherrie_Maricle | directed |
| Sherrie_Maricle | saturday |
| Sherrie_Maricle | jam |
| Sherrie_Maricle | sessions |
| Sherrie_Maricle | at |
| Sherrie_Maricle | the |
| Sherrie_Maricle | village |
| Sherrie_Maricle | gate |
| Sherrie_Maricle | from |
| Sherrie_Maricle | 1987 |
| Sherrie_Maricle | until |
| Sherrie_Maricle | the |
| Sherrie_Maricle | venue |
| Sherrie_Maricle | closed |
| Sherrie_Maricle | in |
| Sherrie_Maricle | 1993 |
| Sherrie_Maricle | beginning |
| Sherrie_Maricle | in |
| Sherrie_Maricle | 1987 |
| Sherrie_Maricle | she |
| Sherrie_Maricle | also |
| Sherrie_Maricle | began |
| Sherrie_Maricle | collaborating |
| Sherrie_Maricle | and |
| Sherrie_Maricle | leading |
| Sherrie_Maricle | small |
| Sherrie_Maricle | groups |
| Sherrie_Maricle | with |
| Sherrie_Maricle | peter |
| Sherrie_Maricle | appleyard |
| Sherrie_Maricle | in |
| Sherrie_Maricle | the |
| Sherrie_Maricle | 1990s |
| Sherrie_Maricle | she |
| Sherrie_Maricle | performed |
| Sherrie_Maricle | with |
| Sherrie_Maricle | the |
| Sherrie_Maricle | new |
| Sherrie_Maricle | york |
| Sherrie_Maricle | pops |
| Sherrie_Maricle | clark |
| Sherrie_Maricle | terry |
| Sherrie_Maricle | and |
| Sherrie_Maricle | al |
| Sherrie_Maricle | grey |
| Sherrie_Maricle | and |
| Sherrie_Maricle | began |
| Sherrie_Maricle | working |
| Sherrie_Maricle | with |
| Sherrie_Maricle | the |
| Sherrie_Maricle | group |
| Sherrie_Maricle | diva |
| Sherrie_Maricle | maricle |
| Sherrie_Maricle | currently |
| Sherrie_Maricle | leads |
| Sherrie_Maricle | the |
| Sherrie_Maricle | diva |
| Sherrie_Maricle | jazz |
| Sherrie_Maricle | orchestra |
| Sherrie_Maricle | the |
| Sherrie_Maricle | diva |
| Sherrie_Maricle | jazz |
| Sherrie_Maricle | trio |
| Sherrie_Maricle | and |
| Sherrie_Maricle | the |
| Sherrie_Maricle | quintet |
| Sherrie_Maricle | five |
| Sherrie_Maricle | play |
| Sherrie_Maricle | she |
| Sherrie_Maricle | teaches |
| Sherrie_Maricle | on |
| Sherrie_Maricle | the |
| Sherrie_Maricle | jazz |
| Sherrie_Maricle | faculty |
| Sherrie_Maricle | of |
| Sherrie_Maricle | the |
| Sherrie_Maricle | new |
| Sherrie_Maricle | york |
| Sherrie_Maricle | state |
| Sherrie_Maricle | summer |
| Sherrie_Maricle | music |
| Sherrie_Maricle | festival |
| Sherrie_Maricle | as |
| Sherrie_Maricle | well |
| Sherrie_Maricle | as |
| Sherrie_Maricle | running |
| Sherrie_Maricle | her |
| Sherrie_Maricle | own |
| Sherrie_Maricle | private |
| Sherrie_Maricle | drum |
| Sherrie_Maricle | and |
| Sherrie_Maricle | percussion |
| Sherrie_Maricle | studio |
| Sherrie_Maricle | in |
| Sherrie_Maricle | 2009 |
| Sherrie_Maricle | she |
| Sherrie_Maricle | received |
| Sherrie_Maricle | the |
| Sherrie_Maricle | lifetime |
| Sherrie_Maricle | achievement |
| Sherrie_Maricle | award |
| Sherrie_Maricle | at |
| Sherrie_Maricle | the |
| Sherrie_Maricle | mary |
| Sherrie_Maricle | lou |
| Sherrie_Maricle | williams |
| Sherrie_Maricle | women |
| Sherrie_Maricle | in |
| Sherrie_Maricle | jazz |
| Sherrie_Maricle | festival |
| Sherrie_Maricle | en |
| Sullivan_Fortner | sullivan |
| Sullivan_Fortner | joseph |
| Sullivan_Fortner | fortner |
| Sullivan_Fortner | born |
| Sullivan_Fortner | december |
| Sullivan_Fortner | 29 |
| Sullivan_Fortner | 1986 |
| Sullivan_Fortner | is |
| Sullivan_Fortner | an |
| Sullivan_Fortner | american |
| Sullivan_Fortner | jazz |
| Sullivan_Fortner | pianist |
| Sullivan_Fortner | he |
| Sullivan_Fortner | was |
| Sullivan_Fortner | the |
| Sullivan_Fortner | regular |
| Sullivan_Fortner | pianist |
| Sullivan_Fortner | in |
| Sullivan_Fortner | trumpeter |
| Sullivan_Fortner | roy |
| Sullivan_Fortner | hargrove’s |
| Sullivan_Fortner | band |
| Sullivan_Fortner | from |
| Sullivan_Fortner | 2010 |
| Sullivan_Fortner | to |
| Sullivan_Fortner | 2017 |
| Sullivan_Fortner | and |
| Sullivan_Fortner | has |
| Sullivan_Fortner | released |
| Sullivan_Fortner | two |
| Sullivan_Fortner | albums |
| Sullivan_Fortner | on |
| Sullivan_Fortner | impulse |
| Sullivan_Fortner | records |
| Sullivan_Fortner | en |
| Yacub_Addy | yacub |
| Yacub_Addy | addy |
| Yacub_Addy | april |
| Yacub_Addy | 15 |
| Yacub_Addy | 1931 |
| Yacub_Addy | december |
| Yacub_Addy | 18 |
| Yacub_Addy | 2014 |
| Yacub_Addy | was |
| Yacub_Addy | a |
| Yacub_Addy | ghanaian |
| Yacub_Addy | traditional |
| Yacub_Addy | drummer |
| Yacub_Addy | composer |
| Yacub_Addy | choreographer |
| Yacub_Addy | and |
| Yacub_Addy | educator |
| Yacub_Addy | who |
| Yacub_Addy | collaborated |
| Yacub_Addy | with |
| Yacub_Addy | many |
| Yacub_Addy | musicians |
| Yacub_Addy | in |
| Yacub_Addy | various |
| Yacub_Addy | genres |
| Yacub_Addy | including |
| Yacub_Addy | wynton |
| Yacub_Addy | marsalis |
| Yacub_Addy | he |
| Yacub_Addy | has |
| Yacub_Addy | been |
| Yacub_Addy | referred |
| Yacub_Addy | to |
| Yacub_Addy | as |
| Yacub_Addy | the |
| Yacub_Addy | leading |
| Yacub_Addy | ambassador |
| Yacub_Addy | of |
| Yacub_Addy | ghanaian |
| Yacub_Addy | music |
| Yacub_Addy | and |
| Yacub_Addy | culture |
| Yacub_Addy | starting |
| Yacub_Addy | in |
| Yacub_Addy | 1995 |
| Yacub_Addy | addy |
| Yacub_Addy | taught |
| Yacub_Addy | percussion |
| Yacub_Addy | and |
| Yacub_Addy | west |
| Yacub_Addy | african |
| Yacub_Addy | drumming |
| Yacub_Addy | at |
| Yacub_Addy | skidmore |
| Yacub_Addy | college |
| Yacub_Addy | in |
| Yacub_Addy | saratoga |
| Yacub_Addy | springs |
| Yacub_Addy | new |
| Yacub_Addy | york |
| Yacub_Addy | he |
| Yacub_Addy | also |
| Yacub_Addy | taught |
| Yacub_Addy | at |
| Yacub_Addy | rensselaer |
| Yacub_Addy | polytechnic |
| Yacub_Addy | institute |
| Yacub_Addy | in |
| Yacub_Addy | troy |
| Yacub_Addy | new |
| Yacub_Addy | york |
| Yacub_Addy | he |
| Yacub_Addy | was |
| Yacub_Addy | a |
| Yacub_Addy | recipient |
| Yacub_Addy | of |
| Yacub_Addy | a |
| Yacub_Addy | 2010 |
| Yacub_Addy | national |
| Yacub_Addy | heritage |
| Yacub_Addy | fellowship |
| Yacub_Addy | awarded |
| Yacub_Addy | by |
| Yacub_Addy | the |
| Yacub_Addy | national |
| Yacub_Addy | endowment |
| Yacub_Addy | for |
| Yacub_Addy | the |
| Yacub_Addy | arts |
| Yacub_Addy | which |
| Yacub_Addy | is |
| Yacub_Addy | the |
| Yacub_Addy | united |
| Yacub_Addy | states |
| Yacub_Addy | government’s |
| Yacub_Addy | highest |
| Yacub_Addy | honor |
| Yacub_Addy | in |
| Yacub_Addy | the |
| Yacub_Addy | folk |
| Yacub_Addy | and |
| Yacub_Addy | traditional |
| Yacub_Addy | arts |
| Yacub_Addy | en |
| Charles_Lloyd_(jazz_musician) | charles |
| Charles_Lloyd_(jazz_musician) | lloyd |
| Charles_Lloyd_(jazz_musician) | born |
| Charles_Lloyd_(jazz_musician) | march |
| Charles_Lloyd_(jazz_musician) | 15 |
| Charles_Lloyd_(jazz_musician) | 1938 |
| Charles_Lloyd_(jazz_musician) | is |
| Charles_Lloyd_(jazz_musician) | an |
| Charles_Lloyd_(jazz_musician) | american |
| Charles_Lloyd_(jazz_musician) | jazz |
| Charles_Lloyd_(jazz_musician) | musician |
| Charles_Lloyd_(jazz_musician) | though |
| Charles_Lloyd_(jazz_musician) | he |
| Charles_Lloyd_(jazz_musician) | primarily |
| Charles_Lloyd_(jazz_musician) | plays |
| Charles_Lloyd_(jazz_musician) | tenor |
| Charles_Lloyd_(jazz_musician) | saxophone |
| Charles_Lloyd_(jazz_musician) | and |
| Charles_Lloyd_(jazz_musician) | flute |
| Charles_Lloyd_(jazz_musician) | he |
| Charles_Lloyd_(jazz_musician) | has |
| Charles_Lloyd_(jazz_musician) | occasionally |
| Charles_Lloyd_(jazz_musician) | recorded |
| Charles_Lloyd_(jazz_musician) | on |
| Charles_Lloyd_(jazz_musician) | other |
| Charles_Lloyd_(jazz_musician) | reed |
| Charles_Lloyd_(jazz_musician) | instruments |
| Charles_Lloyd_(jazz_musician) | including |
| Charles_Lloyd_(jazz_musician) | alto |
| Charles_Lloyd_(jazz_musician) | saxophone |
| Charles_Lloyd_(jazz_musician) | and |
| Charles_Lloyd_(jazz_musician) | the |
| Charles_Lloyd_(jazz_musician) | hungarian |
| Charles_Lloyd_(jazz_musician) | t |
| Charles_Lloyd_(jazz_musician) | 獺 |
| Charles_Lloyd_(jazz_musician) | rogat |
| Charles_Lloyd_(jazz_musician) | 籀 |
| Charles_Lloyd_(jazz_musician) | lloyd’s |
| Charles_Lloyd_(jazz_musician) | primary |
| Charles_Lloyd_(jazz_musician) | band |
| Charles_Lloyd_(jazz_musician) | since |
| Charles_Lloyd_(jazz_musician) | 2007 |
| Charles_Lloyd_(jazz_musician) | has |
| Charles_Lloyd_(jazz_musician) | been |
| Charles_Lloyd_(jazz_musician) | a |
| Charles_Lloyd_(jazz_musician) | quartet |
| Charles_Lloyd_(jazz_musician) | including |
| Charles_Lloyd_(jazz_musician) | pianist |
| Charles_Lloyd_(jazz_musician) | jason |
| Charles_Lloyd_(jazz_musician) | moran |
| Charles_Lloyd_(jazz_musician) | acoustic |
| Charles_Lloyd_(jazz_musician) | bassist |
| Charles_Lloyd_(jazz_musician) | reuben |
| Charles_Lloyd_(jazz_musician) | rogers |
| Charles_Lloyd_(jazz_musician) | and |
| Charles_Lloyd_(jazz_musician) | drummer |
| Charles_Lloyd_(jazz_musician) | eric |
| Charles_Lloyd_(jazz_musician) | harland |
| Charles_Lloyd_(jazz_musician) | en |
| Chalmers_Alford | chalmers |
| Chalmers_Alford | edward |
| Chalmers_Alford | spanky |
| Chalmers_Alford | alford |
| Chalmers_Alford | may |
| Chalmers_Alford | 22 |
| Chalmers_Alford | 1955 |
| Chalmers_Alford | march |
| Chalmers_Alford | 24 |
| Chalmers_Alford | 2008 |
| Chalmers_Alford | was |
| Chalmers_Alford | an |
| Chalmers_Alford | american |
| Chalmers_Alford | jazz |
| Chalmers_Alford | guitarist |
| Chalmers_Alford | alford |
| Chalmers_Alford | was |
| Chalmers_Alford | born |
| Chalmers_Alford | in |
| Chalmers_Alford | philadelphia |
| Chalmers_Alford | he |
| Chalmers_Alford | was |
| Chalmers_Alford | well |
| Chalmers_Alford | known |
| Chalmers_Alford | for |
| Chalmers_Alford | his |
| Chalmers_Alford | playing |
| Chalmers_Alford | style |
| Chalmers_Alford | and |
| Chalmers_Alford | use |
| Chalmers_Alford | of |
| Chalmers_Alford | arpeggiations |
| Chalmers_Alford | he |
| Chalmers_Alford | had |
| Chalmers_Alford | an |
| Chalmers_Alford | illustrious |
| Chalmers_Alford | career |
| Chalmers_Alford | as |
| Chalmers_Alford | a |
| Chalmers_Alford | gospel |
| Chalmers_Alford | quartet |
| Chalmers_Alford | guitar |
| Chalmers_Alford | player |
| Chalmers_Alford | in |
| Chalmers_Alford | the |
| Chalmers_Alford | 1960s |
| Chalmers_Alford | 1970s |
| Chalmers_Alford | and |
| Chalmers_Alford | 1980s |
| Chalmers_Alford | with |
| Chalmers_Alford | groups |
| Chalmers_Alford | such |
| Chalmers_Alford | as |
| Chalmers_Alford | the |
| Chalmers_Alford | mighty |
| Chalmers_Alford | clouds |
| Chalmers_Alford | of |
| Chalmers_Alford | joy |
| Chalmers_Alford | later |
| Chalmers_Alford | in |
| Chalmers_Alford | life |
| Chalmers_Alford | he |
| Chalmers_Alford | found |
| Chalmers_Alford | a |
| Chalmers_Alford | new |
| Chalmers_Alford | career |
| Chalmers_Alford | in |
| Chalmers_Alford | the |
| Chalmers_Alford | neo |
| Chalmers_Alford | soul |
| Chalmers_Alford | movement |
| Chalmers_Alford | of |
| Chalmers_Alford | the |
| Chalmers_Alford | 1990s |
| Chalmers_Alford | and |
| Chalmers_Alford | 2000s |
| Chalmers_Alford | most |
| Chalmers_Alford | notably |
| Chalmers_Alford | contributing |
| Chalmers_Alford | to |
| Chalmers_Alford | the |
| Chalmers_Alford | sounds |
| Chalmers_Alford | of |
| Chalmers_Alford | d’angelo |
| Chalmers_Alford | and |
| Chalmers_Alford | tony |
| Chalmers_Alford | toni |
| Chalmers_Alford | ton |
| Chalmers_Alford | 矇 |
| Chalmers_Alford | alford |
| Chalmers_Alford | played |
| Chalmers_Alford | guitar |
| Chalmers_Alford | as |
| Chalmers_Alford | part |
| Chalmers_Alford | of |
| Chalmers_Alford | the |
| Chalmers_Alford | soultronics |
| Chalmers_Alford | d’angelo’s |
| Chalmers_Alford | band |
| Chalmers_Alford | for |
| Chalmers_Alford | his |
| Chalmers_Alford | 2000 |
| Chalmers_Alford | voodoo |
| Chalmers_Alford | tour |
| Chalmers_Alford | alongside |
| Chalmers_Alford | questlove |
| Chalmers_Alford | james |
| Chalmers_Alford | poyser |
| Chalmers_Alford | pino |
| Chalmers_Alford | palladino |
| Chalmers_Alford | and |
| Chalmers_Alford | anthony |
| Chalmers_Alford | hamilton |
| Chalmers_Alford | he |
| Chalmers_Alford | was |
| Chalmers_Alford | a |
| Chalmers_Alford | teacher |
| Chalmers_Alford | and |
| Chalmers_Alford | was |
| Chalmers_Alford | credited |
| Chalmers_Alford | with |
| Chalmers_Alford | teaching |
| Chalmers_Alford | raphael |
| Chalmers_Alford | saadiq |
| Chalmers_Alford | among |
| Chalmers_Alford | others |
| Chalmers_Alford | to |
| Chalmers_Alford | play |
| Chalmers_Alford | guitar |
| Chalmers_Alford | he |
| Chalmers_Alford | played |
| Chalmers_Alford | on |
| Chalmers_Alford | several |
| Chalmers_Alford | albums |
| Chalmers_Alford | with |
| Chalmers_Alford | artists |
| Chalmers_Alford | such |
| Chalmers_Alford | as |
| Chalmers_Alford | joss |
| Chalmers_Alford | stone |
| Chalmers_Alford | john |
| Chalmers_Alford | mayer |
| Chalmers_Alford | mary |
| Chalmers_Alford | j |
| Chalmers_Alford | blige |
| Chalmers_Alford | raphael |
| Chalmers_Alford | saadiq |
| Chalmers_Alford | d’angelo |
| Chalmers_Alford | and |
| Chalmers_Alford | roy |
| Chalmers_Alford | hargrove |
| Chalmers_Alford | though |
| Chalmers_Alford | he |
| Chalmers_Alford | retired |
| Chalmers_Alford | from |
| Chalmers_Alford | touring |
| Chalmers_Alford | years |
| Chalmers_Alford | prior |
| Chalmers_Alford | alford |
| Chalmers_Alford | made |
| Chalmers_Alford | a |
| Chalmers_Alford | rare |
| Chalmers_Alford | public |
| Chalmers_Alford | appearance |
| Chalmers_Alford | performing |
| Chalmers_Alford | with |
| Chalmers_Alford | the |
| Chalmers_Alford | john |
| Chalmers_Alford | mayer |
| Chalmers_Alford | trio |
| Chalmers_Alford | as |
| Chalmers_Alford | a |
| Chalmers_Alford | surprise |
| Chalmers_Alford | guest |
| Chalmers_Alford | on |
| Chalmers_Alford | september |
| Chalmers_Alford | 26 |
| Chalmers_Alford | 2005 |
| Chalmers_Alford | during |
| Chalmers_Alford | their |
| Chalmers_Alford | stop |
| Chalmers_Alford | in |
| Chalmers_Alford | nashville |
| Chalmers_Alford | tennessee |
| Chalmers_Alford | it |
| Chalmers_Alford | is |
| Chalmers_Alford | his |
| Chalmers_Alford | last |
| Chalmers_Alford | known |
| Chalmers_Alford | public |
| Chalmers_Alford | performance |
| Chalmers_Alford | audio |
| Chalmers_Alford | from |
| Chalmers_Alford | the |
| Chalmers_Alford | show |
| Chalmers_Alford | eventually |
| Chalmers_Alford | ended |
| Chalmers_Alford | up |
| Chalmers_Alford | on |
| Chalmers_Alford | the |
| Chalmers_Alford | trio’s |
| Chalmers_Alford | only |
| Chalmers_Alford | official |
| Chalmers_Alford | release |
| Chalmers_Alford | a |
| Chalmers_Alford | compilation |
| Chalmers_Alford | of |
| Chalmers_Alford | performances |
| Chalmers_Alford | from |
| Chalmers_Alford | the |
| Chalmers_Alford | tour |
| Chalmers_Alford | called |
| Chalmers_Alford | try |
| Chalmers_Alford | appearing |
| Chalmers_Alford | on |
| Chalmers_Alford | the |
| Chalmers_Alford | title |
| Chalmers_Alford | track |
| Chalmers_Alford | at |
| Chalmers_Alford | the |
| Chalmers_Alford | end |
| Chalmers_Alford | of |
| Chalmers_Alford | the |
| Chalmers_Alford | album |
| Chalmers_Alford | alford |
| Chalmers_Alford | died |
| Chalmers_Alford | in |
| Chalmers_Alford | march |
| Chalmers_Alford | 2008 |
| Chalmers_Alford | at |
| Chalmers_Alford | the |
| Chalmers_Alford | age |
| Chalmers_Alford | of |
| Chalmers_Alford | 52 |
| Chalmers_Alford | in |
| Chalmers_Alford | huntsville |
| Chalmers_Alford | alabama |
| Chalmers_Alford | due |
| Chalmers_Alford | to |
| Chalmers_Alford | complications |
| Chalmers_Alford | from |
| Chalmers_Alford | diabetes |
| Chalmers_Alford | en |
| Thomas_Clausen_(musician) | thomas |
| Thomas_Clausen_(musician) | clausen |
| Thomas_Clausen_(musician) | born |
| Thomas_Clausen_(musician) | 5 |
| Thomas_Clausen_(musician) | october |
| Thomas_Clausen_(musician) | 1949 |
| Thomas_Clausen_(musician) | is |
| Thomas_Clausen_(musician) | a |
| Thomas_Clausen_(musician) | danish |
| Thomas_Clausen_(musician) | jazz |
| Thomas_Clausen_(musician) | pianist |
| Thomas_Clausen_(musician) | and |
| Thomas_Clausen_(musician) | composer |
| Thomas_Clausen_(musician) | en |
| The_Soultronics | the |
| The_Soultronics | soultronics |
| The_Soultronics | was |
| The_Soultronics | an |
| The_Soultronics | r |
| The_Soultronics | b |
| The_Soultronics | and |
| The_Soultronics | neo |
| The_Soultronics | soul |
| The_Soultronics | supergroup |
| The_Soultronics | formed |
| The_Soultronics | in |
| The_Soultronics | 2000 |
| The_Soultronics | which |
| The_Soultronics | served |
| The_Soultronics | as |
| The_Soultronics | the |
| The_Soultronics | backing |
| The_Soultronics | band |
| The_Soultronics | for |
| The_Soultronics | musician |
| The_Soultronics | d’angelo |
| The_Soultronics | in |
| The_Soultronics | 2000 |
| The_Soultronics | during |
| The_Soultronics | the |
| The_Soultronics | voodoo |
| The_Soultronics | tour |
| The_Soultronics | the |
| The_Soultronics | supporting |
| The_Soultronics | tour |
| The_Soultronics | for |
| The_Soultronics | his |
| The_Soultronics | second |
| The_Soultronics | studio |
| The_Soultronics | album |
| The_Soultronics | voodoo |
| The_Soultronics | several |
| The_Soultronics | members |
| The_Soultronics | of |
| The_Soultronics | the |
| The_Soultronics | group |
| The_Soultronics | including |
| The_Soultronics | drummer |
| The_Soultronics | questlove |
| The_Soultronics | of |
| The_Soultronics | hip |
| The_Soultronics | hop |
| The_Soultronics | group |
| The_Soultronics | the |
| The_Soultronics | roots |
| The_Soultronics | keyboardist |
| The_Soultronics | james |
| The_Soultronics | poyser |
| The_Soultronics | trumpeter |
| The_Soultronics | roy |
| The_Soultronics | hargrove |
| The_Soultronics | and |
| The_Soultronics | welsh |
| The_Soultronics | bassist |
| The_Soultronics | pino |
| The_Soultronics | palladino |
| The_Soultronics | had |
| The_Soultronics | previously |
| The_Soultronics | contributed |
| The_Soultronics | to |
| The_Soultronics | d’angelo’s |
| The_Soultronics | voodoo |
| The_Soultronics | and |
| The_Soultronics | are |
| The_Soultronics | also |
| The_Soultronics | associated |
| The_Soultronics | with |
| The_Soultronics | the |
| The_Soultronics | soulquarians |
| The_Soultronics | musical |
| The_Soultronics | collective |
| The_Soultronics | along |
| The_Soultronics | with |
| The_Soultronics | performing |
| The_Soultronics | during |
| The_Soultronics | the |
| The_Soultronics | tour |
| The_Soultronics | the |
| The_Soultronics | soultronics |
| The_Soultronics | contributed |
| The_Soultronics | to |
| The_Soultronics | red |
| The_Soultronics | hot |
| The_Soultronics | riot |
| The_Soultronics | the |
| The_Soultronics | music |
| The_Soultronics | and |
| The_Soultronics | spirit |
| The_Soultronics | of |
| The_Soultronics | fela |
| The_Soultronics | kuti |
| The_Soultronics | 2002 |
| The_Soultronics | a |
| The_Soultronics | charity |
| The_Soultronics | release |
| The_Soultronics | inspired |
| The_Soultronics | by |
| The_Soultronics | the |
| The_Soultronics | music |
| The_Soultronics | of |
| The_Soultronics | afrobeat |
| The_Soultronics | artist |
| The_Soultronics | fela |
| The_Soultronics | kuti |
| The_Soultronics | en |
| Toots_Thielemans | jean |
| Toots_Thielemans | baptiste |
| Toots_Thielemans | fr |
| Toots_Thielemans | 矇 |
| Toots_Thielemans | d |
| Toots_Thielemans | 矇 |
| Toots_Thielemans | ric |
| Toots_Thielemans | isidor |
| Toots_Thielemans | baron |
| Toots_Thielemans | thielemans |
| Toots_Thielemans | 29 |
| Toots_Thielemans | april |
| Toots_Thielemans | 1922 |
| Toots_Thielemans | 22 |
| Toots_Thielemans | august |
| Toots_Thielemans | 2016 |
| Toots_Thielemans | known |
| Toots_Thielemans | professionally |
| Toots_Thielemans | as |
| Toots_Thielemans | toots |
| Toots_Thielemans | thielemans |
| Toots_Thielemans | was |
| Toots_Thielemans | a |
| Toots_Thielemans | belgian |
| Toots_Thielemans | jazz |
| Toots_Thielemans | musician |
| Toots_Thielemans | he |
| Toots_Thielemans | was |
| Toots_Thielemans | mostly |
| Toots_Thielemans | known |
| Toots_Thielemans | for |
| Toots_Thielemans | his |
| Toots_Thielemans | chromatic |
| Toots_Thielemans | harmonica |
| Toots_Thielemans | playing |
| Toots_Thielemans | as |
| Toots_Thielemans | well |
| Toots_Thielemans | as |
| Toots_Thielemans | his |
| Toots_Thielemans | guitar |
| Toots_Thielemans | whistling |
| Toots_Thielemans | skills |
| Toots_Thielemans | and |
| Toots_Thielemans | composing |
| Toots_Thielemans | according |
| Toots_Thielemans | to |
| Toots_Thielemans | jazz |
| Toots_Thielemans | historian |
| Toots_Thielemans | ted |
| Toots_Thielemans | gioia |
| Toots_Thielemans | his |
| Toots_Thielemans | most |
| Toots_Thielemans | important |
| Toots_Thielemans | contribution |
| Toots_Thielemans | was |
| Toots_Thielemans | in |
| Toots_Thielemans | championing |
| Toots_Thielemans | the |
| Toots_Thielemans | humble |
| Toots_Thielemans | harmonica |
| Toots_Thielemans | which |
| Toots_Thielemans | thielemans |
| Toots_Thielemans | made |
| Toots_Thielemans | into |
| Toots_Thielemans | a |
| Toots_Thielemans | legitimate |
| Toots_Thielemans | voice |
| Toots_Thielemans | in |
| Toots_Thielemans | jazz |
| Toots_Thielemans | he |
| Toots_Thielemans | eventually |
| Toots_Thielemans | became |
| Toots_Thielemans | the |
| Toots_Thielemans | preeminent |
| Toots_Thielemans | jazz |
| Toots_Thielemans | harmonica |
| Toots_Thielemans | player |
| Toots_Thielemans | his |
| Toots_Thielemans | first |
| Toots_Thielemans | professional |
| Toots_Thielemans | performances |
| Toots_Thielemans | were |
| Toots_Thielemans | with |
| Toots_Thielemans | benny |
| Toots_Thielemans | goodman’s |
| Toots_Thielemans | band |
| Toots_Thielemans | when |
| Toots_Thielemans | they |
| Toots_Thielemans | toured |
| Toots_Thielemans | europe |
| Toots_Thielemans | in |
| Toots_Thielemans | 1949 |
| Toots_Thielemans | and |
| Toots_Thielemans | 1950 |
| Toots_Thielemans | he |
| Toots_Thielemans | emigrated |
| Toots_Thielemans | to |
| Toots_Thielemans | the |
| Toots_Thielemans | u.s |
| Toots_Thielemans | in |
| Toots_Thielemans | 1951 |
| Toots_Thielemans | becoming |
| Toots_Thielemans | a |
| Toots_Thielemans | citizen |
| Toots_Thielemans | in |
| Toots_Thielemans | 1957 |
| Toots_Thielemans | from |
| Toots_Thielemans | 1953 |
| Toots_Thielemans | to |
| Toots_Thielemans | 1959 |
| Toots_Thielemans | he |
| Toots_Thielemans | played |
| Toots_Thielemans | with |
| Toots_Thielemans | george |
| Toots_Thielemans | shearing |
| Toots_Thielemans | and |
| Toots_Thielemans | then |
| Toots_Thielemans | led |
| Toots_Thielemans | his |
| Toots_Thielemans | own |
| Toots_Thielemans | groups |
| Toots_Thielemans | on |
| Toots_Thielemans | tours |
| Toots_Thielemans | in |
| Toots_Thielemans | the |
| Toots_Thielemans | u.s |
| Toots_Thielemans | and |
| Toots_Thielemans | europe |
| Toots_Thielemans | in |
| Toots_Thielemans | 1961 |
| Toots_Thielemans | he |
| Toots_Thielemans | recorded |
| Toots_Thielemans | and |
| Toots_Thielemans | performed |
| Toots_Thielemans | live |
| Toots_Thielemans | one |
| Toots_Thielemans | of |
| Toots_Thielemans | his |
| Toots_Thielemans | own |
| Toots_Thielemans | compositions |
| Toots_Thielemans | bluesette |
| Toots_Thielemans | which |
| Toots_Thielemans | featured |
| Toots_Thielemans | him |
| Toots_Thielemans | playing |
| Toots_Thielemans | guitar |
| Toots_Thielemans | and |
| Toots_Thielemans | whistling |
| Toots_Thielemans | in |
| Toots_Thielemans | the |
| Toots_Thielemans | 1970s |
| Toots_Thielemans | and |
| Toots_Thielemans | 1980s |
| Toots_Thielemans | he |
| Toots_Thielemans | continued |
| Toots_Thielemans | touring |
| Toots_Thielemans | and |
| Toots_Thielemans | recording |
| Toots_Thielemans | appearing |
| Toots_Thielemans | with |
| Toots_Thielemans | musicians |
| Toots_Thielemans | such |
| Toots_Thielemans | as |
| Toots_Thielemans | oscar |
| Toots_Thielemans | peterson |
| Toots_Thielemans | ella |
| Toots_Thielemans | fitzgerald |
| Toots_Thielemans | sarah |
| Toots_Thielemans | vaughan |
| Toots_Thielemans | bill |
| Toots_Thielemans | evans |
| Toots_Thielemans | dizzy |
| Toots_Thielemans | gillespie |
| Toots_Thielemans | kenny |
| Toots_Thielemans | werner |
| Toots_Thielemans | pat |
| Toots_Thielemans | metheny |
| Toots_Thielemans | jaco |
| Toots_Thielemans | pastorius |
| Toots_Thielemans | mina |
| Toots_Thielemans | mazzini |
| Toots_Thielemans | elis |
| Toots_Thielemans | regina |
| Toots_Thielemans | quincy |
| Toots_Thielemans | jones |
| Toots_Thielemans | george |
| Toots_Thielemans | shearing |
| Toots_Thielemans | natalie |
| Toots_Thielemans | cole |
| Toots_Thielemans | billy |
| Toots_Thielemans | joel |
| Toots_Thielemans | paul |
| Toots_Thielemans | simon |
| Toots_Thielemans | and |
| Toots_Thielemans | paquito |
| Toots_Thielemans | d’rivera |
| Toots_Thielemans | among |
| Toots_Thielemans | the |
| Toots_Thielemans | film |
| Toots_Thielemans | soundtracks |
| Toots_Thielemans | that |
| Toots_Thielemans | thielemans |
| Toots_Thielemans | recorded |
| Toots_Thielemans | are |
| Toots_Thielemans | the |
| Toots_Thielemans | pawnbroker |
| Toots_Thielemans | 1964 |
| Toots_Thielemans | midnight |
| Toots_Thielemans | cowboy |
| Toots_Thielemans | 1969 |
| Toots_Thielemans | the |
| Toots_Thielemans | getaway |
| Toots_Thielemans | 1972 |
| Toots_Thielemans | cinderella |
| Toots_Thielemans | liberty |
| Toots_Thielemans | 1973 |
| Toots_Thielemans | the |
| Toots_Thielemans | sugarland |
| Toots_Thielemans | express |
| Toots_Thielemans | 1974 |
| Toots_Thielemans | and |
| Toots_Thielemans | looking |
| Toots_Thielemans | for |
| Toots_Thielemans | mr |
| Toots_Thielemans | goodbar |
| Toots_Thielemans | 1977 |
| Toots_Thielemans | his |
| Toots_Thielemans | harmonica |
| Toots_Thielemans | theme |
| Toots_Thielemans | song |
| Toots_Thielemans | for |
| Toots_Thielemans | the |
| Toots_Thielemans | popular |
| Toots_Thielemans | sesame |
| Toots_Thielemans | street |
| Toots_Thielemans | tv |
| Toots_Thielemans | show |
| Toots_Thielemans | was |
| Toots_Thielemans | heard |
| Toots_Thielemans | for |
| Toots_Thielemans | 40 |
| Toots_Thielemans | years |
| Toots_Thielemans | he |
| Toots_Thielemans | often |
| Toots_Thielemans | performed |
| Toots_Thielemans | and |
| Toots_Thielemans | recorded |
| Toots_Thielemans | with |
| Toots_Thielemans | quincy |
| Toots_Thielemans | jones |
| Toots_Thielemans | who |
| Toots_Thielemans | once |
| Toots_Thielemans | called |
| Toots_Thielemans | him |
| Toots_Thielemans | one |
| Toots_Thielemans | of |
| Toots_Thielemans | the |
| Toots_Thielemans | greatest |
| Toots_Thielemans | musicians |
| Toots_Thielemans | of |
| Toots_Thielemans | our |
| Toots_Thielemans | time |
| Toots_Thielemans | in |
| Toots_Thielemans | 2009 |
| Toots_Thielemans | he |
| Toots_Thielemans | was |
| Toots_Thielemans | designated |
| Toots_Thielemans | a |
| Toots_Thielemans | jazz |
| Toots_Thielemans | master |
| Toots_Thielemans | by |
| Toots_Thielemans | the |
| Toots_Thielemans | national |
| Toots_Thielemans | endowment |
| Toots_Thielemans | for |
| Toots_Thielemans | the |
| Toots_Thielemans | arts |
| Toots_Thielemans | the |
| Toots_Thielemans | highest |
| Toots_Thielemans | honor |
| Toots_Thielemans | for |
| Toots_Thielemans | a |
| Toots_Thielemans | jazz |
| Toots_Thielemans | musician |
| Toots_Thielemans | in |
| Toots_Thielemans | the |
| Toots_Thielemans | united |
| Toots_Thielemans | states |
| Toots_Thielemans | en |
| Dead_Prez | dead |
| Dead_Prez | prez |
| Dead_Prez | often |
| Dead_Prez | stylized |
| Dead_Prez | as |
| Dead_Prez | dead |
| Dead_Prez | prez |
| Dead_Prez | is |
| Dead_Prez | an |
| Dead_Prez | american |
| Dead_Prez | hip |
| Dead_Prez | hop |
| Dead_Prez | duo |
| Dead_Prez | composed |
| Dead_Prez | of |
| Dead_Prez | stic.man |
| Dead_Prez | and |
| Dead_Prez | m |
| Dead_Prez | 1 |
| Dead_Prez | formed |
| Dead_Prez | in |
| Dead_Prez | 1996 |
| Dead_Prez | in |
| Dead_Prez | new |
| Dead_Prez | york |
| Dead_Prez | city |
| Dead_Prez | they |
| Dead_Prez | are |
| Dead_Prez | known |
| Dead_Prez | for |
| Dead_Prez | their |
| Dead_Prez | confrontational |
| Dead_Prez | style |
| Dead_Prez | combined |
| Dead_Prez | with |
| Dead_Prez | lyrics |
| Dead_Prez | focused |
| Dead_Prez | on |
| Dead_Prez | both |
| Dead_Prez | militant |
| Dead_Prez | social |
| Dead_Prez | justice |
| Dead_Prez | self |
| Dead_Prez | determination |
| Dead_Prez | and |
| Dead_Prez | pan |
| Dead_Prez | africanism |
| Dead_Prez | the |
| Dead_Prez | duo |
| Dead_Prez | maintains |
| Dead_Prez | an |
| Dead_Prez | ethical |
| Dead_Prez | stance |
| Dead_Prez | against |
| Dead_Prez | corporate |
| Dead_Prez | control |
| Dead_Prez | over |
| Dead_Prez | the |
| Dead_Prez | media |
| Dead_Prez | especially |
| Dead_Prez | hip |
| Dead_Prez | hop |
| Dead_Prez | record |
| Dead_Prez | labels |
| Dead_Prez | en |
| Fred_Wesley | fred |
| Fred_Wesley | wesley |
| Fred_Wesley | born |
| Fred_Wesley | july |
| Fred_Wesley | 4 |
| Fred_Wesley | 1943 |
| Fred_Wesley | is |
| Fred_Wesley | an |
| Fred_Wesley | american |
| Fred_Wesley | trombonist |
| Fred_Wesley | who |
| Fred_Wesley | worked |
| Fred_Wesley | with |
| Fred_Wesley | james |
| Fred_Wesley | brown |
| Fred_Wesley | in |
| Fred_Wesley | the |
| Fred_Wesley | 1960s |
| Fred_Wesley | and |
| Fred_Wesley | 1970s |
| Fred_Wesley | and |
| Fred_Wesley | parliament |
| Fred_Wesley | funkadelic |
| Fred_Wesley | in |
| Fred_Wesley | the |
| Fred_Wesley | second |
| Fred_Wesley | half |
| Fred_Wesley | of |
| Fred_Wesley | the |
| Fred_Wesley | 1970s |
| Fred_Wesley | en |
| SFJAZZ_Collective | the |
| SFJAZZ_Collective | sfjazz |
| SFJAZZ_Collective | collective |
| SFJAZZ_Collective | is |
| SFJAZZ_Collective | an |
| SFJAZZ_Collective | american |
| SFJAZZ_Collective | jazz |
| SFJAZZ_Collective | ensemble |
| SFJAZZ_Collective | comprising |
| SFJAZZ_Collective | eight |
| SFJAZZ_Collective | performer |
| SFJAZZ_Collective | composers |
| SFJAZZ_Collective | launched |
| SFJAZZ_Collective | in |
| SFJAZZ_Collective | 2004 |
| SFJAZZ_Collective | by |
| SFJAZZ_Collective | sfjazz |
| SFJAZZ_Collective | a |
| SFJAZZ_Collective | west |
| SFJAZZ_Collective | coast |
| SFJAZZ_Collective | non |
| SFJAZZ_Collective | profit |
| SFJAZZ_Collective | jazz |
| SFJAZZ_Collective | institution |
| SFJAZZ_Collective | and |
| SFJAZZ_Collective | the |
| SFJAZZ_Collective | presenter |
| SFJAZZ_Collective | of |
| SFJAZZ_Collective | the |
| SFJAZZ_Collective | annual |
| SFJAZZ_Collective | san |
| SFJAZZ_Collective | francisco |
| SFJAZZ_Collective | jazz |
| SFJAZZ_Collective | festival |
| SFJAZZ_Collective | en |
| Herlin_Riley | herlin |
| Herlin_Riley | riley |
| Herlin_Riley | born |
| Herlin_Riley | february |
| Herlin_Riley | 15 |
| Herlin_Riley | 1957 |
| Herlin_Riley | is |
| Herlin_Riley | an |
| Herlin_Riley | american |
| Herlin_Riley | jazz |
| Herlin_Riley | drummer |
| Herlin_Riley | and |
| Herlin_Riley | a |
| Herlin_Riley | member |
| Herlin_Riley | of |
| Herlin_Riley | the |
| Herlin_Riley | lincoln |
| Herlin_Riley | center |
| Herlin_Riley | jazz |
| Herlin_Riley | orchestra |
| Herlin_Riley | led |
| Herlin_Riley | by |
| Herlin_Riley | wynton |
| Herlin_Riley | marsalis |
| Herlin_Riley | a |
| Herlin_Riley | native |
| Herlin_Riley | of |
| Herlin_Riley | new |
| Herlin_Riley | orleans |
| Herlin_Riley | riley |
| Herlin_Riley | started |
| Herlin_Riley | on |
| Herlin_Riley | the |
| Herlin_Riley | drums |
| Herlin_Riley | when |
| Herlin_Riley | he |
| Herlin_Riley | was |
| Herlin_Riley | three |
| Herlin_Riley | he |
| Herlin_Riley | played |
| Herlin_Riley | trumpet |
| Herlin_Riley | through |
| Herlin_Riley | high |
| Herlin_Riley | school |
| Herlin_Riley | but |
| Herlin_Riley | he |
| Herlin_Riley | went |
| Herlin_Riley | back |
| Herlin_Riley | to |
| Herlin_Riley | drums |
| Herlin_Riley | in |
| Herlin_Riley | college |
| Herlin_Riley | after |
| Herlin_Riley | graduating |
| Herlin_Riley | he |
| Herlin_Riley | spent |
| Herlin_Riley | three |
| Herlin_Riley | years |
| Herlin_Riley | as |
| Herlin_Riley | a |
| Herlin_Riley | member |
| Herlin_Riley | of |
| Herlin_Riley | a |
| Herlin_Riley | band |
| Herlin_Riley | led |
| Herlin_Riley | by |
| Herlin_Riley | ahmad |
| Herlin_Riley | jamal |
| Herlin_Riley | he |
| Herlin_Riley | has |
| Herlin_Riley | worked |
| Herlin_Riley | often |
| Herlin_Riley | with |
| Herlin_Riley | wynton |
| Herlin_Riley | marsalis |
| Herlin_Riley | as |
| Herlin_Riley | a |
| Herlin_Riley | member |
| Herlin_Riley | of |
| Herlin_Riley | the |
| Herlin_Riley | jazz |
| Herlin_Riley | at |
| Herlin_Riley | lincoln |
| Herlin_Riley | center |
| Herlin_Riley | orchestra |
| Herlin_Riley | and |
| Herlin_Riley | of |
| Herlin_Riley | marsalis’s |
| Herlin_Riley | small |
| Herlin_Riley | groups |
| Herlin_Riley | he |
| Herlin_Riley | has |
| Herlin_Riley | also |
| Herlin_Riley | worked |
| Herlin_Riley | with |
| Herlin_Riley | george |
| Herlin_Riley | benson |
| Herlin_Riley | harry |
| Herlin_Riley | connick |
| Herlin_Riley | jr |
| Herlin_Riley | and |
| Herlin_Riley | marcus |
| Herlin_Riley | roberts |
| Herlin_Riley | riley |
| Herlin_Riley | played |
| Herlin_Riley | a |
| Herlin_Riley | large |
| Herlin_Riley | part |
| Herlin_Riley | in |
| Herlin_Riley | developing |
| Herlin_Riley | the |
| Herlin_Riley | drum |
| Herlin_Riley | parts |
| Herlin_Riley | for |
| Herlin_Riley | wynton |
| Herlin_Riley | marsalis’s |
| Herlin_Riley | pulitzer |
| Herlin_Riley | prize |
| Herlin_Riley | winning |
| Herlin_Riley | album |
| Herlin_Riley | blood |
| Herlin_Riley | on |
| Herlin_Riley | the |
| Herlin_Riley | fields |
| Herlin_Riley | he |
| Herlin_Riley | is |
| Herlin_Riley | a |
| Herlin_Riley | lecturer |
| Herlin_Riley | in |
| Herlin_Riley | percussion |
| Herlin_Riley | for |
| Herlin_Riley | the |
| Herlin_Riley | jazz |
| Herlin_Riley | studies |
| Herlin_Riley | program |
| Herlin_Riley | at |
| Herlin_Riley | the |
| Herlin_Riley | bienen |
| Herlin_Riley | school |
| Herlin_Riley | of |
| Herlin_Riley | music |
| Herlin_Riley | at |
| Herlin_Riley | northwestern |
| Herlin_Riley | university |
| Herlin_Riley | in |
| Herlin_Riley | evanston |
| Herlin_Riley | illinois |
| Herlin_Riley | en |
| Gerald_Clayton | gerald |
| Gerald_Clayton | william |
| Gerald_Clayton | clayton |
| Gerald_Clayton | born |
| Gerald_Clayton | may |
| Gerald_Clayton | 11 |
| Gerald_Clayton | 1984 |
| Gerald_Clayton | is |
| Gerald_Clayton | a |
| Gerald_Clayton | dutch |
| Gerald_Clayton | born |
| Gerald_Clayton | american |
| Gerald_Clayton | jazz |
| Gerald_Clayton | pianist |
| Gerald_Clayton | and |
| Gerald_Clayton | composer |
| Gerald_Clayton | en |
| Ligel_Lambert | ligel |
| Ligel_Lambert | lambert |
| Ligel_Lambert | born |
| Ligel_Lambert | may |
| Ligel_Lambert | 20 |
| Ligel_Lambert | 1982 |
| Ligel_Lambert | is |
| Ligel_Lambert | a |
| Ligel_Lambert | haitian |
| Ligel_Lambert | born |
| Ligel_Lambert | american |
| Ligel_Lambert | interdisciplinary |
| Ligel_Lambert | artist |
| Ligel_Lambert | entrepreneur |
| Ligel_Lambert | educator |
| Ligel_Lambert | and |
| Ligel_Lambert | graphic |
| Ligel_Lambert | designer |
| Ligel_Lambert | who |
| Ligel_Lambert | primarily |
| Ligel_Lambert | works |
| Ligel_Lambert | in |
| Ligel_Lambert | painting |
| Ligel_Lambert | collage |
| Ligel_Lambert | printmaking |
| Ligel_Lambert | assemblage |
| Ligel_Lambert | art |
| Ligel_Lambert | and |
| Ligel_Lambert | sculpture |
| Ligel_Lambert | he |
| Ligel_Lambert | is |
| Ligel_Lambert | best |
| Ligel_Lambert | known |
| Ligel_Lambert | for |
| Ligel_Lambert | his |
| Ligel_Lambert | colorful |
| Ligel_Lambert | fauvist |
| Ligel_Lambert | rhythmic |
| Ligel_Lambert | and |
| Ligel_Lambert | abstracted |
| Ligel_Lambert | interpretations |
| Ligel_Lambert | of |
| Ligel_Lambert | musicians |
| Ligel_Lambert | interpretations |
| Ligel_Lambert | of |
| Ligel_Lambert | sounds |
| Ligel_Lambert | and |
| Ligel_Lambert | musical |
| Ligel_Lambert | themed |
| Ligel_Lambert | paintings |
| Ligel_Lambert | en |
| Jacky_Terrasson | jacky |
| Jacky_Terrasson | terrasson |
| Jacky_Terrasson | born |
| Jacky_Terrasson | november |
| Jacky_Terrasson | 27 |
| Jacky_Terrasson | 1965 |
| Jacky_Terrasson | is |
| Jacky_Terrasson | a |
| Jacky_Terrasson | french |
| Jacky_Terrasson | jazz |
| Jacky_Terrasson | pianist |
| Jacky_Terrasson | and |
| Jacky_Terrasson | composer |
| Jacky_Terrasson | en |
| Cameron_Brown_(musician) | cameron |
| Cameron_Brown_(musician) | langdon |
| Cameron_Brown_(musician) | brown |
| Cameron_Brown_(musician) | born |
| Cameron_Brown_(musician) | december |
| Cameron_Brown_(musician) | 21 |
| Cameron_Brown_(musician) | 1945 |
| Cameron_Brown_(musician) | is |
| Cameron_Brown_(musician) | an |
| Cameron_Brown_(musician) | american |
| Cameron_Brown_(musician) | jazz |
| Cameron_Brown_(musician) | double |
| Cameron_Brown_(musician) | bassist |
| Cameron_Brown_(musician) | known |
| Cameron_Brown_(musician) | for |
| Cameron_Brown_(musician) | his |
| Cameron_Brown_(musician) | association |
| Cameron_Brown_(musician) | with |
| Cameron_Brown_(musician) | the |
| Cameron_Brown_(musician) | don |
| Cameron_Brown_(musician) | pullen |
| Cameron_Brown_(musician) | george |
| Cameron_Brown_(musician) | adams |
| Cameron_Brown_(musician) | quartet |
| Cameron_Brown_(musician) | en |
| Roger_Humphries | roger |
| Roger_Humphries | humphries |
| Roger_Humphries | born |
| Roger_Humphries | january |
| Roger_Humphries | 30 |
| Roger_Humphries | 1944 |
| Roger_Humphries | is |
| Roger_Humphries | an |
| Roger_Humphries | american |
| Roger_Humphries | jazz |
| Roger_Humphries | drummer |
| Roger_Humphries | born |
| Roger_Humphries | into |
| Roger_Humphries | a |
| Roger_Humphries | family |
| Roger_Humphries | of |
| Roger_Humphries | ten |
| Roger_Humphries | children |
| Roger_Humphries | in |
| Roger_Humphries | pittsburgh |
| Roger_Humphries | pennsylvania |
| Roger_Humphries | humphries |
| Roger_Humphries | began |
| Roger_Humphries | playing |
| Roger_Humphries | drums |
| Roger_Humphries | at |
| Roger_Humphries | age |
| Roger_Humphries | four |
| Roger_Humphries | and |
| Roger_Humphries | went |
| Roger_Humphries | professional |
| Roger_Humphries | at |
| Roger_Humphries | age |
| Roger_Humphries | 14 |
| Roger_Humphries | he |
| Roger_Humphries | led |
| Roger_Humphries | an |
| Roger_Humphries | ensemble |
| Roger_Humphries | at |
| Roger_Humphries | carnegie |
| Roger_Humphries | hall |
| Roger_Humphries | at |
| Roger_Humphries | age |
| Roger_Humphries | 16 |
| Roger_Humphries | early |
| Roger_Humphries | in |
| Roger_Humphries | the |
| Roger_Humphries | 1960s |
| Roger_Humphries | he |
| Roger_Humphries | began |
| Roger_Humphries | touring |
| Roger_Humphries | with |
| Roger_Humphries | jazz |
| Roger_Humphries | musicians |
| Roger_Humphries | one |
| Roger_Humphries | of |
| Roger_Humphries | his |
| Roger_Humphries | more |
| Roger_Humphries | prominent |
| Roger_Humphries | gigs |
| Roger_Humphries | was |
| Roger_Humphries | in |
| Roger_Humphries | a |
| Roger_Humphries | trio |
| Roger_Humphries | with |
| Roger_Humphries | stanley |
| Roger_Humphries | turrentine |
| Roger_Humphries | and |
| Roger_Humphries | shirley |
| Roger_Humphries | scott |
| Roger_Humphries | in |
| Roger_Humphries | 1962 |
| Roger_Humphries | in |
| Roger_Humphries | 1964 |
| Roger_Humphries | he |
| Roger_Humphries | worked |
| Roger_Humphries | with |
| Roger_Humphries | horace |
| Roger_Humphries | silver |
| Roger_Humphries | appearing |
| Roger_Humphries | on |
| Roger_Humphries | the |
| Roger_Humphries | album |
| Roger_Humphries | song |
| Roger_Humphries | for |
| Roger_Humphries | my |
| Roger_Humphries | father |
| Roger_Humphries | where |
| Roger_Humphries | he |
| Roger_Humphries | played |
| Roger_Humphries | on |
| Roger_Humphries | four |
| Roger_Humphries | tracks |
| Roger_Humphries | including |
| Roger_Humphries | the |
| Roger_Humphries | title |
| Roger_Humphries | tune |
| Roger_Humphries | on |
| Roger_Humphries | the |
| Roger_Humphries | same |
| Roger_Humphries | album |
| Roger_Humphries | roy |
| Roger_Humphries | brooks |
| Roger_Humphries | played |
| Roger_Humphries | on |
| Roger_Humphries | two |
| Roger_Humphries | tracks |
| Roger_Humphries | from |
| Roger_Humphries | a |
| Roger_Humphries | session |
| Roger_Humphries | recorded |
| Roger_Humphries | a |
| Roger_Humphries | year |
| Roger_Humphries | earlier |
| Roger_Humphries | following |
| Roger_Humphries | this |
| Roger_Humphries | humphries |
| Roger_Humphries | drummed |
| Roger_Humphries | for |
| Roger_Humphries | ray |
| Roger_Humphries | charles |
| Roger_Humphries | humphries’s |
| Roger_Humphries | list |
| Roger_Humphries | of |
| Roger_Humphries | credits |
| Roger_Humphries | in |
| Roger_Humphries | jazz |
| Roger_Humphries | r |
| Roger_Humphries | b |
| Roger_Humphries | and |
| Roger_Humphries | pop |
| Roger_Humphries | is |
| Roger_Humphries | extensive |
| Roger_Humphries | musicians |
| Roger_Humphries | he |
| Roger_Humphries | has |
| Roger_Humphries | played |
| Roger_Humphries | with |
| Roger_Humphries | in |
| Roger_Humphries | addition |
| Roger_Humphries | to |
| Roger_Humphries | the |
| Roger_Humphries | above |
| Roger_Humphries | include |
| Roger_Humphries | lee |
| Roger_Humphries | morgan |
| Roger_Humphries | grant |
| Roger_Humphries | green |
| Roger_Humphries | billy |
| Roger_Humphries | taylor |
| Roger_Humphries | bill |
| Roger_Humphries | doggett |
| Roger_Humphries | benny |
| Roger_Humphries | green |
| Roger_Humphries | lionel |
| Roger_Humphries | hampton |
| Roger_Humphries | coleman |
| Roger_Humphries | hawkins |
| Roger_Humphries | barry |
| Roger_Humphries | harris |
| Roger_Humphries | clark |
| Roger_Humphries | terry |
| Roger_Humphries | j |
| Roger_Humphries | j |
| Roger_Humphries | johnson |
| Roger_Humphries | billy |
| Roger_Humphries | preston |
| Roger_Humphries | joe |
| Roger_Humphries | henderson |
| Roger_Humphries | freddie |
| Roger_Humphries | hubbard |
| Roger_Humphries | dizzy |
| Roger_Humphries | gillespie |
| Roger_Humphries | jack |
| Roger_Humphries | mcduff |
| Roger_Humphries | gene |
| Roger_Humphries | harris |
| Roger_Humphries | george |
| Roger_Humphries | benson |
| Roger_Humphries | jon |
| Roger_Humphries | faddis |
| Roger_Humphries | slide |
| Roger_Humphries | hampton |
| Roger_Humphries | johnny |
| Roger_Humphries | griffin |
| Roger_Humphries | herbie |
| Roger_Humphries | mann |
| Roger_Humphries | randy |
| Roger_Humphries | brecker |
| Roger_Humphries | joe |
| Roger_Humphries | williams |
| Roger_Humphries | milt |
| Roger_Humphries | jackson |
| Roger_Humphries | jimmy |
| Roger_Humphries | witherspoon |
| Roger_Humphries | hubert |
| Roger_Humphries | laws |
| Roger_Humphries | dwayne |
| Roger_Humphries | dolphin |
| Roger_Humphries | isley |
| Roger_Humphries | brothers |
| Roger_Humphries | and |
| Roger_Humphries | illinois |
| Roger_Humphries | jacquet |
| Roger_Humphries | humphries |
| Roger_Humphries | led |
| Roger_Humphries | his |
| Roger_Humphries | own |
| Roger_Humphries | band |
| Roger_Humphries | in |
| Roger_Humphries | the |
| Roger_Humphries | early |
| Roger_Humphries | 1970s |
| Roger_Humphries | r.h |
| Roger_Humphries | factor |
| Roger_Humphries | and |
| Roger_Humphries | led |
| Roger_Humphries | ensembles |
| Roger_Humphries | under |
| Roger_Humphries | other |
| Roger_Humphries | names |
| Roger_Humphries | into |
| Roger_Humphries | the |
| Roger_Humphries | 1990s |
| Roger_Humphries | he |
| Roger_Humphries | has |
| Roger_Humphries | also |
| Roger_Humphries | held |
| Roger_Humphries | teaching |
| Roger_Humphries | positions |
| Roger_Humphries | at |
| Roger_Humphries | the |
| Roger_Humphries | university |
| Roger_Humphries | of |
| Roger_Humphries | pittsburgh |
| Roger_Humphries | and |
| Roger_Humphries | the |
| Roger_Humphries | pittsburgh |
| Roger_Humphries | high |
| Roger_Humphries | school |
| Roger_Humphries | for |
| Roger_Humphries | the |
| Roger_Humphries | creative |
| Roger_Humphries | and |
| Roger_Humphries | performing |
| Roger_Humphries | arts |
| Roger_Humphries | he |
| Roger_Humphries | released |
| Roger_Humphries | albums |
| Roger_Humphries | under |
| Roger_Humphries | his |
| Roger_Humphries | own |
| Roger_Humphries | name |
| Roger_Humphries | in |
| Roger_Humphries | 1993 |
| Roger_Humphries | 2003 |
| Roger_Humphries | and |
| Roger_Humphries | 2011 |
| Roger_Humphries | en |
| Harry_Connick_Jr. | joseph |
| Harry_Connick_Jr. | harry |
| Harry_Connick_Jr. | fowler |
| Harry_Connick_Jr. | connick |
| Harry_Connick_Jr. | jr |
| Harry_Connick_Jr. | born |
| Harry_Connick_Jr. | september |
| Harry_Connick_Jr. | 11 |
| Harry_Connick_Jr. | 1967 |
| Harry_Connick_Jr. | is |
| Harry_Connick_Jr. | an |
| Harry_Connick_Jr. | american |
| Harry_Connick_Jr. | singer |
| Harry_Connick_Jr. | pianist |
| Harry_Connick_Jr. | composer |
| Harry_Connick_Jr. | actor |
| Harry_Connick_Jr. | and |
| Harry_Connick_Jr. | television |
| Harry_Connick_Jr. | host |
| Harry_Connick_Jr. | he |
| Harry_Connick_Jr. | has |
| Harry_Connick_Jr. | sold |
| Harry_Connick_Jr. | over |
| Harry_Connick_Jr. | 28 |
| Harry_Connick_Jr. | million |
| Harry_Connick_Jr. | albums |
| Harry_Connick_Jr. | worldwide |
| Harry_Connick_Jr. | connick |
| Harry_Connick_Jr. | is |
| Harry_Connick_Jr. | ranked |
| Harry_Connick_Jr. | among |
| Harry_Connick_Jr. | the |
| Harry_Connick_Jr. | top |
| Harry_Connick_Jr. | 60 |
| Harry_Connick_Jr. | best |
| Harry_Connick_Jr. | selling |
| Harry_Connick_Jr. | male |
| Harry_Connick_Jr. | artists |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | the |
| Harry_Connick_Jr. | united |
| Harry_Connick_Jr. | states |
| Harry_Connick_Jr. | by |
| Harry_Connick_Jr. | the |
| Harry_Connick_Jr. | recording |
| Harry_Connick_Jr. | industry |
| Harry_Connick_Jr. | association |
| Harry_Connick_Jr. | of |
| Harry_Connick_Jr. | america |
| Harry_Connick_Jr. | with |
| Harry_Connick_Jr. | 16 |
| Harry_Connick_Jr. | million |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | certified |
| Harry_Connick_Jr. | sales |
| Harry_Connick_Jr. | he |
| Harry_Connick_Jr. | has |
| Harry_Connick_Jr. | had |
| Harry_Connick_Jr. | seven |
| Harry_Connick_Jr. | top |
| Harry_Connick_Jr. | 20 |
| Harry_Connick_Jr. | us |
| Harry_Connick_Jr. | albums |
| Harry_Connick_Jr. | and |
| Harry_Connick_Jr. | ten |
| Harry_Connick_Jr. | number |
| Harry_Connick_Jr. | one |
| Harry_Connick_Jr. | us |
| Harry_Connick_Jr. | jazz |
| Harry_Connick_Jr. | albums |
| Harry_Connick_Jr. | earning |
| Harry_Connick_Jr. | more |
| Harry_Connick_Jr. | number |
| Harry_Connick_Jr. | one |
| Harry_Connick_Jr. | albums |
| Harry_Connick_Jr. | than |
| Harry_Connick_Jr. | any |
| Harry_Connick_Jr. | other |
| Harry_Connick_Jr. | artist |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | us |
| Harry_Connick_Jr. | jazz |
| Harry_Connick_Jr. | chart |
| Harry_Connick_Jr. | history |
| Harry_Connick_Jr. | connick’s |
| Harry_Connick_Jr. | best |
| Harry_Connick_Jr. | selling |
| Harry_Connick_Jr. | album |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | the |
| Harry_Connick_Jr. | united |
| Harry_Connick_Jr. | states |
| Harry_Connick_Jr. | is |
| Harry_Connick_Jr. | his |
| Harry_Connick_Jr. | christmas |
| Harry_Connick_Jr. | album |
| Harry_Connick_Jr. | when |
| Harry_Connick_Jr. | my |
| Harry_Connick_Jr. | heart |
| Harry_Connick_Jr. | finds |
| Harry_Connick_Jr. | christmas |
| Harry_Connick_Jr. | 1993 |
| Harry_Connick_Jr. | his |
| Harry_Connick_Jr. | highest |
| Harry_Connick_Jr. | charting |
| Harry_Connick_Jr. | album |
| Harry_Connick_Jr. | is |
| Harry_Connick_Jr. | his |
| Harry_Connick_Jr. | release |
| Harry_Connick_Jr. | only |
| Harry_Connick_Jr. | you |
| Harry_Connick_Jr. | 2004 |
| Harry_Connick_Jr. | which |
| Harry_Connick_Jr. | reached |
| Harry_Connick_Jr. | no |
| Harry_Connick_Jr. | 5 |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | the |
| Harry_Connick_Jr. | us |
| Harry_Connick_Jr. | and |
| Harry_Connick_Jr. | no |
| Harry_Connick_Jr. | 6 |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | britain |
| Harry_Connick_Jr. | he |
| Harry_Connick_Jr. | has |
| Harry_Connick_Jr. | won |
| Harry_Connick_Jr. | three |
| Harry_Connick_Jr. | grammy |
| Harry_Connick_Jr. | awards |
| Harry_Connick_Jr. | and |
| Harry_Connick_Jr. | two |
| Harry_Connick_Jr. | emmy |
| Harry_Connick_Jr. | awards |
| Harry_Connick_Jr. | he |
| Harry_Connick_Jr. | played |
| Harry_Connick_Jr. | leo |
| Harry_Connick_Jr. | markus |
| Harry_Connick_Jr. | the |
| Harry_Connick_Jr. | husband |
| Harry_Connick_Jr. | of |
| Harry_Connick_Jr. | grace |
| Harry_Connick_Jr. | adler |
| Harry_Connick_Jr. | played |
| Harry_Connick_Jr. | by |
| Harry_Connick_Jr. | debra |
| Harry_Connick_Jr. | messing |
| Harry_Connick_Jr. | on |
| Harry_Connick_Jr. | the |
| Harry_Connick_Jr. | nbc |
| Harry_Connick_Jr. | sitcom |
| Harry_Connick_Jr. | will |
| Harry_Connick_Jr. | grace |
| Harry_Connick_Jr. | from |
| Harry_Connick_Jr. | 2002 |
| Harry_Connick_Jr. | to |
| Harry_Connick_Jr. | 2006 |
| Harry_Connick_Jr. | connick |
| Harry_Connick_Jr. | began |
| Harry_Connick_Jr. | his |
| Harry_Connick_Jr. | acting |
| Harry_Connick_Jr. | career |
| Harry_Connick_Jr. | as |
| Harry_Connick_Jr. | a |
| Harry_Connick_Jr. | tail |
| Harry_Connick_Jr. | gunner |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | the |
| Harry_Connick_Jr. | world |
| Harry_Connick_Jr. | war |
| Harry_Connick_Jr. | ii |
| Harry_Connick_Jr. | film |
| Harry_Connick_Jr. | memphis |
| Harry_Connick_Jr. | belle |
| Harry_Connick_Jr. | 1990 |
| Harry_Connick_Jr. | he |
| Harry_Connick_Jr. | played |
| Harry_Connick_Jr. | a |
| Harry_Connick_Jr. | serial |
| Harry_Connick_Jr. | killer |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | copycat |
| Harry_Connick_Jr. | 1995 |
| Harry_Connick_Jr. | before |
| Harry_Connick_Jr. | being |
| Harry_Connick_Jr. | cast |
| Harry_Connick_Jr. | as |
| Harry_Connick_Jr. | a |
| Harry_Connick_Jr. | fighter |
| Harry_Connick_Jr. | pilot |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | the |
| Harry_Connick_Jr. | blockbuster |
| Harry_Connick_Jr. | independence |
| Harry_Connick_Jr. | day |
| Harry_Connick_Jr. | 1996 |
| Harry_Connick_Jr. | connick’s |
| Harry_Connick_Jr. | first |
| Harry_Connick_Jr. | role |
| Harry_Connick_Jr. | as |
| Harry_Connick_Jr. | a |
| Harry_Connick_Jr. | leading |
| Harry_Connick_Jr. | man |
| Harry_Connick_Jr. | was |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | hope |
| Harry_Connick_Jr. | floats |
| Harry_Connick_Jr. | 1998 |
| Harry_Connick_Jr. | with |
| Harry_Connick_Jr. | sandra |
| Harry_Connick_Jr. | bullock |
| Harry_Connick_Jr. | his |
| Harry_Connick_Jr. | first |
| Harry_Connick_Jr. | thriller |
| Harry_Connick_Jr. | film |
| Harry_Connick_Jr. | since |
| Harry_Connick_Jr. | copycat |
| Harry_Connick_Jr. | was |
| Harry_Connick_Jr. | basic |
| Harry_Connick_Jr. | 2003 |
| Harry_Connick_Jr. | with |
| Harry_Connick_Jr. | john |
| Harry_Connick_Jr. | travolta |
| Harry_Connick_Jr. | additionally |
| Harry_Connick_Jr. | he |
| Harry_Connick_Jr. | played |
| Harry_Connick_Jr. | a |
| Harry_Connick_Jr. | violent |
| Harry_Connick_Jr. | ex |
| Harry_Connick_Jr. | husband |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | bug |
| Harry_Connick_Jr. | before |
| Harry_Connick_Jr. | two |
| Harry_Connick_Jr. | romantic |
| Harry_Connick_Jr. | comedies |
| Harry_Connick_Jr. | p.s |
| Harry_Connick_Jr. | i |
| Harry_Connick_Jr. | love |
| Harry_Connick_Jr. | you |
| Harry_Connick_Jr. | 2007 |
| Harry_Connick_Jr. | and |
| Harry_Connick_Jr. | the |
| Harry_Connick_Jr. | leading |
| Harry_Connick_Jr. | man |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | new |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | town |
| Harry_Connick_Jr. | 2009 |
| Harry_Connick_Jr. | with |
| Harry_Connick_Jr. | ren |
| Harry_Connick_Jr. | 矇 |
| Harry_Connick_Jr. | e |
| Harry_Connick_Jr. | zellweger |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | 2011 |
| Harry_Connick_Jr. | he |
| Harry_Connick_Jr. | appeared |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | the |
| Harry_Connick_Jr. | family |
| Harry_Connick_Jr. | film |
| Harry_Connick_Jr. | dolphin |
| Harry_Connick_Jr. | tale |
| Harry_Connick_Jr. | as |
| Harry_Connick_Jr. | dr |
| Harry_Connick_Jr. | clay |
| Harry_Connick_Jr. | haskett |
| Harry_Connick_Jr. | and |
| Harry_Connick_Jr. | in |
| Harry_Connick_Jr. | its |
| Harry_Connick_Jr. | 2014 |
| Harry_Connick_Jr. | sequel |
| Harry_Connick_Jr. | en |
| Milt_Jackson | milton |
| Milt_Jackson | bags |
| Milt_Jackson | jackson |
| Milt_Jackson | january |
| Milt_Jackson | 1 |
| Milt_Jackson | 1923 |
| Milt_Jackson | october |
| Milt_Jackson | 9 |
| Milt_Jackson | 1999 |
| Milt_Jackson | was |
| Milt_Jackson | an |
| Milt_Jackson | american |
| Milt_Jackson | jazz |
| Milt_Jackson | vibraphonist |
| Milt_Jackson | usually |
| Milt_Jackson | thought |
| Milt_Jackson | of |
| Milt_Jackson | as |
| Milt_Jackson | a |
| Milt_Jackson | bebop |
| Milt_Jackson | player |
| Milt_Jackson | although |
| Milt_Jackson | he |
| Milt_Jackson | performed |
| Milt_Jackson | in |
| Milt_Jackson | several |
| Milt_Jackson | jazz |
| Milt_Jackson | idioms |
| Milt_Jackson | he |
| Milt_Jackson | is |
| Milt_Jackson | especially |
| Milt_Jackson | remembered |
| Milt_Jackson | for |
| Milt_Jackson | his |
| Milt_Jackson | cool |
| Milt_Jackson | swinging |
| Milt_Jackson | solos |
| Milt_Jackson | as |
| Milt_Jackson | a |
| Milt_Jackson | member |
| Milt_Jackson | of |
| Milt_Jackson | the |
| Milt_Jackson | modern |
| Milt_Jackson | jazz |
| Milt_Jackson | quartet |
| Milt_Jackson | and |
| Milt_Jackson | his |
| Milt_Jackson | penchant |
| Milt_Jackson | for |
| Milt_Jackson | collaborating |
| Milt_Jackson | with |
| Milt_Jackson | hard |
| Milt_Jackson | bop |
| Milt_Jackson | and |
| Milt_Jackson | post |
| Milt_Jackson | bop |
| Milt_Jackson | players |
| Milt_Jackson | a |
| Milt_Jackson | very |
| Milt_Jackson | expressive |
| Milt_Jackson | player |
| Milt_Jackson | jackson |
| Milt_Jackson | differentiated |
| Milt_Jackson | himself |
| Milt_Jackson | from |
| Milt_Jackson | other |
| Milt_Jackson | vibraphonists |
| Milt_Jackson | in |
| Milt_Jackson | his |
| Milt_Jackson | attention |
| Milt_Jackson | to |
| Milt_Jackson | variations |
| Milt_Jackson | on |
| Milt_Jackson | harmonics |
| Milt_Jackson | and |
| Milt_Jackson | rhythm |
| Milt_Jackson | he |
| Milt_Jackson | was |
| Milt_Jackson | particularly |
| Milt_Jackson | fond |
| Milt_Jackson | of |
| Milt_Jackson | the |
| Milt_Jackson | twelve |
| Milt_Jackson | bar |
| Milt_Jackson | blues |
| Milt_Jackson | at |
| Milt_Jackson | slow |
| Milt_Jackson | tempos |
| Milt_Jackson | he |
| Milt_Jackson | preferred |
| Milt_Jackson | to |
| Milt_Jackson | set |
| Milt_Jackson | the |
| Milt_Jackson | vibraphone’s |
| Milt_Jackson | oscillator |
| Milt_Jackson | to |
| Milt_Jackson | a |
| Milt_Jackson | low |
| Milt_Jackson | 3.3 |
| Milt_Jackson | revolutions |
| Milt_Jackson | per |
| Milt_Jackson | second |
| Milt_Jackson | as |
| Milt_Jackson | opposed |
| Milt_Jackson | to |
| Milt_Jackson | lionel |
| Milt_Jackson | hampton’s |
| Milt_Jackson | speed |
| Milt_Jackson | of |
| Milt_Jackson | 10 |
| Milt_Jackson | revolutions |
| Milt_Jackson | per |
| Milt_Jackson | second |
| Milt_Jackson | for |
| Milt_Jackson | a |
| Milt_Jackson | more |
| Milt_Jackson | subtle |
| Milt_Jackson | tremolo |
| Milt_Jackson | on |
| Milt_Jackson | occasion |
| Milt_Jackson | jackson |
| Milt_Jackson | sang |
| Milt_Jackson | and |
| Milt_Jackson | played |
| Milt_Jackson | piano |
| Milt_Jackson | professionally |
| Milt_Jackson | en |
| Ellis_Marsalis_Jr. | ellis |
| Ellis_Marsalis_Jr. | louis |
| Ellis_Marsalis_Jr. | marsalis |
| Ellis_Marsalis_Jr. | jr |
| Ellis_Marsalis_Jr. | november |
| Ellis_Marsalis_Jr. | 14 |
| Ellis_Marsalis_Jr. | 1934 |
| Ellis_Marsalis_Jr. | april |
| Ellis_Marsalis_Jr. | 1 |
| Ellis_Marsalis_Jr. | 2020 |
| Ellis_Marsalis_Jr. | was |
| Ellis_Marsalis_Jr. | an |
| Ellis_Marsalis_Jr. | american |
| Ellis_Marsalis_Jr. | jazz |
| Ellis_Marsalis_Jr. | pianist |
| Ellis_Marsalis_Jr. | and |
| Ellis_Marsalis_Jr. | educator |
| Ellis_Marsalis_Jr. | active |
| Ellis_Marsalis_Jr. | since |
| Ellis_Marsalis_Jr. | the |
| Ellis_Marsalis_Jr. | late |
| Ellis_Marsalis_Jr. | 1940s |
| Ellis_Marsalis_Jr. | marsalis |
| Ellis_Marsalis_Jr. | came |
| Ellis_Marsalis_Jr. | to |
| Ellis_Marsalis_Jr. | greater |
| Ellis_Marsalis_Jr. | attention |
| Ellis_Marsalis_Jr. | in |
| Ellis_Marsalis_Jr. | the |
| Ellis_Marsalis_Jr. | 1980s |
| Ellis_Marsalis_Jr. | and |
| Ellis_Marsalis_Jr. | 1990s |
| Ellis_Marsalis_Jr. | as |
| Ellis_Marsalis_Jr. | the |
| Ellis_Marsalis_Jr. | patriarch |
| Ellis_Marsalis_Jr. | of |
| Ellis_Marsalis_Jr. | the |
| Ellis_Marsalis_Jr. | musical |
| Ellis_Marsalis_Jr. | marsalis |
| Ellis_Marsalis_Jr. | family |
| Ellis_Marsalis_Jr. | when |
| Ellis_Marsalis_Jr. | sons |
| Ellis_Marsalis_Jr. | branford |
| Ellis_Marsalis_Jr. | and |
| Ellis_Marsalis_Jr. | wynton |
| Ellis_Marsalis_Jr. | became |
| Ellis_Marsalis_Jr. | popular |
| Ellis_Marsalis_Jr. | musicians |
| Ellis_Marsalis_Jr. | en |
| Damion_Reid | damion |
| Damion_Reid | reid |
| Damion_Reid | born |
| Damion_Reid | june |
| Damion_Reid | 16 |
| Damion_Reid | 1979 |
| Damion_Reid | is |
| Damion_Reid | an |
| Damion_Reid | american |
| Damion_Reid | drummer |
| Damion_Reid | critics |
| Damion_Reid | have |
| Damion_Reid | praised |
| Damion_Reid | his |
| Damion_Reid | controlled |
| Damion_Reid | fury |
| Damion_Reid | and |
| Damion_Reid | microscopically |
| Damion_Reid | complex |
| Damion_Reid | beats |
| Damion_Reid | en |
| Ali_Shaheed_Muhammad | ali |
| Ali_Shaheed_Muhammad | shaheed |
| Ali_Shaheed_Muhammad | muhammad |
| Ali_Shaheed_Muhammad | born |
| Ali_Shaheed_Muhammad | august |
| Ali_Shaheed_Muhammad | 11 |
| Ali_Shaheed_Muhammad | 1970 |
| Ali_Shaheed_Muhammad | is |
| Ali_Shaheed_Muhammad | an |
| Ali_Shaheed_Muhammad | american |
| Ali_Shaheed_Muhammad | hip |
| Ali_Shaheed_Muhammad | hop |
| Ali_Shaheed_Muhammad | dj |
| Ali_Shaheed_Muhammad | record |
| Ali_Shaheed_Muhammad | producer |
| Ali_Shaheed_Muhammad | and |
| Ali_Shaheed_Muhammad | rapper |
| Ali_Shaheed_Muhammad | best |
| Ali_Shaheed_Muhammad | known |
| Ali_Shaheed_Muhammad | as |
| Ali_Shaheed_Muhammad | a |
| Ali_Shaheed_Muhammad | member |
| Ali_Shaheed_Muhammad | of |
| Ali_Shaheed_Muhammad | a |
| Ali_Shaheed_Muhammad | tribe |
| Ali_Shaheed_Muhammad | called |
| Ali_Shaheed_Muhammad | quest |
| Ali_Shaheed_Muhammad | with |
| Ali_Shaheed_Muhammad | q |
| Ali_Shaheed_Muhammad | tip |
| Ali_Shaheed_Muhammad | and |
| Ali_Shaheed_Muhammad | phife |
| Ali_Shaheed_Muhammad | dawg |
| Ali_Shaheed_Muhammad | and |
| Ali_Shaheed_Muhammad | sometimes |
| Ali_Shaheed_Muhammad | jarobi |
| Ali_Shaheed_Muhammad | white |
| Ali_Shaheed_Muhammad | the |
| Ali_Shaheed_Muhammad | group |
| Ali_Shaheed_Muhammad | released |
| Ali_Shaheed_Muhammad | five |
| Ali_Shaheed_Muhammad | studio |
| Ali_Shaheed_Muhammad | albums |
| Ali_Shaheed_Muhammad | from |
| Ali_Shaheed_Muhammad | 1990 |
| Ali_Shaheed_Muhammad | to |
| Ali_Shaheed_Muhammad | 1998 |
| Ali_Shaheed_Muhammad | before |
| Ali_Shaheed_Muhammad | disbanding |
| Ali_Shaheed_Muhammad | their |
| Ali_Shaheed_Muhammad | final |
| Ali_Shaheed_Muhammad | album |
| Ali_Shaheed_Muhammad | was |
| Ali_Shaheed_Muhammad | released |
| Ali_Shaheed_Muhammad | in |
| Ali_Shaheed_Muhammad | 2016 |
| Ali_Shaheed_Muhammad | a |
| Ali_Shaheed_Muhammad | native |
| Ali_Shaheed_Muhammad | of |
| Ali_Shaheed_Muhammad | brooklyn |
| Ali_Shaheed_Muhammad | new |
| Ali_Shaheed_Muhammad | york |
| Ali_Shaheed_Muhammad | city |
| Ali_Shaheed_Muhammad | muhammad |
| Ali_Shaheed_Muhammad | currently |
| Ali_Shaheed_Muhammad | lives |
| Ali_Shaheed_Muhammad | in |
| Ali_Shaheed_Muhammad | los |
| Ali_Shaheed_Muhammad | angeles |
| Ali_Shaheed_Muhammad | en |
| Grant_Green | grant |
| Grant_Green | green |
| Grant_Green | june |
| Grant_Green | 6 |
| Grant_Green | 1935 |
| Grant_Green | january |
| Grant_Green | 31 |
| Grant_Green | 1979 |
| Grant_Green | was |
| Grant_Green | an |
| Grant_Green | american |
| Grant_Green | jazz |
| Grant_Green | guitarist |
| Grant_Green | and |
| Grant_Green | composer |
| Grant_Green | recording |
| Grant_Green | prolifically |
| Grant_Green | for |
| Grant_Green | blue |
| Grant_Green | note |
| Grant_Green | records |
| Grant_Green | as |
| Grant_Green | both |
| Grant_Green | leader |
| Grant_Green | and |
| Grant_Green | sideman |
| Grant_Green | green |
| Grant_Green | performed |
| Grant_Green | in |
| Grant_Green | the |
| Grant_Green | hard |
| Grant_Green | bop |
| Grant_Green | soul |
| Grant_Green | jazz |
| Grant_Green | bebop |
| Grant_Green | and |
| Grant_Green | latin |
| Grant_Green | tinged |
| Grant_Green | idioms |
| Grant_Green | throughout |
| Grant_Green | his |
| Grant_Green | career |
| Grant_Green | critics |
| Grant_Green | michael |
| Grant_Green | erlewine |
| Grant_Green | and |
| Grant_Green | ron |
| Grant_Green | wynn |
| Grant_Green | write |
| Grant_Green | a |
| Grant_Green | severely |
| Grant_Green | underrated |
| Grant_Green | player |
| Grant_Green | during |
| Grant_Green | his |
| Grant_Green | lifetime |
| Grant_Green | grant |
| Grant_Green | green |
| Grant_Green | is |
| Grant_Green | one |
| Grant_Green | of |
| Grant_Green | the |
| Grant_Green | great |
| Grant_Green | unsung |
| Grant_Green | heroes |
| Grant_Green | of |
| Grant_Green | jazz |
| Grant_Green | guitar |
| Grant_Green | green’s |
| Grant_Green | playing |
| Grant_Green | is |
| Grant_Green | immediately |
| Grant_Green | recognizable |
| Grant_Green | perhaps |
| Grant_Green | more |
| Grant_Green | than |
| Grant_Green | any |
| Grant_Green | other |
| Grant_Green | guitarist |
| Grant_Green | critic |
| Grant_Green | dave |
| Grant_Green | hunter |
| Grant_Green | described |
| Grant_Green | his |
| Grant_Green | sound |
| Grant_Green | as |
| Grant_Green | lithe |
| Grant_Green | loose |
| Grant_Green | slightly |
| Grant_Green | bluesy |
| Grant_Green | and |
| Grant_Green | righteously |
| Grant_Green | groovy |
| Grant_Green | he |
| Grant_Green | often |
| Grant_Green | performed |
| Grant_Green | in |
| Grant_Green | an |
| Grant_Green | organ |
| Grant_Green | trio |
| Grant_Green | a |
| Grant_Green | small |
| Grant_Green | group |
| Grant_Green | with |
| Grant_Green | an |
| Grant_Green | organ |
| Grant_Green | and |
| Grant_Green | drummer |
| Grant_Green | apart |
| Grant_Green | from |
| Grant_Green | guitarist |
| Grant_Green | charlie |
| Grant_Green | christian |
| Grant_Green | green’s |
| Grant_Green | primary |
| Grant_Green | influences |
| Grant_Green | were |
| Grant_Green | saxophonists |
| Grant_Green | particularly |
| Grant_Green | charlie |
| Grant_Green | parker |
| Grant_Green | and |
| Grant_Green | his |
| Grant_Green | approach |
| Grant_Green | was |
| Grant_Green | therefore |
| Grant_Green | almost |
| Grant_Green | exclusively |
| Grant_Green | linear |
| Grant_Green | rather |
| Grant_Green | than |
| Grant_Green | chordal |
| Grant_Green | he |
| Grant_Green | thus |
| Grant_Green | rarely |
| Grant_Green | played |
| Grant_Green | rhythm |
| Grant_Green | guitar |
| Grant_Green | except |
| Grant_Green | as |
| Grant_Green | a |
| Grant_Green | sideman |
| Grant_Green | on |
| Grant_Green | albums |
| Grant_Green | led |
| Grant_Green | by |
| Grant_Green | other |
| Grant_Green | musicians |
| Grant_Green | the |
| Grant_Green | simplicity |
| Grant_Green | and |
| Grant_Green | immediacy |
| Grant_Green | of |
| Grant_Green | green’s |
| Grant_Green | playing |
| Grant_Green | which |
| Grant_Green | tended |
| Grant_Green | to |
| Grant_Green | avoid |
| Grant_Green | chromaticism |
| Grant_Green | derived |
| Grant_Green | from |
| Grant_Green | his |
| Grant_Green | early |
| Grant_Green | work |
| Grant_Green | playing |
| Grant_Green | rhythm |
| Grant_Green | and |
| Grant_Green | blues |
| Grant_Green | and |
| Grant_Green | although |
| Grant_Green | he |
| Grant_Green | achieved |
| Grant_Green | a |
| Grant_Green | synthesis |
| Grant_Green | of |
| Grant_Green | this |
| Grant_Green | style |
| Grant_Green | with |
| Grant_Green | bop |
| Grant_Green | he |
| Grant_Green | was |
| Grant_Green | a |
| Grant_Green | skilled |
| Grant_Green | blues |
| Grant_Green | and |
| Grant_Green | funk |
| Grant_Green | guitarist |
| Grant_Green | and |
| Grant_Green | returned |
| Grant_Green | to |
| Grant_Green | this |
| Grant_Green | style |
| Grant_Green | in |
| Grant_Green | his |
| Grant_Green | later |
| Grant_Green | career |
| Grant_Green | en |
| D’Angelo | michael |
| D’Angelo | eugene |
| D’Angelo | archer |
| D’Angelo | born |
| D’Angelo | february |
| D’Angelo | 11 |
| D’Angelo | 1974 |
| D’Angelo | better |
| D’Angelo | known |
| D’Angelo | by |
| D’Angelo | his |
| D’Angelo | stage |
| D’Angelo | name |
| D’Angelo | d’angelo |
| D’Angelo | di |
| D’Angelo | 疆 |
| D’Angelo | nd |
| D’Angelo | lo |
| D’Angelo | is |
| D’Angelo | an |
| D’Angelo | american |
| D’Angelo | singer |
| D’Angelo | songwriter |
| D’Angelo | multi |
| D’Angelo | instrumentalist |
| D’Angelo | and |
| D’Angelo | record |
| D’Angelo | producer |
| D’Angelo | he |
| D’Angelo | is |
| D’Angelo | associated |
| D’Angelo | with |
| D’Angelo | the |
| D’Angelo | neo |
| D’Angelo | soul |
| D’Angelo | movement |
| D’Angelo | along |
| D’Angelo | with |
| D’Angelo | artists |
| D’Angelo | like |
| D’Angelo | erykah |
| D’Angelo | badu |
| D’Angelo | lauryn |
| D’Angelo | hill |
| D’Angelo | maxwell |
| D’Angelo | and |
| D’Angelo | collaborator |
| D’Angelo | angie |
| D’Angelo | stone |
| D’Angelo | the |
| D’Angelo | son |
| D’Angelo | of |
| D’Angelo | a |
| D’Angelo | pentecostal |
| D’Angelo | minister |
| D’Angelo | in |
| D’Angelo | richmond |
| D’Angelo | virginia |
| D’Angelo | d’angelo |
| D’Angelo | taught |
| D’Angelo | himself |
| D’Angelo | piano |
| D’Angelo | as |
| D’Angelo | a |
| D’Angelo | child |
| D’Angelo | at |
| D’Angelo | eighteen |
| D’Angelo | he |
| D’Angelo | won |
| D’Angelo | the |
| D’Angelo | amateur |
| D’Angelo | talent |
| D’Angelo | competition |
| D’Angelo | at |
| D’Angelo | the |
| D’Angelo | apollo |
| D’Angelo | theater |
| D’Angelo | in |
| D’Angelo | harlem |
| D’Angelo | three |
| D’Angelo | weeks |
| D’Angelo | in |
| D’Angelo | a |
| D’Angelo | row |
| D’Angelo | after |
| D’Angelo | a |
| D’Angelo | brief |
| D’Angelo | affiliation |
| D’Angelo | with |
| D’Angelo | hip |
| D’Angelo | hop |
| D’Angelo | group |
| D’Angelo | i.d.u |
| D’Angelo | his |
| D’Angelo | first |
| D’Angelo | major |
| D’Angelo | success |
| D’Angelo | came |
| D’Angelo | in |
| D’Angelo | 1994 |
| D’Angelo | as |
| D’Angelo | the |
| D’Angelo | co |
| D’Angelo | writer |
| D’Angelo | and |
| D’Angelo | co |
| D’Angelo | producer |
| D’Angelo | of |
| D’Angelo | the |
| D’Angelo | song |
| D’Angelo | u |
| D’Angelo | will |
| D’Angelo | know |
| D’Angelo | his |
| D’Angelo | debut |
| D’Angelo | solo |
| D’Angelo | album |
| D’Angelo | brown |
| D’Angelo | sugar |
| D’Angelo | 1995 |
| D’Angelo | received |
| D’Angelo | widespread |
| D’Angelo | acclaim |
| D’Angelo | and |
| D’Angelo | sold |
| D’Angelo | over |
| D’Angelo | two |
| D’Angelo | million |
| D’Angelo | copies |
| D’Angelo | his |
| D’Angelo | next |
| D’Angelo | album |
| D’Angelo | voodoo |
| D’Angelo | 2000 |
| D’Angelo | debuted |
| D’Angelo | at |
| D’Angelo | number |
| D’Angelo | one |
| D’Angelo | on |
| D’Angelo | the |
| D’Angelo | us |
| D’Angelo | billboard |
| D’Angelo | 200 |
| D’Angelo | its |
| D’Angelo | lead |
| D’Angelo | single |
| D’Angelo | untitled |
| D’Angelo | how |
| D’Angelo | does |
| D’Angelo | it |
| D’Angelo | feel |
| D’Angelo | entered |
| D’Angelo | the |
| D’Angelo | r |
| D’Angelo | b |
| D’Angelo | charts |
| D’Angelo | and |
| D’Angelo | won |
| D’Angelo | a |
| D’Angelo | grammy |
| D’Angelo | award |
| D’Angelo | for |
| D’Angelo | best |
| D’Angelo | male |
| D’Angelo | r |
| D’Angelo | b |
| D’Angelo | vocal |
| D’Angelo | performance |
| D’Angelo | likewise |
| D’Angelo | voodoo |
| D’Angelo | won |
| D’Angelo | best |
| D’Angelo | r |
| D’Angelo | b |
| D’Angelo | album |
| D’Angelo | following |
| D’Angelo | this |
| D’Angelo | period |
| D’Angelo | d’angelo |
| D’Angelo | became |
| D’Angelo | increasingly |
| D’Angelo | uncomfortable |
| D’Angelo | with |
| D’Angelo | his |
| D’Angelo | growing |
| D’Angelo | status |
| D’Angelo | as |
| D’Angelo | a |
| D’Angelo | sex |
| D’Angelo | symbol |
| D’Angelo | this |
| D’Angelo | was |
| D’Angelo | followed |
| D’Angelo | by |
| D’Angelo | numerous |
| D’Angelo | personal |
| D’Angelo | struggles |
| D’Angelo | including |
| D’Angelo | alcoholism |
| D’Angelo | and |
| D’Angelo | a |
| D’Angelo | fourteen |
| D’Angelo | year |
| D’Angelo | long |
| D’Angelo | musical |
| D’Angelo | hiatus |
| D’Angelo | d’angelo |
| D’Angelo | released |
| D’Angelo | his |
| D’Angelo | third |
| D’Angelo | studio |
| D’Angelo | album |
| D’Angelo | black |
| D’Angelo | messiah |
| D’Angelo | in |
| D’Angelo | december |
| D’Angelo | 2014 |
| D’Angelo | the |
| D’Angelo | album |
| D’Angelo | was |
| D’Angelo | met |
| D’Angelo | with |
| D’Angelo | critical |
| D’Angelo | acclaim |
| D’Angelo | and |
| D’Angelo | fared |
| D’Angelo | well |
| D’Angelo | on |
| D’Angelo | music |
| D’Angelo | charts |
| D’Angelo | peaking |
| D’Angelo | at |
| D’Angelo | number |
| D’Angelo | five |
| D’Angelo | on |
| D’Angelo | the |
| D’Angelo | us |
| D’Angelo | billboard |
| D’Angelo | 200 |
| D’Angelo | the |
| D’Angelo | same |
| D’Angelo | year |
| D’Angelo | d’angelo |
| D’Angelo | was |
| D’Angelo | hailed |
| D’Angelo | as |
| D’Angelo | the |
| D’Angelo | next |
| D’Angelo | marvin |
| D’Angelo | gaye |
| D’Angelo | by |
| D’Angelo | gq |
| D’Angelo | d’angelo |
| D’Angelo | also |
| D’Angelo | contributed |
| D’Angelo | to |
| D’Angelo | the |
| D’Angelo | soundtrack |
| D’Angelo | for |
| D’Angelo | the |
| D’Angelo | 2018 |
| D’Angelo | video |
| D’Angelo | game |
| D’Angelo | red |
| D’Angelo | dead |
| D’Angelo | redemption |
| D’Angelo | 2 |
| D’Angelo | performing |
| D’Angelo | the |
| D’Angelo | song |
| D’Angelo | unshaken |
| D’Angelo | en |
| Bud_Powell | earl |
| Bud_Powell | rudolph |
| Bud_Powell | bud |
| Bud_Powell | powell |
| Bud_Powell | september |
| Bud_Powell | 27 |
| Bud_Powell | 1924 |
| Bud_Powell | july |
| Bud_Powell | 31 |
| Bud_Powell | 1966 |
| Bud_Powell | was |
| Bud_Powell | an |
| Bud_Powell | american |
| Bud_Powell | jazz |
| Bud_Powell | pianist |
| Bud_Powell | and |
| Bud_Powell | composer |
| Bud_Powell | along |
| Bud_Powell | with |
| Bud_Powell | charlie |
| Bud_Powell | parker |
| Bud_Powell | thelonious |
| Bud_Powell | monk |
| Bud_Powell | and |
| Bud_Powell | dizzy |
| Bud_Powell | gillespie |
| Bud_Powell | powell |
| Bud_Powell | was |
| Bud_Powell | a |
| Bud_Powell | leading |
| Bud_Powell | figure |
| Bud_Powell | in |
| Bud_Powell | the |
| Bud_Powell | development |
| Bud_Powell | of |
| Bud_Powell | modern |
| Bud_Powell | jazz |
| Bud_Powell | his |
| Bud_Powell | virtuosity |
| Bud_Powell | led |
| Bud_Powell | many |
| Bud_Powell | to |
| Bud_Powell | call |
| Bud_Powell | him |
| Bud_Powell | the |
| Bud_Powell | charlie |
| Bud_Powell | parker |
| Bud_Powell | of |
| Bud_Powell | the |
| Bud_Powell | piano |
| Bud_Powell | powell |
| Bud_Powell | was |
| Bud_Powell | also |
| Bud_Powell | a |
| Bud_Powell | composer |
| Bud_Powell | and |
| Bud_Powell | many |
| Bud_Powell | jazz |
| Bud_Powell | critics |
| Bud_Powell | credit |
| Bud_Powell | his |
| Bud_Powell | works |
| Bud_Powell | and |
| Bud_Powell | his |
| Bud_Powell | playing |
| Bud_Powell | as |
| Bud_Powell | having |
| Bud_Powell | greatly |
| Bud_Powell | extended |
| Bud_Powell | the |
| Bud_Powell | range |
| Bud_Powell | of |
| Bud_Powell | jazz |
| Bud_Powell | harmony |
| Bud_Powell | en |
| Joss_Stone | joscelyn |
| Joss_Stone | eve |
| Joss_Stone | stoker |
| Joss_Stone | born |
| Joss_Stone | 11 |
| Joss_Stone | april |
| Joss_Stone | 1987 |
| Joss_Stone | known |
| Joss_Stone | professionally |
| Joss_Stone | as |
| Joss_Stone | joss |
| Joss_Stone | stone |
| Joss_Stone | is |
| Joss_Stone | a |
| Joss_Stone | british |
| Joss_Stone | singer |
| Joss_Stone | and |
| Joss_Stone | actress |
| Joss_Stone | she |
| Joss_Stone | rose |
| Joss_Stone | to |
| Joss_Stone | fame |
| Joss_Stone | in |
| Joss_Stone | late |
| Joss_Stone | 2003 |
| Joss_Stone | with |
| Joss_Stone | her |
| Joss_Stone | multi |
| Joss_Stone | platinum |
| Joss_Stone | debut |
| Joss_Stone | album |
| Joss_Stone | the |
| Joss_Stone | soul |
| Joss_Stone | sessions |
| Joss_Stone | which |
| Joss_Stone | made |
| Joss_Stone | the |
| Joss_Stone | 2004 |
| Joss_Stone | mercury |
| Joss_Stone | prize |
| Joss_Stone | shortlist |
| Joss_Stone | her |
| Joss_Stone | second |
| Joss_Stone | album |
| Joss_Stone | the |
| Joss_Stone | similarly |
| Joss_Stone | multi |
| Joss_Stone | platinum |
| Joss_Stone | mind |
| Joss_Stone | body |
| Joss_Stone | soul |
| Joss_Stone | 2004 |
| Joss_Stone | topped |
| Joss_Stone | the |
| Joss_Stone | uk |
| Joss_Stone | albums |
| Joss_Stone | chart |
| Joss_Stone | and |
| Joss_Stone | spawned |
| Joss_Stone | the |
| Joss_Stone | top |
| Joss_Stone | ten |
| Joss_Stone | hit |
| Joss_Stone | you |
| Joss_Stone | had |
| Joss_Stone | me |
| Joss_Stone | stone’s |
| Joss_Stone | most |
| Joss_Stone | successful |
| Joss_Stone | single |
| Joss_Stone | on |
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| Joss_Stone | uk |
| Joss_Stone | singles |
| Joss_Stone | chart |
| Joss_Stone | to |
| Joss_Stone | date |
| Joss_Stone | both |
| Joss_Stone | the |
| Joss_Stone | album |
| Joss_Stone | and |
| Joss_Stone | single |
| Joss_Stone | received |
| Joss_Stone | one |
| Joss_Stone | nomination |
| Joss_Stone | at |
| Joss_Stone | the |
| Joss_Stone | 2005 |
| Joss_Stone | grammy |
| Joss_Stone | awards |
| Joss_Stone | while |
| Joss_Stone | stone |
| Joss_Stone | herself |
| Joss_Stone | was |
| Joss_Stone | nominated |
| Joss_Stone | for |
| Joss_Stone | best |
| Joss_Stone | new |
| Joss_Stone | artist |
| Joss_Stone | and |
| Joss_Stone | in |
| Joss_Stone | an |
| Joss_Stone | annual |
| Joss_Stone | bbc |
| Joss_Stone | poll |
| Joss_Stone | of |
| Joss_Stone | music |
| Joss_Stone | critics |
| Joss_Stone | sound |
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| Joss_Stone | 2004 |
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| Joss_Stone | a |
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| Joss_Stone | act |
| Joss_Stone | of |
| Joss_Stone | 2004 |
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| Joss_Stone | youngest |
| Joss_Stone | british |
| Joss_Stone | female |
| Joss_Stone | singer |
| Joss_Stone | to |
| Joss_Stone | top |
| Joss_Stone | the |
| Joss_Stone | uk |
| Joss_Stone | albums |
| Joss_Stone | chart |
| Joss_Stone | stone’s |
| Joss_Stone | third |
| Joss_Stone | album |
| Joss_Stone | introducing |
| Joss_Stone | joss |
| Joss_Stone | stone |
| Joss_Stone | released |
| Joss_Stone | in |
| Joss_Stone | march |
| Joss_Stone | 2007 |
| Joss_Stone | achieved |
| Joss_Stone | gold |
| Joss_Stone | record |
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| Joss_Stone | by |
| Joss_Stone | the |
| Joss_Stone | riaa |
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| Joss_Stone | yielded |
| Joss_Stone | the |
| Joss_Stone | second |
| Joss_Stone | ever |
| Joss_Stone | highest |
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| Joss_Stone | for |
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| Joss_Stone | british |
| Joss_Stone | female |
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| Joss_Stone | the |
| Joss_Stone | billboard |
| Joss_Stone | 200 |
| Joss_Stone | and |
| Joss_Stone | became |
| Joss_Stone | stone’s |
| Joss_Stone | first |
| Joss_Stone | top |
| Joss_Stone | five |
| Joss_Stone | album |
| Joss_Stone | in |
| Joss_Stone | the |
| Joss_Stone | us |
| Joss_Stone | she |
| Joss_Stone | released |
| Joss_Stone | her |
| Joss_Stone | fourth |
| Joss_Stone | album |
| Joss_Stone | colour |
| Joss_Stone | me |
| Joss_Stone | free |
| Joss_Stone | in |
| Joss_Stone | 2009 |
| Joss_Stone | which |
| Joss_Stone | reached |
| Joss_Stone | the |
| Joss_Stone | top |
| Joss_Stone | 10 |
| Joss_Stone | on |
| Joss_Stone | billboard |
| Joss_Stone | stone |
| Joss_Stone | released |
| Joss_Stone | her |
| Joss_Stone | fifth |
| Joss_Stone | album |
| Joss_Stone | lp1 |
| Joss_Stone | in |
| Joss_Stone | 2011 |
| Joss_Stone | which |
| Joss_Stone | reached |
| Joss_Stone | the |
| Joss_Stone | top |
| Joss_Stone | 10 |
| Joss_Stone | on |
| Joss_Stone | billboard |
| Joss_Stone | throughout |
| Joss_Stone | her |
| Joss_Stone | career |
| Joss_Stone | stone |
| Joss_Stone | has |
| Joss_Stone | sold |
| Joss_Stone | 15 |
| Joss_Stone | million |
| Joss_Stone | records |
| Joss_Stone | worldwide |
| Joss_Stone | establishing |
| Joss_Stone | herself |
| Joss_Stone | as |
| Joss_Stone | one |
| Joss_Stone | of |
| Joss_Stone | the |
| Joss_Stone | best |
| Joss_Stone | selling |
| Joss_Stone | soul |
| Joss_Stone | artists |
| Joss_Stone | of |
| Joss_Stone | the |
| Joss_Stone | 2000s |
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| Joss_Stone | the |
| Joss_Stone | best |
| Joss_Stone | selling |
| Joss_Stone | british |
| Joss_Stone | artists |
| Joss_Stone | of |
| Joss_Stone | her |
| Joss_Stone | time |
| Joss_Stone | her |
| Joss_Stone | first |
| Joss_Stone | three |
| Joss_Stone | albums |
| Joss_Stone | have |
| Joss_Stone | sold |
| Joss_Stone | over |
| Joss_Stone | 2,722,000 |
| Joss_Stone | copies |
| Joss_Stone | in |
| Joss_Stone | the |
| Joss_Stone | us |
| Joss_Stone | while |
| Joss_Stone | her |
| Joss_Stone | first |
| Joss_Stone | two |
| Joss_Stone | albums |
| Joss_Stone | have |
| Joss_Stone | sold |
| Joss_Stone | over |
| Joss_Stone | 2 |
| Joss_Stone | million |
| Joss_Stone | copies |
| Joss_Stone | in |
| Joss_Stone | the |
| Joss_Stone | uk |
| Joss_Stone | stone |
| Joss_Stone | has |
| Joss_Stone | earned |
| Joss_Stone | several |
| Joss_Stone | awards |
| Joss_Stone | including |
| Joss_Stone | two |
| Joss_Stone | brit |
| Joss_Stone | awards |
| Joss_Stone | and |
| Joss_Stone | one |
| Joss_Stone | grammy |
| Joss_Stone | award |
| Joss_Stone | out |
| Joss_Stone | of |
| Joss_Stone | five |
| Joss_Stone | nominations |
| Joss_Stone | she |
| Joss_Stone | made |
| Joss_Stone | her |
| Joss_Stone | film |
| Joss_Stone | acting |
| Joss_Stone | debut |
| Joss_Stone | in |
| Joss_Stone | 2006 |
| Joss_Stone | with |
| Joss_Stone | the |
| Joss_Stone | fantasy |
| Joss_Stone | adventure |
| Joss_Stone | film |
| Joss_Stone | eragon |
| Joss_Stone | and |
| Joss_Stone | made |
| Joss_Stone | her |
| Joss_Stone | television |
| Joss_Stone | debut |
| Joss_Stone | portraying |
| Joss_Stone | anne |
| Joss_Stone | of |
| Joss_Stone | cleves |
| Joss_Stone | in |
| Joss_Stone | the |
| Joss_Stone | showtime |
| Joss_Stone | series |
| Joss_Stone | the |
| Joss_Stone | tudors |
| Joss_Stone | in |
| Joss_Stone | 2009 |
| Joss_Stone | stone |
| Joss_Stone | was |
| Joss_Stone | the |
| Joss_Stone | youngest |
| Joss_Stone | woman |
| Joss_Stone | on |
| Joss_Stone | the |
| Joss_Stone | 2006 |
| Joss_Stone | sunday |
| Joss_Stone | times |
| Joss_Stone | rich |
| Joss_Stone | list |
| Joss_Stone | n |
| Joss_Stone | annual |
| Joss_Stone | list |
| Joss_Stone | of |
| Joss_Stone | the |
| Joss_Stone | uk’s |
| Joss_Stone | wealthiest |
| Joss_Stone | people |
| Joss_Stone | ith |
| Joss_Stone | 瞿 |
| Joss_Stone | 6 |
| Joss_Stone | million |
| Joss_Stone | in |
| Joss_Stone | 2012 |
| Joss_Stone | her |
| Joss_Stone | net |
| Joss_Stone | worth |
| Joss_Stone | was |
| Joss_Stone | estimated |
| Joss_Stone | to |
| Joss_Stone | be |
| Joss_Stone | 瞿 |
| Joss_Stone | 10 |
| Joss_Stone | million |
| Joss_Stone | making |
| Joss_Stone | her |
| Joss_Stone | the |
| Joss_Stone | fifth |
| Joss_Stone | richest |
| Joss_Stone | british |
| Joss_Stone | musician |
| Joss_Stone | under |
| Joss_Stone | 30 |
| Joss_Stone | the |
| Joss_Stone | soul |
| Joss_Stone | sessions |
| Joss_Stone | vol |
| Joss_Stone | 2 |
| Joss_Stone | 2012 |
| Joss_Stone | is |
| Joss_Stone | her |
| Joss_Stone | fourth |
| Joss_Stone | consecutive |
| Joss_Stone | album |
| Joss_Stone | to |
| Joss_Stone | reach |
| Joss_Stone | the |
| Joss_Stone | top |
| Joss_Stone | 10 |
| Joss_Stone | on |
| Joss_Stone | the |
| Joss_Stone | billboard |
| Joss_Stone | 200 |
| Joss_Stone | with |
| Joss_Stone | australian |
| Joss_Stone | producer |
| Joss_Stone | cam |
| Joss_Stone | noble |
| Joss_Stone | en |
| word | n |
|---|---|
| jazz | 454 |
| en | 238 |
| american | 204 |
| music | 185 |
| album | 156 |
| born | 147 |
| band | 102 |
| composer | 93 |
| albums | 91 |
| rock | 79 |
| career | 73 |
| released | 73 |
| musicians | 70 |
| time | 70 |
| award | 67 |
| including | 66 |
| awards | 64 |
| grammy | 64 |
| played | 63 |
| blues | 60 |
| singer | 60 |
| drummer | 59 |
| pianist | 59 |
| saxophonist | 59 |
| recorded | 56 |
| records | 51 |
| john | 50 |
| musician | 43 |
| performed | 43 |
| jones | 42 |
| fame | 41 |
| solo | 40 |
| hall | 39 |
| marsalis | 39 |
| playing | 39 |
| received | 39 |
| bassist | 37 |
| record | 36 |
| songwriter | 36 |
| charles | 35 |
| trumpeter | 35 |
| 1960s | 34 |
| davis | 34 |
| orchestra | 34 |
| song | 34 |
| york | 34 |
| artists | 33 |
| march | 33 |
| october | 33 |
| songs | 33 |
| top | 33 |
| bandleader | 32 |
| guitarist | 32 |
| late | 32 |
| pop | 32 |
| won | 32 |
| blood | 31 |
| bop | 31 |
| december | 31 |
| 1970s | 30 |
| artist | 30 |
| led | 30 |
| jr | 29 |
| university | 29 |
| april | 28 |
| hard | 28 |
| hit | 28 |
| producer | 28 |
| recording | 28 |
| recordings | 27 |
| september | 27 |
| style | 27 |
| 10 | 26 |
| 100 | 26 |
| august | 26 |
| educator | 26 |
| film | 26 |
| miles | 26 |
| player | 26 |
| world | 26 |
| 1980s | 25 |
| june | 25 |
| million | 25 |
| age | 24 |
| billboard | 24 |
| guitar | 24 |
| inducted | 24 |
| musical | 24 |
| piano | 24 |
| soul | 24 |
| stone | 24 |
| success | 24 |
| tenor | 24 |
| 11 | 23 |
| 2007 | 23 |
| blue | 23 |
| called | 23 |
| compositions | 23 |
| formed | 23 |
| january | 23 |
| 2 | 22 |
| art | 22 |
| roll | 22 |
| rolling | 22 |
| sound | 22 |
| studio | 22 |
| chart | 21 |
| february | 21 |
| festival | 21 |
| july | 21 |
| leader | 21 |
| november | 21 |
| wynton | 21 |
| 15 | 20 |
| 2009 | 20 |
| city | 20 |
| joe | 20 |
| saxophone | 20 |
| sold | 20 |
| 2016 | 19 |
| 30 | 19 |
| arranger | 19 |
| bebop | 19 |
| country | 19 |
| debut | 19 |
| director | 19 |
| gillespie | 19 |
| hits | 19 |
| love | 19 |
| mayer | 19 |
| monk | 19 |
| nelson | 19 |
| nominated | 19 |
| performing | 19 |
| robert | 19 |
| school | 19 |
| tour | 19 |
| 1 | 18 |
| 2013 | 18 |
| 4 | 18 |
| academy | 18 |
| bands | 18 |
| considered | 18 |
| history | 18 |
| moved | 18 |
| quartet | 18 |
| successful | 18 |
| times | 18 |
| trumpet | 18 |
| worldwide | 18 |
| 2008 | 17 |
| 2011 | 17 |
| bass | 17 |
| british | 17 |
| continued | 17 |
| dizzy | 17 |
| fusion | 17 |
| hip | 17 |
| hop | 17 |
| influential | 17 |
| jackson | 17 |
| king | 17 |
| life | 17 |
| list | 17 |
| major | 17 |
| modern | 17 |
| trio | 17 |
| 1950s | 16 |
| 1965 | 16 |
| 1993 | 16 |
| 1994 | 16 |
| 1997 | 16 |
| 1998 | 16 |
| 20 | 16 |
| 2006 | 16 |
| 2012 | 16 |
| brown | 16 |
| college | 16 |
| death | 16 |
| ellington | 16 |
| hancock | 16 |
| live | 16 |
| note | 16 |
| play | 16 |
| rhythm | 16 |
| singles | 16 |
| united | 16 |
| wrote | 16 |
| 1975 | 15 |
| 1995 | 15 |
| 2005 | 15 |
| 2014 | 15 |
| 2017 | 15 |
| 28 | 15 |
| african | 15 |
| blakey | 15 |
| center | 15 |
| double | 15 |
| george | 15 |
| include | 15 |
| influenced | 15 |
| joined | 15 |
| performance | 15 |
| period | 15 |
| ranked | 15 |
| ray | 15 |
| release | 15 |
| selling | 15 |
| single | 15 |
| winning | 15 |
| 18 | 14 |
| 1962 | 14 |
| 2000 | 14 |
| 2004 | 14 |
| 2019 | 14 |
| 5 | 14 |
| charlie | 14 |
| clapton | 14 |
| coltrane | 14 |
| eric | 14 |
| funk | 14 |
| herbie | 14 |
| jimmy | 14 |
| messengers | 14 |
| original | 14 |
| prize | 14 |
| series | 14 |
| stage | 14 |
| uk | 14 |
| 16 | 13 |
| 1960 | 13 |
| 1964 | 13 |
| 1966 | 13 |
| 1974 | 13 |
| 1991 | 13 |
| 2015 | 13 |
| 25 | 13 |
| ali | 13 |
| berklee | 13 |
| critics | 13 |
| featuring | 13 |
| james | 13 |
| leading | 13 |
| left | 13 |
| mid | 13 |
| quintet | 13 |
| sideman | 13 |
| television | 13 |
| 13 | 12 |
| 14 | 12 |
| 1963 | 12 |
| 1967 | 12 |
| 1972 | 12 |
| 1973 | 12 |
| 1977 | 12 |
| 1979 | 12 |
| 1992 | 12 |
| 2002 | 12 |
| 2003 | 12 |
| 2010 | 12 |
| 2018 | 12 |
| 2020 | 12 |
| 22 | 12 |
| 6 | 12 |
| 9 | 12 |
| awarded | 12 |
| bill | 12 |
| cells | 12 |
| clayton | 12 |
| commercial | 12 |
| d’angelo | 12 |
| died | 12 |
| dylan | 12 |
| label | 12 |
| lifetime | 12 |
| paul | 12 |
| post | 12 |
| silver | 12 |
| songwriters | 12 |
| thelonious | 12 |
| touring | 12 |
| williams | 12 |
| writing | 12 |
| 矇 | 12 |
| 17 | 11 |
| 1961 | 11 |
| 1969 | 11 |
| 1982 | 11 |
| 1986 | 11 |
| 1990s | 11 |
| 200 | 11 |
| 2021 | 11 |
| 23 | 11 |
| 24 | 11 |
| 29 | 11 |
| 40 | 11 |
| appeared | 11 |
| billy | 11 |
| blige | 11 |
| brother | 11 |
| brothers | 11 |
| carter | 11 |
| collaborated | 11 |
| composed | 11 |
| drums | 11 |
| duke | 11 |
| english | 11 |
| era | 11 |
| helped | 11 |
| inch | 11 |
| included | 11 |
| jeff | 11 |
| los | 11 |
| mingus | 11 |
| moore | 11 |
| multi | 11 |
| nails | 11 |
| named | 11 |
| numerous | 11 |
| oscar | 11 |
| popular | 11 |
| professor | 11 |
| prominence | 11 |
| red | 11 |
| roy | 11 |
| served | 11 |
| spalding | 11 |
| standards | 11 |
| started | 11 |
| toured | 11 |
| vocal | 11 |
| 1957 | 10 |
| 1990 | 10 |
| 1996 | 10 |
| 26 | 10 |
| angeles | 10 |
| arts | 10 |
| bee | 10 |
| benny | 10 |
| body | 10 |
| family | 10 |
| gees | 10 |
| green | 10 |
| hot | 10 |
| institute | 10 |
| instrumental | 10 |
| international | 10 |
| magazine | 10 |
| marcus | 10 |
| michael | 10 |
| nominations | 10 |
| parker | 10 |
| radio | 10 |
| short | 10 |
| styles | 10 |
| 12 | 9 |
| 19 | 9 |
| 1932 | 9 |
| 1958 | 9 |
| 1968 | 9 |
| 1987 | 9 |
| 1989 | 9 |
| 1999 | 9 |
| 3 | 9 |
| 8 | 9 |
| achievement | 9 |
| addition | 9 |
| alto | 9 |
| based | 9 |
| beck | 9 |
| blakey’s | 9 |
| branford | 9 |
| charts | 9 |
| combined | 9 |
| composers | 9 |
| composition | 9 |
| concert | 9 |
| critic | 9 |
| critical | 9 |
| detroit | 9 |
| donald | 9 |
| dulfer | 9 |
| eagles | 9 |
| electric | 9 |
| featured | 9 |
| figure | 9 |
| fourth | 9 |
| frank | 9 |
| freddie | 9 |
| genre | 9 |
| genres | 9 |
| guitarists | 9 |
| harry | 9 |
| henderson | 9 |
| influence | 9 |
| johnny | 9 |
| lee | 9 |
| lincoln | 9 |
| lyrics | 9 |
| morgan | 9 |
| national | 9 |
| players | 9 |
| produced | 9 |
| professionally | 9 |
| public | 9 |
| saadiq | 9 |
| shakur | 9 |
| signed | 9 |
| taylor | 9 |
| terry | 9 |
| virtuoso | 9 |
| vocalist | 9 |
| 塈 | 9 |
| 1934 | 8 |
| 1970 | 8 |
| 1985 | 8 |
| 2001 | 8 |
| 20th | 8 |
| 21 | 8 |
| 27 | 8 |
| acclaim | 8 |
| alongside | 8 |
| annual | 8 |
| anthony | 8 |
| artistic | 8 |
| beginning | 8 |
| black | 8 |
| bob | 8 |
| browne | 8 |
| california | 8 |
| century | 8 |
| chicago | 8 |
| child | 8 |
| clark | 8 |
| classical | 8 |
| competition | 8 |
| connick | 8 |
| contemporary | 8 |
| dave | 8 |
| decades | 8 |
| due | 8 |
| earned | 8 |
| edward | 8 |
| folk | 8 |
| gary | 8 |
| hampton | 8 |
| instruments | 8 |
| johnson | 8 |
| kenny | 8 |
| lead | 8 |
| lewis | 8 |
| magazine’s | 8 |
| mainstream | 8 |
| male | 8 |
| night | 8 |
| percussionist | 8 |
| performances | 8 |
| primary | 8 |
| program | 8 |
| prominent | 8 |
| quincy | 8 |
| raised | 8 |
| range | 8 |
| regarded | 8 |
| shorter | 8 |
| sonny | 8 |
| stan | 8 |
| stones | 8 |
| studies | 8 |
| tonight | 8 |
| tours | 8 |
| traditional | 8 |
| voodoo | 8 |
| washington | 8 |
| widely | 8 |
| 1955 | 7 |
| 1956 | 7 |
| 1959 | 7 |
| 1971 | 7 |
| 1976 | 7 |
| 1978 | 7 |
| 1984 | 7 |
| 1988 | 7 |
| 31 | 7 |
| achieved | 7 |
| active | 7 |
| actor | 7 |
| appearing | 7 |
| attended | 7 |
| avant | 7 |
| barry | 7 |
| betty | 7 |
| board | 7 |
| book | 7 |
| byrd | 7 |
| category | 7 |
| complex | 7 |
| contributions | 7 |
| davis’s | 7 |
| dead | 7 |
| developed | 7 |
| dr | 7 |
| electronic | 7 |
| extensively | 7 |
| father | 7 |
| founded | 7 |
| frequently | 7 |
| garde | 7 |
| getz | 7 |
| griffin | 7 |
| haden | 7 |
| hank | 7 |
| hargrove | 7 |
| harris | 7 |
| heart | 7 |
| horn | 7 |
| hubbard | 7 |
| inspired | 7 |
| instrument | 7 |
| jackie | 7 |
| jarrett | 7 |
| keith | 7 |
| keyboardist | 7 |
| latin | 7 |
| lionel | 7 |
| living | 7 |
| louis | 7 |
| mclean | 7 |
| noted | 7 |
| plays | 7 |
| poll | 7 |
| powell | 7 |
| power | 7 |
| reached | 7 |
| releases | 7 |
| scores | 7 |
| session | 7 |
| signature | 7 |
| son | 7 |
| sounds | 7 |
| stone’s | 7 |
| ten | 7 |
| texas | 7 |
| trombonist | 7 |
| west | 7 |
| white | 7 |
| william | 7 |
| willie | 7 |
| 1935 | 6 |
| 1949 | 6 |
| 1950 | 6 |
| 7 | 6 |
| acclaimed | 6 |
| act | 6 |
| america | 6 |
| anderson | 6 |
| appearance | 6 |
| attention | 6 |
| ben | 6 |
| brit | 6 |
| butman | 6 |
| canadian | 6 |
| collaboration | 6 |
| concept | 6 |
| consecutive | 6 |
| contributed | 6 |
| contribution | 6 |
| david | 6 |
| decade | 6 |
| dee | 6 |
| don | 6 |
| dutch | 6 |
| earning | 6 |
| elvin | 6 |
| emmy | 6 |
| ensemble | 6 |
| fellow | 6 |
| films | 6 |
| form | 6 |
| founding | 6 |
| free | 6 |
| gained | 6 |
| golden | 6 |
| gordon | 6 |
| gospel | 6 |
| hans | 6 |
| harmonic | 6 |
| harmony | 6 |
| heavy | 6 |
| henley | 6 |
| honorary | 6 |
| horace | 6 |
| house | 6 |
| illinois | 6 |
| includes | 6 |
| instrumentalist | 6 |
| jay | 6 |
| jordan | 6 |
| kennedy | 6 |
| leaving | 6 |
| legacy | 6 |
| lloyd | 6 |
| main | 6 |
| master | 6 |
| max | 6 |
| mind | 6 |
| morrison | 6 |
| nash | 6 |
| nashville | 6 |
| occasional | 6 |
| orleans | 6 |
| outstanding | 6 |
| oxygen | 6 |
| people | 6 |
| peterson | 6 |
| platinum | 6 |
| recognition | 6 |
| return | 6 |
| returned | 6 |
| reznor | 6 |
| rich | 6 |
| roach | 6 |
| role | 6 |
| rollins | 6 |
| sandoval | 6 |
| scott | 6 |
| shaw | 6 |
| soprano | 6 |
| south | 6 |
| spanish | 6 |
| stanley | 6 |
| steve | 6 |
| stevie | 6 |
| sting | 6 |
| stooges | 6 |
| talent | 6 |
| taught | 6 |
| teacher | 6 |
| tennessee | 6 |
| thomas | 6 |
| titled | 6 |
| tony | 6 |
| trumpeters | 6 |
| u.s | 6 |
| variety | 6 |
| video | 6 |
| voice | 6 |
| wide | 6 |
| wilson | 6 |
| women | 6 |
| woody | 6 |
| written | 6 |
| 1930 | 5 |
| 1931 | 5 |
| 1936 | 5 |
| 1938 | 5 |
| 1940s | 5 |
| 1941 | 5 |
| 1944 | 5 |
| 1951 | 5 |
| 1980 | 5 |
| 1981 | 5 |
| 60 | 5 |
| ability | 5 |
| acoustic | 5 |
| activist | 5 |
| adderley | 5 |
| al | 5 |
| alford | 5 |
| andrew | 5 |
| approach | 5 |
| arturo | 5 |
| ashcroft | 5 |
| blanchard | 5 |
| bowie | 5 |
| brecker | 5 |
| broke | 5 |
| clarinetist | 5 |
| clifford | 5 |
| coast | 5 |
| collaborator | 5 |
| collective | 5 |
| columbia | 5 |
| concerts | 5 |
| contributing | 5 |
| copies | 5 |
| corea | 5 |
| credited | 5 |
| culture | 5 |
| dance | 5 |
| development | 5 |
| elements | 5 |
| elew | 5 |
| ellis | 5 |
| eubanks | 5 |
| evans | 5 |
| eventually | 5 |
| florida | 5 |
| foster | 5 |
| found | 5 |
| frequent | 5 |
| gerald | 5 |
| globe | 5 |
| golson | 5 |
| grew | 5 |
| guy | 5 |
| harmonies | 5 |
| harper | 5 |
| heath | 5 |
| henry | 5 |
| herman | 5 |
| hill | 5 |
| home | 5 |
| hugh | 5 |
| husband | 5 |
| influences | 5 |
| inside | 5 |
| introducing | 5 |
| ivor | 5 |
| key | 5 |
| kravitz | 5 |
| lived | 5 |
| manhattan | 5 |
| mary | 5 |
| nations | 5 |
| native | 5 |
| nbc | 5 |
| novello | 5 |
| opera | 5 |
| organ | 5 |
| organist | 5 |
| palladino | 5 |
| pat | 5 |
| performer | 5 |
| performs | 5 |
| personal | 5 |
| peter | 5 |
| pioneer | 5 |
| plasma | 5 |
| police | 5 |
| popularity | 5 |
| primarily | 5 |
| professional | 5 |
| punk | 5 |
| recent | 5 |
| recipient | 5 |
| recognized | 5 |
| referred | 5 |
| reggae | 5 |
| richard | 5 |
| roberts | 5 |
| robin | 5 |
| rogers | 5 |
| roots | 5 |
| rose | 5 |
| row | 5 |
| russian | 5 |
| sanders | 5 |
| scofield | 5 |
| selected | 5 |
| sessions | 5 |
| singers | 5 |
| smith | 5 |
| society | 5 |
| st | 5 |
| standard | 5 |
| star | 5 |
| stewart | 5 |
| strickland | 5 |
| student | 5 |
| study | 5 |
| system | 5 |
| tommy | 5 |
| turrentine | 5 |
| tyner | 5 |
| version | 5 |
| wayne | 5 |
| wes | 5 |
| win | 5 |
| winner | 5 |
| world’s | 5 |
| writer | 5 |
| yardbirds | 5 |
| 阞 | 5 |
| 堭 | 5 |
| 1922 | 4 |
| 1923 | 4 |
| 1929 | 4 |
| 1930s | 4 |
| 1937 | 4 |
| 1940 | 4 |
| 1942 | 4 |
| 1943 | 4 |
| 1945 | 4 |
| 1954 | 4 |
| 1983 | 4 |
| 2000s | 4 |
| 50 | 4 |
| abstract | 4 |
| actress | 4 |
| albert | 4 |
| appointed | 4 |
| aspen | 4 |
| australia | 4 |
| australian | 4 |
| authors | 4 |
| baltimore | 4 |
| band’s | 4 |
| beat | 4 |
| benson | 4 |
| bley | 4 |
| briefly | 4 |
| bud | 4 |
| buddy | 4 |
| candy | 4 |
| cbe | 4 |
| cedar | 4 |
| change | 4 |
| charity | 4 |
| christian | 4 |
| classic | 4 |
| collaborating | 4 |
| commercially | 4 |
| company | 4 |
| consisting | 4 |
| cool | 4 |
| cotton | 4 |
| covers | 4 |
| creating | 4 |
| creative | 4 |
| crossover | 4 |
| direction | 4 |
| disc | 4 |
| distinctive | 4 |
| doctorate | 4 |
| downbeat | 4 |
| drug | 4 |
| earl | 4 |
| eddie | 4 |
| emerging | 4 |
| ensembles | 4 |
| europe | 4 |
| experimented | 4 |
| extended | 4 |
| extensive | 4 |
| female | 4 |
| festivals | 4 |
| figures | 4 |
| fluid | 4 |
| flute | 4 |
| freedom | 4 |
| friends | 4 |
| game | 4 |
| gelispie | 4 |
| ghosts | 4 |
| goines | 4 |
| green’s | 4 |
| hand | 4 |
| harmonica | 4 |
| hemoglobin | 4 |
| herb | 4 |
| herrera | 4 |
| honor | 4 |
| honors | 4 |
| humphries | 4 |
| igor | 4 |
| ii | 4 |
| iii | 4 |
| improvisations | 4 |
| impulse | 4 |
| initially | 4 |
| inspiration | 4 |
| internationally | 4 |
| introduced | 4 |
| involved | 4 |
| jack | 4 |
| japanese | 4 |
| jon | 4 |
| joseph | 4 |
| joss | 4 |
| joy | 4 |
| kevin | 4 |
| labels | 4 |
| largest | 4 |
| lateef | 4 |
| leonard | 4 |
| line | 4 |
| lives | 4 |
| local | 4 |
| lou | 4 |
| maricle | 4 |
| marsalis’s | 4 |
| martin | 4 |
| mccoy | 4 |
| medal | 4 |
| memphis | 4 |
| met | 4 |
| metheny | 4 |
| michigan | 4 |
| midnight | 4 |
| mighty | 4 |
| minor | 4 |
| mississippi | 4 |
| mobley | 4 |
| montgomery | 4 |
| months | 4 |
| movement | 4 |
| nat | 4 |
| neo | 4 |
| newport | 4 |
| nomination | 4 |
| numan | 4 |
| oliver | 4 |
| orchestral | 4 |
| peace | 4 |
| peaking | 4 |
| percussion | 4 |
| perform | 4 |
| pianists | 4 |
| piece | 4 |
| pieces | 4 |
| pino | 4 |
| poetic | 4 |
| polar | 4 |
| pop’s | 4 |
| positive | 4 |
| praise | 4 |
| prestigious | 4 |
| producing | 4 |
| profile | 4 |
| project | 4 |
| prolific | 4 |
| pulitzer | 4 |
| pullen | 4 |
| raitt | 4 |
| randy | 4 |
| ranging | 4 |
| rare | 4 |
| reach | 4 |
| remembered | 4 |
| retirement | 4 |
| reuben | 4 |
| richards | 4 |
| riley | 4 |
| rockjazz | 4 |
| ron | 4 |
| russell | 4 |
| sales | 4 |
| san | 4 |
| sang | 4 |
| shakur’s | 4 |
| shortly | 4 |
| social | 4 |
| soloist | 4 |
| soundtrack | 4 |
| spanned | 4 |
| split | 4 |
| starring | 4 |
| stars | 4 |
| status | 4 |
| stroke | 4 |
| studied | 4 |
| summer | 4 |
| supporting | 4 |
| synthesizers | 4 |
| teaching | 4 |
| thielemans | 4 |
| timmons | 4 |
| tracks | 4 |
| verve | 4 |
| vh1 | 4 |
| vol | 4 |
| walton | 4 |
| watts | 4 |
| weeks | 4 |
| western | 4 |
| woman | 4 |
| 邽 | 4 |
| 郋 | 4 |
| 堛 | 4 |
| 堬 | 4 |
| 1924 | 3 |
| 1925 | 3 |
| 1928 | 3 |
| 1933 | 3 |
| 1947 | 3 |
| 1948 | 3 |
| 411 | 3 |
| aaron | 3 |
| abdul | 3 |
| academic | 3 |
| acting | 3 |
| adams | 3 |
| addiction | 3 |
| advisory | 3 |
| afro | 3 |
| aged | 3 |
| allen | 3 |
| alternative | 3 |
| ambassador | 3 |
| angie | 3 |
| animals | 3 |
| appearances | 3 |
| association | 3 |
| atlantic | 3 |
| audiences | 3 |
| baker | 3 |
| basie | 3 |
| bay | 3 |
| birth | 3 |
| bonnie | 3 |
| books | 3 |
| brazilian | 3 |
| breakthrough | 3 |
| bridgewater | 3 |
| brought | 3 |
| burton | 3 |
| business | 3 |
| calls | 3 |
| carbon | 3 |
| carrington | 3 |
| certified | 3 |
| chair | 3 |
| chambers | 3 |
| chick | 3 |
| christmas | 3 |
| cited | 3 |
| clarinet | 3 |
| clarke | 3 |
| club | 3 |
| cm | 3 |
| cole | 3 |
| coleman | 3 |
| collaborations | 3 |
| coltrane’s | 3 |
| comeback | 3 |
| compilation | 3 |
| composing | 3 |
| comprising | 3 |
| conductor | 3 |
| connecticut | 3 |
| considerable | 3 |
| contained | 3 |
| contemporaries | 3 |
| contract | 3 |
| control | 3 |
| count | 3 |
| cover | 3 |
| cranshaw | 3 |
| cream | 3 |
| critically | 3 |
| cross | 3 |
| cuban | 3 |
| danish | 3 |
| day | 3 |
| degree | 3 |
| designer | 3 |
| diana | 3 |
| dianne | 3 |
| dioxide | 3 |
| disco | 3 |
| diva | 3 |
| dolphin | 3 |
| donaldson | 3 |
| dorham | 3 |
| drew | 3 |
| drive | 3 |
| duo | 3 |
| dwayne | 3 |
| earlier | 3 |
| earliest | 3 |
| east | 3 |
| effects | 3 |
| enjoyed | 3 |
| entertainment | 3 |
| erica | 3 |
| explored | 3 |
| exploring | 3 |
| eyes | 3 |
| farmer | 3 |
| fast | 3 |
| fats | 3 |
| fields | 3 |
| flanagan | 3 |
| flautist | 3 |
| flugelhorn | 3 |
| force | 3 |
| formation | 3 |
| foundation | 3 |
| fourteen | 3 |
| francisco | 3 |
| friend | 3 |
| frontman | 3 |
| garnered | 3 |
| gene | 3 |
| genius | 3 |
| gifted | 3 |
| girls | 3 |
| goldberg | 3 |
| goodman | 3 |
| grade | 3 |
| graduated | 3 |
| graduating | 3 |
| grant | 3 |
| group’s | 3 |
| guest | 3 |
| hamilton | 3 |
| hancock’s | 3 |
| harland | 3 |
| head | 3 |
| health | 3 |
| heaven | 3 |
| heavily | 3 |
| held | 3 |
| hemolymph | 3 |
| hiatus | 3 |
| highly | 3 |
| hines | 3 |
| host | 3 |
| hosted | 3 |
| houston | 3 |
| idioms | 3 |
| import | 3 |
| improvisational | 3 |
| independent | 3 |
| induction | 3 |
| industry | 3 |
| instructor | 3 |
| introspective | 3 |
| irish | 3 |
| jaco | 3 |
| jason | 3 |
| jean | 3 |
| jockey | 3 |
| juilliard | 3 |
| julian | 3 |
| justice | 3 |
| ken | 3 |
| keyboard | 3 |
| kleist | 3 |
| lateef’s | 3 |
| launched | 3 |
| leno | 3 |
| level | 3 |
| lo | 3 |
| locally | 3 |
| london | 3 |
| machine | 3 |
| marijuana | 3 |
| marked | 3 |
| masekela | 3 |
| material | 3 |
| media | 3 |
| melodic | 3 |
| melodies | 3 |
| mentor | 3 |
| metal | 3 |
| miami | 3 |
| miller | 3 |
| mitchell | 3 |
| muhammad | 3 |
| multiple | 3 |
| nancy | 3 |
| natalie | 3 |
| navarro | 3 |
| nelson’s | 3 |
| north | 3 |
| notably | 3 |
| official | 3 |
| ohio | 3 |
| oregon | 3 |
| outlaw | 3 |
| partnership | 3 |
| pastorius | 3 |
| peaked | 3 |
| pennsylvania | 3 |
| pepper | 3 |
| phil | 3 |
| pioneered | 3 |
| pittsburgh | 3 |
| political | 3 |
| popularized | 3 |
| portland | 3 |
| praised | 3 |
| preferred | 3 |
| presenter | 3 |
| previously | 3 |
| prez | 3 |
| prince | 3 |
| product | 3 |
| prolifically | 3 |
| psychedelic | 3 |
| published | 3 |
| quest | 3 |
| rap | 3 |
| raphael | 3 |
| rapper | 3 |
| raw | 3 |
| redman | 3 |
| reed | 3 |
| reeves | 3 |
| related | 3 |
| releasing | 3 |
| remained | 3 |
| remains | 3 |
| remix | 3 |
| resulting | 3 |
| retired | 3 |
| revis | 3 |
| riaa | 3 |
| river | 3 |
| road | 3 |
| rodney | 3 |
| ross | 3 |
| round | 3 |
| rucker | 3 |
| running | 3 |
| sandke | 3 |
| saturday | 3 |
| season | 3 |
| section | 3 |
| sellers | 3 |
| septet | 3 |
| serves | 3 |
| setting | 3 |
| shot | 3 |
| significant | 3 |
| sixth | 3 |
| skills | 3 |
| solos | 3 |
| songwriting | 3 |
| soulful | 3 |
| soultronics | 3 |
| southern | 3 |
| spain | 3 |
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| tv | 3 |
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| underrated | 3 |
| valley | 3 |
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| accident | 2 |
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| activity | 2 |
| acts | 2 |
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| adding | 2 |
| addy | 2 |
| adler | 2 |
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| aggressive | 2 |
| agreed | 2 |
| aid | 2 |
| air | 2 |
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| alabama | 2 |
| alex | 2 |
| alice | 2 |
| alienating | 2 |
| alison | 2 |
| alma | 2 |
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| america’s | 2 |
| amplified | 2 |
| amsterdam | 2 |
| andy | 2 |
| anne | 2 |
| anti | 2 |
| appeal | 2 |
| arden | 2 |
| aretha | 2 |
| armstrong | 2 |
| army | 2 |
| arnold | 2 |
| arrangements | 2 |
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| assembly | 2 |
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| attack | 2 |
| audio | 2 |
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| austin | 2 |
| author | 2 |
| authored | 2 |
| autobiography | 2 |
| avenue | 2 |
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| bad | 2 |
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| ballad | 2 |
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| beatles | 2 |
| begun | 2 |
| bell | 2 |
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| boys | 2 |
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| clay | 2 |
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| collection | 2 |
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| combination | 2 |
| common | 2 |
| community | 2 |
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| des | 2 |
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| di | 2 |
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| division | 2 |
| dizzy’s | 2 |
| dj | 2 |
| django | 2 |
| dorham’s | 2 |
| douglas | 2 |
| dozen | 2 |
| drama | 2 |
| draw | 2 |
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| drum | 2 |
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| dylan’s | 2 |
| eastern | 2 |
| education | 2 |
| eigsti | 2 |
| electrically | 2 |
| eligibility | 2 |
| elizabeth | 2 |
| ellington’s | 2 |
| elvis | 2 |
| embarked | 2 |
| employing | 2 |
| empty | 2 |
| encouraged | 2 |
| endowment | 2 |
| enduring | 2 |
| engineer | 2 |
| england | 2 |
| entered | 2 |
| entitled | 2 |
| environmental | 2 |
| erykah | 2 |
| esperanza | 2 |
| esquire | 2 |
| established | 2 |
| establishing | 2 |
| estimated | 2 |
| exclusively | 2 |
| expanded | 2 |
| factor | 2 |
| faculty | 2 |
| faddis | 2 |
| fall | 2 |
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| fana | 2 |
| fans | 2 |
| fantasy | 2 |
| favorite | 2 |
| feather | 2 |
| features | 2 |
| fela | 2 |
| ferguson | 2 |
| feud | 2 |
| fever | 2 |
| final | 2 |
| flugelhornist | 2 |
| focus | 2 |
| follow | 2 |
| forefront | 2 |
| foremost | 2 |
| forever | 2 |
| format | 2 |
| formative | 2 |
| forming | 2 |
| founder | 2 |
| founders | 2 |
| franklin | 2 |
| fred | 2 |
| friendship | 2 |
| fuller | 2 |
| funky | 2 |
| gaining | 2 |
| games | 2 |
| gangsta | 2 |
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| gender | 2 |
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| gil | 2 |
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| girl | 2 |
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| gold | 2 |
| gonna | 2 |
| goodman’s | 2 |
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| mode | 2 |
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| typically | 2 |
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| ucla | 2 |
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| varied | 2 |
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| violinist | 2 |
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| 訄 | 2 |
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| thick | 1 |
| thin | 1 |
| thirteen | 1 |
| thousand | 1 |
| threads | 1 |
| thrombocytes | 1 |
| thurman | 1 |
| thx | 1 |
| tiger | 1 |
| tight | 1 |
| tigran | 1 |
| til | 1 |
| tillmon | 1 |
| timekeeping | 1 |
| timeless | 1 |
| tinge | 1 |
| tinged | 1 |
| tips | 1 |
| tirelessly | 1 |
| tissue | 1 |
| tizol’s | 1 |
| tlc | 1 |
| told | 1 |
| tomorrow | 1 |
| tompall | 1 |
| tonal | 1 |
| tongue | 1 |
| tonk | 1 |
| tonks | 1 |
| toots | 1 |
| topham | 1 |
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| tu | 1 |
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| umbrella | 1 |
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Two-grams
| name | word |
|---|---|
| Ahmed_Abdul-Malik | ahmed abdul |
| Ahmed_Abdul-Malik | abdul malik |
| Ahmed_Abdul-Malik | malik born |
| Ahmed_Abdul-Malik | born jonathan |
| Ahmed_Abdul-Malik | jonathan tim |
| Ahmed_Abdul-Malik | tim jr |
| Ahmed_Abdul-Malik | jr january |
| Ahmed_Abdul-Malik | january 30 |
| Ahmed_Abdul-Malik | 30 1927 |
| Ahmed_Abdul-Malik | 1927 october |
| Ahmed_Abdul-Malik | october 2 |
| Ahmed_Abdul-Malik | 2 1993 |
| Ahmed_Abdul-Malik | 1993 was |
| Ahmed_Abdul-Malik | was an |
| Ahmed_Abdul-Malik | an american |
| Ahmed_Abdul-Malik | american jazz |
| Ahmed_Abdul-Malik | jazz double |
| Ahmed_Abdul-Malik | double bassist |
| Ahmed_Abdul-Malik | bassist and |
| Ahmed_Abdul-Malik | and oud |
| Ahmed_Abdul-Malik | oud player |
| Ahmed_Abdul-Malik | player abdul |
| Ahmed_Abdul-Malik | abdul malik |
| Ahmed_Abdul-Malik | malik is |
| Ahmed_Abdul-Malik | is remembered |
| Ahmed_Abdul-Malik | remembered for |
| Ahmed_Abdul-Malik | for integrating |
| Ahmed_Abdul-Malik | integrating middle |
| Ahmed_Abdul-Malik | middle eastern |
| Ahmed_Abdul-Malik | eastern and |
| Ahmed_Abdul-Malik | and north |
| Ahmed_Abdul-Malik | north african |
| Ahmed_Abdul-Malik | african music |
| Ahmed_Abdul-Malik | music styles |
| Ahmed_Abdul-Malik | styles in |
| Ahmed_Abdul-Malik | in his |
| Ahmed_Abdul-Malik | his jazz |
| Ahmed_Abdul-Malik | jazz music |
| Ahmed_Abdul-Malik | music he |
| Ahmed_Abdul-Malik | he was |
| Ahmed_Abdul-Malik | was a |
| Ahmed_Abdul-Malik | a bass |
| Ahmed_Abdul-Malik | bass player |
| Ahmed_Abdul-Malik | player for |
| Ahmed_Abdul-Malik | for art |
| Ahmed_Abdul-Malik | art blakey |
| Ahmed_Abdul-Malik | blakey earl |
| Ahmed_Abdul-Malik | earl hines |
| Ahmed_Abdul-Malik | hines randy |
| Ahmed_Abdul-Malik | randy weston |
| Ahmed_Abdul-Malik | weston and |
| Ahmed_Abdul-Malik | and thelonious |
| Ahmed_Abdul-Malik | thelonious monk |
| Ahmed_Abdul-Malik | monk among |
| Ahmed_Abdul-Malik | among others |
| Ahmed_Abdul-Malik | others en |
| Benny_Golson | benny golson |
| Benny_Golson | golson born |
| Benny_Golson | born january |
| Benny_Golson | january 25 |
| Benny_Golson | 25 1929 |
| Benny_Golson | 1929 is |
| Benny_Golson | is an |
| Benny_Golson | an american |
| Benny_Golson | american bebop |
| Benny_Golson | bebop hard |
| Benny_Golson | hard bop |
| Benny_Golson | bop jazz |
| Benny_Golson | jazz tenor |
| Benny_Golson | tenor saxophonist |
| Benny_Golson | saxophonist composer |
| Benny_Golson | composer and |
| Benny_Golson | and arranger |
| Benny_Golson | arranger he |
| Benny_Golson | he came |
| Benny_Golson | came to |
| Benny_Golson | to prominence |
| Benny_Golson | prominence with |
| Benny_Golson | with the |
| Benny_Golson | the big |
| Benny_Golson | big bands |
| Benny_Golson | bands of |
| Benny_Golson | of lionel |
| Benny_Golson | lionel hampton |
| Benny_Golson | hampton and |
| Benny_Golson | and dizzy |
| Benny_Golson | dizzy gillespie |
| Benny_Golson | gillespie more |
| Benny_Golson | more as |
| Benny_Golson | as a |
| Benny_Golson | a writer |
| Benny_Golson | writer than |
| Benny_Golson | than a |
| Benny_Golson | a performer |
| Benny_Golson | performer before |
| Benny_Golson | before launching |
| Benny_Golson | launching his |
| Benny_Golson | his solo |
| Benny_Golson | solo career |
| Benny_Golson | career golson |
| Benny_Golson | golson is |
| Benny_Golson | is known |
| Benny_Golson | known for |
| Benny_Golson | for co |
| Benny_Golson | co founding |
| Benny_Golson | founding and |
| Benny_Golson | and co |
| Benny_Golson | co leading |
| Benny_Golson | leading the |
| Benny_Golson | the jazztet |
| Benny_Golson | jazztet with |
| Benny_Golson | with trumpeter |
| Benny_Golson | trumpeter art |
| Benny_Golson | art farmer |
| Benny_Golson | farmer in |
| Benny_Golson | in 1959 |
| Benny_Golson | 1959 from |
| Benny_Golson | from the |
| Benny_Golson | the late |
| Benny_Golson | late 1960s |
| Benny_Golson | 1960s through |
| Benny_Golson | through the |
| Benny_Golson | the 1970s |
| Benny_Golson | 1970s golson |
| Benny_Golson | golson was |
| Benny_Golson | was in |
| Benny_Golson | in demand |
| Benny_Golson | demand as |
| Benny_Golson | as an |
| Benny_Golson | an arranger |
| Benny_Golson | arranger for |
| Benny_Golson | for film |
| Benny_Golson | film and |
| Benny_Golson | and television |
| Benny_Golson | television and |
| Benny_Golson | and thus |
| Benny_Golson | thus was |
| Benny_Golson | was less |
| Benny_Golson | less active |
| Benny_Golson | active as |
| Benny_Golson | as a |
| Benny_Golson | a performer |
| Benny_Golson | performer but |
| Benny_Golson | but he |
| Benny_Golson | he and |
| Benny_Golson | and farmer |
| Benny_Golson | farmer re |
| Benny_Golson | re formed |
| Benny_Golson | formed the |
| Benny_Golson | the jazztet |
| Benny_Golson | jazztet in |
| Benny_Golson | in 1982 |
| Benny_Golson | 1982 in |
| Benny_Golson | in addition |
| Benny_Golson | addition to |
| Benny_Golson | to i |
| Benny_Golson | i remember |
| Benny_Golson | remember clifford |
| Benny_Golson | clifford many |
| Benny_Golson | many of |
| Benny_Golson | of golson’s |
| Benny_Golson | golson’s compositions |
| Benny_Golson | compositions have |
| Benny_Golson | have become |
| Benny_Golson | become jazz |
| Benny_Golson | jazz standards |
| Benny_Golson | standards including |
| Benny_Golson | including blues |
| Benny_Golson | blues march |
| Benny_Golson | march whisper |
| Benny_Golson | whisper not |
| Benny_Golson | not and |
| Benny_Golson | and killer |
| Benny_Golson | killer joe |
| Benny_Golson | joe en |
| Joe_Henderson | joe henderson |
| Joe_Henderson | henderson april |
| Joe_Henderson | april 24 |
| Joe_Henderson | 24 1937 |
| Joe_Henderson | 1937 june |
| Joe_Henderson | june 30 |
| Joe_Henderson | 30 2001 |
| Joe_Henderson | 2001 was |
| Joe_Henderson | was an |
| Joe_Henderson | an american |
| Joe_Henderson | american jazz |
| Joe_Henderson | jazz tenor |
| Joe_Henderson | tenor saxophonist |
| Joe_Henderson | saxophonist in |
| Joe_Henderson | in a |
| Joe_Henderson | a career |
| Joe_Henderson | career spanning |
| Joe_Henderson | spanning more |
| Joe_Henderson | more than |
| Joe_Henderson | than four |
| Joe_Henderson | four decades |
| Joe_Henderson | decades henderson |
| Joe_Henderson | henderson played |
| Joe_Henderson | played with |
| Joe_Henderson | with many |
| Joe_Henderson | many of |
| Joe_Henderson | of the |
| Joe_Henderson | the leading |
| Joe_Henderson | leading american |
| Joe_Henderson | american players |
| Joe_Henderson | players of |
| Joe_Henderson | of his |
| Joe_Henderson | his day |
| Joe_Henderson | day and |
| Joe_Henderson | and recorded |
| Joe_Henderson | recorded for |
| Joe_Henderson | for several |
| Joe_Henderson | several prominent |
| Joe_Henderson | prominent labels |
| Joe_Henderson | labels including |
| Joe_Henderson | including blue |
| Joe_Henderson | blue note |
| Joe_Henderson | note milestone |
| Joe_Henderson | milestone and |
| Joe_Henderson | and verve |
| Joe_Henderson | verve en |
| Arturo_Sandoval | arturo sandoval |
| Arturo_Sandoval | sandoval is |
| Arturo_Sandoval | is a |
| Arturo_Sandoval | a cuban |
| Arturo_Sandoval | cuban american |
| Arturo_Sandoval | american jazz |
| Arturo_Sandoval | jazz trumpeter |
| Arturo_Sandoval | trumpeter pianist |
| Arturo_Sandoval | pianist and |
| Arturo_Sandoval | and composer |
| Arturo_Sandoval | composer while |
| Arturo_Sandoval | while living |
| Arturo_Sandoval | living in |
| Arturo_Sandoval | in his |
| Arturo_Sandoval | his native |
| Arturo_Sandoval | native cuba |
| Arturo_Sandoval | cuba sandoval |
| Arturo_Sandoval | sandoval was |
| Arturo_Sandoval | was influenced |
| Arturo_Sandoval | influenced by |
| Arturo_Sandoval | by jazz |
| Arturo_Sandoval | jazz musicians |
| Arturo_Sandoval | musicians charlie |
| Arturo_Sandoval | charlie parker |
| Arturo_Sandoval | parker clifford |
| Arturo_Sandoval | clifford brown |
| Arturo_Sandoval | brown and |
| Arturo_Sandoval | and dizzy |
| Arturo_Sandoval | dizzy gillespie |
| Arturo_Sandoval | gillespie in |
| Arturo_Sandoval | in 1977 |
| Arturo_Sandoval | 1977 he |
| Arturo_Sandoval | he met |
| Arturo_Sandoval | met gillespie |
| Arturo_Sandoval | gillespie who |
| Arturo_Sandoval | who became |
| Arturo_Sandoval | became his |
| Arturo_Sandoval | his friend |
| Arturo_Sandoval | friend and |
| Arturo_Sandoval | and mentor |
| Arturo_Sandoval | mentor and |
| Arturo_Sandoval | and helped |
| Arturo_Sandoval | helped him |
| Arturo_Sandoval | him defect |
| Arturo_Sandoval | defect from |
| Arturo_Sandoval | from cuba |
| Arturo_Sandoval | cuba while |
| Arturo_Sandoval | while on |
| Arturo_Sandoval | on tour |
| Arturo_Sandoval | tour with |
| Arturo_Sandoval | with the |
| Arturo_Sandoval | the united |
| Arturo_Sandoval | united nations |
| Arturo_Sandoval | nations orchestra |
| Arturo_Sandoval | orchestra sandoval |
| Arturo_Sandoval | sandoval became |
| Arturo_Sandoval | became an |
| Arturo_Sandoval | an american |
| Arturo_Sandoval | american naturalized |
| Arturo_Sandoval | naturalized citizen |
| Arturo_Sandoval | citizen in |
| Arturo_Sandoval | in 1998 |
| Arturo_Sandoval | 1998 his |
| Arturo_Sandoval | his life |
| Arturo_Sandoval | life was |
| Arturo_Sandoval | was the |
| Arturo_Sandoval | the subject |
| Arturo_Sandoval | subject of |
| Arturo_Sandoval | of the |
| Arturo_Sandoval | the film |
| Arturo_Sandoval | film for |
| Arturo_Sandoval | for love |
| Arturo_Sandoval | love or |
| Arturo_Sandoval | or country |
| Arturo_Sandoval | country the |
| Arturo_Sandoval | the arturo |
| Arturo_Sandoval | arturo sandoval |
| Arturo_Sandoval | sandoval story |
| Arturo_Sandoval | story 2000 |
| Arturo_Sandoval | 2000 starring |
| Arturo_Sandoval | starring andy |
| Arturo_Sandoval | andy garc |
| Arturo_Sandoval | garc 穩 |
| Arturo_Sandoval | 穩 a |
| Arturo_Sandoval | a sandoval |
| Arturo_Sandoval | sandoval has |
| Arturo_Sandoval | has won |
| Arturo_Sandoval | won grammy |
| Arturo_Sandoval | grammy awards |
| Arturo_Sandoval | awards billboard |
| Arturo_Sandoval | billboard awards |
| Arturo_Sandoval | awards and |
| Arturo_Sandoval | and one |
| Arturo_Sandoval | one emmy |
| Arturo_Sandoval | emmy award |
| Arturo_Sandoval | award he |
| Arturo_Sandoval | he performed |
| Arturo_Sandoval | performed at |
| Arturo_Sandoval | at the |
| Arturo_Sandoval | the white |
| Arturo_Sandoval | white house |
| Arturo_Sandoval | house and |
| Arturo_Sandoval | and at |
| Arturo_Sandoval | at the |
| Arturo_Sandoval | the super |
| Arturo_Sandoval | super bowl |
| Arturo_Sandoval | bowl 1995 |
| Arturo_Sandoval | 1995 en |
| Bobby_Hutcherson | robert hutcherson |
| Bobby_Hutcherson | hutcherson january |
| Bobby_Hutcherson | january 27 |
| Bobby_Hutcherson | 27 1941 |
| Bobby_Hutcherson | 1941 august |
| Bobby_Hutcherson | august 15 |
| Bobby_Hutcherson | 15 2016 |
| Bobby_Hutcherson | 2016 was |
| Bobby_Hutcherson | was an |
| Bobby_Hutcherson | an american |
| Bobby_Hutcherson | american jazz |
| Bobby_Hutcherson | jazz vibraphone |
| Bobby_Hutcherson | vibraphone and |
| Bobby_Hutcherson | and marimba |
| Bobby_Hutcherson | marimba player |
| Bobby_Hutcherson | player little |
| Bobby_Hutcherson | little b’s |
| Bobby_Hutcherson | b’s poem |
| Bobby_Hutcherson | poem from |
| Bobby_Hutcherson | from the |
| Bobby_Hutcherson | the 1966 |
| Bobby_Hutcherson | 1966 blue |
| Bobby_Hutcherson | blue note |
| Bobby_Hutcherson | note album |
| Bobby_Hutcherson | album components |
| Bobby_Hutcherson | components is |
| Bobby_Hutcherson | is one |
| Bobby_Hutcherson | one of |
| Bobby_Hutcherson | of his |
| Bobby_Hutcherson | his best |
| Bobby_Hutcherson | best known |
| Bobby_Hutcherson | known compositions |
| Bobby_Hutcherson | compositions hutcherson |
| Bobby_Hutcherson | hutcherson influenced |
| Bobby_Hutcherson | influenced younger |
| Bobby_Hutcherson | younger vibraphonists |
| Bobby_Hutcherson | vibraphonists including |
| Bobby_Hutcherson | including steve |
| Bobby_Hutcherson | steve nelson |
| Bobby_Hutcherson | nelson joe |
| Bobby_Hutcherson | joe locke |
| Bobby_Hutcherson | locke and |
| Bobby_Hutcherson | and stefon |
| Bobby_Hutcherson | stefon harris |
| Bobby_Hutcherson | harris en |
| Joe_Morris_(trumpeter) | joseph lee |
| Joe_Morris_(trumpeter) | lee morris |
| Joe_Morris_(trumpeter) | morris march |
| Joe_Morris_(trumpeter) | march 2 |
| Joe_Morris_(trumpeter) | 2 1922 |
| Joe_Morris_(trumpeter) | 1922 november |
| Joe_Morris_(trumpeter) | november 7 |
| Joe_Morris_(trumpeter) | 7 1958 |
| Joe_Morris_(trumpeter) | 1958 was |
| Joe_Morris_(trumpeter) | was an |
| Joe_Morris_(trumpeter) | an american |
| Joe_Morris_(trumpeter) | american jazz |
| Joe_Morris_(trumpeter) | jazz and |
| Joe_Morris_(trumpeter) | and rhythm |
| Joe_Morris_(trumpeter) | rhythm and |
| Joe_Morris_(trumpeter) | and blues |
| Joe_Morris_(trumpeter) | blues trumpeter |
| Joe_Morris_(trumpeter) | trumpeter en |
| Kenny_Garrett | kenny garrett |
| Kenny_Garrett | garrett born |
| Kenny_Garrett | born october |
| Kenny_Garrett | october 9 |
| Kenny_Garrett | 9 1960 |
| Kenny_Garrett | 1960 is |
| Kenny_Garrett | is an |
| Kenny_Garrett | an american |
| Kenny_Garrett | american post |
| Kenny_Garrett | post bop |
| Kenny_Garrett | bop jazz |
| Kenny_Garrett | jazz saxophonist |
| Kenny_Garrett | saxophonist and |
| Kenny_Garrett | and flautist |
| Kenny_Garrett | flautist who |
| Kenny_Garrett | who gained |
| Kenny_Garrett | gained recognition |
| Kenny_Garrett | recognition in |
| Kenny_Garrett | in his |
| Kenny_Garrett | his youth |
| Kenny_Garrett | youth as |
| Kenny_Garrett | as a |
| Kenny_Garrett | a member |
| Kenny_Garrett | member of |
| Kenny_Garrett | of the |
| Kenny_Garrett | the duke |
| Kenny_Garrett | duke ellington |
| Kenny_Garrett | ellington orchestra |
| Kenny_Garrett | orchestra and |
| Kenny_Garrett | and of |
| Kenny_Garrett | of miles |
| Kenny_Garrett | miles davis’s |
| Kenny_Garrett | davis’s band |
| Kenny_Garrett | band since |
| Kenny_Garrett | since then |
| Kenny_Garrett | then he |
| Kenny_Garrett | he has |
| Kenny_Garrett | has pursued |
| Kenny_Garrett | pursued a |
| Kenny_Garrett | a solo |
| Kenny_Garrett | solo career |
| Kenny_Garrett | career en |
| Frank_Lloyd_(horn_player) | frank lloyd |
| Frank_Lloyd_(horn_player) | lloyd fram |
| Frank_Lloyd_(horn_player) | fram 1952 |
| Frank_Lloyd_(horn_player) | 1952 is |
| Frank_Lloyd_(horn_player) | is an |
| Frank_Lloyd_(horn_player) | an english |
| Frank_Lloyd_(horn_player) | english virtuoso |
| Frank_Lloyd_(horn_player) | virtuoso horn |
| Frank_Lloyd_(horn_player) | horn player |
| Frank_Lloyd_(horn_player) | player and |
| Frank_Lloyd_(horn_player) | and teacher |
| Frank_Lloyd_(horn_player) | teacher professor |
| Frank_Lloyd_(horn_player) | professor of |
| Frank_Lloyd_(horn_player) | of horn |
| Frank_Lloyd_(horn_player) | horn at |
| Frank_Lloyd_(horn_player) | at the |
| Frank_Lloyd_(horn_player) | the folkwang |
| Frank_Lloyd_(horn_player) | folkwang hochschule |
| Frank_Lloyd_(horn_player) | hochschule in |
| Frank_Lloyd_(horn_player) | in essen |
| Frank_Lloyd_(horn_player) | essen germany |
| Frank_Lloyd_(horn_player) | germany and |
| Frank_Lloyd_(horn_player) | and formerly |
| Frank_Lloyd_(horn_player) | formerly professor |
| Frank_Lloyd_(horn_player) | professor of |
| Frank_Lloyd_(horn_player) | of horn |
| Frank_Lloyd_(horn_player) | horn at |
| Frank_Lloyd_(horn_player) | at both |
| Frank_Lloyd_(horn_player) | both the |
| Frank_Lloyd_(horn_player) | the guildhall |
| Frank_Lloyd_(horn_player) | guildhall school |
| Frank_Lloyd_(horn_player) | school of |
| Frank_Lloyd_(horn_player) | of music |
| Frank_Lloyd_(horn_player) | music and |
| Frank_Lloyd_(horn_player) | and drama |
| Frank_Lloyd_(horn_player) | drama and |
| Frank_Lloyd_(horn_player) | and trinity |
| Frank_Lloyd_(horn_player) | trinity college |
| Frank_Lloyd_(horn_player) | college of |
| Frank_Lloyd_(horn_player) | of music |
| Frank_Lloyd_(horn_player) | music in |
| Frank_Lloyd_(horn_player) | in london |
| Frank_Lloyd_(horn_player) | london en |
| Esperanza_Spalding | esperanza emily |
| Esperanza_Spalding | emily spalding |
| Esperanza_Spalding | spalding born |
| Esperanza_Spalding | born october |
| Esperanza_Spalding | october 18 |
| Esperanza_Spalding | 18 1984 |
| Esperanza_Spalding | 1984 is |
| Esperanza_Spalding | is an |
| Esperanza_Spalding | an american |
| Esperanza_Spalding | american jazz |
| Esperanza_Spalding | jazz bassist |
| Esperanza_Spalding | bassist singer |
| Esperanza_Spalding | singer songwriter |
| Esperanza_Spalding | songwriter and |
| Esperanza_Spalding | and composer |
| Esperanza_Spalding | composer her |
| Esperanza_Spalding | her accolades |
| Esperanza_Spalding | accolades include |
| Esperanza_Spalding | include four |
| Esperanza_Spalding | four grammy |
| Esperanza_Spalding | grammy awards |
| Esperanza_Spalding | awards a |
| Esperanza_Spalding | a boston |
| Esperanza_Spalding | boston music |
| Esperanza_Spalding | music award |
| Esperanza_Spalding | award and |
| Esperanza_Spalding | and a |
| Esperanza_Spalding | a soul |
| Esperanza_Spalding | soul train |
| Esperanza_Spalding | train music |
| Esperanza_Spalding | music award |
| Esperanza_Spalding | award a |
| Esperanza_Spalding | a native |
| Esperanza_Spalding | native of |
| Esperanza_Spalding | of portland |
| Esperanza_Spalding | portland oregon |
| Esperanza_Spalding | oregon spalding |
| Esperanza_Spalding | spalding began |
| Esperanza_Spalding | began playing |
| Esperanza_Spalding | playing music |
| Esperanza_Spalding | music professionally |
| Esperanza_Spalding | professionally in |
| Esperanza_Spalding | in her |
| Esperanza_Spalding | her childhood |
| Esperanza_Spalding | childhood performing |
| Esperanza_Spalding | performing as |
| Esperanza_Spalding | as a |
| Esperanza_Spalding | a violinist |
| Esperanza_Spalding | violinist in |
| Esperanza_Spalding | in the |
| Esperanza_Spalding | the chamber |
| Esperanza_Spalding | chamber music |
| Esperanza_Spalding | music society |
| Esperanza_Spalding | society of |
| Esperanza_Spalding | of oregon |
| Esperanza_Spalding | oregon at |
| Esperanza_Spalding | at age |
| Esperanza_Spalding | age five |
| Esperanza_Spalding | five she |
| Esperanza_Spalding | she was |
| Esperanza_Spalding | was later |
| Esperanza_Spalding | later both |
| Esperanza_Spalding | both self |
| Esperanza_Spalding | self taught |
| Esperanza_Spalding | taught and |
| Esperanza_Spalding | and trained |
| Esperanza_Spalding | trained on |
| Esperanza_Spalding | on a |
| Esperanza_Spalding | a number |
| Esperanza_Spalding | number of |
| Esperanza_Spalding | of instruments |
| Esperanza_Spalding | instruments including |
| Esperanza_Spalding | including guitar |
| Esperanza_Spalding | guitar and |
| Esperanza_Spalding | and bass |
| Esperanza_Spalding | bass her |
| Esperanza_Spalding | her proficiency |
| Esperanza_Spalding | proficiency earned |
| Esperanza_Spalding | earned her |
| Esperanza_Spalding | her academic |
| Esperanza_Spalding | academic scholarships |
| Esperanza_Spalding | scholarships to |
| Esperanza_Spalding | to portland |
| Esperanza_Spalding | portland state |
| Esperanza_Spalding | state university |
| Esperanza_Spalding | university and |
| Esperanza_Spalding | and the |
| Esperanza_Spalding | the berklee |
| Esperanza_Spalding | berklee college |
| Esperanza_Spalding | college of |
| Esperanza_Spalding | of music |
| Esperanza_Spalding | music both |
| Esperanza_Spalding | both of |
| Esperanza_Spalding | of which |
| Esperanza_Spalding | which she |
| Esperanza_Spalding | she attended |
| Esperanza_Spalding | attended studying |
| Esperanza_Spalding | studying music |
| Esperanza_Spalding | music spalding |
| Esperanza_Spalding | spalding released |
| Esperanza_Spalding | released her |
| Esperanza_Spalding | her first |
| Esperanza_Spalding | first album |
| Esperanza_Spalding | album junjo |
| Esperanza_Spalding | junjo in |
| Esperanza_Spalding | in 2006 |
| Esperanza_Spalding | 2006 on |
| Esperanza_Spalding | on the |
| Esperanza_Spalding | the spanish |
| Esperanza_Spalding | spanish label |
| Esperanza_Spalding | label ayva |
| Esperanza_Spalding | ayva musica |
| Esperanza_Spalding | musica after |
| Esperanza_Spalding | after which |
| Esperanza_Spalding | which she |
| Esperanza_Spalding | she signed |
| Esperanza_Spalding | signed with |
| Esperanza_Spalding | with the |
| Esperanza_Spalding | the independent |
| Esperanza_Spalding | independent american |
| Esperanza_Spalding | american label |
| Esperanza_Spalding | label heads |
| Esperanza_Spalding | heads up |
| Esperanza_Spalding | up who |
| Esperanza_Spalding | who released |
| Esperanza_Spalding | released her |
| Esperanza_Spalding | her 2007 |
| Esperanza_Spalding | 2007 self |
| Esperanza_Spalding | self titled |
| Esperanza_Spalding | titled album |
| Esperanza_Spalding | album her |
| Esperanza_Spalding | her third |
| Esperanza_Spalding | third studio |
| Esperanza_Spalding | studio album |
| Esperanza_Spalding | album chamber |
| Esperanza_Spalding | chamber music |
| Esperanza_Spalding | music society |
| Esperanza_Spalding | society 2010 |
| Esperanza_Spalding | 2010 was |
| Esperanza_Spalding | was a |
| Esperanza_Spalding | a commercial |
| Esperanza_Spalding | commercial success |
| Esperanza_Spalding | success charting |
| Esperanza_Spalding | charting at |
| Esperanza_Spalding | at number |
| Esperanza_Spalding | number 34 |
| Esperanza_Spalding | 34 on |
| Esperanza_Spalding | on the |
| Esperanza_Spalding | the billboard |
| Esperanza_Spalding | billboard 200 |
| Esperanza_Spalding | 200 and |
| Esperanza_Spalding | and resulting |
| Esperanza_Spalding | resulting in |
| Esperanza_Spalding | in spalding |
| Esperanza_Spalding | spalding winning |
| Esperanza_Spalding | winning her |
| Esperanza_Spalding | her first |
| Esperanza_Spalding | first grammy |
| Esperanza_Spalding | grammy award |
| Esperanza_Spalding | award for |
| Esperanza_Spalding | for best |
| Esperanza_Spalding | best new |
| Esperanza_Spalding | new artist |
| Esperanza_Spalding | artist spalding |
| Esperanza_Spalding | spalding was |
| Esperanza_Spalding | was the |
| Esperanza_Spalding | the first |
| Esperanza_Spalding | first jazz |
| Esperanza_Spalding | jazz artist |
| Esperanza_Spalding | artist to |
| Esperanza_Spalding | to win |
| Esperanza_Spalding | win in |
| Esperanza_Spalding | in this |
| Esperanza_Spalding | this category |
| Esperanza_Spalding | category she |
| Esperanza_Spalding | she saw |
| Esperanza_Spalding | saw further |
| Esperanza_Spalding | further acclaim |
| Esperanza_Spalding | acclaim for |
| Esperanza_Spalding | for her |
| Esperanza_Spalding | her fourth |
| Esperanza_Spalding | fourth release |
| Esperanza_Spalding | release radio |
| Esperanza_Spalding | radio music |
| Esperanza_Spalding | music society |
| Esperanza_Spalding | society 2012 |
| Esperanza_Spalding | 2012 which |
| Esperanza_Spalding | which earned |
| Esperanza_Spalding | earned the |
| Esperanza_Spalding | the grammy |
| Esperanza_Spalding | grammy for |
| Esperanza_Spalding | for best |
| Esperanza_Spalding | best jazz |
| Esperanza_Spalding | jazz vocal |
| Esperanza_Spalding | vocal album |
| Esperanza_Spalding | album as |
| Esperanza_Spalding | as well |
| Esperanza_Spalding | well as |
| Esperanza_Spalding | as the |
| Esperanza_Spalding | the track |
| Esperanza_Spalding | track city |
| Esperanza_Spalding | city of |
| Esperanza_Spalding | of roses |
| Esperanza_Spalding | roses winning |
| Esperanza_Spalding | winning for |
| Esperanza_Spalding | for best |
| Esperanza_Spalding | best arrangement |
| Esperanza_Spalding | arrangement instrument |
| Esperanza_Spalding | instrument and |
| Esperanza_Spalding | and vocals |
| Esperanza_Spalding | vocals after |
| Esperanza_Spalding | after spending |
| Esperanza_Spalding | spending the |
| Esperanza_Spalding | the following |
| Esperanza_Spalding | following several |
| Esperanza_Spalding | several years |
| Esperanza_Spalding | years performing |
| Esperanza_Spalding | performing as |
| Esperanza_Spalding | as a |
| Esperanza_Spalding | a supporting |
| Esperanza_Spalding | supporting band |
| Esperanza_Spalding | band player |
| Esperanza_Spalding | player spalding |
| Esperanza_Spalding | spalding released |
| Esperanza_Spalding | released her |
| Esperanza_Spalding | her fifth |
| Esperanza_Spalding | fifth studio |
| Esperanza_Spalding | studio album |
| Esperanza_Spalding | album a |
| Esperanza_Spalding | a funk |
| Esperanza_Spalding | funk rock |
| Esperanza_Spalding | rock inspired |
| Esperanza_Spalding | inspired concept |
| Esperanza_Spalding | concept album |
| Esperanza_Spalding | album titled |
| Esperanza_Spalding | titled emily’s |
| Esperanza_Spalding | emily’s d |
| Esperanza_Spalding | d evolution |
| Esperanza_Spalding | evolution co |
| Esperanza_Spalding | co produced |
| Esperanza_Spalding | produced by |
| Esperanza_Spalding | by tony |
| Esperanza_Spalding | tony visconti |
| Esperanza_Spalding | visconti on |
| Esperanza_Spalding | on concord |
| Esperanza_Spalding | concord records |
| Esperanza_Spalding | records the |
| Esperanza_Spalding | the following |
| Esperanza_Spalding | following year |
| Esperanza_Spalding | year she |
| Esperanza_Spalding | she released |
| Esperanza_Spalding | released the |
| Esperanza_Spalding | the album |
| Esperanza_Spalding | album exposure |
| Esperanza_Spalding | exposure which |
| Esperanza_Spalding | which was |
| Esperanza_Spalding | was limited |
| Esperanza_Spalding | limited to |
| Esperanza_Spalding | to 7,777 |
| Esperanza_Spalding | 7,777 copies |
| Esperanza_Spalding | copies her |
| Esperanza_Spalding | her subsequent |
| Esperanza_Spalding | subsequent sixth |
| Esperanza_Spalding | sixth studio |
| Esperanza_Spalding | studio record |
| Esperanza_Spalding | record 12 |
| Esperanza_Spalding | 12 little |
| Esperanza_Spalding | little spells |
| Esperanza_Spalding | spells was |
| Esperanza_Spalding | was released |
| Esperanza_Spalding | released in |
| Esperanza_Spalding | in 2019 |
| Esperanza_Spalding | 2019 and |
| Esperanza_Spalding | and peaked |
| Esperanza_Spalding | peaked at |
| Esperanza_Spalding | at number |
| Esperanza_Spalding | number one |
| Esperanza_Spalding | one on |
| Esperanza_Spalding | on billboard’s |
| Esperanza_Spalding | billboard’s top |
| Esperanza_Spalding | top jazz |
| Esperanza_Spalding | jazz albums |
| Esperanza_Spalding | albums the |
| Esperanza_Spalding | the album |
| Esperanza_Spalding | album also |
| Esperanza_Spalding | also saw |
| Esperanza_Spalding | saw spalding |
| Esperanza_Spalding | spalding nominated |
| Esperanza_Spalding | nominated for |
| Esperanza_Spalding | for two |
| Esperanza_Spalding | two grammy |
| Esperanza_Spalding | grammy awards |
| Esperanza_Spalding | awards winning |
| Esperanza_Spalding | winning in |
| Esperanza_Spalding | in the |
| Esperanza_Spalding | the best |
| Esperanza_Spalding | best jazz |
| Esperanza_Spalding | jazz vocal |
| Esperanza_Spalding | vocal album |
| Esperanza_Spalding | album category |
| Esperanza_Spalding | category in |
| Esperanza_Spalding | in addition |
| Esperanza_Spalding | addition to |
| Esperanza_Spalding | to writing |
| Esperanza_Spalding | writing and |
| Esperanza_Spalding | and performing |
| Esperanza_Spalding | performing music |
| Esperanza_Spalding | music spalding |
| Esperanza_Spalding | spalding has |
| Esperanza_Spalding | has also |
| Esperanza_Spalding | also worked |
| Esperanza_Spalding | worked as |
| Esperanza_Spalding | as an |
| Esperanza_Spalding | an instructor |
| Esperanza_Spalding | instructor first |
| Esperanza_Spalding | first at |
| Esperanza_Spalding | at the |
| Esperanza_Spalding | the berklee |
| Esperanza_Spalding | berklee college |
| Esperanza_Spalding | college of |
| Esperanza_Spalding | of music |
| Esperanza_Spalding | music beginning |
| Esperanza_Spalding | beginning at |
| Esperanza_Spalding | at age |
| Esperanza_Spalding | age 20 |
| Esperanza_Spalding | 20 in |
| Esperanza_Spalding | in 2017 |
| Esperanza_Spalding | 2017 spalding |
| Esperanza_Spalding | spalding was |
| Esperanza_Spalding | was appointed |
| Esperanza_Spalding | appointed professor |
| Esperanza_Spalding | professor of |
| Esperanza_Spalding | of the |
| Esperanza_Spalding | the practice |
| Esperanza_Spalding | practice of |
| Esperanza_Spalding | of music |
| Esperanza_Spalding | music at |
| Esperanza_Spalding | at harvard |
| Esperanza_Spalding | harvard university |
| Esperanza_Spalding | university in |
| Esperanza_Spalding | in 2018 |
| Esperanza_Spalding | 2018 spalding |
| Esperanza_Spalding | spalding received |
| Esperanza_Spalding | received an |
| Esperanza_Spalding | an honorary |
| Esperanza_Spalding | honorary doctorate |
| Esperanza_Spalding | doctorate of |
| Esperanza_Spalding | of music |
| Esperanza_Spalding | music from |
| Esperanza_Spalding | from her |
| Esperanza_Spalding | her alma |
| Esperanza_Spalding | alma mater |
| Esperanza_Spalding | mater berklee |
| Esperanza_Spalding | berklee college |
| Esperanza_Spalding | college of |
| Esperanza_Spalding | of music |
| Esperanza_Spalding | music and |
| Esperanza_Spalding | and served |
| Esperanza_Spalding | served as |
| Esperanza_Spalding | as commencement |
| Esperanza_Spalding | commencement speaker |
| Esperanza_Spalding | speaker at |
| Esperanza_Spalding | at the |
| Esperanza_Spalding | the ceremony |
| Esperanza_Spalding | ceremony en |
| Art_Blakey | arthur blakey |
| Art_Blakey | blakey october |
| Art_Blakey | october 11 |
| Art_Blakey | 11 1919 |
| Art_Blakey | 1919 october |
| Art_Blakey | october 16 |
| Art_Blakey | 16 1990 |
| Art_Blakey | 1990 was |
| Art_Blakey | was an |
| Art_Blakey | an american |
| Art_Blakey | american jazz |
| Art_Blakey | jazz drummer |
| Art_Blakey | drummer and |
| Art_Blakey | and bandleader |
| Art_Blakey | bandleader he |
| Art_Blakey | he was |
| Art_Blakey | was briefly |
| Art_Blakey | briefly known |
| Art_Blakey | known as |
| Art_Blakey | as abdullah |
| Art_Blakey | abdullah ibn |
| Art_Blakey | ibn buhaina |
| Art_Blakey | buhaina after |
| Art_Blakey | after he |
| Art_Blakey | he converted |
| Art_Blakey | converted to |
| Art_Blakey | to islam |
| Art_Blakey | islam for |
| Art_Blakey | for a |
| Art_Blakey | a short |
| Art_Blakey | short time |
| Art_Blakey | time in |
| Art_Blakey | in the |
| Art_Blakey | the late |
| Art_Blakey | late 1940s |
| Art_Blakey | 1940s blakey |
| Art_Blakey | blakey made |
| Art_Blakey | made a |
| Art_Blakey | a name |
| Art_Blakey | name for |
| Art_Blakey | for himself |
| Art_Blakey | himself in |
| Art_Blakey | in the |
| Art_Blakey | the 1940s |
| Art_Blakey | 1940s in |
| Art_Blakey | in the |
| Art_Blakey | the big |
| Art_Blakey | big bands |
| Art_Blakey | bands of |
| Art_Blakey | of fletcher |
| Art_Blakey | fletcher henderson |
| Art_Blakey | henderson and |
| Art_Blakey | and billy |
| Art_Blakey | billy eckstine |
| Art_Blakey | eckstine he |
| Art_Blakey | he then |
| Art_Blakey | then worked |
| Art_Blakey | worked with |
| Art_Blakey | with bebop |
| Art_Blakey | bebop musicians |
| Art_Blakey | musicians thelonious |
| Art_Blakey | thelonious monk |
| Art_Blakey | monk charlie |
| Art_Blakey | charlie parker |
| Art_Blakey | parker and |
| Art_Blakey | and dizzy |
| Art_Blakey | dizzy gillespie |
| Art_Blakey | gillespie in |
| Art_Blakey | in the |
| Art_Blakey | the mid |
| Art_Blakey | mid 1950s |
| Art_Blakey | 1950s horace |
| Art_Blakey | horace silver |
| Art_Blakey | silver and |
| Art_Blakey | and blakey |
| Art_Blakey | blakey formed |
| Art_Blakey | formed the |
| Art_Blakey | the jazz |
| Art_Blakey | jazz messengers |
| Art_Blakey | messengers a |
| Art_Blakey | a group |
| Art_Blakey | group that |
| Art_Blakey | that the |
| Art_Blakey | the drummer |
| Art_Blakey | drummer was |
| Art_Blakey | was associated |
| Art_Blakey | associated with |
| Art_Blakey | with for |
| Art_Blakey | for the |
| Art_Blakey | the next |
| Art_Blakey | next 35 |
| Art_Blakey | 35 years |
| Art_Blakey | years the |
| Art_Blakey | the group |
| Art_Blakey | group was |
| Art_Blakey | was formed |
| Art_Blakey | formed as |
| Art_Blakey | as a |
| Art_Blakey | a collective |
| Art_Blakey | collective of |
| Art_Blakey | of contemporaries |
| Art_Blakey | contemporaries but |
| Art_Blakey | but over |
| Art_Blakey | over the |
| Art_Blakey | the years |
| Art_Blakey | years the |
| Art_Blakey | the band |
| Art_Blakey | band became |
| Art_Blakey | became known |
| Art_Blakey | known as |
| Art_Blakey | as an |
| Art_Blakey | an incubator |
| Art_Blakey | incubator for |
| Art_Blakey | for young |
| Art_Blakey | young talent |
| Art_Blakey | talent including |
| Art_Blakey | including freddie |
| Art_Blakey | freddie hubbard |
| Art_Blakey | hubbard wayne |
| Art_Blakey | wayne shorter |
| Art_Blakey | shorter lee |
| Art_Blakey | lee morgan |
| Art_Blakey | morgan benny |
| Art_Blakey | benny golson |
| Art_Blakey | golson kenny |
| Art_Blakey | kenny dorham |
| Art_Blakey | dorham hank |
| Art_Blakey | hank mobley |
| Art_Blakey | mobley donald |
| Art_Blakey | donald byrd |
| Art_Blakey | byrd jackie |
| Art_Blakey | jackie mclean |
| Art_Blakey | mclean johnny |
| Art_Blakey | johnny griffin |
| Art_Blakey | griffin curtis |
| Art_Blakey | curtis fuller |
| Art_Blakey | fuller chuck |
| Art_Blakey | chuck mangione |
| Art_Blakey | mangione chick |
| Art_Blakey | chick corea |
| Art_Blakey | corea keith |
| Art_Blakey | keith jarrett |
| Art_Blakey | jarrett cedar |
| Art_Blakey | cedar walton |
| Art_Blakey | walton woody |
| Art_Blakey | woody shaw |
| Art_Blakey | shaw terence |
| Art_Blakey | terence blanchard |
| Art_Blakey | blanchard and |
| Art_Blakey | and wynton |
| Art_Blakey | wynton marsalis |
| Art_Blakey | marsalis the |
| Art_Blakey | the biographical |
| Art_Blakey | biographical encyclopedia |
| Art_Blakey | encyclopedia of |
| Art_Blakey | of jazz |
| Art_Blakey | jazz calls |
| Art_Blakey | calls the |
| Art_Blakey | the jazz |
| Art_Blakey | jazz messengers |
| Art_Blakey | messengers the |
| Art_Blakey | the archetypal |
| Art_Blakey | archetypal hard |
| Art_Blakey | hard bop |
| Art_Blakey | bop group |
| Art_Blakey | group of |
| Art_Blakey | of the |
| Art_Blakey | the late |
| Art_Blakey | late 50s |
| Art_Blakey | 50s blakey |
| Art_Blakey | blakey was |
| Art_Blakey | was inducted |
| Art_Blakey | inducted into |
| Art_Blakey | into the |
| Art_Blakey | the down |
| Art_Blakey | down beat |
| Art_Blakey | beat jazz |
| Art_Blakey | jazz hall |
| Art_Blakey | hall of |
| Art_Blakey | of fame |
| Art_Blakey | fame in |
| Art_Blakey | in 1981 |
| Art_Blakey | 1981 the |
| Art_Blakey | the grammy |
| Art_Blakey | grammy hall |
| Art_Blakey | hall of |
| Art_Blakey | of fame |
| Art_Blakey | fame in |
| Art_Blakey | in 1998 |
| Art_Blakey | 1998 and |
| Art_Blakey | and 2001 |
| Art_Blakey | 2001 and |
| Art_Blakey | and was |
| Art_Blakey | was awarded |
| Art_Blakey | awarded the |
| Art_Blakey | the grammy |
| Art_Blakey | grammy lifetime |
| Art_Blakey | lifetime achievement |
| Art_Blakey | achievement award |
| Art_Blakey | award in |
| Art_Blakey | in 2005 |
| Art_Blakey | 2005 he |
| Art_Blakey | he was |
| Art_Blakey | was inducted |
| Art_Blakey | inducted into |
| Art_Blakey | into the |
| Art_Blakey | the modern |
| Art_Blakey | modern drummer |
| Art_Blakey | drummer hall |
| Art_Blakey | hall of |
| Art_Blakey | of fame |
| Art_Blakey | fame in |
| Art_Blakey | in 1991 |
| Art_Blakey | 1991 en |
| Sting_(musician) | gordon matthew |
| Sting_(musician) | matthew thomas |
| Sting_(musician) | thomas sumner |
| Sting_(musician) | sumner cbe |
| Sting_(musician) | cbe born |
| Sting_(musician) | born 2 |
| Sting_(musician) | 2 october |
| Sting_(musician) | october 1951 |
| Sting_(musician) | 1951 known |
| Sting_(musician) | known as |
| Sting_(musician) | as sting |
| Sting_(musician) | sting is |
| Sting_(musician) | is an |
| Sting_(musician) | an english |
| Sting_(musician) | english musician |
| Sting_(musician) | musician singer |
| Sting_(musician) | singer songwriter |
| Sting_(musician) | songwriter and |
| Sting_(musician) | and actor |
| Sting_(musician) | actor he |
| Sting_(musician) | he was |
| Sting_(musician) | was the |
| Sting_(musician) | the frontman |
| Sting_(musician) | frontman songwriter |
| Sting_(musician) | songwriter and |
| Sting_(musician) | and bassist |
| Sting_(musician) | bassist for |
| Sting_(musician) | for new |
| Sting_(musician) | new wave |
| Sting_(musician) | wave rock |
| Sting_(musician) | rock band |
| Sting_(musician) | band the |
| Sting_(musician) | the police |
| Sting_(musician) | police from |
| Sting_(musician) | from 1977 |
| Sting_(musician) | 1977 to |
| Sting_(musician) | to 1986 |
| Sting_(musician) | 1986 he |
| Sting_(musician) | he launched |
| Sting_(musician) | launched a |
| Sting_(musician) | a solo |
| Sting_(musician) | solo career |
| Sting_(musician) | career in |
| Sting_(musician) | in 1985 |
| Sting_(musician) | 1985 and |
| Sting_(musician) | and has |
| Sting_(musician) | has included |
| Sting_(musician) | included elements |
| Sting_(musician) | elements of |
| Sting_(musician) | of rock |
| Sting_(musician) | rock jazz |
| Sting_(musician) | jazz reggae |
| Sting_(musician) | reggae classical |
| Sting_(musician) | classical new |
| Sting_(musician) | new age |
| Sting_(musician) | age and |
| Sting_(musician) | and worldbeat |
| Sting_(musician) | worldbeat in |
| Sting_(musician) | in his |
| Sting_(musician) | his music |
| Sting_(musician) | music as |
| Sting_(musician) | as a |
| Sting_(musician) | a solo |
| Sting_(musician) | solo musician |
| Sting_(musician) | musician and |
| Sting_(musician) | and a |
| Sting_(musician) | a member |
| Sting_(musician) | member of |
| Sting_(musician) | of the |
| Sting_(musician) | the police |
| Sting_(musician) | police sting |
| Sting_(musician) | sting has |
| Sting_(musician) | has received |
| Sting_(musician) | received 17 |
| Sting_(musician) | 17 grammy |
| Sting_(musician) | grammy awards |
| Sting_(musician) | awards he |
| Sting_(musician) | he won |
| Sting_(musician) | won song |
| Sting_(musician) | song of |
| Sting_(musician) | of the |
| Sting_(musician) | the year |
| Sting_(musician) | year for |
| Sting_(musician) | for every |
| Sting_(musician) | every breath |
| Sting_(musician) | breath you |
| Sting_(musician) | you take |
| Sting_(musician) | take three |
| Sting_(musician) | three brit |
| Sting_(musician) | brit awards |
| Sting_(musician) | awards including |
| Sting_(musician) | including best |
| Sting_(musician) | best british |
| Sting_(musician) | british male |
| Sting_(musician) | male artist |
| Sting_(musician) | artist in |
| Sting_(musician) | in 1994 |
| Sting_(musician) | 1994 and |
| Sting_(musician) | and outstanding |
| Sting_(musician) | outstanding contribution |
| Sting_(musician) | contribution in |
| Sting_(musician) | in 2002 |
| Sting_(musician) | 2002 a |
| Sting_(musician) | a golden |
| Sting_(musician) | golden globe |
| Sting_(musician) | globe an |
| Sting_(musician) | an emmy |
| Sting_(musician) | emmy and |
| Sting_(musician) | and four |
| Sting_(musician) | four nominations |
| Sting_(musician) | nominations for |
| Sting_(musician) | for the |
| Sting_(musician) | the academy |
| Sting_(musician) | academy award |
| Sting_(musician) | award for |
| Sting_(musician) | for best |
| Sting_(musician) | best original |
| Sting_(musician) | original song |
| Sting_(musician) | song in |
| Sting_(musician) | in 2019 |
| Sting_(musician) | 2019 he |
| Sting_(musician) | he received |
| Sting_(musician) | received a |
| Sting_(musician) | a bmi |
| Sting_(musician) | bmi award |
| Sting_(musician) | award for |
| Sting_(musician) | for every |
| Sting_(musician) | every breath |
| Sting_(musician) | breath you |
| Sting_(musician) | you take |
| Sting_(musician) | take becoming |
| Sting_(musician) | becoming the |
| Sting_(musician) | the most |
| Sting_(musician) | most played |
| Sting_(musician) | played song |
| Sting_(musician) | song in |
| Sting_(musician) | in radio |
| Sting_(musician) | radio history |
| Sting_(musician) | history in |
| Sting_(musician) | in 2002 |
| Sting_(musician) | 2002 sting |
| Sting_(musician) | sting received |
| Sting_(musician) | received the |
| Sting_(musician) | the ivor |
| Sting_(musician) | ivor novello |
| Sting_(musician) | novello award |
| Sting_(musician) | award for |
| Sting_(musician) | for lifetime |
| Sting_(musician) | lifetime achievement |
| Sting_(musician) | achievement from |
| Sting_(musician) | from the |
| Sting_(musician) | the british |
| Sting_(musician) | british academy |
| Sting_(musician) | academy of |
| Sting_(musician) | of songwriters |
| Sting_(musician) | songwriters composers |
| Sting_(musician) | composers and |
| Sting_(musician) | and authors |
| Sting_(musician) | authors and |
| Sting_(musician) | and was |
| Sting_(musician) | was also |
| Sting_(musician) | also inducted |
| Sting_(musician) | inducted into |
| Sting_(musician) | into the |
| Sting_(musician) | the songwriters |
| Sting_(musician) | songwriters hall |
| Sting_(musician) | hall of |
| Sting_(musician) | of fame |
| Sting_(musician) | fame he |
| Sting_(musician) | he was |
| Sting_(musician) | was inducted |
| Sting_(musician) | inducted into |
| Sting_(musician) | into the |
| Sting_(musician) | the rock |
| Sting_(musician) | rock and |
| Sting_(musician) | and roll |
| Sting_(musician) | roll hall |
| Sting_(musician) | hall of |
| Sting_(musician) | of fame |
| Sting_(musician) | fame as |
| Sting_(musician) | as a |
| Sting_(musician) | a member |
| Sting_(musician) | member of |
| Sting_(musician) | of the |
| Sting_(musician) | the police |
| Sting_(musician) | police in |
| Sting_(musician) | in 2003 |
| Sting_(musician) | 2003 in |
| Sting_(musician) | in 2000 |
| Sting_(musician) | 2000 he |
| Sting_(musician) | he received |
| Sting_(musician) | received a |
| Sting_(musician) | a star |
| Sting_(musician) | star on |
| Sting_(musician) | on the |
| Sting_(musician) | the hollywood |
| Sting_(musician) | hollywood walk |
| Sting_(musician) | walk of |
| Sting_(musician) | of fame |
| Sting_(musician) | fame for |
| Sting_(musician) | for recording |
| Sting_(musician) | recording in |
| Sting_(musician) | in 2003 |
| Sting_(musician) | 2003 sting |
| Sting_(musician) | sting received |
| Sting_(musician) | received a |
| Sting_(musician) | a cbe |
| Sting_(musician) | cbe from |
| Sting_(musician) | from elizabeth |
| Sting_(musician) | elizabeth ii |
| Sting_(musician) | ii at |
| Sting_(musician) | at buckingham |
| Sting_(musician) | buckingham palace |
| Sting_(musician) | palace for |
| Sting_(musician) | for services |
| Sting_(musician) | services to |
| Sting_(musician) | to music |
| Sting_(musician) | music he |
| Sting_(musician) | he was |
| Sting_(musician) | was made |
| Sting_(musician) | made a |
| Sting_(musician) | a kennedy |
| Sting_(musician) | kennedy center |
| Sting_(musician) | center honoree |
| Sting_(musician) | honoree at |
| Sting_(musician) | at the |
| Sting_(musician) | the white |
| Sting_(musician) | white house |
| Sting_(musician) | house in |
| Sting_(musician) | in 2014 |
| Sting_(musician) | 2014 and |
| Sting_(musician) | and was |
| Sting_(musician) | was awarded |
| Sting_(musician) | awarded the |
| Sting_(musician) | the polar |
| Sting_(musician) | polar music |
| Sting_(musician) | music prize |
| Sting_(musician) | prize in |
| Sting_(musician) | in 2017 |
| Sting_(musician) | 2017 with |
| Sting_(musician) | with the |
| Sting_(musician) | the police |
| Sting_(musician) | police sting |
| Sting_(musician) | sting became |
| Sting_(musician) | became one |
| Sting_(musician) | one of |
| Sting_(musician) | of the |
| Sting_(musician) | the world’s |
| Sting_(musician) | world’s best |
| Sting_(musician) | best selling |
| Sting_(musician) | selling music |
| Sting_(musician) | music artists |
| Sting_(musician) | artists solo |
| Sting_(musician) | solo and |
| Sting_(musician) | and with |
| Sting_(musician) | with the |
| Sting_(musician) | the police |
| Sting_(musician) | police combined |
| Sting_(musician) | combined he |
| Sting_(musician) | he has |
| Sting_(musician) | has sold |
| Sting_(musician) | sold over |
| Sting_(musician) | over 100 |
| Sting_(musician) | 100 million |
| Sting_(musician) | million records |
| Sting_(musician) | records in |
| Sting_(musician) | in 2006 |
| Sting_(musician) | 2006 paste |
| Sting_(musician) | paste ranked |
| Sting_(musician) | ranked him |
| Sting_(musician) | him 62nd |
| Sting_(musician) | 62nd of |
| Sting_(musician) | of the |
| Sting_(musician) | the 100 |
| Sting_(musician) | 100 best |
| Sting_(musician) | best living |
| Sting_(musician) | living songwriters |
| Sting_(musician) | songwriters he |
| Sting_(musician) | he was |
| Sting_(musician) | was 63rd |
| Sting_(musician) | 63rd of |
| Sting_(musician) | of vh1 |
| Sting_(musician) | vh1 s |
| Sting_(musician) | s 100 |
| Sting_(musician) | 100 greatest |
| Sting_(musician) | greatest artists |
| Sting_(musician) | artists of |
| Sting_(musician) | of rock |
| Sting_(musician) | rock and |
| Sting_(musician) | and 80th |
| Sting_(musician) | 80th of |
| Sting_(musician) | of q |
| Sting_(musician) | q magazine’s |
| Sting_(musician) | magazine’s 100 |
| Sting_(musician) | 100 greatest |
| Sting_(musician) | greatest musical |
| Sting_(musician) | musical stars |
| Sting_(musician) | stars of |
| Sting_(musician) | of the |
| Sting_(musician) | the 20th |
| Sting_(musician) | 20th century |
| Sting_(musician) | century he |
| Sting_(musician) | he has |
| Sting_(musician) | has collaborated |
| Sting_(musician) | collaborated with |
| Sting_(musician) | with other |
| Sting_(musician) | other musicians |
| Sting_(musician) | musicians on |
| Sting_(musician) | on songs |
| Sting_(musician) | songs such |
| Sting_(musician) | such as |
| Sting_(musician) | as money |
| Sting_(musician) | money for |
| Sting_(musician) | for nothing |
| Sting_(musician) | nothing with |
| Sting_(musician) | with dire |
| Sting_(musician) | dire straits |
| Sting_(musician) | straits rise |
| Sting_(musician) | rise fall |
| Sting_(musician) | fall with |
| Sting_(musician) | with craig |
| Sting_(musician) | craig david |
| Sting_(musician) | david all |
| Sting_(musician) | all for |
| Sting_(musician) | for love |
| Sting_(musician) | love with |
| Sting_(musician) | with bryan |
| Sting_(musician) | bryan adams |
| Sting_(musician) | adams and |
| Sting_(musician) | and rod |
| Sting_(musician) | rod stewart |
| Sting_(musician) | stewart you |
| Sting_(musician) | you will |
| Sting_(musician) | will be |
| Sting_(musician) | be my |
| Sting_(musician) | my ain |
| Sting_(musician) | ain true |
| Sting_(musician) | true love |
| Sting_(musician) | love with |
| Sting_(musician) | with alison |
| Sting_(musician) | alison krauss |
| Sting_(musician) | krauss and |
| Sting_(musician) | and introduced |
| Sting_(musician) | introduced the |
| Sting_(musician) | the north |
| Sting_(musician) | north african |
| Sting_(musician) | african music |
| Sting_(musician) | music genre |
| Sting_(musician) | genre ra |
| Sting_(musician) | ra 簿 |
| Sting_(musician) | 簿 to |
| Sting_(musician) | to western |
| Sting_(musician) | western audiences |
| Sting_(musician) | audiences through |
| Sting_(musician) | through the |
| Sting_(musician) | the hit |
| Sting_(musician) | hit song |
| Sting_(musician) | song desert |
| Sting_(musician) | desert rose |
| Sting_(musician) | rose with |
| Sting_(musician) | with cheb |
| Sting_(musician) | cheb mami |
| Sting_(musician) | mami in |
| Sting_(musician) | in 2018 |
| Sting_(musician) | 2018 he |
| Sting_(musician) | he released |
| Sting_(musician) | released the |
| Sting_(musician) | the album |
| Sting_(musician) | album 44 |
| Sting_(musician) | 44 876 |
| Sting_(musician) | 876 a |
| Sting_(musician) | a collaboration |
| Sting_(musician) | collaboration with |
| Sting_(musician) | with jamaican |
| Sting_(musician) | jamaican musician |
| Sting_(musician) | musician shaggy |
| Sting_(musician) | shaggy which |
| Sting_(musician) | which won |
| Sting_(musician) | won the |
| Sting_(musician) | the grammy |
| Sting_(musician) | grammy award |
| Sting_(musician) | award for |
| Sting_(musician) | for best |
| Sting_(musician) | best reggae |
| Sting_(musician) | reggae album |
| Sting_(musician) | album in |
| Sting_(musician) | in 2019 |
| Sting_(musician) | 2019 en |
| Karriem_Riggins | karriem riggins |
| Karriem_Riggins | riggins is |
| Karriem_Riggins | is an |
| Karriem_Riggins | an american |
| Karriem_Riggins | american jazz |
| Karriem_Riggins | jazz drummer |
| Karriem_Riggins | drummer hip |
| Karriem_Riggins | hip hop |
| Karriem_Riggins | hop producer |
| Karriem_Riggins | producer dj |
| Karriem_Riggins | dj and |
| Karriem_Riggins | and songwriter |
| Karriem_Riggins | songwriter en |
| Charlie_Barnet | charles daly |
| Charlie_Barnet | daly barnet |
| Charlie_Barnet | barnet october |
| Charlie_Barnet | october 26 |
| Charlie_Barnet | 26 1913 |
| Charlie_Barnet | 1913 september |
| Charlie_Barnet | september 4 |
| Charlie_Barnet | 4 1991 |
| Charlie_Barnet | 1991 was |
| Charlie_Barnet | was an |
| Charlie_Barnet | an american |
| Charlie_Barnet | american jazz |
| Charlie_Barnet | jazz saxophonist |
| Charlie_Barnet | saxophonist composer |
| Charlie_Barnet | composer and |
| Charlie_Barnet | and bandleader |
| Charlie_Barnet | bandleader his |
| Charlie_Barnet | his major |
| Charlie_Barnet | major recordings |
| Charlie_Barnet | recordings were |
| Charlie_Barnet | were skyliner |
| Charlie_Barnet | skyliner cherokee |
| Charlie_Barnet | cherokee the |
| Charlie_Barnet | the wrong |
| Charlie_Barnet | wrong idea |
| Charlie_Barnet | idea scotch |
| Charlie_Barnet | scotch and |
| Charlie_Barnet | and soda |
| Charlie_Barnet | soda in |
| Charlie_Barnet | in a |
| Charlie_Barnet | a mizz |
| Charlie_Barnet | mizz and |
| Charlie_Barnet | and southland |
| Charlie_Barnet | southland shuffle |
| Charlie_Barnet | shuffle en |
| Wayne_Shorter | wayne shorter |
| Wayne_Shorter | shorter born |
| Wayne_Shorter | born august |
| Wayne_Shorter | august 25 |
| Wayne_Shorter | 25 1933 |
| Wayne_Shorter | 1933 is |
| Wayne_Shorter | is an |
| Wayne_Shorter | an american |
| Wayne_Shorter | american jazz |
| Wayne_Shorter | jazz saxophonist |
| Wayne_Shorter | saxophonist and |
| Wayne_Shorter | and composer |
| Wayne_Shorter | composer shorter |
| Wayne_Shorter | shorter came |
| Wayne_Shorter | came to |
| Wayne_Shorter | to wide |
| Wayne_Shorter | wide prominence |
| Wayne_Shorter | prominence in |
| Wayne_Shorter | in the |
| Wayne_Shorter | the late |
| Wayne_Shorter | late 1950s |
| Wayne_Shorter | 1950s as |
| Wayne_Shorter | as a |
| Wayne_Shorter | a member |
| Wayne_Shorter | member of |
| Wayne_Shorter | of and |
| Wayne_Shorter | and eventually |
| Wayne_Shorter | eventually primary |
| Wayne_Shorter | primary composer |
| Wayne_Shorter | composer for |
| Wayne_Shorter | for art |
| Wayne_Shorter | art blakey’s |
| Wayne_Shorter | blakey’s jazz |
| Wayne_Shorter | jazz messengers |
| Wayne_Shorter | messengers in |
| Wayne_Shorter | in the |
| Wayne_Shorter | the 1960s |
| Wayne_Shorter | 1960s he |
| Wayne_Shorter | he went |
| Wayne_Shorter | went on |
| Wayne_Shorter | on to |
| Wayne_Shorter | to join |
| Wayne_Shorter | join miles |
| Wayne_Shorter | miles davis’s |
| Wayne_Shorter | davis’s second |
| Wayne_Shorter | second great |
| Wayne_Shorter | great quintet |
| Wayne_Shorter | quintet and |
| Wayne_Shorter | and from |
| Wayne_Shorter | from there |
| Wayne_Shorter | there he |
| Wayne_Shorter | he co |
| Wayne_Shorter | co founded |
| Wayne_Shorter | founded the |
| Wayne_Shorter | the jazz |
| Wayne_Shorter | jazz fusion |
| Wayne_Shorter | fusion band |
| Wayne_Shorter | band weather |
| Wayne_Shorter | weather report |
| Wayne_Shorter | report he |
| Wayne_Shorter | he has |
| Wayne_Shorter | has recorded |
| Wayne_Shorter | recorded over |
| Wayne_Shorter | over 20 |
| Wayne_Shorter | 20 albums |
| Wayne_Shorter | albums as |
| Wayne_Shorter | as a |
| Wayne_Shorter | a bandleader |
| Wayne_Shorter | bandleader many |
| Wayne_Shorter | many of |
| Wayne_Shorter | of shorter’s |
| Wayne_Shorter | shorter’s compositions |
| Wayne_Shorter | compositions have |
| Wayne_Shorter | have become |
| Wayne_Shorter | become jazz |
| Wayne_Shorter | jazz standards |
| Wayne_Shorter | standards and |
| Wayne_Shorter | and his |
| Wayne_Shorter | his output |
| Wayne_Shorter | output has |
| Wayne_Shorter | has earned |
| Wayne_Shorter | earned worldwide |
| Wayne_Shorter | worldwide recognition |
| Wayne_Shorter | recognition critical |
| Wayne_Shorter | critical praise |
| Wayne_Shorter | praise and |
| Wayne_Shorter | and various |
| Wayne_Shorter | various commendations |
| Wayne_Shorter | commendations shorter |
| Wayne_Shorter | shorter won |
| Wayne_Shorter | won 11 |
| Wayne_Shorter | 11 grammy |
| Wayne_Shorter | grammy awards |
| Wayne_Shorter | awards he |
| Wayne_Shorter | he has |
| Wayne_Shorter | has also |
| Wayne_Shorter | also received |
| Wayne_Shorter | received acclaim |
| Wayne_Shorter | acclaim for |
| Wayne_Shorter | for his |
| Wayne_Shorter | his mastery |
| Wayne_Shorter | mastery of |
| Wayne_Shorter | of the |
| Wayne_Shorter | the soprano |
| Wayne_Shorter | soprano saxophone |
| Wayne_Shorter | saxophone after |
| Wayne_Shorter | after switching |
| Wayne_Shorter | switching his |
| Wayne_Shorter | his focus |
| Wayne_Shorter | focus from |
| Wayne_Shorter | from the |
| Wayne_Shorter | the tenor |
| Wayne_Shorter | tenor in |
| Wayne_Shorter | in the |
| Wayne_Shorter | the late |
| Wayne_Shorter | late 1960s |
| Wayne_Shorter | 1960s beginning |
| Wayne_Shorter | beginning an |
| Wayne_Shorter | an extended |
| Wayne_Shorter | extended reign |
| Wayne_Shorter | reign in |
| Wayne_Shorter | in 1970 |
| Wayne_Shorter | 1970 as |
| Wayne_Shorter | as down |
| Wayne_Shorter | down beat’s |
| Wayne_Shorter | beat’s annual |
| Wayne_Shorter | annual poll |
| Wayne_Shorter | poll winner |
| Wayne_Shorter | winner on |
| Wayne_Shorter | on that |
| Wayne_Shorter | that instrument |
| Wayne_Shorter | instrument winning |
| Wayne_Shorter | winning the |
| Wayne_Shorter | the critics |
| Wayne_Shorter | critics poll |
| Wayne_Shorter | poll for |
| Wayne_Shorter | for 10 |
| Wayne_Shorter | 10 consecutive |
| Wayne_Shorter | consecutive years |
| Wayne_Shorter | years and |
| Wayne_Shorter | and the |
| Wayne_Shorter | the readers |
| Wayne_Shorter | readers for |
| Wayne_Shorter | for 18 |
| Wayne_Shorter | 18 the |
| Wayne_Shorter | the new |
| Wayne_Shorter | new york |
| Wayne_Shorter | york times |
| Wayne_Shorter | times described |
| Wayne_Shorter | described shorter |
| Wayne_Shorter | shorter in |
| Wayne_Shorter | in 2008 |
| Wayne_Shorter | 2008 as |
| Wayne_Shorter | as probably |
| Wayne_Shorter | probably jazz’s |
| Wayne_Shorter | jazz’s greatest |
| Wayne_Shorter | greatest living |
| Wayne_Shorter | living small |
| Wayne_Shorter | small group |
| Wayne_Shorter | group composer |
| Wayne_Shorter | composer and |
| Wayne_Shorter | and a |
| Wayne_Shorter | a contender |
| Wayne_Shorter | contender for |
| Wayne_Shorter | for greatest |
| Wayne_Shorter | greatest living |
| Wayne_Shorter | living improviser |
| Wayne_Shorter | improviser in |
| Wayne_Shorter | in 2017 |
| Wayne_Shorter | 2017 he |
| Wayne_Shorter | he was |
| Wayne_Shorter | was awarded |
| Wayne_Shorter | awarded the |
| Wayne_Shorter | the polar |
| Wayne_Shorter | polar music |
| Wayne_Shorter | music prize |
| Wayne_Shorter | prize en |
| Shannon_Powell | shannon powell |
| Shannon_Powell | powell born |
| Shannon_Powell | born april |
| Shannon_Powell | april 8 |
| Shannon_Powell | 8 1962 |
| Shannon_Powell | 1962 is |
| Shannon_Powell | is an |
| Shannon_Powell | an american |
| Shannon_Powell | american jazz |
| Shannon_Powell | jazz and |
| Shannon_Powell | and ragtime |
| Shannon_Powell | ragtime drummer |
| Shannon_Powell | drummer he |
| Shannon_Powell | he has |
| Shannon_Powell | has toured |
| Shannon_Powell | toured internationally |
| Shannon_Powell | internationally and |
| Shannon_Powell | and played |
| Shannon_Powell | played with |
| Shannon_Powell | with ellis |
| Shannon_Powell | ellis marsalis |
| Shannon_Powell | marsalis harry |
| Shannon_Powell | harry connick |
| Shannon_Powell | connick jr |
| Shannon_Powell | jr danny |
| Shannon_Powell | danny barker |
| Shannon_Powell | barker branford |
| Shannon_Powell | branford marsalis |
| Shannon_Powell | marsalis wynton |
| Shannon_Powell | wynton marsalis |
| Shannon_Powell | marsalis and |
| Shannon_Powell | and the |
| Shannon_Powell | the lincoln |
| Shannon_Powell | lincoln center |
| Shannon_Powell | center jazz |
| Shannon_Powell | jazz orchestra |
| Shannon_Powell | orchestra diana |
| Shannon_Powell | diana krall |
| Shannon_Powell | krall earl |
| Shannon_Powell | earl king |
| Shannon_Powell | king dr |
| Shannon_Powell | dr john |
| Shannon_Powell | john marcus |
| Shannon_Powell | marcus roberts |
| Shannon_Powell | roberts john |
| Shannon_Powell | john scofield |
| Shannon_Powell | scofield jason |
| Shannon_Powell | jason marsalis |
| Shannon_Powell | marsalis leroy |
| Shannon_Powell | leroy jones |
| Shannon_Powell | jones nicholas |
| Shannon_Powell | nicholas payton |
| Shannon_Powell | payton and |
| Shannon_Powell | and donald |
| Shannon_Powell | donald harrison |
| Shannon_Powell | harrison jr |
| Shannon_Powell | jr powell |
| Shannon_Powell | powell toured |
| Shannon_Powell | toured and |
| Shannon_Powell | and recorded |
| Shannon_Powell | recorded with |
| Shannon_Powell | with fellow |
| Shannon_Powell | fellow new |
| Shannon_Powell | new orleans |
| Shannon_Powell | orleans native |
| Shannon_Powell | native harry |
| Shannon_Powell | harry connick |
| Shannon_Powell | connick jr |
| Shannon_Powell | jr en |
| Mulgrew_Miller | mulgrew miller |
| Mulgrew_Miller | miller august |
| Mulgrew_Miller | august 13 |
| Mulgrew_Miller | 13 1955 |
| Mulgrew_Miller | 1955 may |
| Mulgrew_Miller | may 29 |
| Mulgrew_Miller | 29 2013 |
| Mulgrew_Miller | 2013 was |
| Mulgrew_Miller | was an |
| Mulgrew_Miller | an american |
| Mulgrew_Miller | american jazz |
| Mulgrew_Miller | jazz pianist |
| Mulgrew_Miller | pianist composer |
| Mulgrew_Miller | composer and |
| Mulgrew_Miller | and educator |
| Mulgrew_Miller | educator as |
| Mulgrew_Miller | as a |
| Mulgrew_Miller | a child |
| Mulgrew_Miller | child he |
| Mulgrew_Miller | he played |
| Mulgrew_Miller | played in |
| Mulgrew_Miller | in churches |
| Mulgrew_Miller | churches and |
| Mulgrew_Miller | and was |
| Mulgrew_Miller | was influenced |
| Mulgrew_Miller | influenced on |
| Mulgrew_Miller | on piano |
| Mulgrew_Miller | piano by |
| Mulgrew_Miller | by ramsey |
| Mulgrew_Miller | ramsey lewis |
| Mulgrew_Miller | lewis and |
| Mulgrew_Miller | and then |
| Mulgrew_Miller | then oscar |
| Mulgrew_Miller | oscar peterson |
| Mulgrew_Miller | peterson aspects |
| Mulgrew_Miller | aspects of |
| Mulgrew_Miller | of their |
| Mulgrew_Miller | their styles |
| Mulgrew_Miller | styles remained |
| Mulgrew_Miller | remained in |
| Mulgrew_Miller | in his |
| Mulgrew_Miller | his playing |
| Mulgrew_Miller | playing but |
| Mulgrew_Miller | but he |
| Mulgrew_Miller | he added |
| Mulgrew_Miller | added the |
| Mulgrew_Miller | the greater |
| Mulgrew_Miller | greater harmonic |
| Mulgrew_Miller | harmonic freedom |
| Mulgrew_Miller | freedom of |
| Mulgrew_Miller | of mccoy |
| Mulgrew_Miller | mccoy tyner |
| Mulgrew_Miller | tyner and |
| Mulgrew_Miller | and others |
| Mulgrew_Miller | others in |
| Mulgrew_Miller | in developing |
| Mulgrew_Miller | developing as |
| Mulgrew_Miller | as a |
| Mulgrew_Miller | a hard |
| Mulgrew_Miller | hard bop |
| Mulgrew_Miller | bop player |
| Mulgrew_Miller | player and |
| Mulgrew_Miller | and then |
| Mulgrew_Miller | then in |
| Mulgrew_Miller | in creating |
| Mulgrew_Miller | creating his |
| Mulgrew_Miller | his own |
| Mulgrew_Miller | own style |
| Mulgrew_Miller | style which |
| Mulgrew_Miller | which influenced |
| Mulgrew_Miller | influenced others |
| Mulgrew_Miller | others from |
| Mulgrew_Miller | from the |
| Mulgrew_Miller | the 1980s |
| Mulgrew_Miller | 1980s on |
| Mulgrew_Miller | on after |
| Mulgrew_Miller | after leaving |
| Mulgrew_Miller | leaving university |
| Mulgrew_Miller | university he |
| Mulgrew_Miller | he was |
| Mulgrew_Miller | was pianist |
| Mulgrew_Miller | pianist with |
| Mulgrew_Miller | with the |
| Mulgrew_Miller | the duke |
| Mulgrew_Miller | duke ellington |
| Mulgrew_Miller | ellington orchestra |
| Mulgrew_Miller | orchestra for |
| Mulgrew_Miller | for three |
| Mulgrew_Miller | three years |
| Mulgrew_Miller | years then |
| Mulgrew_Miller | then accompanied |
| Mulgrew_Miller | accompanied vocalist |
| Mulgrew_Miller | vocalist betty |
| Mulgrew_Miller | betty carter |
| Mulgrew_Miller | carter three |
| Mulgrew_Miller | three year |
| Mulgrew_Miller | year stints |
| Mulgrew_Miller | stints with |
| Mulgrew_Miller | with trumpeter |
| Mulgrew_Miller | trumpeter woody |
| Mulgrew_Miller | woody shaw |
| Mulgrew_Miller | shaw and |
| Mulgrew_Miller | and with |
| Mulgrew_Miller | with drummer |
| Mulgrew_Miller | drummer art |
| Mulgrew_Miller | art blakey’s |
| Mulgrew_Miller | blakey’s high |
| Mulgrew_Miller | high profile |
| Mulgrew_Miller | profile jazz |
| Mulgrew_Miller | jazz messengers |
| Mulgrew_Miller | messengers followed |
| Mulgrew_Miller | followed by |
| Mulgrew_Miller | by the |
| Mulgrew_Miller | the end |
| Mulgrew_Miller | end of |
| Mulgrew_Miller | of which |
| Mulgrew_Miller | which miller |
| Mulgrew_Miller | miller had |
| Mulgrew_Miller | had formed |
| Mulgrew_Miller | formed his |
| Mulgrew_Miller | his own |
| Mulgrew_Miller | own bands |
| Mulgrew_Miller | bands and |
| Mulgrew_Miller | and begun |
| Mulgrew_Miller | begun recording |
| Mulgrew_Miller | recording under |
| Mulgrew_Miller | under his |
| Mulgrew_Miller | his own |
| Mulgrew_Miller | own name |
| Mulgrew_Miller | name he |
| Mulgrew_Miller | he was |
| Mulgrew_Miller | was then |
| Mulgrew_Miller | then part |
| Mulgrew_Miller | part of |
| Mulgrew_Miller | of drummer |
| Mulgrew_Miller | drummer tony |
| Mulgrew_Miller | tony williams |
| Mulgrew_Miller | williams quintet |
| Mulgrew_Miller | quintet from |
| Mulgrew_Miller | from its |
| Mulgrew_Miller | its foundation |
| Mulgrew_Miller | foundation while |
| Mulgrew_Miller | while continuing |
| Mulgrew_Miller | continuing to |
| Mulgrew_Miller | to play |
| Mulgrew_Miller | play and |
| Mulgrew_Miller | and record |
| Mulgrew_Miller | record with |
| Mulgrew_Miller | with numerous |
| Mulgrew_Miller | numerous other |
| Mulgrew_Miller | other leaders |
| Mulgrew_Miller | leaders mostly |
| Mulgrew_Miller | mostly in |
| Mulgrew_Miller | in small |
| Mulgrew_Miller | small groups |
| Mulgrew_Miller | groups miller |
| Mulgrew_Miller | miller was |
| Mulgrew_Miller | was director |
| Mulgrew_Miller | director of |
| Mulgrew_Miller | of jazz |
| Mulgrew_Miller | jazz studies |
| Mulgrew_Miller | studies at |
| Mulgrew_Miller | at william |
| Mulgrew_Miller | william paterson |
| Mulgrew_Miller | paterson university |
| Mulgrew_Miller | university from |
| Mulgrew_Miller | from 2005 |
| Mulgrew_Miller | 2005 and |
| Mulgrew_Miller | and continued |
| Mulgrew_Miller | continued to |
| Mulgrew_Miller | to play |
| Mulgrew_Miller | play and |
| Mulgrew_Miller | and tour |
| Mulgrew_Miller | tour internationally |
| Mulgrew_Miller | internationally with |
| Mulgrew_Miller | with other |
| Mulgrew_Miller | other high |
| Mulgrew_Miller | high profile |
| Mulgrew_Miller | profile figures |
| Mulgrew_Miller | figures in |
| Mulgrew_Miller | in the |
| Mulgrew_Miller | the music |
| Mulgrew_Miller | music until |
| Mulgrew_Miller | until his |
| Mulgrew_Miller | his death |
| Mulgrew_Miller | death from |
| Mulgrew_Miller | from a |
| Mulgrew_Miller | a stroke |
| Mulgrew_Miller | stroke at |
| Mulgrew_Miller | at the |
| Mulgrew_Miller | the age |
| Mulgrew_Miller | age of |
| Mulgrew_Miller | of 57 |
| Mulgrew_Miller | 57 en |
| Frank_McComb | frank mccomb |
| Frank_McComb | mccomb born |
| Frank_McComb | born july |
| Frank_McComb | july 15 |
| Frank_McComb | 15 1970 |
| Frank_McComb | 1970 is |
| Frank_McComb | is a |
| Frank_McComb | a soul |
| Frank_McComb | soul singer |
| Frank_McComb | singer and |
| Frank_McComb | and record |
| Frank_McComb | record producer |
| Frank_McComb | producer he |
| Frank_McComb | he has |
| Frank_McComb | has collaborated |
| Frank_McComb | collaborated with |
| Frank_McComb | with prince |
| Frank_McComb | prince chaka |
| Frank_McComb | chaka khan |
| Frank_McComb | khan will |
| Frank_McComb | will smith |
| Frank_McComb | smith najee |
| Frank_McComb | najee branford |
| Frank_McComb | branford marsalis |
| Frank_McComb | marsalis george |
| Frank_McComb | george duke |
| Frank_McComb | duke frankie |
| Frank_McComb | frankie beverly |
| Frank_McComb | beverly and |
| Frank_McComb | and maze |
| Frank_McComb | maze phyllis |
| Frank_McComb | phyllis hyman |
| Frank_McComb | hyman gamble |
| Frank_McComb | gamble and |
| Frank_McComb | and huff |
| Frank_McComb | huff patrice |
| Frank_McComb | patrice rushen |
| Frank_McComb | rushen lalah |
| Frank_McComb | lalah hathaway |
| Frank_McComb | hathaway fred |
| Frank_McComb | fred hammond |
| Frank_McComb | hammond and |
| Frank_McComb | and john |
| Frank_McComb | john p |
| Frank_McComb | p kee |
| Frank_McComb | kee en |
| Clifford_Brown | clifford benjamin |
| Clifford_Brown | benjamin brown |
| Clifford_Brown | brown october |
| Clifford_Brown | october 30 |
| Clifford_Brown | 30 1930 |
| Clifford_Brown | 1930 june |
| Clifford_Brown | june 26 |
| Clifford_Brown | 26 1956 |
| Clifford_Brown | 1956 was |
| Clifford_Brown | was an |
| Clifford_Brown | an american |
| Clifford_Brown | american jazz |
| Clifford_Brown | jazz trumpeter |
| Clifford_Brown | trumpeter he |
| Clifford_Brown | he died |
| Clifford_Brown | died at |
| Clifford_Brown | at the |
| Clifford_Brown | the age |
| Clifford_Brown | age of |
| Clifford_Brown | of 25 |
| Clifford_Brown | 25 in |
| Clifford_Brown | in a |
| Clifford_Brown | a car |
| Clifford_Brown | car accident |
| Clifford_Brown | accident leaving |
| Clifford_Brown | leaving behind |
| Clifford_Brown | behind four |
| Clifford_Brown | four years |
| Clifford_Brown | years worth |
| Clifford_Brown | worth of |
| Clifford_Brown | of recordings |
| Clifford_Brown | recordings his |
| Clifford_Brown | his compositions |
| Clifford_Brown | compositions sandu |
| Clifford_Brown | sandu joy |
| Clifford_Brown | joy spring |
| Clifford_Brown | spring and |
| Clifford_Brown | and daahoud |
| Clifford_Brown | daahoud have |
| Clifford_Brown | have become |
| Clifford_Brown | become jazz |
| Clifford_Brown | jazz standards |
| Clifford_Brown | standards brown |
| Clifford_Brown | brown won |
| Clifford_Brown | won the |
| Clifford_Brown | the downbeat |
| Clifford_Brown | downbeat magazine |
| Clifford_Brown | magazine critics |
| Clifford_Brown | critics poll |
| Clifford_Brown | poll for |
| Clifford_Brown | for new |
| Clifford_Brown | new star |
| Clifford_Brown | star of |
| Clifford_Brown | of the |
| Clifford_Brown | the year |
| Clifford_Brown | year in |
| Clifford_Brown | in 1954 |
| Clifford_Brown | 1954 he |
| Clifford_Brown | he was |
| Clifford_Brown | was inducted |
| Clifford_Brown | inducted into |
| Clifford_Brown | into the |
| Clifford_Brown | the downbeat |
| Clifford_Brown | downbeat hall |
| Clifford_Brown | hall of |
| Clifford_Brown | of fame |
| Clifford_Brown | fame in |
| Clifford_Brown | in 1972 |
| Clifford_Brown | 1972 en |
| Veronica_Swift | veronica swift |
| Veronica_Swift | swift born |
| Veronica_Swift | born may |
| Veronica_Swift | may 14 |
| Veronica_Swift | 14 1994 |
| Veronica_Swift | 1994 is |
| Veronica_Swift | is an |
| Veronica_Swift | an american |
| Veronica_Swift | american jazz |
| Veronica_Swift | jazz and |
| Veronica_Swift | and bebop |
| Veronica_Swift | bebop singer |
| Veronica_Swift | singer en |
| Buster_Williams | charles anthony |
| Buster_Williams | anthony buster |
| Buster_Williams | buster williams |
| Buster_Williams | williams born |
| Buster_Williams | born april |
| Buster_Williams | april 17 |
| Buster_Williams | 17 1942 |
| Buster_Williams | 1942 is |
| Buster_Williams | is an |
| Buster_Williams | an american |
| Buster_Williams | american jazz |
| Buster_Williams | jazz bassist |
| Buster_Williams | bassist williams |
| Buster_Williams | williams is |
| Buster_Williams | is known |
| Buster_Williams | known for |
| Buster_Williams | for his |
| Buster_Williams | his membership |
| Buster_Williams | membership in |
| Buster_Williams | in pianist |
| Buster_Williams | pianist herbie |
| Buster_Williams | herbie hancock’s |
| Buster_Williams | hancock’s early |
| Buster_Williams | early 1970s |
| Buster_Williams | 1970s group |
| Buster_Williams | group working |
| Buster_Williams | working with |
| Buster_Williams | with guitarist |
| Buster_Williams | guitarist larry |
| Buster_Williams | larry coryell |
| Buster_Williams | coryell from |
| Buster_Williams | from the |
| Buster_Williams | the 1980s |
| Buster_Williams | 1980s to |
| Buster_Williams | to present |
| Buster_Williams | present working |
| Buster_Williams | working in |
| Buster_Williams | in the |
| Buster_Williams | the thelonious |
| Buster_Williams | thelonious monk |
| Buster_Williams | monk repertory |
| Buster_Williams | repertory band |
| Buster_Williams | band sphere |
| Buster_Williams | sphere and |
| Buster_Williams | and as |
| Buster_Williams | as the |
| Buster_Williams | the accompanist |
| Buster_Williams | accompanist of |
| Buster_Williams | of choice |
| Buster_Williams | choice for |
| Buster_Williams | for many |
| Buster_Williams | many singers |
| Buster_Williams | singers including |
| Buster_Williams | including nancy |
| Buster_Williams | nancy wilson |
| Buster_Williams | wilson en |
| Elvin_Jones | elvin ray |
| Elvin_Jones | ray jones |
| Elvin_Jones | jones september |
| Elvin_Jones | september 9 |
| Elvin_Jones | 9 1927 |
| Elvin_Jones | 1927 may |
| Elvin_Jones | may 18 |
| Elvin_Jones | 18 2004 |
| Elvin_Jones | 2004 was |
| Elvin_Jones | was an |
| Elvin_Jones | an american |
| Elvin_Jones | american jazz |
| Elvin_Jones | jazz drummer |
| Elvin_Jones | drummer of |
| Elvin_Jones | of the |
| Elvin_Jones | the post |
| Elvin_Jones | post bop |
| Elvin_Jones | bop era |
| Elvin_Jones | era he |
| Elvin_Jones | he showed |
| Elvin_Jones | showed an |
| Elvin_Jones | an interest |
| Elvin_Jones | interest in |
| Elvin_Jones | in drums |
| Elvin_Jones | drums at |
| Elvin_Jones | at a |
| Elvin_Jones | a young |
| Elvin_Jones | young age |
| Elvin_Jones | age watching |
| Elvin_Jones | watching the |
| Elvin_Jones | the circus |
| Elvin_Jones | circus bands |
| Elvin_Jones | bands march |
| Elvin_Jones | march by |
| Elvin_Jones | by his |
| Elvin_Jones | his family’s |
| Elvin_Jones | family’s home |
| Elvin_Jones | home in |
| Elvin_Jones | in pontiac |
| Elvin_Jones | pontiac michigan |
| Elvin_Jones | michigan he |
| Elvin_Jones | he served |
| Elvin_Jones | served in |
| Elvin_Jones | in the |
| Elvin_Jones | the united |
| Elvin_Jones | united states |
| Elvin_Jones | states army |
| Elvin_Jones | army from |
| Elvin_Jones | from 1946 |
| Elvin_Jones | 1946 to |
| Elvin_Jones | to 1949 |
| Elvin_Jones | 1949 and |
| Elvin_Jones | and subsequently |
| Elvin_Jones | subsequently played |
| Elvin_Jones | played in |
| Elvin_Jones | in a |
| Elvin_Jones | a detroit |
| Elvin_Jones | detroit house |
| Elvin_Jones | house band |
| Elvin_Jones | band led |
| Elvin_Jones | led by |
| Elvin_Jones | by billy |
| Elvin_Jones | billy mitchell |
| Elvin_Jones | mitchell he |
| Elvin_Jones | he moved |
| Elvin_Jones | moved to |
| Elvin_Jones | to new |
| Elvin_Jones | new york |
| Elvin_Jones | york city |
| Elvin_Jones | city in |
| Elvin_Jones | in 1955 |
| Elvin_Jones | 1955 and |
| Elvin_Jones | and worked |
| Elvin_Jones | worked as |
| Elvin_Jones | as a |
| Elvin_Jones | a drummer |
| Elvin_Jones | drummer for |
| Elvin_Jones | for john |
| Elvin_Jones | john coltrane |
| Elvin_Jones | coltrane charles |
| Elvin_Jones | charles mingus |
| Elvin_Jones | mingus teddy |
| Elvin_Jones | teddy charles |
| Elvin_Jones | charles bud |
| Elvin_Jones | bud powell |
| Elvin_Jones | powell and |
| Elvin_Jones | and miles |
| Elvin_Jones | miles davis |
| Elvin_Jones | davis from |
| Elvin_Jones | from 1960 |
| Elvin_Jones | 1960 to |
| Elvin_Jones | to 1966 |
| Elvin_Jones | 1966 he |
| Elvin_Jones | he was |
| Elvin_Jones | was a |
| Elvin_Jones | a member |
| Elvin_Jones | member of |
| Elvin_Jones | of the |
| Elvin_Jones | the john |
| Elvin_Jones | john coltrane |
| Elvin_Jones | coltrane quartet |
| Elvin_Jones | quartet along |
| Elvin_Jones | along with |
| Elvin_Jones | with jimmy |
| Elvin_Jones | jimmy garrison |
| Elvin_Jones | garrison on |
| Elvin_Jones | on bass |
| Elvin_Jones | bass and |
| Elvin_Jones | and mccoy |
| Elvin_Jones | mccoy tyner |
| Elvin_Jones | tyner on |
| Elvin_Jones | on piano |
| Elvin_Jones | piano a |
| Elvin_Jones | a celebrated |
| Elvin_Jones | celebrated recording |
| Elvin_Jones | recording phase |
| Elvin_Jones | phase appearing |
| Elvin_Jones | appearing on |
| Elvin_Jones | on such |
| Elvin_Jones | such albums |
| Elvin_Jones | albums as |
| Elvin_Jones | as my |
| Elvin_Jones | my favorite |
| Elvin_Jones | favorite things |
| Elvin_Jones | things a |
| Elvin_Jones | a love |
| Elvin_Jones | love supreme |
| Elvin_Jones | supreme ascension |
| Elvin_Jones | ascension and |
| Elvin_Jones | and live |
| Elvin_Jones | live at |
| Elvin_Jones | at birdland |
| Elvin_Jones | birdland following |
| Elvin_Jones | following his |
| Elvin_Jones | his work |
| Elvin_Jones | work with |
| Elvin_Jones | with coltrane |
| Elvin_Jones | coltrane jones |
| Elvin_Jones | jones led |
| Elvin_Jones | led several |
| Elvin_Jones | several small |
| Elvin_Jones | small groups |
| Elvin_Jones | groups some |
| Elvin_Jones | some under |
| Elvin_Jones | under the |
| Elvin_Jones | the name |
| Elvin_Jones | name the |
| Elvin_Jones | the elvin |
| Elvin_Jones | elvin jones |
| Elvin_Jones | jones jazz |
| Elvin_Jones | jazz machine |
| Elvin_Jones | machine his |
| Elvin_Jones | his brothers |
| Elvin_Jones | brothers hank |
| Elvin_Jones | hank jones |
| Elvin_Jones | jones and |
| Elvin_Jones | and thad |
| Elvin_Jones | thad jones |
| Elvin_Jones | jones were |
| Elvin_Jones | were also |
| Elvin_Jones | also jazz |
| Elvin_Jones | jazz musicians |
| Elvin_Jones | musicians with |
| Elvin_Jones | with whom |
| Elvin_Jones | whom he |
| Elvin_Jones | he recorded |
| Elvin_Jones | recorded he |
| Elvin_Jones | he was |
| Elvin_Jones | was inducted |
| Elvin_Jones | inducted into |
| Elvin_Jones | into the |
| Elvin_Jones | the modern |
| Elvin_Jones | modern drummer |
| Elvin_Jones | drummer hall |
| Elvin_Jones | hall of |
| Elvin_Jones | of fame |
| Elvin_Jones | fame in |
| Elvin_Jones | in 1995 |
| Elvin_Jones | 1995 en |
| Maynard_Ferguson | walter maynard |
| Maynard_Ferguson | maynard ferguson |
| Maynard_Ferguson | ferguson cm |
| Maynard_Ferguson | cm may |
| Maynard_Ferguson | may 4 |
| Maynard_Ferguson | 4 1928 |
| Maynard_Ferguson | 1928 august |
| Maynard_Ferguson | august 23 |
| Maynard_Ferguson | 23 2006 |
| Maynard_Ferguson | 2006 was |
| Maynard_Ferguson | was a |
| Maynard_Ferguson | a canadian |
| Maynard_Ferguson | canadian jazz |
| Maynard_Ferguson | jazz trumpeter |
| Maynard_Ferguson | trumpeter and |
| Maynard_Ferguson | and bandleader |
| Maynard_Ferguson | bandleader he |
| Maynard_Ferguson | he came |
| Maynard_Ferguson | came to |
| Maynard_Ferguson | to prominence |
| Maynard_Ferguson | prominence in |
| Maynard_Ferguson | in stan |
| Maynard_Ferguson | stan kenton’s |
| Maynard_Ferguson | kenton’s orchestra |
| Maynard_Ferguson | orchestra before |
| Maynard_Ferguson | before forming |
| Maynard_Ferguson | forming his |
| Maynard_Ferguson | his own |
| Maynard_Ferguson | own big |
| Maynard_Ferguson | big band |
| Maynard_Ferguson | band in |
| Maynard_Ferguson | in 1957 |
| Maynard_Ferguson | 1957 he |
| Maynard_Ferguson | he was |
| Maynard_Ferguson | was noted |
| Maynard_Ferguson | noted for |
| Maynard_Ferguson | for his |
| Maynard_Ferguson | his bands |
| Maynard_Ferguson | bands which |
| Maynard_Ferguson | which often |
| Maynard_Ferguson | often served |
| Maynard_Ferguson | served as |
| Maynard_Ferguson | as stepping |
| Maynard_Ferguson | stepping stones |
| Maynard_Ferguson | stones for |
| Maynard_Ferguson | for up |
| Maynard_Ferguson | up and |
| Maynard_Ferguson | and coming |
| Maynard_Ferguson | coming talent |
| Maynard_Ferguson | talent his |
| Maynard_Ferguson | his versatility |
| Maynard_Ferguson | versatility on |
| Maynard_Ferguson | on several |
| Maynard_Ferguson | several instruments |
| Maynard_Ferguson | instruments and |
| Maynard_Ferguson | and his |
| Maynard_Ferguson | his ability |
| Maynard_Ferguson | ability to |
| Maynard_Ferguson | to play |
| Maynard_Ferguson | play in |
| Maynard_Ferguson | in a |
| Maynard_Ferguson | a high |
| Maynard_Ferguson | high register |
| Maynard_Ferguson | register en |
| Lionel_Hampton | lionel leo |
| Lionel_Hampton | leo hampton |
| Lionel_Hampton | hampton april |
| Lionel_Hampton | april 20 |
| Lionel_Hampton | 20 1908 |
| Lionel_Hampton | 1908 august |
| Lionel_Hampton | august 31 |
| Lionel_Hampton | 31 2002 |
| Lionel_Hampton | 2002 was |
| Lionel_Hampton | was an |
| Lionel_Hampton | an american |
| Lionel_Hampton | american jazz |
| Lionel_Hampton | jazz vibraphonist |
| Lionel_Hampton | vibraphonist pianist |
| Lionel_Hampton | pianist percussionist |
| Lionel_Hampton | percussionist and |
| Lionel_Hampton | and bandleader |
| Lionel_Hampton | bandleader hampton |
| Lionel_Hampton | hampton worked |
| Lionel_Hampton | worked with |
| Lionel_Hampton | with jazz |
| Lionel_Hampton | jazz musicians |
| Lionel_Hampton | musicians from |
| Lionel_Hampton | from teddy |
| Lionel_Hampton | teddy wilson |
| Lionel_Hampton | wilson benny |
| Lionel_Hampton | benny goodman |
| Lionel_Hampton | goodman and |
| Lionel_Hampton | and buddy |
| Lionel_Hampton | buddy rich |
| Lionel_Hampton | rich to |
| Lionel_Hampton | to charlie |
| Lionel_Hampton | charlie parker |
| Lionel_Hampton | parker charles |
| Lionel_Hampton | charles mingus |
| Lionel_Hampton | mingus and |
| Lionel_Hampton | and quincy |
| Lionel_Hampton | quincy jones |
| Lionel_Hampton | jones in |
| Lionel_Hampton | in 1992 |
| Lionel_Hampton | 1992 he |
| Lionel_Hampton | he was |
| Lionel_Hampton | was inducted |
| Lionel_Hampton | inducted into |
| Lionel_Hampton | into the |
| Lionel_Hampton | the alabama |
| Lionel_Hampton | alabama jazz |
| Lionel_Hampton | jazz hall |
| Lionel_Hampton | hall of |
| Lionel_Hampton | of fame |
| Lionel_Hampton | fame and |
| Lionel_Hampton | and he |
| Lionel_Hampton | he was |
| Lionel_Hampton | was awarded |
| Lionel_Hampton | awarded the |
| Lionel_Hampton | the national |
| Lionel_Hampton | national medal |
| Lionel_Hampton | medal of |
| Lionel_Hampton | of arts |
| Lionel_Hampton | arts in |
| Lionel_Hampton | in 1996 |
| Lionel_Hampton | 1996 en |
| Count_Basie | william james |
| Count_Basie | james count |
| Count_Basie | count basie |
| Count_Basie | basie be |
| Count_Basie | be 阞 |
| Count_Basie | 阞 si |
| Count_Basie | si august |
| Count_Basie | august 21 |
| Count_Basie | 21 1904 |
| Count_Basie | 1904 april |
| Count_Basie | april 26 |
| Count_Basie | 26 1984 |
| Count_Basie | 1984 was |
| Count_Basie | was an |
| Count_Basie | an american |
| Count_Basie | american jazz |
| Count_Basie | jazz pianist |
| Count_Basie | pianist organist |
| Count_Basie | organist bandleader |
| Count_Basie | bandleader and |
| Count_Basie | and composer |
| Count_Basie | composer in |
| Count_Basie | in 1935 |
| Count_Basie | 1935 he |
| Count_Basie | he formed |
| Count_Basie | formed the |
| Count_Basie | the count |
| Count_Basie | count basie |
| Count_Basie | basie orchestra |
| Count_Basie | orchestra and |
| Count_Basie | and in |
| Count_Basie | in 1936 |
| Count_Basie | 1936 took |
| Count_Basie | took them |
| Count_Basie | them to |
| Count_Basie | to chicago |
| Count_Basie | chicago for |
| Count_Basie | for a |
| Count_Basie | a long |
| Count_Basie | long engagement |
| Count_Basie | engagement and |
| Count_Basie | and their |
| Count_Basie | their first |
| Count_Basie | first recording |
| Count_Basie | recording he |
| Count_Basie | he led |
| Count_Basie | led the |
| Count_Basie | the group |
| Count_Basie | group for |
| Count_Basie | for almost |
| Count_Basie | almost 50 |
| Count_Basie | 50 years |
| Count_Basie | years creating |
| Count_Basie | creating innovations |
| Count_Basie | innovations like |
| Count_Basie | like the |
| Count_Basie | the use |
| Count_Basie | use of |
| Count_Basie | of two |
| Count_Basie | two split |
| Count_Basie | split tenor |
| Count_Basie | tenor saxophones |
| Count_Basie | saxophones emphasizing |
| Count_Basie | emphasizing the |
| Count_Basie | the rhythm |
| Count_Basie | rhythm section |
| Count_Basie | section riffing |
| Count_Basie | riffing with |
| Count_Basie | with a |
| Count_Basie | a big |
| Count_Basie | big band |
| Count_Basie | band using |
| Count_Basie | using arrangers |
| Count_Basie | arrangers to |
| Count_Basie | to broaden |
| Count_Basie | broaden their |
| Count_Basie | their sound |
| Count_Basie | sound and |
| Count_Basie | and others |
| Count_Basie | others many |
| Count_Basie | many musicians |
| Count_Basie | musicians came |
| Count_Basie | came to |
| Count_Basie | to prominence |
| Count_Basie | prominence under |
| Count_Basie | under his |
| Count_Basie | his direction |
| Count_Basie | direction including |
| Count_Basie | including the |
| Count_Basie | the tenor |
| Count_Basie | tenor saxophonists |
| Count_Basie | saxophonists lester |
| Count_Basie | lester young |
| Count_Basie | young and |
| Count_Basie | and herschel |
| Count_Basie | herschel evans |
| Count_Basie | evans the |
| Count_Basie | the guitarist |
| Count_Basie | guitarist freddie |
| Count_Basie | freddie green |
| Count_Basie | green trumpeters |
| Count_Basie | trumpeters buck |
| Count_Basie | buck clayton |
| Count_Basie | clayton and |
| Count_Basie | and harry |
| Count_Basie | harry sweets |
| Count_Basie | sweets edison |
| Count_Basie | edison plunger |
| Count_Basie | plunger trombonist |
| Count_Basie | trombonist al |
| Count_Basie | al grey |
| Count_Basie | grey and |
| Count_Basie | and singers |
| Count_Basie | singers jimmy |
| Count_Basie | jimmy rushing |
| Count_Basie | rushing helen |
| Count_Basie | helen humes |
| Count_Basie | humes thelma |
| Count_Basie | thelma carpenter |
| Count_Basie | carpenter and |
| Count_Basie | and joe |
| Count_Basie | joe williams |
| Count_Basie | williams en |
| Lenny_Kravitz | leonard albert |
| Lenny_Kravitz | albert kravitz |
| Lenny_Kravitz | kravitz born |
| Lenny_Kravitz | born may |
| Lenny_Kravitz | may 26 |
| Lenny_Kravitz | 26 1964 |
| Lenny_Kravitz | 1964 is |
| Lenny_Kravitz | is an |
| Lenny_Kravitz | an american |
| Lenny_Kravitz | american singer |
| Lenny_Kravitz | singer songwriter |
| Lenny_Kravitz | songwriter record |
| Lenny_Kravitz | record producer |
| Lenny_Kravitz | producer multi |
| Lenny_Kravitz | multi instrumentalist |
| Lenny_Kravitz | instrumentalist and |
| Lenny_Kravitz | and actor |
| Lenny_Kravitz | actor his |
| Lenny_Kravitz | his style |
| Lenny_Kravitz | style incorporates |
| Lenny_Kravitz | incorporates elements |
| Lenny_Kravitz | elements of |
| Lenny_Kravitz | of rock |
| Lenny_Kravitz | rock blues |
| Lenny_Kravitz | blues soul |
| Lenny_Kravitz | soul r |
| Lenny_Kravitz | r b |
| Lenny_Kravitz | b funk |
| Lenny_Kravitz | funk jazz |
| Lenny_Kravitz | jazz reggae |
| Lenny_Kravitz | reggae hard |
| Lenny_Kravitz | hard rock |
| Lenny_Kravitz | rock psychedelic |
| Lenny_Kravitz | psychedelic pop |
| Lenny_Kravitz | pop folk |
| Lenny_Kravitz | folk and |
| Lenny_Kravitz | and ballads |
| Lenny_Kravitz | ballads kravitz |
| Lenny_Kravitz | kravitz won |
| Lenny_Kravitz | won the |
| Lenny_Kravitz | the grammy |
| Lenny_Kravitz | grammy award |
| Lenny_Kravitz | award for |
| Lenny_Kravitz | for best |
| Lenny_Kravitz | best male |
| Lenny_Kravitz | male rock |
| Lenny_Kravitz | rock vocal |
| Lenny_Kravitz | vocal performance |
| Lenny_Kravitz | performance four |
| Lenny_Kravitz | four years |
| Lenny_Kravitz | years in |
| Lenny_Kravitz | in a |
| Lenny_Kravitz | a row |
| Lenny_Kravitz | row from |
| Lenny_Kravitz | from 1999 |
| Lenny_Kravitz | 1999 to |
| Lenny_Kravitz | to 2002 |
| Lenny_Kravitz | 2002 breaking |
| Lenny_Kravitz | breaking the |
| Lenny_Kravitz | the record |
| Lenny_Kravitz | record for |
| Lenny_Kravitz | for most |
| Lenny_Kravitz | most wins |
| Lenny_Kravitz | wins in |
| Lenny_Kravitz | in that |
| Lenny_Kravitz | that category |
| Lenny_Kravitz | category and |
| Lenny_Kravitz | and setting |
| Lenny_Kravitz | setting the |
| Lenny_Kravitz | the record |
| Lenny_Kravitz | record for |
| Lenny_Kravitz | for most |
| Lenny_Kravitz | most consecutive |
| Lenny_Kravitz | consecutive wins |
| Lenny_Kravitz | wins in |
| Lenny_Kravitz | in one |
| Lenny_Kravitz | one category |
| Lenny_Kravitz | category by |
| Lenny_Kravitz | by a |
| Lenny_Kravitz | a male |
| Lenny_Kravitz | male he |
| Lenny_Kravitz | he has |
| Lenny_Kravitz | has been |
| Lenny_Kravitz | been nominated |
| Lenny_Kravitz | nominated for |
| Lenny_Kravitz | for and |
| Lenny_Kravitz | and won |
| Lenny_Kravitz | won other |
| Lenny_Kravitz | other awards |
| Lenny_Kravitz | awards including |
| Lenny_Kravitz | including american |
| Lenny_Kravitz | american music |
| Lenny_Kravitz | music awards |
| Lenny_Kravitz | awards mtv |
| Lenny_Kravitz | mtv video |
| Lenny_Kravitz | video music |
| Lenny_Kravitz | music awards |
| Lenny_Kravitz | awards radio |
| Lenny_Kravitz | radio music |
| Lenny_Kravitz | music awards |
| Lenny_Kravitz | awards brit |
| Lenny_Kravitz | brit awards |
| Lenny_Kravitz | awards and |
| Lenny_Kravitz | and blockbuster |
| Lenny_Kravitz | blockbuster entertainment |
| Lenny_Kravitz | entertainment awards |
| Lenny_Kravitz | awards kravitz’s |
| Lenny_Kravitz | kravitz’s hit |
| Lenny_Kravitz | hit singles |
| Lenny_Kravitz | singles include |
| Lenny_Kravitz | include it |
| Lenny_Kravitz | it ain’t |
| Lenny_Kravitz | ain’t over |
| Lenny_Kravitz | over til |
| Lenny_Kravitz | til it’s |
| Lenny_Kravitz | it’s over |
| Lenny_Kravitz | over 1991 |
| Lenny_Kravitz | 1991 and |
| Lenny_Kravitz | and again |
| Lenny_Kravitz | again 2000 |
| Lenny_Kravitz | 2000 each |
| Lenny_Kravitz | each of |
| Lenny_Kravitz | of which |
| Lenny_Kravitz | which reached |
| Lenny_Kravitz | reached the |
| Lenny_Kravitz | the top |
| Lenny_Kravitz | top 10 |
| Lenny_Kravitz | 10 on |
| Lenny_Kravitz | on the |
| Lenny_Kravitz | the billboard |
| Lenny_Kravitz | billboard top |
| Lenny_Kravitz | top 100 |
| Lenny_Kravitz | 100 chart |
| Lenny_Kravitz | chart other |
| Lenny_Kravitz | other hits |
| Lenny_Kravitz | hits include |
| Lenny_Kravitz | include let |
| Lenny_Kravitz | let love |
| Lenny_Kravitz | love rule |
| Lenny_Kravitz | rule 1989 |
| Lenny_Kravitz | 1989 always |
| Lenny_Kravitz | always on |
| Lenny_Kravitz | on the |
| Lenny_Kravitz | the run |
| Lenny_Kravitz | run 1991 |
| Lenny_Kravitz | 1991 are |
| Lenny_Kravitz | are you |
| Lenny_Kravitz | you gonna |
| Lenny_Kravitz | gonna go |
| Lenny_Kravitz | go my |
| Lenny_Kravitz | my way |
| Lenny_Kravitz | way 1993 |
| Lenny_Kravitz | 1993 fly |
| Lenny_Kravitz | fly away |
| Lenny_Kravitz | away 1998 |
| Lenny_Kravitz | 1998 and |
| Lenny_Kravitz | and american |
| Lenny_Kravitz | american woman |
| Lenny_Kravitz | woman 1999 |
| Lenny_Kravitz | 1999 each |
| Lenny_Kravitz | each of |
| Lenny_Kravitz | of which |
| Lenny_Kravitz | which reached |
| Lenny_Kravitz | reached the |
| Lenny_Kravitz | the top |
| Lenny_Kravitz | top 10 |
| Lenny_Kravitz | 10 on |
| Lenny_Kravitz | on the |
| Lenny_Kravitz | the alternative |
| Lenny_Kravitz | alternative airplay |
| Lenny_Kravitz | airplay chart |
| Lenny_Kravitz | chart kravitz |
| Lenny_Kravitz | kravitz was |
| Lenny_Kravitz | was ranked |
| Lenny_Kravitz | ranked at |
| Lenny_Kravitz | at no |
| Lenny_Kravitz | no 93 |
| Lenny_Kravitz | 93 on |
| Lenny_Kravitz | on vh1 |
| Lenny_Kravitz | vh1 s |
| Lenny_Kravitz | s 100 |
| Lenny_Kravitz | 100 greatest |
| Lenny_Kravitz | greatest artists |
| Lenny_Kravitz | artists of |
| Lenny_Kravitz | of hard |
| Lenny_Kravitz | hard rock |
| Lenny_Kravitz | rock he |
| Lenny_Kravitz | he was |
| Lenny_Kravitz | was made |
| Lenny_Kravitz | made an |
| Lenny_Kravitz | an officer |
| Lenny_Kravitz | officer of |
| Lenny_Kravitz | of the |
| Lenny_Kravitz | the ordre |
| Lenny_Kravitz | ordre des |
| Lenny_Kravitz | des arts |
| Lenny_Kravitz | arts et |
| Lenny_Kravitz | et des |
| Lenny_Kravitz | des lettres |
| Lenny_Kravitz | lettres in |
| Lenny_Kravitz | in 2011 |
| Lenny_Kravitz | 2011 and |
| Lenny_Kravitz | and has |
| Lenny_Kravitz | has played |
| Lenny_Kravitz | played cinna |
| Lenny_Kravitz | cinna in |
| Lenny_Kravitz | in the |
| Lenny_Kravitz | the hunger |
| Lenny_Kravitz | hunger games |
| Lenny_Kravitz | games film |
| Lenny_Kravitz | film series |
| Lenny_Kravitz | series in |
| Lenny_Kravitz | in his |
| Lenny_Kravitz | his career |
| Lenny_Kravitz | career kravitz |
| Lenny_Kravitz | kravitz has |
| Lenny_Kravitz | has sold |
| Lenny_Kravitz | sold over |
| Lenny_Kravitz | over 40 |
| Lenny_Kravitz | 40 million |
| Lenny_Kravitz | million albums |
| Lenny_Kravitz | albums worldwide |
| Lenny_Kravitz | worldwide en |
| Victor_Goines | victor louis |
| Victor_Goines | louis goines |
| Victor_Goines | goines born |
| Victor_Goines | born august |
| Victor_Goines | august 6 |
| Victor_Goines | 6 1961 |
| Victor_Goines | 1961 is |
| Victor_Goines | is a |
| Victor_Goines | a jazz |
| Victor_Goines | jazz saxophonist |
| Victor_Goines | saxophonist and |
| Victor_Goines | and clarinetist |
| Victor_Goines | clarinetist from |
| Victor_Goines | from 2000 |
| Victor_Goines | 2000 to |
| Victor_Goines | to 2007 |
| Victor_Goines | 2007 he |
| Victor_Goines | he was |
| Victor_Goines | was director |
| Victor_Goines | director of |
| Victor_Goines | of the |
| Victor_Goines | the jazz |
| Victor_Goines | jazz program |
| Victor_Goines | program at |
| Victor_Goines | at juilliard |
| Victor_Goines | juilliard he |
| Victor_Goines | he has |
| Victor_Goines | has been |
| Victor_Goines | been a |
| Victor_Goines | a member |
| Victor_Goines | member of |
| Victor_Goines | of jazz |
| Victor_Goines | jazz at |
| Victor_Goines | at lincoln |
| Victor_Goines | lincoln center |
| Victor_Goines | center orchestra |
| Victor_Goines | orchestra and |
| Victor_Goines | and the |
| Victor_Goines | the wynton |
| Victor_Goines | wynton marsalis |
| Victor_Goines | marsalis septet |
| Victor_Goines | septet since |
| Victor_Goines | since 1993 |
| Victor_Goines | 1993 goines |
| Victor_Goines | goines has |
| Victor_Goines | has served |
| Victor_Goines | served as |
| Victor_Goines | as the |
| Victor_Goines | the director |
| Victor_Goines | director of |
| Victor_Goines | of jazz |
| Victor_Goines | jazz studies |
| Victor_Goines | studies and |
| Victor_Goines | and professor |
| Victor_Goines | professor for |
| Victor_Goines | for the |
| Victor_Goines | the bienen |
| Victor_Goines | bienen school |
| Victor_Goines | school of |
| Victor_Goines | of music |
| Victor_Goines | music at |
| Victor_Goines | at northwestern |
| Victor_Goines | northwestern university |
| Victor_Goines | university since |
| Victor_Goines | since 2008 |
| Victor_Goines | 2008 goines |
| Victor_Goines | goines has |
| Victor_Goines | has collaborated |
| Victor_Goines | collaborated with |
| Victor_Goines | with terence |
| Victor_Goines | terence blanchard |
| Victor_Goines | blanchard dee |
| Victor_Goines | dee dee |
| Victor_Goines | dee bridgewater |
| Victor_Goines | bridgewater ruth |
| Victor_Goines | ruth brown |
| Victor_Goines | brown ray |
| Victor_Goines | ray charles |
| Victor_Goines | charles bo |
| Victor_Goines | bo diddley |
| Victor_Goines | diddley bob |
| Victor_Goines | bob dylan |
| Victor_Goines | dylan dizzy |
| Victor_Goines | dizzy gillespie |
| Victor_Goines | gillespie freddie |
| Victor_Goines | freddie green |
| Victor_Goines | green lionel |
| Victor_Goines | lionel hampton |
| Victor_Goines | hampton freddie |
| Victor_Goines | freddie hubbard |
| Victor_Goines | hubbard b.b |
| Victor_Goines | b.b king |
| Victor_Goines | king lenny |
| Victor_Goines | lenny kravitz |
| Victor_Goines | kravitz branford |
| Victor_Goines | branford marsalis |
| Victor_Goines | marsalis ellis |
| Victor_Goines | ellis marsalis |
| Victor_Goines | marsalis james |
| Victor_Goines | james moody |
| Victor_Goines | moody dianne |
| Victor_Goines | dianne reeves |
| Victor_Goines | reeves marcus |
| Victor_Goines | marcus roberts |
| Victor_Goines | roberts diana |
| Victor_Goines | diana ross |
| Victor_Goines | ross eric |
| Victor_Goines | eric clapton |
| Victor_Goines | clapton wycliffe |
| Victor_Goines | wycliffe gordon |
| Victor_Goines | gordon and |
| Victor_Goines | and stevie |
| Victor_Goines | stevie wonder |
| Victor_Goines | wonder he |
| Victor_Goines | he has |
| Victor_Goines | has performed |
| Victor_Goines | performed on |
| Victor_Goines | on more |
| Victor_Goines | more than |
| Victor_Goines | than 20 |
| Victor_Goines | 20 recordings |
| Victor_Goines | recordings including |
| Victor_Goines | including the |
| Victor_Goines | the soundtracks |
| Victor_Goines | soundtracks for |
| Victor_Goines | for three |
| Victor_Goines | three ken |
| Victor_Goines | ken burns |
| Victor_Goines | burns documentaries |
| Victor_Goines | documentaries and |
| Victor_Goines | and the |
| Victor_Goines | the films |
| Victor_Goines | films undercover |
| Victor_Goines | undercover blues |
| Victor_Goines | blues 1993 |
| Victor_Goines | 1993 night |
| Victor_Goines | night falls |
| Victor_Goines | falls on |
| Victor_Goines | on manhattan |
| Victor_Goines | manhattan 1997 |
| Victor_Goines | 1997 and |
| Victor_Goines | and rosewood |
| Victor_Goines | rosewood 1997 |
| Victor_Goines | 1997 he |
| Victor_Goines | he has |
| Victor_Goines | has composed |
| Victor_Goines | composed more |
| Victor_Goines | more than |
| Victor_Goines | than 200 |
| Victor_Goines | 200 original |
| Victor_Goines | original works |
| Victor_Goines | works including |
| Victor_Goines | including jazz |
| Victor_Goines | jazz at |
| Victor_Goines | at lincoln |
| Victor_Goines | lincoln center |
| Victor_Goines | center and |
| Victor_Goines | and ascap |
| Victor_Goines | ascap commissions |
| Victor_Goines | commissions he |
| Victor_Goines | he has |
| Victor_Goines | has also |
| Victor_Goines | also served |
| Victor_Goines | served on |
| Victor_Goines | on the |
| Victor_Goines | the faculties |
| Victor_Goines | faculties of |
| Victor_Goines | of florida |
| Victor_Goines | florida a |
| Victor_Goines | a m |
| Victor_Goines | m university |
| Victor_Goines | university university |
| Victor_Goines | university of |
| Victor_Goines | of new |
| Victor_Goines | new orleans |
| Victor_Goines | orleans loyola |
| Victor_Goines | loyola university |
| Victor_Goines | university of |
| Victor_Goines | of new |
| Victor_Goines | new orleans |
| Victor_Goines | orleans and |
| Victor_Goines | and xavier |
| Victor_Goines | xavier university |
| Victor_Goines | university of |
| Victor_Goines | of louisiana |
| Victor_Goines | louisiana goines |
| Victor_Goines | goines is |
| Victor_Goines | is an |
| Victor_Goines | an artist |
| Victor_Goines | artist for |
| Victor_Goines | for buffet |
| Victor_Goines | buffet crampon |
| Victor_Goines | crampon and |
| Victor_Goines | and vandoren |
| Victor_Goines | vandoren en |
| Eric_Clapton | eric patrick |
| Eric_Clapton | patrick clapton |
| Eric_Clapton | clapton cbe |
| Eric_Clapton | cbe born |
| Eric_Clapton | born 30 |
| Eric_Clapton | 30 march |
| Eric_Clapton | march 1945 |
| Eric_Clapton | 1945 is |
| Eric_Clapton | is an |
| Eric_Clapton | an english |
| Eric_Clapton | english rock |
| Eric_Clapton | rock and |
| Eric_Clapton | and blues |
| Eric_Clapton | blues guitarist |
| Eric_Clapton | guitarist singer |
| Eric_Clapton | singer and |
| Eric_Clapton | and songwriter |
| Eric_Clapton | songwriter widely |
| Eric_Clapton | widely regarded |
| Eric_Clapton | regarded as |
| Eric_Clapton | as one |
| Eric_Clapton | one of |
| Eric_Clapton | of the |
| Eric_Clapton | the most |
| Eric_Clapton | most important |
| Eric_Clapton | important and |
| Eric_Clapton | and influential |
| Eric_Clapton | influential guitarists |
| Eric_Clapton | guitarists of |
| Eric_Clapton | of all |
| Eric_Clapton | all time |
| Eric_Clapton | time clapton |
| Eric_Clapton | clapton ranked |
| Eric_Clapton | ranked second |
| Eric_Clapton | second in |
| Eric_Clapton | in rolling |
| Eric_Clapton | rolling stone’s |
| Eric_Clapton | stone’s list |
| Eric_Clapton | list of |
| Eric_Clapton | of the |
| Eric_Clapton | the 100 |
| Eric_Clapton | 100 greatest |
| Eric_Clapton | greatest guitarists |
| Eric_Clapton | guitarists of |
| Eric_Clapton | of all |
| Eric_Clapton | all time |
| Eric_Clapton | time and |
| Eric_Clapton | and fourth |
| Eric_Clapton | fourth in |
| Eric_Clapton | in gibson’s |
| Eric_Clapton | gibson’s top |
| Eric_Clapton | top 50 |
| Eric_Clapton | 50 guitarists |
| Eric_Clapton | guitarists of |
| Eric_Clapton | of all |
| Eric_Clapton | all time |
| Eric_Clapton | time he |
| Eric_Clapton | he was |
| Eric_Clapton | was also |
| Eric_Clapton | also named |
| Eric_Clapton | named number |
| Eric_Clapton | number five |
| Eric_Clapton | five in |
| Eric_Clapton | in time |
| Eric_Clapton | time magazine’s |
| Eric_Clapton | magazine’s list |
| Eric_Clapton | list of |
| Eric_Clapton | of the |
| Eric_Clapton | the 10 |
| Eric_Clapton | 10 best |
| Eric_Clapton | best electric |
| Eric_Clapton | electric guitar |
| Eric_Clapton | guitar players |
| Eric_Clapton | players in |
| Eric_Clapton | in 2009 |
| Eric_Clapton | 2009 after |
| Eric_Clapton | after playing |
| Eric_Clapton | playing in |
| Eric_Clapton | in a |
| Eric_Clapton | a number |
| Eric_Clapton | number of |
| Eric_Clapton | of different |
| Eric_Clapton | different local |
| Eric_Clapton | local bands |
| Eric_Clapton | bands clapton |
| Eric_Clapton | clapton joined |
| Eric_Clapton | joined the |
| Eric_Clapton | the yardbirds |
| Eric_Clapton | yardbirds in |
| Eric_Clapton | in 1963 |
| Eric_Clapton | 1963 replacing |
| Eric_Clapton | replacing founding |
| Eric_Clapton | founding guitarist |
| Eric_Clapton | guitarist top |
| Eric_Clapton | top topham |
| Eric_Clapton | topham dissatisfied |
| Eric_Clapton | dissatisfied with |
| Eric_Clapton | with the |
| Eric_Clapton | the change |
| Eric_Clapton | change of |
| Eric_Clapton | of the |
| Eric_Clapton | the yardbirds |
| Eric_Clapton | yardbirds sound |
| Eric_Clapton | sound from |
| Eric_Clapton | from blues |
| Eric_Clapton | blues rock |
| Eric_Clapton | rock to |
| Eric_Clapton | to a |
| Eric_Clapton | a more |
| Eric_Clapton | more radio |
| Eric_Clapton | radio friendly |
| Eric_Clapton | friendly pop |
| Eric_Clapton | pop rock |
| Eric_Clapton | rock sound |
| Eric_Clapton | sound clapton |
| Eric_Clapton | clapton left |
| Eric_Clapton | left in |
| Eric_Clapton | in 1965 |
| Eric_Clapton | 1965 to |
| Eric_Clapton | to play |
| Eric_Clapton | play with |
| Eric_Clapton | with john |
| Eric_Clapton | john mayall |
| Eric_Clapton | mayall the |
| Eric_Clapton | the bluesbreakers |
| Eric_Clapton | bluesbreakers on |
| Eric_Clapton | on leaving |
| Eric_Clapton | leaving mayall |
| Eric_Clapton | mayall in |
| Eric_Clapton | in 1966 |
| Eric_Clapton | 1966 after |
| Eric_Clapton | after one |
| Eric_Clapton | one album |
| Eric_Clapton | album he |
| Eric_Clapton | he formed |
| Eric_Clapton | formed the |
| Eric_Clapton | the power |
| Eric_Clapton | power trio |
| Eric_Clapton | trio cream |
| Eric_Clapton | cream with |
| Eric_Clapton | with drummer |
| Eric_Clapton | drummer ginger |
| Eric_Clapton | ginger baker |
| Eric_Clapton | baker and |
| Eric_Clapton | and bassist |
| Eric_Clapton | bassist jack |
| Eric_Clapton | jack bruce |
| Eric_Clapton | bruce in |
| Eric_Clapton | in which |
| Eric_Clapton | which clapton |
| Eric_Clapton | clapton played |
| Eric_Clapton | played sustained |
| Eric_Clapton | sustained blues |
| Eric_Clapton | blues improvisations |
| Eric_Clapton | improvisations and |
| Eric_Clapton | and arty |
| Eric_Clapton | arty blues |
| Eric_Clapton | blues based |
| Eric_Clapton | based psychedelic |
| Eric_Clapton | psychedelic pop |
| Eric_Clapton | pop after |
| Eric_Clapton | after cream |
| Eric_Clapton | cream broke |
| Eric_Clapton | broke up |
| Eric_Clapton | up in |
| Eric_Clapton | in november |
| Eric_Clapton | november 1968 |
| Eric_Clapton | 1968 he |
| Eric_Clapton | he formed |
| Eric_Clapton | formed the |
| Eric_Clapton | the blues |
| Eric_Clapton | blues rock |
| Eric_Clapton | rock band |
| Eric_Clapton | band blind |
| Eric_Clapton | blind faith |
| Eric_Clapton | faith with |
| Eric_Clapton | with baker |
| Eric_Clapton | baker steve |
| Eric_Clapton | steve winwood |
| Eric_Clapton | winwood and |
| Eric_Clapton | and ric |
| Eric_Clapton | ric grech |
| Eric_Clapton | grech recording |
| Eric_Clapton | recording one |
| Eric_Clapton | one album |
| Eric_Clapton | album and |
| Eric_Clapton | and performing |
| Eric_Clapton | performing on |
| Eric_Clapton | on one |
| Eric_Clapton | one tour |
| Eric_Clapton | tour before |
| Eric_Clapton | before they |
| Eric_Clapton | they broke |
| Eric_Clapton | broke up |
| Eric_Clapton | up clapton |
| Eric_Clapton | clapton embarked |
| Eric_Clapton | embarked on |
| Eric_Clapton | on a |
| Eric_Clapton | a solo |
| Eric_Clapton | solo career |
| Eric_Clapton | career in |
| Eric_Clapton | in 1970 |
| Eric_Clapton | 1970 alongside |
| Eric_Clapton | alongside his |
| Eric_Clapton | his solo |
| Eric_Clapton | solo career |
| Eric_Clapton | career he |
| Eric_Clapton | he also |
| Eric_Clapton | also performed |
| Eric_Clapton | performed with |
| Eric_Clapton | with delaney |
| Eric_Clapton | delaney bonnie |
| Eric_Clapton | bonnie and |
| Eric_Clapton | and derek |
| Eric_Clapton | derek and |
| Eric_Clapton | and the |
| Eric_Clapton | the dominos |
| Eric_Clapton | dominos with |
| Eric_Clapton | with whom |
| Eric_Clapton | whom he |
| Eric_Clapton | he recorded |
| Eric_Clapton | recorded layla |
| Eric_Clapton | layla one |
| Eric_Clapton | one of |
| Eric_Clapton | of his |
| Eric_Clapton | his signature |
| Eric_Clapton | signature songs |
| Eric_Clapton | songs he |
| Eric_Clapton | he continued |
| Eric_Clapton | continued to |
| Eric_Clapton | to record |
| Eric_Clapton | record a |
| Eric_Clapton | a number |
| Eric_Clapton | number of |
| Eric_Clapton | of successful |
| Eric_Clapton | successful solo |
| Eric_Clapton | solo albums |
| Eric_Clapton | albums and |
| Eric_Clapton | and songs |
| Eric_Clapton | songs over |
| Eric_Clapton | over the |
| Eric_Clapton | the next |
| Eric_Clapton | next several |
| Eric_Clapton | several decades |
| Eric_Clapton | decades including |
| Eric_Clapton | including a |
| Eric_Clapton | a 1974 |
| Eric_Clapton | 1974 cover |
| Eric_Clapton | cover of |
| Eric_Clapton | of bob |
| Eric_Clapton | bob marley’s |
| Eric_Clapton | marley’s i |
| Eric_Clapton | i shot |
| Eric_Clapton | shot the |
| Eric_Clapton | the sheriff |
| Eric_Clapton | sheriff which |
| Eric_Clapton | which helped |
| Eric_Clapton | helped reggae |
| Eric_Clapton | reggae reach |
| Eric_Clapton | reach a |
| Eric_Clapton | a mass |
| Eric_Clapton | mass market |
| Eric_Clapton | market the |
| Eric_Clapton | the country |
| Eric_Clapton | country infused |
| Eric_Clapton | infused slowhand |
| Eric_Clapton | slowhand album |
| Eric_Clapton | album 1977 |
| Eric_Clapton | 1977 and |
| Eric_Clapton | and the |
| Eric_Clapton | the pop |
| Eric_Clapton | pop rock |
| Eric_Clapton | rock of |
| Eric_Clapton | of 1986 |
| Eric_Clapton | 1986 s |
| Eric_Clapton | s august |
| Eric_Clapton | august following |
| Eric_Clapton | following the |
| Eric_Clapton | the death |
| Eric_Clapton | death of |
| Eric_Clapton | of his |
| Eric_Clapton | his son |
| Eric_Clapton | son conor |
| Eric_Clapton | conor in |
| Eric_Clapton | in 1991 |
| Eric_Clapton | 1991 clapton’s |
| Eric_Clapton | clapton’s grief |
| Eric_Clapton | grief was |
| Eric_Clapton | was expressed |
| Eric_Clapton | expressed in |
| Eric_Clapton | in the |
| Eric_Clapton | the song |
| Eric_Clapton | song tears |
| Eric_Clapton | tears in |
| Eric_Clapton | in heaven |
| Eric_Clapton | heaven which |
| Eric_Clapton | which appeared |
| Eric_Clapton | appeared on |
| Eric_Clapton | on his |
| Eric_Clapton | his unplugged |
| Eric_Clapton | unplugged album |
| Eric_Clapton | album and |
| Eric_Clapton | and in |
| Eric_Clapton | in 1996 |
| Eric_Clapton | 1996 he |
| Eric_Clapton | he had |
| Eric_Clapton | had another |
| Eric_Clapton | another top |
| Eric_Clapton | top 40 |
| Eric_Clapton | 40 hit |
| Eric_Clapton | hit with |
| Eric_Clapton | with the |
| Eric_Clapton | the r |
| Eric_Clapton | r b |
| Eric_Clapton | b crossover |
| Eric_Clapton | crossover change |
| Eric_Clapton | change the |
| Eric_Clapton | the world |
| Eric_Clapton | world in |
| Eric_Clapton | in 1998 |
| Eric_Clapton | 1998 he |
| Eric_Clapton | he released |
| Eric_Clapton | released the |
| Eric_Clapton | the grammy |
| Eric_Clapton | grammy award |
| Eric_Clapton | award winning |
| Eric_Clapton | winning my |
| Eric_Clapton | my father’s |
| Eric_Clapton | father’s eyes |
| Eric_Clapton | eyes since |
| Eric_Clapton | since 1999 |
| Eric_Clapton | 1999 he |
| Eric_Clapton | he has |
| Eric_Clapton | has recorded |
| Eric_Clapton | recorded a |
| Eric_Clapton | a number |
| Eric_Clapton | number of |
| Eric_Clapton | of traditional |
| Eric_Clapton | traditional blues |
| Eric_Clapton | blues and |
| Eric_Clapton | and blues |
| Eric_Clapton | blues rock |
| Eric_Clapton | rock albums |
| Eric_Clapton | albums and |
| Eric_Clapton | and hosted |
| Eric_Clapton | hosted the |
| Eric_Clapton | the periodic |
| Eric_Clapton | periodic crossroads |
| Eric_Clapton | crossroads guitar |
| Eric_Clapton | guitar festival |
| Eric_Clapton | festival his |
| Eric_Clapton | his most |
| Eric_Clapton | most recent |
| Eric_Clapton | recent studio |
| Eric_Clapton | studio album |
| Eric_Clapton | album is |
| Eric_Clapton | is happy |
| Eric_Clapton | happy xmas |
| Eric_Clapton | xmas 2018 |
| Eric_Clapton | 2018 clapton |
| Eric_Clapton | clapton has |
| Eric_Clapton | has received |
| Eric_Clapton | received 18 |
| Eric_Clapton | 18 grammy |
| Eric_Clapton | grammy awards |
| Eric_Clapton | awards as |
| Eric_Clapton | as well |
| Eric_Clapton | well as |
| Eric_Clapton | as the |
| Eric_Clapton | the brit |
| Eric_Clapton | brit award |
| Eric_Clapton | award for |
| Eric_Clapton | for outstanding |
| Eric_Clapton | outstanding contribution |
| Eric_Clapton | contribution to |
| Eric_Clapton | to music |
| Eric_Clapton | music in |
| Eric_Clapton | in 2004 |
| Eric_Clapton | 2004 he |
| Eric_Clapton | he was |
| Eric_Clapton | was awarded |
| Eric_Clapton | awarded a |
| Eric_Clapton | a cbe |
| Eric_Clapton | cbe for |
| Eric_Clapton | for services |
| Eric_Clapton | services to |
| Eric_Clapton | to music |
| Eric_Clapton | music he |
| Eric_Clapton | he has |
| Eric_Clapton | has received |
| Eric_Clapton | received four |
| Eric_Clapton | four ivor |
| Eric_Clapton | ivor novello |
| Eric_Clapton | novello awards |
| Eric_Clapton | awards from |
| Eric_Clapton | from the |
| Eric_Clapton | the british |
| Eric_Clapton | british academy |
| Eric_Clapton | academy of |
| Eric_Clapton | of songwriters |
| Eric_Clapton | songwriters composers |
| Eric_Clapton | composers and |
| Eric_Clapton | and authors |
| Eric_Clapton | authors including |
| Eric_Clapton | including the |
| Eric_Clapton | the lifetime |
| Eric_Clapton | lifetime achievement |
| Eric_Clapton | achievement award |
| Eric_Clapton | award he |
| Eric_Clapton | he is |
| Eric_Clapton | is the |
| Eric_Clapton | the only |
| Eric_Clapton | only three |
| Eric_Clapton | three time |
| Eric_Clapton | time inductee |
| Eric_Clapton | inductee to |
| Eric_Clapton | to the |
| Eric_Clapton | the rock |
| Eric_Clapton | rock and |
| Eric_Clapton | and roll |
| Eric_Clapton | roll hall |
| Eric_Clapton | hall of |
| Eric_Clapton | of fame |
| Eric_Clapton | fame once |
| Eric_Clapton | once as |
| Eric_Clapton | as a |
| Eric_Clapton | a solo |
| Eric_Clapton | solo artist |
| Eric_Clapton | artist and |
| Eric_Clapton | and separately |
| Eric_Clapton | separately as |
| Eric_Clapton | as a |
| Eric_Clapton | a member |
| Eric_Clapton | member of |
| Eric_Clapton | of the |
| Eric_Clapton | the yardbirds |
| Eric_Clapton | yardbirds and |
| Eric_Clapton | and of |
| Eric_Clapton | of cream |
| Eric_Clapton | cream in |
| Eric_Clapton | in his |
| Eric_Clapton | his solo |
| Eric_Clapton | solo career |
| Eric_Clapton | career clapton |
| Eric_Clapton | clapton has |
| Eric_Clapton | has sold |
| Eric_Clapton | sold more |
| Eric_Clapton | more than |
| Eric_Clapton | than 280 |
| Eric_Clapton | 280 million |
| Eric_Clapton | million records |
| Eric_Clapton | records worldwide |
| Eric_Clapton | worldwide making |
| Eric_Clapton | making him |
| Eric_Clapton | him one |
| Eric_Clapton | one of |
| Eric_Clapton | of the |
| Eric_Clapton | the best |
| Eric_Clapton | best selling |
| Eric_Clapton | selling musicians |
| Eric_Clapton | musicians of |
| Eric_Clapton | of all |
| Eric_Clapton | all time |
| Eric_Clapton | time in |
| Eric_Clapton | in 1998 |
| Eric_Clapton | 1998 clapton |
| Eric_Clapton | clapton a |
| Eric_Clapton | a recovering |
| Eric_Clapton | recovering alcoholic |
| Eric_Clapton | alcoholic and |
| Eric_Clapton | and drug |
| Eric_Clapton | drug addict |
| Eric_Clapton | addict founded |
| Eric_Clapton | founded the |
| Eric_Clapton | the crossroads |
| Eric_Clapton | crossroads centre |
| Eric_Clapton | centre on |
| Eric_Clapton | on antigua |
| Eric_Clapton | antigua a |
| Eric_Clapton | a medical |
| Eric_Clapton | medical facility |
| Eric_Clapton | facility for |
| Eric_Clapton | for recovering |
| Eric_Clapton | recovering substance |
| Eric_Clapton | substance abusers |
| Eric_Clapton | abusers en |
| Dianne_Reeves | dianne elizabeth |
| Dianne_Reeves | elizabeth reeves |
| Dianne_Reeves | reeves born |
| Dianne_Reeves | born october |
| Dianne_Reeves | october 23 |
| Dianne_Reeves | 23 1956 |
| Dianne_Reeves | 1956 is |
| Dianne_Reeves | is an |
| Dianne_Reeves | an american |
| Dianne_Reeves | american jazz |
| Dianne_Reeves | jazz singer |
| Dianne_Reeves | singer en |
| Terri_Lyne_Carrington | terri lyne |
| Terri_Lyne_Carrington | lyne carrington |
| Terri_Lyne_Carrington | carrington born |
| Terri_Lyne_Carrington | born august |
| Terri_Lyne_Carrington | august 4 |
| Terri_Lyne_Carrington | 4 1965 |
| Terri_Lyne_Carrington | 1965 is |
| Terri_Lyne_Carrington | is an |
| Terri_Lyne_Carrington | an american |
| Terri_Lyne_Carrington | american jazz |
| Terri_Lyne_Carrington | jazz drummer |
| Terri_Lyne_Carrington | drummer composer |
| Terri_Lyne_Carrington | composer producer |
| Terri_Lyne_Carrington | producer and |
| Terri_Lyne_Carrington | and educator |
| Terri_Lyne_Carrington | educator she |
| Terri_Lyne_Carrington | she has |
| Terri_Lyne_Carrington | has played |
| Terri_Lyne_Carrington | played with |
| Terri_Lyne_Carrington | with dizzy |
| Terri_Lyne_Carrington | dizzy gillespie |
| Terri_Lyne_Carrington | gillespie stan |
| Terri_Lyne_Carrington | stan getz |
| Terri_Lyne_Carrington | getz clark |
| Terri_Lyne_Carrington | clark terry |
| Terri_Lyne_Carrington | terry herbie |
| Terri_Lyne_Carrington | herbie hancock |
| Terri_Lyne_Carrington | hancock wayne |
| Terri_Lyne_Carrington | wayne shorter |
| Terri_Lyne_Carrington | shorter joe |
| Terri_Lyne_Carrington | joe sample |
| Terri_Lyne_Carrington | sample al |
| Terri_Lyne_Carrington | al jarreau |
| Terri_Lyne_Carrington | jarreau yellowjackets |
| Terri_Lyne_Carrington | yellowjackets and |
| Terri_Lyne_Carrington | and many |
| Terri_Lyne_Carrington | many others |
| Terri_Lyne_Carrington | others she |
| Terri_Lyne_Carrington | she toured |
| Terri_Lyne_Carrington | toured with |
| Terri_Lyne_Carrington | with each |
| Terri_Lyne_Carrington | each of |
| Terri_Lyne_Carrington | of hancock’s |
| Terri_Lyne_Carrington | hancock’s musical |
| Terri_Lyne_Carrington | musical configurations |
| Terri_Lyne_Carrington | configurations from |
| Terri_Lyne_Carrington | from electric |
| Terri_Lyne_Carrington | electric to |
| Terri_Lyne_Carrington | to acoustic |
| Terri_Lyne_Carrington | acoustic between |
| Terri_Lyne_Carrington | between 1997 |
| Terri_Lyne_Carrington | 1997 and |
| Terri_Lyne_Carrington | and 2007 |
| Terri_Lyne_Carrington | 2007 in |
| Terri_Lyne_Carrington | in 2007 |
| Terri_Lyne_Carrington | 2007 she |
| Terri_Lyne_Carrington | she was |
| Terri_Lyne_Carrington | was appointed |
| Terri_Lyne_Carrington | appointed professor |
| Terri_Lyne_Carrington | professor at |
| Terri_Lyne_Carrington | at her |
| Terri_Lyne_Carrington | her alma |
| Terri_Lyne_Carrington | alma mater |
| Terri_Lyne_Carrington | mater berklee |
| Terri_Lyne_Carrington | berklee college |
| Terri_Lyne_Carrington | college of |
| Terri_Lyne_Carrington | of music |
| Terri_Lyne_Carrington | music where |
| Terri_Lyne_Carrington | where she |
| Terri_Lyne_Carrington | she received |
| Terri_Lyne_Carrington | received an |
| Terri_Lyne_Carrington | an honorary |
| Terri_Lyne_Carrington | honorary doctorate |
| Terri_Lyne_Carrington | doctorate in |
| Terri_Lyne_Carrington | in 2003 |
| Terri_Lyne_Carrington | 2003 she |
| Terri_Lyne_Carrington | she has |
| Terri_Lyne_Carrington | has won |
| Terri_Lyne_Carrington | won three |
| Terri_Lyne_Carrington | three grammy |
| Terri_Lyne_Carrington | grammy awards |
| Terri_Lyne_Carrington | awards including |
| Terri_Lyne_Carrington | including a |
| Terri_Lyne_Carrington | a 2013 |
| Terri_Lyne_Carrington | 2013 award |
| Terri_Lyne_Carrington | award for |
| Terri_Lyne_Carrington | for best |
| Terri_Lyne_Carrington | best jazz |
| Terri_Lyne_Carrington | jazz instrumental |
| Terri_Lyne_Carrington | instrumental album |
| Terri_Lyne_Carrington | album which |
| Terri_Lyne_Carrington | which established |
| Terri_Lyne_Carrington | established her |
| Terri_Lyne_Carrington | her as |
| Terri_Lyne_Carrington | as the |
| Terri_Lyne_Carrington | the first |
| Terri_Lyne_Carrington | first female |
| Terri_Lyne_Carrington | female musician |
| Terri_Lyne_Carrington | musician to |
| Terri_Lyne_Carrington | to win |
| Terri_Lyne_Carrington | win a |
| Terri_Lyne_Carrington | a grammy |
| Terri_Lyne_Carrington | grammy in |
| Terri_Lyne_Carrington | in this |
| Terri_Lyne_Carrington | this category |
| Terri_Lyne_Carrington | category carrington |
| Terri_Lyne_Carrington | carrington serves |
| Terri_Lyne_Carrington | serves as |
| Terri_Lyne_Carrington | as founder |
| Terri_Lyne_Carrington | founder and |
| Terri_Lyne_Carrington | and artistic |
| Terri_Lyne_Carrington | artistic director |
| Terri_Lyne_Carrington | director of |
| Terri_Lyne_Carrington | of the |
| Terri_Lyne_Carrington | the berklee |
| Terri_Lyne_Carrington | berklee institute |
| Terri_Lyne_Carrington | institute of |
| Terri_Lyne_Carrington | of jazz |
| Terri_Lyne_Carrington | jazz and |
| Terri_Lyne_Carrington | and gender |
| Terri_Lyne_Carrington | gender justice |
| Terri_Lyne_Carrington | justice and |
| Terri_Lyne_Carrington | and the |
| Terri_Lyne_Carrington | the carr |
| Terri_Lyne_Carrington | carr center |
| Terri_Lyne_Carrington | center in |
| Terri_Lyne_Carrington | in detroit |
| Terri_Lyne_Carrington | detroit mi |
| Terri_Lyne_Carrington | mi she |
| Terri_Lyne_Carrington | she also |
| Terri_Lyne_Carrington | also serves |
| Terri_Lyne_Carrington | serves on |
| Terri_Lyne_Carrington | on the |
| Terri_Lyne_Carrington | the board |
| Terri_Lyne_Carrington | board of |
| Terri_Lyne_Carrington | of trustees |
| Terri_Lyne_Carrington | trustees for |
| Terri_Lyne_Carrington | for the |
| Terri_Lyne_Carrington | the recording |
| Terri_Lyne_Carrington | recording academy |
| Terri_Lyne_Carrington | academy board |
| Terri_Lyne_Carrington | board of |
| Terri_Lyne_Carrington | of directors |
| Terri_Lyne_Carrington | directors for |
| Terri_Lyne_Carrington | for international |
| Terri_Lyne_Carrington | international society |
| Terri_Lyne_Carrington | society for |
| Terri_Lyne_Carrington | for jazz |
| Terri_Lyne_Carrington | jazz arrangers |
| Terri_Lyne_Carrington | arrangers and |
| Terri_Lyne_Carrington | and composers |
| Terri_Lyne_Carrington | composers and |
| Terri_Lyne_Carrington | and the |
| Terri_Lyne_Carrington | the advisory |
| Terri_Lyne_Carrington | advisory board |
| Terri_Lyne_Carrington | board for |
| Terri_Lyne_Carrington | for the |
| Terri_Lyne_Carrington | the history |
| Terri_Lyne_Carrington | history makers |
| Terri_Lyne_Carrington | makers and |
| Terri_Lyne_Carrington | and new |
| Terri_Lyne_Carrington | new music |
| Terri_Lyne_Carrington | music usa |
| Terri_Lyne_Carrington | usa en |
| Alexa_Tarantino | alexa tarantino |
| Alexa_Tarantino | tarantino born |
| Alexa_Tarantino | born may |
| Alexa_Tarantino | may 30 |
| Alexa_Tarantino | 30 1992 |
| Alexa_Tarantino | 1992 in |
| Alexa_Tarantino | in west |
| Alexa_Tarantino | west hartford |
| Alexa_Tarantino | hartford connecticut |
| Alexa_Tarantino | connecticut is |
| Alexa_Tarantino | is an |
| Alexa_Tarantino | an american |
| Alexa_Tarantino | american jazz |
| Alexa_Tarantino | jazz saxophonist |
| Alexa_Tarantino | saxophonist woodwind |
| Alexa_Tarantino | woodwind doubler |
| Alexa_Tarantino | doubler composer |
| Alexa_Tarantino | composer and |
| Alexa_Tarantino | and educator |
| Alexa_Tarantino | educator en |
| Charlie_Haden | charles edward |
| Charlie_Haden | edward haden |
| Charlie_Haden | haden august |
| Charlie_Haden | august 6 |
| Charlie_Haden | 6 1937 |
| Charlie_Haden | 1937 july |
| Charlie_Haden | july 11 |
| Charlie_Haden | 11 2014 |
| Charlie_Haden | 2014 was |
| Charlie_Haden | was an |
| Charlie_Haden | an american |
| Charlie_Haden | american jazz |
| Charlie_Haden | jazz double |
| Charlie_Haden | double bass |
| Charlie_Haden | bass player |
| Charlie_Haden | player bandleader |
| Charlie_Haden | bandleader composer |
| Charlie_Haden | composer and |
| Charlie_Haden | and educator |
| Charlie_Haden | educator whose |
| Charlie_Haden | whose career |
| Charlie_Haden | career spanned |
| Charlie_Haden | spanned more |
| Charlie_Haden | more than |
| Charlie_Haden | than 50 |
| Charlie_Haden | 50 years |
| Charlie_Haden | years in |
| Charlie_Haden | in the |
| Charlie_Haden | the late |
| Charlie_Haden | late 1950s |
| Charlie_Haden | 1950s he |
| Charlie_Haden | he was |
| Charlie_Haden | was an |
| Charlie_Haden | an original |
| Charlie_Haden | original member |
| Charlie_Haden | member of |
| Charlie_Haden | of the |
| Charlie_Haden | the ground |
| Charlie_Haden | ground breaking |
| Charlie_Haden | breaking ornette |
| Charlie_Haden | ornette coleman |
| Charlie_Haden | coleman quartet |
| Charlie_Haden | quartet haden |
| Charlie_Haden | haden revolutionized |
| Charlie_Haden | revolutionized the |
| Charlie_Haden | the harmonic |
| Charlie_Haden | harmonic concept |
| Charlie_Haden | concept of |
| Charlie_Haden | of bass |
| Charlie_Haden | bass playing |
| Charlie_Haden | playing in |
| Charlie_Haden | in jazz |
| Charlie_Haden | jazz german |
| Charlie_Haden | german musicologist |
| Charlie_Haden | musicologist joachim |
| Charlie_Haden | joachim ernst |
| Charlie_Haden | ernst berendt |
| Charlie_Haden | berendt wrote |
| Charlie_Haden | wrote that |
| Charlie_Haden | that haden’s |
| Charlie_Haden | haden’s ability |
| Charlie_Haden | ability to |
| Charlie_Haden | to create |
| Charlie_Haden | create serendipitous |
| Charlie_Haden | serendipitous harmonies |
| Charlie_Haden | harmonies by |
| Charlie_Haden | by improvising |
| Charlie_Haden | improvising melodic |
| Charlie_Haden | melodic responses |
| Charlie_Haden | responses to |
| Charlie_Haden | to coleman’s |
| Charlie_Haden | coleman’s free |
| Charlie_Haden | free form |
| Charlie_Haden | form solos |
| Charlie_Haden | solos rather |
| Charlie_Haden | rather than |
| Charlie_Haden | than sticking |
| Charlie_Haden | sticking to |
| Charlie_Haden | to predetermined |
| Charlie_Haden | predetermined harmonies |
| Charlie_Haden | harmonies was |
| Charlie_Haden | was both |
| Charlie_Haden | both radical |
| Charlie_Haden | radical and |
| Charlie_Haden | and mesmerizing |
| Charlie_Haden | mesmerizing his |
| Charlie_Haden | his virtuosity |
| Charlie_Haden | virtuosity lies |
| Charlie_Haden | lies 夷 |
| Charlie_Haden | 夷 n |
| Charlie_Haden | n an |
| Charlie_Haden | an incredible |
| Charlie_Haden | incredible ability |
| Charlie_Haden | ability to |
| Charlie_Haden | to make |
| Charlie_Haden | make the |
| Charlie_Haden | the double |
| Charlie_Haden | double bass |
| Charlie_Haden | bass sound |
| Charlie_Haden | sound out |
| Charlie_Haden | out haden |
| Charlie_Haden | haden cultivated |
| Charlie_Haden | cultivated the |
| Charlie_Haden | the instrument’s |
| Charlie_Haden | instrument’s gravity |
| Charlie_Haden | gravity as |
| Charlie_Haden | as no |
| Charlie_Haden | no one |
| Charlie_Haden | one else |
| Charlie_Haden | else in |
| Charlie_Haden | in jazz |
| Charlie_Haden | jazz he |
| Charlie_Haden | he is |
| Charlie_Haden | is a |
| Charlie_Haden | a master |
| Charlie_Haden | master of |
| Charlie_Haden | of simplicity |
| Charlie_Haden | simplicity which |
| Charlie_Haden | which is |
| Charlie_Haden | is one |
| Charlie_Haden | one of |
| Charlie_Haden | of the |
| Charlie_Haden | the most |
| Charlie_Haden | most difficult |
| Charlie_Haden | difficult things |
| Charlie_Haden | things to |
| Charlie_Haden | to achieve |
| Charlie_Haden | achieve haden |
| Charlie_Haden | haden played |
| Charlie_Haden | played a |
| Charlie_Haden | a vital |
| Charlie_Haden | vital role |
| Charlie_Haden | role in |
| Charlie_Haden | in this |
| Charlie_Haden | this revolutionary |
| Charlie_Haden | revolutionary new |
| Charlie_Haden | new approach |
| Charlie_Haden | approach evolving |
| Charlie_Haden | evolving a |
| Charlie_Haden | a way |
| Charlie_Haden | way of |
| Charlie_Haden | of playing |
| Charlie_Haden | playing that |
| Charlie_Haden | that sometimes |
| Charlie_Haden | sometimes complemented |
| Charlie_Haden | complemented the |
| Charlie_Haden | the soloist |
| Charlie_Haden | soloist and |
| Charlie_Haden | and sometimes |
| Charlie_Haden | sometimes moved |
| Charlie_Haden | moved independently |
| Charlie_Haden | independently in |
| Charlie_Haden | in this |
| Charlie_Haden | this respect |
| Charlie_Haden | respect as |
| Charlie_Haden | as did |
| Charlie_Haden | did his |
| Charlie_Haden | his predecessor |
| Charlie_Haden | predecessor bassists |
| Charlie_Haden | bassists jimmy |
| Charlie_Haden | jimmy blanton |
| Charlie_Haden | blanton and |
| Charlie_Haden | and charles |
| Charlie_Haden | charles mingus |
| Charlie_Haden | mingus haden |
| Charlie_Haden | haden helped |
| Charlie_Haden | helped liberate |
| Charlie_Haden | liberate the |
| Charlie_Haden | the bassist |
| Charlie_Haden | bassist from |
| Charlie_Haden | from a |
| Charlie_Haden | a strictly |
| Charlie_Haden | strictly accompanying |
| Charlie_Haden | accompanying role |
| Charlie_Haden | role to |
| Charlie_Haden | to becoming |
| Charlie_Haden | becoming a |
| Charlie_Haden | a more |
| Charlie_Haden | more direct |
| Charlie_Haden | direct participant |
| Charlie_Haden | participant in |
| Charlie_Haden | in group |
| Charlie_Haden | group improvisation |
| Charlie_Haden | improvisation in |
| Charlie_Haden | in 1969 |
| Charlie_Haden | 1969 he |
| Charlie_Haden | he formed |
| Charlie_Haden | formed his |
| Charlie_Haden | his first |
| Charlie_Haden | first band |
| Charlie_Haden | band the |
| Charlie_Haden | the liberation |
| Charlie_Haden | liberation music |
| Charlie_Haden | music orchestra |
| Charlie_Haden | orchestra featuring |
| Charlie_Haden | featuring arrangements |
| Charlie_Haden | arrangements by |
| Charlie_Haden | by pianist |
| Charlie_Haden | pianist carla |
| Charlie_Haden | carla bley |
| Charlie_Haden | bley in |
| Charlie_Haden | in the |
| Charlie_Haden | the late |
| Charlie_Haden | late 1960s |
| Charlie_Haden | 1960s he |
| Charlie_Haden | he became |
| Charlie_Haden | became a |
| Charlie_Haden | a member |
| Charlie_Haden | member of |
| Charlie_Haden | of pianist |
| Charlie_Haden | pianist keith |
| Charlie_Haden | keith jarrett’s |
| Charlie_Haden | jarrett’s trio |
| Charlie_Haden | trio quartet |
| Charlie_Haden | quartet and |
| Charlie_Haden | and quintet |
| Charlie_Haden | quintet in |
| Charlie_Haden | in the |
| Charlie_Haden | the 1980s |
| Charlie_Haden | 1980s he |
| Charlie_Haden | he formed |
| Charlie_Haden | formed his |
| Charlie_Haden | his band |
| Charlie_Haden | band quartet |
| Charlie_Haden | quartet west |
| Charlie_Haden | west haden |
| Charlie_Haden | haden also |
| Charlie_Haden | also often |
| Charlie_Haden | often recorded |
| Charlie_Haden | recorded and |
| Charlie_Haden | and performed |
| Charlie_Haden | performed in |
| Charlie_Haden | in a |
| Charlie_Haden | a duo |
| Charlie_Haden | duo setting |
| Charlie_Haden | setting with |
| Charlie_Haden | with musicians |
| Charlie_Haden | musicians including |
| Charlie_Haden | including guitarist |
| Charlie_Haden | guitarist pat |
| Charlie_Haden | pat metheny |
| Charlie_Haden | metheny and |
| Charlie_Haden | and pianist |
| Charlie_Haden | pianist hank |
| Charlie_Haden | hank jones |
| Charlie_Haden | jones en |
| Larry_Willis | lawrence elliott |
| Larry_Willis | elliott willis |
| Larry_Willis | willis december |
| Larry_Willis | december 20 |
| Larry_Willis | 20 1942 |
| Larry_Willis | 1942 september |
| Larry_Willis | september 29 |
| Larry_Willis | 29 2019 |
| Larry_Willis | 2019 was |
| Larry_Willis | was an |
| Larry_Willis | an american |
| Larry_Willis | american jazz |
| Larry_Willis | jazz pianist |
| Larry_Willis | pianist and |
| Larry_Willis | and composer |
| Larry_Willis | composer he |
| Larry_Willis | he performed |
| Larry_Willis | performed in |
| Larry_Willis | in a |
| Larry_Willis | a wide |
| Larry_Willis | wide range |
| Larry_Willis | range of |
| Larry_Willis | of styles |
| Larry_Willis | styles including |
| Larry_Willis | including jazz |
| Larry_Willis | jazz fusion |
| Larry_Willis | fusion afro |
| Larry_Willis | afro cuban |
| Larry_Willis | cuban jazz |
| Larry_Willis | jazz bebop |
| Larry_Willis | bebop and |
| Larry_Willis | and avant |
| Larry_Willis | avant garde |
| Larry_Willis | garde willis |
| Larry_Willis | willis was |
| Larry_Willis | was born |
| Larry_Willis | born in |
| Larry_Willis | in new |
| Larry_Willis | new york |
| Larry_Willis | york city |
| Larry_Willis | city after |
| Larry_Willis | after his |
| Larry_Willis | his first |
| Larry_Willis | first year |
| Larry_Willis | year studying |
| Larry_Willis | studying music |
| Larry_Willis | music theory |
| Larry_Willis | theory at |
| Larry_Willis | at the |
| Larry_Willis | the manhattan |
| Larry_Willis | manhattan school |
| Larry_Willis | school of |
| Larry_Willis | of music |
| Larry_Willis | music he |
| Larry_Willis | he began |
| Larry_Willis | began performing |
| Larry_Willis | performing regularly |
| Larry_Willis | regularly with |
| Larry_Willis | with jackie |
| Larry_Willis | jackie mclean |
| Larry_Willis | mclean after |
| Larry_Willis | after he |
| Larry_Willis | he graduated |
| Larry_Willis | graduated he |
| Larry_Willis | he made |
| Larry_Willis | made his |
| Larry_Willis | his first |
| Larry_Willis | first jazz |
| Larry_Willis | jazz recording |
| Larry_Willis | recording mclean’s |
| Larry_Willis | mclean’s right |
| Larry_Willis | right now |
| Larry_Willis | now in |
| Larry_Willis | in january |
| Larry_Willis | january 1965 |
| Larry_Willis | 1965 which |
| Larry_Willis | which featured |
| Larry_Willis | featured two |
| Larry_Willis | two of |
| Larry_Willis | of willis |
| Larry_Willis | willis compositions |
| Larry_Willis | compositions his |
| Larry_Willis | his first |
| Larry_Willis | first recording |
| Larry_Willis | recording of |
| Larry_Willis | of any |
| Larry_Willis | any type |
| Larry_Willis | type however |
| Larry_Willis | however was |
| Larry_Willis | was as |
| Larry_Willis | as a |
| Larry_Willis | a singer |
| Larry_Willis | singer with |
| Larry_Willis | with the |
| Larry_Willis | the performing |
| Larry_Willis | performing an |
| Larry_Willis | an opera |
| Larry_Willis | opera by |
| Larry_Willis | by aaron |
| Larry_Willis | aaron copland |
| Larry_Willis | copland under |
| Larry_Willis | under the |
| Larry_Willis | the direction |
| Larry_Willis | direction of |
| Larry_Willis | of leonard |
| Larry_Willis | leonard bernstein |
| Larry_Willis | bernstein he |
| Larry_Willis | he decided |
| Larry_Willis | decided to |
| Larry_Willis | to concentrate |
| Larry_Willis | concentrate on |
| Larry_Willis | on jazz |
| Larry_Willis | jazz because |
| Larry_Willis | because of |
| Larry_Willis | of the |
| Larry_Willis | the difficulties |
| Larry_Willis | difficulties african |
| Larry_Willis | african american |
| Larry_Willis | american musicians |
| Larry_Willis | musicians had |
| Larry_Willis | had in |
| Larry_Willis | in finding |
| Larry_Willis | finding work |
| Larry_Willis | work in |
| Larry_Willis | in concert |
| Larry_Willis | concert music |
| Larry_Willis | music throughout |
| Larry_Willis | throughout his |
| Larry_Willis | his career |
| Larry_Willis | career he |
| Larry_Willis | he performed |
| Larry_Willis | performed with |
| Larry_Willis | with a |
| Larry_Willis | a wide |
| Larry_Willis | wide range |
| Larry_Willis | range of |
| Larry_Willis | of musicians |
| Larry_Willis | musicians including |
| Larry_Willis | including several |
| Larry_Willis | several years |
| Larry_Willis | years as |
| Larry_Willis | as keyboardist |
| Larry_Willis | keyboardist for |
| Larry_Willis | for blood |
| Larry_Willis | blood sweat |
| Larry_Willis | sweat tears |
| Larry_Willis | tears beginning |
| Larry_Willis | beginning in |
| Larry_Willis | in 1972 |
| Larry_Willis | 1972 he |
| Larry_Willis | he spent |
| Larry_Willis | spent several |
| Larry_Willis | several years |
| Larry_Willis | years as |
| Larry_Willis | as pianist |
| Larry_Willis | pianist for |
| Larry_Willis | for trumpeters |
| Larry_Willis | trumpeters nat |
| Larry_Willis | nat adderley |
| Larry_Willis | adderley and |
| Larry_Willis | and woody |
| Larry_Willis | woody shaw |
| Larry_Willis | shaw as |
| Larry_Willis | as well |
| Larry_Willis | well as |
| Larry_Willis | as long |
| Larry_Willis | long and |
| Larry_Willis | and productive |
| Larry_Willis | productive tenures |
| Larry_Willis | tenures with |
| Larry_Willis | with roy |
| Larry_Willis | roy hargrove |
| Larry_Willis | hargrove and |
| Larry_Willis | and with |
| Larry_Willis | with jerry |
| Larry_Willis | jerry gonzalez |
| Larry_Willis | gonzalez and |
| Larry_Willis | and his |
| Larry_Willis | his fort |
| Larry_Willis | fort apache |
| Larry_Willis | apache band |
| Larry_Willis | band his |
| Larry_Willis | his late |
| Larry_Willis | late recording |
| Larry_Willis | recording with |
| Larry_Willis | with paul |
| Larry_Willis | paul murphy |
| Larry_Willis | murphy expos |
| Larry_Willis | expos 矇 |
| Larry_Willis | 矇 demonstrated |
| Larry_Willis | demonstrated the |
| Larry_Willis | the fusion |
| Larry_Willis | fusion principles |
| Larry_Willis | principles of |
| Larry_Willis | of bebop |
| Larry_Willis | bebop and |
| Larry_Willis | and avant |
| Larry_Willis | avant garde |
| Larry_Willis | garde jazz |
| Larry_Willis | jazz his |
| Larry_Willis | his composition |
| Larry_Willis | composition sanctuary |
| Larry_Willis | sanctuary began |
| Larry_Willis | began exploring |
| Larry_Willis | exploring works |
| Larry_Willis | works employing |
| Larry_Willis | employing strings |
| Larry_Willis | strings after |
| Larry_Willis | after a |
| Larry_Willis | a successful |
| Larry_Willis | successful performance |
| Larry_Willis | performance in |
| Larry_Willis | in frank |
| Larry_Willis | frank lloyd |
| Larry_Willis | lloyd wright’s |
| Larry_Willis | wright’s annie |
| Larry_Willis | annie pfieffer |
| Larry_Willis | pfieffer chapel |
| Larry_Willis | chapel at |
| Larry_Willis | at florida |
| Larry_Willis | florida southern |
| Larry_Willis | southern college’s |
| Larry_Willis | college’s child |
| Larry_Willis | child of |
| Larry_Willis | of the |
| Larry_Willis | the sun |
| Larry_Willis | sun jazz |
| Larry_Willis | jazz festival |
| Larry_Willis | festival he |
| Larry_Willis | he was |
| Larry_Willis | was commissioned |
| Larry_Willis | commissioned to |
| Larry_Willis | to write |
| Larry_Willis | write a |
| Larry_Willis | a full |
| Larry_Willis | full scale |
| Larry_Willis | scale orchestral |
| Larry_Willis | orchestral work |
| Larry_Willis | work for |
| Larry_Willis | for jazz |
| Larry_Willis | jazz trio |
| Larry_Willis | trio and |
| Larry_Willis | and orchestra |
| Larry_Willis | orchestra he |
| Larry_Willis | he worked |
| Larry_Willis | worked with |
| Larry_Willis | with hugh |
| Larry_Willis | hugh masekela |
| Larry_Willis | masekela on |
| Larry_Willis | on a |
| Larry_Willis | a south |
| Larry_Willis | south african |
| Larry_Willis | african suite |
| Larry_Willis | suite of |
| Larry_Willis | of music |
| Larry_Willis | music and |
| Larry_Willis | and interpreted |
| Larry_Willis | interpreted miles |
| Larry_Willis | miles davis |
| Larry_Willis | davis work |
| Larry_Willis | work he |
| Larry_Willis | he was |
| Larry_Willis | was in |
| Larry_Willis | in the |
| Larry_Willis | the round |
| Larry_Willis | round about |
| Larry_Willis | about midnight |
| Larry_Willis | midnight tour |
| Larry_Willis | tour of |
| Larry_Willis | of miles |
| Larry_Willis | miles davis |
| Larry_Willis | davis music |
| Larry_Willis | music he |
| Larry_Willis | he received |
| Larry_Willis | received the |
| Larry_Willis | the don |
| Larry_Willis | don redman |
| Larry_Willis | redman award |
| Larry_Willis | award in |
| Larry_Willis | in 2011 |
| Larry_Willis | 2011 and |
| Larry_Willis | and the |
| Larry_Willis | the benny |
| Larry_Willis | benny golson |
| Larry_Willis | golson jazz |
| Larry_Willis | jazz master |
| Larry_Willis | master award |
| Larry_Willis | award at |
| Larry_Willis | at howard |
| Larry_Willis | howard university |
| Larry_Willis | university in |
| Larry_Willis | in 2012 |
| Larry_Willis | 2012 he |
| Larry_Willis | he died |
| Larry_Willis | died of |
| Larry_Willis | of an |
| Larry_Willis | an aneurysm |
| Larry_Willis | aneurysm in |
| Larry_Willis | in baltimore |
| Larry_Willis | baltimore at |
| Larry_Willis | at the |
| Larry_Willis | the age |
| Larry_Willis | age of |
| Larry_Willis | of 76 |
| Larry_Willis | 76 en |
| Gary_Numan | gary anthony |
| Gary_Numan | anthony james |
| Gary_Numan | james webb |
| Gary_Numan | webb born |
| Gary_Numan | born 8 |
| Gary_Numan | 8 march |
| Gary_Numan | march 1958 |
| Gary_Numan | 1958 better |
| Gary_Numan | better known |
| Gary_Numan | known as |
| Gary_Numan | as gary |
| Gary_Numan | gary numan |
| Gary_Numan | numan is |
| Gary_Numan | is an |
| Gary_Numan | an english |
| Gary_Numan | english musician |
| Gary_Numan | musician singer |
| Gary_Numan | singer songwriter |
| Gary_Numan | songwriter composer |
| Gary_Numan | composer and |
| Gary_Numan | and record |
| Gary_Numan | record producer |
| Gary_Numan | producer he |
| Gary_Numan | he entered |
| Gary_Numan | entered the |
| Gary_Numan | the music |
| Gary_Numan | music industry |
| Gary_Numan | industry as |
| Gary_Numan | as the |
| Gary_Numan | the frontman |
| Gary_Numan | frontman of |
| Gary_Numan | of the |
| Gary_Numan | the new |
| Gary_Numan | new wave |
| Gary_Numan | wave band |
| Gary_Numan | band tubeway |
| Gary_Numan | tubeway army |
| Gary_Numan | army after |
| Gary_Numan | after releasing |
| Gary_Numan | releasing two |
| Gary_Numan | two albums |
| Gary_Numan | albums with |
| Gary_Numan | with the |
| Gary_Numan | the band |
| Gary_Numan | band he |
| Gary_Numan | he released |
| Gary_Numan | released his |
| Gary_Numan | his debut |
| Gary_Numan | debut solo |
| Gary_Numan | solo album |
| Gary_Numan | album the |
| Gary_Numan | the pleasure |
| Gary_Numan | pleasure principle |
| Gary_Numan | principle in |
| Gary_Numan | in 1979 |
| Gary_Numan | 1979 topping |
| Gary_Numan | topping the |
| Gary_Numan | the uk |
| Gary_Numan | uk albums |
| Gary_Numan | albums chart |
| Gary_Numan | chart while |
| Gary_Numan | while his |
| Gary_Numan | his commercial |
| Gary_Numan | commercial popularity |
| Gary_Numan | popularity peaked |
| Gary_Numan | peaked in |
| Gary_Numan | in the |
| Gary_Numan | the late |
| Gary_Numan | late 1970s |
| Gary_Numan | 1970s and |
| Gary_Numan | and early |
| Gary_Numan | early 1980s |
| Gary_Numan | 1980s with |
| Gary_Numan | with hits |
| Gary_Numan | hits including |
| Gary_Numan | including are |
| Gary_Numan | are friends |
| Gary_Numan | friends electric |
| Gary_Numan | electric and |
| Gary_Numan | and cars |
| Gary_Numan | cars both |
| Gary_Numan | both of |
| Gary_Numan | of which |
| Gary_Numan | which reached |
| Gary_Numan | reached number |
| Gary_Numan | number one |
| Gary_Numan | one on |
| Gary_Numan | on the |
| Gary_Numan | the uk |
| Gary_Numan | uk singles |
| Gary_Numan | singles chart |
| Gary_Numan | chart numan |
| Gary_Numan | numan maintains |
| Gary_Numan | maintains a |
| Gary_Numan | a cult |
| Gary_Numan | cult following |
| Gary_Numan | following he |
| Gary_Numan | he has |
| Gary_Numan | has sold |
| Gary_Numan | sold over |
| Gary_Numan | over 10 |
| Gary_Numan | 10 million |
| Gary_Numan | million records |
| Gary_Numan | records numan |
| Gary_Numan | numan faced |
| Gary_Numan | faced intense |
| Gary_Numan | intense hostility |
| Gary_Numan | hostility from |
| Gary_Numan | from critics |
| Gary_Numan | critics and |
| Gary_Numan | and fellow |
| Gary_Numan | fellow musicians |
| Gary_Numan | musicians in |
| Gary_Numan | in his |
| Gary_Numan | his early |
| Gary_Numan | early career |
| Gary_Numan | career but |
| Gary_Numan | but has |
| Gary_Numan | has since |
| Gary_Numan | since come |
| Gary_Numan | come to |
| Gary_Numan | to be |
| Gary_Numan | be regarded |
| Gary_Numan | regarded as |
| Gary_Numan | as a |
| Gary_Numan | a pioneer |
| Gary_Numan | pioneer of |
| Gary_Numan | of electronic |
| Gary_Numan | electronic music |
| Gary_Numan | music he |
| Gary_Numan | he developed |
| Gary_Numan | developed a |
| Gary_Numan | a signature |
| Gary_Numan | signature sound |
| Gary_Numan | sound consisting |
| Gary_Numan | consisting of |
| Gary_Numan | of heavy |
| Gary_Numan | heavy synthesiser |
| Gary_Numan | synthesiser hooks |
| Gary_Numan | hooks fed |
| Gary_Numan | fed through |
| Gary_Numan | through guitar |
| Gary_Numan | guitar effects |
| Gary_Numan | effects pedals |
| Gary_Numan | pedals and |
| Gary_Numan | and is |
| Gary_Numan | is also |
| Gary_Numan | also known |
| Gary_Numan | known for |
| Gary_Numan | for his |
| Gary_Numan | his distinctive |
| Gary_Numan | distinctive voice |
| Gary_Numan | voice and |
| Gary_Numan | and androgynous |
| Gary_Numan | androgynous android |
| Gary_Numan | android persona |
| Gary_Numan | persona in |
| Gary_Numan | in 2017 |
| Gary_Numan | 2017 he |
| Gary_Numan | he received |
| Gary_Numan | received an |
| Gary_Numan | an ivor |
| Gary_Numan | ivor novello |
| Gary_Numan | novello award |
| Gary_Numan | award the |
| Gary_Numan | the inspiration |
| Gary_Numan | inspiration award |
| Gary_Numan | award from |
| Gary_Numan | from the |
| Gary_Numan | the british |
| Gary_Numan | british academy |
| Gary_Numan | academy of |
| Gary_Numan | of songwriters |
| Gary_Numan | songwriters composers |
| Gary_Numan | composers and |
| Gary_Numan | and authors |
| Gary_Numan | authors en |
| Lee_Morgan | edward lee |
| Lee_Morgan | lee morgan |
| Lee_Morgan | morgan july |
| Lee_Morgan | july 10 |
| Lee_Morgan | 10 1938 |
| Lee_Morgan | 1938 february |
| Lee_Morgan | february 19 |
| Lee_Morgan | 19 1972 |
| Lee_Morgan | 1972 was |
| Lee_Morgan | was an |
| Lee_Morgan | an american |
| Lee_Morgan | american jazz |
| Lee_Morgan | jazz trumpeter |
| Lee_Morgan | trumpeter and |
| Lee_Morgan | and composer |
| Lee_Morgan | composer one |
| Lee_Morgan | one of |
| Lee_Morgan | of the |
| Lee_Morgan | the key |
| Lee_Morgan | key hard |
| Lee_Morgan | hard bop |
| Lee_Morgan | bop musicians |
| Lee_Morgan | musicians of |
| Lee_Morgan | of the |
| Lee_Morgan | the 1960s |
| Lee_Morgan | 1960s morgan |
| Lee_Morgan | morgan came |
| Lee_Morgan | came to |
| Lee_Morgan | to prominence |
| Lee_Morgan | prominence in |
| Lee_Morgan | in his |
| Lee_Morgan | his late |
| Lee_Morgan | late teens |
| Lee_Morgan | teens recording |
| Lee_Morgan | recording on |
| Lee_Morgan | on john |
| Lee_Morgan | john coltrane’s |
| Lee_Morgan | coltrane’s blue |
| Lee_Morgan | blue train |
| Lee_Morgan | train 1957 |
| Lee_Morgan | 1957 and |
| Lee_Morgan | and with |
| Lee_Morgan | with the |
| Lee_Morgan | the band |
| Lee_Morgan | band of |
| Lee_Morgan | of drummer |
| Lee_Morgan | drummer art |
| Lee_Morgan | art blakey |
| Lee_Morgan | blakey before |
| Lee_Morgan | before launching |
| Lee_Morgan | launching a |
| Lee_Morgan | a solo |
| Lee_Morgan | solo career |
| Lee_Morgan | career morgan |
| Lee_Morgan | morgan stayed |
| Lee_Morgan | stayed with |
| Lee_Morgan | with blakey |
| Lee_Morgan | blakey until |
| Lee_Morgan | until 1961 |
| Lee_Morgan | 1961 and |
| Lee_Morgan | and started |
| Lee_Morgan | started to |
| Lee_Morgan | to record |
| Lee_Morgan | record as |
| Lee_Morgan | as leader |
| Lee_Morgan | leader in |
| Lee_Morgan | in the |
| Lee_Morgan | the late |
| Lee_Morgan | late 50s |
| Lee_Morgan | 50s his |
| Lee_Morgan | his song |
| Lee_Morgan | song the |
| Lee_Morgan | the sidewinder |
| Lee_Morgan | sidewinder on |
| Lee_Morgan | on the |
| Lee_Morgan | the album |
| Lee_Morgan | album of |
| Lee_Morgan | of the |
| Lee_Morgan | the same |
| Lee_Morgan | same name |
| Lee_Morgan | name became |
| Lee_Morgan | became a |
| Lee_Morgan | a surprise |
| Lee_Morgan | surprise crossover |
| Lee_Morgan | crossover hit |
| Lee_Morgan | hit on |
| Lee_Morgan | on the |
| Lee_Morgan | the pop |
| Lee_Morgan | pop and |
| Lee_Morgan | and r |
| Lee_Morgan | r b |
| Lee_Morgan | b charts |
| Lee_Morgan | charts in |
| Lee_Morgan | in 1964 |
| Lee_Morgan | 1964 while |
| Lee_Morgan | while morgan’s |
| Lee_Morgan | morgan’s subsequent |
| Lee_Morgan | subsequent recordings |
| Lee_Morgan | recordings found |
| Lee_Morgan | found him |
| Lee_Morgan | him touching |
| Lee_Morgan | touching on |
| Lee_Morgan | on other |
| Lee_Morgan | other styles |
| Lee_Morgan | styles of |
| Lee_Morgan | of music |
| Lee_Morgan | music such |
| Lee_Morgan | such as |
| Lee_Morgan | as post |
| Lee_Morgan | post bop |
| Lee_Morgan | bop and |
| Lee_Morgan | and avant |
| Lee_Morgan | avant garde |
| Lee_Morgan | garde jazz |
| Lee_Morgan | jazz as |
| Lee_Morgan | as his |
| Lee_Morgan | his artistry |
| Lee_Morgan | artistry matured |
| Lee_Morgan | matured soon |
| Lee_Morgan | soon after |
| Lee_Morgan | after the |
| Lee_Morgan | the sidewinder |
| Lee_Morgan | sidewinder was |
| Lee_Morgan | was released |
| Lee_Morgan | released morgan |
| Lee_Morgan | morgan rejoined |
| Lee_Morgan | rejoined blakey |
| Lee_Morgan | blakey for |
| Lee_Morgan | for a |
| Lee_Morgan | a short |
| Lee_Morgan | short period |
| Lee_Morgan | period after |
| Lee_Morgan | after leaving |
| Lee_Morgan | leaving blakey |
| Lee_Morgan | blakey for |
| Lee_Morgan | for the |
| Lee_Morgan | the final |
| Lee_Morgan | final time |
| Lee_Morgan | time morgan |
| Lee_Morgan | morgan continued |
| Lee_Morgan | continued to |
| Lee_Morgan | to work |
| Lee_Morgan | work prolifically |
| Lee_Morgan | prolifically as |
| Lee_Morgan | as both |
| Lee_Morgan | both a |
| Lee_Morgan | a leader |
| Lee_Morgan | leader and |
| Lee_Morgan | and a |
| Lee_Morgan | a sideman |
| Lee_Morgan | sideman with |
| Lee_Morgan | with the |
| Lee_Morgan | the likes |
| Lee_Morgan | likes of |
| Lee_Morgan | of hank |
| Lee_Morgan | hank mobley |
| Lee_Morgan | mobley and |
| Lee_Morgan | and wayne |
| Lee_Morgan | wayne shorter |
| Lee_Morgan | shorter becoming |
| Lee_Morgan | becoming a |
| Lee_Morgan | a cornerstone |
| Lee_Morgan | cornerstone of |
| Lee_Morgan | of the |
| Lee_Morgan | the blue |
| Lee_Morgan | blue note |
| Lee_Morgan | note label |
| Lee_Morgan | label morgan |
| Lee_Morgan | morgan died |
| Lee_Morgan | died at |
| Lee_Morgan | at the |
| Lee_Morgan | the age |
| Lee_Morgan | age of |
| Lee_Morgan | of 33 |
| Lee_Morgan | 33 when |
| Lee_Morgan | when his |
| Lee_Morgan | his common |
| Lee_Morgan | common law |
| Lee_Morgan | law wife |
| Lee_Morgan | wife helen |
| Lee_Morgan | helen shot |
| Lee_Morgan | shot and |
| Lee_Morgan | and killed |
| Lee_Morgan | killed him |
| Lee_Morgan | him following |
| Lee_Morgan | following a |
| Lee_Morgan | a confrontation |
| Lee_Morgan | confrontation at |
| Lee_Morgan | at slugs |
| Lee_Morgan | slugs saloon |
| Lee_Morgan | saloon in |
| Lee_Morgan | in new |
| Lee_Morgan | new york |
| Lee_Morgan | york city |
| Lee_Morgan | city en |
| Kevin_Eubanks | kevin tyrone |
| Kevin_Eubanks | tyrone eubanks |
| Kevin_Eubanks | eubanks born |
| Kevin_Eubanks | born november |
| Kevin_Eubanks | november 15 |
| Kevin_Eubanks | 15 1957 |
| Kevin_Eubanks | 1957 is |
| Kevin_Eubanks | is an |
| Kevin_Eubanks | an american |
| Kevin_Eubanks | american jazz |
| Kevin_Eubanks | jazz and |
| Kevin_Eubanks | and fusion |
| Kevin_Eubanks | fusion guitarist |
| Kevin_Eubanks | guitarist and |
| Kevin_Eubanks | and composer |
| Kevin_Eubanks | composer he |
| Kevin_Eubanks | he was |
| Kevin_Eubanks | was the |
| Kevin_Eubanks | the leader |
| Kevin_Eubanks | leader of |
| Kevin_Eubanks | of the |
| Kevin_Eubanks | the tonight |
| Kevin_Eubanks | tonight show |
| Kevin_Eubanks | show band |
| Kevin_Eubanks | band with |
| Kevin_Eubanks | with host |
| Kevin_Eubanks | host jay |
| Kevin_Eubanks | jay leno |
| Kevin_Eubanks | leno from |
| Kevin_Eubanks | from 1995 |
| Kevin_Eubanks | 1995 to |
| Kevin_Eubanks | to 2010 |
| Kevin_Eubanks | 2010 he |
| Kevin_Eubanks | he also |
| Kevin_Eubanks | also led |
| Kevin_Eubanks | led the |
| Kevin_Eubanks | the primetime |
| Kevin_Eubanks | primetime band |
| Kevin_Eubanks | band on |
| Kevin_Eubanks | on the |
| Kevin_Eubanks | the short |
| Kevin_Eubanks | short lived |
| Kevin_Eubanks | lived the |
| Kevin_Eubanks | the jay |
| Kevin_Eubanks | jay leno |
| Kevin_Eubanks | leno show |
| Kevin_Eubanks | show en |
| Horace_Silver | horace ward |
| Horace_Silver | ward martin |
| Horace_Silver | martin tavares |
| Horace_Silver | tavares silver |
| Horace_Silver | silver september |
| Horace_Silver | september 2 |
| Horace_Silver | 2 1928 |
| Horace_Silver | 1928 june |
| Horace_Silver | june 18 |
| Horace_Silver | 18 2014 |
| Horace_Silver | 2014 was |
| Horace_Silver | was an |
| Horace_Silver | an american |
| Horace_Silver | american jazz |
| Horace_Silver | jazz pianist |
| Horace_Silver | pianist composer |
| Horace_Silver | composer and |
| Horace_Silver | and arranger |
| Horace_Silver | arranger particularly |
| Horace_Silver | particularly in |
| Horace_Silver | in the |
| Horace_Silver | the hard |
| Horace_Silver | hard bop |
| Horace_Silver | bop style |
| Horace_Silver | style that |
| Horace_Silver | that he |
| Horace_Silver | he helped |
| Horace_Silver | helped pioneer |
| Horace_Silver | pioneer in |
| Horace_Silver | in the |
| Horace_Silver | the 1950s |
| Horace_Silver | 1950s after |
| Horace_Silver | after playing |
| Horace_Silver | playing tenor |
| Horace_Silver | tenor saxophone |
| Horace_Silver | saxophone and |
| Horace_Silver | and piano |
| Horace_Silver | piano at |
| Horace_Silver | at school |
| Horace_Silver | school in |
| Horace_Silver | in connecticut |
| Horace_Silver | connecticut silver |
| Horace_Silver | silver got |
| Horace_Silver | got his |
| Horace_Silver | his break |
| Horace_Silver | break on |
| Horace_Silver | on piano |
| Horace_Silver | piano when |
| Horace_Silver | when his |
| Horace_Silver | his trio |
| Horace_Silver | trio was |
| Horace_Silver | was recruited |
| Horace_Silver | recruited by |
| Horace_Silver | by stan |
| Horace_Silver | stan getz |
| Horace_Silver | getz in |
| Horace_Silver | in 1950 |
| Horace_Silver | 1950 silver |
| Horace_Silver | silver soon |
| Horace_Silver | soon moved |
| Horace_Silver | moved to |
| Horace_Silver | to new |
| Horace_Silver | new york |
| Horace_Silver | york city |
| Horace_Silver | city where |
| Horace_Silver | where he |
| Horace_Silver | he developed |
| Horace_Silver | developed a |
| Horace_Silver | a reputation |
| Horace_Silver | reputation as |
| Horace_Silver | as a |
| Horace_Silver | a composer |
| Horace_Silver | composer and |
| Horace_Silver | and for |
| Horace_Silver | for his |
| Horace_Silver | his bluesy |
| Horace_Silver | bluesy playing |
| Horace_Silver | playing frequent |
| Horace_Silver | frequent sideman |
| Horace_Silver | sideman recordings |
| Horace_Silver | recordings in |
| Horace_Silver | in the |
| Horace_Silver | the mid |
| Horace_Silver | mid 1950s |
| Horace_Silver | 1950s helped |
| Horace_Silver | helped further |
| Horace_Silver | further but |
| Horace_Silver | but it |
| Horace_Silver | it was |
| Horace_Silver | was his |
| Horace_Silver | his work |
| Horace_Silver | work with |
| Horace_Silver | with the |
| Horace_Silver | the jazz |
| Horace_Silver | jazz messengers |
| Horace_Silver | messengers co |
| Horace_Silver | co led |
| Horace_Silver | led by |
| Horace_Silver | by art |
| Horace_Silver | art blakey |
| Horace_Silver | blakey that |
| Horace_Silver | that brought |
| Horace_Silver | brought both |
| Horace_Silver | both his |
| Horace_Silver | his writing |
| Horace_Silver | writing and |
| Horace_Silver | and playing |
| Horace_Silver | playing most |
| Horace_Silver | most attention |
| Horace_Silver | attention their |
| Horace_Silver | their horace |
| Horace_Silver | horace silver |
| Horace_Silver | silver and |
| Horace_Silver | and the |
| Horace_Silver | the jazz |
| Horace_Silver | jazz messengers |
| Horace_Silver | messengers album |
| Horace_Silver | album contained |
| Horace_Silver | contained silver’s |
| Horace_Silver | silver’s first |
| Horace_Silver | first hit |
| Horace_Silver | hit the |
| Horace_Silver | the preacher |
| Horace_Silver | preacher after |
| Horace_Silver | after leaving |
| Horace_Silver | leaving blakey |
| Horace_Silver | blakey in |
| Horace_Silver | in 1956 |
| Horace_Silver | 1956 silver |
| Horace_Silver | silver formed |
| Horace_Silver | formed his |
| Horace_Silver | his own |
| Horace_Silver | own quintet |
| Horace_Silver | quintet with |
| Horace_Silver | with what |
| Horace_Silver | what became |
| Horace_Silver | became the |
| Horace_Silver | the standard |
| Horace_Silver | standard small |
| Horace_Silver | small group |
| Horace_Silver | group line |
| Horace_Silver | line up |
| Horace_Silver | up of |
| Horace_Silver | of tenor |
| Horace_Silver | tenor saxophone |
| Horace_Silver | saxophone trumpet |
| Horace_Silver | trumpet piano |
| Horace_Silver | piano bass |
| Horace_Silver | bass and |
| Horace_Silver | and drums |
| Horace_Silver | drums their |
| Horace_Silver | their public |
| Horace_Silver | public performances |
| Horace_Silver | performances and |
| Horace_Silver | and frequent |
| Horace_Silver | frequent recordings |
| Horace_Silver | recordings for |
| Horace_Silver | for blue |
| Horace_Silver | blue note |
| Horace_Silver | note records |
| Horace_Silver | records increased |
| Horace_Silver | increased silver’s |
| Horace_Silver | silver’s popularity |
| Horace_Silver | popularity even |
| Horace_Silver | even through |
| Horace_Silver | through changes |
| Horace_Silver | changes of |
| Horace_Silver | of personnel |
| Horace_Silver | personnel his |
| Horace_Silver | his most |
| Horace_Silver | most successful |
| Horace_Silver | successful album |
| Horace_Silver | album was |
| Horace_Silver | was song |
| Horace_Silver | song for |
| Horace_Silver | for my |
| Horace_Silver | my father |
| Horace_Silver | father made |
| Horace_Silver | made with |
| Horace_Silver | with two |
| Horace_Silver | two iterations |
| Horace_Silver | iterations of |
| Horace_Silver | of the |
| Horace_Silver | the quintet |
| Horace_Silver | quintet in |
| Horace_Silver | in 1963 |
| Horace_Silver | 1963 and |
| Horace_Silver | and 1964 |
| Horace_Silver | 1964 several |
| Horace_Silver | several changes |
| Horace_Silver | changes occurred |
| Horace_Silver | occurred in |
| Horace_Silver | in the |
| Horace_Silver | the early |
| Horace_Silver | early 1970s |
| Horace_Silver | 1970s silver |
| Horace_Silver | silver disbanded |
| Horace_Silver | disbanded his |
| Horace_Silver | his group |
| Horace_Silver | group to |
| Horace_Silver | to spend |
| Horace_Silver | spend more |
| Horace_Silver | more time |
| Horace_Silver | time with |
| Horace_Silver | with his |
| Horace_Silver | his wife |
| Horace_Silver | wife and |
| Horace_Silver | and to |
| Horace_Silver | to concentrate |
| Horace_Silver | concentrate on |
| Horace_Silver | on composing |
| Horace_Silver | composing he |
| Horace_Silver | he included |
| Horace_Silver | included lyrics |
| Horace_Silver | lyrics in |
| Horace_Silver | in his |
| Horace_Silver | his recordings |
| Horace_Silver | recordings and |
| Horace_Silver | and his |
| Horace_Silver | his interest |
| Horace_Silver | interest in |
| Horace_Silver | in spiritualism |
| Horace_Silver | spiritualism developed |
| Horace_Silver | developed the |
| Horace_Silver | the last |
| Horace_Silver | last two |
| Horace_Silver | two of |
| Horace_Silver | of these |
| Horace_Silver | these were |
| Horace_Silver | were often |
| Horace_Silver | often combined |
| Horace_Silver | combined resulting |
| Horace_Silver | resulting in |
| Horace_Silver | in commercially |
| Horace_Silver | commercially unsuccessful |
| Horace_Silver | unsuccessful releases |
| Horace_Silver | releases such |
| Horace_Silver | such as |
| Horace_Silver | as the |
| Horace_Silver | the united |
| Horace_Silver | united states |
| Horace_Silver | states of |
| Horace_Silver | of mind |
| Horace_Silver | mind series |
| Horace_Silver | series silver |
| Horace_Silver | silver left |
| Horace_Silver | left blue |
| Horace_Silver | blue note |
| Horace_Silver | note after |
| Horace_Silver | after 28 |
| Horace_Silver | 28 years |
| Horace_Silver | years founded |
| Horace_Silver | founded his |
| Horace_Silver | his own |
| Horace_Silver | own record |
| Horace_Silver | record label |
| Horace_Silver | label and |
| Horace_Silver | and scaled |
| Horace_Silver | scaled back |
| Horace_Silver | back his |
| Horace_Silver | his touring |
| Horace_Silver | touring in |
| Horace_Silver | in the |
| Horace_Silver | the 1980s |
| Horace_Silver | 1980s relying |
| Horace_Silver | relying in |
| Horace_Silver | in part |
| Horace_Silver | part on |
| Horace_Silver | on royalties |
| Horace_Silver | royalties from |
| Horace_Silver | from his |
| Horace_Silver | his compositions |
| Horace_Silver | compositions for |
| Horace_Silver | for income |
| Horace_Silver | income in |
| Horace_Silver | in 1993 |
| Horace_Silver | 1993 he |
| Horace_Silver | he returned |
| Horace_Silver | returned to |
| Horace_Silver | to major |
| Horace_Silver | major record |
| Horace_Silver | record labels |
| Horace_Silver | labels releasing |
| Horace_Silver | releasing five |
| Horace_Silver | five albums |
| Horace_Silver | albums before |
| Horace_Silver | before gradually |
| Horace_Silver | gradually withdrawing |
| Horace_Silver | withdrawing from |
| Horace_Silver | from public |
| Horace_Silver | public view |
| Horace_Silver | view because |
| Horace_Silver | because of |
| Horace_Silver | of health |
| Horace_Silver | health problems |
| Horace_Silver | problems as |
| Horace_Silver | as a |
| Horace_Silver | a player |
| Horace_Silver | player silver |
| Horace_Silver | silver transitioned |
| Horace_Silver | transitioned from |
| Horace_Silver | from bebop |
| Horace_Silver | bebop to |
| Horace_Silver | to hard |
| Horace_Silver | hard bop |
| Horace_Silver | bop by |
| Horace_Silver | by stressing |
| Horace_Silver | stressing melody |
| Horace_Silver | melody rather |
| Horace_Silver | rather than |
| Horace_Silver | than complex |
| Horace_Silver | complex harmony |
| Horace_Silver | harmony and |
| Horace_Silver | and combined |
| Horace_Silver | combined clean |
| Horace_Silver | clean and |
| Horace_Silver | and often |
| Horace_Silver | often humorous |
| Horace_Silver | humorous right |
| Horace_Silver | right hand |
| Horace_Silver | hand lines |
| Horace_Silver | lines with |
| Horace_Silver | with darker |
| Horace_Silver | darker notes |
| Horace_Silver | notes and |
| Horace_Silver | and chords |
| Horace_Silver | chords in |
| Horace_Silver | in a |
| Horace_Silver | a near |
| Horace_Silver | near perpetual |
| Horace_Silver | perpetual left |
| Horace_Silver | left hand |
| Horace_Silver | hand rumble |
| Horace_Silver | rumble his |
| Horace_Silver | his compositions |
| Horace_Silver | compositions similarly |
| Horace_Silver | similarly emphasized |
| Horace_Silver | emphasized catchy |
| Horace_Silver | catchy melodies |
| Horace_Silver | melodies but |
| Horace_Silver | but often |
| Horace_Silver | often also |
| Horace_Silver | also contained |
| Horace_Silver | contained dissonant |
| Horace_Silver | dissonant harmonies |
| Horace_Silver | harmonies many |
| Horace_Silver | many of |
| Horace_Silver | of his |
| Horace_Silver | his varied |
| Horace_Silver | varied repertoire |
| Horace_Silver | repertoire of |
| Horace_Silver | of songs |
| Horace_Silver | songs including |
| Horace_Silver | including doodlin |
| Horace_Silver | doodlin peace |
| Horace_Silver | peace and |
| Horace_Silver | and sister |
| Horace_Silver | sister sadie |
| Horace_Silver | sadie became |
| Horace_Silver | became jazz |
| Horace_Silver | jazz standards |
| Horace_Silver | standards that |
| Horace_Silver | that are |
| Horace_Silver | are still |
| Horace_Silver | still widely |
| Horace_Silver | widely played |
| Horace_Silver | played his |
| Horace_Silver | his considerable |
| Horace_Silver | considerable legacy |
| Horace_Silver | legacy encompasses |
| Horace_Silver | encompasses his |
| Horace_Silver | his influence |
| Horace_Silver | influence on |
| Horace_Silver | on other |
| Horace_Silver | other pianists |
| Horace_Silver | pianists and |
| Horace_Silver | and composers |
| Horace_Silver | composers and |
| Horace_Silver | and the |
| Horace_Silver | the development |
| Horace_Silver | development of |
| Horace_Silver | of young |
| Horace_Silver | young jazz |
| Horace_Silver | jazz talents |
| Horace_Silver | talents who |
| Horace_Silver | who appeared |
| Horace_Silver | appeared in |
| Horace_Silver | in his |
| Horace_Silver | his bands |
| Horace_Silver | bands over |
| Horace_Silver | over the |
| Horace_Silver | the course |
| Horace_Silver | course of |
| Horace_Silver | of four |
| Horace_Silver | four decades |
| Horace_Silver | decades en |
| The_Clayton_Brothers | the clayton |
| The_Clayton_Brothers | clayton brothers |
| The_Clayton_Brothers | brothers is |
| The_Clayton_Brothers | is the |
| The_Clayton_Brothers | the brain |
| The_Clayton_Brothers | brain child |
| The_Clayton_Brothers | child of |
| The_Clayton_Brothers | of saxophonist |
| The_Clayton_Brothers | saxophonist jeff |
| The_Clayton_Brothers | jeff clayton |
| The_Clayton_Brothers | clayton according |
| The_Clayton_Brothers | according to |
| The_Clayton_Brothers | to jeff |
| The_Clayton_Brothers | jeff some |
| The_Clayton_Brothers | some 30 |
| The_Clayton_Brothers | 30 years |
| The_Clayton_Brothers | years ago |
| The_Clayton_Brothers | ago he |
| The_Clayton_Brothers | he and |
| The_Clayton_Brothers | and his |
| The_Clayton_Brothers | his brother |
| The_Clayton_Brothers | brother grammy |
| The_Clayton_Brothers | grammy award |
| The_Clayton_Brothers | award winning |
| The_Clayton_Brothers | winning bassist |
| The_Clayton_Brothers | bassist john |
| The_Clayton_Brothers | john clayton |
| The_Clayton_Brothers | clayton agreed |
| The_Clayton_Brothers | agreed to |
| The_Clayton_Brothers | to support |
| The_Clayton_Brothers | support each |
| The_Clayton_Brothers | each other’s |
| The_Clayton_Brothers | other’s preferred |
| The_Clayton_Brothers | preferred formats |
| The_Clayton_Brothers | formats jeff’s |
| The_Clayton_Brothers | jeff’s love |
| The_Clayton_Brothers | love of |
| The_Clayton_Brothers | of small |
| The_Clayton_Brothers | small groups |
| The_Clayton_Brothers | groups lead |
| The_Clayton_Brothers | lead to |
| The_Clayton_Brothers | to formation |
| The_Clayton_Brothers | formation of |
| The_Clayton_Brothers | of the |
| The_Clayton_Brothers | the clayton |
| The_Clayton_Brothers | clayton brothers |
| The_Clayton_Brothers | brothers quintet |
| The_Clayton_Brothers | quintet john’s |
| The_Clayton_Brothers | john’s love |
| The_Clayton_Brothers | love for |
| The_Clayton_Brothers | for big |
| The_Clayton_Brothers | big bands |
| The_Clayton_Brothers | bands led |
| The_Clayton_Brothers | led to |
| The_Clayton_Brothers | to formation |
| The_Clayton_Brothers | formation of |
| The_Clayton_Brothers | of the |
| The_Clayton_Brothers | the clayton |
| The_Clayton_Brothers | clayton hamilton |
| The_Clayton_Brothers | hamilton jazz |
| The_Clayton_Brothers | jazz orchestra |
| The_Clayton_Brothers | orchestra with |
| The_Clayton_Brothers | with drummer |
| The_Clayton_Brothers | drummer jeff |
| The_Clayton_Brothers | jeff hamilton |
| The_Clayton_Brothers | hamilton of |
| The_Clayton_Brothers | of which |
| The_Clayton_Brothers | which brother |
| The_Clayton_Brothers | brother jeff |
| The_Clayton_Brothers | jeff is |
| The_Clayton_Brothers | is a |
| The_Clayton_Brothers | a part |
| The_Clayton_Brothers | part the |
| The_Clayton_Brothers | the current |
| The_Clayton_Brothers | current roster |
| The_Clayton_Brothers | roster of |
| The_Clayton_Brothers | of the |
| The_Clayton_Brothers | the clayton |
| The_Clayton_Brothers | clayton brothers |
| The_Clayton_Brothers | brothers quintet |
| The_Clayton_Brothers | quintet includes |
| The_Clayton_Brothers | includes brothers |
| The_Clayton_Brothers | brothers jeff |
| The_Clayton_Brothers | jeff and |
| The_Clayton_Brothers | and john |
| The_Clayton_Brothers | john along |
| The_Clayton_Brothers | along with |
| The_Clayton_Brothers | with john’s |
| The_Clayton_Brothers | john’s son |
| The_Clayton_Brothers | son gerald |
| The_Clayton_Brothers | gerald clayton |
| The_Clayton_Brothers | clayton piano |
| The_Clayton_Brothers | piano obed |
| The_Clayton_Brothers | obed calvaire |
| The_Clayton_Brothers | calvaire drums |
| The_Clayton_Brothers | drums and |
| The_Clayton_Brothers | and terell |
| The_Clayton_Brothers | terell stafford |
| The_Clayton_Brothers | stafford trumpet |
| The_Clayton_Brothers | trumpet the |
| The_Clayton_Brothers | the band’s |
| The_Clayton_Brothers | band’s latest |
| The_Clayton_Brothers | latest album |
| The_Clayton_Brothers | album the |
| The_Clayton_Brothers | the gathering |
| The_Clayton_Brothers | gathering was |
| The_Clayton_Brothers | was released |
| The_Clayton_Brothers | released in |
| The_Clayton_Brothers | in december |
| The_Clayton_Brothers | december 2012 |
| The_Clayton_Brothers | 2012 en |
| Gary_Moore | robert william |
| Gary_Moore | william gary |
| Gary_Moore | gary moore |
| Gary_Moore | moore 4 |
| Gary_Moore | 4 april |
| Gary_Moore | april 1952 |
| Gary_Moore | 1952 6 |
| Gary_Moore | 6 february |
| Gary_Moore | february 2011 |
| Gary_Moore | 2011 was |
| Gary_Moore | was a |
| Gary_Moore | a northern |
| Gary_Moore | northern irish |
| Gary_Moore | irish musician |
| Gary_Moore | musician singer |
| Gary_Moore | singer and |
| Gary_Moore | and songwriter |
| Gary_Moore | songwriter over |
| Gary_Moore | over the |
| Gary_Moore | the course |
| Gary_Moore | course of |
| Gary_Moore | of his |
| Gary_Moore | his career |
| Gary_Moore | career he |
| Gary_Moore | he played |
| Gary_Moore | played in |
| Gary_Moore | in various |
| Gary_Moore | various groups |
| Gary_Moore | groups and |
| Gary_Moore | and performed |
| Gary_Moore | performed an |
| Gary_Moore | an eclectic |
| Gary_Moore | eclectic range |
| Gary_Moore | range of |
| Gary_Moore | of music |
| Gary_Moore | music including |
| Gary_Moore | including blues |
| Gary_Moore | blues hard |
| Gary_Moore | hard rock |
| Gary_Moore | rock heavy |
| Gary_Moore | heavy metal |
| Gary_Moore | metal and |
| Gary_Moore | and jazz |
| Gary_Moore | jazz fusion |
| Gary_Moore | fusion influenced |
| Gary_Moore | influenced by |
| Gary_Moore | by peter |
| Gary_Moore | peter green |
| Gary_Moore | green and |
| Gary_Moore | and eric |
| Gary_Moore | eric clapton |
| Gary_Moore | clapton moore |
| Gary_Moore | moore began |
| Gary_Moore | began his |
| Gary_Moore | his career |
| Gary_Moore | career in |
| Gary_Moore | in the |
| Gary_Moore | the late |
| Gary_Moore | late 1960s |
| Gary_Moore | 1960s when |
| Gary_Moore | when he |
| Gary_Moore | he joined |
| Gary_Moore | joined skid |
| Gary_Moore | skid row |
| Gary_Moore | row with |
| Gary_Moore | with whom |
| Gary_Moore | whom he |
| Gary_Moore | he released |
| Gary_Moore | released two |
| Gary_Moore | two albums |
| Gary_Moore | albums after |
| Gary_Moore | after moore |
| Gary_Moore | moore left |
| Gary_Moore | left the |
| Gary_Moore | the group |
| Gary_Moore | group he |
| Gary_Moore | he joined |
| Gary_Moore | joined thin |
| Gary_Moore | thin lizzy |
| Gary_Moore | lizzy featuring |
| Gary_Moore | featuring his |
| Gary_Moore | his former |
| Gary_Moore | former skid |
| Gary_Moore | skid row |
| Gary_Moore | row bandmate |
| Gary_Moore | bandmate and |
| Gary_Moore | and frequent |
| Gary_Moore | frequent collaborator |
| Gary_Moore | collaborator phil |
| Gary_Moore | phil lynott |
| Gary_Moore | lynott moore |
| Gary_Moore | moore began |
| Gary_Moore | began his |
| Gary_Moore | his solo |
| Gary_Moore | solo career |
| Gary_Moore | career in |
| Gary_Moore | in the |
| Gary_Moore | the 1970s |
| Gary_Moore | 1970s and |
| Gary_Moore | and achieved |
| Gary_Moore | achieved major |
| Gary_Moore | major success |
| Gary_Moore | success with |
| Gary_Moore | with 1978 |
| Gary_Moore | 1978 s |
| Gary_Moore | s parisienne |
| Gary_Moore | parisienne walkways |
| Gary_Moore | walkways which |
| Gary_Moore | which is |
| Gary_Moore | is considered |
| Gary_Moore | considered his |
| Gary_Moore | his signature |
| Gary_Moore | signature song |
| Gary_Moore | song during |
| Gary_Moore | during the |
| Gary_Moore | the 1980s |
| Gary_Moore | 1980s moore |
| Gary_Moore | moore transitioned |
| Gary_Moore | transitioned into |
| Gary_Moore | into playing |
| Gary_Moore | playing hard |
| Gary_Moore | hard rock |
| Gary_Moore | rock and |
| Gary_Moore | and heavy |
| Gary_Moore | heavy metal |
| Gary_Moore | metal with |
| Gary_Moore | with varying |
| Gary_Moore | varying degrees |
| Gary_Moore | degrees of |
| Gary_Moore | of international |
| Gary_Moore | international success |
| Gary_Moore | success in |
| Gary_Moore | in 1990 |
| Gary_Moore | 1990 he |
| Gary_Moore | he returned |
| Gary_Moore | returned to |
| Gary_Moore | to his |
| Gary_Moore | his roots |
| Gary_Moore | roots with |
| Gary_Moore | with still |
| Gary_Moore | still got |
| Gary_Moore | got the |
| Gary_Moore | the blues |
| Gary_Moore | blues which |
| Gary_Moore | which became |
| Gary_Moore | became the |
| Gary_Moore | the most |
| Gary_Moore | most successful |
| Gary_Moore | successful album |
| Gary_Moore | album of |
| Gary_Moore | of his |
| Gary_Moore | his career |
| Gary_Moore | career moore |
| Gary_Moore | moore continued |
| Gary_Moore | continued to |
| Gary_Moore | to release |
| Gary_Moore | release new |
| Gary_Moore | new music |
| Gary_Moore | music throughout |
| Gary_Moore | throughout his |
| Gary_Moore | his later |
| Gary_Moore | later career |
| Gary_Moore | career collaborating |
| Gary_Moore | collaborating with |
| Gary_Moore | with other |
| Gary_Moore | other artists |
| Gary_Moore | artists from |
| Gary_Moore | from time |
| Gary_Moore | time to |
| Gary_Moore | to time |
| Gary_Moore | time moore |
| Gary_Moore | moore died |
| Gary_Moore | died on |
| Gary_Moore | on 6 |
| Gary_Moore | 6 february |
| Gary_Moore | february 2011 |
| Gary_Moore | 2011 from |
| Gary_Moore | from a |
| Gary_Moore | a heart |
| Gary_Moore | heart attack |
| Gary_Moore | attack while |
| Gary_Moore | while on |
| Gary_Moore | on holiday |
| Gary_Moore | holiday in |
| Gary_Moore | in spain |
| Gary_Moore | spain moore |
| Gary_Moore | moore was |
| Gary_Moore | was often |
| Gary_Moore | often described |
| Gary_Moore | described as |
| Gary_Moore | as a |
| Gary_Moore | a virtuoso |
| Gary_Moore | virtuoso and |
| Gary_Moore | and has |
| Gary_Moore | has been |
| Gary_Moore | been cited |
| Gary_Moore | cited as |
| Gary_Moore | as an |
| Gary_Moore | an influence |
| Gary_Moore | influence by |
| Gary_Moore | by many |
| Gary_Moore | many other |
| Gary_Moore | other guitar |
| Gary_Moore | guitar players |
| Gary_Moore | players he |
| Gary_Moore | he was |
| Gary_Moore | was voted |
| Gary_Moore | voted one |
| Gary_Moore | one of |
| Gary_Moore | of the |
| Gary_Moore | the greatest |
| Gary_Moore | greatest guitarists |
| Gary_Moore | guitarists of |
| Gary_Moore | of all |
| Gary_Moore | all time |
| Gary_Moore | time on |
| Gary_Moore | on respective |
| Gary_Moore | respective lists |
| Gary_Moore | lists by |
| Gary_Moore | by total |
| Gary_Moore | total guitar |
| Gary_Moore | guitar and |
| Gary_Moore | and louder |
| Gary_Moore | louder irish |
| Gary_Moore | irish singer |
| Gary_Moore | singer songwriter |
| Gary_Moore | songwriter bob |
| Gary_Moore | bob geldof |
| Gary_Moore | geldof said |
| Gary_Moore | said that |
| Gary_Moore | that without |
| Gary_Moore | without question |
| Gary_Moore | question moore |
| Gary_Moore | moore was |
| Gary_Moore | was one |
| Gary_Moore | one of |
| Gary_Moore | of the |
| Gary_Moore | the great |
| Gary_Moore | great irish |
| Gary_Moore | irish bluesmen |
| Gary_Moore | bluesmen for |
| Gary_Moore | for most |
| Gary_Moore | most of |
| Gary_Moore | of his |
| Gary_Moore | his career |
| Gary_Moore | career moore |
| Gary_Moore | moore was |
| Gary_Moore | was heavily |
| Gary_Moore | heavily associated |
| Gary_Moore | associated with |
| Gary_Moore | with peter |
| Gary_Moore | peter green’s |
| Gary_Moore | green’s famed |
| Gary_Moore | famed 1959 |
| Gary_Moore | 1959 gibson |
| Gary_Moore | gibson les |
| Gary_Moore | les paul |
| Gary_Moore | paul guitar |
| Gary_Moore | guitar later |
| Gary_Moore | later he |
| Gary_Moore | he was |
| Gary_Moore | was honoured |
| Gary_Moore | honoured by |
| Gary_Moore | by gibson |
| Gary_Moore | gibson and |
| Gary_Moore | and fender |
| Gary_Moore | fender with |
| Gary_Moore | with several |
| Gary_Moore | several signature |
| Gary_Moore | signature model |
| Gary_Moore | model guitars |
| Gary_Moore | guitars en |
| Buddy_Guy | george buddy |
| Buddy_Guy | buddy guy |
| Buddy_Guy | guy born |
| Buddy_Guy | born july |
| Buddy_Guy | july 30 |
| Buddy_Guy | 30 1936 |
| Buddy_Guy | 1936 is |
| Buddy_Guy | is an |
| Buddy_Guy | an american |
| Buddy_Guy | american blues |
| Buddy_Guy | blues guitarist |
| Buddy_Guy | guitarist and |
| Buddy_Guy | and singer |
| Buddy_Guy | singer he |
| Buddy_Guy | he is |
| Buddy_Guy | is an |
| Buddy_Guy | an exponent |
| Buddy_Guy | exponent of |
| Buddy_Guy | of chicago |
| Buddy_Guy | chicago blues |
| Buddy_Guy | blues who |
| Buddy_Guy | who has |
| Buddy_Guy | has influenced |
| Buddy_Guy | influenced generations |
| Buddy_Guy | generations of |
| Buddy_Guy | of guitarists |
| Buddy_Guy | guitarists including |
| Buddy_Guy | including eric |
| Buddy_Guy | eric clapton |
| Buddy_Guy | clapton jimi |
| Buddy_Guy | jimi hendrix |
| Buddy_Guy | hendrix jimmy |
| Buddy_Guy | jimmy page |
| Buddy_Guy | page keith |
| Buddy_Guy | keith richards |
| Buddy_Guy | richards stevie |
| Buddy_Guy | stevie ray |
| Buddy_Guy | ray vaughan |
| Buddy_Guy | vaughan jeff |
| Buddy_Guy | jeff beck |
| Buddy_Guy | beck gary |
| Buddy_Guy | gary clark |
| Buddy_Guy | clark jr |
| Buddy_Guy | jr and |
| Buddy_Guy | and john |
| Buddy_Guy | john mayer |
| Buddy_Guy | mayer in |
| Buddy_Guy | in the |
| Buddy_Guy | the 1960s |
| Buddy_Guy | 1960s guy |
| Buddy_Guy | guy played |
| Buddy_Guy | played with |
| Buddy_Guy | with muddy |
| Buddy_Guy | muddy waters |
| Buddy_Guy | waters as |
| Buddy_Guy | as a |
| Buddy_Guy | a session |
| Buddy_Guy | session guitarist |
| Buddy_Guy | guitarist at |
| Buddy_Guy | at chess |
| Buddy_Guy | chess records |
| Buddy_Guy | records and |
| Buddy_Guy | and began |
| Buddy_Guy | began a |
| Buddy_Guy | a musical |
| Buddy_Guy | musical partnership |
| Buddy_Guy | partnership with |
| Buddy_Guy | with blues |
| Buddy_Guy | blues harp |
| Buddy_Guy | harp virtuoso |
| Buddy_Guy | virtuoso junior |
| Buddy_Guy | junior wells |
| Buddy_Guy | wells guy |
| Buddy_Guy | guy was |
| Buddy_Guy | was ranked |
| Buddy_Guy | ranked 23rd |
| Buddy_Guy | 23rd in |
| Buddy_Guy | in rolling |
| Buddy_Guy | rolling stone |
| Buddy_Guy | stone magazine’s |
| Buddy_Guy | magazine’s 100 |
| Buddy_Guy | 100 greatest |
| Buddy_Guy | greatest guitarists |
| Buddy_Guy | guitarists of |
| Buddy_Guy | of all |
| Buddy_Guy | all time |
| Buddy_Guy | time his |
| Buddy_Guy | his song |
| Buddy_Guy | song stone |
| Buddy_Guy | stone crazy |
| Buddy_Guy | crazy was |
| Buddy_Guy | was ranked |
| Buddy_Guy | ranked 78th |
| Buddy_Guy | 78th in |
| Buddy_Guy | in the |
| Buddy_Guy | the rolling |
| Buddy_Guy | rolling stone |
| Buddy_Guy | stone list |
| Buddy_Guy | list of |
| Buddy_Guy | of the |
| Buddy_Guy | the 100 |
| Buddy_Guy | 100 greatest |
| Buddy_Guy | greatest guitar |
| Buddy_Guy | guitar songs |
| Buddy_Guy | songs of |
| Buddy_Guy | of all |
| Buddy_Guy | all time |
| Buddy_Guy | time clapton |
| Buddy_Guy | clapton once |
| Buddy_Guy | once described |
| Buddy_Guy | described him |
| Buddy_Guy | him as |
| Buddy_Guy | as the |
| Buddy_Guy | the best |
| Buddy_Guy | best guitar |
| Buddy_Guy | guitar player |
| Buddy_Guy | player alive |
| Buddy_Guy | alive in |
| Buddy_Guy | in 1999 |
| Buddy_Guy | 1999 guy |
| Buddy_Guy | guy wrote |
| Buddy_Guy | wrote the |
| Buddy_Guy | the book |
| Buddy_Guy | book damn |
| Buddy_Guy | damn right |
| Buddy_Guy | right i’ve |
| Buddy_Guy | i’ve got |
| Buddy_Guy | got the |
| Buddy_Guy | the blues |
| Buddy_Guy | blues with |
| Buddy_Guy | with donald |
| Buddy_Guy | donald wilcock |
| Buddy_Guy | wilcock his |
| Buddy_Guy | his autobiography |
| Buddy_Guy | autobiography when |
| Buddy_Guy | when i |
| Buddy_Guy | i left |
| Buddy_Guy | left home |
| Buddy_Guy | home my |
| Buddy_Guy | my story |
| Buddy_Guy | story was |
| Buddy_Guy | was published |
| Buddy_Guy | published in |
| Buddy_Guy | in 2012 |
| Buddy_Guy | 2012 en |
| Jackson_Browne | clyde jackson |
| Jackson_Browne | jackson browne |
| Jackson_Browne | browne born |
| Jackson_Browne | born october |
| Jackson_Browne | october 9 |
| Jackson_Browne | 9 1948 |
| Jackson_Browne | 1948 is |
| Jackson_Browne | is an |
| Jackson_Browne | an american |
| Jackson_Browne | american singer |
| Jackson_Browne | singer songwriter |
| Jackson_Browne | songwriter and |
| Jackson_Browne | and musician |
| Jackson_Browne | musician who |
| Jackson_Browne | who has |
| Jackson_Browne | has sold |
| Jackson_Browne | sold over |
| Jackson_Browne | over 18 |
| Jackson_Browne | 18 million |
| Jackson_Browne | million albums |
| Jackson_Browne | albums in |
| Jackson_Browne | in the |
| Jackson_Browne | the united |
| Jackson_Browne | united states |
| Jackson_Browne | states emerging |
| Jackson_Browne | emerging as |
| Jackson_Browne | as a |
| Jackson_Browne | a precocious |
| Jackson_Browne | precocious teenage |
| Jackson_Browne | teenage songwriter |
| Jackson_Browne | songwriter in |
| Jackson_Browne | in mid |
| Jackson_Browne | mid 1960s |
| Jackson_Browne | 1960s los |
| Jackson_Browne | los angeles |
| Jackson_Browne | angeles he |
| Jackson_Browne | he had |
| Jackson_Browne | had his |
| Jackson_Browne | his first |
| Jackson_Browne | first successes |
| Jackson_Browne | successes writing |
| Jackson_Browne | writing songs |
| Jackson_Browne | songs for |
| Jackson_Browne | for others |
| Jackson_Browne | others writing |
| Jackson_Browne | writing these |
| Jackson_Browne | these days |
| Jackson_Browne | days as |
| Jackson_Browne | as a |
| Jackson_Browne | a 16 |
| Jackson_Browne | 16 year |
| Jackson_Browne | year old |
| Jackson_Browne | old the |
| Jackson_Browne | the song |
| Jackson_Browne | song became |
| Jackson_Browne | became a |
| Jackson_Browne | a minor |
| Jackson_Browne | minor hit |
| Jackson_Browne | hit for |
| Jackson_Browne | for the |
| Jackson_Browne | the german |
| Jackson_Browne | german singer |
| Jackson_Browne | singer and |
| Jackson_Browne | and andy |
| Jackson_Browne | andy warhol |
| Jackson_Browne | warhol prot |
| Jackson_Browne | prot 矇 |
| Jackson_Browne | 矇 g |
| Jackson_Browne | g 矇 |
| Jackson_Browne | 矇 nico |
| Jackson_Browne | nico in |
| Jackson_Browne | in 1967 |
| Jackson_Browne | 1967 he |
| Jackson_Browne | he also |
| Jackson_Browne | also wrote |
| Jackson_Browne | wrote several |
| Jackson_Browne | several songs |
| Jackson_Browne | songs for |
| Jackson_Browne | for fellow |
| Jackson_Browne | fellow southern |
| Jackson_Browne | southern california |
| Jackson_Browne | california bands |
| Jackson_Browne | bands nitty |
| Jackson_Browne | nitty gritty |
| Jackson_Browne | gritty dirt |
| Jackson_Browne | dirt band |
| Jackson_Browne | band with |
| Jackson_Browne | with whom |
| Jackson_Browne | whom he |
| Jackson_Browne | he was |
| Jackson_Browne | was briefly |
| Jackson_Browne | briefly a |
| Jackson_Browne | a member |
| Jackson_Browne | member in |
| Jackson_Browne | in 1966 |
| Jackson_Browne | 1966 and |
| Jackson_Browne | and the |
| Jackson_Browne | the eagles |
| Jackson_Browne | eagles the |
| Jackson_Browne | the latter |
| Jackson_Browne | latter of |
| Jackson_Browne | of whom |
| Jackson_Browne | whom had |
| Jackson_Browne | had their |
| Jackson_Browne | their first |
| Jackson_Browne | first billboard |
| Jackson_Browne | billboard top |
| Jackson_Browne | top 40 |
| Jackson_Browne | 40 hit |
| Jackson_Browne | hit in |
| Jackson_Browne | in 1972 |
| Jackson_Browne | 1972 with |
| Jackson_Browne | with the |
| Jackson_Browne | the browne |
| Jackson_Browne | browne co |
| Jackson_Browne | co written |
| Jackson_Browne | written song |
| Jackson_Browne | song take |
| Jackson_Browne | take it |
| Jackson_Browne | it easy |
| Jackson_Browne | easy encouraged |
| Jackson_Browne | encouraged by |
| Jackson_Browne | by his |
| Jackson_Browne | his successes |
| Jackson_Browne | successes writing |
| Jackson_Browne | writing songs |
| Jackson_Browne | songs for |
| Jackson_Browne | for others |
| Jackson_Browne | others browne |
| Jackson_Browne | browne released |
| Jackson_Browne | released his |
| Jackson_Browne | his self |
| Jackson_Browne | self titled |
| Jackson_Browne | titled debut |
| Jackson_Browne | debut album |
| Jackson_Browne | album in |
| Jackson_Browne | in 1972 |
| Jackson_Browne | 1972 which |
| Jackson_Browne | which spawned |
| Jackson_Browne | spawned two |
| Jackson_Browne | two top |
| Jackson_Browne | top 40 |
| Jackson_Browne | 40 hits |
| Jackson_Browne | hits of |
| Jackson_Browne | of his |
| Jackson_Browne | his own |
| Jackson_Browne | own doctor |
| Jackson_Browne | doctor my |
| Jackson_Browne | my eyes |
| Jackson_Browne | eyes and |
| Jackson_Browne | and rock |
| Jackson_Browne | rock me |
| Jackson_Browne | me on |
| Jackson_Browne | on the |
| Jackson_Browne | the water |
| Jackson_Browne | water for |
| Jackson_Browne | for his |
| Jackson_Browne | his debut |
| Jackson_Browne | debut album |
| Jackson_Browne | album as |
| Jackson_Browne | as well |
| Jackson_Browne | well as |
| Jackson_Browne | as for |
| Jackson_Browne | for the |
| Jackson_Browne | the next |
| Jackson_Browne | next several |
| Jackson_Browne | several albums |
| Jackson_Browne | albums and |
| Jackson_Browne | and concert |
| Jackson_Browne | concert tours |
| Jackson_Browne | tours browne |
| Jackson_Browne | browne started |
| Jackson_Browne | started working |
| Jackson_Browne | working closely |
| Jackson_Browne | closely with |
| Jackson_Browne | with the |
| Jackson_Browne | the section |
| Jackson_Browne | section a |
| Jackson_Browne | a prolific |
| Jackson_Browne | prolific session |
| Jackson_Browne | session band |
| Jackson_Browne | band that |
| Jackson_Browne | that also |
| Jackson_Browne | also worked |
| Jackson_Browne | worked with |
| Jackson_Browne | with a |
| Jackson_Browne | a number |
| Jackson_Browne | number of |
| Jackson_Browne | of other |
| Jackson_Browne | other prominent |
| Jackson_Browne | prominent singer |
| Jackson_Browne | singer songwriters |
| Jackson_Browne | songwriters of |
| Jackson_Browne | of the |
| Jackson_Browne | the era |
| Jackson_Browne | era his |
| Jackson_Browne | his second |
| Jackson_Browne | second album |
| Jackson_Browne | album for |
| Jackson_Browne | for everyman |
| Jackson_Browne | everyman was |
| Jackson_Browne | was released |
| Jackson_Browne | released in |
| Jackson_Browne | in 1973 |
| Jackson_Browne | 1973 and |
| Jackson_Browne | and while |
| Jackson_Browne | while it |
| Jackson_Browne | it lacked |
| Jackson_Browne | lacked an |
| Jackson_Browne | an enduring |
| Jackson_Browne | enduring single |
| Jackson_Browne | single has |
| Jackson_Browne | has been |
| Jackson_Browne | been retrospectively |
| Jackson_Browne | retrospectively assessed |
| Jackson_Browne | assessed as |
| Jackson_Browne | as some |
| Jackson_Browne | some of |
| Jackson_Browne | of his |
| Jackson_Browne | his best |
| Jackson_Browne | best work |
| Jackson_Browne | work appearing |
| Jackson_Browne | appearing highly |
| Jackson_Browne | highly on |
| Jackson_Browne | on several |
| Jackson_Browne | several best |
| Jackson_Browne | best album |
| Jackson_Browne | album of |
| Jackson_Browne | of all |
| Jackson_Browne | all time |
| Jackson_Browne | time lists |
| Jackson_Browne | lists his |
| Jackson_Browne | his third |
| Jackson_Browne | third album |
| Jackson_Browne | album late |
| Jackson_Browne | late for |
| Jackson_Browne | for the |
| Jackson_Browne | the sky |
| Jackson_Browne | sky was |
| Jackson_Browne | was his |
| Jackson_Browne | his most |
| Jackson_Browne | most successful |
| Jackson_Browne | successful to |
| Jackson_Browne | to that |
| Jackson_Browne | that point |
| Jackson_Browne | point peaking |
| Jackson_Browne | peaking at |
| Jackson_Browne | at number |
| Jackson_Browne | number 14 |
| Jackson_Browne | 14 on |
| Jackson_Browne | on the |
| Jackson_Browne | the billboard |
| Jackson_Browne | billboard 200 |
| Jackson_Browne | 200 album |
| Jackson_Browne | album chart |
| Jackson_Browne | chart and |
| Jackson_Browne | and earning |
| Jackson_Browne | earning browne |
| Jackson_Browne | browne his |
| Jackson_Browne | his first |
| Jackson_Browne | first grammy |
| Jackson_Browne | grammy nomination |
| Jackson_Browne | nomination for |
| Jackson_Browne | for album |
| Jackson_Browne | album of |
| Jackson_Browne | of the |
| Jackson_Browne | the year |
| Jackson_Browne | year his |
| Jackson_Browne | his fourth |
| Jackson_Browne | fourth album |
| Jackson_Browne | album the |
| Jackson_Browne | the pretender |
| Jackson_Browne | pretender continued |
| Jackson_Browne | continued the |
| Jackson_Browne | the pattern |
| Jackson_Browne | pattern of |
| Jackson_Browne | of each |
| Jackson_Browne | each album |
| Jackson_Browne | album topping |
| Jackson_Browne | topping the |
| Jackson_Browne | the previous |
| Jackson_Browne | previous by |
| Jackson_Browne | by peaking |
| Jackson_Browne | peaking at |
| Jackson_Browne | at number |
| Jackson_Browne | number 5 |
| Jackson_Browne | 5 on |
| Jackson_Browne | on the |
| Jackson_Browne | the album |
| Jackson_Browne | album chart |
| Jackson_Browne | chart and |
| Jackson_Browne | and spawned |
| Jackson_Browne | spawned the |
| Jackson_Browne | the hit |
| Jackson_Browne | hit singles |
| Jackson_Browne | singles here |
| Jackson_Browne | here come |
| Jackson_Browne | come those |
| Jackson_Browne | those tears |
| Jackson_Browne | tears again |
| Jackson_Browne | again and |
| Jackson_Browne | and the |
| Jackson_Browne | the pretender |
| Jackson_Browne | pretender it |
| Jackson_Browne | it would |
| Jackson_Browne | would be |
| Jackson_Browne | be the |
| Jackson_Browne | the 1977 |
| Jackson_Browne | 1977 album |
| Jackson_Browne | album running |
| Jackson_Browne | running on |
| Jackson_Browne | on empty |
| Jackson_Browne | empty however |
| Jackson_Browne | however that |
| Jackson_Browne | that would |
| Jackson_Browne | would be |
| Jackson_Browne | be his |
| Jackson_Browne | his signature |
| Jackson_Browne | signature work |
| Jackson_Browne | work peaking |
| Jackson_Browne | peaking at |
| Jackson_Browne | at number |
| Jackson_Browne | number 3 |
| Jackson_Browne | 3 on |
| Jackson_Browne | on the |
| Jackson_Browne | the album |
| Jackson_Browne | album chart |
| Jackson_Browne | chart and |
| Jackson_Browne | and remaining |
| Jackson_Browne | remaining there |
| Jackson_Browne | there for |
| Jackson_Browne | for over |
| Jackson_Browne | over a |
| Jackson_Browne | a year |
| Jackson_Browne | year both |
| Jackson_Browne | both a |
| Jackson_Browne | a live |
| Jackson_Browne | live album |
| Jackson_Browne | album and |
| Jackson_Browne | and a |
| Jackson_Browne | a concept |
| Jackson_Browne | concept album |
| Jackson_Browne | album the |
| Jackson_Browne | the songs |
| Jackson_Browne | songs on |
| Jackson_Browne | on the |
| Jackson_Browne | the album |
| Jackson_Browne | album explore |
| Jackson_Browne | explore the |
| Jackson_Browne | the themes |
| Jackson_Browne | themes of |
| Jackson_Browne | of life |
| Jackson_Browne | life as |
| Jackson_Browne | as a |
| Jackson_Browne | a touring |
| Jackson_Browne | touring musician |
| Jackson_Browne | musician and |
| Jackson_Browne | and the |
| Jackson_Browne | the album |
| Jackson_Browne | album was |
| Jackson_Browne | was recorded |
| Jackson_Browne | recorded both |
| Jackson_Browne | both on |
| Jackson_Browne | on stage |
| Jackson_Browne | stage and |
| Jackson_Browne | and in |
| Jackson_Browne | in places |
| Jackson_Browne | places touring |
| Jackson_Browne | touring musicians |
| Jackson_Browne | musicians spend |
| Jackson_Browne | spend time |
| Jackson_Browne | time when |
| Jackson_Browne | when not |
| Jackson_Browne | not playing |
| Jackson_Browne | playing such |
| Jackson_Browne | such as |
| Jackson_Browne | as hotel |
| Jackson_Browne | hotel rooms |
| Jackson_Browne | rooms backstage |
| Jackson_Browne | backstage and |
| Jackson_Browne | and in |
| Jackson_Browne | in one |
| Jackson_Browne | one case |
| Jackson_Browne | case on |
| Jackson_Browne | on a |
| Jackson_Browne | a moving |
| Jackson_Browne | moving tour |
| Jackson_Browne | tour bus |
| Jackson_Browne | bus the |
| Jackson_Browne | the album |
| Jackson_Browne | album produced |
| Jackson_Browne | produced two |
| Jackson_Browne | two top |
| Jackson_Browne | top 40 |
| Jackson_Browne | 40 singles |
| Jackson_Browne | singles running |
| Jackson_Browne | running on |
| Jackson_Browne | on empty |
| Jackson_Browne | empty and |
| Jackson_Browne | and the |
| Jackson_Browne | the load |
| Jackson_Browne | load out |
| Jackson_Browne | out stay |
| Jackson_Browne | stay and |
| Jackson_Browne | and many |
| Jackson_Browne | many of |
| Jackson_Browne | of the |
| Jackson_Browne | the other |
| Jackson_Browne | other tracks |
| Jackson_Browne | tracks became |
| Jackson_Browne | became popular |
| Jackson_Browne | popular radio |
| Jackson_Browne | radio hits |
| Jackson_Browne | hits on |
| Jackson_Browne | on the |
| Jackson_Browne | the aor |
| Jackson_Browne | aor format |
| Jackson_Browne | format successful |
| Jackson_Browne | successful albums |
| Jackson_Browne | albums continued |
| Jackson_Browne | continued through |
| Jackson_Browne | through the |
| Jackson_Browne | the 1980s |
| Jackson_Browne | 1980s including |
| Jackson_Browne | including the |
| Jackson_Browne | the 1980 |
| Jackson_Browne | 1980 album |
| Jackson_Browne | album hold |
| Jackson_Browne | hold out |
| Jackson_Browne | out his |
| Jackson_Browne | his only |
| Jackson_Browne | only number |
| Jackson_Browne | number 1 |
| Jackson_Browne | 1 album |
| Jackson_Browne | album the |
| Jackson_Browne | the non |
| Jackson_Browne | non album |
| Jackson_Browne | album single |
| Jackson_Browne | single somebody’s |
| Jackson_Browne | somebody’s baby |
| Jackson_Browne | baby which |
| Jackson_Browne | which was |
| Jackson_Browne | was used |
| Jackson_Browne | used in |
| Jackson_Browne | in the |
| Jackson_Browne | the film |
| Jackson_Browne | film fast |
| Jackson_Browne | fast times |
| Jackson_Browne | times at |
| Jackson_Browne | at ridgemont |
| Jackson_Browne | ridgemont high |
| Jackson_Browne | high and |
| Jackson_Browne | and 1983 |
| Jackson_Browne | 1983 s |
| Jackson_Browne | s lawyers |
| Jackson_Browne | lawyers in |
| Jackson_Browne | in love |
| Jackson_Browne | love which |
| Jackson_Browne | which included |
| Jackson_Browne | included the |
| Jackson_Browne | the hit |
| Jackson_Browne | hit single |
| Jackson_Browne | single tender |
| Jackson_Browne | tender is |
| Jackson_Browne | is the |
| Jackson_Browne | the night |
| Jackson_Browne | night in |
| Jackson_Browne | in 1986 |
| Jackson_Browne | 1986 he |
| Jackson_Browne | he released |
| Jackson_Browne | released lives |
| Jackson_Browne | lives in |
| Jackson_Browne | in the |
| Jackson_Browne | the balance |
| Jackson_Browne | balance which |
| Jackson_Browne | which had |
| Jackson_Browne | had several |
| Jackson_Browne | several radio |
| Jackson_Browne | radio hits |
| Jackson_Browne | hits and |
| Jackson_Browne | and included |
| Jackson_Browne | included the |
| Jackson_Browne | the introspective |
| Jackson_Browne | introspective in |
| Jackson_Browne | in the |
| Jackson_Browne | the shape |
| Jackson_Browne | shape of |
| Jackson_Browne | of a |
| Jackson_Browne | a heart |
| Jackson_Browne | heart which |
| Jackson_Browne | which was |
| Jackson_Browne | was inspired |
| Jackson_Browne | inspired by |
| Jackson_Browne | by the |
| Jackson_Browne | the suicide |
| Jackson_Browne | suicide of |
| Jackson_Browne | of his |
| Jackson_Browne | his first |
| Jackson_Browne | first wife |
| Jackson_Browne | wife a |
| Jackson_Browne | a decade |
| Jackson_Browne | decade prior |
| Jackson_Browne | prior his |
| Jackson_Browne | his string |
| Jackson_Browne | string of |
| Jackson_Browne | of hit |
| Jackson_Browne | hit albums |
| Jackson_Browne | albums came |
| Jackson_Browne | came to |
| Jackson_Browne | to an |
| Jackson_Browne | an end |
| Jackson_Browne | end at |
| Jackson_Browne | at that |
| Jackson_Browne | that point |
| Jackson_Browne | point as |
| Jackson_Browne | as his |
| Jackson_Browne | his next |
| Jackson_Browne | next several |
| Jackson_Browne | several albums |
| Jackson_Browne | albums failed |
| Jackson_Browne | failed to |
| Jackson_Browne | to produce |
| Jackson_Browne | produce a |
| Jackson_Browne | a gold |
| Jackson_Browne | gold or |
| Jackson_Browne | or platinum |
| Jackson_Browne | platinum riaa |
| Jackson_Browne | riaa rating |
| Jackson_Browne | rating he |
| Jackson_Browne | he released |
| Jackson_Browne | released two |
| Jackson_Browne | two compilation |
| Jackson_Browne | compilation albums |
| Jackson_Browne | albums the |
| Jackson_Browne | the next |
| Jackson_Browne | next voice |
| Jackson_Browne | voice you |
| Jackson_Browne | you hear |
| Jackson_Browne | hear the |
| Jackson_Browne | the best |
| Jackson_Browne | best of |
| Jackson_Browne | of jackson |
| Jackson_Browne | jackson browne |
| Jackson_Browne | browne in |
| Jackson_Browne | in 1997 |
| Jackson_Browne | 1997 and |
| Jackson_Browne | and the |
| Jackson_Browne | the very |
| Jackson_Browne | very best |
| Jackson_Browne | best of |
| Jackson_Browne | of jackson |
| Jackson_Browne | jackson browne |
| Jackson_Browne | browne released |
| Jackson_Browne | released in |
| Jackson_Browne | in conjunction |
| Jackson_Browne | conjunction with |
| Jackson_Browne | with his |
| Jackson_Browne | his rock |
| Jackson_Browne | rock and |
| Jackson_Browne | and roll |
| Jackson_Browne | roll hall |
| Jackson_Browne | hall of |
| Jackson_Browne | of fame |
| Jackson_Browne | fame induction |
| Jackson_Browne | induction in |
| Jackson_Browne | in 2004 |
| Jackson_Browne | 2004 his |
| Jackson_Browne | his most |
| Jackson_Browne | most recent |
| Jackson_Browne | recent studio |
| Jackson_Browne | studio album |
| Jackson_Browne | album is |
| Jackson_Browne | is 2021 |
| Jackson_Browne | 2021 s |
| Jackson_Browne | s downhill |
| Jackson_Browne | downhill from |
| Jackson_Browne | from everywhere |
| Jackson_Browne | everywhere the |
| Jackson_Browne | the follow |
| Jackson_Browne | follow up |
| Jackson_Browne | up to |
| Jackson_Browne | to 2014 |
| Jackson_Browne | 2014 s |
| Jackson_Browne | s standing |
| Jackson_Browne | standing in |
| Jackson_Browne | in the |
| Jackson_Browne | the breach |
| Jackson_Browne | breach which |
| Jackson_Browne | which included |
| Jackson_Browne | included the |
| Jackson_Browne | the first |
| Jackson_Browne | first fully |
| Jackson_Browne | fully realized |
| Jackson_Browne | realized version |
| Jackson_Browne | version of |
| Jackson_Browne | of his |
| Jackson_Browne | his song |
| Jackson_Browne | song the |
| Jackson_Browne | the birds |
| Jackson_Browne | birds of |
| Jackson_Browne | of st |
| Jackson_Browne | st marks |
| Jackson_Browne | marks a |
| Jackson_Browne | a song |
| Jackson_Browne | song he |
| Jackson_Browne | he had |
| Jackson_Browne | had written |
| Jackson_Browne | written at |
| Jackson_Browne | at age |
| Jackson_Browne | age 18 |
| Jackson_Browne | 18 in |
| Jackson_Browne | in 2015 |
| Jackson_Browne | 2015 rolling |
| Jackson_Browne | rolling stone |
| Jackson_Browne | stone ranked |
| Jackson_Browne | ranked him |
| Jackson_Browne | him as |
| Jackson_Browne | as 37th |
| Jackson_Browne | 37th in |
| Jackson_Browne | in its |
| Jackson_Browne | its list |
| Jackson_Browne | list of |
| Jackson_Browne | of the |
| Jackson_Browne | the 100 |
| Jackson_Browne | 100 greatest |
| Jackson_Browne | greatest songwriters |
| Jackson_Browne | songwriters of |
| Jackson_Browne | of all |
| Jackson_Browne | all time |
| Jackson_Browne | time en |
| Willie_Nelson | willie hugh |
| Willie_Nelson | hugh nelson |
| Willie_Nelson | nelson born |
| Willie_Nelson | born april |
| Willie_Nelson | april 29 |
| Willie_Nelson | 29 1933 |
| Willie_Nelson | 1933 is |
| Willie_Nelson | is an |
| Willie_Nelson | an american |
| Willie_Nelson | american musician |
| Willie_Nelson | musician actor |
| Willie_Nelson | actor and |
| Willie_Nelson | and activist |
| Willie_Nelson | activist the |
| Willie_Nelson | the critical |
| Willie_Nelson | critical success |
| Willie_Nelson | success of |
| Willie_Nelson | of the |
| Willie_Nelson | the album |
| Willie_Nelson | album shotgun |
| Willie_Nelson | shotgun willie |
| Willie_Nelson | willie 1973 |
| Willie_Nelson | 1973 combined |
| Willie_Nelson | combined with |
| Willie_Nelson | with the |
| Willie_Nelson | the critical |
| Willie_Nelson | critical and |
| Willie_Nelson | and commercial |
| Willie_Nelson | commercial success |
| Willie_Nelson | success of |
| Willie_Nelson | of red |
| Willie_Nelson | red headed |
| Willie_Nelson | headed stranger |
| Willie_Nelson | stranger 1975 |
| Willie_Nelson | 1975 and |
| Willie_Nelson | and stardust |
| Willie_Nelson | stardust 1978 |
| Willie_Nelson | 1978 made |
| Willie_Nelson | made nelson |
| Willie_Nelson | nelson one |
| Willie_Nelson | one of |
| Willie_Nelson | of the |
| Willie_Nelson | the most |
| Willie_Nelson | most recognized |
| Willie_Nelson | recognized artists |
| Willie_Nelson | artists in |
| Willie_Nelson | in country |
| Willie_Nelson | country music |
| Willie_Nelson | music he |
| Willie_Nelson | he was |
| Willie_Nelson | was one |
| Willie_Nelson | one of |
| Willie_Nelson | of the |
| Willie_Nelson | the main |
| Willie_Nelson | main figures |
| Willie_Nelson | figures of |
| Willie_Nelson | of outlaw |
| Willie_Nelson | outlaw country |
| Willie_Nelson | country a |
| Willie_Nelson | a subgenre |
| Willie_Nelson | subgenre of |
| Willie_Nelson | of country |
| Willie_Nelson | country music |
| Willie_Nelson | music that |
| Willie_Nelson | that developed |
| Willie_Nelson | developed in |
| Willie_Nelson | in the |
| Willie_Nelson | the late |
| Willie_Nelson | late 1960s |
| Willie_Nelson | 1960s as |
| Willie_Nelson | as a |
| Willie_Nelson | a reaction |
| Willie_Nelson | reaction to |
| Willie_Nelson | to the |
| Willie_Nelson | the conservative |
| Willie_Nelson | conservative restrictions |
| Willie_Nelson | restrictions of |
| Willie_Nelson | of the |
| Willie_Nelson | the nashville |
| Willie_Nelson | nashville sound |
| Willie_Nelson | sound nelson |
| Willie_Nelson | nelson has |
| Willie_Nelson | has acted |
| Willie_Nelson | acted in |
| Willie_Nelson | in over |
| Willie_Nelson | over 30 |
| Willie_Nelson | 30 films |
| Willie_Nelson | films co |
| Willie_Nelson | co authored |
| Willie_Nelson | authored several |
| Willie_Nelson | several books |
| Willie_Nelson | books and |
| Willie_Nelson | and has |
| Willie_Nelson | has been |
| Willie_Nelson | been involved |
| Willie_Nelson | involved in |
| Willie_Nelson | in activism |
| Willie_Nelson | activism for |
| Willie_Nelson | for the |
| Willie_Nelson | the use |
| Willie_Nelson | use of |
| Willie_Nelson | of biofuels |
| Willie_Nelson | biofuels and |
| Willie_Nelson | and the |
| Willie_Nelson | the legalization |
| Willie_Nelson | legalization of |
| Willie_Nelson | of marijuana |
| Willie_Nelson | marijuana born |
| Willie_Nelson | born during |
| Willie_Nelson | during the |
| Willie_Nelson | the great |
| Willie_Nelson | great depression |
| Willie_Nelson | depression and |
| Willie_Nelson | and raised |
| Willie_Nelson | raised by |
| Willie_Nelson | by his |
| Willie_Nelson | his grandparents |
| Willie_Nelson | grandparents nelson |
| Willie_Nelson | nelson wrote |
| Willie_Nelson | wrote his |
| Willie_Nelson | his first |
| Willie_Nelson | first song |
| Willie_Nelson | song at |
| Willie_Nelson | at age |
| Willie_Nelson | age seven |
| Willie_Nelson | seven and |
| Willie_Nelson | and joined |
| Willie_Nelson | joined his |
| Willie_Nelson | his first |
| Willie_Nelson | first band |
| Willie_Nelson | band at |
| Willie_Nelson | at ten |
| Willie_Nelson | ten during |
| Willie_Nelson | during high |
| Willie_Nelson | high school |
| Willie_Nelson | school he |
| Willie_Nelson | he toured |
| Willie_Nelson | toured locally |
| Willie_Nelson | locally with |
| Willie_Nelson | with the |
| Willie_Nelson | the bohemian |
| Willie_Nelson | bohemian polka |
| Willie_Nelson | polka as |
| Willie_Nelson | as their |
| Willie_Nelson | their lead |
| Willie_Nelson | lead singer |
| Willie_Nelson | singer and |
| Willie_Nelson | and guitar |
| Willie_Nelson | guitar player |
| Willie_Nelson | player after |
| Willie_Nelson | after graduating |
| Willie_Nelson | graduating from |
| Willie_Nelson | from high |
| Willie_Nelson | high school |
| Willie_Nelson | school in |
| Willie_Nelson | in 1950 |
| Willie_Nelson | 1950 he |
| Willie_Nelson | he joined |
| Willie_Nelson | joined the |
| Willie_Nelson | the u.s |
| Willie_Nelson | u.s air |
| Willie_Nelson | air force |
| Willie_Nelson | force but |
| Willie_Nelson | but was |
| Willie_Nelson | was later |
| Willie_Nelson | later discharged |
| Willie_Nelson | discharged due |
| Willie_Nelson | due to |
| Willie_Nelson | to back |
| Willie_Nelson | back problems |
| Willie_Nelson | problems after |
| Willie_Nelson | after his |
| Willie_Nelson | his return |
| Willie_Nelson | return nelson |
| Willie_Nelson | nelson attended |
| Willie_Nelson | attended baylor |
| Willie_Nelson | baylor university |
| Willie_Nelson | university for |
| Willie_Nelson | for two |
| Willie_Nelson | two years |
| Willie_Nelson | years but |
| Willie_Nelson | but dropped |
| Willie_Nelson | dropped out |
| Willie_Nelson | out because |
| Willie_Nelson | because he |
| Willie_Nelson | he was |
| Willie_Nelson | was succeeding |
| Willie_Nelson | succeeding in |
| Willie_Nelson | in music |
| Willie_Nelson | music during |
| Willie_Nelson | during this |
| Willie_Nelson | this time |
| Willie_Nelson | time he |
| Willie_Nelson | he worked |
| Willie_Nelson | worked as |
| Willie_Nelson | as a |
| Willie_Nelson | a disc |
| Willie_Nelson | disc jockey |
| Willie_Nelson | jockey in |
| Willie_Nelson | in texas |
| Willie_Nelson | texas radio |
| Willie_Nelson | radio stations |
| Willie_Nelson | stations and |
| Willie_Nelson | and a |
| Willie_Nelson | a singer |
| Willie_Nelson | singer in |
| Willie_Nelson | in honky |
| Willie_Nelson | honky tonks |
| Willie_Nelson | tonks nelson |
| Willie_Nelson | nelson moved |
| Willie_Nelson | moved to |
| Willie_Nelson | to vancouver |
| Willie_Nelson | vancouver washington |
| Willie_Nelson | washington where |
| Willie_Nelson | where he |
| Willie_Nelson | he wrote |
| Willie_Nelson | wrote family |
| Willie_Nelson | family bible |
| Willie_Nelson | bible and |
| Willie_Nelson | and recorded |
| Willie_Nelson | recorded the |
| Willie_Nelson | the song |
| Willie_Nelson | song lumberjack |
| Willie_Nelson | lumberjack in |
| Willie_Nelson | in 1956 |
| Willie_Nelson | 1956 he |
| Willie_Nelson | he also |
| Willie_Nelson | also worked |
| Willie_Nelson | worked as |
| Willie_Nelson | as a |
| Willie_Nelson | a disc |
| Willie_Nelson | disc jockey |
| Willie_Nelson | jockey at |
| Willie_Nelson | at various |
| Willie_Nelson | various radio |
| Willie_Nelson | radio stations |
| Willie_Nelson | stations in |
| Willie_Nelson | in vancouver |
| Willie_Nelson | vancouver and |
| Willie_Nelson | and nearby |
| Willie_Nelson | nearby portland |
| Willie_Nelson | portland oregon |
| Willie_Nelson | oregon in |
| Willie_Nelson | in 1958 |
| Willie_Nelson | 1958 he |
| Willie_Nelson | he moved |
| Willie_Nelson | moved to |
| Willie_Nelson | to houston |
| Willie_Nelson | houston texas |
| Willie_Nelson | texas after |
| Willie_Nelson | after signing |
| Willie_Nelson | signing a |
| Willie_Nelson | a contract |
| Willie_Nelson | contract with |
| Willie_Nelson | with d |
| Willie_Nelson | d records |
| Willie_Nelson | records he |
| Willie_Nelson | he sang |
| Willie_Nelson | sang at |
| Willie_Nelson | at the |
| Willie_Nelson | the esquire |
| Willie_Nelson | esquire ballroom |
| Willie_Nelson | ballroom weekly |
| Willie_Nelson | weekly and |
| Willie_Nelson | and he |
| Willie_Nelson | he worked |
| Willie_Nelson | worked as |
| Willie_Nelson | as a |
| Willie_Nelson | a disc |
| Willie_Nelson | disc jockey |
| Willie_Nelson | jockey during |
| Willie_Nelson | during that |
| Willie_Nelson | that time |
| Willie_Nelson | time he |
| Willie_Nelson | he wrote |
| Willie_Nelson | wrote songs |
| Willie_Nelson | songs that |
| Willie_Nelson | that would |
| Willie_Nelson | would become |
| Willie_Nelson | become country |
| Willie_Nelson | country standards |
| Willie_Nelson | standards including |
| Willie_Nelson | including funny |
| Willie_Nelson | funny how |
| Willie_Nelson | how time |
| Willie_Nelson | time slips |
| Willie_Nelson | slips away |
| Willie_Nelson | away hello |
| Willie_Nelson | hello walls |
| Willie_Nelson | walls pretty |
| Willie_Nelson | pretty paper |
| Willie_Nelson | paper and |
| Willie_Nelson | and crazy |
| Willie_Nelson | crazy in |
| Willie_Nelson | in 1960 |
| Willie_Nelson | 1960 he |
| Willie_Nelson | he moved |
| Willie_Nelson | moved to |
| Willie_Nelson | to nashville |
| Willie_Nelson | nashville tennessee |
| Willie_Nelson | tennessee and |
| Willie_Nelson | and later |
| Willie_Nelson | later signed |
| Willie_Nelson | signed a |
| Willie_Nelson | a publishing |
| Willie_Nelson | publishing contract |
| Willie_Nelson | contract with |
| Willie_Nelson | with pamper |
| Willie_Nelson | pamper music |
| Willie_Nelson | music which |
| Willie_Nelson | which allowed |
| Willie_Nelson | allowed him |
| Willie_Nelson | him to |
| Willie_Nelson | to join |
| Willie_Nelson | join ray |
| Willie_Nelson | ray price’s |
| Willie_Nelson | price’s band |
| Willie_Nelson | band as |
| Willie_Nelson | as a |
| Willie_Nelson | a bassist |
| Willie_Nelson | bassist in |
| Willie_Nelson | in 1962 |
| Willie_Nelson | 1962 he |
| Willie_Nelson | he recorded |
| Willie_Nelson | recorded his |
| Willie_Nelson | his first |
| Willie_Nelson | first album |
| Willie_Nelson | album and |
| Willie_Nelson | and then |
| Willie_Nelson | then i |
| Willie_Nelson | i wrote |
| Willie_Nelson | wrote due |
| Willie_Nelson | due to |
| Willie_Nelson | to this |
| Willie_Nelson | this success |
| Willie_Nelson | success nelson |
| Willie_Nelson | nelson signed |
| Willie_Nelson | signed in |
| Willie_Nelson | in 1964 |
| Willie_Nelson | 1964 with |
| Willie_Nelson | with rca |
| Willie_Nelson | rca victor |
| Willie_Nelson | victor and |
| Willie_Nelson | and joined |
| Willie_Nelson | joined the |
| Willie_Nelson | the grand |
| Willie_Nelson | grand ole |
| Willie_Nelson | ole opry |
| Willie_Nelson | opry the |
| Willie_Nelson | the following |
| Willie_Nelson | following year |
| Willie_Nelson | year after |
| Willie_Nelson | after mid |
| Willie_Nelson | mid chart |
| Willie_Nelson | chart hits |
| Willie_Nelson | hits in |
| Willie_Nelson | in the |
| Willie_Nelson | the late |
| Willie_Nelson | late 1960s |
| Willie_Nelson | 1960s and |
| Willie_Nelson | and the |
| Willie_Nelson | the early |
| Willie_Nelson | early 1970s |
| Willie_Nelson | 1970s nelson |
| Willie_Nelson | nelson retired |
| Willie_Nelson | retired in |
| Willie_Nelson | in 1972 |
| Willie_Nelson | 1972 and |
| Willie_Nelson | and moved |
| Willie_Nelson | moved to |
| Willie_Nelson | to austin |
| Willie_Nelson | austin texas |
| Willie_Nelson | texas the |
| Willie_Nelson | the ongoing |
| Willie_Nelson | ongoing music |
| Willie_Nelson | music scene |
| Willie_Nelson | scene of |
| Willie_Nelson | of austin |
| Willie_Nelson | austin motivated |
| Willie_Nelson | motivated nelson |
| Willie_Nelson | nelson to |
| Willie_Nelson | to return |
| Willie_Nelson | return from |
| Willie_Nelson | from retirement |
| Willie_Nelson | retirement performing |
| Willie_Nelson | performing frequently |
| Willie_Nelson | frequently at |
| Willie_Nelson | at the |
| Willie_Nelson | the armadillo |
| Willie_Nelson | armadillo world |
| Willie_Nelson | world headquarters |
| Willie_Nelson | headquarters in |
| Willie_Nelson | in 1973 |
| Willie_Nelson | 1973 after |
| Willie_Nelson | after signing |
| Willie_Nelson | signing with |
| Willie_Nelson | with atlantic |
| Willie_Nelson | atlantic records |
| Willie_Nelson | records nelson |
| Willie_Nelson | nelson turned |
| Willie_Nelson | turned to |
| Willie_Nelson | to outlaw |
| Willie_Nelson | outlaw country |
| Willie_Nelson | country including |
| Willie_Nelson | including albums |
| Willie_Nelson | albums such |
| Willie_Nelson | such as |
| Willie_Nelson | as shotgun |
| Willie_Nelson | shotgun willie |
| Willie_Nelson | willie and |
| Willie_Nelson | and phases |
| Willie_Nelson | phases and |
| Willie_Nelson | and stages |
| Willie_Nelson | stages in |
| Willie_Nelson | in 1975 |
| Willie_Nelson | 1975 he |
| Willie_Nelson | he switched |
| Willie_Nelson | switched to |
| Willie_Nelson | to columbia |
| Willie_Nelson | columbia records |
| Willie_Nelson | records where |
| Willie_Nelson | where he |
| Willie_Nelson | he recorded |
| Willie_Nelson | recorded the |
| Willie_Nelson | the critically |
| Willie_Nelson | critically acclaimed |
| Willie_Nelson | acclaimed album |
| Willie_Nelson | album red |
| Willie_Nelson | red headed |
| Willie_Nelson | headed stranger |
| Willie_Nelson | stranger the |
| Willie_Nelson | the same |
| Willie_Nelson | same year |
| Willie_Nelson | year he |
| Willie_Nelson | he recorded |
| Willie_Nelson | recorded another |
| Willie_Nelson | another outlaw |
| Willie_Nelson | outlaw country |
| Willie_Nelson | country album |
| Willie_Nelson | album wanted |
| Willie_Nelson | wanted the |
| Willie_Nelson | the outlaws |
| Willie_Nelson | outlaws along |
| Willie_Nelson | along with |
| Willie_Nelson | with waylon |
| Willie_Nelson | waylon jennings |
| Willie_Nelson | jennings jessi |
| Willie_Nelson | jessi colter |
| Willie_Nelson | colter and |
| Willie_Nelson | and tompall |
| Willie_Nelson | tompall glaser |
| Willie_Nelson | glaser during |
| Willie_Nelson | during the |
| Willie_Nelson | the mid |
| Willie_Nelson | mid 1980s |
| Willie_Nelson | 1980s while |
| Willie_Nelson | while creating |
| Willie_Nelson | creating hit |
| Willie_Nelson | hit albums |
| Willie_Nelson | albums like |
| Willie_Nelson | like honeysuckle |
| Willie_Nelson | honeysuckle rose |
| Willie_Nelson | rose and |
| Willie_Nelson | and recording |
| Willie_Nelson | recording hit |
| Willie_Nelson | hit songs |
| Willie_Nelson | songs like |
| Willie_Nelson | like on |
| Willie_Nelson | on the |
| Willie_Nelson | the road |
| Willie_Nelson | road again |
| Willie_Nelson | again to |
| Willie_Nelson | to all |
| Willie_Nelson | all the |
| Willie_Nelson | the girls |
| Willie_Nelson | girls i’ve |
| Willie_Nelson | i’ve loved |
| Willie_Nelson | loved before |
| Willie_Nelson | before and |
| Willie_Nelson | and pancho |
| Willie_Nelson | pancho and |
| Willie_Nelson | and lefty |
| Willie_Nelson | lefty he |
| Willie_Nelson | he joined |
| Willie_Nelson | joined the |
| Willie_Nelson | the country |
| Willie_Nelson | country supergroup |
| Willie_Nelson | supergroup the |
| Willie_Nelson | the highwaymen |
| Willie_Nelson | highwaymen along |
| Willie_Nelson | along with |
| Willie_Nelson | with fellow |
| Willie_Nelson | fellow singers |
| Willie_Nelson | singers johnny |
| Willie_Nelson | johnny cash |
| Willie_Nelson | cash waylon |
| Willie_Nelson | waylon jennings |
| Willie_Nelson | jennings and |
| Willie_Nelson | and kris |
| Willie_Nelson | kris kristofferson |
| Willie_Nelson | kristofferson in |
| Willie_Nelson | in 1990 |
| Willie_Nelson | 1990 nelson’s |
| Willie_Nelson | nelson’s assets |
| Willie_Nelson | assets were |
| Willie_Nelson | were seized |
| Willie_Nelson | seized by |
| Willie_Nelson | by the |
| Willie_Nelson | the internal |
| Willie_Nelson | internal revenue |
| Willie_Nelson | revenue service |
| Willie_Nelson | service which |
| Willie_Nelson | which claimed |
| Willie_Nelson | claimed that |
| Willie_Nelson | that he |
| Willie_Nelson | he owed |
| Willie_Nelson | owed 32 |
| Willie_Nelson | 32 million |
| Willie_Nelson | million the |
| Willie_Nelson | the difficulty |
| Willie_Nelson | difficulty of |
| Willie_Nelson | of paying |
| Willie_Nelson | paying his |
| Willie_Nelson | his outstanding |
| Willie_Nelson | outstanding debt |
| Willie_Nelson | debt was |
| Willie_Nelson | was aggravated |
| Willie_Nelson | aggravated by |
| Willie_Nelson | by weak |
| Willie_Nelson | weak investments |
| Willie_Nelson | investments he |
| Willie_Nelson | he had |
| Willie_Nelson | had made |
| Willie_Nelson | made during |
| Willie_Nelson | during the |
| Willie_Nelson | the 1980s |
| Willie_Nelson | 1980s in |
| Willie_Nelson | in 1992 |
| Willie_Nelson | 1992 nelson |
| Willie_Nelson | nelson released |
| Willie_Nelson | released the |
| Willie_Nelson | the irs |
| Willie_Nelson | irs tapes |
| Willie_Nelson | tapes who’ll |
| Willie_Nelson | who’ll buy |
| Willie_Nelson | buy my |
| Willie_Nelson | my memories |
| Willie_Nelson | memories the |
| Willie_Nelson | the profits |
| Willie_Nelson | profits of |
| Willie_Nelson | of the |
| Willie_Nelson | the double |
| Willie_Nelson | double album |
| Willie_Nelson | album estined |
| Willie_Nelson | estined to |
| Willie_Nelson | to the |
| Willie_Nelson | the irs |
| Willie_Nelson | irs nd |
| Willie_Nelson | nd the |
| Willie_Nelson | the auction |
| Willie_Nelson | auction of |
| Willie_Nelson | of nelson’s |
| Willie_Nelson | nelson’s assets |
| Willie_Nelson | assets cleared |
| Willie_Nelson | cleared his |
| Willie_Nelson | his debt |
| Willie_Nelson | debt during |
| Willie_Nelson | during the |
| Willie_Nelson | the 1990s |
| Willie_Nelson | 1990s and |
| Willie_Nelson | and 2000s |
| Willie_Nelson | 2000s nelson |
| Willie_Nelson | nelson continued |
| Willie_Nelson | continued touring |
| Willie_Nelson | touring extensively |
| Willie_Nelson | extensively and |
| Willie_Nelson | and released |
| Willie_Nelson | released albums |
| Willie_Nelson | albums every |
| Willie_Nelson | every year |
| Willie_Nelson | year reviews |
| Willie_Nelson | reviews ranged |
| Willie_Nelson | ranged from |
| Willie_Nelson | from positive |
| Willie_Nelson | positive to |
| Willie_Nelson | to mixed |
| Willie_Nelson | mixed he |
| Willie_Nelson | he explored |
| Willie_Nelson | explored genres |
| Willie_Nelson | genres such |
| Willie_Nelson | such as |
| Willie_Nelson | as reggae |
| Willie_Nelson | reggae blues |
| Willie_Nelson | blues jazz |
| Willie_Nelson | jazz and |
| Willie_Nelson | and folk |
| Willie_Nelson | folk nelson |
| Willie_Nelson | nelson made |
| Willie_Nelson | made his |
| Willie_Nelson | his first |
| Willie_Nelson | first movie |
| Willie_Nelson | movie appearance |
| Willie_Nelson | appearance in |
| Willie_Nelson | in the |
| Willie_Nelson | the 1979 |
| Willie_Nelson | 1979 film |
| Willie_Nelson | film the |
| Willie_Nelson | the electric |
| Willie_Nelson | electric horseman |
| Willie_Nelson | horseman followed |
| Willie_Nelson | followed by |
| Willie_Nelson | by other |
| Willie_Nelson | other appearances |
| Willie_Nelson | appearances in |
| Willie_Nelson | in movies |
| Willie_Nelson | movies and |
| Willie_Nelson | and on |
| Willie_Nelson | on television |
| Willie_Nelson | television nelson |
| Willie_Nelson | nelson is |
| Willie_Nelson | is a |
| Willie_Nelson | a major |
| Willie_Nelson | major liberal |
| Willie_Nelson | liberal activist |
| Willie_Nelson | activist and |
| Willie_Nelson | and the |
| Willie_Nelson | the co |
| Willie_Nelson | co chair |
| Willie_Nelson | chair of |
| Willie_Nelson | of the |
| Willie_Nelson | the advisory |
| Willie_Nelson | advisory board |
| Willie_Nelson | board of |
| Willie_Nelson | of the |
| Willie_Nelson | the national |
| Willie_Nelson | national organization |
| Willie_Nelson | organization for |
| Willie_Nelson | for the |
| Willie_Nelson | the reform |
| Willie_Nelson | reform of |
| Willie_Nelson | of marijuana |
| Willie_Nelson | marijuana laws |
| Willie_Nelson | laws norml |
| Willie_Nelson | norml which |
| Willie_Nelson | which is |
| Willie_Nelson | is in |
| Willie_Nelson | in favor |
| Willie_Nelson | favor of |
| Willie_Nelson | of marijuana |
| Willie_Nelson | marijuana legalization |
| Willie_Nelson | legalization on |
| Willie_Nelson | on the |
| Willie_Nelson | the environmental |
| Willie_Nelson | environmental front |
| Willie_Nelson | front nelson |
| Willie_Nelson | nelson owns |
| Willie_Nelson | owns the |
| Willie_Nelson | the biodiesel |
| Willie_Nelson | biodiesel brand |
| Willie_Nelson | brand willie |
| Willie_Nelson | willie nelson |
| Willie_Nelson | nelson biodiesel |
| Willie_Nelson | biodiesel whose |
| Willie_Nelson | whose product |
| Willie_Nelson | product is |
| Willie_Nelson | is made |
| Willie_Nelson | made from |
| Willie_Nelson | from vegetable |
| Willie_Nelson | vegetable oil |
| Willie_Nelson | oil nelson |
| Willie_Nelson | nelson is |
| Willie_Nelson | is also |
| Willie_Nelson | also the |
| Willie_Nelson | the honorary |
| Willie_Nelson | honorary chairman |
| Willie_Nelson | chairman of |
| Willie_Nelson | of the |
| Willie_Nelson | the advisory |
| Willie_Nelson | advisory board |
| Willie_Nelson | board of |
| Willie_Nelson | of the |
| Willie_Nelson | the texas |
| Willie_Nelson | texas music |
| Willie_Nelson | music project |
| Willie_Nelson | project the |
| Willie_Nelson | the official |
| Willie_Nelson | official music |
| Willie_Nelson | music charity |
| Willie_Nelson | charity of |
| Willie_Nelson | of the |
| Willie_Nelson | the state |
| Willie_Nelson | state of |
| Willie_Nelson | of texas |
| Willie_Nelson | texas en |
| Ray_Charles | ray charles |
| Ray_Charles | charles robinson |
| Ray_Charles | robinson sr |
| Ray_Charles | sr september |
| Ray_Charles | september 23 |
| Ray_Charles | 23 1930 |
| Ray_Charles | 1930 june |
| Ray_Charles | june 10 |
| Ray_Charles | 10 2004 |
| Ray_Charles | 2004 was |
| Ray_Charles | was an |
| Ray_Charles | an american |
| Ray_Charles | american singer |
| Ray_Charles | singer songwriter |
| Ray_Charles | songwriter pianist |
| Ray_Charles | pianist and |
| Ray_Charles | and composer |
| Ray_Charles | composer among |
| Ray_Charles | among friends |
| Ray_Charles | friends and |
| Ray_Charles | and fellow |
| Ray_Charles | fellow musicians |
| Ray_Charles | musicians he |
| Ray_Charles | he preferred |
| Ray_Charles | preferred being |
| Ray_Charles | being called |
| Ray_Charles | called brother |
| Ray_Charles | brother ray |
| Ray_Charles | ray he |
| Ray_Charles | he was |
| Ray_Charles | was often |
| Ray_Charles | often referred |
| Ray_Charles | referred to |
| Ray_Charles | to as |
| Ray_Charles | as the |
| Ray_Charles | the genius |
| Ray_Charles | genius charles |
| Ray_Charles | charles was |
| Ray_Charles | was blinded |
| Ray_Charles | blinded during |
| Ray_Charles | during childhood |
| Ray_Charles | childhood possibly |
| Ray_Charles | possibly due |
| Ray_Charles | due to |
| Ray_Charles | to glaucoma |
| Ray_Charles | glaucoma charles |
| Ray_Charles | charles pioneered |
| Ray_Charles | pioneered the |
| Ray_Charles | the soul |
| Ray_Charles | soul music |
| Ray_Charles | music genre |
| Ray_Charles | genre during |
| Ray_Charles | during the |
| Ray_Charles | the 1950s |
| Ray_Charles | 1950s by |
| Ray_Charles | by combining |
| Ray_Charles | combining blues |
| Ray_Charles | blues jazz |
| Ray_Charles | jazz rhythm |
| Ray_Charles | rhythm and |
| Ray_Charles | and blues |
| Ray_Charles | blues and |
| Ray_Charles | and gospel |
| Ray_Charles | gospel styles |
| Ray_Charles | styles into |
| Ray_Charles | into the |
| Ray_Charles | the music |
| Ray_Charles | music he |
| Ray_Charles | he recorded |
| Ray_Charles | recorded for |
| Ray_Charles | for atlantic |
| Ray_Charles | atlantic he |
| Ray_Charles | he contributed |
| Ray_Charles | contributed to |
| Ray_Charles | to the |
| Ray_Charles | the integration |
| Ray_Charles | integration of |
| Ray_Charles | of country |
| Ray_Charles | country music |
| Ray_Charles | music rhythm |
| Ray_Charles | rhythm and |
| Ray_Charles | and blues |
| Ray_Charles | blues and |
| Ray_Charles | and pop |
| Ray_Charles | pop music |
| Ray_Charles | music during |
| Ray_Charles | during the |
| Ray_Charles | the 1960s |
| Ray_Charles | 1960s with |
| Ray_Charles | with his |
| Ray_Charles | his crossover |
| Ray_Charles | crossover success |
| Ray_Charles | success on |
| Ray_Charles | on abc |
| Ray_Charles | abc records |
| Ray_Charles | records notably |
| Ray_Charles | notably with |
| Ray_Charles | with his |
| Ray_Charles | his two |
| Ray_Charles | two modern |
| Ray_Charles | modern sounds |
| Ray_Charles | sounds albums |
| Ray_Charles | albums while |
| Ray_Charles | while he |
| Ray_Charles | he was |
| Ray_Charles | was with |
| Ray_Charles | with abc |
| Ray_Charles | abc charles |
| Ray_Charles | charles became |
| Ray_Charles | became one |
| Ray_Charles | one of |
| Ray_Charles | of the |
| Ray_Charles | the first |
| Ray_Charles | first black |
| Ray_Charles | black musicians |
| Ray_Charles | musicians to |
| Ray_Charles | to be |
| Ray_Charles | be granted |
| Ray_Charles | granted artistic |
| Ray_Charles | artistic control |
| Ray_Charles | control by |
| Ray_Charles | by a |
| Ray_Charles | a mainstream |
| Ray_Charles | mainstream record |
| Ray_Charles | record company |
| Ray_Charles | company charles’s |
| Ray_Charles | charles’s 1960 |
| Ray_Charles | 1960 hit |
| Ray_Charles | hit georgia |
| Ray_Charles | georgia on |
| Ray_Charles | on my |
| Ray_Charles | my mind |
| Ray_Charles | mind was |
| Ray_Charles | was the |
| Ray_Charles | the first |
| Ray_Charles | first of |
| Ray_Charles | of his |
| Ray_Charles | his three |
| Ray_Charles | three career |
| Ray_Charles | career no |
| Ray_Charles | no 1 |
| Ray_Charles | 1 hits |
| Ray_Charles | hits on |
| Ray_Charles | on the |
| Ray_Charles | the billboard |
| Ray_Charles | billboard hot |
| Ray_Charles | hot 100 |
| Ray_Charles | 100 his |
| Ray_Charles | his 1962 |
| Ray_Charles | 1962 album |
| Ray_Charles | album modern |
| Ray_Charles | modern sounds |
| Ray_Charles | sounds in |
| Ray_Charles | in country |
| Ray_Charles | country and |
| Ray_Charles | and western |
| Ray_Charles | western music |
| Ray_Charles | music became |
| Ray_Charles | became his |
| Ray_Charles | his first |
| Ray_Charles | first album |
| Ray_Charles | album to |
| Ray_Charles | to top |
| Ray_Charles | top the |
| Ray_Charles | the billboard |
| Ray_Charles | billboard 200 |
| Ray_Charles | 200 charles |
| Ray_Charles | charles had |
| Ray_Charles | had multiple |
| Ray_Charles | multiple singles |
| Ray_Charles | singles reach |
| Ray_Charles | reach the |
| Ray_Charles | the top |
| Ray_Charles | top 40 |
| Ray_Charles | 40 on |
| Ray_Charles | on various |
| Ray_Charles | various billboard |
| Ray_Charles | billboard charts |
| Ray_Charles | charts 44 |
| Ray_Charles | 44 on |
| Ray_Charles | on the |
| Ray_Charles | the us |
| Ray_Charles | us r |
| Ray_Charles | r b |
| Ray_Charles | b singles |
| Ray_Charles | singles chart |
| Ray_Charles | chart 11 |
| Ray_Charles | 11 on |
| Ray_Charles | on the |
| Ray_Charles | the hot |
| Ray_Charles | hot 100 |
| Ray_Charles | 100 singles |
| Ray_Charles | singles chart |
| Ray_Charles | chart 2 |
| Ray_Charles | 2 on |
| Ray_Charles | on the |
| Ray_Charles | the hot |
| Ray_Charles | hot country |
| Ray_Charles | country singles |
| Ray_Charles | singles charts |
| Ray_Charles | charts charles |
| Ray_Charles | charles cited |
| Ray_Charles | cited nat |
| Ray_Charles | nat king |
| Ray_Charles | king cole |
| Ray_Charles | cole as |
| Ray_Charles | as a |
| Ray_Charles | a primary |
| Ray_Charles | primary influence |
| Ray_Charles | influence but |
| Ray_Charles | but his |
| Ray_Charles | his music |
| Ray_Charles | music was |
| Ray_Charles | was also |
| Ray_Charles | also influenced |
| Ray_Charles | influenced by |
| Ray_Charles | by louis |
| Ray_Charles | louis jordan |
| Ray_Charles | jordan and |
| Ray_Charles | and charles |
| Ray_Charles | charles brown |
| Ray_Charles | brown he |
| Ray_Charles | he had |
| Ray_Charles | had a |
| Ray_Charles | a lifelong |
| Ray_Charles | lifelong friendship |
| Ray_Charles | friendship and |
| Ray_Charles | and occasional |
| Ray_Charles | occasional partnership |
| Ray_Charles | partnership with |
| Ray_Charles | with quincy |
| Ray_Charles | quincy jones |
| Ray_Charles | jones frank |
| Ray_Charles | frank sinatra |
| Ray_Charles | sinatra called |
| Ray_Charles | called ray |
| Ray_Charles | ray charles |
| Ray_Charles | charles the |
| Ray_Charles | the only |
| Ray_Charles | only true |
| Ray_Charles | true genius |
| Ray_Charles | genius in |
| Ray_Charles | in show |
| Ray_Charles | show business |
| Ray_Charles | business although |
| Ray_Charles | although charles |
| Ray_Charles | charles downplayed |
| Ray_Charles | downplayed this |
| Ray_Charles | this notion |
| Ray_Charles | notion billy |
| Ray_Charles | billy joel |
| Ray_Charles | joel said |
| Ray_Charles | said this |
| Ray_Charles | this may |
| Ray_Charles | may sound |
| Ray_Charles | sound like |
| Ray_Charles | like sacrilege |
| Ray_Charles | sacrilege but |
| Ray_Charles | but i |
| Ray_Charles | i think |
| Ray_Charles | think ray |
| Ray_Charles | ray charles |
| Ray_Charles | charles was |
| Ray_Charles | was more |
| Ray_Charles | more important |
| Ray_Charles | important than |
| Ray_Charles | than elvis |
| Ray_Charles | elvis presley |
| Ray_Charles | presley for |
| Ray_Charles | for his |
| Ray_Charles | his musical |
| Ray_Charles | musical contributions |
| Ray_Charles | contributions charles |
| Ray_Charles | charles received |
| Ray_Charles | received the |
| Ray_Charles | the kennedy |
| Ray_Charles | kennedy center |
| Ray_Charles | center honors |
| Ray_Charles | honors the |
| Ray_Charles | the national |
| Ray_Charles | national medal |
| Ray_Charles | medal of |
| Ray_Charles | of arts |
| Ray_Charles | arts and |
| Ray_Charles | and the |
| Ray_Charles | the polar |
| Ray_Charles | polar music |
| Ray_Charles | music prize |
| Ray_Charles | prize he |
| Ray_Charles | he won |
| Ray_Charles | won 18 |
| Ray_Charles | 18 grammy |
| Ray_Charles | grammy awards |
| Ray_Charles | awards including |
| Ray_Charles | including 5 |
| Ray_Charles | 5 posthumously |
| Ray_Charles | posthumously charles |
| Ray_Charles | charles was |
| Ray_Charles | was honored |
| Ray_Charles | honored with |
| Ray_Charles | with the |
| Ray_Charles | the grammy |
| Ray_Charles | grammy lifetime |
| Ray_Charles | lifetime achievement |
| Ray_Charles | achievement award |
| Ray_Charles | award in |
| Ray_Charles | in 1987 |
| Ray_Charles | 1987 and |
| Ray_Charles | and 10 |
| Ray_Charles | 10 of |
| Ray_Charles | of his |
| Ray_Charles | his recordings |
| Ray_Charles | recordings have |
| Ray_Charles | have been |
| Ray_Charles | been inducted |
| Ray_Charles | inducted into |
| Ray_Charles | into the |
| Ray_Charles | the grammy |
| Ray_Charles | grammy hall |
| Ray_Charles | hall of |
| Ray_Charles | of fame |
| Ray_Charles | fame rolling |
| Ray_Charles | rolling stone |
| Ray_Charles | stone ranked |
| Ray_Charles | ranked charles |
| Ray_Charles | charles no |
| Ray_Charles | no 10 |
| Ray_Charles | 10 on |
| Ray_Charles | on their |
| Ray_Charles | their list |
| Ray_Charles | list of |
| Ray_Charles | of the |
| Ray_Charles | the 100 |
| Ray_Charles | 100 greatest |
| Ray_Charles | greatest artists |
| Ray_Charles | artists of |
| Ray_Charles | of all |
| Ray_Charles | all time |
| Ray_Charles | time and |
| Ray_Charles | and no |
| Ray_Charles | no 2 |
| Ray_Charles | 2 on |
| Ray_Charles | on their |
| Ray_Charles | their list |
| Ray_Charles | list of |
| Ray_Charles | of the |
| Ray_Charles | the 100 |
| Ray_Charles | 100 greatest |
| Ray_Charles | greatest singers |
| Ray_Charles | singers of |
| Ray_Charles | of all |
| Ray_Charles | all time |
| Ray_Charles | time en |
| Randy_Sandke | jay randall |
| Randy_Sandke | randall sandke |
| Randy_Sandke | sandke born |
| Randy_Sandke | born may |
| Randy_Sandke | may 5 |
| Randy_Sandke | 5 1949 |
| Randy_Sandke | 1949 in |
| Randy_Sandke | in chicago |
| Randy_Sandke | chicago illinois |
| Randy_Sandke | illinois is |
| Randy_Sandke | is a |
| Randy_Sandke | a jazz |
| Randy_Sandke | jazz trumpeter |
| Randy_Sandke | trumpeter and |
| Randy_Sandke | and guitarist |
| Randy_Sandke | guitarist while |
| Randy_Sandke | while a |
| Randy_Sandke | a student |
| Randy_Sandke | student at |
| Randy_Sandke | at indiana |
| Randy_Sandke | indiana university |
| Randy_Sandke | university in |
| Randy_Sandke | in 1968 |
| Randy_Sandke | 1968 he |
| Randy_Sandke | he and |
| Randy_Sandke | and michael |
| Randy_Sandke | michael brecker |
| Randy_Sandke | brecker started |
| Randy_Sandke | started a |
| Randy_Sandke | a jazz |
| Randy_Sandke | jazz rock |
| Randy_Sandke | rock band |
| Randy_Sandke | band mrs |
| Randy_Sandke | mrs seamon’s |
| Randy_Sandke | seamon’s sound |
| Randy_Sandke | sound band |
| Randy_Sandke | band that |
| Randy_Sandke | that performed |
| Randy_Sandke | performed at |
| Randy_Sandke | at the |
| Randy_Sandke | the notre |
| Randy_Sandke | notre dame |
| Randy_Sandke | dame collegiate |
| Randy_Sandke | collegiate jazz |
| Randy_Sandke | jazz festival |
| Randy_Sandke | festival he |
| Randy_Sandke | he was |
| Randy_Sandke | was invited |
| Randy_Sandke | invited to |
| Randy_Sandke | to be |
| Randy_Sandke | be a |
| Randy_Sandke | a member |
| Randy_Sandke | member of |
| Randy_Sandke | of the |
| Randy_Sandke | the backing |
| Randy_Sandke | backing band |
| Randy_Sandke | band for |
| Randy_Sandke | for rock |
| Randy_Sandke | rock singer |
| Randy_Sandke | singer janis |
| Randy_Sandke | janis joplin |
| Randy_Sandke | joplin but |
| Randy_Sandke | but a |
| Randy_Sandke | a throat |
| Randy_Sandke | throat problem |
| Randy_Sandke | problem kept |
| Randy_Sandke | kept him |
| Randy_Sandke | him from |
| Randy_Sandke | from performing |
| Randy_Sandke | performing despite |
| Randy_Sandke | despite a |
| Randy_Sandke | a successful |
| Randy_Sandke | successful operation |
| Randy_Sandke | operation on |
| Randy_Sandke | on his |
| Randy_Sandke | his throat |
| Randy_Sandke | throat he |
| Randy_Sandke | he gave |
| Randy_Sandke | gave up |
| Randy_Sandke | up the |
| Randy_Sandke | the trumpet |
| Randy_Sandke | trumpet moved |
| Randy_Sandke | moved to |
| Randy_Sandke | to new |
| Randy_Sandke | new york |
| Randy_Sandke | york city |
| Randy_Sandke | city and |
| Randy_Sandke | and played |
| Randy_Sandke | played guitar |
| Randy_Sandke | guitar for |
| Randy_Sandke | for the |
| Randy_Sandke | the next |
| Randy_Sandke | next ten |
| Randy_Sandke | ten years |
| Randy_Sandke | years when |
| Randy_Sandke | when he |
| Randy_Sandke | he returned |
| Randy_Sandke | returned to |
| Randy_Sandke | to the |
| Randy_Sandke | the trumpet |
| Randy_Sandke | trumpet he |
| Randy_Sandke | he became |
| Randy_Sandke | became a |
| Randy_Sandke | a member |
| Randy_Sandke | member of |
| Randy_Sandke | of the |
| Randy_Sandke | the nighthawks |
| Randy_Sandke | nighthawks orchestra |
| Randy_Sandke | orchestra led |
| Randy_Sandke | led by |
| Randy_Sandke | by vince |
| Randy_Sandke | vince giordano |
| Randy_Sandke | giordano followed |
| Randy_Sandke | followed by |
| Randy_Sandke | by membership |
| Randy_Sandke | membership in |
| Randy_Sandke | in bechet’s |
| Randy_Sandke | bechet’s legacy |
| Randy_Sandke | legacy led |
| Randy_Sandke | led by |
| Randy_Sandke | by bob |
| Randy_Sandke | bob wilber |
| Randy_Sandke | wilber from |
| Randy_Sandke | from 1984 |
| Randy_Sandke | 1984 985 |
| Randy_Sandke | 985 he |
| Randy_Sandke | he was |
| Randy_Sandke | was part |
| Randy_Sandke | part of |
| Randy_Sandke | of benny |
| Randy_Sandke | benny goodman’s |
| Randy_Sandke | goodman’s last |
| Randy_Sandke | last band |
| Randy_Sandke | band sandke |
| Randy_Sandke | sandke remarks |
| Randy_Sandke | remarks in |
| Randy_Sandke | in the |
| Randy_Sandke | the liner |
| Randy_Sandke | liner notes |
| Randy_Sandke | notes to |
| Randy_Sandke | to the |
| Randy_Sandke | the subway |
| Randy_Sandke | subway ballet |
| Randy_Sandke | ballet okay |
| Randy_Sandke | okay i |
| Randy_Sandke | i worked |
| Randy_Sandke | worked with |
| Randy_Sandke | with benny |
| Randy_Sandke | benny goodman |
| Randy_Sandke | goodman but |
| Randy_Sandke | but so |
| Randy_Sandke | so did |
| Randy_Sandke | did fats |
| Randy_Sandke | fats navarro |
| Randy_Sandke | navarro and |
| Randy_Sandke | and herbie |
| Randy_Sandke | herbie hancock |
| Randy_Sandke | hancock and |
| Randy_Sandke | and nobody |
| Randy_Sandke | nobody refers |
| Randy_Sandke | refers to |
| Randy_Sandke | to them |
| Randy_Sandke | them as |
| Randy_Sandke | as swing |
| Randy_Sandke | swing musicians |
| Randy_Sandke | musicians being |
| Randy_Sandke | being thus |
| Randy_Sandke | thus labeled |
| Randy_Sandke | labeled is |
| Randy_Sandke | is somewhat |
| Randy_Sandke | somewhat akin |
| Randy_Sandke | akin to |
| Randy_Sandke | to being |
| Randy_Sandke | being called |
| Randy_Sandke | called a |
| Randy_Sandke | a child |
| Randy_Sandke | child molester |
| Randy_Sandke | molester in |
| Randy_Sandke | in that |
| Randy_Sandke | that the |
| Randy_Sandke | the tag |
| Randy_Sandke | tag never |
| Randy_Sandke | never seems |
| Randy_Sandke | seems to |
| Randy_Sandke | to go |
| Randy_Sandke | go away |
| Randy_Sandke | away and |
| Randy_Sandke | and both |
| Randy_Sandke | both can |
| Randy_Sandke | can be |
| Randy_Sandke | be equally |
| Randy_Sandke | equally deleterious |
| Randy_Sandke | deleterious to |
| Randy_Sandke | to one’s |
| Randy_Sandke | one’s career |
| Randy_Sandke | career he |
| Randy_Sandke | he has |
| Randy_Sandke | has recorded |
| Randy_Sandke | recorded over |
| Randy_Sandke | over twenty |
| Randy_Sandke | twenty albums |
| Randy_Sandke | albums as |
| Randy_Sandke | as a |
| Randy_Sandke | a leader |
| Randy_Sandke | leader ranging |
| Randy_Sandke | ranging from |
| Randy_Sandke | from revisitings |
| Randy_Sandke | revisitings of |
| Randy_Sandke | of music |
| Randy_Sandke | music from |
| Randy_Sandke | from the |
| Randy_Sandke | the 1920s |
| Randy_Sandke | 1920s and |
| Randy_Sandke | and 1930s |
| Randy_Sandke | 1930s to |
| Randy_Sandke | to explorations |
| Randy_Sandke | explorations of |
| Randy_Sandke | of contemporary |
| Randy_Sandke | contemporary idioms |
| Randy_Sandke | idioms in |
| Randy_Sandke | in the |
| Randy_Sandke | the company |
| Randy_Sandke | company michael |
| Randy_Sandke | michael brecker |
| Randy_Sandke | brecker kenny |
| Randy_Sandke | kenny barron |
| Randy_Sandke | barron marty |
| Randy_Sandke | marty ehrlich |
| Randy_Sandke | ehrlich bill |
| Randy_Sandke | bill charlap |
| Randy_Sandke | charlap and |
| Randy_Sandke | and uri |
| Randy_Sandke | uri caine |
| Randy_Sandke | caine he |
| Randy_Sandke | he became |
| Randy_Sandke | became interested |
| Randy_Sandke | interested in |
| Randy_Sandke | in exploring |
| Randy_Sandke | exploring dissonant |
| Randy_Sandke | dissonant nonstandard |
| Randy_Sandke | nonstandard harmonies |
| Randy_Sandke | harmonies that |
| Randy_Sandke | that lie |
| Randy_Sandke | lie outside |
| Randy_Sandke | outside of |
| Randy_Sandke | of conventional |
| Randy_Sandke | conventional triadic |
| Randy_Sandke | triadic harmony |
| Randy_Sandke | harmony creating |
| Randy_Sandke | creating a |
| Randy_Sandke | a musical |
| Randy_Sandke | musical theory |
| Randy_Sandke | theory of |
| Randy_Sandke | of what |
| Randy_Sandke | what he |
| Randy_Sandke | he calls |
| Randy_Sandke | calls metatonality |
| Randy_Sandke | metatonality a |
| Randy_Sandke | a harmonic |
| Randy_Sandke | harmonic system |
| Randy_Sandke | system outlined |
| Randy_Sandke | outlined in |
| Randy_Sandke | in his |
| Randy_Sandke | his book |
| Randy_Sandke | book harmony |
| Randy_Sandke | harmony for |
| Randy_Sandke | for a |
| Randy_Sandke | a new |
| Randy_Sandke | new millennium |
| Randy_Sandke | millennium he |
| Randy_Sandke | he has |
| Randy_Sandke | has led |
| Randy_Sandke | led the |
| Randy_Sandke | the new |
| Randy_Sandke | new york |
| Randy_Sandke | york all |
| Randy_Sandke | all stars |
| Randy_Sandke | stars with |
| Randy_Sandke | with dan |
| Randy_Sandke | dan barrett |
| Randy_Sandke | barrett and |
| Randy_Sandke | and ken |
| Randy_Sandke | ken peplowski |
| Randy_Sandke | peplowski the |
| Randy_Sandke | the metatonal |
| Randy_Sandke | metatonal band |
| Randy_Sandke | band with |
| Randy_Sandke | with marvin |
| Randy_Sandke | marvin smith |
| Randy_Sandke | smith and |
| Randy_Sandke | and ted |
| Randy_Sandke | ted rosenthal |
| Randy_Sandke | rosenthal and |
| Randy_Sandke | and has |
| Randy_Sandke | has done |
| Randy_Sandke | done arrangements |
| Randy_Sandke | arrangements for |
| Randy_Sandke | for the |
| Randy_Sandke | the carnegie |
| Randy_Sandke | carnegie hall |
| Randy_Sandke | hall jazz |
| Randy_Sandke | jazz orchestra |
| Randy_Sandke | orchestra his |
| Randy_Sandke | his writings |
| Randy_Sandke | writings include |
| Randy_Sandke | include a |
| Randy_Sandke | a method |
| Randy_Sandke | method book |
| Randy_Sandke | book about |
| Randy_Sandke | about his |
| Randy_Sandke | his metatonal |
| Randy_Sandke | metatonal approach |
| Randy_Sandke | approach to |
| Randy_Sandke | to harmony |
| Randy_Sandke | harmony he |
| Randy_Sandke | he has |
| Randy_Sandke | has a |
| Randy_Sandke | a brother |
| Randy_Sandke | brother jordan |
| Randy_Sandke | jordan sandke |
| Randy_Sandke | sandke who |
| Randy_Sandke | who is |
| Randy_Sandke | is a |
| Randy_Sandke | a trumpeter |
| Randy_Sandke | trumpeter both |
| Randy_Sandke | both brothers |
| Randy_Sandke | brothers played |
| Randy_Sandke | played in |
| Randy_Sandke | in the |
| Randy_Sandke | the widespread |
| Randy_Sandke | widespread depression |
| Randy_Sandke | depression jazz |
| Randy_Sandke | jazz orchestra |
| Randy_Sandke | orchestra his |
| Randy_Sandke | his albums |
| Randy_Sandke | albums include |
| Randy_Sandke | include trumpet |
| Randy_Sandke | trumpet after |
| Randy_Sandke | after dark |
| Randy_Sandke | dark a |
| Randy_Sandke | a jazz |
| Randy_Sandke | jazz with |
| Randy_Sandke | with strings |
| Randy_Sandke | strings album |
| Randy_Sandke | album that |
| Randy_Sandke | that uses |
| Randy_Sandke | uses renaissance |
| Randy_Sandke | renaissance viols |
| Randy_Sandke | viols instead |
| Randy_Sandke | instead of |
| Randy_Sandke | of modern |
| Randy_Sandke | modern violins |
| Randy_Sandke | violins inside |
| Randy_Sandke | inside out |
| Randy_Sandke | out and |
| Randy_Sandke | and outside |
| Randy_Sandke | outside in |
| Randy_Sandke | in bring |
| Randy_Sandke | bring together |
| Randy_Sandke | together mainstream |
| Randy_Sandke | mainstream jazz |
| Randy_Sandke | jazz musicians |
| Randy_Sandke | musicians such |
| Randy_Sandke | such as |
| Randy_Sandke | as ken |
| Randy_Sandke | ken peplowski |
| Randy_Sandke | peplowski and |
| Randy_Sandke | and avant |
| Randy_Sandke | avant garde |
| Randy_Sandke | garde jazz |
| Randy_Sandke | jazz musicians |
| Randy_Sandke | musicians ray |
| Randy_Sandke | ray anderson |
| Randy_Sandke | anderson and |
| Randy_Sandke | and uri |
| Randy_Sandke | uri caine |
| Randy_Sandke | caine his |
| Randy_Sandke | his work |
| Randy_Sandke | work appeared |
| Randy_Sandke | appeared in |
| Randy_Sandke | in the |
| Randy_Sandke | the movies |
| Randy_Sandke | movies the |
| Randy_Sandke | the cotton |
| Randy_Sandke | cotton club |
| Randy_Sandke | club bullets |
| Randy_Sandke | bullets over |
| Randy_Sandke | over broadway |
| Randy_Sandke | broadway and |
| Randy_Sandke | and the |
| Randy_Sandke | the curse |
| Randy_Sandke | curse of |
| Randy_Sandke | of the |
| Randy_Sandke | the jade |
| Randy_Sandke | jade scorpion |
| Randy_Sandke | scorpion en |
| Ray_Mantilla | raymond mantilla |
| Ray_Mantilla | mantilla june |
| Ray_Mantilla | june 22 |
| Ray_Mantilla | 22 1934 |
| Ray_Mantilla | 1934 march |
| Ray_Mantilla | march 21 |
| Ray_Mantilla | 21 2020 |
| Ray_Mantilla | 2020 was |
| Ray_Mantilla | was an |
| Ray_Mantilla | an american |
| Ray_Mantilla | american percussionist |
| Ray_Mantilla | percussionist en |
| Rodney_Whitaker | rodney whitaker |
| Rodney_Whitaker | whitaker born |
| Rodney_Whitaker | born february |
| Rodney_Whitaker | february 22 |
| Rodney_Whitaker | 22 1968 |
| Rodney_Whitaker | 1968 is |
| Rodney_Whitaker | is an |
| Rodney_Whitaker | an american |
| Rodney_Whitaker | american jazz |
| Rodney_Whitaker | jazz double |
| Rodney_Whitaker | double bass |
| Rodney_Whitaker | bass player |
| Rodney_Whitaker | player and |
| Rodney_Whitaker | and educator |
| Rodney_Whitaker | educator en |
| Jack_DeJohnette | jack dejohnette |
| Jack_DeJohnette | dejohnette born |
| Jack_DeJohnette | born august |
| Jack_DeJohnette | august 9 |
| Jack_DeJohnette | 9 1942 |
| Jack_DeJohnette | 1942 is |
| Jack_DeJohnette | is an |
| Jack_DeJohnette | an american |
| Jack_DeJohnette | american jazz |
| Jack_DeJohnette | jazz drummer |
| Jack_DeJohnette | drummer pianist |
| Jack_DeJohnette | pianist and |
| Jack_DeJohnette | and composer |
| Jack_DeJohnette | composer an |
| Jack_DeJohnette | an important |
| Jack_DeJohnette | important figure |
| Jack_DeJohnette | figure of |
| Jack_DeJohnette | of the |
| Jack_DeJohnette | the fusion |
| Jack_DeJohnette | fusion era |
| Jack_DeJohnette | era of |
| Jack_DeJohnette | of jazz |
| Jack_DeJohnette | jazz dejohnette |
| Jack_DeJohnette | dejohnette is |
| Jack_DeJohnette | is one |
| Jack_DeJohnette | one of |
| Jack_DeJohnette | of the |
| Jack_DeJohnette | the most |
| Jack_DeJohnette | most influential |
| Jack_DeJohnette | influential jazz |
| Jack_DeJohnette | jazz drummers |
| Jack_DeJohnette | drummers of |
| Jack_DeJohnette | of the |
| Jack_DeJohnette | the 20th |
| Jack_DeJohnette | 20th century |
| Jack_DeJohnette | century given |
| Jack_DeJohnette | given his |
| Jack_DeJohnette | his extensive |
| Jack_DeJohnette | extensive work |
| Jack_DeJohnette | work as |
| Jack_DeJohnette | as leader |
| Jack_DeJohnette | leader and |
| Jack_DeJohnette | and sideman |
| Jack_DeJohnette | sideman for |
| Jack_DeJohnette | for musicians |
| Jack_DeJohnette | musicians including |
| Jack_DeJohnette | including charles |
| Jack_DeJohnette | charles lloyd |
| Jack_DeJohnette | lloyd freddie |
| Jack_DeJohnette | freddie hubbard |
| Jack_DeJohnette | hubbard keith |
| Jack_DeJohnette | keith jarrett |
| Jack_DeJohnette | jarrett bill |
| Jack_DeJohnette | bill evans |
| Jack_DeJohnette | evans john |
| Jack_DeJohnette | john abercrombie |
| Jack_DeJohnette | abercrombie alice |
| Jack_DeJohnette | alice coltrane |
| Jack_DeJohnette | coltrane sonny |
| Jack_DeJohnette | sonny rollins |
| Jack_DeJohnette | rollins miles |
| Jack_DeJohnette | miles davis |
| Jack_DeJohnette | davis joe |
| Jack_DeJohnette | joe henderson |
| Jack_DeJohnette | henderson michael |
| Jack_DeJohnette | michael brecker |
| Jack_DeJohnette | brecker herbie |
| Jack_DeJohnette | herbie hancock |
| Jack_DeJohnette | hancock and |
| Jack_DeJohnette | and john |
| Jack_DeJohnette | john scofield |
| Jack_DeJohnette | scofield he |
| Jack_DeJohnette | he was |
| Jack_DeJohnette | was inducted |
| Jack_DeJohnette | inducted into |
| Jack_DeJohnette | into the |
| Jack_DeJohnette | the modern |
| Jack_DeJohnette | modern drummer |
| Jack_DeJohnette | drummer hall |
| Jack_DeJohnette | hall of |
| Jack_DeJohnette | of fame |
| Jack_DeJohnette | fame in |
| Jack_DeJohnette | in 2007 |
| Jack_DeJohnette | 2007 en |
| Duke_Ellington | edward kennedy |
| Duke_Ellington | kennedy duke |
| Duke_Ellington | duke ellington |
| Duke_Ellington | ellington april |
| Duke_Ellington | april 29 |
| Duke_Ellington | 29 1899 |
| Duke_Ellington | 1899 may |
| Duke_Ellington | may 24 |
| Duke_Ellington | 24 1974 |
| Duke_Ellington | 1974 was |
| Duke_Ellington | was an |
| Duke_Ellington | an american |
| Duke_Ellington | american composer |
| Duke_Ellington | composer pianist |
| Duke_Ellington | pianist and |
| Duke_Ellington | and leader |
| Duke_Ellington | leader of |
| Duke_Ellington | of a |
| Duke_Ellington | a jazz |
| Duke_Ellington | jazz orchestra |
| Duke_Ellington | orchestra from |
| Duke_Ellington | from 1923 |
| Duke_Ellington | 1923 through |
| Duke_Ellington | through the |
| Duke_Ellington | the rest |
| Duke_Ellington | rest of |
| Duke_Ellington | of his |
| Duke_Ellington | his life |
| Duke_Ellington | life born |
| Duke_Ellington | born in |
| Duke_Ellington | in washington |
| Duke_Ellington | washington d.c |
| Duke_Ellington | d.c ellington |
| Duke_Ellington | ellington was |
| Duke_Ellington | was based |
| Duke_Ellington | based in |
| Duke_Ellington | in new |
| Duke_Ellington | new york |
| Duke_Ellington | york city |
| Duke_Ellington | city from |
| Duke_Ellington | from the |
| Duke_Ellington | the mid |
| Duke_Ellington | mid 1920s |
| Duke_Ellington | 1920s and |
| Duke_Ellington | and gained |
| Duke_Ellington | gained a |
| Duke_Ellington | a national |
| Duke_Ellington | national profile |
| Duke_Ellington | profile through |
| Duke_Ellington | through his |
| Duke_Ellington | his orchestra’s |
| Duke_Ellington | orchestra’s appearances |
| Duke_Ellington | appearances at |
| Duke_Ellington | at the |
| Duke_Ellington | the cotton |
| Duke_Ellington | cotton club |
| Duke_Ellington | club in |
| Duke_Ellington | in harlem |
| Duke_Ellington | harlem in |
| Duke_Ellington | in the |
| Duke_Ellington | the 1930s |
| Duke_Ellington | 1930s his |
| Duke_Ellington | his orchestra |
| Duke_Ellington | orchestra toured |
| Duke_Ellington | toured europe |
| Duke_Ellington | europe several |
| Duke_Ellington | several times |
| Duke_Ellington | times some |
| Duke_Ellington | some of |
| Duke_Ellington | of the |
| Duke_Ellington | the jazz |
| Duke_Ellington | jazz musicians |
| Duke_Ellington | musicians who |
| Duke_Ellington | who were |
| Duke_Ellington | were members |
| Duke_Ellington | members of |
| Duke_Ellington | of ellington’s |
| Duke_Ellington | ellington’s orchestra |
| Duke_Ellington | orchestra such |
| Duke_Ellington | such as |
| Duke_Ellington | as saxophonist |
| Duke_Ellington | saxophonist johnny |
| Duke_Ellington | johnny hodges |
| Duke_Ellington | hodges are |
| Duke_Ellington | are considered |
| Duke_Ellington | considered among |
| Duke_Ellington | among the |
| Duke_Ellington | the best |
| Duke_Ellington | best players |
| Duke_Ellington | players in |
| Duke_Ellington | in the |
| Duke_Ellington | the idiom |
| Duke_Ellington | idiom ellington |
| Duke_Ellington | ellington melded |
| Duke_Ellington | melded them |
| Duke_Ellington | them into |
| Duke_Ellington | into the |
| Duke_Ellington | the best |
| Duke_Ellington | best regarded |
| Duke_Ellington | regarded orchestral |
| Duke_Ellington | orchestral unit |
| Duke_Ellington | unit in |
| Duke_Ellington | in the |
| Duke_Ellington | the history |
| Duke_Ellington | history of |
| Duke_Ellington | of jazz |
| Duke_Ellington | jazz some |
| Duke_Ellington | some members |
| Duke_Ellington | members stayed |
| Duke_Ellington | stayed with |
| Duke_Ellington | with the |
| Duke_Ellington | the orchestra |
| Duke_Ellington | orchestra for |
| Duke_Ellington | for several |
| Duke_Ellington | several decades |
| Duke_Ellington | decades a |
| Duke_Ellington | a master |
| Duke_Ellington | master at |
| Duke_Ellington | at writing |
| Duke_Ellington | writing miniatures |
| Duke_Ellington | miniatures for |
| Duke_Ellington | for the |
| Duke_Ellington | the three |
| Duke_Ellington | three minute |
| Duke_Ellington | minute 78 |
| Duke_Ellington | 78 rpm |
| Duke_Ellington | rpm recording |
| Duke_Ellington | recording format |
| Duke_Ellington | format ellington |
| Duke_Ellington | ellington wrote |
| Duke_Ellington | wrote or |
| Duke_Ellington | or collaborated |
| Duke_Ellington | collaborated on |
| Duke_Ellington | on more |
| Duke_Ellington | more than |
| Duke_Ellington | than one |
| Duke_Ellington | one thousand |
| Duke_Ellington | thousand compositions |
| Duke_Ellington | compositions his |
| Duke_Ellington | his extensive |
| Duke_Ellington | extensive body |
| Duke_Ellington | body of |
| Duke_Ellington | of work |
| Duke_Ellington | work is |
| Duke_Ellington | is the |
| Duke_Ellington | the largest |
| Duke_Ellington | largest recorded |
| Duke_Ellington | recorded personal |
| Duke_Ellington | personal jazz |
| Duke_Ellington | jazz legacy |
| Duke_Ellington | legacy and |
| Duke_Ellington | and many |
| Duke_Ellington | many of |
| Duke_Ellington | of his |
| Duke_Ellington | his pieces |
| Duke_Ellington | pieces have |
| Duke_Ellington | have become |
| Duke_Ellington | become standards |
| Duke_Ellington | standards he |
| Duke_Ellington | he also |
| Duke_Ellington | also recorded |
| Duke_Ellington | recorded songs |
| Duke_Ellington | songs written |
| Duke_Ellington | written by |
| Duke_Ellington | by his |
| Duke_Ellington | his bandsmen |
| Duke_Ellington | bandsmen such |
| Duke_Ellington | such as |
| Duke_Ellington | as juan |
| Duke_Ellington | juan tizol’s |
| Duke_Ellington | tizol’s caravan |
| Duke_Ellington | caravan which |
| Duke_Ellington | which brought |
| Duke_Ellington | brought a |
| Duke_Ellington | a spanish |
| Duke_Ellington | spanish tinge |
| Duke_Ellington | tinge to |
| Duke_Ellington | to big |
| Duke_Ellington | big band |
| Duke_Ellington | band jazz |
| Duke_Ellington | jazz at |
| Duke_Ellington | at the |
| Duke_Ellington | the end |
| Duke_Ellington | end of |
| Duke_Ellington | of the |
| Duke_Ellington | the 1930s |
| Duke_Ellington | 1930s ellington |
| Duke_Ellington | ellington began |
| Duke_Ellington | began a |
| Duke_Ellington | a nearly |
| Duke_Ellington | nearly thirty |
| Duke_Ellington | thirty year |
| Duke_Ellington | year collaboration |
| Duke_Ellington | collaboration with |
| Duke_Ellington | with composer |
| Duke_Ellington | composer arranger |
| Duke_Ellington | arranger pianist |
| Duke_Ellington | pianist billy |
| Duke_Ellington | billy strayhorn |
| Duke_Ellington | strayhorn whom |
| Duke_Ellington | whom he |
| Duke_Ellington | he called |
| Duke_Ellington | called his |
| Duke_Ellington | his writing |
| Duke_Ellington | writing and |
| Duke_Ellington | and arranging |
| Duke_Ellington | arranging companion |
| Duke_Ellington | companion with |
| Duke_Ellington | with strayhorn |
| Duke_Ellington | strayhorn he |
| Duke_Ellington | he composed |
| Duke_Ellington | composed multiple |
| Duke_Ellington | multiple extended |
| Duke_Ellington | extended compositions |
| Duke_Ellington | compositions or |
| Duke_Ellington | or suites |
| Duke_Ellington | suites as |
| Duke_Ellington | as well |
| Duke_Ellington | well as |
| Duke_Ellington | as many |
| Duke_Ellington | many short |
| Duke_Ellington | short pieces |
| Duke_Ellington | pieces for |
| Duke_Ellington | for a |
| Duke_Ellington | a few |
| Duke_Ellington | few years |
| Duke_Ellington | years at |
| Duke_Ellington | at the |
| Duke_Ellington | the beginning |
| Duke_Ellington | beginning of |
| Duke_Ellington | of strayhorn’s |
| Duke_Ellington | strayhorn’s involvement |
| Duke_Ellington | involvement ellington’s |
| Duke_Ellington | ellington’s orchestra |
| Duke_Ellington | orchestra is |
| Duke_Ellington | is considered |
| Duke_Ellington | considered to |
| Duke_Ellington | to have |
| Duke_Ellington | have been |
| Duke_Ellington | been at |
| Duke_Ellington | at its |
| Duke_Ellington | its peak |
| Duke_Ellington | peak with |
| Duke_Ellington | with bassist |
| Duke_Ellington | bassist jimmy |
| Duke_Ellington | jimmy blanton |
| Duke_Ellington | blanton and |
| Duke_Ellington | and tenor |
| Duke_Ellington | tenor saxophonist |
| Duke_Ellington | saxophonist ben |
| Duke_Ellington | ben webster |
| Duke_Ellington | webster briefly |
| Duke_Ellington | briefly members |
| Duke_Ellington | members following |
| Duke_Ellington | following a |
| Duke_Ellington | a low |
| Duke_Ellington | low profile |
| Duke_Ellington | profile period |
| Duke_Ellington | period hodges |
| Duke_Ellington | hodges temporarily |
| Duke_Ellington | temporarily left |
| Duke_Ellington | left an |
| Duke_Ellington | an appearance |
| Duke_Ellington | appearance by |
| Duke_Ellington | by ellington |
| Duke_Ellington | ellington and |
| Duke_Ellington | and his |
| Duke_Ellington | his orchestra |
| Duke_Ellington | orchestra at |
| Duke_Ellington | at the |
| Duke_Ellington | the newport |
| Duke_Ellington | newport jazz |
| Duke_Ellington | jazz festival |
| Duke_Ellington | festival in |
| Duke_Ellington | in july |
| Duke_Ellington | july 1956 |
| Duke_Ellington | 1956 led |
| Duke_Ellington | led to |
| Duke_Ellington | to a |
| Duke_Ellington | a major |
| Duke_Ellington | major revival |
| Duke_Ellington | revival and |
| Duke_Ellington | and regular |
| Duke_Ellington | regular world |
| Duke_Ellington | world tours |
| Duke_Ellington | tours ellington |
| Duke_Ellington | ellington recorded |
| Duke_Ellington | recorded for |
| Duke_Ellington | for most |
| Duke_Ellington | most american |
| Duke_Ellington | american record |
| Duke_Ellington | record companies |
| Duke_Ellington | companies of |
| Duke_Ellington | of his |
| Duke_Ellington | his era |
| Duke_Ellington | era performed |
| Duke_Ellington | performed in |
| Duke_Ellington | in and |
| Duke_Ellington | and scored |
| Duke_Ellington | scored several |
| Duke_Ellington | several films |
| Duke_Ellington | films and |
| Duke_Ellington | and composed |
| Duke_Ellington | composed a |
| Duke_Ellington | a handful |
| Duke_Ellington | handful of |
| Duke_Ellington | of stage |
| Duke_Ellington | stage musicals |
| Duke_Ellington | musicals although |
| Duke_Ellington | although a |
| Duke_Ellington | a pivotal |
| Duke_Ellington | pivotal figure |
| Duke_Ellington | figure in |
| Duke_Ellington | in the |
| Duke_Ellington | the history |
| Duke_Ellington | history of |
| Duke_Ellington | of jazz |
| Duke_Ellington | jazz in |
| Duke_Ellington | in the |
| Duke_Ellington | the opinion |
| Duke_Ellington | opinion of |
| Duke_Ellington | of gunther |
| Duke_Ellington | gunther schuller |
| Duke_Ellington | schuller and |
| Duke_Ellington | and barry |
| Duke_Ellington | barry kernfeld |
| Duke_Ellington | kernfeld the |
| Duke_Ellington | the most |
| Duke_Ellington | most significant |
| Duke_Ellington | significant composer |
| Duke_Ellington | composer of |
| Duke_Ellington | of the |
| Duke_Ellington | the genre |
| Duke_Ellington | genre ellington |
| Duke_Ellington | ellington himself |
| Duke_Ellington | himself embraced |
| Duke_Ellington | embraced the |
| Duke_Ellington | the phrase |
| Duke_Ellington | phrase beyond |
| Duke_Ellington | beyond category |
| Duke_Ellington | category considering |
| Duke_Ellington | considering it |
| Duke_Ellington | it a |
| Duke_Ellington | a liberating |
| Duke_Ellington | liberating principle |
| Duke_Ellington | principle and |
| Duke_Ellington | and referring |
| Duke_Ellington | referring to |
| Duke_Ellington | to his |
| Duke_Ellington | his music |
| Duke_Ellington | music as |
| Duke_Ellington | as part |
| Duke_Ellington | part of |
| Duke_Ellington | of the |
| Duke_Ellington | the more |
| Duke_Ellington | more general |
| Duke_Ellington | general category |
| Duke_Ellington | category of |
| Duke_Ellington | of american |
| Duke_Ellington | american music |
| Duke_Ellington | music ellington |
| Duke_Ellington | ellington was |
| Duke_Ellington | was known |
| Duke_Ellington | known for |
| Duke_Ellington | for his |
| Duke_Ellington | his inventive |
| Duke_Ellington | inventive use |
| Duke_Ellington | use of |
| Duke_Ellington | of the |
| Duke_Ellington | the orchestra |
| Duke_Ellington | orchestra or |
| Duke_Ellington | or big |
| Duke_Ellington | big band |
| Duke_Ellington | band as |
| Duke_Ellington | as well |
| Duke_Ellington | well as |
| Duke_Ellington | as for |
| Duke_Ellington | for his |
| Duke_Ellington | his eloquence |
| Duke_Ellington | eloquence and |
| Duke_Ellington | and charisma |
| Duke_Ellington | charisma he |
| Duke_Ellington | he was |
| Duke_Ellington | was awarded |
| Duke_Ellington | awarded a |
| Duke_Ellington | a posthumous |
| Duke_Ellington | posthumous pulitzer |
| Duke_Ellington | pulitzer prize |
| Duke_Ellington | prize special |
| Duke_Ellington | special award |
| Duke_Ellington | award for |
| Duke_Ellington | for music |
| Duke_Ellington | music in |
| Duke_Ellington | in 1999 |
| Duke_Ellington | 1999 en |
| Winard_Harper | hiram winard |
| Winard_Harper | winard harper |
| Winard_Harper | harper born |
| Winard_Harper | born june |
| Winard_Harper | june 4 |
| Winard_Harper | 4 1962 |
| Winard_Harper | 1962 is |
| Winard_Harper | is an |
| Winard_Harper | an american |
| Winard_Harper | american jazz |
| Winard_Harper | jazz drummer |
| Winard_Harper | drummer en |
| Charles_Mingus | charles mingus |
| Charles_Mingus | mingus jr |
| Charles_Mingus | jr april |
| Charles_Mingus | april 22 |
| Charles_Mingus | 22 1922 |
| Charles_Mingus | 1922 january |
| Charles_Mingus | january 5 |
| Charles_Mingus | 5 1979 |
| Charles_Mingus | 1979 was |
| Charles_Mingus | was an |
| Charles_Mingus | an american |
| Charles_Mingus | american jazz |
| Charles_Mingus | jazz double |
| Charles_Mingus | double bassist |
| Charles_Mingus | bassist pianist |
| Charles_Mingus | pianist composer |
| Charles_Mingus | composer and |
| Charles_Mingus | and bandleader |
| Charles_Mingus | bandleader a |
| Charles_Mingus | a major |
| Charles_Mingus | major proponent |
| Charles_Mingus | proponent of |
| Charles_Mingus | of collective |
| Charles_Mingus | collective improvisation |
| Charles_Mingus | improvisation he |
| Charles_Mingus | he is |
| Charles_Mingus | is considered |
| Charles_Mingus | considered to |
| Charles_Mingus | to be |
| Charles_Mingus | be one |
| Charles_Mingus | one of |
| Charles_Mingus | of the |
| Charles_Mingus | the greatest |
| Charles_Mingus | greatest jazz |
| Charles_Mingus | jazz musicians |
| Charles_Mingus | musicians and |
| Charles_Mingus | and composers |
| Charles_Mingus | composers in |
| Charles_Mingus | in history |
| Charles_Mingus | history with |
| Charles_Mingus | with a |
| Charles_Mingus | a career |
| Charles_Mingus | career spanning |
| Charles_Mingus | spanning three |
| Charles_Mingus | three decades |
| Charles_Mingus | decades and |
| Charles_Mingus | and collaborations |
| Charles_Mingus | collaborations with |
| Charles_Mingus | with other |
| Charles_Mingus | other jazz |
| Charles_Mingus | jazz musicians |
| Charles_Mingus | musicians such |
| Charles_Mingus | such as |
| Charles_Mingus | as louis |
| Charles_Mingus | louis armstrong |
| Charles_Mingus | armstrong duke |
| Charles_Mingus | duke ellington |
| Charles_Mingus | ellington charlie |
| Charles_Mingus | charlie parker |
| Charles_Mingus | parker dizzy |
| Charles_Mingus | dizzy gillespie |
| Charles_Mingus | gillespie and |
| Charles_Mingus | and herbie |
| Charles_Mingus | herbie hancock |
| Charles_Mingus | hancock mingus’s |
| Charles_Mingus | mingus’s compositions |
| Charles_Mingus | compositions continue |
| Charles_Mingus | continue to |
| Charles_Mingus | to be |
| Charles_Mingus | be played |
| Charles_Mingus | played by |
| Charles_Mingus | by contemporary |
| Charles_Mingus | contemporary musicians |
| Charles_Mingus | musicians ranging |
| Charles_Mingus | ranging from |
| Charles_Mingus | from the |
| Charles_Mingus | the repertory |
| Charles_Mingus | repertory bands |
| Charles_Mingus | bands mingus |
| Charles_Mingus | mingus big |
| Charles_Mingus | big band |
| Charles_Mingus | band mingus |
| Charles_Mingus | mingus dynasty |
| Charles_Mingus | dynasty and |
| Charles_Mingus | and mingus |
| Charles_Mingus | mingus orchestra |
| Charles_Mingus | orchestra to |
| Charles_Mingus | to the |
| Charles_Mingus | the high |
| Charles_Mingus | high school |
| Charles_Mingus | school students |
| Charles_Mingus | students who |
| Charles_Mingus | who play |
| Charles_Mingus | play the |
| Charles_Mingus | the charts |
| Charles_Mingus | charts and |
| Charles_Mingus | and compete |
| Charles_Mingus | compete in |
| Charles_Mingus | in the |
| Charles_Mingus | the charles |
| Charles_Mingus | charles mingus |
| Charles_Mingus | mingus high |
| Charles_Mingus | high school |
| Charles_Mingus | school competition |
| Charles_Mingus | competition in |
| Charles_Mingus | in 1993 |
| Charles_Mingus | 1993 the |
| Charles_Mingus | the library |
| Charles_Mingus | library of |
| Charles_Mingus | of congress |
| Charles_Mingus | congress acquired |
| Charles_Mingus | acquired mingus’s |
| Charles_Mingus | mingus’s collected |
| Charles_Mingus | collected papers |
| Charles_Mingus | papers ncluding |
| Charles_Mingus | ncluding scores |
| Charles_Mingus | scores sound |
| Charles_Mingus | sound recordings |
| Charles_Mingus | recordings correspondence |
| Charles_Mingus | correspondence and |
| Charles_Mingus | and photos |
| Charles_Mingus | photos n |
| Charles_Mingus | n what |
| Charles_Mingus | what they |
| Charles_Mingus | they described |
| Charles_Mingus | described as |
| Charles_Mingus | as the |
| Charles_Mingus | the most |
| Charles_Mingus | most important |
| Charles_Mingus | important acquisition |
| Charles_Mingus | acquisition of |
| Charles_Mingus | of a |
| Charles_Mingus | a manuscript |
| Charles_Mingus | manuscript collection |
| Charles_Mingus | collection relating |
| Charles_Mingus | relating to |
| Charles_Mingus | to jazz |
| Charles_Mingus | jazz in |
| Charles_Mingus | in the |
| Charles_Mingus | the library’s |
| Charles_Mingus | library’s history |
| Charles_Mingus | history en |
| Kenny_Kirkland | kenneth david |
| Kenny_Kirkland | david kirkland |
| Kenny_Kirkland | kirkland september |
| Kenny_Kirkland | september 28 |
| Kenny_Kirkland | 28 1955 |
| Kenny_Kirkland | 1955 november |
| Kenny_Kirkland | november 12 |
| Kenny_Kirkland | 12 1998 |
| Kenny_Kirkland | 1998 was |
| Kenny_Kirkland | was an |
| Kenny_Kirkland | an american |
| Kenny_Kirkland | american pianist |
| Kenny_Kirkland | pianist keyboardist |
| Kenny_Kirkland | keyboardist en |
| Terence_Blanchard | terence oliver |
| Terence_Blanchard | oliver blanchard |
| Terence_Blanchard | blanchard born |
| Terence_Blanchard | born march |
| Terence_Blanchard | march 13 |
| Terence_Blanchard | 13 1962 |
| Terence_Blanchard | 1962 is |
| Terence_Blanchard | is an |
| Terence_Blanchard | an american |
| Terence_Blanchard | american trumpeter |
| Terence_Blanchard | trumpeter and |
| Terence_Blanchard | and composer |
| Terence_Blanchard | composer he |
| Terence_Blanchard | he started |
| Terence_Blanchard | started his |
| Terence_Blanchard | his career |
| Terence_Blanchard | career in |
| Terence_Blanchard | in 1982 |
| Terence_Blanchard | 1982 as |
| Terence_Blanchard | as a |
| Terence_Blanchard | a member |
| Terence_Blanchard | member of |
| Terence_Blanchard | of the |
| Terence_Blanchard | the lionel |
| Terence_Blanchard | lionel hampton |
| Terence_Blanchard | hampton orchestra |
| Terence_Blanchard | orchestra then |
| Terence_Blanchard | then the |
| Terence_Blanchard | the jazz |
| Terence_Blanchard | jazz messengers |
| Terence_Blanchard | messengers he |
| Terence_Blanchard | he has |
| Terence_Blanchard | has composed |
| Terence_Blanchard | composed more |
| Terence_Blanchard | more than |
| Terence_Blanchard | than forty |
| Terence_Blanchard | forty film |
| Terence_Blanchard | film scores |
| Terence_Blanchard | scores and |
| Terence_Blanchard | and performed |
| Terence_Blanchard | performed on |
| Terence_Blanchard | on more |
| Terence_Blanchard | more than |
| Terence_Blanchard | than fifty |
| Terence_Blanchard | fifty a |
| Terence_Blanchard | a frequent |
| Terence_Blanchard | frequent collaborator |
| Terence_Blanchard | collaborator with |
| Terence_Blanchard | with director |
| Terence_Blanchard | director spike |
| Terence_Blanchard | spike lee |
| Terence_Blanchard | lee he |
| Terence_Blanchard | he has |
| Terence_Blanchard | has been |
| Terence_Blanchard | been nominated |
| Terence_Blanchard | nominated for |
| Terence_Blanchard | for two |
| Terence_Blanchard | two academy |
| Terence_Blanchard | academy awards |
| Terence_Blanchard | awards for |
| Terence_Blanchard | for composing |
| Terence_Blanchard | composing the |
| Terence_Blanchard | the scores |
| Terence_Blanchard | scores for |
| Terence_Blanchard | for lee’s |
| Terence_Blanchard | lee’s films |
| Terence_Blanchard | films blackkklansman |
| Terence_Blanchard | blackkklansman 2018 |
| Terence_Blanchard | 2018 and |
| Terence_Blanchard | and da |
| Terence_Blanchard | da 5 |
| Terence_Blanchard | 5 bloods |
| Terence_Blanchard | bloods 2020 |
| Terence_Blanchard | 2020 he |
| Terence_Blanchard | he has |
| Terence_Blanchard | has won |
| Terence_Blanchard | won five |
| Terence_Blanchard | five grammy |
| Terence_Blanchard | grammy awards |
| Terence_Blanchard | awards from |
| Terence_Blanchard | from fourteen |
| Terence_Blanchard | fourteen nominations |
| Terence_Blanchard | nominations from |
| Terence_Blanchard | from 2000 |
| Terence_Blanchard | 2000 to |
| Terence_Blanchard | to 2011 |
| Terence_Blanchard | 2011 blanchard |
| Terence_Blanchard | blanchard served |
| Terence_Blanchard | served as |
| Terence_Blanchard | as artistic |
| Terence_Blanchard | artistic director |
| Terence_Blanchard | director of |
| Terence_Blanchard | of the |
| Terence_Blanchard | the thelonious |
| Terence_Blanchard | thelonious monk |
| Terence_Blanchard | monk institute |
| Terence_Blanchard | institute of |
| Terence_Blanchard | of jazz |
| Terence_Blanchard | jazz in |
| Terence_Blanchard | in 2011 |
| Terence_Blanchard | 2011 he |
| Terence_Blanchard | he was |
| Terence_Blanchard | was named |
| Terence_Blanchard | named artistic |
| Terence_Blanchard | artistic director |
| Terence_Blanchard | director of |
| Terence_Blanchard | of the |
| Terence_Blanchard | the henry |
| Terence_Blanchard | henry mancini |
| Terence_Blanchard | mancini institute |
| Terence_Blanchard | institute at |
| Terence_Blanchard | at the |
| Terence_Blanchard | the university |
| Terence_Blanchard | university of |
| Terence_Blanchard | of miami |
| Terence_Blanchard | miami and |
| Terence_Blanchard | and in |
| Terence_Blanchard | in 2015 |
| Terence_Blanchard | 2015 he |
| Terence_Blanchard | he became |
| Terence_Blanchard | became a |
| Terence_Blanchard | a visiting |
| Terence_Blanchard | visiting scholar |
| Terence_Blanchard | scholar in |
| Terence_Blanchard | in jazz |
| Terence_Blanchard | jazz composition |
| Terence_Blanchard | composition at |
| Terence_Blanchard | at the |
| Terence_Blanchard | the berklee |
| Terence_Blanchard | berklee college |
| Terence_Blanchard | college of |
| Terence_Blanchard | of music |
| Terence_Blanchard | music in |
| Terence_Blanchard | in 2019 |
| Terence_Blanchard | 2019 the |
| Terence_Blanchard | the university |
| Terence_Blanchard | university of |
| Terence_Blanchard | of california |
| Terence_Blanchard | california los |
| Terence_Blanchard | los angeles |
| Terence_Blanchard | angeles ucla |
| Terence_Blanchard | ucla named |
| Terence_Blanchard | named blanchard |
| Terence_Blanchard | blanchard to |
| Terence_Blanchard | to its |
| Terence_Blanchard | its endowed |
| Terence_Blanchard | endowed chair |
| Terence_Blanchard | chair in |
| Terence_Blanchard | in jazz |
| Terence_Blanchard | jazz studies |
| Terence_Blanchard | studies where |
| Terence_Blanchard | where he |
| Terence_Blanchard | he will |
| Terence_Blanchard | will remain |
| Terence_Blanchard | remain until |
| Terence_Blanchard | until 2024 |
| Terence_Blanchard | 2024 the |
| Terence_Blanchard | the metropolitan |
| Terence_Blanchard | metropolitan opera |
| Terence_Blanchard | opera in |
| Terence_Blanchard | in new |
| Terence_Blanchard | new york |
| Terence_Blanchard | york staged |
| Terence_Blanchard | staged blanchard’s |
| Terence_Blanchard | blanchard’s opera |
| Terence_Blanchard | opera fire |
| Terence_Blanchard | fire shut |
| Terence_Blanchard | shut up |
| Terence_Blanchard | up in |
| Terence_Blanchard | in my |
| Terence_Blanchard | my bones |
| Terence_Blanchard | bones in |
| Terence_Blanchard | in its |
| Terence_Blanchard | its 2021 |
| Terence_Blanchard | 2021 2022 |
| Terence_Blanchard | 2022 season |
| Terence_Blanchard | season the |
| Terence_Blanchard | the first |
| Terence_Blanchard | first opera |
| Terence_Blanchard | opera by |
| Terence_Blanchard | by an |
| Terence_Blanchard | an african |
| Terence_Blanchard | african american |
| Terence_Blanchard | american composer |
| Terence_Blanchard | composer in |
| Terence_Blanchard | in the |
| Terence_Blanchard | the organization’s |
| Terence_Blanchard | organization’s history |
| Terence_Blanchard | history en |
| Paul_Bley | paul bley |
| Paul_Bley | bley cm |
| Paul_Bley | cm november |
| Paul_Bley | november 10 |
| Paul_Bley | 10 1932 |
| Paul_Bley | 1932 january |
| Paul_Bley | january 3 |
| Paul_Bley | 3 2016 |
| Paul_Bley | 2016 was |
| Paul_Bley | was a |
| Paul_Bley | a jazz |
| Paul_Bley | jazz pianist |
| Paul_Bley | pianist known |
| Paul_Bley | known for |
| Paul_Bley | for his |
| Paul_Bley | his contributions |
| Paul_Bley | contributions to |
| Paul_Bley | to the |
| Paul_Bley | the free |
| Paul_Bley | free jazz |
| Paul_Bley | jazz movement |
| Paul_Bley | movement of |
| Paul_Bley | of the |
| Paul_Bley | the 1960s |
| Paul_Bley | 1960s as |
| Paul_Bley | as well |
| Paul_Bley | well as |
| Paul_Bley | as his |
| Paul_Bley | his innovations |
| Paul_Bley | innovations and |
| Paul_Bley | and influence |
| Paul_Bley | influence on |
| Paul_Bley | on trio |
| Paul_Bley | trio playing |
| Paul_Bley | playing and |
| Paul_Bley | and his |
| Paul_Bley | his early |
| Paul_Bley | early live |
| Paul_Bley | live performance |
| Paul_Bley | performance on |
| Paul_Bley | on the |
| Paul_Bley | the moog |
| Paul_Bley | moog and |
| Paul_Bley | and arp |
| Paul_Bley | arp audio |
| Paul_Bley | audio synthesizers |
| Paul_Bley | synthesizers his |
| Paul_Bley | his music |
| Paul_Bley | music has |
| Paul_Bley | has been |
| Paul_Bley | been described |
| Paul_Bley | described by |
| Paul_Bley | by ben |
| Paul_Bley | ben ratliff |
| Paul_Bley | ratliff of |
| Paul_Bley | of the |
| Paul_Bley | the new |
| Paul_Bley | new york |
| Paul_Bley | york times |
| Paul_Bley | times as |
| Paul_Bley | as deeply |
| Paul_Bley | deeply original |
| Paul_Bley | original and |
| Paul_Bley | and aesthetically |
| Paul_Bley | aesthetically aggressive |
| Paul_Bley | aggressive bley’s |
| Paul_Bley | bley’s prolific |
| Paul_Bley | prolific output |
| Paul_Bley | output includes |
| Paul_Bley | includes influential |
| Paul_Bley | influential recordings |
| Paul_Bley | recordings from |
| Paul_Bley | from the |
| Paul_Bley | the 1950s |
| Paul_Bley | 1950s through |
| Paul_Bley | through to |
| Paul_Bley | to his |
| Paul_Bley | his solo |
| Paul_Bley | solo piano |
| Paul_Bley | piano recordings |
| Paul_Bley | recordings of |
| Paul_Bley | of the |
| Paul_Bley | the 2000s |
| Paul_Bley | 2000s en |
| Jann_Arden | jann arden |
| Jann_Arden | arden cm |
| Jann_Arden | cm born |
| Jann_Arden | born jann |
| Jann_Arden | jann arden |
| Jann_Arden | arden anne |
| Jann_Arden | anne richards |
| Jann_Arden | richards march |
| Jann_Arden | march 27 |
| Jann_Arden | 27 1962 |
| Jann_Arden | 1962 is |
| Jann_Arden | is a |
| Jann_Arden | a canadian |
| Jann_Arden | canadian singer |
| Jann_Arden | singer songwriter |
| Jann_Arden | songwriter and |
| Jann_Arden | and actress |
| Jann_Arden | actress she |
| Jann_Arden | she is |
| Jann_Arden | is famous |
| Jann_Arden | famous for |
| Jann_Arden | for her |
| Jann_Arden | her signature |
| Jann_Arden | signature ballads |
| Jann_Arden | ballads could |
| Jann_Arden | could i |
| Jann_Arden | i be |
| Jann_Arden | be your |
| Jann_Arden | your girl |
| Jann_Arden | girl and |
| Jann_Arden | and insensitive |
| Jann_Arden | insensitive which |
| Jann_Arden | which is |
| Jann_Arden | is her |
| Jann_Arden | her biggest |
| Jann_Arden | biggest hit |
| Jann_Arden | hit to |
| Jann_Arden | to date |
| Jann_Arden | date en |
| Richard_Johnson_(pianist) | richard doron |
| Richard_Johnson_(pianist) | doron johnson |
| Richard_Johnson_(pianist) | johnson is |
| Richard_Johnson_(pianist) | is an |
| Richard_Johnson_(pianist) | an american |
| Richard_Johnson_(pianist) | american composer |
| Richard_Johnson_(pianist) | composer jazz |
| Richard_Johnson_(pianist) | jazz pianist |
| Richard_Johnson_(pianist) | pianist and |
| Richard_Johnson_(pianist) | and music |
| Richard_Johnson_(pianist) | music professor |
| Richard_Johnson_(pianist) | professor he |
| Richard_Johnson_(pianist) | he is |
| Richard_Johnson_(pianist) | is a |
| Richard_Johnson_(pianist) | a jazz |
| Richard_Johnson_(pianist) | jazz professor |
| Richard_Johnson_(pianist) | professor at |
| Richard_Johnson_(pianist) | at the |
| Richard_Johnson_(pianist) | the peabody |
| Richard_Johnson_(pianist) | peabody conservatory |
| Richard_Johnson_(pianist) | conservatory of |
| Richard_Johnson_(pianist) | of music |
| Richard_Johnson_(pianist) | music in |
| Richard_Johnson_(pianist) | in baltimore |
| Richard_Johnson_(pianist) | baltimore johnson |
| Richard_Johnson_(pianist) | johnson often |
| Richard_Johnson_(pianist) | often plays |
| Richard_Johnson_(pianist) | plays at |
| Richard_Johnson_(pianist) | at music |
| Richard_Johnson_(pianist) | music venues |
| Richard_Johnson_(pianist) | venues and |
| Richard_Johnson_(pianist) | and jazz |
| Richard_Johnson_(pianist) | jazz festivals |
| Richard_Johnson_(pianist) | festivals such |
| Richard_Johnson_(pianist) | such as |
| Richard_Johnson_(pianist) | as the |
| Richard_Johnson_(pianist) | the detroit |
| Richard_Johnson_(pianist) | detroit international |
| Richard_Johnson_(pianist) | international jazz |
| Richard_Johnson_(pianist) | jazz festival |
| Richard_Johnson_(pianist) | festival marciac |
| Richard_Johnson_(pianist) | marciac france |
| Richard_Johnson_(pianist) | france jazz |
| Richard_Johnson_(pianist) | jazz festival |
| Richard_Johnson_(pianist) | festival chicago |
| Richard_Johnson_(pianist) | chicago jazz |
| Richard_Johnson_(pianist) | jazz festival |
| Richard_Johnson_(pianist) | festival and |
| Richard_Johnson_(pianist) | and hyde |
| Richard_Johnson_(pianist) | hyde park |
| Richard_Johnson_(pianist) | park jazz |
| Richard_Johnson_(pianist) | jazz festival |
| Richard_Johnson_(pianist) | festival en |
| Flora_Purim | flora purim |
| Flora_Purim | purim born |
| Flora_Purim | born march |
| Flora_Purim | march 6 |
| Flora_Purim | 6 1942 |
| Flora_Purim | 1942 is |
| Flora_Purim | is a |
| Flora_Purim | a brazilian |
| Flora_Purim | brazilian jazz |
| Flora_Purim | jazz singer |
| Flora_Purim | singer known |
| Flora_Purim | known primarily |
| Flora_Purim | primarily for |
| Flora_Purim | for her |
| Flora_Purim | her work |
| Flora_Purim | work in |
| Flora_Purim | in the |
| Flora_Purim | the jazz |
| Flora_Purim | jazz fusion |
| Flora_Purim | fusion style |
| Flora_Purim | style she |
| Flora_Purim | she became |
| Flora_Purim | became prominent |
| Flora_Purim | prominent for |
| Flora_Purim | for her |
| Flora_Purim | her part |
| Flora_Purim | part in |
| Flora_Purim | in return |
| Flora_Purim | return to |
| Flora_Purim | to forever |
| Flora_Purim | forever with |
| Flora_Purim | with chick |
| Flora_Purim | chick corea |
| Flora_Purim | corea and |
| Flora_Purim | and stanley |
| Flora_Purim | stanley clarke |
| Flora_Purim | clarke she |
| Flora_Purim | she has |
| Flora_Purim | has recorded |
| Flora_Purim | recorded and |
| Flora_Purim | and performed |
| Flora_Purim | performed with |
| Flora_Purim | with numerous |
| Flora_Purim | numerous artists |
| Flora_Purim | artists including |
| Flora_Purim | including dizzy |
| Flora_Purim | dizzy gillespie |
| Flora_Purim | gillespie gil |
| Flora_Purim | gil evans |
| Flora_Purim | evans opa |
| Flora_Purim | opa stan |
| Flora_Purim | stan getz |
| Flora_Purim | getz george |
| Flora_Purim | george duke |
| Flora_Purim | duke mickey |
| Flora_Purim | mickey hart |
| Flora_Purim | hart of |
| Flora_Purim | of the |
| Flora_Purim | the grateful |
| Flora_Purim | grateful dead |
| Flora_Purim | dead santana |
| Flora_Purim | santana jaco |
| Flora_Purim | jaco pastorius |
| Flora_Purim | pastorius and |
| Flora_Purim | and her |
| Flora_Purim | her husband |
| Flora_Purim | husband airto |
| Flora_Purim | airto moreira |
| Flora_Purim | moreira in |
| Flora_Purim | in 2002 |
| Flora_Purim | 2002 purim |
| Flora_Purim | purim was |
| Flora_Purim | was the |
| Flora_Purim | the recipient |
| Flora_Purim | recipient of |
| Flora_Purim | of one |
| Flora_Purim | one of |
| Flora_Purim | of brazil’s |
| Flora_Purim | brazil’s highest |
| Flora_Purim | highest awards |
| Flora_Purim | awards the |
| Flora_Purim | the 2002 |
| Flora_Purim | 2002 ordem |
| Flora_Purim | ordem do |
| Flora_Purim | do rio |
| Flora_Purim | rio branco |
| Flora_Purim | branco for |
| Flora_Purim | for lifetime |
| Flora_Purim | lifetime achievement |
| Flora_Purim | achievement she |
| Flora_Purim | she has |
| Flora_Purim | has been |
| Flora_Purim | been called |
| Flora_Purim | called the |
| Flora_Purim | the queen |
| Flora_Purim | queen of |
| Flora_Purim | of brazilian |
| Flora_Purim | brazilian jazz |
| Flora_Purim | jazz en |
| James_Morrison_(jazz_musician) | james lloyd |
| James_Morrison_(jazz_musician) | lloyd morrison |
| James_Morrison_(jazz_musician) | morrison am |
| James_Morrison_(jazz_musician) | am born |
| James_Morrison_(jazz_musician) | born 11 |
| James_Morrison_(jazz_musician) | 11 november |
| James_Morrison_(jazz_musician) | november 1962 |
| James_Morrison_(jazz_musician) | 1962 is |
| James_Morrison_(jazz_musician) | is an |
| James_Morrison_(jazz_musician) | an australian |
| James_Morrison_(jazz_musician) | australian jazz |
| James_Morrison_(jazz_musician) | jazz musician |
| James_Morrison_(jazz_musician) | musician although |
| James_Morrison_(jazz_musician) | although his |
| James_Morrison_(jazz_musician) | his main |
| James_Morrison_(jazz_musician) | main instrument |
| James_Morrison_(jazz_musician) | instrument is |
| James_Morrison_(jazz_musician) | is trumpet |
| James_Morrison_(jazz_musician) | trumpet he |
| James_Morrison_(jazz_musician) | he has |
| James_Morrison_(jazz_musician) | has also |
| James_Morrison_(jazz_musician) | also performed |
| James_Morrison_(jazz_musician) | performed on |
| James_Morrison_(jazz_musician) | on trombone |
| James_Morrison_(jazz_musician) | trombone tuba |
| James_Morrison_(jazz_musician) | tuba euphonium |
| James_Morrison_(jazz_musician) | euphonium flugelhorn |
| James_Morrison_(jazz_musician) | flugelhorn saxophone |
| James_Morrison_(jazz_musician) | saxophone clarinet |
| James_Morrison_(jazz_musician) | clarinet double |
| James_Morrison_(jazz_musician) | double bass |
| James_Morrison_(jazz_musician) | bass guitar |
| James_Morrison_(jazz_musician) | guitar and |
| James_Morrison_(jazz_musician) | and piano |
| James_Morrison_(jazz_musician) | piano he |
| James_Morrison_(jazz_musician) | he is |
| James_Morrison_(jazz_musician) | is a |
| James_Morrison_(jazz_musician) | a composer |
| James_Morrison_(jazz_musician) | composer writing |
| James_Morrison_(jazz_musician) | writing jazz |
| James_Morrison_(jazz_musician) | jazz charts |
| James_Morrison_(jazz_musician) | charts for |
| James_Morrison_(jazz_musician) | for ensembles |
| James_Morrison_(jazz_musician) | ensembles of |
| James_Morrison_(jazz_musician) | of various |
| James_Morrison_(jazz_musician) | various sizes |
| James_Morrison_(jazz_musician) | sizes and |
| James_Morrison_(jazz_musician) | and proficiency |
| James_Morrison_(jazz_musician) | proficiency levels |
| James_Morrison_(jazz_musician) | levels he |
| James_Morrison_(jazz_musician) | he composed |
| James_Morrison_(jazz_musician) | composed and |
| James_Morrison_(jazz_musician) | and performed |
| James_Morrison_(jazz_musician) | performed the |
| James_Morrison_(jazz_musician) | the opening |
| James_Morrison_(jazz_musician) | opening fanfare |
| James_Morrison_(jazz_musician) | fanfare at |
| James_Morrison_(jazz_musician) | at the |
| James_Morrison_(jazz_musician) | the sydney |
| James_Morrison_(jazz_musician) | sydney 2000 |
| James_Morrison_(jazz_musician) | 2000 olympic |
| James_Morrison_(jazz_musician) | olympic games |
| James_Morrison_(jazz_musician) | games in |
| James_Morrison_(jazz_musician) | in 2009 |
| James_Morrison_(jazz_musician) | 2009 he |
| James_Morrison_(jazz_musician) | he joined |
| James_Morrison_(jazz_musician) | joined steve |
| James_Morrison_(jazz_musician) | steve pizzati |
| James_Morrison_(jazz_musician) | pizzati and |
| James_Morrison_(jazz_musician) | and warren |
| James_Morrison_(jazz_musician) | warren brown |
| James_Morrison_(jazz_musician) | brown as |
| James_Morrison_(jazz_musician) | as a |
| James_Morrison_(jazz_musician) | a presenter |
| James_Morrison_(jazz_musician) | presenter on |
| James_Morrison_(jazz_musician) | on top |
| James_Morrison_(jazz_musician) | top gear |
| James_Morrison_(jazz_musician) | gear australia |
| James_Morrison_(jazz_musician) | australia at |
| James_Morrison_(jazz_musician) | at the |
| James_Morrison_(jazz_musician) | the aria |
| James_Morrison_(jazz_musician) | aria music |
| James_Morrison_(jazz_musician) | music awards |
| James_Morrison_(jazz_musician) | awards of |
| James_Morrison_(jazz_musician) | of 2010 |
| James_Morrison_(jazz_musician) | 2010 morrison |
| James_Morrison_(jazz_musician) | morrison and |
| James_Morrison_(jazz_musician) | and a |
| James_Morrison_(jazz_musician) | a cappella |
| James_Morrison_(jazz_musician) | cappella group |
| James_Morrison_(jazz_musician) | group the |
| James_Morrison_(jazz_musician) | the idea |
| James_Morrison_(jazz_musician) | idea of |
| James_Morrison_(jazz_musician) | of north |
| James_Morrison_(jazz_musician) | north won |
| James_Morrison_(jazz_musician) | won best |
| James_Morrison_(jazz_musician) | best jazz |
| James_Morrison_(jazz_musician) | jazz album |
| James_Morrison_(jazz_musician) | album for |
| James_Morrison_(jazz_musician) | for their |
| James_Morrison_(jazz_musician) | their collaboration |
| James_Morrison_(jazz_musician) | collaboration on |
| James_Morrison_(jazz_musician) | on feels |
| James_Morrison_(jazz_musician) | feels like |
| James_Morrison_(jazz_musician) | like spring |
| James_Morrison_(jazz_musician) | spring in |
| James_Morrison_(jazz_musician) | in 2012 |
| James_Morrison_(jazz_musician) | 2012 morrison |
| James_Morrison_(jazz_musician) | morrison was |
| James_Morrison_(jazz_musician) | was appointed |
| James_Morrison_(jazz_musician) | appointed as |
| James_Morrison_(jazz_musician) | as artistic |
| James_Morrison_(jazz_musician) | artistic director |
| James_Morrison_(jazz_musician) | director of |
| James_Morrison_(jazz_musician) | of the |
| James_Morrison_(jazz_musician) | the queensland |
| James_Morrison_(jazz_musician) | queensland music |
| James_Morrison_(jazz_musician) | music festival |
| James_Morrison_(jazz_musician) | festival for |
| James_Morrison_(jazz_musician) | for the |
| James_Morrison_(jazz_musician) | the 2013 |
| James_Morrison_(jazz_musician) | 2013 and |
| James_Morrison_(jazz_musician) | and 2015 |
| James_Morrison_(jazz_musician) | 2015 festivals |
| James_Morrison_(jazz_musician) | festivals he |
| James_Morrison_(jazz_musician) | he was |
| James_Morrison_(jazz_musician) | was inducted |
| James_Morrison_(jazz_musician) | inducted into |
| James_Morrison_(jazz_musician) | into the |
| James_Morrison_(jazz_musician) | the graeme |
| James_Morrison_(jazz_musician) | graeme bell |
| James_Morrison_(jazz_musician) | bell hall |
| James_Morrison_(jazz_musician) | hall of |
| James_Morrison_(jazz_musician) | of fame |
| James_Morrison_(jazz_musician) | fame 2013 |
| James_Morrison_(jazz_musician) | 2013 at |
| James_Morrison_(jazz_musician) | at the |
| James_Morrison_(jazz_musician) | the australian |
| James_Morrison_(jazz_musician) | australian jazz |
| James_Morrison_(jazz_musician) | jazz bell |
| James_Morrison_(jazz_musician) | bell awards |
| James_Morrison_(jazz_musician) | awards in |
| James_Morrison_(jazz_musician) | in july |
| James_Morrison_(jazz_musician) | july 2013 |
| James_Morrison_(jazz_musician) | 2013 he |
| James_Morrison_(jazz_musician) | he conducted |
| James_Morrison_(jazz_musician) | conducted the |
| James_Morrison_(jazz_musician) | the world’s |
| James_Morrison_(jazz_musician) | world’s largest |
| James_Morrison_(jazz_musician) | largest orchestra |
| James_Morrison_(jazz_musician) | orchestra in |
| James_Morrison_(jazz_musician) | in brisbane’s |
| James_Morrison_(jazz_musician) | brisbane’s suncorp |
| James_Morrison_(jazz_musician) | suncorp stadium |
| James_Morrison_(jazz_musician) | stadium consisting |
| James_Morrison_(jazz_musician) | consisting of |
| James_Morrison_(jazz_musician) | of 7,224 |
| James_Morrison_(jazz_musician) | 7,224 musicians |
| James_Morrison_(jazz_musician) | musicians in |
| James_Morrison_(jazz_musician) | in march |
| James_Morrison_(jazz_musician) | march 2015 |
| James_Morrison_(jazz_musician) | 2015 morrison |
| James_Morrison_(jazz_musician) | morrison opened |
| James_Morrison_(jazz_musician) | opened the |
| James_Morrison_(jazz_musician) | the james |
| James_Morrison_(jazz_musician) | james morrison |
| James_Morrison_(jazz_musician) | morrison academy |
| James_Morrison_(jazz_musician) | academy of |
| James_Morrison_(jazz_musician) | of music |
| James_Morrison_(jazz_musician) | music in |
| James_Morrison_(jazz_musician) | in mount |
| James_Morrison_(jazz_musician) | mount gambier |
| James_Morrison_(jazz_musician) | gambier south |
| James_Morrison_(jazz_musician) | south australia |
| James_Morrison_(jazz_musician) | australia a |
| James_Morrison_(jazz_musician) | a tertiary |
| James_Morrison_(jazz_musician) | tertiary level |
| James_Morrison_(jazz_musician) | level dedicated |
| James_Morrison_(jazz_musician) | dedicated jazz |
| James_Morrison_(jazz_musician) | jazz school |
| James_Morrison_(jazz_musician) | school offering |
| James_Morrison_(jazz_musician) | offering a |
| James_Morrison_(jazz_musician) | a degree |
| James_Morrison_(jazz_musician) | degree in |
| James_Morrison_(jazz_musician) | in jazz |
| James_Morrison_(jazz_musician) | jazz performance |
| James_Morrison_(jazz_musician) | performance en |
| Keb’_Mo’ | kevin roosevelt |
| Keb’_Mo’ | roosevelt moore |
| Keb’_Mo’ | moore born |
| Keb’_Mo’ | born october |
| Keb’_Mo’ | october 3 |
| Keb’_Mo’ | 3 1951 |
| Keb’_Mo’ | 1951 known |
| Keb’_Mo’ | known as |
| Keb’_Mo’ | as keb |
| Keb’_Mo’ | keb mo |
| Keb’_Mo’ | mo is |
| Keb’_Mo’ | is an |
| Keb’_Mo’ | an american |
| Keb’_Mo’ | american blues |
| Keb’_Mo’ | blues musician |
| Keb’_Mo’ | musician and |
| Keb’_Mo’ | and five |
| Keb’_Mo’ | five time |
| Keb’_Mo’ | time grammy |
| Keb’_Mo’ | grammy award |
| Keb’_Mo’ | award winner |
| Keb’_Mo’ | winner he |
| Keb’_Mo’ | he is |
| Keb’_Mo’ | is a |
| Keb’_Mo’ | a singer |
| Keb’_Mo’ | singer guitarist |
| Keb’_Mo’ | guitarist and |
| Keb’_Mo’ | and songwriter |
| Keb’_Mo’ | songwriter living |
| Keb’_Mo’ | living in |
| Keb’_Mo’ | in nashville |
| Keb’_Mo’ | nashville tennessee |
| Keb’_Mo’ | tennessee he |
| Keb’_Mo’ | he has |
| Keb’_Mo’ | has been |
| Keb’_Mo’ | been described |
| Keb’_Mo’ | described as |
| Keb’_Mo’ | as a |
| Keb’_Mo’ | a living |
| Keb’_Mo’ | living link |
| Keb’_Mo’ | link to |
| Keb’_Mo’ | to the |
| Keb’_Mo’ | the seminal |
| Keb’_Mo’ | seminal delta |
| Keb’_Mo’ | delta blues |
| Keb’_Mo’ | blues that |
| Keb’_Mo’ | that travelled |
| Keb’_Mo’ | travelled up |
| Keb’_Mo’ | up the |
| Keb’_Mo’ | the mississippi |
| Keb’_Mo’ | mississippi river |
| Keb’_Mo’ | river and |
| Keb’_Mo’ | and across |
| Keb’_Mo’ | across the |
| Keb’_Mo’ | the expanse |
| Keb’_Mo’ | expanse of |
| Keb’_Mo’ | of america |
| Keb’_Mo’ | america his |
| Keb’_Mo’ | his post |
| Keb’_Mo’ | post modern |
| Keb’_Mo’ | modern blues |
| Keb’_Mo’ | blues style |
| Keb’_Mo’ | style is |
| Keb’_Mo’ | is influenced |
| Keb’_Mo’ | influenced by |
| Keb’_Mo’ | by many |
| Keb’_Mo’ | many eras |
| Keb’_Mo’ | eras and |
| Keb’_Mo’ | and genres |
| Keb’_Mo’ | genres including |
| Keb’_Mo’ | including folk |
| Keb’_Mo’ | folk rock |
| Keb’_Mo’ | rock jazz |
| Keb’_Mo’ | jazz pop |
| Keb’_Mo’ | pop and |
| Keb’_Mo’ | and country |
| Keb’_Mo’ | country the |
| Keb’_Mo’ | the moniker |
| Keb’_Mo’ | moniker keb |
| Keb’_Mo’ | keb mo |
| Keb’_Mo’ | mo was |
| Keb’_Mo’ | was coined |
| Keb’_Mo’ | coined by |
| Keb’_Mo’ | by his |
| Keb’_Mo’ | his original |
| Keb’_Mo’ | original drummer |
| Keb’_Mo’ | drummer quentin |
| Keb’_Mo’ | quentin dennard |
| Keb’_Mo’ | dennard and |
| Keb’_Mo’ | and picked |
| Keb’_Mo’ | picked up |
| Keb’_Mo’ | up by |
| Keb’_Mo’ | by his |
| Keb’_Mo’ | his record |
| Keb’_Mo’ | record label |
| Keb’_Mo’ | label as |
| Keb’_Mo’ | as a |
| Keb’_Mo’ | a street |
| Keb’_Mo’ | street talk |
| Keb’_Mo’ | talk abbreviation |
| Keb’_Mo’ | abbreviation of |
| Keb’_Mo’ | of his |
| Keb’_Mo’ | his given |
| Keb’_Mo’ | given name |
| Keb’_Mo’ | name en |
| Mousey_Alexander | elmer mousey |
| Mousey_Alexander | mousey alexander |
| Mousey_Alexander | alexander june |
| Mousey_Alexander | june 19 |
| Mousey_Alexander | 19 1922 |
| Mousey_Alexander | 1922 october |
| Mousey_Alexander | october 9 |
| Mousey_Alexander | 9 1988 |
| Mousey_Alexander | 1988 was |
| Mousey_Alexander | was an |
| Mousey_Alexander | an american |
| Mousey_Alexander | american jazz |
| Mousey_Alexander | jazz drummer |
| Mousey_Alexander | drummer en |
| Benny_Green_(pianist) | benny green |
| Benny_Green_(pianist) | green born |
| Benny_Green_(pianist) | born april |
| Benny_Green_(pianist) | april 4 |
| Benny_Green_(pianist) | 4 1963 |
| Benny_Green_(pianist) | 1963 is |
| Benny_Green_(pianist) | is an |
| Benny_Green_(pianist) | an american |
| Benny_Green_(pianist) | american hard |
| Benny_Green_(pianist) | hard bop |
| Benny_Green_(pianist) | bop jazz |
| Benny_Green_(pianist) | jazz pianist |
| Benny_Green_(pianist) | pianist who |
| Benny_Green_(pianist) | who was |
| Benny_Green_(pianist) | was a |
| Benny_Green_(pianist) | a member |
| Benny_Green_(pianist) | member of |
| Benny_Green_(pianist) | of art |
| Benny_Green_(pianist) | art blakey’s |
| Benny_Green_(pianist) | blakey’s jazz |
| Benny_Green_(pianist) | jazz messengers |
| Benny_Green_(pianist) | messengers he |
| Benny_Green_(pianist) | he has |
| Benny_Green_(pianist) | has been |
| Benny_Green_(pianist) | been compared |
| Benny_Green_(pianist) | compared to |
| Benny_Green_(pianist) | to bud |
| Benny_Green_(pianist) | bud powell |
| Benny_Green_(pianist) | powell and |
| Benny_Green_(pianist) | and oscar |
| Benny_Green_(pianist) | oscar peterson |
| Benny_Green_(pianist) | peterson in |
| Benny_Green_(pianist) | in style |
| Benny_Green_(pianist) | style and |
| Benny_Green_(pianist) | and counts |
| Benny_Green_(pianist) | counts them |
| Benny_Green_(pianist) | them as |
| Benny_Green_(pianist) | as influences |
| Benny_Green_(pianist) | influences en |
| Natalie_Cressman | natalie cressman |
| Natalie_Cressman | cressman is |
| Natalie_Cressman | is an |
| Natalie_Cressman | an american |
| Natalie_Cressman | american jazz |
| Natalie_Cressman | jazz trombonist |
| Natalie_Cressman | trombonist and |
| Natalie_Cressman | and vocalist |
| Natalie_Cressman | vocalist en |
| Blood | blood is |
| Blood | is a |
| Blood | a body |
| Blood | body fluid |
| Blood | fluid in |
| Blood | in humans |
| Blood | humans and |
| Blood | and other |
| Blood | other animals |
| Blood | animals that |
| Blood | that delivers |
| Blood | delivers necessary |
| Blood | necessary substances |
| Blood | substances such |
| Blood | such as |
| Blood | as nutrients |
| Blood | nutrients and |
| Blood | and oxygen |
| Blood | oxygen to |
| Blood | to the |
| Blood | the cells |
| Blood | cells and |
| Blood | and transports |
| Blood | transports metabolic |
| Blood | metabolic waste |
| Blood | waste products |
| Blood | products away |
| Blood | away from |
| Blood | from those |
| Blood | those same |
| Blood | same cells |
| Blood | cells in |
| Blood | in vertebrates |
| Blood | vertebrates it |
| Blood | it is |
| Blood | is composed |
| Blood | composed of |
| Blood | of blood |
| Blood | blood cells |
| Blood | cells suspended |
| Blood | suspended in |
| Blood | in blood |
| Blood | blood plasma |
| Blood | plasma plasma |
| Blood | plasma which |
| Blood | which constitutes |
| Blood | constitutes 55 |
| Blood | 55 of |
| Blood | of blood |
| Blood | blood fluid |
| Blood | fluid is |
| Blood | is mostly |
| Blood | mostly water |
| Blood | water 92 |
| Blood | 92 by |
| Blood | by volume |
| Blood | volume and |
| Blood | and contains |
| Blood | contains proteins |
| Blood | proteins glucose |
| Blood | glucose mineral |
| Blood | mineral ions |
| Blood | ions hormones |
| Blood | hormones carbon |
| Blood | carbon dioxide |
| Blood | dioxide plasma |
| Blood | plasma being |
| Blood | being the |
| Blood | the main |
| Blood | main medium |
| Blood | medium for |
| Blood | for excretory |
| Blood | excretory product |
| Blood | product transportation |
| Blood | transportation and |
| Blood | and blood |
| Blood | blood cells |
| Blood | cells themselves |
| Blood | themselves albumin |
| Blood | albumin is |
| Blood | is the |
| Blood | the main |
| Blood | main protein |
| Blood | protein in |
| Blood | in plasma |
| Blood | plasma and |
| Blood | and it |
| Blood | it functions |
| Blood | functions to |
| Blood | to regulate |
| Blood | regulate the |
| Blood | the colloidal |
| Blood | colloidal osmotic |
| Blood | osmotic pressure |
| Blood | pressure of |
| Blood | of blood |
| Blood | blood the |
| Blood | the blood |
| Blood | blood cells |
| Blood | cells are |
| Blood | are mainly |
| Blood | mainly red |
| Blood | red blood |
| Blood | blood cells |
| Blood | cells also |
| Blood | also called |
| Blood | called rbcs |
| Blood | rbcs or |
| Blood | or erythrocytes |
| Blood | erythrocytes white |
| Blood | white blood |
| Blood | blood cells |
| Blood | cells also |
| Blood | also called |
| Blood | called wbcs |
| Blood | wbcs or |
| Blood | or leukocytes |
| Blood | leukocytes and |
| Blood | and platelets |
| Blood | platelets also |
| Blood | also called |
| Blood | called thrombocytes |
| Blood | thrombocytes the |
| Blood | the most |
| Blood | most abundant |
| Blood | abundant cells |
| Blood | cells in |
| Blood | in vertebrate |
| Blood | vertebrate blood |
| Blood | blood are |
| Blood | are red |
| Blood | red blood |
| Blood | blood cells |
| Blood | cells these |
| Blood | these contain |
| Blood | contain hemoglobin |
| Blood | hemoglobin an |
| Blood | an iron |
| Blood | iron containing |
| Blood | containing protein |
| Blood | protein which |
| Blood | which facilitates |
| Blood | facilitates oxygen |
| Blood | oxygen transport |
| Blood | transport by |
| Blood | by reversibly |
| Blood | reversibly binding |
| Blood | binding to |
| Blood | to this |
| Blood | this respiratory |
| Blood | respiratory gas |
| Blood | gas and |
| Blood | and greatly |
| Blood | greatly increasing |
| Blood | increasing its |
| Blood | its solubility |
| Blood | solubility in |
| Blood | in blood |
| Blood | blood in |
| Blood | in contrast |
| Blood | contrast carbon |
| Blood | carbon dioxide |
| Blood | dioxide is |
| Blood | is mostly |
| Blood | mostly transported |
| Blood | transported extracellularly |
| Blood | extracellularly as |
| Blood | as bicarbonate |
| Blood | bicarbonate ion |
| Blood | ion transported |
| Blood | transported in |
| Blood | in plasma |
| Blood | plasma vertebrate |
| Blood | vertebrate blood |
| Blood | blood is |
| Blood | is bright |
| Blood | bright red |
| Blood | red when |
| Blood | when its |
| Blood | its hemoglobin |
| Blood | hemoglobin is |
| Blood | is oxygenated |
| Blood | oxygenated and |
| Blood | and dark |
| Blood | dark red |
| Blood | red when |
| Blood | when it |
| Blood | it is |
| Blood | is deoxygenated |
| Blood | deoxygenated some |
| Blood | some animals |
| Blood | animals such |
| Blood | such as |
| Blood | as crustaceans |
| Blood | crustaceans and |
| Blood | and mollusks |
| Blood | mollusks use |
| Blood | use hemocyanin |
| Blood | hemocyanin to |
| Blood | to carry |
| Blood | carry oxygen |
| Blood | oxygen instead |
| Blood | instead of |
| Blood | of hemoglobin |
| Blood | hemoglobin insects |
| Blood | insects and |
| Blood | and some |
| Blood | some mollusks |
| Blood | mollusks use |
| Blood | use a |
| Blood | a fluid |
| Blood | fluid called |
| Blood | called hemolymph |
| Blood | hemolymph instead |
| Blood | instead of |
| Blood | of blood |
| Blood | blood the |
| Blood | the difference |
| Blood | difference being |
| Blood | being that |
| Blood | that hemolymph |
| Blood | hemolymph is |
| Blood | is not |
| Blood | not contained |
| Blood | contained in |
| Blood | in a |
| Blood | a closed |
| Blood | closed circulatory |
| Blood | circulatory system |
| Blood | system in |
| Blood | in most |
| Blood | most insects |
| Blood | insects this |
| Blood | this blood |
| Blood | blood does |
| Blood | does not |
| Blood | not contain |
| Blood | contain oxygen |
| Blood | oxygen carrying |
| Blood | carrying molecules |
| Blood | molecules such |
| Blood | such as |
| Blood | as hemoglobin |
| Blood | hemoglobin because |
| Blood | because their |
| Blood | their bodies |
| Blood | bodies are |
| Blood | are small |
| Blood | small enough |
| Blood | enough for |
| Blood | for their |
| Blood | their tracheal |
| Blood | tracheal system |
| Blood | system to |
| Blood | to suffice |
| Blood | suffice for |
| Blood | for supplying |
| Blood | supplying oxygen |
| Blood | oxygen jawed |
| Blood | jawed vertebrates |
| Blood | vertebrates have |
| Blood | have an |
| Blood | an adaptive |
| Blood | adaptive immune |
| Blood | immune system |
| Blood | system based |
| Blood | based largely |
| Blood | largely on |
| Blood | on white |
| Blood | white blood |
| Blood | blood cells |
| Blood | cells white |
| Blood | white blood |
| Blood | blood cells |
| Blood | cells help |
| Blood | help to |
| Blood | to resist |
| Blood | resist infections |
| Blood | infections and |
| Blood | and parasites |
| Blood | parasites platelets |
| Blood | platelets are |
| Blood | are important |
| Blood | important in |
| Blood | in the |
| Blood | the clotting |
| Blood | clotting of |
| Blood | of blood |
| Blood | blood arthropods |
| Blood | arthropods using |
| Blood | using hemolymph |
| Blood | hemolymph have |
| Blood | have hemocytes |
| Blood | hemocytes as |
| Blood | as part |
| Blood | part of |
| Blood | of their |
| Blood | their immune |
| Blood | immune system |
| Blood | system blood |
| Blood | blood is |
| Blood | is circulated |
| Blood | circulated around |
| Blood | around the |
| Blood | the body |
| Blood | body through |
| Blood | through blood |
| Blood | blood vessels |
| Blood | vessels by |
| Blood | by the |
| Blood | the pumping |
| Blood | pumping action |
| Blood | action of |
| Blood | of the |
| Blood | the heart |
| Blood | heart in |
| Blood | in animals |
| Blood | animals with |
| Blood | with lungs |
| Blood | lungs arterial |
| Blood | arterial blood |
| Blood | blood carries |
| Blood | carries oxygen |
| Blood | oxygen from |
| Blood | from inhaled |
| Blood | inhaled air |
| Blood | air to |
| Blood | to the |
| Blood | the tissues |
| Blood | tissues of |
| Blood | of the |
| Blood | the body |
| Blood | body and |
| Blood | and venous |
| Blood | venous blood |
| Blood | blood carries |
| Blood | carries carbon |
| Blood | carbon dioxide |
| Blood | dioxide a |
| Blood | a waste |
| Blood | waste product |
| Blood | product of |
| Blood | of metabolism |
| Blood | metabolism produced |
| Blood | produced by |
| Blood | by cells |
| Blood | cells from |
| Blood | from the |
| Blood | the tissues |
| Blood | tissues to |
| Blood | to the |
| Blood | the lungs |
| Blood | lungs to |
| Blood | to be |
| Blood | be exhaled |
| Blood | exhaled medical |
| Blood | medical terms |
| Blood | terms related |
| Blood | related to |
| Blood | to blood |
| Blood | blood often |
| Blood | often begin |
| Blood | begin with |
| Blood | with hemo |
| Blood | hemo or |
| Blood | or hemato |
| Blood | hemato also |
| Blood | also spelled |
| Blood | spelled haemo |
| Blood | haemo and |
| Blood | and haemato |
| Blood | haemato from |
| Blood | from the |
| Blood | the greek |
| Blood | greek word |
| Blood | word 帢 |
| Blood | 帢 廒 |
| Blood | 廒 煎 |
| Blood | 煎 樁 |
| Blood | 樁 haima |
| Blood | haima for |
| Blood | for blood |
| Blood | blood in |
| Blood | in terms |
| Blood | terms of |
| Blood | of anatomy |
| Blood | anatomy and |
| Blood | and histology |
| Blood | histology blood |
| Blood | blood is |
| Blood | is considered |
| Blood | considered a |
| Blood | a specialized |
| Blood | specialized form |
| Blood | form of |
| Blood | of connective |
| Blood | connective tissue |
| Blood | tissue given |
| Blood | given its |
| Blood | its origin |
| Blood | origin in |
| Blood | in the |
| Blood | the bones |
| Blood | bones and |
| Blood | and the |
| Blood | the presence |
| Blood | presence of |
| Blood | of potential |
| Blood | potential molecular |
| Blood | molecular fibers |
| Blood | fibers in |
| Blood | in the |
| Blood | the form |
| Blood | form of |
| Blood | of fibrinogen |
| Blood | fibrinogen en |
| Al_Foster | aloysius tyrone |
| Al_Foster | tyrone foster |
| Al_Foster | foster born |
| Al_Foster | born january |
| Al_Foster | january 18 |
| Al_Foster | 18 1943 |
| Al_Foster | 1943 is |
| Al_Foster | is an |
| Al_Foster | an american |
| Al_Foster | american jazz |
| Al_Foster | jazz drummer |
| Al_Foster | drummer foster |
| Al_Foster | foster played |
| Al_Foster | played with |
| Al_Foster | with miles |
| Al_Foster | miles davis |
| Al_Foster | davis during |
| Al_Foster | during the |
| Al_Foster | the 1970s |
| Al_Foster | 1970s and |
| Al_Foster | and was |
| Al_Foster | was one |
| Al_Foster | one of |
| Al_Foster | of the |
| Al_Foster | the few |
| Al_Foster | few people |
| Al_Foster | people to |
| Al_Foster | to have |
| Al_Foster | have contact |
| Al_Foster | contact with |
| Al_Foster | with davis |
| Al_Foster | davis during |
| Al_Foster | during his |
| Al_Foster | his retirement |
| Al_Foster | retirement from |
| Al_Foster | from 1975 |
| Al_Foster | 1975 981 |
| Al_Foster | 981 foster |
| Al_Foster | foster also |
| Al_Foster | also played |
| Al_Foster | played on |
| Al_Foster | on davis’s |
| Al_Foster | davis’s 1981 |
| Al_Foster | 1981 comeback |
| Al_Foster | comeback album |
| Al_Foster | album the |
| Al_Foster | the man |
| Al_Foster | man with |
| Al_Foster | with the |
| Al_Foster | the horn |
| Al_Foster | horn he |
| Al_Foster | he was |
| Al_Foster | was the |
| Al_Foster | the only |
| Al_Foster | only musician |
| Al_Foster | musician to |
| Al_Foster | to play |
| Al_Foster | play in |
| Al_Foster | in davis’s |
| Al_Foster | davis’s band |
| Al_Foster | band both |
| Al_Foster | both before |
| Al_Foster | before and |
| Al_Foster | and after |
| Al_Foster | after his |
| Al_Foster | his retirement |
| Al_Foster | retirement he |
| Al_Foster | he has |
| Al_Foster | has toured |
| Al_Foster | toured extensively |
| Al_Foster | extensively with |
| Al_Foster | with herbie |
| Al_Foster | herbie hancock |
| Al_Foster | hancock sonny |
| Al_Foster | sonny rollins |
| Al_Foster | rollins and |
| Al_Foster | and joe |
| Al_Foster | joe henderson |
| Al_Foster | henderson en |
| Tony_Williams_(drummer) | anthony tillmon |
| Tony_Williams_(drummer) | tillmon williams |
| Tony_Williams_(drummer) | williams december |
| Tony_Williams_(drummer) | december 12 |
| Tony_Williams_(drummer) | 12 1945 |
| Tony_Williams_(drummer) | 1945 february |
| Tony_Williams_(drummer) | february 23 |
| Tony_Williams_(drummer) | 23 1997 |
| Tony_Williams_(drummer) | 1997 was |
| Tony_Williams_(drummer) | was an |
| Tony_Williams_(drummer) | an american |
| Tony_Williams_(drummer) | american jazz |
| Tony_Williams_(drummer) | jazz drummer |
| Tony_Williams_(drummer) | drummer williams |
| Tony_Williams_(drummer) | williams first |
| Tony_Williams_(drummer) | first gained |
| Tony_Williams_(drummer) | gained fame |
| Tony_Williams_(drummer) | fame in |
| Tony_Williams_(drummer) | in the |
| Tony_Williams_(drummer) | the band |
| Tony_Williams_(drummer) | band of |
| Tony_Williams_(drummer) | of trumpeter |
| Tony_Williams_(drummer) | trumpeter miles |
| Tony_Williams_(drummer) | miles davis |
| Tony_Williams_(drummer) | davis and |
| Tony_Williams_(drummer) | and pioneered |
| Tony_Williams_(drummer) | pioneered jazz |
| Tony_Williams_(drummer) | jazz fusion |
| Tony_Williams_(drummer) | fusion he |
| Tony_Williams_(drummer) | he was |
| Tony_Williams_(drummer) | was inducted |
| Tony_Williams_(drummer) | inducted into |
| Tony_Williams_(drummer) | into the |
| Tony_Williams_(drummer) | the modern |
| Tony_Williams_(drummer) | modern drummer |
| Tony_Williams_(drummer) | drummer hall |
| Tony_Williams_(drummer) | hall of |
| Tony_Williams_(drummer) | of fame |
| Tony_Williams_(drummer) | fame in |
| Tony_Williams_(drummer) | in 1986 |
| Tony_Williams_(drummer) | 1986 during |
| Tony_Williams_(drummer) | during his |
| Tony_Williams_(drummer) | his lifetime |
| Tony_Williams_(drummer) | lifetime music |
| Tony_Williams_(drummer) | music critic |
| Tony_Williams_(drummer) | critic robert |
| Tony_Williams_(drummer) | robert christgau |
| Tony_Williams_(drummer) | christgau described |
| Tony_Williams_(drummer) | described williams |
| Tony_Williams_(drummer) | williams as |
| Tony_Williams_(drummer) | as probably |
| Tony_Williams_(drummer) | probably the |
| Tony_Williams_(drummer) | the best |
| Tony_Williams_(drummer) | best drummer |
| Tony_Williams_(drummer) | drummer in |
| Tony_Williams_(drummer) | in the |
| Tony_Williams_(drummer) | the world |
| Tony_Williams_(drummer) | world en |
| Reggie_Workman | reginald reggie |
| Reggie_Workman | reggie workman |
| Reggie_Workman | workman born |
| Reggie_Workman | born june |
| Reggie_Workman | june 26 |
| Reggie_Workman | 26 1937 |
| Reggie_Workman | 1937 in |
| Reggie_Workman | in philadelphia |
| Reggie_Workman | philadelphia pennsylvania |
| Reggie_Workman | pennsylvania is |
| Reggie_Workman | is an |
| Reggie_Workman | an american |
| Reggie_Workman | american avant |
| Reggie_Workman | avant garde |
| Reggie_Workman | garde jazz |
| Reggie_Workman | jazz and |
| Reggie_Workman | and hard |
| Reggie_Workman | hard bop |
| Reggie_Workman | bop double |
| Reggie_Workman | double bassist |
| Reggie_Workman | bassist recognized |
| Reggie_Workman | recognized for |
| Reggie_Workman | for his |
| Reggie_Workman | his work |
| Reggie_Workman | work with |
| Reggie_Workman | with both |
| Reggie_Workman | both john |
| Reggie_Workman | john coltrane |
| Reggie_Workman | coltrane and |
| Reggie_Workman | and art |
| Reggie_Workman | art blakey |
| Reggie_Workman | blakey en |
| Betty_Carter | betty carter |
| Betty_Carter | carter born |
| Betty_Carter | born lillie |
| Betty_Carter | lillie mae |
| Betty_Carter | mae jones |
| Betty_Carter | jones may |
| Betty_Carter | may 16 |
| Betty_Carter | 16 1929 |
| Betty_Carter | 1929 september |
| Betty_Carter | september 26 |
| Betty_Carter | 26 1998 |
| Betty_Carter | 1998 was |
| Betty_Carter | was an |
| Betty_Carter | an american |
| Betty_Carter | american jazz |
| Betty_Carter | jazz singer |
| Betty_Carter | singer known |
| Betty_Carter | known for |
| Betty_Carter | for her |
| Betty_Carter | her improvisational |
| Betty_Carter | improvisational technique |
| Betty_Carter | technique scatting |
| Betty_Carter | scatting and |
| Betty_Carter | and other |
| Betty_Carter | other complex |
| Betty_Carter | complex musical |
| Betty_Carter | musical abilities |
| Betty_Carter | abilities that |
| Betty_Carter | that demonstrated |
| Betty_Carter | demonstrated her |
| Betty_Carter | her vocal |
| Betty_Carter | vocal talent |
| Betty_Carter | talent and |
| Betty_Carter | and imaginative |
| Betty_Carter | imaginative interpretation |
| Betty_Carter | interpretation of |
| Betty_Carter | of lyrics |
| Betty_Carter | lyrics and |
| Betty_Carter | and melodies |
| Betty_Carter | melodies vocalist |
| Betty_Carter | vocalist carmen |
| Betty_Carter | carmen mcrae |
| Betty_Carter | mcrae once |
| Betty_Carter | once remarked |
| Betty_Carter | remarked there’s |
| Betty_Carter | there’s really |
| Betty_Carter | really only |
| Betty_Carter | only one |
| Betty_Carter | one jazz |
| Betty_Carter | jazz singer |
| Betty_Carter | singer nly |
| Betty_Carter | nly one |
| Betty_Carter | one betty |
| Betty_Carter | betty carter |
| Betty_Carter | carter en |
| Saskia_Laroo | saskia laroo |
| Saskia_Laroo | laroo born |
| Saskia_Laroo | born 31 |
| Saskia_Laroo | 31 july |
| Saskia_Laroo | july 1959 |
| Saskia_Laroo | 1959 in |
| Saskia_Laroo | in amsterdam |
| Saskia_Laroo | amsterdam is |
| Saskia_Laroo | is a |
| Saskia_Laroo | a dutch |
| Saskia_Laroo | dutch jazz |
| Saskia_Laroo | jazz musician |
| Saskia_Laroo | musician who |
| Saskia_Laroo | who has |
| Saskia_Laroo | has been |
| Saskia_Laroo | been dubbed |
| Saskia_Laroo | dubbed the |
| Saskia_Laroo | the lady |
| Saskia_Laroo | lady miles |
| Saskia_Laroo | miles davis |
| Saskia_Laroo | davis her |
| Saskia_Laroo | her music |
| Saskia_Laroo | music style |
| Saskia_Laroo | style can |
| Saskia_Laroo | can be |
| Saskia_Laroo | be described |
| Saskia_Laroo | described as |
| Saskia_Laroo | as a |
| Saskia_Laroo | a combination |
| Saskia_Laroo | combination of |
| Saskia_Laroo | of jazz |
| Saskia_Laroo | jazz pop |
| Saskia_Laroo | pop electronic |
| Saskia_Laroo | electronic dance |
| Saskia_Laroo | dance music |
| Saskia_Laroo | music latin |
| Saskia_Laroo | latin and |
| Saskia_Laroo | and world |
| Saskia_Laroo | world music |
| Saskia_Laroo | music en |
| Eric_Revis | eric revis |
| Eric_Revis | revis born |
| Eric_Revis | born may |
| Eric_Revis | may 31 |
| Eric_Revis | 31 1967 |
| Eric_Revis | 1967 is |
| Eric_Revis | is a |
| Eric_Revis | a jazz |
| Eric_Revis | jazz bassist |
| Eric_Revis | bassist and |
| Eric_Revis | and composer |
| Eric_Revis | composer revis |
| Eric_Revis | revis came |
| Eric_Revis | came to |
| Eric_Revis | to prominence |
| Eric_Revis | prominence as |
| Eric_Revis | as a |
| Eric_Revis | a bassist |
| Eric_Revis | bassist with |
| Eric_Revis | with singer |
| Eric_Revis | singer betty |
| Eric_Revis | betty carter |
| Eric_Revis | carter in |
| Eric_Revis | in the |
| Eric_Revis | the mid |
| Eric_Revis | mid 1990s |
| Eric_Revis | 1990s since |
| Eric_Revis | since 1997 |
| Eric_Revis | 1997 he |
| Eric_Revis | he has |
| Eric_Revis | has been |
| Eric_Revis | been a |
| Eric_Revis | a member |
| Eric_Revis | member of |
| Eric_Revis | of branford |
| Eric_Revis | branford marsalis’s |
| Eric_Revis | marsalis’s ensemble |
| Eric_Revis | ensemble his |
| Eric_Revis | his debut |
| Eric_Revis | debut album |
| Eric_Revis | album tales |
| Eric_Revis | tales of |
| Eric_Revis | of the |
| Eric_Revis | the stuttering |
| Eric_Revis | stuttering mime |
| Eric_Revis | mime was |
| Eric_Revis | was released |
| Eric_Revis | released in |
| Eric_Revis | in 2004 |
| Eric_Revis | 2004 on |
| Eric_Revis | on his |
| Eric_Revis | his own |
| Eric_Revis | own 11 |
| Eric_Revis | 11 11 |
| Eric_Revis | 11 records |
| Eric_Revis | records revis |
| Eric_Revis | revis studied |
| Eric_Revis | studied under |
| Eric_Revis | under ellis |
| Eric_Revis | ellis marsalis |
| Eric_Revis | marsalis at |
| Eric_Revis | at the |
| Eric_Revis | the university |
| Eric_Revis | university of |
| Eric_Revis | of new |
| Eric_Revis | new orleans |
| Eric_Revis | orleans and |
| Eric_Revis | and at |
| Eric_Revis | at st |
| Eric_Revis | st mary’s |
| Eric_Revis | mary’s university |
| Eric_Revis | university texas |
| Eric_Revis | texas he |
| Eric_Revis | he directed |
| Eric_Revis | directed the |
| Eric_Revis | the jazz |
| Eric_Revis | jazz ensemble |
| Eric_Revis | ensemble at |
| Eric_Revis | at trinity |
| Eric_Revis | trinity university |
| Eric_Revis | university in |
| Eric_Revis | in san |
| Eric_Revis | san antonio |
| Eric_Revis | antonio texas |
| Eric_Revis | texas in |
| Eric_Revis | in 2007 |
| Eric_Revis | 2007 and |
| Eric_Revis | and 2008 |
| Eric_Revis | 2008 en |
| Oliver_Jones_(pianist) | oliver theophilus |
| Oliver_Jones_(pianist) | theophilus jones |
| Oliver_Jones_(pianist) | jones oc |
| Oliver_Jones_(pianist) | oc cq |
| Oliver_Jones_(pianist) | cq born |
| Oliver_Jones_(pianist) | born september |
| Oliver_Jones_(pianist) | september 11 |
| Oliver_Jones_(pianist) | 11 1934 |
| Oliver_Jones_(pianist) | 1934 in |
| Oliver_Jones_(pianist) | in little |
| Oliver_Jones_(pianist) | little burgundy |
| Oliver_Jones_(pianist) | burgundy montreal |
| Oliver_Jones_(pianist) | montreal quebec |
| Oliver_Jones_(pianist) | quebec is |
| Oliver_Jones_(pianist) | is a |
| Oliver_Jones_(pianist) | a canadian |
| Oliver_Jones_(pianist) | canadian jazz |
| Oliver_Jones_(pianist) | jazz pianist |
| Oliver_Jones_(pianist) | pianist organist |
| Oliver_Jones_(pianist) | organist composer |
| Oliver_Jones_(pianist) | composer and |
| Oliver_Jones_(pianist) | and arranger |
| Oliver_Jones_(pianist) | arranger en |
| Dee_Dee_Bridgewater | dee dee |
| Dee_Dee_Bridgewater | dee bridgewater |
| Dee_Dee_Bridgewater | bridgewater n |
| Dee_Dee_Bridgewater | n 矇 |
| Dee_Dee_Bridgewater | 矇 e |
| Dee_Dee_Bridgewater | e denise |
| Dee_Dee_Bridgewater | denise garrett |
| Dee_Dee_Bridgewater | garrett may |
| Dee_Dee_Bridgewater | may 27 |
| Dee_Dee_Bridgewater | 27 1950 |
| Dee_Dee_Bridgewater | 1950 is |
| Dee_Dee_Bridgewater | is an |
| Dee_Dee_Bridgewater | an american |
| Dee_Dee_Bridgewater | american jazz |
| Dee_Dee_Bridgewater | jazz singer |
| Dee_Dee_Bridgewater | singer she |
| Dee_Dee_Bridgewater | she is |
| Dee_Dee_Bridgewater | is a |
| Dee_Dee_Bridgewater | a three |
| Dee_Dee_Bridgewater | three time |
| Dee_Dee_Bridgewater | time grammy |
| Dee_Dee_Bridgewater | grammy award |
| Dee_Dee_Bridgewater | award winning |
| Dee_Dee_Bridgewater | winning singer |
| Dee_Dee_Bridgewater | singer songwriter |
| Dee_Dee_Bridgewater | songwriter as |
| Dee_Dee_Bridgewater | as well |
| Dee_Dee_Bridgewater | well as |
| Dee_Dee_Bridgewater | as a |
| Dee_Dee_Bridgewater | a tony |
| Dee_Dee_Bridgewater | tony award |
| Dee_Dee_Bridgewater | award winning |
| Dee_Dee_Bridgewater | winning stage |
| Dee_Dee_Bridgewater | stage actress |
| Dee_Dee_Bridgewater | actress for |
| Dee_Dee_Bridgewater | for 23 |
| Dee_Dee_Bridgewater | 23 years |
| Dee_Dee_Bridgewater | years she |
| Dee_Dee_Bridgewater | she was |
| Dee_Dee_Bridgewater | was the |
| Dee_Dee_Bridgewater | the host |
| Dee_Dee_Bridgewater | host of |
| Dee_Dee_Bridgewater | of national |
| Dee_Dee_Bridgewater | national public |
| Dee_Dee_Bridgewater | public radio’s |
| Dee_Dee_Bridgewater | radio’s syndicated |
| Dee_Dee_Bridgewater | syndicated radio |
| Dee_Dee_Bridgewater | radio show |
| Dee_Dee_Bridgewater | show jazzset |
| Dee_Dee_Bridgewater | jazzset with |
| Dee_Dee_Bridgewater | with dee |
| Dee_Dee_Bridgewater | dee dee |
| Dee_Dee_Bridgewater | dee bridgewater |
| Dee_Dee_Bridgewater | bridgewater she |
| Dee_Dee_Bridgewater | she is |
| Dee_Dee_Bridgewater | is a |
| Dee_Dee_Bridgewater | a united |
| Dee_Dee_Bridgewater | united nations |
| Dee_Dee_Bridgewater | nations goodwill |
| Dee_Dee_Bridgewater | goodwill ambassador |
| Dee_Dee_Bridgewater | ambassador for |
| Dee_Dee_Bridgewater | for the |
| Dee_Dee_Bridgewater | the food |
| Dee_Dee_Bridgewater | food and |
| Dee_Dee_Bridgewater | and agriculture |
| Dee_Dee_Bridgewater | agriculture organization |
| Dee_Dee_Bridgewater | organization en |
| Robert_M._Rucker | robert mansfield |
| Robert_M._Rucker | mansfield rucker |
| Robert_M._Rucker | rucker born |
| Robert_M._Rucker | born chicago |
| Robert_M._Rucker | chicago illinois |
| Robert_M._Rucker | illinois raised |
| Robert_M._Rucker | raised in |
| Robert_M._Rucker | in miami |
| Robert_M._Rucker | miami florida |
| Robert_M._Rucker | florida is |
| Robert_M._Rucker | is a |
| Robert_M._Rucker | a jazz |
| Robert_M._Rucker | jazz drummer |
| Robert_M._Rucker | drummer music |
| Robert_M._Rucker | music teacher |
| Robert_M._Rucker | teacher and |
| Robert_M._Rucker | and composer |
| Robert_M._Rucker | composer rucker |
| Robert_M._Rucker | rucker has |
| Robert_M._Rucker | has recorded |
| Robert_M._Rucker | recorded and |
| Robert_M._Rucker | and performed |
| Robert_M._Rucker | performed with |
| Robert_M._Rucker | with many |
| Robert_M._Rucker | many notable |
| Robert_M._Rucker | notable artists |
| Robert_M._Rucker | artists such |
| Robert_M._Rucker | such as |
| Robert_M._Rucker | as wynton |
| Robert_M._Rucker | wynton marsalis |
| Robert_M._Rucker | marsalis marcus |
| Robert_M._Rucker | marcus roberts |
| Robert_M._Rucker | roberts wes |
| Robert_M._Rucker | wes anderson |
| Robert_M._Rucker | anderson herb |
| Robert_M._Rucker | herb harris |
| Robert_M._Rucker | harris scotty |
| Robert_M._Rucker | scotty barnhart |
| Robert_M._Rucker | barnhart philip |
| Robert_M._Rucker | philip harper |
| Robert_M._Rucker | harper eric |
| Robert_M._Rucker | eric lewis |
| Robert_M._Rucker | lewis stephon |
| Robert_M._Rucker | stephon harris |
| Robert_M._Rucker | harris eddie |
| Robert_M._Rucker | eddie henderson |
| Robert_M._Rucker | henderson sam |
| Robert_M._Rucker | sam and |
| Robert_M._Rucker | and dave |
| Robert_M._Rucker | dave stephen |
| Robert_M._Rucker | stephen marley |
| Robert_M._Rucker | marley and |
| Robert_M._Rucker | and dead |
| Robert_M._Rucker | dead prez |
| Robert_M._Rucker | prez he |
| Robert_M._Rucker | he has |
| Robert_M._Rucker | has also |
| Robert_M._Rucker | also produced |
| Robert_M._Rucker | produced music |
| Robert_M._Rucker | music for |
| Robert_M._Rucker | for sony |
| Robert_M._Rucker | sony pictures |
| Robert_M._Rucker | pictures new |
| Robert_M._Rucker | new york |
| Robert_M._Rucker | york university |
| Robert_M._Rucker | university stern |
| Robert_M._Rucker | stern school |
| Robert_M._Rucker | school of |
| Robert_M._Rucker | of business |
| Robert_M._Rucker | business and |
| Robert_M._Rucker | and performs |
| Robert_M._Rucker | performs with |
| Robert_M._Rucker | with a |
| Robert_M._Rucker | a jazz |
| Robert_M._Rucker | jazz band |
| Robert_M._Rucker | band called |
| Robert_M._Rucker | called the |
| Robert_M._Rucker | the robert |
| Robert_M._Rucker | robert rucker |
| Robert_M._Rucker | rucker project |
| Robert_M._Rucker | project en |
| Nine_Inch_Nails | nine inch |
| Nine_Inch_Nails | inch nails |
| Nine_Inch_Nails | nails commonly |
| Nine_Inch_Nails | commonly abbreviated |
| Nine_Inch_Nails | abbreviated as |
| Nine_Inch_Nails | as nin |
| Nine_Inch_Nails | nin and |
| Nine_Inch_Nails | and stylized |
| Nine_Inch_Nails | stylized as |
| Nine_Inch_Nails | as ni |
| Nine_Inch_Nails | ni is |
| Nine_Inch_Nails | is an |
| Nine_Inch_Nails | an american |
| Nine_Inch_Nails | american industrial |
| Nine_Inch_Nails | industrial rock |
| Nine_Inch_Nails | rock band |
| Nine_Inch_Nails | band formed |
| Nine_Inch_Nails | formed in |
| Nine_Inch_Nails | in 1988 |
| Nine_Inch_Nails | 1988 in |
| Nine_Inch_Nails | in cleveland |
| Nine_Inch_Nails | cleveland ohio |
| Nine_Inch_Nails | ohio singer |
| Nine_Inch_Nails | singer songwriter |
| Nine_Inch_Nails | songwriter multi |
| Nine_Inch_Nails | multi instrumentalist |
| Nine_Inch_Nails | instrumentalist and |
| Nine_Inch_Nails | and producer |
| Nine_Inch_Nails | producer trent |
| Nine_Inch_Nails | trent reznor |
| Nine_Inch_Nails | reznor was |
| Nine_Inch_Nails | was the |
| Nine_Inch_Nails | the only |
| Nine_Inch_Nails | only permanent |
| Nine_Inch_Nails | permanent member |
| Nine_Inch_Nails | member of |
| Nine_Inch_Nails | of the |
| Nine_Inch_Nails | the band |
| Nine_Inch_Nails | band until |
| Nine_Inch_Nails | until the |
| Nine_Inch_Nails | the official |
| Nine_Inch_Nails | official addition |
| Nine_Inch_Nails | addition of |
| Nine_Inch_Nails | of english |
| Nine_Inch_Nails | english musician |
| Nine_Inch_Nails | musician atticus |
| Nine_Inch_Nails | atticus ross |
| Nine_Inch_Nails | ross in |
| Nine_Inch_Nails | in 2016 |
| Nine_Inch_Nails | 2016 the |
| Nine_Inch_Nails | the band’s |
| Nine_Inch_Nails | band’s debut |
| Nine_Inch_Nails | debut album |
| Nine_Inch_Nails | album pretty |
| Nine_Inch_Nails | pretty hate |
| Nine_Inch_Nails | hate machine |
| Nine_Inch_Nails | machine 1989 |
| Nine_Inch_Nails | 1989 was |
| Nine_Inch_Nails | was released |
| Nine_Inch_Nails | released via |
| Nine_Inch_Nails | via tvt |
| Nine_Inch_Nails | tvt records |
| Nine_Inch_Nails | records after |
| Nine_Inch_Nails | after feuding |
| Nine_Inch_Nails | feuding with |
| Nine_Inch_Nails | with tvt |
| Nine_Inch_Nails | tvt about |
| Nine_Inch_Nails | about how |
| Nine_Inch_Nails | how to |
| Nine_Inch_Nails | to promote |
| Nine_Inch_Nails | promote the |
| Nine_Inch_Nails | the album |
| Nine_Inch_Nails | album reznor |
| Nine_Inch_Nails | reznor signed |
| Nine_Inch_Nails | signed with |
| Nine_Inch_Nails | with interscope |
| Nine_Inch_Nails | interscope records |
| Nine_Inch_Nails | records and |
| Nine_Inch_Nails | and released |
| Nine_Inch_Nails | released the |
| Nine_Inch_Nails | the ep |
| Nine_Inch_Nails | ep broken |
| Nine_Inch_Nails | broken 1992 |
| Nine_Inch_Nails | 1992 the |
| Nine_Inch_Nails | the following |
| Nine_Inch_Nails | following nine |
| Nine_Inch_Nails | nine inch |
| Nine_Inch_Nails | inch nails |
| Nine_Inch_Nails | nails albums |
| Nine_Inch_Nails | albums the |
| Nine_Inch_Nails | the downward |
| Nine_Inch_Nails | downward spiral |
| Nine_Inch_Nails | spiral 1994 |
| Nine_Inch_Nails | 1994 and |
| Nine_Inch_Nails | and the |
| Nine_Inch_Nails | the fragile |
| Nine_Inch_Nails | fragile 1999 |
| Nine_Inch_Nails | 1999 were |
| Nine_Inch_Nails | were released |
| Nine_Inch_Nails | released to |
| Nine_Inch_Nails | to critical |
| Nine_Inch_Nails | critical acclaim |
| Nine_Inch_Nails | acclaim and |
| Nine_Inch_Nails | and commercial |
| Nine_Inch_Nails | commercial success |
| Nine_Inch_Nails | success following |
| Nine_Inch_Nails | following a |
| Nine_Inch_Nails | a hiatus |
| Nine_Inch_Nails | hiatus nine |
| Nine_Inch_Nails | nine inch |
| Nine_Inch_Nails | inch nails |
| Nine_Inch_Nails | nails resumed |
| Nine_Inch_Nails | resumed touring |
| Nine_Inch_Nails | touring in |
| Nine_Inch_Nails | in 2005 |
| Nine_Inch_Nails | 2005 and |
| Nine_Inch_Nails | and released |
| Nine_Inch_Nails | released their |
| Nine_Inch_Nails | their fourth |
| Nine_Inch_Nails | fourth album |
| Nine_Inch_Nails | album with |
| Nine_Inch_Nails | with teeth |
| Nine_Inch_Nails | teeth 2005 |
| Nine_Inch_Nails | 2005 following |
| Nine_Inch_Nails | following the |
| Nine_Inch_Nails | the release |
| Nine_Inch_Nails | release of |
| Nine_Inch_Nails | of year |
| Nine_Inch_Nails | year zero |
| Nine_Inch_Nails | zero 2007 |
| Nine_Inch_Nails | 2007 reznor |
| Nine_Inch_Nails | reznor left |
| Nine_Inch_Nails | left interscope |
| Nine_Inch_Nails | interscope after |
| Nine_Inch_Nails | after a |
| Nine_Inch_Nails | a feud |
| Nine_Inch_Nails | feud nine |
| Nine_Inch_Nails | nine inch |
| Nine_Inch_Nails | inch nails |
| Nine_Inch_Nails | nails continued |
| Nine_Inch_Nails | continued touring |
| Nine_Inch_Nails | touring and |
| Nine_Inch_Nails | and independently |
| Nine_Inch_Nails | independently released |
| Nine_Inch_Nails | released ghosts |
| Nine_Inch_Nails | ghosts i |
| Nine_Inch_Nails | i v |
| Nine_Inch_Nails | v 2008 |
| Nine_Inch_Nails | 2008 and |
| Nine_Inch_Nails | and the |
| Nine_Inch_Nails | the slip |
| Nine_Inch_Nails | slip 2008 |
| Nine_Inch_Nails | 2008 before |
| Nine_Inch_Nails | before a |
| Nine_Inch_Nails | a second |
| Nine_Inch_Nails | second hiatus |
| Nine_Inch_Nails | hiatus their |
| Nine_Inch_Nails | their eighth |
| Nine_Inch_Nails | eighth album |
| Nine_Inch_Nails | album hesitation |
| Nine_Inch_Nails | hesitation marks |
| Nine_Inch_Nails | marks 2013 |
| Nine_Inch_Nails | 2013 was |
| Nine_Inch_Nails | was followed |
| Nine_Inch_Nails | followed by |
| Nine_Inch_Nails | by a |
| Nine_Inch_Nails | a trilogy |
| Nine_Inch_Nails | trilogy consisting |
| Nine_Inch_Nails | consisting of |
| Nine_Inch_Nails | of the |
| Nine_Inch_Nails | the eps |
| Nine_Inch_Nails | eps not |
| Nine_Inch_Nails | not the |
| Nine_Inch_Nails | the actual |
| Nine_Inch_Nails | actual events |
| Nine_Inch_Nails | events 2016 |
| Nine_Inch_Nails | 2016 and |
| Nine_Inch_Nails | and add |
| Nine_Inch_Nails | add violence |
| Nine_Inch_Nails | violence 2017 |
| Nine_Inch_Nails | 2017 and |
| Nine_Inch_Nails | and their |
| Nine_Inch_Nails | their ninth |
| Nine_Inch_Nails | ninth album |
| Nine_Inch_Nails | album bad |
| Nine_Inch_Nails | bad witch |
| Nine_Inch_Nails | witch 2018 |
| Nine_Inch_Nails | 2018 in |
| Nine_Inch_Nails | in 2020 |
| Nine_Inch_Nails | 2020 nine |
| Nine_Inch_Nails | nine inch |
| Nine_Inch_Nails | inch nails |
| Nine_Inch_Nails | nails released |
| Nine_Inch_Nails | released two |
| Nine_Inch_Nails | two further |
| Nine_Inch_Nails | further instalments |
| Nine_Inch_Nails | instalments in |
| Nine_Inch_Nails | in the |
| Nine_Inch_Nails | the ghosts |
| Nine_Inch_Nails | ghosts series |
| Nine_Inch_Nails | series ghosts |
| Nine_Inch_Nails | ghosts v |
| Nine_Inch_Nails | v together |
| Nine_Inch_Nails | together and |
| Nine_Inch_Nails | and ghosts |
| Nine_Inch_Nails | ghosts vi |
| Nine_Inch_Nails | vi locusts |
| Nine_Inch_Nails | locusts when |
| Nine_Inch_Nails | when touring |
| Nine_Inch_Nails | touring reznor |
| Nine_Inch_Nails | reznor typically |
| Nine_Inch_Nails | typically assembles |
| Nine_Inch_Nails | assembles a |
| Nine_Inch_Nails | a live |
| Nine_Inch_Nails | live band |
| Nine_Inch_Nails | band to |
| Nine_Inch_Nails | to perform |
| Nine_Inch_Nails | perform with |
| Nine_Inch_Nails | with him |
| Nine_Inch_Nails | him under |
| Nine_Inch_Nails | under the |
| Nine_Inch_Nails | the nine |
| Nine_Inch_Nails | nine inch |
| Nine_Inch_Nails | inch nails |
| Nine_Inch_Nails | nails name |
| Nine_Inch_Nails | name not |
| Nine_Inch_Nails | not including |
| Nine_Inch_Nails | including sporadic |
| Nine_Inch_Nails | sporadic band |
| Nine_Inch_Nails | band hiatuses |
| Nine_Inch_Nails | hiatuses this |
| Nine_Inch_Nails | this live |
| Nine_Inch_Nails | live band |
| Nine_Inch_Nails | band has |
| Nine_Inch_Nails | has varied |
| Nine_Inch_Nails | varied over |
| Nine_Inch_Nails | over the |
| Nine_Inch_Nails | the decades |
| Nine_Inch_Nails | decades with |
| Nine_Inch_Nails | with the |
| Nine_Inch_Nails | the most |
| Nine_Inch_Nails | most recent |
| Nine_Inch_Nails | recent lineup |
| Nine_Inch_Nails | lineup consisting |
| Nine_Inch_Nails | consisting of |
| Nine_Inch_Nails | of robin |
| Nine_Inch_Nails | robin finck |
| Nine_Inch_Nails | finck who |
| Nine_Inch_Nails | who initially |
| Nine_Inch_Nails | initially joined |
| Nine_Inch_Nails | joined in |
| Nine_Inch_Nails | in 1994 |
| Nine_Inch_Nails | 1994 alessandro |
| Nine_Inch_Nails | alessandro cortini |
| Nine_Inch_Nails | cortini who |
| Nine_Inch_Nails | who initially |
| Nine_Inch_Nails | initially joined |
| Nine_Inch_Nails | joined in |
| Nine_Inch_Nails | in 2005 |
| Nine_Inch_Nails | 2005 and |
| Nine_Inch_Nails | and ilan |
| Nine_Inch_Nails | ilan rubin |
| Nine_Inch_Nails | rubin who |
| Nine_Inch_Nails | who initially |
| Nine_Inch_Nails | initially joined |
| Nine_Inch_Nails | joined in |
| Nine_Inch_Nails | in 2009 |
| Nine_Inch_Nails | 2009 alongside |
| Nine_Inch_Nails | alongside reznor |
| Nine_Inch_Nails | reznor and |
| Nine_Inch_Nails | and ross |
| Nine_Inch_Nails | ross the |
| Nine_Inch_Nails | the band’s |
| Nine_Inch_Nails | band’s concerts |
| Nine_Inch_Nails | concerts are |
| Nine_Inch_Nails | are noted |
| Nine_Inch_Nails | noted for |
| Nine_Inch_Nails | for their |
| Nine_Inch_Nails | their extensive |
| Nine_Inch_Nails | extensive use |
| Nine_Inch_Nails | use of |
| Nine_Inch_Nails | of thematic |
| Nine_Inch_Nails | thematic visual |
| Nine_Inch_Nails | visual elements |
| Nine_Inch_Nails | elements complex |
| Nine_Inch_Nails | complex special |
| Nine_Inch_Nails | special effects |
| Nine_Inch_Nails | effects and |
| Nine_Inch_Nails | and elaborate |
| Nine_Inch_Nails | elaborate lighting |
| Nine_Inch_Nails | lighting songs |
| Nine_Inch_Nails | songs are |
| Nine_Inch_Nails | are often |
| Nine_Inch_Nails | often rearranged |
| Nine_Inch_Nails | rearranged to |
| Nine_Inch_Nails | to fit |
| Nine_Inch_Nails | fit any |
| Nine_Inch_Nails | any given |
| Nine_Inch_Nails | given performance |
| Nine_Inch_Nails | performance and |
| Nine_Inch_Nails | and melodies |
| Nine_Inch_Nails | melodies or |
| Nine_Inch_Nails | or lyrics |
| Nine_Inch_Nails | lyrics of |
| Nine_Inch_Nails | of songs |
| Nine_Inch_Nails | songs that |
| Nine_Inch_Nails | that are |
| Nine_Inch_Nails | are not |
| Nine_Inch_Nails | not scheduled |
| Nine_Inch_Nails | scheduled to |
| Nine_Inch_Nails | to be |
| Nine_Inch_Nails | be performed |
| Nine_Inch_Nails | performed are |
| Nine_Inch_Nails | are sometimes |
| Nine_Inch_Nails | sometimes assimilated |
| Nine_Inch_Nails | assimilated into |
| Nine_Inch_Nails | into other |
| Nine_Inch_Nails | other songs |
| Nine_Inch_Nails | songs nine |
| Nine_Inch_Nails | nine inch |
| Nine_Inch_Nails | inch nails |
| Nine_Inch_Nails | nails has |
| Nine_Inch_Nails | has sold |
| Nine_Inch_Nails | sold over |
| Nine_Inch_Nails | over 20 |
| Nine_Inch_Nails | 20 million |
| Nine_Inch_Nails | million records |
| Nine_Inch_Nails | records and |
| Nine_Inch_Nails | and have |
| Nine_Inch_Nails | have been |
| Nine_Inch_Nails | been nominated |
| Nine_Inch_Nails | nominated for |
| Nine_Inch_Nails | for 13 |
| Nine_Inch_Nails | 13 grammy |
| Nine_Inch_Nails | grammy awards |
| Nine_Inch_Nails | awards winning |
| Nine_Inch_Nails | winning for |
| Nine_Inch_Nails | for the |
| Nine_Inch_Nails | the songs |
| Nine_Inch_Nails | songs wish |
| Nine_Inch_Nails | wish in |
| Nine_Inch_Nails | in 1992 |
| Nine_Inch_Nails | 1992 and |
| Nine_Inch_Nails | and happiness |
| Nine_Inch_Nails | happiness in |
| Nine_Inch_Nails | in slavery |
| Nine_Inch_Nails | slavery in |
| Nine_Inch_Nails | in 1996 |
| Nine_Inch_Nails | 1996 time |
| Nine_Inch_Nails | time magazine |
| Nine_Inch_Nails | magazine named |
| Nine_Inch_Nails | named reznor |
| Nine_Inch_Nails | reznor one |
| Nine_Inch_Nails | one of |
| Nine_Inch_Nails | of its |
| Nine_Inch_Nails | its most |
| Nine_Inch_Nails | most influential |
| Nine_Inch_Nails | influential people |
| Nine_Inch_Nails | people in |
| Nine_Inch_Nails | in 1997 |
| Nine_Inch_Nails | 1997 while |
| Nine_Inch_Nails | while spin |
| Nine_Inch_Nails | spin magazine |
| Nine_Inch_Nails | magazine has |
| Nine_Inch_Nails | has described |
| Nine_Inch_Nails | described him |
| Nine_Inch_Nails | him as |
| Nine_Inch_Nails | as the |
| Nine_Inch_Nails | the most |
| Nine_Inch_Nails | most vital |
| Nine_Inch_Nails | vital artist |
| Nine_Inch_Nails | artist in |
| Nine_Inch_Nails | in music |
| Nine_Inch_Nails | music in |
| Nine_Inch_Nails | in 2004 |
| Nine_Inch_Nails | 2004 rolling |
| Nine_Inch_Nails | rolling stone |
| Nine_Inch_Nails | stone placed |
| Nine_Inch_Nails | placed nine |
| Nine_Inch_Nails | nine inch |
| Nine_Inch_Nails | inch nails |
| Nine_Inch_Nails | nails at |
| Nine_Inch_Nails | at no |
| Nine_Inch_Nails | no 94 |
| Nine_Inch_Nails | 94 on |
| Nine_Inch_Nails | on its |
| Nine_Inch_Nails | its list |
| Nine_Inch_Nails | list of |
| Nine_Inch_Nails | of the |
| Nine_Inch_Nails | the 100 |
| Nine_Inch_Nails | 100 greatest |
| Nine_Inch_Nails | greatest artists |
| Nine_Inch_Nails | artists of |
| Nine_Inch_Nails | of all |
| Nine_Inch_Nails | all time |
| Nine_Inch_Nails | time nine |
| Nine_Inch_Nails | nine inch |
| Nine_Inch_Nails | inch nails |
| Nine_Inch_Nails | nails were |
| Nine_Inch_Nails | were nominated |
| Nine_Inch_Nails | nominated for |
| Nine_Inch_Nails | for induction |
| Nine_Inch_Nails | induction into |
| Nine_Inch_Nails | into the |
| Nine_Inch_Nails | the rock |
| Nine_Inch_Nails | rock and |
| Nine_Inch_Nails | and roll |
| Nine_Inch_Nails | roll hall |
| Nine_Inch_Nails | hall of |
| Nine_Inch_Nails | of fame |
| Nine_Inch_Nails | fame in |
| Nine_Inch_Nails | in 2014 |
| Nine_Inch_Nails | 2014 their |
| Nine_Inch_Nails | their first |
| Nine_Inch_Nails | first year |
| Nine_Inch_Nails | year of |
| Nine_Inch_Nails | of eligibility |
| Nine_Inch_Nails | eligibility they |
| Nine_Inch_Nails | they were |
| Nine_Inch_Nails | were nominated |
| Nine_Inch_Nails | nominated again |
| Nine_Inch_Nails | again in |
| Nine_Inch_Nails | in 2015 |
| Nine_Inch_Nails | 2015 and |
| Nine_Inch_Nails | and 2020 |
| Nine_Inch_Nails | 2020 with |
| Nine_Inch_Nails | with the |
| Nine_Inch_Nails | the latter |
| Nine_Inch_Nails | latter resulting |
| Nine_Inch_Nails | resulting in |
| Nine_Inch_Nails | in an |
| Nine_Inch_Nails | an induction |
| Nine_Inch_Nails | induction en |
| Germaine_Bazzle | germaine bazzle |
| Germaine_Bazzle | bazzle born |
| Germaine_Bazzle | born march |
| Germaine_Bazzle | march 28 |
| Germaine_Bazzle | 28 1932 |
| Germaine_Bazzle | 1932 is |
| Germaine_Bazzle | is a |
| Germaine_Bazzle | a jazz |
| Germaine_Bazzle | jazz vocalist |
| Germaine_Bazzle | vocalist from |
| Germaine_Bazzle | from new |
| Germaine_Bazzle | new orleans |
| Germaine_Bazzle | orleans en |
| Black_Note | black note |
| Black_Note | note were |
| Black_Note | were an |
| Black_Note | an american |
| Black_Note | american jazz |
| Black_Note | jazz ensemble |
| Black_Note | ensemble formed |
| Black_Note | formed in |
| Black_Note | in 1991 |
| Black_Note | 1991 the |
| Black_Note | the band |
| Black_Note | band released |
| Black_Note | released four |
| Black_Note | four albums |
| Black_Note | albums on |
| Black_Note | on columbia |
| Black_Note | columbia records |
| Black_Note | records impulse |
| Black_Note | impulse records |
| Black_Note | records red |
| Black_Note | red records |
| Black_Note | records and |
| Black_Note | and they |
| Black_Note | they won |
| Black_Note | won first |
| Black_Note | first prize |
| Black_Note | prize at |
| Black_Note | at the |
| Black_Note | the john |
| Black_Note | john coltrane |
| Black_Note | coltrane young |
| Black_Note | young artist |
| Black_Note | artist competition |
| Black_Note | competition in |
| Black_Note | in 1991 |
| Black_Note | 1991 en |
| Bo_Stief | bo stief |
| Bo_Stief | stief born |
| Bo_Stief | born 15 |
| Bo_Stief | 15 october |
| Bo_Stief | october 1946 |
| Bo_Stief | 1946 is |
| Bo_Stief | is a |
| Bo_Stief | a danish |
| Bo_Stief | danish jazz |
| Bo_Stief | jazz and |
| Bo_Stief | and rock |
| Bo_Stief | rock bassist |
| Bo_Stief | bassist composer |
| Bo_Stief | composer and |
| Bo_Stief | and arranger |
| Bo_Stief | arranger born |
| Bo_Stief | born in |
| Bo_Stief | in copenhagen |
| Bo_Stief | copenhagen he |
| Bo_Stief | he has |
| Bo_Stief | has worked |
| Bo_Stief | worked or |
| Bo_Stief | or recorded |
| Bo_Stief | recorded with |
| Bo_Stief | with don |
| Bo_Stief | don cherry |
| Bo_Stief | cherry miles |
| Bo_Stief | miles davis |
| Bo_Stief | davis stan |
| Bo_Stief | stan getz |
| Bo_Stief | getz dizzy |
| Bo_Stief | dizzy gillespie |
| Bo_Stief | gillespie dexter |
| Bo_Stief | dexter gordon |
| Bo_Stief | gordon johnny |
| Bo_Stief | johnny griffin |
| Bo_Stief | griffin jackie |
| Bo_Stief | jackie mclean |
| Bo_Stief | mclean george |
| Bo_Stief | george russell |
| Bo_Stief | russell kenny |
| Bo_Stief | kenny drew |
| Bo_Stief | drew and |
| Bo_Stief | and ben |
| Bo_Stief | ben webster |
| Bo_Stief | webster among |
| Bo_Stief | among many |
| Bo_Stief | many other |
| Bo_Stief | other prominent |
| Bo_Stief | prominent jazz |
| Bo_Stief | jazz musicians |
| Bo_Stief | musicians since |
| Bo_Stief | since 1980 |
| Bo_Stief | 1980 stief |
| Bo_Stief | stief has |
| Bo_Stief | has been |
| Bo_Stief | been leading |
| Bo_Stief | leading bands |
| Bo_Stief | bands as |
| Bo_Stief | as chasing |
| Bo_Stief | chasing dreams |
| Bo_Stief | dreams dream |
| Bo_Stief | dream machine |
| Bo_Stief | machine or |
| Bo_Stief | or one |
| Bo_Stief | one song |
| Bo_Stief | song iii |
| Bo_Stief | iii in |
| Bo_Stief | in 2005 |
| Bo_Stief | 2005 he |
| Bo_Stief | he was |
| Bo_Stief | was awarded |
| Bo_Stief | awarded the |
| Bo_Stief | the danish |
| Bo_Stief | danish django |
| Bo_Stief | django d |
| Bo_Stief | d r |
| Bo_Stief | r as |
| Bo_Stief | as master |
| Bo_Stief | master of |
| Bo_Stief | of jazz |
| Bo_Stief | jazz en |
| Doug_Watkins | douglas watkins |
| Doug_Watkins | watkins march |
| Doug_Watkins | march 2 |
| Doug_Watkins | 2 1934 |
| Doug_Watkins | 1934 february |
| Doug_Watkins | february 5 |
| Doug_Watkins | 5 1962 |
| Doug_Watkins | 1962 was |
| Doug_Watkins | was an |
| Doug_Watkins | an american |
| Doug_Watkins | american jazz |
| Doug_Watkins | jazz double |
| Doug_Watkins | double bassist |
| Doug_Watkins | bassist he |
| Doug_Watkins | he was |
| Doug_Watkins | was best |
| Doug_Watkins | best known |
| Doug_Watkins | known for |
| Doug_Watkins | for being |
| Doug_Watkins | being an |
| Doug_Watkins | an accompanist |
| Doug_Watkins | accompanist to |
| Doug_Watkins | to various |
| Doug_Watkins | various hard |
| Doug_Watkins | hard bop |
| Doug_Watkins | bop artists |
| Doug_Watkins | artists in |
| Doug_Watkins | in the |
| Doug_Watkins | the detroit |
| Doug_Watkins | detroit area |
| Doug_Watkins | area including |
| Doug_Watkins | including donald |
| Doug_Watkins | donald byrd |
| Doug_Watkins | byrd and |
| Doug_Watkins | and jackie |
| Doug_Watkins | jackie mclean |
| Doug_Watkins | mclean en |
| Jeff_Beck | geoffrey arnold |
| Jeff_Beck | arnold beck |
| Jeff_Beck | beck born |
| Jeff_Beck | born 24 |
| Jeff_Beck | 24 june |
| Jeff_Beck | june 1944 |
| Jeff_Beck | 1944 is |
| Jeff_Beck | is an |
| Jeff_Beck | an english |
| Jeff_Beck | english rock |
| Jeff_Beck | rock guitarist |
| Jeff_Beck | guitarist he |
| Jeff_Beck | he rose |
| Jeff_Beck | rose to |
| Jeff_Beck | to prominence |
| Jeff_Beck | prominence with |
| Jeff_Beck | with the |
| Jeff_Beck | the yardbirds |
| Jeff_Beck | yardbirds and |
| Jeff_Beck | and after |
| Jeff_Beck | after fronted |
| Jeff_Beck | fronted the |
| Jeff_Beck | the jeff |
| Jeff_Beck | jeff beck |
| Jeff_Beck | beck group |
| Jeff_Beck | group and |
| Jeff_Beck | and beck |
| Jeff_Beck | beck bogert |
| Jeff_Beck | bogert appice |
| Jeff_Beck | appice in |
| Jeff_Beck | in 1975 |
| Jeff_Beck | 1975 he |
| Jeff_Beck | he switched |
| Jeff_Beck | switched to |
| Jeff_Beck | to a |
| Jeff_Beck | a mainly |
| Jeff_Beck | mainly instrumental |
| Jeff_Beck | instrumental style |
| Jeff_Beck | style with |
| Jeff_Beck | with a |
| Jeff_Beck | a focus |
| Jeff_Beck | focus on |
| Jeff_Beck | on innovative |
| Jeff_Beck | innovative sound |
| Jeff_Beck | sound and |
| Jeff_Beck | and his |
| Jeff_Beck | his releases |
| Jeff_Beck | releases have |
| Jeff_Beck | have spanned |
| Jeff_Beck | spanned genres |
| Jeff_Beck | genres ranging |
| Jeff_Beck | ranging from |
| Jeff_Beck | from blues |
| Jeff_Beck | blues rock |
| Jeff_Beck | rock hard |
| Jeff_Beck | hard rock |
| Jeff_Beck | rock jazz |
| Jeff_Beck | jazz fusion |
| Jeff_Beck | fusion and |
| Jeff_Beck | and a |
| Jeff_Beck | a blend |
| Jeff_Beck | blend of |
| Jeff_Beck | of guitar |
| Jeff_Beck | guitar rock |
| Jeff_Beck | rock and |
| Jeff_Beck | and electronica |
| Jeff_Beck | electronica beck |
| Jeff_Beck | beck is |
| Jeff_Beck | is considered |
| Jeff_Beck | considered among |
| Jeff_Beck | among the |
| Jeff_Beck | the greatest |
| Jeff_Beck | greatest players |
| Jeff_Beck | players in |
| Jeff_Beck | in history |
| Jeff_Beck | history with |
| Jeff_Beck | with rolling |
| Jeff_Beck | rolling stone |
| Jeff_Beck | stone upon |
| Jeff_Beck | upon whose |
| Jeff_Beck | whose cover |
| Jeff_Beck | cover he |
| Jeff_Beck | he has |
| Jeff_Beck | has appeared |
| Jeff_Beck | appeared three |
| Jeff_Beck | three times |
| Jeff_Beck | times describing |
| Jeff_Beck | describing him |
| Jeff_Beck | him as |
| Jeff_Beck | as one |
| Jeff_Beck | one of |
| Jeff_Beck | of the |
| Jeff_Beck | the most |
| Jeff_Beck | most influential |
| Jeff_Beck | influential lead |
| Jeff_Beck | lead guitarists |
| Jeff_Beck | guitarists in |
| Jeff_Beck | in rock |
| Jeff_Beck | rock he |
| Jeff_Beck | he is |
| Jeff_Beck | is often |
| Jeff_Beck | often called |
| Jeff_Beck | called a |
| Jeff_Beck | a guitarist’s |
| Jeff_Beck | guitarist’s guitarist |
| Jeff_Beck | guitarist although |
| Jeff_Beck | although he |
| Jeff_Beck | he recorded |
| Jeff_Beck | recorded two |
| Jeff_Beck | two hit |
| Jeff_Beck | hit albums |
| Jeff_Beck | albums in |
| Jeff_Beck | in 1975 |
| Jeff_Beck | 1975 and |
| Jeff_Beck | and 1976 |
| Jeff_Beck | 1976 as |
| Jeff_Beck | as a |
| Jeff_Beck | a solo |
| Jeff_Beck | solo act |
| Jeff_Beck | act beck |
| Jeff_Beck | beck has |
| Jeff_Beck | has not |
| Jeff_Beck | not established |
| Jeff_Beck | established or |
| Jeff_Beck | or maintained |
| Jeff_Beck | maintained the |
| Jeff_Beck | the sustained |
| Jeff_Beck | sustained commercial |
| Jeff_Beck | commercial success |
| Jeff_Beck | success of |
| Jeff_Beck | of many |
| Jeff_Beck | many of |
| Jeff_Beck | of his |
| Jeff_Beck | his contemporaries |
| Jeff_Beck | contemporaries and |
| Jeff_Beck | and bandmates |
| Jeff_Beck | bandmates however |
| Jeff_Beck | however he |
| Jeff_Beck | he has |
| Jeff_Beck | has recorded |
| Jeff_Beck | recorded with |
| Jeff_Beck | with many |
| Jeff_Beck | many artists |
| Jeff_Beck | artists beck |
| Jeff_Beck | beck has |
| Jeff_Beck | has earned |
| Jeff_Beck | earned wide |
| Jeff_Beck | wide critical |
| Jeff_Beck | critical praise |
| Jeff_Beck | praise and |
| Jeff_Beck | and received |
| Jeff_Beck | received the |
| Jeff_Beck | the grammy |
| Jeff_Beck | grammy award |
| Jeff_Beck | award for |
| Jeff_Beck | for best |
| Jeff_Beck | best rock |
| Jeff_Beck | rock instrumental |
| Jeff_Beck | instrumental performance |
| Jeff_Beck | performance six |
| Jeff_Beck | six times |
| Jeff_Beck | times and |
| Jeff_Beck | and best |
| Jeff_Beck | best pop |
| Jeff_Beck | pop instrumental |
| Jeff_Beck | instrumental performance |
| Jeff_Beck | performance once |
| Jeff_Beck | once in |
| Jeff_Beck | in 2014 |
| Jeff_Beck | 2014 he |
| Jeff_Beck | he received |
| Jeff_Beck | received the |
| Jeff_Beck | the british |
| Jeff_Beck | british academy’s |
| Jeff_Beck | academy’s ivor |
| Jeff_Beck | ivor novello |
| Jeff_Beck | novello award |
| Jeff_Beck | award for |
| Jeff_Beck | for outstanding |
| Jeff_Beck | outstanding contribution |
| Jeff_Beck | contribution to |
| Jeff_Beck | to british |
| Jeff_Beck | british music |
| Jeff_Beck | music beck |
| Jeff_Beck | beck has |
| Jeff_Beck | has been |
| Jeff_Beck | been inducted |
| Jeff_Beck | inducted into |
| Jeff_Beck | into the |
| Jeff_Beck | the rock |
| Jeff_Beck | rock and |
| Jeff_Beck | and roll |
| Jeff_Beck | roll hall |
| Jeff_Beck | hall of |
| Jeff_Beck | of fame |
| Jeff_Beck | fame twice |
| Jeff_Beck | twice as |
| Jeff_Beck | as a |
| Jeff_Beck | a member |
| Jeff_Beck | member of |
| Jeff_Beck | of the |
| Jeff_Beck | the yardbirds |
| Jeff_Beck | yardbirds 1992 |
| Jeff_Beck | 1992 and |
| Jeff_Beck | and as |
| Jeff_Beck | as a |
| Jeff_Beck | a solo |
| Jeff_Beck | solo artist |
| Jeff_Beck | artist 2009 |
| Jeff_Beck | 2009 en |
| Jackie_McLean | john lenwood |
| Jackie_McLean | lenwood jackie |
| Jackie_McLean | jackie mclean |
| Jackie_McLean | mclean may |
| Jackie_McLean | may 17 |
| Jackie_McLean | 17 1931 |
| Jackie_McLean | 1931 march |
| Jackie_McLean | march 31 |
| Jackie_McLean | 31 2006 |
| Jackie_McLean | 2006 was |
| Jackie_McLean | was an |
| Jackie_McLean | an american |
| Jackie_McLean | american jazz |
| Jackie_McLean | jazz alto |
| Jackie_McLean | alto saxophonist |
| Jackie_McLean | saxophonist composer |
| Jackie_McLean | composer bandleader |
| Jackie_McLean | bandleader and |
| Jackie_McLean | and educator |
| Jackie_McLean | educator and |
| Jackie_McLean | and is |
| Jackie_McLean | is one |
| Jackie_McLean | one of |
| Jackie_McLean | of the |
| Jackie_McLean | the few |
| Jackie_McLean | few musicians |
| Jackie_McLean | musicians to |
| Jackie_McLean | to be |
| Jackie_McLean | be elected |
| Jackie_McLean | elected to |
| Jackie_McLean | to the |
| Jackie_McLean | the downbeat |
| Jackie_McLean | downbeat hall |
| Jackie_McLean | hall of |
| Jackie_McLean | of fame |
| Jackie_McLean | fame in |
| Jackie_McLean | in the |
| Jackie_McLean | the year |
| Jackie_McLean | year of |
| Jackie_McLean | of their |
| Jackie_McLean | their death |
| Jackie_McLean | death en |
| Bob_Cranshaw | melbourne robert |
| Bob_Cranshaw | robert cranshaw |
| Bob_Cranshaw | cranshaw december |
| Bob_Cranshaw | december 3 |
| Bob_Cranshaw | 3 1932 |
| Bob_Cranshaw | 1932 november |
| Bob_Cranshaw | november 2 |
| Bob_Cranshaw | 2 2016 |
| Bob_Cranshaw | 2016 was |
| Bob_Cranshaw | was an |
| Bob_Cranshaw | an american |
| Bob_Cranshaw | american jazz |
| Bob_Cranshaw | jazz bassist |
| Bob_Cranshaw | bassist his |
| Bob_Cranshaw | his career |
| Bob_Cranshaw | career spanned |
| Bob_Cranshaw | spanned the |
| Bob_Cranshaw | the heyday |
| Bob_Cranshaw | heyday of |
| Bob_Cranshaw | of blue |
| Bob_Cranshaw | blue note |
| Bob_Cranshaw | note records |
| Bob_Cranshaw | records to |
| Bob_Cranshaw | to his |
| Bob_Cranshaw | his recent |
| Bob_Cranshaw | recent involvement |
| Bob_Cranshaw | involvement with |
| Bob_Cranshaw | with the |
| Bob_Cranshaw | the musicians |
| Bob_Cranshaw | musicians union |
| Bob_Cranshaw | union he |
| Bob_Cranshaw | he is |
| Bob_Cranshaw | is perhaps |
| Bob_Cranshaw | perhaps best |
| Bob_Cranshaw | best known |
| Bob_Cranshaw | known for |
| Bob_Cranshaw | for his |
| Bob_Cranshaw | his long |
| Bob_Cranshaw | long association |
| Bob_Cranshaw | association with |
| Bob_Cranshaw | with sonny |
| Bob_Cranshaw | sonny rollins |
| Bob_Cranshaw | rollins cranshaw |
| Bob_Cranshaw | cranshaw performed |
| Bob_Cranshaw | performed in |
| Bob_Cranshaw | in rollins’s |
| Bob_Cranshaw | rollins’s working |
| Bob_Cranshaw | working band |
| Bob_Cranshaw | band on |
| Bob_Cranshaw | on and |
| Bob_Cranshaw | and off |
| Bob_Cranshaw | off for |
| Bob_Cranshaw | for over |
| Bob_Cranshaw | over five |
| Bob_Cranshaw | five decades |
| Bob_Cranshaw | decades starting |
| Bob_Cranshaw | starting with |
| Bob_Cranshaw | with a |
| Bob_Cranshaw | a live |
| Bob_Cranshaw | live appearance |
| Bob_Cranshaw | appearance at |
| Bob_Cranshaw | at the |
| Bob_Cranshaw | the 1959 |
| Bob_Cranshaw | 1959 playboy |
| Bob_Cranshaw | playboy jazz |
| Bob_Cranshaw | jazz festival |
| Bob_Cranshaw | festival in |
| Bob_Cranshaw | in chicago |
| Bob_Cranshaw | chicago and |
| Bob_Cranshaw | and on |
| Bob_Cranshaw | on record |
| Bob_Cranshaw | record with |
| Bob_Cranshaw | with the |
| Bob_Cranshaw | the 1962 |
| Bob_Cranshaw | 1962 album |
| Bob_Cranshaw | album the |
| Bob_Cranshaw | the bridge |
| Bob_Cranshaw | bridge cranshaw |
| Bob_Cranshaw | cranshaw died |
| Bob_Cranshaw | died at |
| Bob_Cranshaw | at the |
| Bob_Cranshaw | the age |
| Bob_Cranshaw | age of |
| Bob_Cranshaw | of 83 |
| Bob_Cranshaw | 83 on |
| Bob_Cranshaw | on november |
| Bob_Cranshaw | november 2 |
| Bob_Cranshaw | 2 2016 |
| Bob_Cranshaw | 2016 in |
| Bob_Cranshaw | in manhattan |
| Bob_Cranshaw | manhattan new |
| Bob_Cranshaw | new york |
| Bob_Cranshaw | york from |
| Bob_Cranshaw | from stage |
| Bob_Cranshaw | stage iv |
| Bob_Cranshaw | iv cancer |
| Bob_Cranshaw | cancer en |
| Woody_Herman | woodrow charles |
| Woody_Herman | charles herman |
| Woody_Herman | herman may |
| Woody_Herman | may 16 |
| Woody_Herman | 16 1913 |
| Woody_Herman | 1913 october |
| Woody_Herman | october 29 |
| Woody_Herman | 29 1987 |
| Woody_Herman | 1987 was |
| Woody_Herman | was an |
| Woody_Herman | an american |
| Woody_Herman | american jazz |
| Woody_Herman | jazz clarinetist |
| Woody_Herman | clarinetist saxophonist |
| Woody_Herman | saxophonist singer |
| Woody_Herman | singer and |
| Woody_Herman | and big |
| Woody_Herman | big band |
| Woody_Herman | band leader |
| Woody_Herman | leader leading |
| Woody_Herman | leading groups |
| Woody_Herman | groups called |
| Woody_Herman | called the |
| Woody_Herman | the herd |
| Woody_Herman | herd herman |
| Woody_Herman | herman came |
| Woody_Herman | came to |
| Woody_Herman | to prominence |
| Woody_Herman | prominence in |
| Woody_Herman | in the |
| Woody_Herman | the late |
| Woody_Herman | late 1930s |
| Woody_Herman | 1930s and |
| Woody_Herman | and was |
| Woody_Herman | was active |
| Woody_Herman | active until |
| Woody_Herman | until his |
| Woody_Herman | his death |
| Woody_Herman | death in |
| Woody_Herman | in 1987 |
| Woody_Herman | 1987 his |
| Woody_Herman | his bands |
| Woody_Herman | bands often |
| Woody_Herman | often played |
| Woody_Herman | played music |
| Woody_Herman | music that |
| Woody_Herman | that was |
| Woody_Herman | was cutting |
| Woody_Herman | cutting edge |
| Woody_Herman | edge and |
| Woody_Herman | and experimental |
| Woody_Herman | experimental for |
| Woody_Herman | for its |
| Woody_Herman | its time |
| Woody_Herman | time their |
| Woody_Herman | their recordings |
| Woody_Herman | recordings received |
| Woody_Herman | received numerous |
| Woody_Herman | numerous grammy |
| Woody_Herman | grammy nominations |
| Woody_Herman | nominations en |
| Donald_Byrd | donaldson toussaint |
| Donald_Byrd | toussaint l’ouverture |
| Donald_Byrd | l’ouverture byrd |
| Donald_Byrd | byrd ii |
| Donald_Byrd | ii december |
| Donald_Byrd | december 9 |
| Donald_Byrd | 9 1932 |
| Donald_Byrd | 1932 february |
| Donald_Byrd | february 4 |
| Donald_Byrd | 4 2013 |
| Donald_Byrd | 2013 was |
| Donald_Byrd | was an |
| Donald_Byrd | an american |
| Donald_Byrd | american jazz |
| Donald_Byrd | jazz and |
| Donald_Byrd | and rhythm |
| Donald_Byrd | rhythm blues |
| Donald_Byrd | blues trumpeter |
| Donald_Byrd | trumpeter and |
| Donald_Byrd | and vocalist |
| Donald_Byrd | vocalist a |
| Donald_Byrd | a sideman |
| Donald_Byrd | sideman for |
| Donald_Byrd | for many |
| Donald_Byrd | many other |
| Donald_Byrd | other jazz |
| Donald_Byrd | jazz musicians |
| Donald_Byrd | musicians of |
| Donald_Byrd | of his |
| Donald_Byrd | his generation |
| Donald_Byrd | generation byrd |
| Donald_Byrd | byrd was |
| Donald_Byrd | was known |
| Donald_Byrd | known as |
| Donald_Byrd | as one |
| Donald_Byrd | one of |
| Donald_Byrd | of the |
| Donald_Byrd | the rare |
| Donald_Byrd | rare bebop |
| Donald_Byrd | bebop jazz |
| Donald_Byrd | jazz musicians |
| Donald_Byrd | musicians who |
| Donald_Byrd | who successfully |
| Donald_Byrd | successfully explored |
| Donald_Byrd | explored funk |
| Donald_Byrd | funk and |
| Donald_Byrd | and soul |
| Donald_Byrd | soul while |
| Donald_Byrd | while remaining |
| Donald_Byrd | remaining a |
| Donald_Byrd | a jazz |
| Donald_Byrd | jazz artist |
| Donald_Byrd | artist as |
| Donald_Byrd | as a |
| Donald_Byrd | a bandleader |
| Donald_Byrd | bandleader byrd |
| Donald_Byrd | byrd was |
| Donald_Byrd | was an |
| Donald_Byrd | an influence |
| Donald_Byrd | influence on |
| Donald_Byrd | on the |
| Donald_Byrd | the early |
| Donald_Byrd | early career |
| Donald_Byrd | career of |
| Donald_Byrd | of herbie |
| Donald_Byrd | herbie hancock |
| Donald_Byrd | hancock en |
| Harry_Sokal_(musician) | harald sokal |
| Harry_Sokal_(musician) | sokal born |
| Harry_Sokal_(musician) | born 18 |
| Harry_Sokal_(musician) | 18 march |
| Harry_Sokal_(musician) | march 1954 |
| Harry_Sokal_(musician) | 1954 is |
| Harry_Sokal_(musician) | is an |
| Harry_Sokal_(musician) | an austrian |
| Harry_Sokal_(musician) | austrian jazz |
| Harry_Sokal_(musician) | jazz saxophonist |
| Harry_Sokal_(musician) | saxophonist en |
| McCoy_Tyner | alfred mccoy |
| McCoy_Tyner | mccoy tyner |
| McCoy_Tyner | tyner december |
| McCoy_Tyner | december 11 |
| McCoy_Tyner | 11 1938 |
| McCoy_Tyner | 1938 march |
| McCoy_Tyner | march 6 |
| McCoy_Tyner | 6 2020 |
| McCoy_Tyner | 2020 was |
| McCoy_Tyner | was an |
| McCoy_Tyner | an american |
| McCoy_Tyner | american jazz |
| McCoy_Tyner | jazz pianist |
| McCoy_Tyner | pianist and |
| McCoy_Tyner | and composer |
| McCoy_Tyner | composer known |
| McCoy_Tyner | known for |
| McCoy_Tyner | for his |
| McCoy_Tyner | his work |
| McCoy_Tyner | work with |
| McCoy_Tyner | with the |
| McCoy_Tyner | the john |
| McCoy_Tyner | john coltrane |
| McCoy_Tyner | coltrane quartet |
| McCoy_Tyner | quartet and |
| McCoy_Tyner | and a |
| McCoy_Tyner | a long |
| McCoy_Tyner | long solo |
| McCoy_Tyner | solo career |
| McCoy_Tyner | career he |
| McCoy_Tyner | he was |
| McCoy_Tyner | was an |
| McCoy_Tyner | an nea |
| McCoy_Tyner | nea jazz |
| McCoy_Tyner | jazz master |
| McCoy_Tyner | master and |
| McCoy_Tyner | and a |
| McCoy_Tyner | a five |
| McCoy_Tyner | five time |
| McCoy_Tyner | time grammy |
| McCoy_Tyner | grammy winner |
| McCoy_Tyner | winner not |
| McCoy_Tyner | not a |
| McCoy_Tyner | a player |
| McCoy_Tyner | player of |
| McCoy_Tyner | of electric |
| McCoy_Tyner | electric keyboards |
| McCoy_Tyner | keyboards and |
| McCoy_Tyner | and synthesizers |
| McCoy_Tyner | synthesizers he |
| McCoy_Tyner | he was |
| McCoy_Tyner | was committed |
| McCoy_Tyner | committed to |
| McCoy_Tyner | to acoustic |
| McCoy_Tyner | acoustic instrumentation |
| McCoy_Tyner | instrumentation tyner |
| McCoy_Tyner | tyner who |
| McCoy_Tyner | who was |
| McCoy_Tyner | was widely |
| McCoy_Tyner | widely imitated |
| McCoy_Tyner | imitated is |
| McCoy_Tyner | is one |
| McCoy_Tyner | one of |
| McCoy_Tyner | of the |
| McCoy_Tyner | the most |
| McCoy_Tyner | most recognizable |
| McCoy_Tyner | recognizable and |
| McCoy_Tyner | and most |
| McCoy_Tyner | most influential |
| McCoy_Tyner | influential pianists |
| McCoy_Tyner | pianists in |
| McCoy_Tyner | in jazz |
| McCoy_Tyner | jazz history |
| McCoy_Tyner | history en |
| Candy_Dulfer | candy dulfer |
| Candy_Dulfer | dulfer born |
| Candy_Dulfer | born 19 |
| Candy_Dulfer | 19 september |
| Candy_Dulfer | september 1969 |
| Candy_Dulfer | 1969 is |
| Candy_Dulfer | is a |
| Candy_Dulfer | a dutch |
| Candy_Dulfer | dutch jazz |
| Candy_Dulfer | jazz and |
| Candy_Dulfer | and pop |
| Candy_Dulfer | pop saxophonist |
| Candy_Dulfer | saxophonist she |
| Candy_Dulfer | she is |
| Candy_Dulfer | is the |
| Candy_Dulfer | the daughter |
| Candy_Dulfer | daughter of |
| Candy_Dulfer | of jazz |
| Candy_Dulfer | jazz saxophonist |
| Candy_Dulfer | saxophonist hans |
| Candy_Dulfer | hans dulfer |
| Candy_Dulfer | dulfer she |
| Candy_Dulfer | she began |
| Candy_Dulfer | began playing |
| Candy_Dulfer | playing at |
| Candy_Dulfer | at age |
| Candy_Dulfer | age six |
| Candy_Dulfer | six and |
| Candy_Dulfer | and founded |
| Candy_Dulfer | founded her |
| Candy_Dulfer | her band |
| Candy_Dulfer | band funky |
| Candy_Dulfer | funky stuff |
| Candy_Dulfer | stuff when |
| Candy_Dulfer | when she |
| Candy_Dulfer | she was |
| Candy_Dulfer | was fourteen |
| Candy_Dulfer | fourteen her |
| Candy_Dulfer | her debut |
| Candy_Dulfer | debut album |
| Candy_Dulfer | album saxuality |
| Candy_Dulfer | saxuality 1990 |
| Candy_Dulfer | 1990 received |
| Candy_Dulfer | received a |
| Candy_Dulfer | a grammy |
| Candy_Dulfer | grammy nomination |
| Candy_Dulfer | nomination she |
| Candy_Dulfer | she has |
| Candy_Dulfer | has performed |
| Candy_Dulfer | performed and |
| Candy_Dulfer | and recorded |
| Candy_Dulfer | recorded with |
| Candy_Dulfer | with hans |
| Candy_Dulfer | hans dulfer |
| Candy_Dulfer | dulfer prince |
| Candy_Dulfer | prince dave |
| Candy_Dulfer | dave stewart |
| Candy_Dulfer | stewart van |
| Candy_Dulfer | van morrison |
| Candy_Dulfer | morrison angie |
| Candy_Dulfer | angie stone |
| Candy_Dulfer | stone maceo |
| Candy_Dulfer | maceo parker |
| Candy_Dulfer | parker and |
| Candy_Dulfer | and rick |
| Candy_Dulfer | rick braun |
| Candy_Dulfer | braun and |
| Candy_Dulfer | and has |
| Candy_Dulfer | has performed |
| Candy_Dulfer | performed live |
| Candy_Dulfer | live with |
| Candy_Dulfer | with alan |
| Candy_Dulfer | alan parsons |
| Candy_Dulfer | parsons 1995 |
| Candy_Dulfer | 1995 pink |
| Candy_Dulfer | pink floyd |
| Candy_Dulfer | floyd 1990 |
| Candy_Dulfer | 1990 and |
| Candy_Dulfer | and tower |
| Candy_Dulfer | tower of |
| Candy_Dulfer | of power |
| Candy_Dulfer | power 2014 |
| Candy_Dulfer | 2014 she |
| Candy_Dulfer | she hosted |
| Candy_Dulfer | hosted the |
| Candy_Dulfer | the dutch |
| Candy_Dulfer | dutch television |
| Candy_Dulfer | television series |
| Candy_Dulfer | series candy |
| Candy_Dulfer | candy meets |
| Candy_Dulfer | meets 2007 |
| Candy_Dulfer | 2007 in |
| Candy_Dulfer | in which |
| Candy_Dulfer | which she |
| Candy_Dulfer | she interviewed |
| Candy_Dulfer | interviewed musicians |
| Candy_Dulfer | musicians in |
| Candy_Dulfer | in 2013 |
| Candy_Dulfer | 2013 she |
| Candy_Dulfer | she became |
| Candy_Dulfer | became a |
| Candy_Dulfer | a judge |
| Candy_Dulfer | judge in |
| Candy_Dulfer | in the |
| Candy_Dulfer | the 5th |
| Candy_Dulfer | 5th season |
| Candy_Dulfer | season of |
| Candy_Dulfer | of the |
| Candy_Dulfer | the dutch |
| Candy_Dulfer | dutch version |
| Candy_Dulfer | version of |
| Candy_Dulfer | of x |
| Candy_Dulfer | x factor |
| Candy_Dulfer | factor en |
| Andreas_Varady | andreas varady |
| Andreas_Varady | varady born |
| Andreas_Varady | born 24 |
| Andreas_Varady | 24 july |
| Andreas_Varady | july 1997 |
| Andreas_Varady | 1997 is |
| Andreas_Varady | is a |
| Andreas_Varady | a slovak |
| Andreas_Varady | slovak hungarian |
| Andreas_Varady | hungarian jazz |
| Andreas_Varady | jazz guitarist |
| Andreas_Varady | guitarist managed |
| Andreas_Varady | managed by |
| Andreas_Varady | by quincy |
| Andreas_Varady | quincy jones |
| Andreas_Varady | jones regarded |
| Andreas_Varady | regarded as |
| Andreas_Varady | as a |
| Andreas_Varady | a child |
| Andreas_Varady | child prodigy |
| Andreas_Varady | prodigy he |
| Andreas_Varady | he has |
| Andreas_Varady | has been |
| Andreas_Varady | been influenced |
| Andreas_Varady | influenced by |
| Andreas_Varady | by guitarists |
| Andreas_Varady | guitarists django |
| Andreas_Varady | django reinhardt |
| Andreas_Varady | reinhardt wes |
| Andreas_Varady | wes montgomery |
| Andreas_Varady | montgomery and |
| Andreas_Varady | and george |
| Andreas_Varady | george benson |
| Andreas_Varady | benson and |
| Andreas_Varady | and has |
| Andreas_Varady | has been |
| Andreas_Varady | been performing |
| Andreas_Varady | performing internationally |
| Andreas_Varady | internationally since |
| Andreas_Varady | since the |
| Andreas_Varady | the age |
| Andreas_Varady | age of |
| Andreas_Varady | of thirteen |
| Andreas_Varady | thirteen en |
| Freddie_Hubbard | frederick dewayne |
| Freddie_Hubbard | dewayne hubbard |
| Freddie_Hubbard | hubbard april |
| Freddie_Hubbard | april 7 |
| Freddie_Hubbard | 7 1938 |
| Freddie_Hubbard | 1938 december |
| Freddie_Hubbard | december 29 |
| Freddie_Hubbard | 29 2008 |
| Freddie_Hubbard | 2008 was |
| Freddie_Hubbard | was an |
| Freddie_Hubbard | an american |
| Freddie_Hubbard | american jazz |
| Freddie_Hubbard | jazz trumpeter |
| Freddie_Hubbard | trumpeter he |
| Freddie_Hubbard | he played |
| Freddie_Hubbard | played bebop |
| Freddie_Hubbard | bebop hard |
| Freddie_Hubbard | hard bop |
| Freddie_Hubbard | bop and |
| Freddie_Hubbard | and post |
| Freddie_Hubbard | post bop |
| Freddie_Hubbard | bop styles |
| Freddie_Hubbard | styles from |
| Freddie_Hubbard | from the |
| Freddie_Hubbard | the early |
| Freddie_Hubbard | early 1960s |
| Freddie_Hubbard | 1960s onwards |
| Freddie_Hubbard | onwards his |
| Freddie_Hubbard | his unmistakable |
| Freddie_Hubbard | unmistakable and |
| Freddie_Hubbard | and influential |
| Freddie_Hubbard | influential tone |
| Freddie_Hubbard | tone contributed |
| Freddie_Hubbard | contributed to |
| Freddie_Hubbard | to new |
| Freddie_Hubbard | new perspectives |
| Freddie_Hubbard | perspectives for |
| Freddie_Hubbard | for modern |
| Freddie_Hubbard | modern jazz |
| Freddie_Hubbard | jazz and |
| Freddie_Hubbard | and bebop |
| Freddie_Hubbard | bebop en |
| Randy_Gelispie | randy uncle |
| Randy_Gelispie | uncle g |
| Randy_Gelispie | g gelispie |
| Randy_Gelispie | gelispie is |
| Randy_Gelispie | is an |
| Randy_Gelispie | an american |
| Randy_Gelispie | american jazz |
| Randy_Gelispie | jazz percussionist |
| Randy_Gelispie | percussionist drummer |
| Randy_Gelispie | drummer and |
| Randy_Gelispie | and educator |
| Randy_Gelispie | educator born |
| Randy_Gelispie | born and |
| Randy_Gelispie | and raised |
| Randy_Gelispie | raised in |
| Randy_Gelispie | in akron |
| Randy_Gelispie | akron ohio |
| Randy_Gelispie | ohio randy |
| Randy_Gelispie | randy gelispie |
| Randy_Gelispie | gelispie began |
| Randy_Gelispie | began playing |
| Randy_Gelispie | playing drums |
| Randy_Gelispie | drums at |
| Randy_Gelispie | at a |
| Randy_Gelispie | a young |
| Randy_Gelispie | young age |
| Randy_Gelispie | age gelispie |
| Randy_Gelispie | gelispie is |
| Randy_Gelispie | is the |
| Randy_Gelispie | the instructor |
| Randy_Gelispie | instructor of |
| Randy_Gelispie | of jazz |
| Randy_Gelispie | jazz drums |
| Randy_Gelispie | drums at |
| Randy_Gelispie | at the |
| Randy_Gelispie | the michigan |
| Randy_Gelispie | michigan state |
| Randy_Gelispie | state university |
| Randy_Gelispie | university college |
| Randy_Gelispie | college of |
| Randy_Gelispie | of music |
| Randy_Gelispie | music he |
| Randy_Gelispie | he has |
| Randy_Gelispie | has been |
| Randy_Gelispie | been a |
| Randy_Gelispie | a professional |
| Randy_Gelispie | professional jazz |
| Randy_Gelispie | jazz drummer |
| Randy_Gelispie | drummer since |
| Randy_Gelispie | since he |
| Randy_Gelispie | he started |
| Randy_Gelispie | started playing |
| Randy_Gelispie | playing with |
| Randy_Gelispie | with a |
| Randy_Gelispie | a 10 |
| Randy_Gelispie | 10 piece |
| Randy_Gelispie | piece band |
| Randy_Gelispie | band in |
| Randy_Gelispie | in the |
| Randy_Gelispie | the ninth |
| Randy_Gelispie | ninth grade |
| Randy_Gelispie | grade gelispie |
| Randy_Gelispie | gelispie has |
| Randy_Gelispie | has traveled |
| Randy_Gelispie | traveled on |
| Randy_Gelispie | on the |
| Randy_Gelispie | the road |
| Randy_Gelispie | road with |
| Randy_Gelispie | with wes |
| Randy_Gelispie | wes montgomery |
| Randy_Gelispie | montgomery sonny |
| Randy_Gelispie | sonny stitt |
| Randy_Gelispie | stitt dinah |
| Randy_Gelispie | dinah washington |
| Randy_Gelispie | washington etta |
| Randy_Gelispie | etta jones |
| Randy_Gelispie | jones lou |
| Randy_Gelispie | lou donaldson |
| Randy_Gelispie | donaldson and |
| Randy_Gelispie | and gene |
| Randy_Gelispie | gene ammons |
| Randy_Gelispie | ammons in |
| Randy_Gelispie | in the |
| Randy_Gelispie | the detroit |
| Randy_Gelispie | detroit area |
| Randy_Gelispie | area he |
| Randy_Gelispie | he has |
| Randy_Gelispie | has performed |
| Randy_Gelispie | performed with |
| Randy_Gelispie | with joe |
| Randy_Gelispie | joe williams |
| Randy_Gelispie | williams nancy |
| Randy_Gelispie | nancy wilson |
| Randy_Gelispie | wilson dizzy |
| Randy_Gelispie | dizzy gillespie |
| Randy_Gelispie | gillespie tommy |
| Randy_Gelispie | tommy flanagan |
| Randy_Gelispie | flanagan barry |
| Randy_Gelispie | barry harris |
| Randy_Gelispie | harris oliver |
| Randy_Gelispie | oliver jones |
| Randy_Gelispie | jones o |
| Randy_Gelispie | o c |
| Randy_Gelispie | c smith |
| Randy_Gelispie | smith al |
| Randy_Gelispie | al hibbler |
| Randy_Gelispie | hibbler and |
| Randy_Gelispie | and most |
| Randy_Gelispie | most recently |
| Randy_Gelispie | recently with |
| Randy_Gelispie | with geri |
| Randy_Gelispie | geri allen |
| Randy_Gelispie | allen blues |
| Randy_Gelispie | blues musicians |
| Randy_Gelispie | musicians he |
| Randy_Gelispie | he has |
| Randy_Gelispie | has worked |
| Randy_Gelispie | worked with |
| Randy_Gelispie | with include |
| Randy_Gelispie | include jimmy |
| Randy_Gelispie | jimmy witherspoon |
| Randy_Gelispie | witherspoon john |
| Randy_Gelispie | john lee |
| Randy_Gelispie | lee hooker |
| Randy_Gelispie | hooker and |
| Randy_Gelispie | and big |
| Randy_Gelispie | big maybelle |
| Randy_Gelispie | maybelle locally |
| Randy_Gelispie | locally he |
| Randy_Gelispie | he has |
| Randy_Gelispie | has played |
| Randy_Gelispie | played with |
| Randy_Gelispie | with many |
| Randy_Gelispie | many great |
| Randy_Gelispie | great jazz |
| Randy_Gelispie | jazz musicians |
| Randy_Gelispie | musicians including |
| Randy_Gelispie | including marcus |
| Randy_Gelispie | marcus belgrave |
| Randy_Gelispie | belgrave rodney |
| Randy_Gelispie | rodney whitaker |
| Randy_Gelispie | whitaker bill |
| Randy_Gelispie | bill heid |
| Randy_Gelispie | heid andrew |
| Randy_Gelispie | andrew speight |
| Randy_Gelispie | speight and |
| Randy_Gelispie | and wycliffe |
| Randy_Gelispie | wycliffe gordon |
| Randy_Gelispie | gordon en |
| Peter_Bernstein_(guitarist) | peter andrew |
| Peter_Bernstein_(guitarist) | andrew bernstein |
| Peter_Bernstein_(guitarist) | bernstein born |
| Peter_Bernstein_(guitarist) | born september |
| Peter_Bernstein_(guitarist) | september 3 |
| Peter_Bernstein_(guitarist) | 3 1967 |
| Peter_Bernstein_(guitarist) | 1967 is |
| Peter_Bernstein_(guitarist) | is an |
| Peter_Bernstein_(guitarist) | an american |
| Peter_Bernstein_(guitarist) | american jazz |
| Peter_Bernstein_(guitarist) | jazz guitarist |
| Peter_Bernstein_(guitarist) | guitarist en |
| Quincy_Jones | quincy delight |
| Quincy_Jones | delight jones |
| Quincy_Jones | jones jr |
| Quincy_Jones | jr born |
| Quincy_Jones | born march |
| Quincy_Jones | march 14 |
| Quincy_Jones | 14 1933 |
| Quincy_Jones | 1933 is |
| Quincy_Jones | is an |
| Quincy_Jones | an american |
| Quincy_Jones | american record |
| Quincy_Jones | record producer |
| Quincy_Jones | producer musician |
| Quincy_Jones | musician songwriter |
| Quincy_Jones | songwriter composer |
| Quincy_Jones | composer arranger |
| Quincy_Jones | arranger and |
| Quincy_Jones | and film |
| Quincy_Jones | film and |
| Quincy_Jones | and television |
| Quincy_Jones | television producer |
| Quincy_Jones | producer his |
| Quincy_Jones | his career |
| Quincy_Jones | career spans |
| Quincy_Jones | spans 70 |
| Quincy_Jones | 70 years |
| Quincy_Jones | years in |
| Quincy_Jones | in the |
| Quincy_Jones | the entertainment |
| Quincy_Jones | entertainment industry |
| Quincy_Jones | industry with |
| Quincy_Jones | with a |
| Quincy_Jones | a record |
| Quincy_Jones | record of |
| Quincy_Jones | of 80 |
| Quincy_Jones | 80 grammy |
| Quincy_Jones | grammy award |
| Quincy_Jones | award nominations |
| Quincy_Jones | nominations 28 |
| Quincy_Jones | 28 grammys |
| Quincy_Jones | grammys and |
| Quincy_Jones | and a |
| Quincy_Jones | a grammy |
| Quincy_Jones | grammy legend |
| Quincy_Jones | legend award |
| Quincy_Jones | award in |
| Quincy_Jones | in 1992 |
| Quincy_Jones | 1992 jones |
| Quincy_Jones | jones came |
| Quincy_Jones | came to |
| Quincy_Jones | to prominence |
| Quincy_Jones | prominence in |
| Quincy_Jones | in the |
| Quincy_Jones | the 1950s |
| Quincy_Jones | 1950s as |
| Quincy_Jones | as a |
| Quincy_Jones | a jazz |
| Quincy_Jones | jazz arranger |
| Quincy_Jones | arranger and |
| Quincy_Jones | and conductor |
| Quincy_Jones | conductor before |
| Quincy_Jones | before working |
| Quincy_Jones | working on |
| Quincy_Jones | on pop |
| Quincy_Jones | pop music |
| Quincy_Jones | music and |
| Quincy_Jones | and film |
| Quincy_Jones | film scores |
| Quincy_Jones | scores in |
| Quincy_Jones | in 1968 |
| Quincy_Jones | 1968 jones |
| Quincy_Jones | jones and |
| Quincy_Jones | and his |
| Quincy_Jones | his songwriting |
| Quincy_Jones | songwriting partner |
| Quincy_Jones | partner bob |
| Quincy_Jones | bob russell |
| Quincy_Jones | russell became |
| Quincy_Jones | became the |
| Quincy_Jones | the first |
| Quincy_Jones | first african |
| Quincy_Jones | african americans |
| Quincy_Jones | americans to |
| Quincy_Jones | to be |
| Quincy_Jones | be nominated |
| Quincy_Jones | nominated for |
| Quincy_Jones | for an |
| Quincy_Jones | an academy |
| Quincy_Jones | academy award |
| Quincy_Jones | award for |
| Quincy_Jones | for best |
| Quincy_Jones | best original |
| Quincy_Jones | original song |
| Quincy_Jones | song for |
| Quincy_Jones | for the |
| Quincy_Jones | the eyes |
| Quincy_Jones | eyes of |
| Quincy_Jones | of love |
| Quincy_Jones | love from |
| Quincy_Jones | from the |
| Quincy_Jones | the film |
| Quincy_Jones | film banning |
| Quincy_Jones | banning jones |
| Quincy_Jones | jones was |
| Quincy_Jones | was also |
| Quincy_Jones | also nominated |
| Quincy_Jones | nominated for |
| Quincy_Jones | for an |
| Quincy_Jones | an academy |
| Quincy_Jones | academy award |
| Quincy_Jones | award for |
| Quincy_Jones | for best |
| Quincy_Jones | best original |
| Quincy_Jones | original score |
| Quincy_Jones | score for |
| Quincy_Jones | for his |
| Quincy_Jones | his work |
| Quincy_Jones | work on |
| Quincy_Jones | on the |
| Quincy_Jones | the 1967 |
| Quincy_Jones | 1967 film |
| Quincy_Jones | film in |
| Quincy_Jones | in cold |
| Quincy_Jones | cold blood |
| Quincy_Jones | blood making |
| Quincy_Jones | making him |
| Quincy_Jones | him the |
| Quincy_Jones | the first |
| Quincy_Jones | first african |
| Quincy_Jones | african american |
| Quincy_Jones | american to |
| Quincy_Jones | to be |
| Quincy_Jones | be nominated |
| Quincy_Jones | nominated twice |
| Quincy_Jones | twice in |
| Quincy_Jones | in the |
| Quincy_Jones | the same |
| Quincy_Jones | same year |
| Quincy_Jones | year jones |
| Quincy_Jones | jones produced |
| Quincy_Jones | produced three |
| Quincy_Jones | three of |
| Quincy_Jones | of michael |
| Quincy_Jones | michael jackson’s |
| Quincy_Jones | jackson’s most |
| Quincy_Jones | most successful |
| Quincy_Jones | successful albums |
| Quincy_Jones | albums off |
| Quincy_Jones | off the |
| Quincy_Jones | the wall |
| Quincy_Jones | wall 1979 |
| Quincy_Jones | 1979 thriller |
| Quincy_Jones | thriller 1982 |
| Quincy_Jones | 1982 and |
| Quincy_Jones | and bad |
| Quincy_Jones | bad 1987 |
| Quincy_Jones | 1987 in |
| Quincy_Jones | in 1985 |
| Quincy_Jones | 1985 jones |
| Quincy_Jones | jones produced |
| Quincy_Jones | produced and |
| Quincy_Jones | and conducted |
| Quincy_Jones | conducted the |
| Quincy_Jones | the charity |
| Quincy_Jones | charity song |
| Quincy_Jones | song we |
| Quincy_Jones | we are |
| Quincy_Jones | are the |
| Quincy_Jones | the world |
| Quincy_Jones | world which |
| Quincy_Jones | which raised |
| Quincy_Jones | raised funds |
| Quincy_Jones | funds for |
| Quincy_Jones | for victims |
| Quincy_Jones | victims of |
| Quincy_Jones | of famine |
| Quincy_Jones | famine in |
| Quincy_Jones | in ethiopia |
| Quincy_Jones | ethiopia in |
| Quincy_Jones | in 1971 |
| Quincy_Jones | 1971 he |
| Quincy_Jones | he became |
| Quincy_Jones | became the |
| Quincy_Jones | the first |
| Quincy_Jones | first african |
| Quincy_Jones | african american |
| Quincy_Jones | american to |
| Quincy_Jones | to be |
| Quincy_Jones | be the |
| Quincy_Jones | the musical |
| Quincy_Jones | musical director |
| Quincy_Jones | director and |
| Quincy_Jones | and conductor |
| Quincy_Jones | conductor of |
| Quincy_Jones | of the |
| Quincy_Jones | the academy |
| Quincy_Jones | academy awards |
| Quincy_Jones | awards in |
| Quincy_Jones | in 1995 |
| Quincy_Jones | 1995 he |
| Quincy_Jones | he was |
| Quincy_Jones | was the |
| Quincy_Jones | the first |
| Quincy_Jones | first african |
| Quincy_Jones | african american |
| Quincy_Jones | american to |
| Quincy_Jones | to receive |
| Quincy_Jones | receive the |
| Quincy_Jones | the academy’s |
| Quincy_Jones | academy’s jean |
| Quincy_Jones | jean hersholt |
| Quincy_Jones | hersholt humanitarian |
| Quincy_Jones | humanitarian award |
| Quincy_Jones | award he |
| Quincy_Jones | he is |
| Quincy_Jones | is tied |
| Quincy_Jones | tied with |
| Quincy_Jones | with sound |
| Quincy_Jones | sound designer |
| Quincy_Jones | designer willie |
| Quincy_Jones | willie d |
| Quincy_Jones | d burton |
| Quincy_Jones | burton as |
| Quincy_Jones | as the |
| Quincy_Jones | the second |
| Quincy_Jones | second most |
| Quincy_Jones | most oscar |
| Quincy_Jones | oscar nominated |
| Quincy_Jones | nominated african |
| Quincy_Jones | african american |
| Quincy_Jones | american with |
| Quincy_Jones | with seven |
| Quincy_Jones | seven nominations |
| Quincy_Jones | nominations each |
| Quincy_Jones | each in |
| Quincy_Jones | in 2013 |
| Quincy_Jones | 2013 jones |
| Quincy_Jones | jones was |
| Quincy_Jones | was inducted |
| Quincy_Jones | inducted into |
| Quincy_Jones | into the |
| Quincy_Jones | the rock |
| Quincy_Jones | rock roll |
| Quincy_Jones | roll hall |
| Quincy_Jones | hall of |
| Quincy_Jones | of fame |
| Quincy_Jones | fame as |
| Quincy_Jones | as the |
| Quincy_Jones | the winner |
| Quincy_Jones | winner alongside |
| Quincy_Jones | alongside lou |
| Quincy_Jones | lou adler |
| Quincy_Jones | adler of |
| Quincy_Jones | of the |
| Quincy_Jones | the ahmet |
| Quincy_Jones | ahmet ertegun |
| Quincy_Jones | ertegun award |
| Quincy_Jones | award he |
| Quincy_Jones | he was |
| Quincy_Jones | was named |
| Quincy_Jones | named one |
| Quincy_Jones | one of |
| Quincy_Jones | of the |
| Quincy_Jones | the most |
| Quincy_Jones | most influential |
| Quincy_Jones | influential jazz |
| Quincy_Jones | jazz musicians |
| Quincy_Jones | musicians of |
| Quincy_Jones | of the |
| Quincy_Jones | the 20th |
| Quincy_Jones | 20th century |
| Quincy_Jones | century by |
| Quincy_Jones | by time |
| Quincy_Jones | time en |
| Dwayne_Dolphin | dwayne dolphin |
| Dwayne_Dolphin | dolphin is |
| Dwayne_Dolphin | is a |
| Dwayne_Dolphin | a jazz |
| Dwayne_Dolphin | jazz and |
| Dwayne_Dolphin | and funk |
| Dwayne_Dolphin | funk bassist |
| Dwayne_Dolphin | bassist en |
| Igor_Butman | igor butman |
| Igor_Butman | butman par |
| Igor_Butman | par is |
| Igor_Butman | is a |
| Igor_Butman | a russian |
| Igor_Butman | russian jazz |
| Igor_Butman | jazz saxophonist |
| Igor_Butman | saxophonist born |
| Igor_Butman | born in |
| Igor_Butman | in st |
| Igor_Butman | st petersburg |
| Igor_Butman | petersburg russia |
| Igor_Butman | russia in |
| Igor_Butman | in 1961 |
| Igor_Butman | 1961 butman |
| Igor_Butman | butman holds |
| Igor_Butman | holds dual |
| Igor_Butman | dual citizenship |
| Igor_Butman | citizenship for |
| Igor_Butman | for both |
| Igor_Butman | both the |
| Igor_Butman | the us |
| Igor_Butman | us and |
| Igor_Butman | and russian |
| Igor_Butman | russian federation |
| Igor_Butman | federation he |
| Igor_Butman | he is |
| Igor_Butman | is considered |
| Igor_Butman | considered to |
| Igor_Butman | to be |
| Igor_Butman | be a |
| Igor_Butman | a virtuoso |
| Igor_Butman | virtuoso saxophonist |
| Igor_Butman | saxophonist and |
| Igor_Butman | and a |
| Igor_Butman | a skilled |
| Igor_Butman | skilled bandleader |
| Igor_Butman | bandleader american |
| Igor_Butman | american saxophonist |
| Igor_Butman | saxophonist grover |
| Igor_Butman | grover washington |
| Igor_Butman | washington jr |
| Igor_Butman | jr was |
| Igor_Butman | was instrumental |
| Igor_Butman | instrumental in |
| Igor_Butman | in introducing |
| Igor_Butman | introducing igor |
| Igor_Butman | igor butman |
| Igor_Butman | butman to |
| Igor_Butman | to american |
| Igor_Butman | american audiences |
| Igor_Butman | audiences by |
| Igor_Butman | by featuring |
| Igor_Butman | featuring the |
| Igor_Butman | the russian |
| Igor_Butman | russian saxophonist |
| Igor_Butman | saxophonist on |
| Igor_Butman | on his |
| Igor_Butman | his 1988 |
| Igor_Butman | 1988 album |
| Igor_Butman | album then |
| Igor_Butman | then and |
| Igor_Butman | and now |
| Igor_Butman | now american |
| Igor_Butman | american trumpet |
| Igor_Butman | trumpet player |
| Igor_Butman | player wynton |
| Igor_Butman | wynton marsalis |
| Igor_Butman | marsalis has |
| Igor_Butman | has also |
| Igor_Butman | also been |
| Igor_Butman | been a |
| Igor_Butman | a strong |
| Igor_Butman | strong champion |
| Igor_Butman | champion of |
| Igor_Butman | of igor |
| Igor_Butman | igor butman |
| Igor_Butman | butman former |
| Igor_Butman | former us |
| Igor_Butman | us president |
| Igor_Butman | president bill |
| Igor_Butman | bill clinton |
| Igor_Butman | clinton has |
| Igor_Butman | has called |
| Igor_Butman | called butman |
| Igor_Butman | butman my |
| Igor_Butman | my favorite |
| Igor_Butman | favorite living |
| Igor_Butman | living saxophone |
| Igor_Butman | saxophone player |
| Igor_Butman | player en |
| Don_Friedman | donald ernest |
| Don_Friedman | ernest friedman |
| Don_Friedman | friedman may |
| Don_Friedman | may 4 |
| Don_Friedman | 4 1935 |
| Don_Friedman | 1935 june |
| Don_Friedman | june 30 |
| Don_Friedman | 30 2016 |
| Don_Friedman | 2016 was |
| Don_Friedman | was an |
| Don_Friedman | an american |
| Don_Friedman | american jazz |
| Don_Friedman | jazz pianist |
| Don_Friedman | pianist he |
| Don_Friedman | he began |
| Don_Friedman | began playing |
| Don_Friedman | playing in |
| Don_Friedman | in los |
| Don_Friedman | los angeles |
| Don_Friedman | angeles and |
| Don_Friedman | and moved |
| Don_Friedman | moved to |
| Don_Friedman | to new |
| Don_Friedman | new york |
| Don_Friedman | york in |
| Don_Friedman | in 1958 |
| Don_Friedman | 1958 in |
| Don_Friedman | in the |
| Don_Friedman | the 1960s |
| Don_Friedman | 1960s he |
| Don_Friedman | he played |
| Don_Friedman | played with |
| Don_Friedman | with both |
| Don_Friedman | both modern |
| Don_Friedman | modern stylists |
| Don_Friedman | stylists and |
| Don_Friedman | and more |
| Don_Friedman | more traditional |
| Don_Friedman | traditional musicians |
| Don_Friedman | musicians en |
| Joshua_Redman | joshua redman |
| Joshua_Redman | redman born |
| Joshua_Redman | born february |
| Joshua_Redman | february 1 |
| Joshua_Redman | 1 1969 |
| Joshua_Redman | 1969 is |
| Joshua_Redman | is an |
| Joshua_Redman | an american |
| Joshua_Redman | american jazz |
| Joshua_Redman | jazz saxophonist |
| Joshua_Redman | saxophonist and |
| Joshua_Redman | and composer |
| Joshua_Redman | composer en |
| Roy_Hargrove | roy anthony |
| Roy_Hargrove | anthony hargrove |
| Roy_Hargrove | hargrove october |
| Roy_Hargrove | october 16 |
| Roy_Hargrove | 16 1969 |
| Roy_Hargrove | 1969 november |
| Roy_Hargrove | november 2 |
| Roy_Hargrove | 2 2018 |
| Roy_Hargrove | 2018 was |
| Roy_Hargrove | was an |
| Roy_Hargrove | an american |
| Roy_Hargrove | american jazz |
| Roy_Hargrove | jazz musician |
| Roy_Hargrove | musician and |
| Roy_Hargrove | and composer |
| Roy_Hargrove | composer whose |
| Roy_Hargrove | whose principal |
| Roy_Hargrove | principal instruments |
| Roy_Hargrove | instruments were |
| Roy_Hargrove | were the |
| Roy_Hargrove | the trumpet |
| Roy_Hargrove | trumpet and |
| Roy_Hargrove | and flugelhorn |
| Roy_Hargrove | flugelhorn he |
| Roy_Hargrove | he achieved |
| Roy_Hargrove | achieved worldwide |
| Roy_Hargrove | worldwide acclaim |
| Roy_Hargrove | acclaim after |
| Roy_Hargrove | after winning |
| Roy_Hargrove | winning two |
| Roy_Hargrove | two grammy |
| Roy_Hargrove | grammy awards |
| Roy_Hargrove | awards for |
| Roy_Hargrove | for differing |
| Roy_Hargrove | differing types |
| Roy_Hargrove | types of |
| Roy_Hargrove | of music |
| Roy_Hargrove | music in |
| Roy_Hargrove | in 1997 |
| Roy_Hargrove | 1997 and |
| Roy_Hargrove | and in |
| Roy_Hargrove | in 2002 |
| Roy_Hargrove | 2002 hargrove |
| Roy_Hargrove | hargrove primarily |
| Roy_Hargrove | primarily played |
| Roy_Hargrove | played in |
| Roy_Hargrove | in the |
| Roy_Hargrove | the hard |
| Roy_Hargrove | hard bop |
| Roy_Hargrove | bop style |
| Roy_Hargrove | style for |
| Roy_Hargrove | for the |
| Roy_Hargrove | the majority |
| Roy_Hargrove | majority of |
| Roy_Hargrove | of his |
| Roy_Hargrove | his albums |
| Roy_Hargrove | albums but |
| Roy_Hargrove | but also |
| Roy_Hargrove | also had |
| Roy_Hargrove | had a |
| Roy_Hargrove | a penchant |
| Roy_Hargrove | penchant for |
| Roy_Hargrove | for genre |
| Roy_Hargrove | genre crossing |
| Roy_Hargrove | crossing exploration |
| Roy_Hargrove | exploration and |
| Roy_Hargrove | and collaboration |
| Roy_Hargrove | collaboration with |
| Roy_Hargrove | with a |
| Roy_Hargrove | a variety |
| Roy_Hargrove | variety of |
| Roy_Hargrove | of hip |
| Roy_Hargrove | hip hop |
| Roy_Hargrove | hop soul |
| Roy_Hargrove | soul r |
| Roy_Hargrove | r b |
| Roy_Hargrove | b and |
| Roy_Hargrove | and alternative |
| Roy_Hargrove | alternative rock |
| Roy_Hargrove | rock artists |
| Roy_Hargrove | artists en |
| Paul_Young | paul antony |
| Paul_Young | antony young |
| Paul_Young | young born |
| Paul_Young | born 17 |
| Paul_Young | 17 january |
| Paul_Young | january 1956 |
| Paul_Young | 1956 is |
| Paul_Young | is an |
| Paul_Young | an english |
| Paul_Young | english singer |
| Paul_Young | singer songwriter |
| Paul_Young | songwriter and |
| Paul_Young | and musician |
| Paul_Young | musician formerly |
| Paul_Young | formerly the |
| Paul_Young | the frontman |
| Paul_Young | frontman of |
| Paul_Young | of the |
| Paul_Young | the short |
| Paul_Young | short lived |
| Paul_Young | lived bands |
| Paul_Young | bands kat |
| Paul_Young | kat kool |
| Paul_Young | kool the |
| Paul_Young | the kool |
| Paul_Young | kool cats |
| Paul_Young | cats streetband |
| Paul_Young | streetband and |
| Paul_Young | and q |
| Paul_Young | q tips |
| Paul_Young | tips he |
| Paul_Young | he became |
| Paul_Young | became a |
| Paul_Young | a teen |
| Paul_Young | teen idol |
| Paul_Young | idol with |
| Paul_Young | with his |
| Paul_Young | his solo |
| Paul_Young | solo success |
| Paul_Young | success in |
| Paul_Young | in the |
| Paul_Young | the 1980s |
| Paul_Young | 1980s his |
| Paul_Young | his hit |
| Paul_Young | hit singles |
| Paul_Young | singles include |
| Paul_Young | include love |
| Paul_Young | love of |
| Paul_Young | of the |
| Paul_Young | the common |
| Paul_Young | common people |
| Paul_Young | people wherever |
| Paul_Young | wherever i |
| Paul_Young | i lay |
| Paul_Young | lay my |
| Paul_Young | my hat |
| Paul_Young | hat come |
| Paul_Young | come back |
| Paul_Young | back and |
| Paul_Young | and stay |
| Paul_Young | stay every |
| Paul_Young | every time |
| Paul_Young | time you |
| Paul_Young | you go |
| Paul_Young | go away |
| Paul_Young | away and |
| Paul_Young | and everything |
| Paul_Young | everything must |
| Paul_Young | must change |
| Paul_Young | change all |
| Paul_Young | all reaching |
| Paul_Young | reaching the |
| Paul_Young | the top |
| Paul_Young | top 10 |
| Paul_Young | 10 of |
| Paul_Young | of the |
| Paul_Young | the uk |
| Paul_Young | uk singles |
| Paul_Young | singles chart |
| Paul_Young | chart released |
| Paul_Young | released in |
| Paul_Young | in 1983 |
| Paul_Young | 1983 his |
| Paul_Young | his debut |
| Paul_Young | debut album |
| Paul_Young | album no |
| Paul_Young | no parlez |
| Paul_Young | parlez the |
| Paul_Young | the first |
| Paul_Young | first of |
| Paul_Young | of three |
| Paul_Young | three uk |
| Paul_Young | uk number |
| Paul_Young | number one |
| Paul_Young | one albums |
| Paul_Young | albums made |
| Paul_Young | made him |
| Paul_Young | him a |
| Paul_Young | a household |
| Paul_Young | household name |
| Paul_Young | name his |
| Paul_Young | his smooth |
| Paul_Young | smooth yet |
| Paul_Young | yet soulful |
| Paul_Young | soulful voice |
| Paul_Young | voice belonged |
| Paul_Young | belonged to |
| Paul_Young | to a |
| Paul_Young | a genre |
| Paul_Young | genre known |
| Paul_Young | known as |
| Paul_Young | as blue |
| Paul_Young | blue eyed |
| Paul_Young | eyed soul |
| Paul_Young | soul at |
| Paul_Young | at the |
| Paul_Young | the 1985 |
| Paul_Young | 1985 brit |
| Paul_Young | brit awards |
| Paul_Young | awards young |
| Paul_Young | young received |
| Paul_Young | received the |
| Paul_Young | the award |
| Paul_Young | award for |
| Paul_Young | for best |
| Paul_Young | best british |
| Paul_Young | british male |
| Paul_Young | male associated |
| Paul_Young | associated with |
| Paul_Young | with the |
| Paul_Young | the second |
| Paul_Young | second british |
| Paul_Young | british invasion |
| Paul_Young | invasion of |
| Paul_Young | of the |
| Paul_Young | the us |
| Paul_Young | us every |
| Paul_Young | every time |
| Paul_Young | time you |
| Paul_Young | you go |
| Paul_Young | go away |
| Paul_Young | away reached |
| Paul_Young | reached number |
| Paul_Young | number one |
| Paul_Young | one on |
| Paul_Young | on the |
| Paul_Young | the billboard |
| Paul_Young | billboard hot |
| Paul_Young | hot 100 |
| Paul_Young | 100 in |
| Paul_Young | in 1985 |
| Paul_Young | 1985 it |
| Paul_Young | it also |
| Paul_Young | also won |
| Paul_Young | won best |
| Paul_Young | best british |
| Paul_Young | british video |
| Paul_Young | video at |
| Paul_Young | at the |
| Paul_Young | the 1986 |
| Paul_Young | 1986 brit |
| Paul_Young | brit awards |
| Paul_Young | awards in |
| Paul_Young | in july |
| Paul_Young | july 1985 |
| Paul_Young | 1985 young |
| Paul_Young | young appeared |
| Paul_Young | appeared at |
| Paul_Young | at live |
| Paul_Young | live aid |
| Paul_Young | aid held |
| Paul_Young | held at |
| Paul_Young | at wembley |
| Paul_Young | wembley stadium |
| Paul_Young | stadium london |
| Paul_Young | london performing |
| Paul_Young | performing the |
| Paul_Young | the band |
| Paul_Young | band aid |
| Paul_Young | aid hit |
| Paul_Young | hit do |
| Paul_Young | do they |
| Paul_Young | they know |
| Paul_Young | know it’s |
| Paul_Young | it’s christmas |
| Paul_Young | christmas having |
| Paul_Young | having sung |
| Paul_Young | sung the |
| Paul_Young | the opening |
| Paul_Young | opening lines |
| Paul_Young | lines on |
| Paul_Young | on the |
| Paul_Young | the original |
| Paul_Young | original single |
| Paul_Young | single release |
| Paul_Young | release and |
| Paul_Young | and his |
| Paul_Young | his own |
| Paul_Young | own hits |
| Paul_Young | hits come |
| Paul_Young | come back |
| Paul_Young | back and |
| Paul_Young | and stay |
| Paul_Young | stay and |
| Paul_Young | and every |
| Paul_Young | every time |
| Paul_Young | time you |
| Paul_Young | you go |
| Paul_Young | go away |
| Paul_Young | away with |
| Paul_Young | with alison |
| Paul_Young | alison moyet |
| Paul_Young | moyet joining |
| Paul_Young | joining him |
| Paul_Young | him on |
| Paul_Young | on stage |
| Paul_Young | stage to |
| Paul_Young | to perform |
| Paul_Young | perform that’s |
| Paul_Young | that’s the |
| Paul_Young | the way |
| Paul_Young | way love |
| Paul_Young | love is |
| Paul_Young | is since |
| Paul_Young | since the |
| Paul_Young | the mid |
| Paul_Young | mid 1990s |
| Paul_Young | 1990s young |
| Paul_Young | young has |
| Paul_Young | has performed |
| Paul_Young | performed with |
| Paul_Young | with his |
| Paul_Young | his band |
| Paul_Young | band los |
| Paul_Young | los pacaminos |
| Paul_Young | pacaminos en |
| Richard_Davis_(bassist) | richard davis |
| Richard_Davis_(bassist) | davis born |
| Richard_Davis_(bassist) | born april |
| Richard_Davis_(bassist) | april 15 |
| Richard_Davis_(bassist) | 15 1930 |
| Richard_Davis_(bassist) | 1930 is |
| Richard_Davis_(bassist) | is an |
| Richard_Davis_(bassist) | an american |
| Richard_Davis_(bassist) | american jazz |
| Richard_Davis_(bassist) | jazz bassist |
| Richard_Davis_(bassist) | bassist among |
| Richard_Davis_(bassist) | among his |
| Richard_Davis_(bassist) | his best |
| Richard_Davis_(bassist) | best known |
| Richard_Davis_(bassist) | known contributions |
| Richard_Davis_(bassist) | contributions to |
| Richard_Davis_(bassist) | to the |
| Richard_Davis_(bassist) | the albums |
| Richard_Davis_(bassist) | albums of |
| Richard_Davis_(bassist) | of others |
| Richard_Davis_(bassist) | others are |
| Richard_Davis_(bassist) | are eric |
| Richard_Davis_(bassist) | eric dolphy’s |
| Richard_Davis_(bassist) | dolphy’s out |
| Richard_Davis_(bassist) | out to |
| Richard_Davis_(bassist) | to lunch |
| Richard_Davis_(bassist) | lunch andrew |
| Richard_Davis_(bassist) | andrew hill’s |
| Richard_Davis_(bassist) | hill’s point |
| Richard_Davis_(bassist) | point of |
| Richard_Davis_(bassist) | of departure |
| Richard_Davis_(bassist) | departure and |
| Richard_Davis_(bassist) | and van |
| Richard_Davis_(bassist) | van morrison’s |
| Richard_Davis_(bassist) | morrison’s astral |
| Richard_Davis_(bassist) | astral weeks |
| Richard_Davis_(bassist) | weeks of |
| Richard_Davis_(bassist) | of which |
| Richard_Davis_(bassist) | which critic |
| Richard_Davis_(bassist) | critic greil |
| Richard_Davis_(bassist) | greil marcus |
| Richard_Davis_(bassist) | marcus wrote |
| Richard_Davis_(bassist) | wrote in |
| Richard_Davis_(bassist) | in the |
| Richard_Davis_(bassist) | the rolling |
| Richard_Davis_(bassist) | rolling stone |
| Richard_Davis_(bassist) | stone illustrated |
| Richard_Davis_(bassist) | illustrated history |
| Richard_Davis_(bassist) | history of |
| Richard_Davis_(bassist) | of rock |
| Richard_Davis_(bassist) | rock and |
| Richard_Davis_(bassist) | and roll |
| Richard_Davis_(bassist) | roll richard |
| Richard_Davis_(bassist) | richard davis |
| Richard_Davis_(bassist) | davis provided |
| Richard_Davis_(bassist) | provided the |
| Richard_Davis_(bassist) | the greatest |
| Richard_Davis_(bassist) | greatest bass |
| Richard_Davis_(bassist) | bass ever |
| Richard_Davis_(bassist) | ever heard |
| Richard_Davis_(bassist) | heard on |
| Richard_Davis_(bassist) | on a |
| Richard_Davis_(bassist) | a rock |
| Richard_Davis_(bassist) | rock album |
| Richard_Davis_(bassist) | album en |
| Orrin_Keepnews | orrin keepnews |
| Orrin_Keepnews | keepnews march |
| Orrin_Keepnews | march 2 |
| Orrin_Keepnews | 2 1923 |
| Orrin_Keepnews | 1923 march |
| Orrin_Keepnews | march 1 |
| Orrin_Keepnews | 1 2015 |
| Orrin_Keepnews | 2015 was |
| Orrin_Keepnews | was an |
| Orrin_Keepnews | an american |
| Orrin_Keepnews | american jazz |
| Orrin_Keepnews | jazz writer |
| Orrin_Keepnews | writer and |
| Orrin_Keepnews | and record |
| Orrin_Keepnews | record producer |
| Orrin_Keepnews | producer known |
| Orrin_Keepnews | known for |
| Orrin_Keepnews | for founding |
| Orrin_Keepnews | founding riverside |
| Orrin_Keepnews | riverside records |
| Orrin_Keepnews | records and |
| Orrin_Keepnews | and milestone |
| Orrin_Keepnews | milestone records |
| Orrin_Keepnews | records for |
| Orrin_Keepnews | for freelance |
| Orrin_Keepnews | freelance work |
| Orrin_Keepnews | work and |
| Orrin_Keepnews | and for |
| Orrin_Keepnews | for his |
| Orrin_Keepnews | his work |
| Orrin_Keepnews | work at |
| Orrin_Keepnews | at other |
| Orrin_Keepnews | other labels |
| Orrin_Keepnews | labels en |
| Dizzy_Gillespie | john birks |
| Dizzy_Gillespie | birks dizzy |
| Dizzy_Gillespie | dizzy gillespie |
| Dizzy_Gillespie | gillespie 氶 |
| Dizzy_Gillespie | 氶 阞 |
| Dizzy_Gillespie | 阞 l |
| Dizzy_Gillespie | l spi |
| Dizzy_Gillespie | spi october |
| Dizzy_Gillespie | october 21 |
| Dizzy_Gillespie | 21 1917 |
| Dizzy_Gillespie | 1917 january |
| Dizzy_Gillespie | january 6 |
| Dizzy_Gillespie | 6 1993 |
| Dizzy_Gillespie | 1993 was |
| Dizzy_Gillespie | was an |
| Dizzy_Gillespie | an american |
| Dizzy_Gillespie | american jazz |
| Dizzy_Gillespie | jazz trumpeter |
| Dizzy_Gillespie | trumpeter bandleader |
| Dizzy_Gillespie | bandleader composer |
| Dizzy_Gillespie | composer educator |
| Dizzy_Gillespie | educator and |
| Dizzy_Gillespie | and singer |
| Dizzy_Gillespie | singer he |
| Dizzy_Gillespie | he was |
| Dizzy_Gillespie | was a |
| Dizzy_Gillespie | a trumpet |
| Dizzy_Gillespie | trumpet virtuoso |
| Dizzy_Gillespie | virtuoso and |
| Dizzy_Gillespie | and improviser |
| Dizzy_Gillespie | improviser building |
| Dizzy_Gillespie | building on |
| Dizzy_Gillespie | on the |
| Dizzy_Gillespie | the virtuoso |
| Dizzy_Gillespie | virtuoso style |
| Dizzy_Gillespie | style of |
| Dizzy_Gillespie | of roy |
| Dizzy_Gillespie | roy eldridge |
| Dizzy_Gillespie | eldridge but |
| Dizzy_Gillespie | but adding |
| Dizzy_Gillespie | adding layers |
| Dizzy_Gillespie | layers of |
| Dizzy_Gillespie | of harmonic |
| Dizzy_Gillespie | harmonic and |
| Dizzy_Gillespie | and rhythmic |
| Dizzy_Gillespie | rhythmic complexity |
| Dizzy_Gillespie | complexity previously |
| Dizzy_Gillespie | previously unheard |
| Dizzy_Gillespie | unheard in |
| Dizzy_Gillespie | in jazz |
| Dizzy_Gillespie | jazz his |
| Dizzy_Gillespie | his combination |
| Dizzy_Gillespie | combination of |
| Dizzy_Gillespie | of musicianship |
| Dizzy_Gillespie | musicianship showmanship |
| Dizzy_Gillespie | showmanship and |
| Dizzy_Gillespie | and wit |
| Dizzy_Gillespie | wit made |
| Dizzy_Gillespie | made him |
| Dizzy_Gillespie | him a |
| Dizzy_Gillespie | a leading |
| Dizzy_Gillespie | leading popularizer |
| Dizzy_Gillespie | popularizer of |
| Dizzy_Gillespie | of the |
| Dizzy_Gillespie | the new |
| Dizzy_Gillespie | new music |
| Dizzy_Gillespie | music called |
| Dizzy_Gillespie | called bebop |
| Dizzy_Gillespie | bebop his |
| Dizzy_Gillespie | his beret |
| Dizzy_Gillespie | beret and |
| Dizzy_Gillespie | and horn |
| Dizzy_Gillespie | horn rimmed |
| Dizzy_Gillespie | rimmed spectacles |
| Dizzy_Gillespie | spectacles scat |
| Dizzy_Gillespie | scat singing |
| Dizzy_Gillespie | singing bent |
| Dizzy_Gillespie | bent horn |
| Dizzy_Gillespie | horn pouched |
| Dizzy_Gillespie | pouched cheeks |
| Dizzy_Gillespie | cheeks and |
| Dizzy_Gillespie | and light |
| Dizzy_Gillespie | light hearted |
| Dizzy_Gillespie | hearted personality |
| Dizzy_Gillespie | personality provided |
| Dizzy_Gillespie | provided one |
| Dizzy_Gillespie | one of |
| Dizzy_Gillespie | of bebop’s |
| Dizzy_Gillespie | bebop’s most |
| Dizzy_Gillespie | most prominent |
| Dizzy_Gillespie | prominent symbols |
| Dizzy_Gillespie | symbols in |
| Dizzy_Gillespie | in the |
| Dizzy_Gillespie | the 1940s |
| Dizzy_Gillespie | 1940s gillespie |
| Dizzy_Gillespie | gillespie with |
| Dizzy_Gillespie | with charlie |
| Dizzy_Gillespie | charlie parker |
| Dizzy_Gillespie | parker became |
| Dizzy_Gillespie | became a |
| Dizzy_Gillespie | a major |
| Dizzy_Gillespie | major figure |
| Dizzy_Gillespie | figure in |
| Dizzy_Gillespie | in the |
| Dizzy_Gillespie | the development |
| Dizzy_Gillespie | development of |
| Dizzy_Gillespie | of bebop |
| Dizzy_Gillespie | bebop and |
| Dizzy_Gillespie | and modern |
| Dizzy_Gillespie | modern jazz |
| Dizzy_Gillespie | jazz he |
| Dizzy_Gillespie | he taught |
| Dizzy_Gillespie | taught and |
| Dizzy_Gillespie | and influenced |
| Dizzy_Gillespie | influenced many |
| Dizzy_Gillespie | many other |
| Dizzy_Gillespie | other musicians |
| Dizzy_Gillespie | musicians including |
| Dizzy_Gillespie | including trumpeters |
| Dizzy_Gillespie | trumpeters miles |
| Dizzy_Gillespie | miles davis |
| Dizzy_Gillespie | davis jon |
| Dizzy_Gillespie | jon faddis |
| Dizzy_Gillespie | faddis fats |
| Dizzy_Gillespie | fats navarro |
| Dizzy_Gillespie | navarro clifford |
| Dizzy_Gillespie | clifford brown |
| Dizzy_Gillespie | brown arturo |
| Dizzy_Gillespie | arturo sandoval |
| Dizzy_Gillespie | sandoval lee |
| Dizzy_Gillespie | lee morgan |
| Dizzy_Gillespie | morgan chuck |
| Dizzy_Gillespie | chuck mangione |
| Dizzy_Gillespie | mangione and |
| Dizzy_Gillespie | and balladeer |
| Dizzy_Gillespie | balladeer johnny |
| Dizzy_Gillespie | johnny hartman |
| Dizzy_Gillespie | hartman scott |
| Dizzy_Gillespie | scott yanow |
| Dizzy_Gillespie | yanow wrote |
| Dizzy_Gillespie | wrote dizzy |
| Dizzy_Gillespie | dizzy gillespie’s |
| Dizzy_Gillespie | gillespie’s contributions |
| Dizzy_Gillespie | contributions to |
| Dizzy_Gillespie | to jazz |
| Dizzy_Gillespie | jazz were |
| Dizzy_Gillespie | were huge |
| Dizzy_Gillespie | huge one |
| Dizzy_Gillespie | one of |
| Dizzy_Gillespie | of the |
| Dizzy_Gillespie | the greatest |
| Dizzy_Gillespie | greatest jazz |
| Dizzy_Gillespie | jazz trumpeters |
| Dizzy_Gillespie | trumpeters of |
| Dizzy_Gillespie | of all |
| Dizzy_Gillespie | all time |
| Dizzy_Gillespie | time gillespie |
| Dizzy_Gillespie | gillespie was |
| Dizzy_Gillespie | was such |
| Dizzy_Gillespie | such a |
| Dizzy_Gillespie | a complex |
| Dizzy_Gillespie | complex player |
| Dizzy_Gillespie | player that |
| Dizzy_Gillespie | that his |
| Dizzy_Gillespie | his contemporaries |
| Dizzy_Gillespie | contemporaries ended |
| Dizzy_Gillespie | ended up |
| Dizzy_Gillespie | up being |
| Dizzy_Gillespie | being similar |
| Dizzy_Gillespie | similar to |
| Dizzy_Gillespie | to those |
| Dizzy_Gillespie | those of |
| Dizzy_Gillespie | of miles |
| Dizzy_Gillespie | miles davis |
| Dizzy_Gillespie | davis and |
| Dizzy_Gillespie | and fats |
| Dizzy_Gillespie | fats navarro |
| Dizzy_Gillespie | navarro instead |
| Dizzy_Gillespie | instead and |
| Dizzy_Gillespie | and it |
| Dizzy_Gillespie | it was |
| Dizzy_Gillespie | was not |
| Dizzy_Gillespie | not until |
| Dizzy_Gillespie | until jon |
| Dizzy_Gillespie | jon faddis’s |
| Dizzy_Gillespie | faddis’s emergence |
| Dizzy_Gillespie | emergence in |
| Dizzy_Gillespie | in the |
| Dizzy_Gillespie | the 1970s |
| Dizzy_Gillespie | 1970s that |
| Dizzy_Gillespie | that dizzy’s |
| Dizzy_Gillespie | dizzy’s style |
| Dizzy_Gillespie | style was |
| Dizzy_Gillespie | was successfully |
| Dizzy_Gillespie | successfully recreated |
| Dizzy_Gillespie | recreated gillespie |
| Dizzy_Gillespie | gillespie is |
| Dizzy_Gillespie | is remembered |
| Dizzy_Gillespie | remembered by |
| Dizzy_Gillespie | by both |
| Dizzy_Gillespie | both critics |
| Dizzy_Gillespie | critics and |
| Dizzy_Gillespie | and fans |
| Dizzy_Gillespie | fans alike |
| Dizzy_Gillespie | alike as |
| Dizzy_Gillespie | as one |
| Dizzy_Gillespie | one of |
| Dizzy_Gillespie | of the |
| Dizzy_Gillespie | the greatest |
| Dizzy_Gillespie | greatest jazz |
| Dizzy_Gillespie | jazz trumpeters |
| Dizzy_Gillespie | trumpeters of |
| Dizzy_Gillespie | of all |
| Dizzy_Gillespie | all time |
| Dizzy_Gillespie | time en |
| Eddie_Harris | eddie harris |
| Eddie_Harris | harris october |
| Eddie_Harris | october 20 |
| Eddie_Harris | 20 1934 |
| Eddie_Harris | 1934 november |
| Eddie_Harris | november 5 |
| Eddie_Harris | 5 1996 |
| Eddie_Harris | 1996 was |
| Eddie_Harris | was an |
| Eddie_Harris | an american |
| Eddie_Harris | american jazz |
| Eddie_Harris | jazz musician |
| Eddie_Harris | musician best |
| Eddie_Harris | best known |
| Eddie_Harris | known for |
| Eddie_Harris | for playing |
| Eddie_Harris | playing tenor |
| Eddie_Harris | tenor saxophone |
| Eddie_Harris | saxophone and |
| Eddie_Harris | and for |
| Eddie_Harris | for introducing |
| Eddie_Harris | introducing the |
| Eddie_Harris | the electrically |
| Eddie_Harris | electrically amplified |
| Eddie_Harris | amplified saxophone |
| Eddie_Harris | saxophone he |
| Eddie_Harris | he was |
| Eddie_Harris | was also |
| Eddie_Harris | also fluent |
| Eddie_Harris | fluent on |
| Eddie_Harris | on the |
| Eddie_Harris | the electric |
| Eddie_Harris | electric piano |
| Eddie_Harris | piano and |
| Eddie_Harris | and organ |
| Eddie_Harris | organ his |
| Eddie_Harris | his best |
| Eddie_Harris | best known |
| Eddie_Harris | known compositions |
| Eddie_Harris | compositions are |
| Eddie_Harris | are freedom |
| Eddie_Harris | freedom jazz |
| Eddie_Harris | jazz dance |
| Eddie_Harris | dance popularized |
| Eddie_Harris | popularized by |
| Eddie_Harris | by miles |
| Eddie_Harris | miles davis |
| Eddie_Harris | davis in |
| Eddie_Harris | in 1966 |
| Eddie_Harris | 1966 and |
| Eddie_Harris | and listen |
| Eddie_Harris | listen here |
| Eddie_Harris | here en |
| Kenny_Dorham | mckinley howard |
| Kenny_Dorham | howard kenny |
| Kenny_Dorham | kenny dorham |
| Kenny_Dorham | dorham august |
| Kenny_Dorham | august 30 |
| Kenny_Dorham | 30 1924 |
| Kenny_Dorham | 1924 december |
| Kenny_Dorham | december 5 |
| Kenny_Dorham | 5 1972 |
| Kenny_Dorham | 1972 was |
| Kenny_Dorham | was an |
| Kenny_Dorham | an american |
| Kenny_Dorham | american jazz |
| Kenny_Dorham | jazz trumpeter |
| Kenny_Dorham | trumpeter singer |
| Kenny_Dorham | singer and |
| Kenny_Dorham | and composer |
| Kenny_Dorham | composer dorham’s |
| Kenny_Dorham | dorham’s talent |
| Kenny_Dorham | talent is |
| Kenny_Dorham | is frequently |
| Kenny_Dorham | frequently lauded |
| Kenny_Dorham | lauded by |
| Kenny_Dorham | by critics |
| Kenny_Dorham | critics and |
| Kenny_Dorham | and other |
| Kenny_Dorham | other musicians |
| Kenny_Dorham | musicians but |
| Kenny_Dorham | but he |
| Kenny_Dorham | he never |
| Kenny_Dorham | never received |
| Kenny_Dorham | received the |
| Kenny_Dorham | the kind |
| Kenny_Dorham | kind of |
| Kenny_Dorham | of attention |
| Kenny_Dorham | attention or |
| Kenny_Dorham | or public |
| Kenny_Dorham | public recognition |
| Kenny_Dorham | recognition from |
| Kenny_Dorham | from the |
| Kenny_Dorham | the jazz |
| Kenny_Dorham | jazz establishment |
| Kenny_Dorham | establishment that |
| Kenny_Dorham | that many |
| Kenny_Dorham | many of |
| Kenny_Dorham | of his |
| Kenny_Dorham | his peers |
| Kenny_Dorham | peers did |
| Kenny_Dorham | did for |
| Kenny_Dorham | for this |
| Kenny_Dorham | this reason |
| Kenny_Dorham | reason writer |
| Kenny_Dorham | writer gary |
| Kenny_Dorham | gary giddins |
| Kenny_Dorham | giddins said |
| Kenny_Dorham | said that |
| Kenny_Dorham | that dorham’s |
| Kenny_Dorham | dorham’s name |
| Kenny_Dorham | name has |
| Kenny_Dorham | has become |
| Kenny_Dorham | become virtually |
| Kenny_Dorham | virtually synonymous |
| Kenny_Dorham | synonymous with |
| Kenny_Dorham | with underrated |
| Kenny_Dorham | underrated dorham |
| Kenny_Dorham | dorham composed |
| Kenny_Dorham | composed the |
| Kenny_Dorham | the jazz |
| Kenny_Dorham | jazz standard |
| Kenny_Dorham | standard blue |
| Kenny_Dorham | blue bossa |
| Kenny_Dorham | bossa which |
| Kenny_Dorham | which first |
| Kenny_Dorham | first appeared |
| Kenny_Dorham | appeared on |
| Kenny_Dorham | on joe |
| Kenny_Dorham | joe henderson’s |
| Kenny_Dorham | henderson’s album |
| Kenny_Dorham | album page |
| Kenny_Dorham | page one |
| Kenny_Dorham | one en |
| Oscar_Peterson | oscar emmanuel |
| Oscar_Peterson | emmanuel peterson |
| Oscar_Peterson | peterson cc |
| Oscar_Peterson | cc cq |
| Oscar_Peterson | cq oont |
| Oscar_Peterson | oont august |
| Oscar_Peterson | august 15 |
| Oscar_Peterson | 15 1925 |
| Oscar_Peterson | 1925 december |
| Oscar_Peterson | december 23 |
| Oscar_Peterson | 23 2007 |
| Oscar_Peterson | 2007 was |
| Oscar_Peterson | was a |
| Oscar_Peterson | a canadian |
| Oscar_Peterson | canadian jazz |
| Oscar_Peterson | jazz pianist |
| Oscar_Peterson | pianist virtuoso |
| Oscar_Peterson | virtuoso and |
| Oscar_Peterson | and composer |
| Oscar_Peterson | composer he |
| Oscar_Peterson | he was |
| Oscar_Peterson | was called |
| Oscar_Peterson | called the |
| Oscar_Peterson | the maharaja |
| Oscar_Peterson | maharaja of |
| Oscar_Peterson | of the |
| Oscar_Peterson | the keyboard |
| Oscar_Peterson | keyboard by |
| Oscar_Peterson | by duke |
| Oscar_Peterson | duke ellington |
| Oscar_Peterson | ellington simply |
| Oscar_Peterson | simply o.p |
| Oscar_Peterson | o.p by |
| Oscar_Peterson | by his |
| Oscar_Peterson | his friends |
| Oscar_Peterson | friends and |
| Oscar_Peterson | and informally |
| Oscar_Peterson | informally in |
| Oscar_Peterson | in the |
| Oscar_Peterson | the jazz |
| Oscar_Peterson | jazz community |
| Oscar_Peterson | community as |
| Oscar_Peterson | as the |
| Oscar_Peterson | the king |
| Oscar_Peterson | king of |
| Oscar_Peterson | of inside |
| Oscar_Peterson | inside swing |
| Oscar_Peterson | swing he |
| Oscar_Peterson | he released |
| Oscar_Peterson | released over |
| Oscar_Peterson | over 200 |
| Oscar_Peterson | 200 recordings |
| Oscar_Peterson | recordings won |
| Oscar_Peterson | won seven |
| Oscar_Peterson | seven grammy |
| Oscar_Peterson | grammy awards |
| Oscar_Peterson | awards as |
| Oscar_Peterson | as well |
| Oscar_Peterson | well as |
| Oscar_Peterson | as a |
| Oscar_Peterson | a lifetime |
| Oscar_Peterson | lifetime achievement |
| Oscar_Peterson | achievement award |
| Oscar_Peterson | award from |
| Oscar_Peterson | from the |
| Oscar_Peterson | the recording |
| Oscar_Peterson | recording academy |
| Oscar_Peterson | academy and |
| Oscar_Peterson | and received |
| Oscar_Peterson | received numerous |
| Oscar_Peterson | numerous other |
| Oscar_Peterson | other awards |
| Oscar_Peterson | awards and |
| Oscar_Peterson | and honours |
| Oscar_Peterson | honours he |
| Oscar_Peterson | he is |
| Oscar_Peterson | is considered |
| Oscar_Peterson | considered one |
| Oscar_Peterson | one of |
| Oscar_Peterson | of history’s |
| Oscar_Peterson | history’s great |
| Oscar_Peterson | great jazz |
| Oscar_Peterson | jazz pianists |
| Oscar_Peterson | pianists and |
| Oscar_Peterson | and played |
| Oscar_Peterson | played thousands |
| Oscar_Peterson | thousands of |
| Oscar_Peterson | of concerts |
| Oscar_Peterson | concerts worldwide |
| Oscar_Peterson | worldwide in |
| Oscar_Peterson | in a |
| Oscar_Peterson | a career |
| Oscar_Peterson | career lasting |
| Oscar_Peterson | lasting more |
| Oscar_Peterson | more than |
| Oscar_Peterson | than 60 |
| Oscar_Peterson | 60 years |
| Oscar_Peterson | years en |
| B.B._King | riley b |
| B.B._King | b king |
| B.B._King | king september |
| B.B._King | september 16 |
| B.B._King | 16 1925 |
| B.B._King | 1925 may |
| B.B._King | may 14 |
| B.B._King | 14 2015 |
| B.B._King | 2015 known |
| B.B._King | known professionally |
| B.B._King | professionally as |
| B.B._King | as b.b |
| B.B._King | b.b king |
| B.B._King | king was |
| B.B._King | was an |
| B.B._King | an american |
| B.B._King | american blues |
| B.B._King | blues singer |
| B.B._King | singer songwriter |
| B.B._King | songwriter guitarist |
| B.B._King | guitarist and |
| B.B._King | and record |
| B.B._King | record producer |
| B.B._King | producer he |
| B.B._King | he introduced |
| B.B._King | introduced a |
| B.B._King | a sophisticated |
| B.B._King | sophisticated style |
| B.B._King | style of |
| B.B._King | of soloing |
| B.B._King | soloing based |
| B.B._King | based on |
| B.B._King | on fluid |
| B.B._King | fluid string |
| B.B._King | string bending |
| B.B._King | bending shimmering |
| B.B._King | shimmering vibrato |
| B.B._King | vibrato and |
| B.B._King | and staccato |
| B.B._King | staccato picking |
| B.B._King | picking that |
| B.B._King | that influenced |
| B.B._King | influenced many |
| B.B._King | many later |
| B.B._King | later blues |
| B.B._King | blues electric |
| B.B._King | electric guitar |
| B.B._King | guitar players |
| B.B._King | players allmusic |
| B.B._King | allmusic recognized |
| B.B._King | recognized king |
| B.B._King | king as |
| B.B._King | as the |
| B.B._King | the single |
| B.B._King | single most |
| B.B._King | most important |
| B.B._King | important electric |
| B.B._King | electric guitarist |
| B.B._King | guitarist of |
| B.B._King | of the |
| B.B._King | the last |
| B.B._King | last half |
| B.B._King | half of |
| B.B._King | of the |
| B.B._King | the 20th |
| B.B._King | 20th century |
| B.B._King | century king |
| B.B._King | king was |
| B.B._King | was inducted |
| B.B._King | inducted into |
| B.B._King | into the |
| B.B._King | the rock |
| B.B._King | rock and |
| B.B._King | and roll |
| B.B._King | roll hall |
| B.B._King | hall of |
| B.B._King | of fame |
| B.B._King | fame in |
| B.B._King | in 1987 |
| B.B._King | 1987 and |
| B.B._King | and is |
| B.B._King | is one |
| B.B._King | one of |
| B.B._King | of the |
| B.B._King | the most |
| B.B._King | most influential |
| B.B._King | influential blues |
| B.B._King | blues musicians |
| B.B._King | musicians of |
| B.B._King | of all |
| B.B._King | all time |
| B.B._King | time earning |
| B.B._King | earning the |
| B.B._King | the nickname |
| B.B._King | nickname the |
| B.B._King | the king |
| B.B._King | king of |
| B.B._King | of the |
| B.B._King | the blues |
| B.B._King | blues and |
| B.B._King | and is |
| B.B._King | is considered |
| B.B._King | considered one |
| B.B._King | one of |
| B.B._King | of the |
| B.B._King | the three |
| B.B._King | three kings |
| B.B._King | kings of |
| B.B._King | of the |
| B.B._King | the blues |
| B.B._King | blues guitar |
| B.B._King | guitar along |
| B.B._King | along with |
| B.B._King | with albert |
| B.B._King | albert king |
| B.B._King | king and |
| B.B._King | and freddie |
| B.B._King | freddie king |
| B.B._King | king none |
| B.B._King | none of |
| B.B._King | of whom |
| B.B._King | whom are |
| B.B._King | are related |
| B.B._King | related king |
| B.B._King | king performed |
| B.B._King | performed tirelessly |
| B.B._King | tirelessly throughout |
| B.B._King | throughout his |
| B.B._King | his musical |
| B.B._King | musical career |
| B.B._King | career appearing |
| B.B._King | appearing on |
| B.B._King | on average |
| B.B._King | average at |
| B.B._King | at more |
| B.B._King | more than |
| B.B._King | than 200 |
| B.B._King | 200 concerts |
| B.B._King | concerts per |
| B.B._King | per year |
| B.B._King | year into |
| B.B._King | into his |
| B.B._King | his 70s |
| B.B._King | 70s in |
| B.B._King | in 1956 |
| B.B._King | 1956 alone |
| B.B._King | alone he |
| B.B._King | he appeared |
| B.B._King | appeared at |
| B.B._King | at 342 |
| B.B._King | 342 shows |
| B.B._King | shows king |
| B.B._King | king was |
| B.B._King | was born |
| B.B._King | born on |
| B.B._King | on a |
| B.B._King | a cotton |
| B.B._King | cotton plantation |
| B.B._King | plantation in |
| B.B._King | in itta |
| B.B._King | itta bena |
| B.B._King | bena mississippi |
| B.B._King | mississippi and |
| B.B._King | and later |
| B.B._King | later worked |
| B.B._King | worked at |
| B.B._King | at a |
| B.B._King | a cotton |
| B.B._King | cotton gin |
| B.B._King | gin in |
| B.B._King | in indianola |
| B.B._King | indianola mississippi |
| B.B._King | mississippi he |
| B.B._King | he was |
| B.B._King | was attracted |
| B.B._King | attracted to |
| B.B._King | to music |
| B.B._King | music and |
| B.B._King | and the |
| B.B._King | the guitar |
| B.B._King | guitar in |
| B.B._King | in church |
| B.B._King | church and |
| B.B._King | and began |
| B.B._King | began his |
| B.B._King | his career |
| B.B._King | career in |
| B.B._King | in juke |
| B.B._King | juke joints |
| B.B._King | joints and |
| B.B._King | and local |
| B.B._King | local radio |
| B.B._King | radio he |
| B.B._King | he later |
| B.B._King | later lived |
| B.B._King | lived in |
| B.B._King | in memphis |
| B.B._King | memphis tennessee |
| B.B._King | tennessee and |
| B.B._King | and chicago |
| B.B._King | chicago and |
| B.B._King | and as |
| B.B._King | as his |
| B.B._King | his fame |
| B.B._King | fame grew |
| B.B._King | grew toured |
| B.B._King | toured the |
| B.B._King | the world |
| B.B._King | world extensively |
| B.B._King | extensively king |
| B.B._King | king died |
| B.B._King | died at |
| B.B._King | at the |
| B.B._King | the age |
| B.B._King | age of |
| B.B._King | of 89 |
| B.B._King | 89 in |
| B.B._King | in las |
| B.B._King | las vegas |
| B.B._King | vegas nevada |
| B.B._King | nevada on |
| B.B._King | on may |
| B.B._King | may 14 |
| B.B._King | 14 2015 |
| B.B._King | 2015 en |
| Ben_Wolfe | benjamin jonah |
| Ben_Wolfe | jonah wolfe |
| Ben_Wolfe | wolfe is |
| Ben_Wolfe | is an |
| Ben_Wolfe | an american |
| Ben_Wolfe | american jazz |
| Ben_Wolfe | jazz bassist |
| Ben_Wolfe | bassist who |
| Ben_Wolfe | who has |
| Ben_Wolfe | has performed |
| Ben_Wolfe | performed in |
| Ben_Wolfe | in groups |
| Ben_Wolfe | groups with |
| Ben_Wolfe | with wynton |
| Ben_Wolfe | wynton marsalis |
| Ben_Wolfe | marsalis harry |
| Ben_Wolfe | harry connick |
| Ben_Wolfe | connick jr |
| Ben_Wolfe | jr and |
| Ben_Wolfe | and diana |
| Ben_Wolfe | diana krall |
| Ben_Wolfe | krall he |
| Ben_Wolfe | he is |
| Ben_Wolfe | is currently |
| Ben_Wolfe | currently on |
| Ben_Wolfe | on the |
| Ben_Wolfe | the teaching |
| Ben_Wolfe | teaching faculty |
| Ben_Wolfe | faculty at |
| Ben_Wolfe | at the |
| Ben_Wolfe | the juilliard |
| Ben_Wolfe | juilliard school |
| Ben_Wolfe | school jazz |
| Ben_Wolfe | jazz division |
| Ben_Wolfe | division en |
| Chick_Corea | armando anthony |
| Chick_Corea | anthony chick |
| Chick_Corea | chick corea |
| Chick_Corea | corea june |
| Chick_Corea | june 12 |
| Chick_Corea | 12 1941 |
| Chick_Corea | 1941 february |
| Chick_Corea | february 9 |
| Chick_Corea | 9 2021 |
| Chick_Corea | 2021 was |
| Chick_Corea | was an |
| Chick_Corea | an american |
| Chick_Corea | american jazz |
| Chick_Corea | jazz composer |
| Chick_Corea | composer keyboardist |
| Chick_Corea | keyboardist bandleader |
| Chick_Corea | bandleader and |
| Chick_Corea | and occasional |
| Chick_Corea | occasional percussionist |
| Chick_Corea | percussionist his |
| Chick_Corea | his compositions |
| Chick_Corea | compositions spain |
| Chick_Corea | spain 500 |
| Chick_Corea | 500 miles |
| Chick_Corea | miles high |
| Chick_Corea | high la |
| Chick_Corea | la fiesta |
| Chick_Corea | fiesta armando’s |
| Chick_Corea | armando’s rhumba |
| Chick_Corea | rhumba and |
| Chick_Corea | and windows |
| Chick_Corea | windows are |
| Chick_Corea | are widely |
| Chick_Corea | widely considered |
| Chick_Corea | considered jazz |
| Chick_Corea | jazz standards |
| Chick_Corea | standards as |
| Chick_Corea | as a |
| Chick_Corea | a member |
| Chick_Corea | member of |
| Chick_Corea | of miles |
| Chick_Corea | miles davis’s |
| Chick_Corea | davis’s band |
| Chick_Corea | band in |
| Chick_Corea | in the |
| Chick_Corea | the late |
| Chick_Corea | late 1960s |
| Chick_Corea | 1960s he |
| Chick_Corea | he participated |
| Chick_Corea | participated in |
| Chick_Corea | in the |
| Chick_Corea | the birth |
| Chick_Corea | birth of |
| Chick_Corea | of jazz |
| Chick_Corea | jazz fusion |
| Chick_Corea | fusion in |
| Chick_Corea | in the |
| Chick_Corea | the 1970s |
| Chick_Corea | 1970s he |
| Chick_Corea | he formed |
| Chick_Corea | formed return |
| Chick_Corea | return to |
| Chick_Corea | to forever |
| Chick_Corea | forever along |
| Chick_Corea | along with |
| Chick_Corea | with mccoy |
| Chick_Corea | mccoy tyner |
| Chick_Corea | tyner herbie |
| Chick_Corea | herbie hancock |
| Chick_Corea | hancock and |
| Chick_Corea | and keith |
| Chick_Corea | keith jarrett |
| Chick_Corea | jarrett corea |
| Chick_Corea | corea is |
| Chick_Corea | is considered |
| Chick_Corea | considered one |
| Chick_Corea | one of |
| Chick_Corea | of the |
| Chick_Corea | the foremost |
| Chick_Corea | foremost jazz |
| Chick_Corea | jazz pianists |
| Chick_Corea | pianists of |
| Chick_Corea | of the |
| Chick_Corea | the post |
| Chick_Corea | post john |
| Chick_Corea | john coltrane |
| Chick_Corea | coltrane era |
| Chick_Corea | era corea |
| Chick_Corea | corea continued |
| Chick_Corea | continued to |
| Chick_Corea | to collaborate |
| Chick_Corea | collaborate frequently |
| Chick_Corea | frequently while |
| Chick_Corea | while exploring |
| Chick_Corea | exploring different |
| Chick_Corea | different musical |
| Chick_Corea | musical styles |
| Chick_Corea | styles throughout |
| Chick_Corea | throughout the |
| Chick_Corea | the 1980s |
| Chick_Corea | 1980s and |
| Chick_Corea | and 1990s |
| Chick_Corea | 1990s he |
| Chick_Corea | he won |
| Chick_Corea | won 25 |
| Chick_Corea | 25 grammy |
| Chick_Corea | grammy awards |
| Chick_Corea | awards and |
| Chick_Corea | and was |
| Chick_Corea | was nominated |
| Chick_Corea | nominated over |
| Chick_Corea | over 60 |
| Chick_Corea | 60 times |
| Chick_Corea | times en |
| Don_Pullen | don gabriel |
| Don_Pullen | gabriel pullen |
| Don_Pullen | pullen december |
| Don_Pullen | december 25 |
| Don_Pullen | 25 1941 |
| Don_Pullen | 1941 april |
| Don_Pullen | april 22 |
| Don_Pullen | 22 1995 |
| Don_Pullen | 1995 was |
| Don_Pullen | was an |
| Don_Pullen | an american |
| Don_Pullen | american jazz |
| Don_Pullen | jazz pianist |
| Don_Pullen | pianist and |
| Don_Pullen | and organist |
| Don_Pullen | organist pullen |
| Don_Pullen | pullen developed |
| Don_Pullen | developed a |
| Don_Pullen | a strikingly |
| Don_Pullen | strikingly individual |
| Don_Pullen | individual style |
| Don_Pullen | style throughout |
| Don_Pullen | throughout his |
| Don_Pullen | his career |
| Don_Pullen | career he |
| Don_Pullen | he composed |
| Don_Pullen | composed pieces |
| Don_Pullen | pieces ranging |
| Don_Pullen | ranging from |
| Don_Pullen | from blues |
| Don_Pullen | blues to |
| Don_Pullen | to bebop |
| Don_Pullen | bebop and |
| Don_Pullen | and modern |
| Don_Pullen | modern jazz |
| Don_Pullen | jazz the |
| Don_Pullen | the great |
| Don_Pullen | great variety |
| Don_Pullen | variety of |
| Don_Pullen | of his |
| Don_Pullen | his body |
| Don_Pullen | body of |
| Don_Pullen | of work |
| Don_Pullen | work makes |
| Don_Pullen | makes it |
| Don_Pullen | it difficult |
| Don_Pullen | difficult to |
| Don_Pullen | to pigeonhole |
| Don_Pullen | pigeonhole his |
| Don_Pullen | his musical |
| Don_Pullen | musical style |
| Don_Pullen | style en |
| Bonnie_Raitt | bonnie lynn |
| Bonnie_Raitt | lynn raitt |
| Bonnie_Raitt | raitt re |
| Bonnie_Raitt | re 阞 |
| Bonnie_Raitt | 阞 t |
| Bonnie_Raitt | t born |
| Bonnie_Raitt | born november |
| Bonnie_Raitt | november 8 |
| Bonnie_Raitt | 8 1949 |
| Bonnie_Raitt | 1949 is |
| Bonnie_Raitt | is an |
| Bonnie_Raitt | an american |
| Bonnie_Raitt | american blues |
| Bonnie_Raitt | blues singer |
| Bonnie_Raitt | singer guitarist |
| Bonnie_Raitt | guitarist songwriter |
| Bonnie_Raitt | songwriter and |
| Bonnie_Raitt | and activist |
| Bonnie_Raitt | activist during |
| Bonnie_Raitt | during the |
| Bonnie_Raitt | the 1970s |
| Bonnie_Raitt | 1970s raitt |
| Bonnie_Raitt | raitt released |
| Bonnie_Raitt | released a |
| Bonnie_Raitt | a series |
| Bonnie_Raitt | series of |
| Bonnie_Raitt | of roots |
| Bonnie_Raitt | roots influenced |
| Bonnie_Raitt | influenced albums |
| Bonnie_Raitt | albums that |
| Bonnie_Raitt | that incorporated |
| Bonnie_Raitt | incorporated elements |
| Bonnie_Raitt | elements of |
| Bonnie_Raitt | of blues |
| Bonnie_Raitt | blues rock |
| Bonnie_Raitt | rock folk |
| Bonnie_Raitt | folk and |
| Bonnie_Raitt | and country |
| Bonnie_Raitt | country she |
| Bonnie_Raitt | she was |
| Bonnie_Raitt | was also |
| Bonnie_Raitt | also a |
| Bonnie_Raitt | a frequent |
| Bonnie_Raitt | frequent session |
| Bonnie_Raitt | session player |
| Bonnie_Raitt | player and |
| Bonnie_Raitt | and collaborator |
| Bonnie_Raitt | collaborator with |
| Bonnie_Raitt | with other |
| Bonnie_Raitt | other artists |
| Bonnie_Raitt | artists including |
| Bonnie_Raitt | including warren |
| Bonnie_Raitt | warren zevon |
| Bonnie_Raitt | zevon little |
| Bonnie_Raitt | little feat |
| Bonnie_Raitt | feat jackson |
| Bonnie_Raitt | jackson browne |
| Bonnie_Raitt | browne the |
| Bonnie_Raitt | the pointer |
| Bonnie_Raitt | pointer sisters |
| Bonnie_Raitt | sisters john |
| Bonnie_Raitt | john prine |
| Bonnie_Raitt | prine and |
| Bonnie_Raitt | and leon |
| Bonnie_Raitt | leon russell |
| Bonnie_Raitt | russell in |
| Bonnie_Raitt | in 1989 |
| Bonnie_Raitt | 1989 after |
| Bonnie_Raitt | after several |
| Bonnie_Raitt | several years |
| Bonnie_Raitt | years of |
| Bonnie_Raitt | of critical |
| Bonnie_Raitt | critical acclaim |
| Bonnie_Raitt | acclaim but |
| Bonnie_Raitt | but little |
| Bonnie_Raitt | little commercial |
| Bonnie_Raitt | commercial success |
| Bonnie_Raitt | success she |
| Bonnie_Raitt | she had |
| Bonnie_Raitt | had a |
| Bonnie_Raitt | a major |
| Bonnie_Raitt | major hit |
| Bonnie_Raitt | hit with |
| Bonnie_Raitt | with the |
| Bonnie_Raitt | the album |
| Bonnie_Raitt | album nick |
| Bonnie_Raitt | nick of |
| Bonnie_Raitt | of time |
| Bonnie_Raitt | time the |
| Bonnie_Raitt | the following |
| Bonnie_Raitt | following two |
| Bonnie_Raitt | two albums |
| Bonnie_Raitt | albums luck |
| Bonnie_Raitt | luck of |
| Bonnie_Raitt | of the |
| Bonnie_Raitt | the draw |
| Bonnie_Raitt | draw 1991 |
| Bonnie_Raitt | 1991 and |
| Bonnie_Raitt | and longing |
| Bonnie_Raitt | longing in |
| Bonnie_Raitt | in their |
| Bonnie_Raitt | their hearts |
| Bonnie_Raitt | hearts 1994 |
| Bonnie_Raitt | 1994 were |
| Bonnie_Raitt | were multimillion |
| Bonnie_Raitt | multimillion sellers |
| Bonnie_Raitt | sellers generating |
| Bonnie_Raitt | generating several |
| Bonnie_Raitt | several hit |
| Bonnie_Raitt | hit singles |
| Bonnie_Raitt | singles including |
| Bonnie_Raitt | including something |
| Bonnie_Raitt | something to |
| Bonnie_Raitt | to talk |
| Bonnie_Raitt | talk about |
| Bonnie_Raitt | about love |
| Bonnie_Raitt | love sneakin |
| Bonnie_Raitt | sneakin up |
| Bonnie_Raitt | up on |
| Bonnie_Raitt | on you |
| Bonnie_Raitt | you and |
| Bonnie_Raitt | and the |
| Bonnie_Raitt | the ballad |
| Bonnie_Raitt | ballad i |
| Bonnie_Raitt | i can’t |
| Bonnie_Raitt | can’t make |
| Bonnie_Raitt | make you |
| Bonnie_Raitt | you love |
| Bonnie_Raitt | love me |
| Bonnie_Raitt | me with |
| Bonnie_Raitt | with bruce |
| Bonnie_Raitt | bruce hornsby |
| Bonnie_Raitt | hornsby on |
| Bonnie_Raitt | on piano |
| Bonnie_Raitt | piano raitt |
| Bonnie_Raitt | raitt has |
| Bonnie_Raitt | has received |
| Bonnie_Raitt | received 10 |
| Bonnie_Raitt | 10 grammy |
| Bonnie_Raitt | grammy awards |
| Bonnie_Raitt | awards she |
| Bonnie_Raitt | she is |
| Bonnie_Raitt | is listed |
| Bonnie_Raitt | listed as |
| Bonnie_Raitt | as number |
| Bonnie_Raitt | number 50 |
| Bonnie_Raitt | 50 in |
| Bonnie_Raitt | in rolling |
| Bonnie_Raitt | rolling stone’s |
| Bonnie_Raitt | stone’s list |
| Bonnie_Raitt | list of |
| Bonnie_Raitt | of the |
| Bonnie_Raitt | the 100 |
| Bonnie_Raitt | 100 greatest |
| Bonnie_Raitt | greatest singers |
| Bonnie_Raitt | singers of |
| Bonnie_Raitt | of all |
| Bonnie_Raitt | all time |
| Bonnie_Raitt | time and |
| Bonnie_Raitt | and number |
| Bonnie_Raitt | number 89 |
| Bonnie_Raitt | 89 on |
| Bonnie_Raitt | on the |
| Bonnie_Raitt | the magazine’s |
| Bonnie_Raitt | magazine’s list |
| Bonnie_Raitt | list of |
| Bonnie_Raitt | of the |
| Bonnie_Raitt | the 100 |
| Bonnie_Raitt | 100 greatest |
| Bonnie_Raitt | greatest guitarists |
| Bonnie_Raitt | guitarists of |
| Bonnie_Raitt | of all |
| Bonnie_Raitt | all time |
| Bonnie_Raitt | time australian |
| Bonnie_Raitt | australian country |
| Bonnie_Raitt | country music |
| Bonnie_Raitt | music artist |
| Bonnie_Raitt | artist graeme |
| Bonnie_Raitt | graeme connors |
| Bonnie_Raitt | connors has |
| Bonnie_Raitt | has said |
| Bonnie_Raitt | said bonnie |
| Bonnie_Raitt | bonnie raitt |
| Bonnie_Raitt | raitt does |
| Bonnie_Raitt | does something |
| Bonnie_Raitt | something with |
| Bonnie_Raitt | with a |
| Bonnie_Raitt | a lyric |
| Bonnie_Raitt | lyric no |
| Bonnie_Raitt | no one |
| Bonnie_Raitt | one else |
| Bonnie_Raitt | else can |
| Bonnie_Raitt | can do |
| Bonnie_Raitt | do she |
| Bonnie_Raitt | she bends |
| Bonnie_Raitt | bends it |
| Bonnie_Raitt | it and |
| Bonnie_Raitt | and twists |
| Bonnie_Raitt | twists it |
| Bonnie_Raitt | it right |
| Bonnie_Raitt | right into |
| Bonnie_Raitt | into your |
| Bonnie_Raitt | your heart |
| Bonnie_Raitt | heart en |
| Bobby_Watson | robert michael |
| Bobby_Watson | michael watson |
| Bobby_Watson | watson jr |
| Bobby_Watson | jr born |
| Bobby_Watson | born august |
| Bobby_Watson | august 23 |
| Bobby_Watson | 23 1953 |
| Bobby_Watson | 1953 known |
| Bobby_Watson | known professionally |
| Bobby_Watson | professionally as |
| Bobby_Watson | as bobby |
| Bobby_Watson | bobby watson |
| Bobby_Watson | watson is |
| Bobby_Watson | is an |
| Bobby_Watson | an american |
| Bobby_Watson | american saxophonist |
| Bobby_Watson | saxophonist composer |
| Bobby_Watson | composer and |
| Bobby_Watson | and educator |
| Bobby_Watson | educator en |
| Ed_Cherney | edward cherney |
| Ed_Cherney | cherney 1950 |
| Ed_Cherney | 1950 october |
| Ed_Cherney | october 22 |
| Ed_Cherney | 22 2019 |
| Ed_Cherney | 2019 was |
| Ed_Cherney | was an |
| Ed_Cherney | an american |
| Ed_Cherney | american recording |
| Ed_Cherney | recording engineer |
| Ed_Cherney | engineer and |
| Ed_Cherney | and record |
| Ed_Cherney | record producer |
| Ed_Cherney | producer based |
| Ed_Cherney | based in |
| Ed_Cherney | in los |
| Ed_Cherney | los angeles |
| Ed_Cherney | angeles california |
| Ed_Cherney | california united |
| Ed_Cherney | united states |
| Ed_Cherney | states over |
| Ed_Cherney | over his |
| Ed_Cherney | his career |
| Ed_Cherney | career he |
| Ed_Cherney | he earned |
| Ed_Cherney | earned four |
| Ed_Cherney | four grammy |
| Ed_Cherney | grammy awards |
| Ed_Cherney | awards one |
| Ed_Cherney | one emmy |
| Ed_Cherney | emmy award |
| Ed_Cherney | award and |
| Ed_Cherney | and five |
| Ed_Cherney | five tec |
| Ed_Cherney | tec awards |
| Ed_Cherney | awards cherney |
| Ed_Cherney | cherney was |
| Ed_Cherney | was also |
| Ed_Cherney | also known |
| Ed_Cherney | known within |
| Ed_Cherney | within the |
| Ed_Cherney | the film |
| Ed_Cherney | film world |
| Ed_Cherney | world for |
| Ed_Cherney | for his |
| Ed_Cherney | his work |
| Ed_Cherney | work on |
| Ed_Cherney | on a |
| Ed_Cherney | a mighty |
| Ed_Cherney | mighty wind |
| Ed_Cherney | wind the |
| Ed_Cherney | the bourne |
| Ed_Cherney | bourne legacy |
| Ed_Cherney | legacy and |
| Ed_Cherney | and fast |
| Ed_Cherney | fast times |
| Ed_Cherney | times at |
| Ed_Cherney | at ridgemont |
| Ed_Cherney | ridgemont high |
| Ed_Cherney | high en |
| Tupac_Shakur | tupac amaru |
| Tupac_Shakur | amaru shakur |
| Tupac_Shakur | shakur tu |
| Tupac_Shakur | tu p |
| Tupac_Shakur | p k |
| Tupac_Shakur | k k |
| Tupac_Shakur | k r |
| Tupac_Shakur | r too |
| Tupac_Shakur | too pahk |
| Tupac_Shakur | pahk sh |
| Tupac_Shakur | sh koor |
| Tupac_Shakur | koor born |
| Tupac_Shakur | born lesane |
| Tupac_Shakur | lesane parish |
| Tupac_Shakur | parish crooks |
| Tupac_Shakur | crooks june |
| Tupac_Shakur | june 16 |
| Tupac_Shakur | 16 1971 |
| Tupac_Shakur | 1971 september |
| Tupac_Shakur | september 13 |
| Tupac_Shakur | 13 1996 |
| Tupac_Shakur | 1996 better |
| Tupac_Shakur | better known |
| Tupac_Shakur | known by |
| Tupac_Shakur | by his |
| Tupac_Shakur | his stage |
| Tupac_Shakur | stage name |
| Tupac_Shakur | name 2pac |
| Tupac_Shakur | 2pac and |
| Tupac_Shakur | and later |
| Tupac_Shakur | later by |
| Tupac_Shakur | by his |
| Tupac_Shakur | his alias |
| Tupac_Shakur | alias makaveli |
| Tupac_Shakur | makaveli was |
| Tupac_Shakur | was an |
| Tupac_Shakur | an american |
| Tupac_Shakur | american rapper |
| Tupac_Shakur | rapper considered |
| Tupac_Shakur | considered one |
| Tupac_Shakur | one of |
| Tupac_Shakur | of the |
| Tupac_Shakur | the most |
| Tupac_Shakur | most influential |
| Tupac_Shakur | influential rappers |
| Tupac_Shakur | rappers of |
| Tupac_Shakur | of all |
| Tupac_Shakur | all time |
| Tupac_Shakur | time shakur |
| Tupac_Shakur | shakur is |
| Tupac_Shakur | is among |
| Tupac_Shakur | among the |
| Tupac_Shakur | the best |
| Tupac_Shakur | best selling |
| Tupac_Shakur | selling music |
| Tupac_Shakur | music artists |
| Tupac_Shakur | artists having |
| Tupac_Shakur | having sold |
| Tupac_Shakur | sold more |
| Tupac_Shakur | more than |
| Tupac_Shakur | than 75 |
| Tupac_Shakur | 75 million |
| Tupac_Shakur | million records |
| Tupac_Shakur | records worldwide |
| Tupac_Shakur | worldwide much |
| Tupac_Shakur | much of |
| Tupac_Shakur | of shakur’s |
| Tupac_Shakur | shakur’s music |
| Tupac_Shakur | music has |
| Tupac_Shakur | has been |
| Tupac_Shakur | been noted |
| Tupac_Shakur | noted for |
| Tupac_Shakur | for addressing |
| Tupac_Shakur | addressing contemporary |
| Tupac_Shakur | contemporary social |
| Tupac_Shakur | social issues |
| Tupac_Shakur | issues that |
| Tupac_Shakur | that plagued |
| Tupac_Shakur | plagued inner |
| Tupac_Shakur | inner cities |
| Tupac_Shakur | cities and |
| Tupac_Shakur | and he |
| Tupac_Shakur | he is |
| Tupac_Shakur | is considered |
| Tupac_Shakur | considered a |
| Tupac_Shakur | a symbol |
| Tupac_Shakur | symbol of |
| Tupac_Shakur | of activism |
| Tupac_Shakur | activism against |
| Tupac_Shakur | against inequality |
| Tupac_Shakur | inequality shakur |
| Tupac_Shakur | shakur was |
| Tupac_Shakur | was born |
| Tupac_Shakur | born in |
| Tupac_Shakur | in manhattan |
| Tupac_Shakur | manhattan new |
| Tupac_Shakur | new york |
| Tupac_Shakur | york city |
| Tupac_Shakur | city but |
| Tupac_Shakur | but relocated |
| Tupac_Shakur | relocated to |
| Tupac_Shakur | to baltimore |
| Tupac_Shakur | baltimore maryland |
| Tupac_Shakur | maryland in |
| Tupac_Shakur | in 1984 |
| Tupac_Shakur | 1984 and |
| Tupac_Shakur | and then |
| Tupac_Shakur | then the |
| Tupac_Shakur | the san |
| Tupac_Shakur | san francisco |
| Tupac_Shakur | francisco bay |
| Tupac_Shakur | bay area |
| Tupac_Shakur | area in |
| Tupac_Shakur | in 1988 |
| Tupac_Shakur | 1988 he |
| Tupac_Shakur | he moved |
| Tupac_Shakur | moved to |
| Tupac_Shakur | to los |
| Tupac_Shakur | los angeles |
| Tupac_Shakur | angeles in |
| Tupac_Shakur | in 1993 |
| Tupac_Shakur | 1993 to |
| Tupac_Shakur | to further |
| Tupac_Shakur | further pursue |
| Tupac_Shakur | pursue his |
| Tupac_Shakur | his music |
| Tupac_Shakur | music career |
| Tupac_Shakur | career by |
| Tupac_Shakur | by the |
| Tupac_Shakur | the time |
| Tupac_Shakur | time he |
| Tupac_Shakur | he released |
| Tupac_Shakur | released his |
| Tupac_Shakur | his debut |
| Tupac_Shakur | debut album |
| Tupac_Shakur | album 2pacalypse |
| Tupac_Shakur | 2pacalypse now |
| Tupac_Shakur | now in |
| Tupac_Shakur | in 1991 |
| Tupac_Shakur | 1991 he |
| Tupac_Shakur | he had |
| Tupac_Shakur | had become |
| Tupac_Shakur | become a |
| Tupac_Shakur | a central |
| Tupac_Shakur | central figure |
| Tupac_Shakur | figure in |
| Tupac_Shakur | in west |
| Tupac_Shakur | west coast |
| Tupac_Shakur | coast hip |
| Tupac_Shakur | hip hop |
| Tupac_Shakur | hop introducing |
| Tupac_Shakur | introducing social |
| Tupac_Shakur | social issues |
| Tupac_Shakur | issues to |
| Tupac_Shakur | to the |
| Tupac_Shakur | the genre |
| Tupac_Shakur | genre at |
| Tupac_Shakur | at a |
| Tupac_Shakur | a time |
| Tupac_Shakur | time when |
| Tupac_Shakur | when gangsta |
| Tupac_Shakur | gangsta rap |
| Tupac_Shakur | rap was |
| Tupac_Shakur | was dominant |
| Tupac_Shakur | dominant in |
| Tupac_Shakur | in the |
| Tupac_Shakur | the mainstream |
| Tupac_Shakur | mainstream shakur |
| Tupac_Shakur | shakur achieved |
| Tupac_Shakur | achieved further |
| Tupac_Shakur | further critical |
| Tupac_Shakur | critical and |
| Tupac_Shakur | and commercial |
| Tupac_Shakur | commercial success |
| Tupac_Shakur | success with |
| Tupac_Shakur | with his |
| Tupac_Shakur | his follow |
| Tupac_Shakur | follow up |
| Tupac_Shakur | up albums |
| Tupac_Shakur | albums strictly |
| Tupac_Shakur | strictly 4 |
| Tupac_Shakur | 4 my |
| Tupac_Shakur | my n.i.g.g.a.z |
| Tupac_Shakur | n.i.g.g.a.z 1993 |
| Tupac_Shakur | 1993 and |
| Tupac_Shakur | and me |
| Tupac_Shakur | me against |
| Tupac_Shakur | against the |
| Tupac_Shakur | the world |
| Tupac_Shakur | world 1995 |
| Tupac_Shakur | 1995 in |
| Tupac_Shakur | in 1995 |
| Tupac_Shakur | 1995 shakur |
| Tupac_Shakur | shakur served |
| Tupac_Shakur | served eight |
| Tupac_Shakur | eight months |
| Tupac_Shakur | months in |
| Tupac_Shakur | in prison |
| Tupac_Shakur | prison on |
| Tupac_Shakur | on sexual |
| Tupac_Shakur | sexual abuse |
| Tupac_Shakur | abuse charges |
| Tupac_Shakur | charges but |
| Tupac_Shakur | but was |
| Tupac_Shakur | was released |
| Tupac_Shakur | released pending |
| Tupac_Shakur | pending appeal |
| Tupac_Shakur | appeal after |
| Tupac_Shakur | after agreeing |
| Tupac_Shakur | agreeing to |
| Tupac_Shakur | to sign |
| Tupac_Shakur | sign with |
| Tupac_Shakur | with marion |
| Tupac_Shakur | marion suge |
| Tupac_Shakur | suge knight’s |
| Tupac_Shakur | knight’s label |
| Tupac_Shakur | label death |
| Tupac_Shakur | death row |
| Tupac_Shakur | row records |
| Tupac_Shakur | records in |
| Tupac_Shakur | in exchange |
| Tupac_Shakur | exchange for |
| Tupac_Shakur | for knight |
| Tupac_Shakur | knight posting |
| Tupac_Shakur | posting his |
| Tupac_Shakur | his bail |
| Tupac_Shakur | bail following |
| Tupac_Shakur | following his |
| Tupac_Shakur | his release |
| Tupac_Shakur | release shakur |
| Tupac_Shakur | shakur became |
| Tupac_Shakur | became heavily |
| Tupac_Shakur | heavily involved |
| Tupac_Shakur | involved in |
| Tupac_Shakur | in the |
| Tupac_Shakur | the growing |
| Tupac_Shakur | growing east |
| Tupac_Shakur | east coast |
| Tupac_Shakur | coast est |
| Tupac_Shakur | est coast |
| Tupac_Shakur | coast hip |
| Tupac_Shakur | hip hop |
| Tupac_Shakur | hop rivalry |
| Tupac_Shakur | rivalry his |
| Tupac_Shakur | his double |
| Tupac_Shakur | double disc |
| Tupac_Shakur | disc album |
| Tupac_Shakur | album all |
| Tupac_Shakur | all eyez |
| Tupac_Shakur | eyez on |
| Tupac_Shakur | on me |
| Tupac_Shakur | me 1996 |
| Tupac_Shakur | 1996 abandoning |
| Tupac_Shakur | abandoning introspective |
| Tupac_Shakur | introspective lyrics |
| Tupac_Shakur | lyrics for |
| Tupac_Shakur | for volatile |
| Tupac_Shakur | volatile gangsta |
| Tupac_Shakur | gangsta rap |
| Tupac_Shakur | rap was |
| Tupac_Shakur | was certified |
| Tupac_Shakur | certified diamond |
| Tupac_Shakur | diamond by |
| Tupac_Shakur | by the |
| Tupac_Shakur | the riaa |
| Tupac_Shakur | riaa on |
| Tupac_Shakur | on september |
| Tupac_Shakur | september 7 |
| Tupac_Shakur | 7 1996 |
| Tupac_Shakur | 1996 shakur |
| Tupac_Shakur | shakur was |
| Tupac_Shakur | was shot |
| Tupac_Shakur | shot four |
| Tupac_Shakur | four times |
| Tupac_Shakur | times by |
| Tupac_Shakur | by an |
| Tupac_Shakur | an unknown |
| Tupac_Shakur | unknown assailant |
| Tupac_Shakur | assailant in |
| Tupac_Shakur | in a |
| Tupac_Shakur | a drive |
| Tupac_Shakur | drive by |
| Tupac_Shakur | by shooting |
| Tupac_Shakur | shooting in |
| Tupac_Shakur | in las |
| Tupac_Shakur | las vegas |
| Tupac_Shakur | vegas nevada |
| Tupac_Shakur | nevada he |
| Tupac_Shakur | he died |
| Tupac_Shakur | died six |
| Tupac_Shakur | six days |
| Tupac_Shakur | days later |
| Tupac_Shakur | later and |
| Tupac_Shakur | and the |
| Tupac_Shakur | the gunman |
| Tupac_Shakur | gunman was |
| Tupac_Shakur | was never |
| Tupac_Shakur | never captured |
| Tupac_Shakur | captured shakur’s |
| Tupac_Shakur | shakur’s friend |
| Tupac_Shakur | friend turned |
| Tupac_Shakur | turned rival |
| Tupac_Shakur | rival the |
| Tupac_Shakur | the notorious |
| Tupac_Shakur | notorious b.i.g |
| Tupac_Shakur | b.i.g was |
| Tupac_Shakur | was at |
| Tupac_Shakur | at first |
| Tupac_Shakur | first considered |
| Tupac_Shakur | considered a |
| Tupac_Shakur | a suspect |
| Tupac_Shakur | suspect due |
| Tupac_Shakur | due to |
| Tupac_Shakur | to the |
| Tupac_Shakur | the pair’s |
| Tupac_Shakur | pair’s public |
| Tupac_Shakur | public feud |
| Tupac_Shakur | feud but |
| Tupac_Shakur | but was |
| Tupac_Shakur | was also |
| Tupac_Shakur | also murdered |
| Tupac_Shakur | murdered in |
| Tupac_Shakur | in another |
| Tupac_Shakur | another drive |
| Tupac_Shakur | drive by |
| Tupac_Shakur | by shooting |
| Tupac_Shakur | shooting six |
| Tupac_Shakur | six months |
| Tupac_Shakur | months later |
| Tupac_Shakur | later in |
| Tupac_Shakur | in march |
| Tupac_Shakur | march 1997 |
| Tupac_Shakur | 1997 while |
| Tupac_Shakur | while visiting |
| Tupac_Shakur | visiting los |
| Tupac_Shakur | los angeles |
| Tupac_Shakur | angeles california |
| Tupac_Shakur | california five |
| Tupac_Shakur | five more |
| Tupac_Shakur | more albums |
| Tupac_Shakur | albums have |
| Tupac_Shakur | have been |
| Tupac_Shakur | been released |
| Tupac_Shakur | released since |
| Tupac_Shakur | since shakur’s |
| Tupac_Shakur | shakur’s death |
| Tupac_Shakur | death all |
| Tupac_Shakur | all of |
| Tupac_Shakur | of which |
| Tupac_Shakur | which have |
| Tupac_Shakur | have been |
| Tupac_Shakur | been certified |
| Tupac_Shakur | certified platinum |
| Tupac_Shakur | platinum in |
| Tupac_Shakur | in the |
| Tupac_Shakur | the united |
| Tupac_Shakur | united states |
| Tupac_Shakur | states in |
| Tupac_Shakur | in 2002 |
| Tupac_Shakur | 2002 he |
| Tupac_Shakur | he was |
| Tupac_Shakur | was inducted |
| Tupac_Shakur | inducted into |
| Tupac_Shakur | into the |
| Tupac_Shakur | the hip |
| Tupac_Shakur | hip hop |
| Tupac_Shakur | hop hall |
| Tupac_Shakur | hall of |
| Tupac_Shakur | of fame |
| Tupac_Shakur | fame in |
| Tupac_Shakur | in 2017 |
| Tupac_Shakur | 2017 he |
| Tupac_Shakur | he was |
| Tupac_Shakur | was inducted |
| Tupac_Shakur | inducted into |
| Tupac_Shakur | into the |
| Tupac_Shakur | the rock |
| Tupac_Shakur | rock and |
| Tupac_Shakur | and roll |
| Tupac_Shakur | roll hall |
| Tupac_Shakur | hall of |
| Tupac_Shakur | of fame |
| Tupac_Shakur | fame in |
| Tupac_Shakur | in his |
| Tupac_Shakur | his first |
| Tupac_Shakur | first year |
| Tupac_Shakur | year of |
| Tupac_Shakur | of eligibility |
| Tupac_Shakur | eligibility rolling |
| Tupac_Shakur | rolling stone |
| Tupac_Shakur | stone named |
| Tupac_Shakur | named shakur |
| Tupac_Shakur | shakur in |
| Tupac_Shakur | in its |
| Tupac_Shakur | its list |
| Tupac_Shakur | list of |
| Tupac_Shakur | of the |
| Tupac_Shakur | the 100 |
| Tupac_Shakur | 100 greatest |
| Tupac_Shakur | greatest artists |
| Tupac_Shakur | artists of |
| Tupac_Shakur | of all |
| Tupac_Shakur | all time |
| Tupac_Shakur | time outside |
| Tupac_Shakur | outside music |
| Tupac_Shakur | music shakur |
| Tupac_Shakur | shakur also |
| Tupac_Shakur | also found |
| Tupac_Shakur | found considerable |
| Tupac_Shakur | considerable success |
| Tupac_Shakur | success as |
| Tupac_Shakur | as an |
| Tupac_Shakur | an actor |
| Tupac_Shakur | actor with |
| Tupac_Shakur | with his |
| Tupac_Shakur | his starring |
| Tupac_Shakur | starring roles |
| Tupac_Shakur | roles as |
| Tupac_Shakur | as bishop |
| Tupac_Shakur | bishop in |
| Tupac_Shakur | in juice |
| Tupac_Shakur | juice 1992 |
| Tupac_Shakur | 1992 lucky |
| Tupac_Shakur | lucky in |
| Tupac_Shakur | in poetic |
| Tupac_Shakur | poetic justice |
| Tupac_Shakur | justice 1993 |
| Tupac_Shakur | 1993 where |
| Tupac_Shakur | where he |
| Tupac_Shakur | he starred |
| Tupac_Shakur | starred alongside |
| Tupac_Shakur | alongside janet |
| Tupac_Shakur | janet jackson |
| Tupac_Shakur | jackson ezekiel |
| Tupac_Shakur | ezekiel in |
| Tupac_Shakur | in gridlock’d |
| Tupac_Shakur | gridlock’d 1997 |
| Tupac_Shakur | 1997 and |
| Tupac_Shakur | and jake |
| Tupac_Shakur | jake in |
| Tupac_Shakur | in gang |
| Tupac_Shakur | gang related |
| Tupac_Shakur | related 1997 |
| Tupac_Shakur | 1997 all |
| Tupac_Shakur | all of |
| Tupac_Shakur | of which |
| Tupac_Shakur | which garnered |
| Tupac_Shakur | garnered praise |
| Tupac_Shakur | praise from |
| Tupac_Shakur | from critics |
| Tupac_Shakur | critics en |
| Solomon_Ilori | solomon gbadegesin |
| Solomon_Ilori | gbadegesin ilori |
| Solomon_Ilori | ilori born |
| Solomon_Ilori | born c |
| Solomon_Ilori | c 1934 |
| Solomon_Ilori | 1934 is |
| Solomon_Ilori | is a |
| Solomon_Ilori | a nigerian |
| Solomon_Ilori | nigerian drummer |
| Solomon_Ilori | drummer and |
| Solomon_Ilori | and percussionist |
| Solomon_Ilori | percussionist who |
| Solomon_Ilori | who moved |
| Solomon_Ilori | moved to |
| Solomon_Ilori | to new |
| Solomon_Ilori | new york |
| Solomon_Ilori | york city |
| Solomon_Ilori | city in |
| Solomon_Ilori | in 1958 |
| Solomon_Ilori | 1958 and |
| Solomon_Ilori | and collaborated |
| Solomon_Ilori | collaborated with |
| Solomon_Ilori | with jazz |
| Solomon_Ilori | jazz artists |
| Solomon_Ilori | artists such |
| Solomon_Ilori | such as |
| Solomon_Ilori | as art |
| Solomon_Ilori | art blakey |
| Solomon_Ilori | blakey and |
| Solomon_Ilori | and harry |
| Solomon_Ilori | harry belafonte |
| Solomon_Ilori | belafonte before |
| Solomon_Ilori | before recording |
| Solomon_Ilori | recording his |
| Solomon_Ilori | his debut |
| Solomon_Ilori | debut album |
| Solomon_Ilori | album for |
| Solomon_Ilori | for blue |
| Solomon_Ilori | blue note |
| Solomon_Ilori | note records |
| Solomon_Ilori | records in |
| Solomon_Ilori | in 1963 |
| Solomon_Ilori | 1963 en |
| Darren_Barrett | darren barrett |
| Darren_Barrett | barrett is |
| Darren_Barrett | is a |
| Darren_Barrett | a canadian |
| Darren_Barrett | canadian jazz |
| Darren_Barrett | jazz musician |
| Darren_Barrett | musician who |
| Darren_Barrett | who won |
| Darren_Barrett | won the |
| Darren_Barrett | the 1997 |
| Darren_Barrett | 1997 thelonious |
| Darren_Barrett | thelonious monk |
| Darren_Barrett | monk international |
| Darren_Barrett | international jazz |
| Darren_Barrett | jazz competition |
| Darren_Barrett | competition and |
| Darren_Barrett | and is |
| Darren_Barrett | is a |
| Darren_Barrett | a professor |
| Darren_Barrett | professor at |
| Darren_Barrett | at berklee |
| Darren_Barrett | berklee college |
| Darren_Barrett | college of |
| Darren_Barrett | of music |
| Darren_Barrett | music en |
| Hank_Mobley | henry hank |
| Hank_Mobley | hank mobley |
| Hank_Mobley | mobley july |
| Hank_Mobley | july 7 |
| Hank_Mobley | 7 1930 |
| Hank_Mobley | 1930 may |
| Hank_Mobley | may 30 |
| Hank_Mobley | 30 1986 |
| Hank_Mobley | 1986 was |
| Hank_Mobley | was an |
| Hank_Mobley | an american |
| Hank_Mobley | american hard |
| Hank_Mobley | hard bop |
| Hank_Mobley | bop and |
| Hank_Mobley | and soul |
| Hank_Mobley | soul jazz |
| Hank_Mobley | jazz tenor |
| Hank_Mobley | tenor saxophonist |
| Hank_Mobley | saxophonist and |
| Hank_Mobley | and composer |
| Hank_Mobley | composer mobley |
| Hank_Mobley | mobley was |
| Hank_Mobley | was described |
| Hank_Mobley | described by |
| Hank_Mobley | by leonard |
| Hank_Mobley | leonard feather |
| Hank_Mobley | feather as |
| Hank_Mobley | as the |
| Hank_Mobley | the middleweight |
| Hank_Mobley | middleweight champion |
| Hank_Mobley | champion of |
| Hank_Mobley | of the |
| Hank_Mobley | the tenor |
| Hank_Mobley | tenor saxophone |
| Hank_Mobley | saxophone a |
| Hank_Mobley | a metaphor |
| Hank_Mobley | metaphor used |
| Hank_Mobley | used to |
| Hank_Mobley | to describe |
| Hank_Mobley | describe his |
| Hank_Mobley | his tone |
| Hank_Mobley | tone that |
| Hank_Mobley | that was |
| Hank_Mobley | was neither |
| Hank_Mobley | neither as |
| Hank_Mobley | as aggressive |
| Hank_Mobley | aggressive as |
| Hank_Mobley | as john |
| Hank_Mobley | john coltrane |
| Hank_Mobley | coltrane nor |
| Hank_Mobley | nor as |
| Hank_Mobley | as mellow |
| Hank_Mobley | mellow as |
| Hank_Mobley | as stan |
| Hank_Mobley | stan getz |
| Hank_Mobley | getz and |
| Hank_Mobley | and his |
| Hank_Mobley | his style |
| Hank_Mobley | style that |
| Hank_Mobley | that was |
| Hank_Mobley | was laid |
| Hank_Mobley | laid back |
| Hank_Mobley | back subtle |
| Hank_Mobley | subtle and |
| Hank_Mobley | and melodic |
| Hank_Mobley | melodic especially |
| Hank_Mobley | especially in |
| Hank_Mobley | in contrast |
| Hank_Mobley | contrast with |
| Hank_Mobley | with players |
| Hank_Mobley | players like |
| Hank_Mobley | like coltrane |
| Hank_Mobley | coltrane and |
| Hank_Mobley | and sonny |
| Hank_Mobley | sonny rollins |
| Hank_Mobley | rollins the |
| Hank_Mobley | the critic |
| Hank_Mobley | critic stacia |
| Hank_Mobley | stacia proefrock |
| Hank_Mobley | proefrock claimed |
| Hank_Mobley | claimed him |
| Hank_Mobley | him one |
| Hank_Mobley | one of |
| Hank_Mobley | of the |
| Hank_Mobley | the most |
| Hank_Mobley | most underrated |
| Hank_Mobley | underrated musicians |
| Hank_Mobley | musicians of |
| Hank_Mobley | of the |
| Hank_Mobley | the bop |
| Hank_Mobley | bop era |
| Hank_Mobley | era en |
| Percy_Heath | percy heath |
| Percy_Heath | heath april |
| Percy_Heath | april 30 |
| Percy_Heath | 30 1923 |
| Percy_Heath | 1923 april |
| Percy_Heath | april 28 |
| Percy_Heath | 28 2005 |
| Percy_Heath | 2005 was |
| Percy_Heath | was an |
| Percy_Heath | an american |
| Percy_Heath | american jazz |
| Percy_Heath | jazz bassist |
| Percy_Heath | bassist brother |
| Percy_Heath | brother of |
| Percy_Heath | of saxophonist |
| Percy_Heath | saxophonist jimmy |
| Percy_Heath | jimmy heath |
| Percy_Heath | heath and |
| Percy_Heath | and drummer |
| Percy_Heath | drummer albert |
| Percy_Heath | albert heath |
| Percy_Heath | heath with |
| Percy_Heath | with whom |
| Percy_Heath | whom he |
| Percy_Heath | he formed |
| Percy_Heath | formed the |
| Percy_Heath | the heath |
| Percy_Heath | heath brothers |
| Percy_Heath | brothers in |
| Percy_Heath | in 1975 |
| Percy_Heath | 1975 heath |
| Percy_Heath | heath played |
| Percy_Heath | played with |
| Percy_Heath | with the |
| Percy_Heath | the modern |
| Percy_Heath | modern jazz |
| Percy_Heath | jazz quartet |
| Percy_Heath | quartet throughout |
| Percy_Heath | throughout their |
| Percy_Heath | their long |
| Percy_Heath | long history |
| Percy_Heath | history and |
| Percy_Heath | and also |
| Percy_Heath | also worked |
| Percy_Heath | worked with |
| Percy_Heath | with miles |
| Percy_Heath | miles davis |
| Percy_Heath | davis dizzy |
| Percy_Heath | dizzy gillespie |
| Percy_Heath | gillespie charlie |
| Percy_Heath | charlie parker |
| Percy_Heath | parker wes |
| Percy_Heath | wes montgomery |
| Percy_Heath | montgomery and |
| Percy_Heath | and thelonious |
| Percy_Heath | thelonious monk |
| Percy_Heath | monk en |
| Lewis_Nash | lewis nash |
| Lewis_Nash | nash born |
| Lewis_Nash | born december |
| Lewis_Nash | december 30 |
| Lewis_Nash | 30 1958 |
| Lewis_Nash | 1958 is |
| Lewis_Nash | is an |
| Lewis_Nash | an american |
| Lewis_Nash | american jazz |
| Lewis_Nash | jazz drummer |
| Lewis_Nash | drummer according |
| Lewis_Nash | according to |
| Lewis_Nash | to modern |
| Lewis_Nash | modern drummer |
| Lewis_Nash | drummer magazine |
| Lewis_Nash | magazine nash |
| Lewis_Nash | nash has |
| Lewis_Nash | has one |
| Lewis_Nash | one of |
| Lewis_Nash | of the |
| Lewis_Nash | the longest |
| Lewis_Nash | longest discographies |
| Lewis_Nash | discographies in |
| Lewis_Nash | in jazz |
| Lewis_Nash | jazz and |
| Lewis_Nash | and has |
| Lewis_Nash | has played |
| Lewis_Nash | played on |
| Lewis_Nash | on over |
| Lewis_Nash | over 400 |
| Lewis_Nash | 400 records |
| Lewis_Nash | records earning |
| Lewis_Nash | earning him |
| Lewis_Nash | him the |
| Lewis_Nash | the honor |
| Lewis_Nash | honor of |
| Lewis_Nash | of jazz’s |
| Lewis_Nash | jazz’s most |
| Lewis_Nash | most valuable |
| Lewis_Nash | valuable player |
| Lewis_Nash | player by |
| Lewis_Nash | by the |
| Lewis_Nash | the magazine |
| Lewis_Nash | magazine in |
| Lewis_Nash | in its |
| Lewis_Nash | its may |
| Lewis_Nash | may 2009 |
| Lewis_Nash | 2009 issue |
| Lewis_Nash | issue nash |
| Lewis_Nash | nash is |
| Lewis_Nash | is noted |
| Lewis_Nash | noted for |
| Lewis_Nash | for his |
| Lewis_Nash | his adaptability |
| Lewis_Nash | adaptability to |
| Lewis_Nash | to a |
| Lewis_Nash | a vast |
| Lewis_Nash | vast array |
| Lewis_Nash | array of |
| Lewis_Nash | of genres |
| Lewis_Nash | genres as |
| Lewis_Nash | as evidenced |
| Lewis_Nash | evidenced by |
| Lewis_Nash | by his |
| Lewis_Nash | his performances |
| Lewis_Nash | performances with |
| Lewis_Nash | with such |
| Lewis_Nash | such different |
| Lewis_Nash | different musicians |
| Lewis_Nash | musicians as |
| Lewis_Nash | as tommy |
| Lewis_Nash | tommy flanagan |
| Lewis_Nash | flanagan and |
| Lewis_Nash | and don |
| Lewis_Nash | don pullen |
| Lewis_Nash | pullen nash |
| Lewis_Nash | nash has |
| Lewis_Nash | has made |
| Lewis_Nash | made 5 |
| Lewis_Nash | 5 recordings |
| Lewis_Nash | recordings as |
| Lewis_Nash | as bandleader |
| Lewis_Nash | bandleader rhythm |
| Lewis_Nash | rhythm is |
| Lewis_Nash | is my |
| Lewis_Nash | my business |
| Lewis_Nash | business 1989 |
| Lewis_Nash | 1989 it |
| Lewis_Nash | it don’t |
| Lewis_Nash | don’t mean |
| Lewis_Nash | mean a |
| Lewis_Nash | a thing |
| Lewis_Nash | thing 2003 |
| Lewis_Nash | 2003 japanese |
| Lewis_Nash | japanese import |
| Lewis_Nash | import and |
| Lewis_Nash | and stompin |
| Lewis_Nash | stompin at |
| Lewis_Nash | at the |
| Lewis_Nash | the savoy |
| Lewis_Nash | savoy 2005 |
| Lewis_Nash | 2005 japanese |
| Lewis_Nash | japanese import |
| Lewis_Nash | import lewis |
| Lewis_Nash | lewis nash |
| Lewis_Nash | nash and |
| Lewis_Nash | and the |
| Lewis_Nash | the bebop |
| Lewis_Nash | bebop all |
| Lewis_Nash | all stars |
| Lewis_Nash | stars featuring |
| Lewis_Nash | featuring frank |
| Lewis_Nash | frank wess |
| Lewis_Nash | wess 2008 |
| Lewis_Nash | 2008 japanese |
| Lewis_Nash | japanese import |
| Lewis_Nash | import and |
| Lewis_Nash | and the |
| Lewis_Nash | the highest |
| Lewis_Nash | highest mountain |
| Lewis_Nash | mountain 2012 |
| Lewis_Nash | 2012 in |
| Lewis_Nash | in 2008 |
| Lewis_Nash | 2008 nash |
| Lewis_Nash | nash became |
| Lewis_Nash | became part |
| Lewis_Nash | part of |
| Lewis_Nash | of the |
| Lewis_Nash | the blue |
| Lewis_Nash | blue note |
| Lewis_Nash | note 7 |
| Lewis_Nash | 7 a |
| Lewis_Nash | a septet |
| Lewis_Nash | septet formed |
| Lewis_Nash | formed that |
| Lewis_Nash | that year |
| Lewis_Nash | year in |
| Lewis_Nash | in honor |
| Lewis_Nash | honor of |
| Lewis_Nash | of the |
| Lewis_Nash | the 70th |
| Lewis_Nash | 70th anniversary |
| Lewis_Nash | anniversary of |
| Lewis_Nash | of blue |
| Lewis_Nash | blue note |
| Lewis_Nash | note records |
| Lewis_Nash | records en |
| Oliver_Nelson | oliver edward |
| Oliver_Nelson | edward nelson |
| Oliver_Nelson | nelson june |
| Oliver_Nelson | june 4 |
| Oliver_Nelson | 4 1932 |
| Oliver_Nelson | 1932 october |
| Oliver_Nelson | october 28 |
| Oliver_Nelson | 28 1975 |
| Oliver_Nelson | 1975 was |
| Oliver_Nelson | was an |
| Oliver_Nelson | an american |
| Oliver_Nelson | american jazz |
| Oliver_Nelson | jazz saxophonist |
| Oliver_Nelson | saxophonist clarinetist |
| Oliver_Nelson | clarinetist arranger |
| Oliver_Nelson | arranger composer |
| Oliver_Nelson | composer and |
| Oliver_Nelson | and bandleader |
| Oliver_Nelson | bandleader his |
| Oliver_Nelson | his 1961 |
| Oliver_Nelson | 1961 impulse |
| Oliver_Nelson | impulse album |
| Oliver_Nelson | album the |
| Oliver_Nelson | the blues |
| Oliver_Nelson | blues and |
| Oliver_Nelson | and the |
| Oliver_Nelson | the abstract |
| Oliver_Nelson | abstract truth |
| Oliver_Nelson | truth 1961 |
| Oliver_Nelson | 1961 is |
| Oliver_Nelson | is regarded |
| Oliver_Nelson | regarded as |
| Oliver_Nelson | as one |
| Oliver_Nelson | one of |
| Oliver_Nelson | of the |
| Oliver_Nelson | the most |
| Oliver_Nelson | most significant |
| Oliver_Nelson | significant recordings |
| Oliver_Nelson | recordings of |
| Oliver_Nelson | of its |
| Oliver_Nelson | its era |
| Oliver_Nelson | era the |
| Oliver_Nelson | the centerpiece |
| Oliver_Nelson | centerpiece of |
| Oliver_Nelson | of the |
| Oliver_Nelson | the album |
| Oliver_Nelson | album is |
| Oliver_Nelson | is the |
| Oliver_Nelson | the definitive |
| Oliver_Nelson | definitive version |
| Oliver_Nelson | version of |
| Oliver_Nelson | of nelson’s |
| Oliver_Nelson | nelson’s composition |
| Oliver_Nelson | composition stolen |
| Oliver_Nelson | stolen moments |
| Oliver_Nelson | moments other |
| Oliver_Nelson | other important |
| Oliver_Nelson | important recordings |
| Oliver_Nelson | recordings from |
| Oliver_Nelson | from the |
| Oliver_Nelson | the early |
| Oliver_Nelson | early 1960s |
| Oliver_Nelson | 1960s are |
| Oliver_Nelson | are more |
| Oliver_Nelson | more blues |
| Oliver_Nelson | blues and |
| Oliver_Nelson | and the |
| Oliver_Nelson | the abstract |
| Oliver_Nelson | abstract truth |
| Oliver_Nelson | truth and |
| Oliver_Nelson | and sound |
| Oliver_Nelson | sound pieces |
| Oliver_Nelson | pieces both |
| Oliver_Nelson | both also |
| Oliver_Nelson | also on |
| Oliver_Nelson | on impulse |
| Oliver_Nelson | impulse en |
| Richard_Ashcroft | richard paul |
| Richard_Ashcroft | paul ashcroft |
| Richard_Ashcroft | ashcroft born |
| Richard_Ashcroft | born 11 |
| Richard_Ashcroft | 11 september |
| Richard_Ashcroft | september 1971 |
| Richard_Ashcroft | 1971 is |
| Richard_Ashcroft | is an |
| Richard_Ashcroft | an english |
| Richard_Ashcroft | english singer |
| Richard_Ashcroft | singer and |
| Richard_Ashcroft | and songwriter |
| Richard_Ashcroft | songwriter he |
| Richard_Ashcroft | he was |
| Richard_Ashcroft | was the |
| Richard_Ashcroft | the lead |
| Richard_Ashcroft | lead singer |
| Richard_Ashcroft | singer and |
| Richard_Ashcroft | and occasional |
| Richard_Ashcroft | occasional rhythm |
| Richard_Ashcroft | rhythm guitarist |
| Richard_Ashcroft | guitarist of |
| Richard_Ashcroft | of the |
| Richard_Ashcroft | the alternative |
| Richard_Ashcroft | alternative rock |
| Richard_Ashcroft | rock band |
| Richard_Ashcroft | band the |
| Richard_Ashcroft | the verve |
| Richard_Ashcroft | verve from |
| Richard_Ashcroft | from their |
| Richard_Ashcroft | their formation |
| Richard_Ashcroft | formation in |
| Richard_Ashcroft | in 1990 |
| Richard_Ashcroft | 1990 until |
| Richard_Ashcroft | until their |
| Richard_Ashcroft | their original |
| Richard_Ashcroft | original split |
| Richard_Ashcroft | split in |
| Richard_Ashcroft | in 1999 |
| Richard_Ashcroft | 1999 songs |
| Richard_Ashcroft | songs he |
| Richard_Ashcroft | he wrote |
| Richard_Ashcroft | wrote for |
| Richard_Ashcroft | for the |
| Richard_Ashcroft | the band |
| Richard_Ashcroft | band include |
| Richard_Ashcroft | include bitter |
| Richard_Ashcroft | bitter sweet |
| Richard_Ashcroft | sweet symphony |
| Richard_Ashcroft | symphony lucky |
| Richard_Ashcroft | lucky man |
| Richard_Ashcroft | man and |
| Richard_Ashcroft | and the |
| Richard_Ashcroft | the uk |
| Richard_Ashcroft | uk number |
| Richard_Ashcroft | number one |
| Richard_Ashcroft | one the |
| Richard_Ashcroft | the drugs |
| Richard_Ashcroft | drugs don’t |
| Richard_Ashcroft | don’t work |
| Richard_Ashcroft | work he |
| Richard_Ashcroft | he became |
| Richard_Ashcroft | became a |
| Richard_Ashcroft | a successful |
| Richard_Ashcroft | successful solo |
| Richard_Ashcroft | solo artist |
| Richard_Ashcroft | artist releasing |
| Richard_Ashcroft | releasing three |
| Richard_Ashcroft | three uk |
| Richard_Ashcroft | uk top |
| Richard_Ashcroft | top three |
| Richard_Ashcroft | three solo |
| Richard_Ashcroft | solo albums |
| Richard_Ashcroft | albums the |
| Richard_Ashcroft | the verve |
| Richard_Ashcroft | verve reformed |
| Richard_Ashcroft | reformed in |
| Richard_Ashcroft | in 2007 |
| Richard_Ashcroft | 2007 but |
| Richard_Ashcroft | but again |
| Richard_Ashcroft | again broke |
| Richard_Ashcroft | broke up |
| Richard_Ashcroft | up by |
| Richard_Ashcroft | by summer |
| Richard_Ashcroft | summer 2009 |
| Richard_Ashcroft | 2009 ashcroft |
| Richard_Ashcroft | ashcroft then |
| Richard_Ashcroft | then founded |
| Richard_Ashcroft | founded a |
| Richard_Ashcroft | a new |
| Richard_Ashcroft | new band |
| Richard_Ashcroft | band rpa |
| Richard_Ashcroft | rpa the |
| Richard_Ashcroft | the united |
| Richard_Ashcroft | united nations |
| Richard_Ashcroft | nations of |
| Richard_Ashcroft | of sound |
| Richard_Ashcroft | sound and |
| Richard_Ashcroft | and released |
| Richard_Ashcroft | released a |
| Richard_Ashcroft | a new |
| Richard_Ashcroft | new album |
| Richard_Ashcroft | album on |
| Richard_Ashcroft | on 19 |
| Richard_Ashcroft | 19 july |
| Richard_Ashcroft | july 2010 |
| Richard_Ashcroft | 2010 ashcroft |
| Richard_Ashcroft | ashcroft released |
| Richard_Ashcroft | released his |
| Richard_Ashcroft | his fourth |
| Richard_Ashcroft | fourth solo |
| Richard_Ashcroft | solo album |
| Richard_Ashcroft | album these |
| Richard_Ashcroft | these people |
| Richard_Ashcroft | people on |
| Richard_Ashcroft | on 20 |
| Richard_Ashcroft | 20 may |
| Richard_Ashcroft | may 2016 |
| Richard_Ashcroft | 2016 in |
| Richard_Ashcroft | in may |
| Richard_Ashcroft | may 2019 |
| Richard_Ashcroft | 2019 ashcroft |
| Richard_Ashcroft | ashcroft received |
| Richard_Ashcroft | received the |
| Richard_Ashcroft | the ivor |
| Richard_Ashcroft | ivor novello |
| Richard_Ashcroft | novello award |
| Richard_Ashcroft | award for |
| Richard_Ashcroft | for outstanding |
| Richard_Ashcroft | outstanding contribution |
| Richard_Ashcroft | contribution to |
| Richard_Ashcroft | to british |
| Richard_Ashcroft | british music |
| Richard_Ashcroft | music from |
| Richard_Ashcroft | from the |
| Richard_Ashcroft | the british |
| Richard_Ashcroft | british academy |
| Richard_Ashcroft | academy of |
| Richard_Ashcroft | of songwriters |
| Richard_Ashcroft | songwriters composers |
| Richard_Ashcroft | composers and |
| Richard_Ashcroft | and authors |
| Richard_Ashcroft | authors chris |
| Richard_Ashcroft | chris martin |
| Richard_Ashcroft | martin of |
| Richard_Ashcroft | of coldplay |
| Richard_Ashcroft | coldplay has |
| Richard_Ashcroft | has described |
| Richard_Ashcroft | described ashcroft |
| Richard_Ashcroft | ashcroft as |
| Richard_Ashcroft | as the |
| Richard_Ashcroft | the best |
| Richard_Ashcroft | best singer |
| Richard_Ashcroft | singer in |
| Richard_Ashcroft | in the |
| Richard_Ashcroft | the world |
| Richard_Ashcroft | world en |
| Blue_Mitchell | richard allen |
| Blue_Mitchell | allen blue |
| Blue_Mitchell | blue mitchell |
| Blue_Mitchell | mitchell march |
| Blue_Mitchell | march 13 |
| Blue_Mitchell | 13 1930 |
| Blue_Mitchell | 1930 may |
| Blue_Mitchell | may 21 |
| Blue_Mitchell | 21 1979 |
| Blue_Mitchell | 1979 was |
| Blue_Mitchell | was an |
| Blue_Mitchell | an american |
| Blue_Mitchell | american jazz |
| Blue_Mitchell | jazz rhythm |
| Blue_Mitchell | rhythm and |
| Blue_Mitchell | and blues |
| Blue_Mitchell | blues soul |
| Blue_Mitchell | soul rock |
| Blue_Mitchell | rock and |
| Blue_Mitchell | and funk |
| Blue_Mitchell | funk trumpeter |
| Blue_Mitchell | trumpeter and |
| Blue_Mitchell | and composer |
| Blue_Mitchell | composer recording |
| Blue_Mitchell | recording albums |
| Blue_Mitchell | albums as |
| Blue_Mitchell | as leader |
| Blue_Mitchell | leader and |
| Blue_Mitchell | and sideman |
| Blue_Mitchell | sideman for |
| Blue_Mitchell | for riverside |
| Blue_Mitchell | riverside mainstream |
| Blue_Mitchell | mainstream records |
| Blue_Mitchell | records and |
| Blue_Mitchell | and blue |
| Blue_Mitchell | blue note |
| Blue_Mitchell | note en |
| Joey_Calderazzo | joseph dominick |
| Joey_Calderazzo | dominick calderazzo |
| Joey_Calderazzo | calderazzo born |
| Joey_Calderazzo | born february |
| Joey_Calderazzo | february 27 |
| Joey_Calderazzo | 27 1965 |
| Joey_Calderazzo | 1965 is |
| Joey_Calderazzo | is a |
| Joey_Calderazzo | a jazz |
| Joey_Calderazzo | jazz pianist |
| Joey_Calderazzo | pianist and |
| Joey_Calderazzo | and brother |
| Joey_Calderazzo | brother of |
| Joey_Calderazzo | of musician |
| Joey_Calderazzo | musician gene |
| Joey_Calderazzo | gene calderazzo |
| Joey_Calderazzo | calderazzo he |
| Joey_Calderazzo | he played |
| Joey_Calderazzo | played extensively |
| Joey_Calderazzo | extensively in |
| Joey_Calderazzo | in bands |
| Joey_Calderazzo | bands led |
| Joey_Calderazzo | led by |
| Joey_Calderazzo | by michael |
| Joey_Calderazzo | michael brecker |
| Joey_Calderazzo | brecker and |
| Joey_Calderazzo | and branford |
| Joey_Calderazzo | branford marsalis |
| Joey_Calderazzo | marsalis and |
| Joey_Calderazzo | and has |
| Joey_Calderazzo | has also |
| Joey_Calderazzo | also led |
| Joey_Calderazzo | led his |
| Joey_Calderazzo | his own |
| Joey_Calderazzo | own bands |
| Joey_Calderazzo | bands en |
| Dayna_Stephens | dayna stephens |
| Dayna_Stephens | stephens born |
| Dayna_Stephens | born august |
| Dayna_Stephens | august 1 |
| Dayna_Stephens | 1 1978 |
| Dayna_Stephens | 1978 is |
| Dayna_Stephens | is an |
| Dayna_Stephens | an american |
| Dayna_Stephens | american jazz |
| Dayna_Stephens | jazz saxophonist |
| Dayna_Stephens | saxophonist and |
| Dayna_Stephens | and composer |
| Dayna_Stephens | composer in |
| Dayna_Stephens | in addition |
| Dayna_Stephens | addition to |
| Dayna_Stephens | to leading |
| Dayna_Stephens | leading his |
| Dayna_Stephens | his own |
| Dayna_Stephens | own group |
| Dayna_Stephens | group stephens |
| Dayna_Stephens | stephens has |
| Dayna_Stephens | has performed |
| Dayna_Stephens | performed extensively |
| Dayna_Stephens | extensively with |
| Dayna_Stephens | with kenny |
| Dayna_Stephens | kenny barron |
| Dayna_Stephens | barron ambrose |
| Dayna_Stephens | ambrose akinmusire |
| Dayna_Stephens | akinmusire taylor |
| Dayna_Stephens | taylor eigsti |
| Dayna_Stephens | eigsti julian |
| Dayna_Stephens | julian lage |
| Dayna_Stephens | lage eric |
| Dayna_Stephens | eric harland |
| Dayna_Stephens | harland and |
| Dayna_Stephens | and gerald |
| Dayna_Stephens | gerald clayton |
| Dayna_Stephens | clayton stephens |
| Dayna_Stephens | stephens grew |
| Dayna_Stephens | grew up |
| Dayna_Stephens | up in |
| Dayna_Stephens | in the |
| Dayna_Stephens | the san |
| Dayna_Stephens | san francisco |
| Dayna_Stephens | francisco bay |
| Dayna_Stephens | bay area |
| Dayna_Stephens | area and |
| Dayna_Stephens | and attended |
| Dayna_Stephens | attended berkeley |
| Dayna_Stephens | berkeley high |
| Dayna_Stephens | high school |
| Dayna_Stephens | school he |
| Dayna_Stephens | he went |
| Dayna_Stephens | went on |
| Dayna_Stephens | on to |
| Dayna_Stephens | to study |
| Dayna_Stephens | study at |
| Dayna_Stephens | at the |
| Dayna_Stephens | the berklee |
| Dayna_Stephens | berklee school |
| Dayna_Stephens | school of |
| Dayna_Stephens | of music |
| Dayna_Stephens | music and |
| Dayna_Stephens | and later |
| Dayna_Stephens | later at |
| Dayna_Stephens | at the |
| Dayna_Stephens | the thelonious |
| Dayna_Stephens | thelonious monk |
| Dayna_Stephens | monk institute |
| Dayna_Stephens | institute of |
| Dayna_Stephens | of jazz |
| Dayna_Stephens | jazz stephens’s |
| Dayna_Stephens | stephens’s albums |
| Dayna_Stephens | albums include |
| Dayna_Stephens | include the |
| Dayna_Stephens | the timeless |
| Dayna_Stephens | timeless now |
| Dayna_Stephens | now 2007 |
| Dayna_Stephens | 2007 today |
| Dayna_Stephens | today is |
| Dayna_Stephens | is tomorrow |
| Dayna_Stephens | tomorrow 2012 |
| Dayna_Stephens | 2012 that |
| Dayna_Stephens | that nepenthetic |
| Dayna_Stephens | nepenthetic place |
| Dayna_Stephens | place 2013 |
| Dayna_Stephens | 2013 i’ll |
| Dayna_Stephens | i’ll take |
| Dayna_Stephens | take my |
| Dayna_Stephens | my chances |
| Dayna_Stephens | chances 2013 |
| Dayna_Stephens | 2013 and |
| Dayna_Stephens | and peace |
| Dayna_Stephens | peace 2014 |
| Dayna_Stephens | 2014 peace |
| Dayna_Stephens | peace features |
| Dayna_Stephens | features guitarist |
| Dayna_Stephens | guitarist julian |
| Dayna_Stephens | julian lage |
| Dayna_Stephens | lage pianist |
| Dayna_Stephens | pianist brad |
| Dayna_Stephens | brad mehldau |
| Dayna_Stephens | mehldau bassist |
| Dayna_Stephens | bassist larry |
| Dayna_Stephens | larry grenadier |
| Dayna_Stephens | grenadier and |
| Dayna_Stephens | and drummer |
| Dayna_Stephens | drummer eric |
| Dayna_Stephens | eric harland |
| Dayna_Stephens | harland gratitude |
| Dayna_Stephens | gratitude was |
| Dayna_Stephens | was released |
| Dayna_Stephens | released in |
| Dayna_Stephens | in 2017 |
| Dayna_Stephens | 2017 en |
| Grover_Washington_Jr. | grover washington |
| Grover_Washington_Jr. | washington jr |
| Grover_Washington_Jr. | jr december |
| Grover_Washington_Jr. | december 12 |
| Grover_Washington_Jr. | 12 1943 |
| Grover_Washington_Jr. | 1943 december |
| Grover_Washington_Jr. | december 17 |
| Grover_Washington_Jr. | 17 1999 |
| Grover_Washington_Jr. | 1999 was |
| Grover_Washington_Jr. | was an |
| Grover_Washington_Jr. | an american |
| Grover_Washington_Jr. | american jazz |
| Grover_Washington_Jr. | jazz funk |
| Grover_Washington_Jr. | funk soul |
| Grover_Washington_Jr. | soul jazz |
| Grover_Washington_Jr. | jazz saxophonist |
| Grover_Washington_Jr. | saxophonist along |
| Grover_Washington_Jr. | along with |
| Grover_Washington_Jr. | with wes |
| Grover_Washington_Jr. | wes montgomery |
| Grover_Washington_Jr. | montgomery and |
| Grover_Washington_Jr. | and george |
| Grover_Washington_Jr. | george benson |
| Grover_Washington_Jr. | benson he |
| Grover_Washington_Jr. | he is |
| Grover_Washington_Jr. | is considered |
| Grover_Washington_Jr. | considered by |
| Grover_Washington_Jr. | by many |
| Grover_Washington_Jr. | many to |
| Grover_Washington_Jr. | to be |
| Grover_Washington_Jr. | be one |
| Grover_Washington_Jr. | one of |
| Grover_Washington_Jr. | of the |
| Grover_Washington_Jr. | the founders |
| Grover_Washington_Jr. | founders of |
| Grover_Washington_Jr. | of the |
| Grover_Washington_Jr. | the smooth |
| Grover_Washington_Jr. | smooth jazz |
| Grover_Washington_Jr. | jazz genre.he |
| Grover_Washington_Jr. | genre.he wrote |
| Grover_Washington_Jr. | wrote some |
| Grover_Washington_Jr. | some of |
| Grover_Washington_Jr. | of his |
| Grover_Washington_Jr. | his material |
| Grover_Washington_Jr. | material and |
| Grover_Washington_Jr. | and later |
| Grover_Washington_Jr. | later became |
| Grover_Washington_Jr. | became an |
| Grover_Washington_Jr. | an arranger |
| Grover_Washington_Jr. | arranger and |
| Grover_Washington_Jr. | and producer |
| Grover_Washington_Jr. | producer throughout |
| Grover_Washington_Jr. | throughout the |
| Grover_Washington_Jr. | the 1970s |
| Grover_Washington_Jr. | 1970s and |
| Grover_Washington_Jr. | and 1980s |
| Grover_Washington_Jr. | 1980s washington |
| Grover_Washington_Jr. | washington made |
| Grover_Washington_Jr. | made some |
| Grover_Washington_Jr. | some of |
| Grover_Washington_Jr. | of the |
| Grover_Washington_Jr. | the genre’s |
| Grover_Washington_Jr. | genre’s most |
| Grover_Washington_Jr. | most memorable |
| Grover_Washington_Jr. | memorable hits |
| Grover_Washington_Jr. | hits including |
| Grover_Washington_Jr. | including mister |
| Grover_Washington_Jr. | mister magic |
| Grover_Washington_Jr. | magic reed |
| Grover_Washington_Jr. | reed seed |
| Grover_Washington_Jr. | seed black |
| Grover_Washington_Jr. | black frost |
| Grover_Washington_Jr. | frost winelight |
| Grover_Washington_Jr. | winelight inner |
| Grover_Washington_Jr. | inner city |
| Grover_Washington_Jr. | city blues |
| Grover_Washington_Jr. | blues let |
| Grover_Washington_Jr. | let it |
| Grover_Washington_Jr. | it flow |
| Grover_Washington_Jr. | flow for |
| Grover_Washington_Jr. | for dr |
| Grover_Washington_Jr. | dr j |
| Grover_Washington_Jr. | j and |
| Grover_Washington_Jr. | and the |
| Grover_Washington_Jr. | the best |
| Grover_Washington_Jr. | best is |
| Grover_Washington_Jr. | is yet |
| Grover_Washington_Jr. | yet to |
| Grover_Washington_Jr. | to come |
| Grover_Washington_Jr. | come in |
| Grover_Washington_Jr. | in addition |
| Grover_Washington_Jr. | addition he |
| Grover_Washington_Jr. | he performed |
| Grover_Washington_Jr. | performed very |
| Grover_Washington_Jr. | very frequently |
| Grover_Washington_Jr. | frequently with |
| Grover_Washington_Jr. | with other |
| Grover_Washington_Jr. | other artists |
| Grover_Washington_Jr. | artists including |
| Grover_Washington_Jr. | including bill |
| Grover_Washington_Jr. | bill withers |
| Grover_Washington_Jr. | withers on |
| Grover_Washington_Jr. | on just |
| Grover_Washington_Jr. | just the |
| Grover_Washington_Jr. | the two |
| Grover_Washington_Jr. | two of |
| Grover_Washington_Jr. | of us |
| Grover_Washington_Jr. | us patti |
| Grover_Washington_Jr. | patti labelle |
| Grover_Washington_Jr. | labelle on |
| Grover_Washington_Jr. | on the |
| Grover_Washington_Jr. | the best |
| Grover_Washington_Jr. | best is |
| Grover_Washington_Jr. | is yet |
| Grover_Washington_Jr. | yet to |
| Grover_Washington_Jr. | to come |
| Grover_Washington_Jr. | come and |
| Grover_Washington_Jr. | and phyllis |
| Grover_Washington_Jr. | phyllis hyman |
| Grover_Washington_Jr. | hyman on |
| Grover_Washington_Jr. | on a |
| Grover_Washington_Jr. | a sacred |
| Grover_Washington_Jr. | sacred kind |
| Grover_Washington_Jr. | kind of |
| Grover_Washington_Jr. | of love |
| Grover_Washington_Jr. | love he |
| Grover_Washington_Jr. | he is |
| Grover_Washington_Jr. | is also |
| Grover_Washington_Jr. | also remembered |
| Grover_Washington_Jr. | remembered for |
| Grover_Washington_Jr. | for his |
| Grover_Washington_Jr. | his take |
| Grover_Washington_Jr. | take on |
| Grover_Washington_Jr. | on the |
| Grover_Washington_Jr. | the dave |
| Grover_Washington_Jr. | dave brubeck |
| Grover_Washington_Jr. | brubeck classic |
| Grover_Washington_Jr. | classic take |
| Grover_Washington_Jr. | take five |
| Grover_Washington_Jr. | five and |
| Grover_Washington_Jr. | and for |
| Grover_Washington_Jr. | for his |
| Grover_Washington_Jr. | his 1996 |
| Grover_Washington_Jr. | 1996 version |
| Grover_Washington_Jr. | version of |
| Grover_Washington_Jr. | of soulful |
| Grover_Washington_Jr. | soulful strut |
| Grover_Washington_Jr. | strut although |
| Grover_Washington_Jr. | although he |
| Grover_Washington_Jr. | he was |
| Grover_Washington_Jr. | was later |
| Grover_Washington_Jr. | later photographed |
| Grover_Washington_Jr. | photographed with |
| Grover_Washington_Jr. | with keilwerth |
| Grover_Washington_Jr. | keilwerth sx90 |
| Grover_Washington_Jr. | sx90 and |
| Grover_Washington_Jr. | and sx90r |
| Grover_Washington_Jr. | sx90r black |
| Grover_Washington_Jr. | black nickel |
| Grover_Washington_Jr. | nickel plated |
| Grover_Washington_Jr. | plated soprano |
| Grover_Washington_Jr. | soprano alto |
| Grover_Washington_Jr. | alto and |
| Grover_Washington_Jr. | and tenor |
| Grover_Washington_Jr. | tenor saxophones |
| Grover_Washington_Jr. | saxophones on |
| Grover_Washington_Jr. | on album |
| Grover_Washington_Jr. | album covers |
| Grover_Washington_Jr. | covers he |
| Grover_Washington_Jr. | he rarely |
| Grover_Washington_Jr. | rarely played |
| Grover_Washington_Jr. | played them |
| Grover_Washington_Jr. | them live |
| Grover_Washington_Jr. | live or |
| Grover_Washington_Jr. | or in |
| Grover_Washington_Jr. | in the |
| Grover_Washington_Jr. | the studio |
| Grover_Washington_Jr. | studio en |
| Willie_Jones_III | willie jones |
| Willie_Jones_III | jones iii |
| Willie_Jones_III | iii born |
| Willie_Jones_III | born june |
| Willie_Jones_III | june 8 |
| Willie_Jones_III | 8 1968 |
| Willie_Jones_III | 1968 in |
| Willie_Jones_III | in los |
| Willie_Jones_III | los angeles |
| Willie_Jones_III | angeles california |
| Willie_Jones_III | california is |
| Willie_Jones_III | is a |
| Willie_Jones_III | a jazz |
| Willie_Jones_III | jazz drummer |
| Willie_Jones_III | drummer he |
| Willie_Jones_III | he has |
| Willie_Jones_III | has played |
| Willie_Jones_III | played toured |
| Willie_Jones_III | toured and |
| Willie_Jones_III | and recorded |
| Willie_Jones_III | recorded with |
| Willie_Jones_III | with horace |
| Willie_Jones_III | horace silver |
| Willie_Jones_III | silver roy |
| Willie_Jones_III | roy hargrove |
| Willie_Jones_III | hargrove hank |
| Willie_Jones_III | hank jones |
| Willie_Jones_III | jones cedar |
| Willie_Jones_III | cedar walton |
| Willie_Jones_III | walton and |
| Willie_Jones_III | and herbie |
| Willie_Jones_III | herbie hancock |
| Willie_Jones_III | hancock he |
| Willie_Jones_III | he played |
| Willie_Jones_III | played on |
| Willie_Jones_III | on arturo |
| Willie_Jones_III | arturo sandoval’s |
| Willie_Jones_III | sandoval’s grammy |
| Willie_Jones_III | grammy winning |
| Willie_Jones_III | winning album |
| Willie_Jones_III | album hot |
| Willie_Jones_III | hot house |
| Willie_Jones_III | house 1998 |
| Willie_Jones_III | 1998 en |
| Anton_Kwiatkowski | anton kwiatkowski |
| Anton_Kwiatkowski | kwiatkowski is |
| Anton_Kwiatkowski | is a |
| Anton_Kwiatkowski | a canadian |
| Anton_Kwiatkowski | canadian recording |
| Anton_Kwiatkowski | recording engineer |
| Anton_Kwiatkowski | engineer and |
| Anton_Kwiatkowski | and record |
| Anton_Kwiatkowski | record producer |
| Anton_Kwiatkowski | producer who |
| Anton_Kwiatkowski | who began |
| Anton_Kwiatkowski | began his |
| Anton_Kwiatkowski | his career |
| Anton_Kwiatkowski | career in |
| Anton_Kwiatkowski | in england |
| Anton_Kwiatkowski | england en |
| Wycliffe_Gordon | professor wycliffe |
| Wycliffe_Gordon | wycliffe a |
| Wycliffe_Gordon | a gordon |
| Wycliffe_Gordon | gordon born |
| Wycliffe_Gordon | born may |
| Wycliffe_Gordon | may 29 |
| Wycliffe_Gordon | 29 1967 |
| Wycliffe_Gordon | 1967 is |
| Wycliffe_Gordon | is an |
| Wycliffe_Gordon | an american |
| Wycliffe_Gordon | american jazz |
| Wycliffe_Gordon | jazz trombonist |
| Wycliffe_Gordon | trombonist arranger |
| Wycliffe_Gordon | arranger composer |
| Wycliffe_Gordon | composer band |
| Wycliffe_Gordon | band leader |
| Wycliffe_Gordon | leader and |
| Wycliffe_Gordon | and music |
| Wycliffe_Gordon | music educator |
| Wycliffe_Gordon | educator at |
| Wycliffe_Gordon | at the |
| Wycliffe_Gordon | the collegiate |
| Wycliffe_Gordon | collegiate conservatory |
| Wycliffe_Gordon | conservatory level |
| Wycliffe_Gordon | level gordon |
| Wycliffe_Gordon | gordon also |
| Wycliffe_Gordon | also sings |
| Wycliffe_Gordon | sings and |
| Wycliffe_Gordon | and plays |
| Wycliffe_Gordon | plays didgeridoo |
| Wycliffe_Gordon | didgeridoo trumpet |
| Wycliffe_Gordon | trumpet tuba |
| Wycliffe_Gordon | tuba and |
| Wycliffe_Gordon | and piano |
| Wycliffe_Gordon | piano his |
| Wycliffe_Gordon | his nickname |
| Wycliffe_Gordon | nickname is |
| Wycliffe_Gordon | is pinecone |
| Wycliffe_Gordon | pinecone en |
| John_Mayer_Trio | the john |
| John_Mayer_Trio | john mayer |
| John_Mayer_Trio | mayer trio |
| John_Mayer_Trio | trio is |
| John_Mayer_Trio | is a |
| John_Mayer_Trio | a blues |
| John_Mayer_Trio | blues rock |
| John_Mayer_Trio | rock band |
| John_Mayer_Trio | band that |
| John_Mayer_Trio | that formed |
| John_Mayer_Trio | formed in |
| John_Mayer_Trio | in los |
| John_Mayer_Trio | los angeles |
| John_Mayer_Trio | angeles california |
| John_Mayer_Trio | california in |
| John_Mayer_Trio | in 2005 |
| John_Mayer_Trio | 2005 comprising |
| John_Mayer_Trio | comprising singer |
| John_Mayer_Trio | singer songwriter |
| John_Mayer_Trio | songwriter and |
| John_Mayer_Trio | and guitarist |
| John_Mayer_Trio | guitarist john |
| John_Mayer_Trio | john mayer |
| John_Mayer_Trio | mayer bassist |
| John_Mayer_Trio | bassist pino |
| John_Mayer_Trio | pino palladino |
| John_Mayer_Trio | palladino and |
| John_Mayer_Trio | and drummer |
| John_Mayer_Trio | drummer steve |
| John_Mayer_Trio | steve jordan |
| John_Mayer_Trio | jordan the |
| John_Mayer_Trio | the band |
| John_Mayer_Trio | band has |
| John_Mayer_Trio | has released |
| John_Mayer_Trio | released one |
| John_Mayer_Trio | one live |
| John_Mayer_Trio | live album |
| John_Mayer_Trio | album try |
| John_Mayer_Trio | try in |
| John_Mayer_Trio | in 2005 |
| John_Mayer_Trio | 2005 three |
| John_Mayer_Trio | three of |
| John_Mayer_Trio | of the |
| John_Mayer_Trio | the songs |
| John_Mayer_Trio | songs on |
| John_Mayer_Trio | on the |
| John_Mayer_Trio | the album |
| John_Mayer_Trio | album were |
| John_Mayer_Trio | were co |
| John_Mayer_Trio | co written |
| John_Mayer_Trio | written by |
| John_Mayer_Trio | by jordan |
| John_Mayer_Trio | jordan mayer |
| John_Mayer_Trio | mayer and |
| John_Mayer_Trio | and palladino |
| John_Mayer_Trio | palladino and |
| John_Mayer_Trio | and the |
| John_Mayer_Trio | the album |
| John_Mayer_Trio | album was |
| John_Mayer_Trio | was co |
| John_Mayer_Trio | co produced |
| John_Mayer_Trio | produced by |
| John_Mayer_Trio | by mayer |
| John_Mayer_Trio | mayer and |
| John_Mayer_Trio | and jordan |
| John_Mayer_Trio | jordan en |
| Vincent_Herring | vincent dwayne |
| Vincent_Herring | dwayne herring |
| Vincent_Herring | herring born |
| Vincent_Herring | born november |
| Vincent_Herring | november 19 |
| Vincent_Herring | 19 1964 |
| Vincent_Herring | 1964 is |
| Vincent_Herring | is an |
| Vincent_Herring | an american |
| Vincent_Herring | american jazz |
| Vincent_Herring | jazz saxophonist |
| Vincent_Herring | saxophonist flautist |
| Vincent_Herring | flautist composer |
| Vincent_Herring | composer and |
| Vincent_Herring | and educator |
| Vincent_Herring | educator known |
| Vincent_Herring | known for |
| Vincent_Herring | for his |
| Vincent_Herring | his fiery |
| Vincent_Herring | fiery and |
| Vincent_Herring | and soulful |
| Vincent_Herring | soulful playing |
| Vincent_Herring | playing in |
| Vincent_Herring | in the |
| Vincent_Herring | the bands |
| Vincent_Herring | bands of |
| Vincent_Herring | of horace |
| Vincent_Herring | horace silver |
| Vincent_Herring | silver freddie |
| Vincent_Herring | freddie hubbard |
| Vincent_Herring | hubbard and |
| Vincent_Herring | and nat |
| Vincent_Herring | nat adderley |
| Vincent_Herring | adderley in |
| Vincent_Herring | in the |
| Vincent_Herring | the earlier |
| Vincent_Herring | earlier stages |
| Vincent_Herring | stages of |
| Vincent_Herring | of his |
| Vincent_Herring | his career |
| Vincent_Herring | career he |
| Vincent_Herring | he now |
| Vincent_Herring | now frequently |
| Vincent_Herring | frequently performs |
| Vincent_Herring | performs around |
| Vincent_Herring | around the |
| Vincent_Herring | the world |
| Vincent_Herring | world with |
| Vincent_Herring | with his |
| Vincent_Herring | his own |
| Vincent_Herring | own groups |
| Vincent_Herring | groups and |
| Vincent_Herring | and is |
| Vincent_Herring | is heavily |
| Vincent_Herring | heavily involved |
| Vincent_Herring | involved in |
| Vincent_Herring | in jazz |
| Vincent_Herring | jazz education |
| Vincent_Herring | education en |
| Camille_Thurman | camille thurman |
| Camille_Thurman | thurman born |
| Camille_Thurman | born december |
| Camille_Thurman | december 22 |
| Camille_Thurman | 22 1986 |
| Camille_Thurman | 1986 is |
| Camille_Thurman | is an |
| Camille_Thurman | an american |
| Camille_Thurman | american jazz |
| Camille_Thurman | jazz musician |
| Camille_Thurman | musician composer |
| Camille_Thurman | composer and |
| Camille_Thurman | and member |
| Camille_Thurman | member of |
| Camille_Thurman | of the |
| Camille_Thurman | the jazz |
| Camille_Thurman | jazz at |
| Camille_Thurman | at lincoln |
| Camille_Thurman | lincoln center |
| Camille_Thurman | center orchestra |
| Camille_Thurman | orchestra her |
| Camille_Thurman | her first |
| Camille_Thurman | first two |
| Camille_Thurman | two albums |
| Camille_Thurman | albums released |
| Camille_Thurman | released by |
| Camille_Thurman | by chesky |
| Camille_Thurman | chesky records |
| Camille_Thurman | records in |
| Camille_Thurman | in 2018 |
| Camille_Thurman | 2018 and |
| Camille_Thurman | and 2017 |
| Camille_Thurman | 2017 peaked |
| Camille_Thurman | peaked at |
| Camille_Thurman | at 3 |
| Camille_Thurman | 3 and |
| Camille_Thurman | and 25 |
| Camille_Thurman | 25 respectively |
| Camille_Thurman | respectively on |
| Camille_Thurman | on the |
| Camille_Thurman | the billboard |
| Camille_Thurman | billboard jazz |
| Camille_Thurman | jazz albums |
| Camille_Thurman | albums chart |
| Camille_Thurman | chart she |
| Camille_Thurman | she has |
| Camille_Thurman | has performed |
| Camille_Thurman | performed at |
| Camille_Thurman | at the |
| Camille_Thurman | the kennedy |
| Camille_Thurman | kennedy center |
| Camille_Thurman | center and |
| Camille_Thurman | and was |
| Camille_Thurman | was a |
| Camille_Thurman | a runner |
| Camille_Thurman | runner up |
| Camille_Thurman | up for |
| Camille_Thurman | for the |
| Camille_Thurman | the 2013 |
| Camille_Thurman | 2013 sarah |
| Camille_Thurman | sarah vaughan |
| Camille_Thurman | vaughan international |
| Camille_Thurman | international vocal |
| Camille_Thurman | vocal competition |
| Camille_Thurman | competition en |
| Roman_Miroshnichenko | roman maksimovich |
| Roman_Miroshnichenko | maksimovich miroshnichenko |
| Roman_Miroshnichenko | miroshnichenko russian |
| Roman_Miroshnichenko | russian 郋 |
| Roman_Miroshnichenko | 郋 邾 |
| Roman_Miroshnichenko | 邾 訄 |
| Roman_Miroshnichenko | 訄 郇 |
| Roman_Miroshnichenko | 郇 訄 |
| Roman_Miroshnichenko | 訄 郕 |
| Roman_Miroshnichenko | 郕 邽 |
| Roman_Miroshnichenko | 邽 邾 |
| Roman_Miroshnichenko | 邾 郋 |
| Roman_Miroshnichenko | 郋 赲 |
| Roman_Miroshnichenko | 赲 邽 |
| Roman_Miroshnichenko | 邽 邽 |
| Roman_Miroshnichenko | 邽 郋 |
| Roman_Miroshnichenko | 郋 郇 |
| Roman_Miroshnichenko | 郇 邽 |
| Roman_Miroshnichenko | 邽 迮 |
| Roman_Miroshnichenko | 迮 郇 |
| Roman_Miroshnichenko | 郇 郕 |
| Roman_Miroshnichenko | 郕 郋 |
| Roman_Miroshnichenko | 郋 born |
| Roman_Miroshnichenko | born june |
| Roman_Miroshnichenko | june 4 |
| Roman_Miroshnichenko | 4 1977 |
| Roman_Miroshnichenko | 1977 is |
| Roman_Miroshnichenko | is a |
| Roman_Miroshnichenko | a ukrainian |
| Roman_Miroshnichenko | ukrainian and |
| Roman_Miroshnichenko | and russian |
| Roman_Miroshnichenko | russian multi |
| Roman_Miroshnichenko | multi award |
| Roman_Miroshnichenko | award winning |
| Roman_Miroshnichenko | winning jazz |
| Roman_Miroshnichenko | jazz fusion |
| Roman_Miroshnichenko | fusion guitarist |
| Roman_Miroshnichenko | guitarist composer |
| Roman_Miroshnichenko | composer and |
| Roman_Miroshnichenko | and record |
| Roman_Miroshnichenko | record producer |
| Roman_Miroshnichenko | producer he |
| Roman_Miroshnichenko | he has |
| Roman_Miroshnichenko | has received |
| Roman_Miroshnichenko | received numerous |
| Roman_Miroshnichenko | numerous accolades |
| Roman_Miroshnichenko | accolades including |
| Roman_Miroshnichenko | including four |
| Roman_Miroshnichenko | four the |
| Roman_Miroshnichenko | the independent |
| Roman_Miroshnichenko | independent music |
| Roman_Miroshnichenko | music awards |
| Roman_Miroshnichenko | awards 1st |
| Roman_Miroshnichenko | 1st prize |
| Roman_Miroshnichenko | prize of |
| Roman_Miroshnichenko | of the |
| Roman_Miroshnichenko | the usa |
| Roman_Miroshnichenko | usa songwriting |
| Roman_Miroshnichenko | songwriting competition |
| Roman_Miroshnichenko | competition 1st |
| Roman_Miroshnichenko | 1st prize |
| Roman_Miroshnichenko | prize of |
| Roman_Miroshnichenko | of the |
| Roman_Miroshnichenko | the international |
| Roman_Miroshnichenko | international acoustic |
| Roman_Miroshnichenko | acoustic music |
| Roman_Miroshnichenko | music awards |
| Roman_Miroshnichenko | awards three |
| Roman_Miroshnichenko | three global |
| Roman_Miroshnichenko | global music |
| Roman_Miroshnichenko | music awards |
| Roman_Miroshnichenko | awards and |
| Roman_Miroshnichenko | and three |
| Roman_Miroshnichenko | three hollywood |
| Roman_Miroshnichenko | hollywood music |
| Roman_Miroshnichenko | music in |
| Roman_Miroshnichenko | in media |
| Roman_Miroshnichenko | media awards |
| Roman_Miroshnichenko | awards nominees |
| Roman_Miroshnichenko | nominees en |
| Aaron_Goldberg | aaron goldberg |
| Aaron_Goldberg | goldberg is |
| Aaron_Goldberg | is an |
| Aaron_Goldberg | an american |
| Aaron_Goldberg | american jazz |
| Aaron_Goldberg | jazz pianist |
| Aaron_Goldberg | pianist described |
| Aaron_Goldberg | described by |
| Aaron_Goldberg | by the |
| Aaron_Goldberg | the new |
| Aaron_Goldberg | new york |
| Aaron_Goldberg | york times |
| Aaron_Goldberg | times as |
| Aaron_Goldberg | as a |
| Aaron_Goldberg | a post |
| Aaron_Goldberg | post bop |
| Aaron_Goldberg | bop pianist |
| Aaron_Goldberg | pianist of |
| Aaron_Goldberg | of exemplary |
| Aaron_Goldberg | exemplary taste |
| Aaron_Goldberg | taste and |
| Aaron_Goldberg | and range |
| Aaron_Goldberg | range goldberg |
| Aaron_Goldberg | goldberg has |
| Aaron_Goldberg | has released |
| Aaron_Goldberg | released five |
| Aaron_Goldberg | five albums |
| Aaron_Goldberg | albums as |
| Aaron_Goldberg | as a |
| Aaron_Goldberg | a solo |
| Aaron_Goldberg | solo artist |
| Aaron_Goldberg | artist and |
| Aaron_Goldberg | and has |
| Aaron_Goldberg | has performed |
| Aaron_Goldberg | performed and |
| Aaron_Goldberg | and collaborated |
| Aaron_Goldberg | collaborated with |
| Aaron_Goldberg | with joshua |
| Aaron_Goldberg | joshua redman |
| Aaron_Goldberg | redman wynton |
| Aaron_Goldberg | wynton marsalis |
| Aaron_Goldberg | marsalis kurt |
| Aaron_Goldberg | kurt rosenwinkel |
| Aaron_Goldberg | rosenwinkel and |
| Aaron_Goldberg | and guillermo |
| Aaron_Goldberg | guillermo klein |
| Aaron_Goldberg | klein among |
| Aaron_Goldberg | among others |
| Aaron_Goldberg | others en |
| John_Mayer | john clayton |
| John_Mayer | clayton mayer |
| John_Mayer | mayer me |
| John_Mayer | me 阞 |
| John_Mayer | 阞 r |
| John_Mayer | r may |
| John_Mayer | may r |
| John_Mayer | r born |
| John_Mayer | born october |
| John_Mayer | october 16 |
| John_Mayer | 16 1977 |
| John_Mayer | 1977 is |
| John_Mayer | is an |
| John_Mayer | an american |
| John_Mayer | american singer |
| John_Mayer | singer songwriter |
| John_Mayer | songwriter and |
| John_Mayer | and guitarist |
| John_Mayer | guitarist born |
| John_Mayer | born and |
| John_Mayer | and raised |
| John_Mayer | raised in |
| John_Mayer | in fairfield |
| John_Mayer | fairfield county |
| John_Mayer | county connecticut |
| John_Mayer | connecticut mayer |
| John_Mayer | mayer attended |
| John_Mayer | attended berklee |
| John_Mayer | berklee college |
| John_Mayer | college of |
| John_Mayer | of music |
| John_Mayer | music in |
| John_Mayer | in boston |
| John_Mayer | boston but |
| John_Mayer | but left |
| John_Mayer | left and |
| John_Mayer | and moved |
| John_Mayer | moved to |
| John_Mayer | to atlanta |
| John_Mayer | atlanta in |
| John_Mayer | in 1997 |
| John_Mayer | 1997 with |
| John_Mayer | with clay |
| John_Mayer | clay cook |
| John_Mayer | cook together |
| John_Mayer | together they |
| John_Mayer | they formed |
| John_Mayer | formed a |
| John_Mayer | a short |
| John_Mayer | short lived |
| John_Mayer | lived two |
| John_Mayer | two man |
| John_Mayer | man band |
| John_Mayer | band called |
| John_Mayer | called lo |
| John_Mayer | lo fi |
| John_Mayer | fi masters |
| John_Mayer | masters after |
| John_Mayer | after their |
| John_Mayer | their split |
| John_Mayer | split mayer |
| John_Mayer | mayer continued |
| John_Mayer | continued to |
| John_Mayer | to play |
| John_Mayer | play local |
| John_Mayer | local clubs |
| John_Mayer | clubs refining |
| John_Mayer | refining his |
| John_Mayer | his skills |
| John_Mayer | skills and |
| John_Mayer | and gaining |
| John_Mayer | gaining a |
| John_Mayer | a following |
| John_Mayer | following after |
| John_Mayer | after his |
| John_Mayer | his appearance |
| John_Mayer | appearance at |
| John_Mayer | at a |
| John_Mayer | a 2001 |
| John_Mayer | 2001 south |
| John_Mayer | south by |
| John_Mayer | by southwest |
| John_Mayer | southwest festival |
| John_Mayer | festival he |
| John_Mayer | he was |
| John_Mayer | was signed |
| John_Mayer | signed to |
| John_Mayer | to aware |
| John_Mayer | aware records |
| John_Mayer | records and |
| John_Mayer | and eventually |
| John_Mayer | eventually to |
| John_Mayer | to columbia |
| John_Mayer | columbia records |
| John_Mayer | records which |
| John_Mayer | which released |
| John_Mayer | released his |
| John_Mayer | his first |
| John_Mayer | first extended |
| John_Mayer | extended play |
| John_Mayer | play inside |
| John_Mayer | inside wants |
| John_Mayer | wants out |
| John_Mayer | out his |
| John_Mayer | his following |
| John_Mayer | following two |
| John_Mayer | two studio |
| John_Mayer | studio albums |
| John_Mayer | albums oom |
| John_Mayer | oom for |
| John_Mayer | for squares |
| John_Mayer | squares 2001 |
| John_Mayer | 2001 and |
| John_Mayer | and heavier |
| John_Mayer | heavier things |
| John_Mayer | things 2003 |
| John_Mayer | 2003 erformed |
| John_Mayer | erformed well |
| John_Mayer | well commercially |
| John_Mayer | commercially achieving |
| John_Mayer | achieving multi |
| John_Mayer | multi platinum |
| John_Mayer | platinum status |
| John_Mayer | status in |
| John_Mayer | in 2003 |
| John_Mayer | 2003 he |
| John_Mayer | he won |
| John_Mayer | won the |
| John_Mayer | the grammy |
| John_Mayer | grammy award |
| John_Mayer | award for |
| John_Mayer | for best |
| John_Mayer | best male |
| John_Mayer | male pop |
| John_Mayer | pop vocal |
| John_Mayer | vocal performance |
| John_Mayer | performance for |
| John_Mayer | for his |
| John_Mayer | his single |
| John_Mayer | single your |
| John_Mayer | your body |
| John_Mayer | body is |
| John_Mayer | is a |
| John_Mayer | a wonderland |
| John_Mayer | wonderland by |
| John_Mayer | by 2005 |
| John_Mayer | 2005 mayer |
| John_Mayer | mayer had |
| John_Mayer | had moved |
| John_Mayer | moved away |
| John_Mayer | away from |
| John_Mayer | from the |
| John_Mayer | the acoustic |
| John_Mayer | acoustic music |
| John_Mayer | music that |
| John_Mayer | that characterized |
| John_Mayer | characterized his |
| John_Mayer | his early |
| John_Mayer | early records |
| John_Mayer | records and |
| John_Mayer | and begun |
| John_Mayer | begun performing |
| John_Mayer | performing the |
| John_Mayer | the blues |
| John_Mayer | blues and |
| John_Mayer | and rock |
| John_Mayer | rock music |
| John_Mayer | music that |
| John_Mayer | that had |
| John_Mayer | had originally |
| John_Mayer | originally influenced |
| John_Mayer | influenced him |
| John_Mayer | him as |
| John_Mayer | as a |
| John_Mayer | a musician |
| John_Mayer | musician he |
| John_Mayer | he collaborated |
| John_Mayer | collaborated with |
| John_Mayer | with blues |
| John_Mayer | blues artists |
| John_Mayer | artists such |
| John_Mayer | such as |
| John_Mayer | as b |
| John_Mayer | b b |
| John_Mayer | b king |
| John_Mayer | king buddy |
| John_Mayer | buddy guy |
| John_Mayer | guy and |
| John_Mayer | and eric |
| John_Mayer | eric clapton |
| John_Mayer | clapton forming |
| John_Mayer | forming the |
| John_Mayer | the john |
| John_Mayer | john mayer |
| John_Mayer | mayer trio |
| John_Mayer | trio he |
| John_Mayer | he released |
| John_Mayer | released a |
| John_Mayer | a live |
| John_Mayer | live album |
| John_Mayer | album try |
| John_Mayer | try in |
| John_Mayer | in 2005 |
| John_Mayer | 2005 and |
| John_Mayer | and his |
| John_Mayer | his third |
| John_Mayer | third studio |
| John_Mayer | studio album |
| John_Mayer | album continuum |
| John_Mayer | continuum in |
| John_Mayer | in 2006 |
| John_Mayer | 2006 both |
| John_Mayer | both albums |
| John_Mayer | albums received |
| John_Mayer | received positive |
| John_Mayer | positive reviews |
| John_Mayer | reviews and |
| John_Mayer | and continuum |
| John_Mayer | continuum earned |
| John_Mayer | earned mayer |
| John_Mayer | mayer a |
| John_Mayer | a 2007 |
| John_Mayer | 2007 grammy |
| John_Mayer | grammy award |
| John_Mayer | award for |
| John_Mayer | for best |
| John_Mayer | best pop |
| John_Mayer | pop vocal |
| John_Mayer | vocal album |
| John_Mayer | album he |
| John_Mayer | he also |
| John_Mayer | also won |
| John_Mayer | won best |
| John_Mayer | best male |
| John_Mayer | male pop |
| John_Mayer | pop vocal |
| John_Mayer | vocal performance |
| John_Mayer | performance for |
| John_Mayer | for waiting |
| John_Mayer | waiting on |
| John_Mayer | on the |
| John_Mayer | the world |
| John_Mayer | world to |
| John_Mayer | to change |
| John_Mayer | change that |
| John_Mayer | that album |
| John_Mayer | album was |
| John_Mayer | was followed |
| John_Mayer | followed by |
| John_Mayer | by battle |
| John_Mayer | battle studies |
| John_Mayer | studies in |
| John_Mayer | in 2009 |
| John_Mayer | 2009 a |
| John_Mayer | a return |
| John_Mayer | return to |
| John_Mayer | to pop |
| John_Mayer | pop with |
| John_Mayer | with a |
| John_Mayer | a battle |
| John_Mayer | battle studies |
| John_Mayer | studies world |
| John_Mayer | world tour |
| John_Mayer | tour after |
| John_Mayer | after having |
| John_Mayer | having several |
| John_Mayer | several controversial |
| John_Mayer | controversial incidents |
| John_Mayer | incidents with |
| John_Mayer | with the |
| John_Mayer | the media |
| John_Mayer | media mayer |
| John_Mayer | mayer withdrew |
| John_Mayer | withdrew from |
| John_Mayer | from public |
| John_Mayer | public life |
| John_Mayer | life in |
| John_Mayer | in 2010 |
| John_Mayer | 2010 and |
| John_Mayer | and began |
| John_Mayer | began work |
| John_Mayer | work on |
| John_Mayer | on his |
| John_Mayer | his fifth |
| John_Mayer | fifth studio |
| John_Mayer | studio album |
| John_Mayer | album born |
| John_Mayer | born and |
| John_Mayer | and raised |
| John_Mayer | raised which |
| John_Mayer | which drew |
| John_Mayer | drew inspiration |
| John_Mayer | inspiration from |
| John_Mayer | from the |
| John_Mayer | the 1970s |
| John_Mayer | 1970s pop |
| John_Mayer | pop music |
| John_Mayer | music of |
| John_Mayer | of laurel |
| John_Mayer | laurel canyon |
| John_Mayer | canyon however |
| John_Mayer | however the |
| John_Mayer | the discovery |
| John_Mayer | discovery of |
| John_Mayer | of a |
| John_Mayer | a granuloma |
| John_Mayer | granuloma on |
| John_Mayer | on his |
| John_Mayer | his vocal |
| John_Mayer | vocal cords |
| John_Mayer | cords delayed |
| John_Mayer | delayed the |
| John_Mayer | the release |
| John_Mayer | release of |
| John_Mayer | of the |
| John_Mayer | the album |
| John_Mayer | album until |
| John_Mayer | until may |
| John_Mayer | may 2012 |
| John_Mayer | 2012 and |
| John_Mayer | and forced |
| John_Mayer | forced him |
| John_Mayer | him to |
| John_Mayer | to cancel |
| John_Mayer | cancel the |
| John_Mayer | the planned |
| John_Mayer | planned tour |
| John_Mayer | tour the |
| John_Mayer | the album |
| John_Mayer | album received |
| John_Mayer | received a |
| John_Mayer | a generally |
| John_Mayer | generally favorable |
| John_Mayer | favorable reception |
| John_Mayer | reception though |
| John_Mayer | though was |
| John_Mayer | was less |
| John_Mayer | less commercially |
| John_Mayer | commercially successful |
| John_Mayer | successful than |
| John_Mayer | than his |
| John_Mayer | his previous |
| John_Mayer | previous work |
| John_Mayer | work mayer |
| John_Mayer | mayer began |
| John_Mayer | began performing |
| John_Mayer | performing as |
| John_Mayer | as a |
| John_Mayer | a singer |
| John_Mayer | singer again |
| John_Mayer | again in |
| John_Mayer | in january |
| John_Mayer | january 2013 |
| John_Mayer | 2013 and |
| John_Mayer | and that |
| John_Mayer | that year |
| John_Mayer | year released |
| John_Mayer | released his |
| John_Mayer | his sixth |
| John_Mayer | sixth studio |
| John_Mayer | studio album |
| John_Mayer | album paradise |
| John_Mayer | paradise valley |
| John_Mayer | valley which |
| John_Mayer | which incorporates |
| John_Mayer | incorporates country |
| John_Mayer | country music |
| John_Mayer | music influences |
| John_Mayer | influences by |
| John_Mayer | by 2014 |
| John_Mayer | 2014 he |
| John_Mayer | he had |
| John_Mayer | had sold |
| John_Mayer | sold a |
| John_Mayer | a total |
| John_Mayer | total of |
| John_Mayer | of over |
| John_Mayer | over 20 |
| John_Mayer | 20 million |
| John_Mayer | million albums |
| John_Mayer | albums worldwide |
| John_Mayer | worldwide his |
| John_Mayer | his seventh |
| John_Mayer | seventh album |
| John_Mayer | album the |
| John_Mayer | the search |
| John_Mayer | search for |
| John_Mayer | for everything |
| John_Mayer | everything a |
| John_Mayer | a loose |
| John_Mayer | loose concept |
| John_Mayer | concept album |
| John_Mayer | album based |
| John_Mayer | based around |
| John_Mayer | around the |
| John_Mayer | the theme |
| John_Mayer | theme of |
| John_Mayer | of a |
| John_Mayer | a romantic |
| John_Mayer | romantic break |
| John_Mayer | break up |
| John_Mayer | up was |
| John_Mayer | was released |
| John_Mayer | released in |
| John_Mayer | in 2017 |
| John_Mayer | 2017 mayer |
| John_Mayer | mayer released |
| John_Mayer | released his |
| John_Mayer | his latest |
| John_Mayer | latest album |
| John_Mayer | album sob |
| John_Mayer | sob rock |
| John_Mayer | rock inspired |
| John_Mayer | inspired by |
| John_Mayer | by 1980s |
| John_Mayer | 1980s soft |
| John_Mayer | soft rock |
| John_Mayer | rock music |
| John_Mayer | music in |
| John_Mayer | in july |
| John_Mayer | july 2021 |
| John_Mayer | 2021 in |
| John_Mayer | in 2015 |
| John_Mayer | 2015 three |
| John_Mayer | three former |
| John_Mayer | former members |
| John_Mayer | members of |
| John_Mayer | of the |
| John_Mayer | the grateful |
| John_Mayer | grateful dead |
| John_Mayer | dead joined |
| John_Mayer | joined with |
| John_Mayer | with mayer |
| John_Mayer | mayer and |
| John_Mayer | and two |
| John_Mayer | two other |
| John_Mayer | other musicians |
| John_Mayer | musicians to |
| John_Mayer | to form |
| John_Mayer | form the |
| John_Mayer | the band |
| John_Mayer | band dead |
| John_Mayer | dead company |
| John_Mayer | company it |
| John_Mayer | it is |
| John_Mayer | is the |
| John_Mayer | the latest |
| John_Mayer | latest of |
| John_Mayer | of several |
| John_Mayer | several reunions |
| John_Mayer | reunions of |
| John_Mayer | of the |
| John_Mayer | the band’s |
| John_Mayer | band’s surviving |
| John_Mayer | surviving members |
| John_Mayer | members since |
| John_Mayer | since jerry |
| John_Mayer | jerry garcia’s |
| John_Mayer | garcia’s death |
| John_Mayer | death in |
| John_Mayer | in 1995 |
| John_Mayer | 1995 the |
| John_Mayer | the band |
| John_Mayer | band remains |
| John_Mayer | remains active |
| John_Mayer | active and |
| John_Mayer | and its |
| John_Mayer | its tours |
| John_Mayer | tours have |
| John_Mayer | have been |
| John_Mayer | been well |
| John_Mayer | well received |
| John_Mayer | received mayer’s |
| John_Mayer | mayer’s secondary |
| John_Mayer | secondary career |
| John_Mayer | career pursuits |
| John_Mayer | pursuits extend |
| John_Mayer | extend to |
| John_Mayer | to television |
| John_Mayer | television hosting |
| John_Mayer | hosting comedy |
| John_Mayer | comedy and |
| John_Mayer | and writing |
| John_Mayer | writing he |
| John_Mayer | he has |
| John_Mayer | has authored |
| John_Mayer | authored columns |
| John_Mayer | columns for |
| John_Mayer | for magazines |
| John_Mayer | magazines such |
| John_Mayer | such as |
| John_Mayer | as esquire |
| John_Mayer | esquire he |
| John_Mayer | he supports |
| John_Mayer | supports various |
| John_Mayer | various causes |
| John_Mayer | causes and |
| John_Mayer | and has |
| John_Mayer | has performed |
| John_Mayer | performed at |
| John_Mayer | at charity |
| John_Mayer | charity benefits |
| John_Mayer | benefits he |
| John_Mayer | he is |
| John_Mayer | is a |
| John_Mayer | a watch |
| John_Mayer | watch aficionado |
| John_Mayer | aficionado with |
| John_Mayer | with a |
| John_Mayer | a collection |
| John_Mayer | collection he |
| John_Mayer | he values |
| John_Mayer | values in |
| John_Mayer | in the |
| John_Mayer | the tens |
| John_Mayer | tens of |
| John_Mayer | of millions |
| John_Mayer | millions of |
| John_Mayer | of dollars |
| John_Mayer | dollars contributing |
| John_Mayer | contributing to |
| John_Mayer | to the |
| John_Mayer | the watch |
| John_Mayer | watch site |
| John_Mayer | site hodinkee |
| John_Mayer | hodinkee and |
| John_Mayer | and has |
| John_Mayer | has been |
| John_Mayer | been on |
| John_Mayer | on the |
| John_Mayer | the jury |
| John_Mayer | jury at |
| John_Mayer | at the |
| John_Mayer | the grand |
| John_Mayer | grand prix |
| John_Mayer | prix d’horlogerie |
| John_Mayer | d’horlogerie de |
| John_Mayer | de gen |
| John_Mayer | gen 癡 |
| John_Mayer | 癡 ve |
| John_Mayer | ve en |
| Vanessa_Rubin | vanessa rubin |
| Vanessa_Rubin | rubin born |
| Vanessa_Rubin | born march |
| Vanessa_Rubin | march 14 |
| Vanessa_Rubin | 14 1957 |
| Vanessa_Rubin | 1957 is |
| Vanessa_Rubin | is an |
| Vanessa_Rubin | an american |
| Vanessa_Rubin | american jazz |
| Vanessa_Rubin | jazz vocalist |
| Vanessa_Rubin | vocalist en |
| Nat_Adderley | nathaniel carlyle |
| Nat_Adderley | carlyle adderley |
| Nat_Adderley | adderley november |
| Nat_Adderley | november 25 |
| Nat_Adderley | 25 1931 |
| Nat_Adderley | 1931 january |
| Nat_Adderley | january 2 |
| Nat_Adderley | 2 2000 |
| Nat_Adderley | 2000 was |
| Nat_Adderley | was an |
| Nat_Adderley | an american |
| Nat_Adderley | american jazz |
| Nat_Adderley | jazz trumpeter |
| Nat_Adderley | trumpeter he |
| Nat_Adderley | he was |
| Nat_Adderley | was the |
| Nat_Adderley | the younger |
| Nat_Adderley | younger brother |
| Nat_Adderley | brother of |
| Nat_Adderley | of saxophonist |
| Nat_Adderley | saxophonist julian |
| Nat_Adderley | julian cannonball |
| Nat_Adderley | cannonball adderley |
| Nat_Adderley | adderley whom |
| Nat_Adderley | whom he |
| Nat_Adderley | he supported |
| Nat_Adderley | supported and |
| Nat_Adderley | and played |
| Nat_Adderley | played with |
| Nat_Adderley | with for |
| Nat_Adderley | for many |
| Nat_Adderley | many years |
| Nat_Adderley | years adderley’s |
| Nat_Adderley | adderley’s composition |
| Nat_Adderley | composition work |
| Nat_Adderley | work song |
| Nat_Adderley | song 1960 |
| Nat_Adderley | 1960 is |
| Nat_Adderley | is a |
| Nat_Adderley | a jazz |
| Nat_Adderley | jazz standard |
| Nat_Adderley | standard and |
| Nat_Adderley | and also |
| Nat_Adderley | also became |
| Nat_Adderley | became a |
| Nat_Adderley | a success |
| Nat_Adderley | success on |
| Nat_Adderley | on the |
| Nat_Adderley | the pop |
| Nat_Adderley | pop charts |
| Nat_Adderley | charts after |
| Nat_Adderley | after singer |
| Nat_Adderley | singer oscar |
| Nat_Adderley | oscar brown |
| Nat_Adderley | brown jr |
| Nat_Adderley | jr wrote |
| Nat_Adderley | wrote lyrics |
| Nat_Adderley | lyrics for |
| Nat_Adderley | for it |
| Nat_Adderley | it en |
| Dr._John | malcolm john |
| Dr._John | john rebennack |
| Dr._John | rebennack jr |
| Dr._John | jr november |
| Dr._John | november 20 |
| Dr._John | 20 1941 |
| Dr._John | 1941 june |
| Dr._John | june 6 |
| Dr._John | 6 2019 |
| Dr._John | 2019 better |
| Dr._John | better known |
| Dr._John | known by |
| Dr._John | by his |
| Dr._John | his stage |
| Dr._John | stage name |
| Dr._John | name dr |
| Dr._John | dr john |
| Dr._John | john was |
| Dr._John | was an |
| Dr._John | an american |
| Dr._John | american singer |
| Dr._John | singer and |
| Dr._John | and songwriter |
| Dr._John | songwriter his |
| Dr._John | his music |
| Dr._John | music combined |
| Dr._John | combined blues |
| Dr._John | blues pop |
| Dr._John | pop jazz |
| Dr._John | jazz boogie |
| Dr._John | boogie woogie |
| Dr._John | woogie funk |
| Dr._John | funk and |
| Dr._John | and rock |
| Dr._John | rock and |
| Dr._John | and roll |
| Dr._John | roll active |
| Dr._John | active as |
| Dr._John | as a |
| Dr._John | a session |
| Dr._John | session musician |
| Dr._John | musician from |
| Dr._John | from the |
| Dr._John | the late |
| Dr._John | late 1950s |
| Dr._John | 1950s until |
| Dr._John | until his |
| Dr._John | his death |
| Dr._John | death he |
| Dr._John | he gained |
| Dr._John | gained a |
| Dr._John | a following |
| Dr._John | following in |
| Dr._John | in the |
| Dr._John | the late |
| Dr._John | late 1960s |
| Dr._John | 1960s after |
| Dr._John | after the |
| Dr._John | the release |
| Dr._John | release of |
| Dr._John | of his |
| Dr._John | his album |
| Dr._John | album gris |
| Dr._John | gris gris |
| Dr._John | gris and |
| Dr._John | and his |
| Dr._John | his appearance |
| Dr._John | appearance at |
| Dr._John | at the |
| Dr._John | the bath |
| Dr._John | bath festival |
| Dr._John | festival of |
| Dr._John | of blues |
| Dr._John | blues and |
| Dr._John | and progressive |
| Dr._John | progressive music |
| Dr._John | music he |
| Dr._John | he typically |
| Dr._John | typically performed |
| Dr._John | performed a |
| Dr._John | a lively |
| Dr._John | lively theatrical |
| Dr._John | theatrical stage |
| Dr._John | stage show |
| Dr._John | show inspired |
| Dr._John | inspired by |
| Dr._John | by medicine |
| Dr._John | medicine shows |
| Dr._John | shows mardi |
| Dr._John | mardi gras |
| Dr._John | gras costumes |
| Dr._John | costumes and |
| Dr._John | and voodoo |
| Dr._John | voodoo ceremonies |
| Dr._John | ceremonies rebennack |
| Dr._John | rebennack recorded |
| Dr._John | recorded thirty |
| Dr._John | thirty studio |
| Dr._John | studio albums |
| Dr._John | albums and |
| Dr._John | and nine |
| Dr._John | nine live |
| Dr._John | live albums |
| Dr._John | albums as |
| Dr._John | as well |
| Dr._John | well as |
| Dr._John | as contributing |
| Dr._John | contributing to |
| Dr._John | to thousands |
| Dr._John | thousands of |
| Dr._John | of other |
| Dr._John | other musicians |
| Dr._John | musicians recordings |
| Dr._John | recordings in |
| Dr._John | in 1973 |
| Dr._John | 1973 he |
| Dr._John | he achieved |
| Dr._John | achieved a |
| Dr._John | a top |
| Dr._John | top 10 |
| Dr._John | 10 hit |
| Dr._John | hit single |
| Dr._John | single with |
| Dr._John | with right |
| Dr._John | right place |
| Dr._John | place wrong |
| Dr._John | wrong time |
| Dr._John | time en |
| Paul_Chambers | paul laurence |
| Paul_Chambers | laurence dunbar |
| Paul_Chambers | dunbar chambers |
| Paul_Chambers | chambers jr |
| Paul_Chambers | jr april |
| Paul_Chambers | april 22 |
| Paul_Chambers | 22 1935 |
| Paul_Chambers | 1935 january |
| Paul_Chambers | january 4 |
| Paul_Chambers | 4 1969 |
| Paul_Chambers | 1969 was |
| Paul_Chambers | was an |
| Paul_Chambers | an american |
| Paul_Chambers | american jazz |
| Paul_Chambers | jazz double |
| Paul_Chambers | double bassist |
| Paul_Chambers | bassist a |
| Paul_Chambers | a fixture |
| Paul_Chambers | fixture of |
| Paul_Chambers | of rhythm |
| Paul_Chambers | rhythm sections |
| Paul_Chambers | sections during |
| Paul_Chambers | during the |
| Paul_Chambers | the 1950s |
| Paul_Chambers | 1950s and |
| Paul_Chambers | and 1960s |
| Paul_Chambers | 1960s his |
| Paul_Chambers | his importance |
| Paul_Chambers | importance in |
| Paul_Chambers | in the |
| Paul_Chambers | the development |
| Paul_Chambers | development of |
| Paul_Chambers | of jazz |
| Paul_Chambers | jazz bass |
| Paul_Chambers | bass can |
| Paul_Chambers | can be |
| Paul_Chambers | be measured |
| Paul_Chambers | measured not |
| Paul_Chambers | not only |
| Paul_Chambers | only by |
| Paul_Chambers | by the |
| Paul_Chambers | the extent |
| Paul_Chambers | extent of |
| Paul_Chambers | of his |
| Paul_Chambers | his work |
| Paul_Chambers | work in |
| Paul_Chambers | in this |
| Paul_Chambers | this short |
| Paul_Chambers | short period |
| Paul_Chambers | period but |
| Paul_Chambers | but also |
| Paul_Chambers | also by |
| Paul_Chambers | by his |
| Paul_Chambers | his impeccable |
| Paul_Chambers | impeccable timekeeping |
| Paul_Chambers | timekeeping and |
| Paul_Chambers | and virtuosic |
| Paul_Chambers | virtuosic improvisations |
| Paul_Chambers | improvisations he |
| Paul_Chambers | he was |
| Paul_Chambers | was also |
| Paul_Chambers | also known |
| Paul_Chambers | known for |
| Paul_Chambers | for his |
| Paul_Chambers | his bowed |
| Paul_Chambers | bowed solos |
| Paul_Chambers | solos chambers |
| Paul_Chambers | chambers recorded |
| Paul_Chambers | recorded about |
| Paul_Chambers | about a |
| Paul_Chambers | a dozen |
| Paul_Chambers | dozen albums |
| Paul_Chambers | albums as |
| Paul_Chambers | as a |
| Paul_Chambers | a leader |
| Paul_Chambers | leader or |
| Paul_Chambers | or co |
| Paul_Chambers | co leader |
| Paul_Chambers | leader and |
| Paul_Chambers | and over |
| Paul_Chambers | over 100 |
| Paul_Chambers | 100 more |
| Paul_Chambers | more as |
| Paul_Chambers | as a |
| Paul_Chambers | a sideman |
| Paul_Chambers | sideman especially |
| Paul_Chambers | especially as |
| Paul_Chambers | as the |
| Paul_Chambers | the anchor |
| Paul_Chambers | anchor of |
| Paul_Chambers | of trumpeter |
| Paul_Chambers | trumpeter miles |
| Paul_Chambers | miles davis’s |
| Paul_Chambers | davis’s first |
| Paul_Chambers | first great |
| Paul_Chambers | great quintet |
| Paul_Chambers | quintet 1955 |
| Paul_Chambers | 1955 3 |
| Paul_Chambers | 3 and |
| Paul_Chambers | and with |
| Paul_Chambers | with pianist |
| Paul_Chambers | pianist wynton |
| Paul_Chambers | wynton kelly |
| Paul_Chambers | kelly 1963 |
| Paul_Chambers | 1963 8 |
| Paul_Chambers | 8 en |
| Stevie_Wonder | stevland hardaway |
| Stevie_Wonder | hardaway morris |
| Stevie_Wonder | morris born |
| Stevie_Wonder | born may |
| Stevie_Wonder | may 13 |
| Stevie_Wonder | 13 1950 |
| Stevie_Wonder | 1950 known |
| Stevie_Wonder | known professionally |
| Stevie_Wonder | professionally as |
| Stevie_Wonder | as stevie |
| Stevie_Wonder | stevie wonder |
| Stevie_Wonder | wonder is |
| Stevie_Wonder | is an |
| Stevie_Wonder | an american |
| Stevie_Wonder | american singer |
| Stevie_Wonder | singer songwriter |
| Stevie_Wonder | songwriter musician |
| Stevie_Wonder | musician and |
| Stevie_Wonder | and record |
| Stevie_Wonder | record producer |
| Stevie_Wonder | producer wonder |
| Stevie_Wonder | wonder is |
| Stevie_Wonder | is credited |
| Stevie_Wonder | credited as |
| Stevie_Wonder | as a |
| Stevie_Wonder | a pioneer |
| Stevie_Wonder | pioneer and |
| Stevie_Wonder | and influence |
| Stevie_Wonder | influence by |
| Stevie_Wonder | by musicians |
| Stevie_Wonder | musicians across |
| Stevie_Wonder | across a |
| Stevie_Wonder | a range |
| Stevie_Wonder | range of |
| Stevie_Wonder | of genres |
| Stevie_Wonder | genres that |
| Stevie_Wonder | that includes |
| Stevie_Wonder | includes rhythm |
| Stevie_Wonder | rhythm and |
| Stevie_Wonder | and blues |
| Stevie_Wonder | blues pop |
| Stevie_Wonder | pop soul |
| Stevie_Wonder | soul gospel |
| Stevie_Wonder | gospel funk |
| Stevie_Wonder | funk and |
| Stevie_Wonder | and jazz |
| Stevie_Wonder | jazz a |
| Stevie_Wonder | a virtual |
| Stevie_Wonder | virtual one |
| Stevie_Wonder | one man |
| Stevie_Wonder | man band |
| Stevie_Wonder | band his |
| Stevie_Wonder | his use |
| Stevie_Wonder | use of |
| Stevie_Wonder | of synthesizers |
| Stevie_Wonder | synthesizers and |
| Stevie_Wonder | and other |
| Stevie_Wonder | other electronic |
| Stevie_Wonder | electronic musical |
| Stevie_Wonder | musical instruments |
| Stevie_Wonder | instruments during |
| Stevie_Wonder | during the |
| Stevie_Wonder | the 1970s |
| Stevie_Wonder | 1970s reshaped |
| Stevie_Wonder | reshaped the |
| Stevie_Wonder | the conventions |
| Stevie_Wonder | conventions of |
| Stevie_Wonder | of r |
| Stevie_Wonder | r b |
| Stevie_Wonder | b he |
| Stevie_Wonder | he also |
| Stevie_Wonder | also helped |
| Stevie_Wonder | helped drive |
| Stevie_Wonder | drive the |
| Stevie_Wonder | the genre |
| Stevie_Wonder | genre into |
| Stevie_Wonder | into the |
| Stevie_Wonder | the album |
| Stevie_Wonder | album era |
| Stevie_Wonder | era crafting |
| Stevie_Wonder | crafting his |
| Stevie_Wonder | his lps |
| Stevie_Wonder | lps as |
| Stevie_Wonder | as cohesive |
| Stevie_Wonder | cohesive consistent |
| Stevie_Wonder | consistent socially |
| Stevie_Wonder | socially conscious |
| Stevie_Wonder | conscious statements |
| Stevie_Wonder | statements with |
| Stevie_Wonder | with complex |
| Stevie_Wonder | complex compositions |
| Stevie_Wonder | compositions blind |
| Stevie_Wonder | blind since |
| Stevie_Wonder | since shortly |
| Stevie_Wonder | shortly after |
| Stevie_Wonder | after his |
| Stevie_Wonder | his birth |
| Stevie_Wonder | birth wonder |
| Stevie_Wonder | wonder was |
| Stevie_Wonder | was a |
| Stevie_Wonder | a child |
| Stevie_Wonder | child prodigy |
| Stevie_Wonder | prodigy who |
| Stevie_Wonder | who signed |
| Stevie_Wonder | signed with |
| Stevie_Wonder | with motown’s |
| Stevie_Wonder | motown’s tamla |
| Stevie_Wonder | tamla label |
| Stevie_Wonder | label at |
| Stevie_Wonder | at the |
| Stevie_Wonder | the age |
| Stevie_Wonder | age of |
| Stevie_Wonder | of 11 |
| Stevie_Wonder | 11 where |
| Stevie_Wonder | where he |
| Stevie_Wonder | he was |
| Stevie_Wonder | was given |
| Stevie_Wonder | given the |
| Stevie_Wonder | the professional |
| Stevie_Wonder | professional name |
| Stevie_Wonder | name little |
| Stevie_Wonder | little stevie |
| Stevie_Wonder | stevie wonder |
| Stevie_Wonder | wonder in |
| Stevie_Wonder | in 1963 |
| Stevie_Wonder | 1963 the |
| Stevie_Wonder | the single |
| Stevie_Wonder | single fingertips |
| Stevie_Wonder | fingertips was |
| Stevie_Wonder | was a |
| Stevie_Wonder | a number |
| Stevie_Wonder | number one |
| Stevie_Wonder | one hit |
| Stevie_Wonder | hit on |
| Stevie_Wonder | on the |
| Stevie_Wonder | the billboard |
| Stevie_Wonder | billboard hot |
| Stevie_Wonder | hot 100 |
| Stevie_Wonder | 100 when |
| Stevie_Wonder | when wonder |
| Stevie_Wonder | wonder was |
| Stevie_Wonder | was 13 |
| Stevie_Wonder | 13 making |
| Stevie_Wonder | making him |
| Stevie_Wonder | him the |
| Stevie_Wonder | the youngest |
| Stevie_Wonder | youngest artist |
| Stevie_Wonder | artist ever |
| Stevie_Wonder | ever to |
| Stevie_Wonder | to top |
| Stevie_Wonder | top the |
| Stevie_Wonder | the chart |
| Stevie_Wonder | chart wonder’s |
| Stevie_Wonder | wonder’s critical |
| Stevie_Wonder | critical success |
| Stevie_Wonder | success was |
| Stevie_Wonder | was at |
| Stevie_Wonder | at its |
| Stevie_Wonder | its peak |
| Stevie_Wonder | peak in |
| Stevie_Wonder | in the |
| Stevie_Wonder | the 1970s |
| Stevie_Wonder | 1970s his |
| Stevie_Wonder | his classic |
| Stevie_Wonder | classic period |
| Stevie_Wonder | period began |
| Stevie_Wonder | began in |
| Stevie_Wonder | in 1972 |
| Stevie_Wonder | 1972 with |
| Stevie_Wonder | with the |
| Stevie_Wonder | the releases |
| Stevie_Wonder | releases of |
| Stevie_Wonder | of music |
| Stevie_Wonder | music of |
| Stevie_Wonder | of my |
| Stevie_Wonder | my mind |
| Stevie_Wonder | mind and |
| Stevie_Wonder | and talking |
| Stevie_Wonder | talking book |
| Stevie_Wonder | book the |
| Stevie_Wonder | the latter |
| Stevie_Wonder | latter featuring |
| Stevie_Wonder | featuring superstition |
| Stevie_Wonder | superstition which |
| Stevie_Wonder | which is |
| Stevie_Wonder | is one |
| Stevie_Wonder | one of |
| Stevie_Wonder | of the |
| Stevie_Wonder | the most |
| Stevie_Wonder | most distinctive |
| Stevie_Wonder | distinctive and |
| Stevie_Wonder | and famous |
| Stevie_Wonder | famous examples |
| Stevie_Wonder | examples of |
| Stevie_Wonder | of the |
| Stevie_Wonder | the sound |
| Stevie_Wonder | sound of |
| Stevie_Wonder | of the |
| Stevie_Wonder | the hohner |
| Stevie_Wonder | hohner clavinet |
| Stevie_Wonder | clavinet keyboard |
| Stevie_Wonder | keyboard his |
| Stevie_Wonder | his works |
| Stevie_Wonder | works innervisions |
| Stevie_Wonder | innervisions 1973 |
| Stevie_Wonder | 1973 fulfillingness |
| Stevie_Wonder | fulfillingness first |
| Stevie_Wonder | first finale |
| Stevie_Wonder | finale 1974 |
| Stevie_Wonder | 1974 and |
| Stevie_Wonder | and songs |
| Stevie_Wonder | songs in |
| Stevie_Wonder | in the |
| Stevie_Wonder | the key |
| Stevie_Wonder | key of |
| Stevie_Wonder | of life |
| Stevie_Wonder | life 1976 |
| Stevie_Wonder | 1976 all |
| Stevie_Wonder | all won |
| Stevie_Wonder | won the |
| Stevie_Wonder | the grammy |
| Stevie_Wonder | grammy award |
| Stevie_Wonder | award for |
| Stevie_Wonder | for album |
| Stevie_Wonder | album of |
| Stevie_Wonder | of the |
| Stevie_Wonder | the year |
| Stevie_Wonder | year making |
| Stevie_Wonder | making him |
| Stevie_Wonder | him the |
| Stevie_Wonder | the tied |
| Stevie_Wonder | tied record |
| Stevie_Wonder | record holder |
| Stevie_Wonder | holder for |
| Stevie_Wonder | for the |
| Stevie_Wonder | the most |
| Stevie_Wonder | most album |
| Stevie_Wonder | album of |
| Stevie_Wonder | of the |
| Stevie_Wonder | the year |
| Stevie_Wonder | year wins |
| Stevie_Wonder | wins with |
| Stevie_Wonder | with three |
| Stevie_Wonder | three he |
| Stevie_Wonder | he is |
| Stevie_Wonder | is also |
| Stevie_Wonder | also the |
| Stevie_Wonder | the only |
| Stevie_Wonder | only artist |
| Stevie_Wonder | artist to |
| Stevie_Wonder | to have |
| Stevie_Wonder | have won |
| Stevie_Wonder | won the |
| Stevie_Wonder | the award |
| Stevie_Wonder | award with |
| Stevie_Wonder | with three |
| Stevie_Wonder | three consecutive |
| Stevie_Wonder | consecutive album |
| Stevie_Wonder | album releases |
| Stevie_Wonder | releases his |
| Stevie_Wonder | his classic |
| Stevie_Wonder | classic period |
| Stevie_Wonder | period which |
| Stevie_Wonder | which culminated |
| Stevie_Wonder | culminated in |
| Stevie_Wonder | in 1976 |
| Stevie_Wonder | 1976 was |
| Stevie_Wonder | was marked |
| Stevie_Wonder | marked by |
| Stevie_Wonder | by his |
| Stevie_Wonder | his funky |
| Stevie_Wonder | funky keyboard |
| Stevie_Wonder | keyboard style |
| Stevie_Wonder | style personal |
| Stevie_Wonder | personal control |
| Stevie_Wonder | control of |
| Stevie_Wonder | of production |
| Stevie_Wonder | production and |
| Stevie_Wonder | and use |
| Stevie_Wonder | use of |
| Stevie_Wonder | of integrated |
| Stevie_Wonder | integrated series |
| Stevie_Wonder | series of |
| Stevie_Wonder | of songs |
| Stevie_Wonder | songs to |
| Stevie_Wonder | to make |
| Stevie_Wonder | make concept |
| Stevie_Wonder | concept albums |
| Stevie_Wonder | albums in |
| Stevie_Wonder | in 1979 |
| Stevie_Wonder | 1979 wonder |
| Stevie_Wonder | wonder used |
| Stevie_Wonder | used computer |
| Stevie_Wonder | computer music |
| Stevie_Wonder | music inc |
| Stevie_Wonder | inc s |
| Stevie_Wonder | s early |
| Stevie_Wonder | early music |
| Stevie_Wonder | music sampler |
| Stevie_Wonder | sampler the |
| Stevie_Wonder | the melodian |
| Stevie_Wonder | melodian on |
| Stevie_Wonder | on his |
| Stevie_Wonder | his soundtrack |
| Stevie_Wonder | soundtrack album |
| Stevie_Wonder | album stevie |
| Stevie_Wonder | stevie wonder’s |
| Stevie_Wonder | wonder’s journey |
| Stevie_Wonder | journey through |
| Stevie_Wonder | through the |
| Stevie_Wonder | the secret |
| Stevie_Wonder | secret life |
| Stevie_Wonder | life of |
| Stevie_Wonder | of plants |
| Stevie_Wonder | plants this |
| Stevie_Wonder | this was |
| Stevie_Wonder | was his |
| Stevie_Wonder | his first |
| Stevie_Wonder | first digital |
| Stevie_Wonder | digital recording |
| Stevie_Wonder | recording and |
| Stevie_Wonder | and one |
| Stevie_Wonder | one of |
| Stevie_Wonder | of the |
| Stevie_Wonder | the earliest |
| Stevie_Wonder | earliest popular |
| Stevie_Wonder | popular albums |
| Stevie_Wonder | albums to |
| Stevie_Wonder | to use |
| Stevie_Wonder | use the |
| Stevie_Wonder | the technology |
| Stevie_Wonder | technology which |
| Stevie_Wonder | which wonder |
| Stevie_Wonder | wonder used |
| Stevie_Wonder | used for |
| Stevie_Wonder | for all |
| Stevie_Wonder | all subsequent |
| Stevie_Wonder | subsequent recordings |
| Stevie_Wonder | recordings wonder |
| Stevie_Wonder | wonder is |
| Stevie_Wonder | is one |
| Stevie_Wonder | one of |
| Stevie_Wonder | of the |
| Stevie_Wonder | the world’s |
| Stevie_Wonder | world’s best |
| Stevie_Wonder | best selling |
| Stevie_Wonder | selling musicians |
| Stevie_Wonder | musicians with |
| Stevie_Wonder | with sales |
| Stevie_Wonder | sales of |
| Stevie_Wonder | of over |
| Stevie_Wonder | over 100 |
| Stevie_Wonder | 100 million |
| Stevie_Wonder | million records |
| Stevie_Wonder | records worldwide |
| Stevie_Wonder | worldwide he |
| Stevie_Wonder | he has |
| Stevie_Wonder | has won |
| Stevie_Wonder | won 25 |
| Stevie_Wonder | 25 grammy |
| Stevie_Wonder | grammy awards |
| Stevie_Wonder | awards the |
| Stevie_Wonder | the most |
| Stevie_Wonder | most by |
| Stevie_Wonder | by a |
| Stevie_Wonder | a solo |
| Stevie_Wonder | solo artist |
| Stevie_Wonder | artist and |
| Stevie_Wonder | and one |
| Stevie_Wonder | one academy |
| Stevie_Wonder | academy award |
| Stevie_Wonder | award best |
| Stevie_Wonder | best original |
| Stevie_Wonder | original song |
| Stevie_Wonder | song for |
| Stevie_Wonder | for the |
| Stevie_Wonder | the 1984 |
| Stevie_Wonder | 1984 film |
| Stevie_Wonder | film the |
| Stevie_Wonder | the woman |
| Stevie_Wonder | woman in |
| Stevie_Wonder | in red |
| Stevie_Wonder | red wonder |
| Stevie_Wonder | wonder has |
| Stevie_Wonder | has been |
| Stevie_Wonder | been inducted |
| Stevie_Wonder | inducted into |
| Stevie_Wonder | into the |
| Stevie_Wonder | the rhythm |
| Stevie_Wonder | rhythm and |
| Stevie_Wonder | and blues |
| Stevie_Wonder | blues music |
| Stevie_Wonder | music hall |
| Stevie_Wonder | hall of |
| Stevie_Wonder | of fame |
| Stevie_Wonder | fame rock |
| Stevie_Wonder | rock and |
| Stevie_Wonder | and roll |
| Stevie_Wonder | roll hall |
| Stevie_Wonder | hall of |
| Stevie_Wonder | of fame |
| Stevie_Wonder | fame and |
| Stevie_Wonder | and songwriters |
| Stevie_Wonder | songwriters hall |
| Stevie_Wonder | hall of |
| Stevie_Wonder | of fame |
| Stevie_Wonder | fame he |
| Stevie_Wonder | he is |
| Stevie_Wonder | is also |
| Stevie_Wonder | also noted |
| Stevie_Wonder | noted for |
| Stevie_Wonder | for his |
| Stevie_Wonder | his work |
| Stevie_Wonder | work as |
| Stevie_Wonder | as an |
| Stevie_Wonder | an activist |
| Stevie_Wonder | activist for |
| Stevie_Wonder | for political |
| Stevie_Wonder | political causes |
| Stevie_Wonder | causes including |
| Stevie_Wonder | including his |
| Stevie_Wonder | his 1980 |
| Stevie_Wonder | 1980 campaign |
| Stevie_Wonder | campaign to |
| Stevie_Wonder | to make |
| Stevie_Wonder | make martin |
| Stevie_Wonder | martin luther |
| Stevie_Wonder | luther king |
| Stevie_Wonder | king jr |
| Stevie_Wonder | jr s |
| Stevie_Wonder | s birthday |
| Stevie_Wonder | birthday a |
| Stevie_Wonder | a federal |
| Stevie_Wonder | federal holiday |
| Stevie_Wonder | holiday in |
| Stevie_Wonder | in the |
| Stevie_Wonder | the u.s |
| Stevie_Wonder | u.s in |
| Stevie_Wonder | in 2009 |
| Stevie_Wonder | 2009 he |
| Stevie_Wonder | he was |
| Stevie_Wonder | was named |
| Stevie_Wonder | named a |
| Stevie_Wonder | a united |
| Stevie_Wonder | united nations |
| Stevie_Wonder | nations messenger |
| Stevie_Wonder | messenger of |
| Stevie_Wonder | of peace |
| Stevie_Wonder | peace and |
| Stevie_Wonder | and in |
| Stevie_Wonder | in 2014 |
| Stevie_Wonder | 2014 he |
| Stevie_Wonder | he was |
| Stevie_Wonder | was honored |
| Stevie_Wonder | honored with |
| Stevie_Wonder | with the |
| Stevie_Wonder | the presidential |
| Stevie_Wonder | presidential medal |
| Stevie_Wonder | medal of |
| Stevie_Wonder | of freedom |
| Stevie_Wonder | freedom en |
| Billy_Taylor | billy taylor |
| Billy_Taylor | taylor july |
| Billy_Taylor | july 24 |
| Billy_Taylor | 24 1921 |
| Billy_Taylor | 1921 december |
| Billy_Taylor | december 28 |
| Billy_Taylor | 28 2010 |
| Billy_Taylor | 2010 was |
| Billy_Taylor | was an |
| Billy_Taylor | an american |
| Billy_Taylor | american jazz |
| Billy_Taylor | jazz pianist |
| Billy_Taylor | pianist composer |
| Billy_Taylor | composer broadcaster |
| Billy_Taylor | broadcaster and |
| Billy_Taylor | and educator |
| Billy_Taylor | educator he |
| Billy_Taylor | he was |
| Billy_Taylor | was the |
| Billy_Taylor | the robert |
| Billy_Taylor | robert l |
| Billy_Taylor | l jones |
| Billy_Taylor | jones distinguished |
| Billy_Taylor | distinguished professor |
| Billy_Taylor | professor of |
| Billy_Taylor | of music |
| Billy_Taylor | music at |
| Billy_Taylor | at east |
| Billy_Taylor | east carolina |
| Billy_Taylor | carolina university |
| Billy_Taylor | university in |
| Billy_Taylor | in greenville |
| Billy_Taylor | greenville and |
| Billy_Taylor | and from |
| Billy_Taylor | from 1994 |
| Billy_Taylor | 1994 was |
| Billy_Taylor | was the |
| Billy_Taylor | the artistic |
| Billy_Taylor | artistic director |
| Billy_Taylor | director for |
| Billy_Taylor | for jazz |
| Billy_Taylor | jazz at |
| Billy_Taylor | at the |
| Billy_Taylor | the john |
| Billy_Taylor | john f |
| Billy_Taylor | f kennedy |
| Billy_Taylor | kennedy center |
| Billy_Taylor | center for |
| Billy_Taylor | for the |
| Billy_Taylor | the performing |
| Billy_Taylor | performing arts |
| Billy_Taylor | arts in |
| Billy_Taylor | in washington |
| Billy_Taylor | washington d.c |
| Billy_Taylor | d.c a |
| Billy_Taylor | a jazz |
| Billy_Taylor | jazz activist |
| Billy_Taylor | activist taylor |
| Billy_Taylor | taylor sat |
| Billy_Taylor | sat on |
| Billy_Taylor | on the |
| Billy_Taylor | the honorary |
| Billy_Taylor | honorary founders |
| Billy_Taylor | founders board |
| Billy_Taylor | board of |
| Billy_Taylor | of the |
| Billy_Taylor | the jazz |
| Billy_Taylor | jazz foundation |
| Billy_Taylor | foundation of |
| Billy_Taylor | of america |
| Billy_Taylor | america an |
| Billy_Taylor | an organisation |
| Billy_Taylor | organisation he |
| Billy_Taylor | he founded |
| Billy_Taylor | founded in |
| Billy_Taylor | in 1989 |
| Billy_Taylor | 1989 with |
| Billy_Taylor | with ann |
| Billy_Taylor | ann ruckert |
| Billy_Taylor | ruckert herb |
| Billy_Taylor | herb storfer |
| Billy_Taylor | storfer and |
| Billy_Taylor | and phoebe |
| Billy_Taylor | phoebe jacobs |
| Billy_Taylor | jacobs to |
| Billy_Taylor | to save |
| Billy_Taylor | save the |
| Billy_Taylor | the homes |
| Billy_Taylor | homes and |
| Billy_Taylor | and the |
| Billy_Taylor | the lives |
| Billy_Taylor | lives of |
| Billy_Taylor | of america’s |
| Billy_Taylor | america’s elderly |
| Billy_Taylor | elderly jazz |
| Billy_Taylor | jazz and |
| Billy_Taylor | and blues |
| Billy_Taylor | blues musicians |
| Billy_Taylor | musicians later |
| Billy_Taylor | later including |
| Billy_Taylor | including musicians |
| Billy_Taylor | musicians who |
| Billy_Taylor | who survived |
| Billy_Taylor | survived hurricane |
| Billy_Taylor | hurricane katrina |
| Billy_Taylor | katrina taylor |
| Billy_Taylor | taylor was |
| Billy_Taylor | was a |
| Billy_Taylor | a jazz |
| Billy_Taylor | jazz educator |
| Billy_Taylor | educator who |
| Billy_Taylor | who lectured |
| Billy_Taylor | lectured in |
| Billy_Taylor | in colleges |
| Billy_Taylor | colleges served |
| Billy_Taylor | served on |
| Billy_Taylor | on panels |
| Billy_Taylor | panels and |
| Billy_Taylor | and travelled |
| Billy_Taylor | travelled worldwide |
| Billy_Taylor | worldwide as |
| Billy_Taylor | as a |
| Billy_Taylor | a jazz |
| Billy_Taylor | jazz ambassador |
| Billy_Taylor | ambassador critic |
| Billy_Taylor | critic leonard |
| Billy_Taylor | leonard feather |
| Billy_Taylor | feather once |
| Billy_Taylor | once said |
| Billy_Taylor | said it |
| Billy_Taylor | it is |
| Billy_Taylor | is almost |
| Billy_Taylor | almost indisputable |
| Billy_Taylor | indisputable that |
| Billy_Taylor | that dr |
| Billy_Taylor | dr billy |
| Billy_Taylor | billy taylor |
| Billy_Taylor | taylor is |
| Billy_Taylor | is the |
| Billy_Taylor | the world’s |
| Billy_Taylor | world’s foremost |
| Billy_Taylor | foremost spokesman |
| Billy_Taylor | spokesman for |
| Billy_Taylor | for jazz |
| Billy_Taylor | jazz en |
| Tommy_Campbell_(musician) | thomas w |
| Tommy_Campbell_(musician) | w campbell |
| Tommy_Campbell_(musician) | campbell born |
| Tommy_Campbell_(musician) | born february |
| Tommy_Campbell_(musician) | february 14 |
| Tommy_Campbell_(musician) | 14 1957 |
| Tommy_Campbell_(musician) | 1957 norristown |
| Tommy_Campbell_(musician) | norristown pennsylvania |
| Tommy_Campbell_(musician) | pennsylvania is |
| Tommy_Campbell_(musician) | is an |
| Tommy_Campbell_(musician) | an american |
| Tommy_Campbell_(musician) | american jazz |
| Tommy_Campbell_(musician) | jazz drummer |
| Tommy_Campbell_(musician) | drummer campbell’s |
| Tommy_Campbell_(musician) | campbell’s uncle |
| Tommy_Campbell_(musician) | uncle is |
| Tommy_Campbell_(musician) | is jimmy |
| Tommy_Campbell_(musician) | jimmy smith |
| Tommy_Campbell_(musician) | smith campbell |
| Tommy_Campbell_(musician) | campbell played |
| Tommy_Campbell_(musician) | played with |
| Tommy_Campbell_(musician) | with him |
| Tommy_Campbell_(musician) | him as |
| Tommy_Campbell_(musician) | as a |
| Tommy_Campbell_(musician) | a teenager |
| Tommy_Campbell_(musician) | teenager and |
| Tommy_Campbell_(musician) | and subsequently |
| Tommy_Campbell_(musician) | subsequently he |
| Tommy_Campbell_(musician) | he was |
| Tommy_Campbell_(musician) | was a |
| Tommy_Campbell_(musician) | a student |
| Tommy_Campbell_(musician) | student at |
| Tommy_Campbell_(musician) | at berklee |
| Tommy_Campbell_(musician) | berklee college |
| Tommy_Campbell_(musician) | college of |
| Tommy_Campbell_(musician) | of music |
| Tommy_Campbell_(musician) | music from |
| Tommy_Campbell_(musician) | from 1975 |
| Tommy_Campbell_(musician) | 1975 to |
| Tommy_Campbell_(musician) | to 1979 |
| Tommy_Campbell_(musician) | 1979 where |
| Tommy_Campbell_(musician) | where he |
| Tommy_Campbell_(musician) | he played |
| Tommy_Campbell_(musician) | played with |
| Tommy_Campbell_(musician) | with tiger |
| Tommy_Campbell_(musician) | tiger okoshi |
| Tommy_Campbell_(musician) | okoshi and |
| Tommy_Campbell_(musician) | and marlena |
| Tommy_Campbell_(musician) | marlena shaw |
| Tommy_Campbell_(musician) | shaw and |
| Tommy_Campbell_(musician) | and led |
| Tommy_Campbell_(musician) | led a |
| Tommy_Campbell_(musician) | a band |
| Tommy_Campbell_(musician) | band which |
| Tommy_Campbell_(musician) | which included |
| Tommy_Campbell_(musician) | included kevin |
| Tommy_Campbell_(musician) | kevin eubanks |
| Tommy_Campbell_(musician) | eubanks after |
| Tommy_Campbell_(musician) | after graduating |
| Tommy_Campbell_(musician) | graduating he |
| Tommy_Campbell_(musician) | he became |
| Tommy_Campbell_(musician) | became a |
| Tommy_Campbell_(musician) | a member |
| Tommy_Campbell_(musician) | member of |
| Tommy_Campbell_(musician) | of dizzy |
| Tommy_Campbell_(musician) | dizzy gillespie’s |
| Tommy_Campbell_(musician) | gillespie’s big |
| Tommy_Campbell_(musician) | big band |
| Tommy_Campbell_(musician) | band where |
| Tommy_Campbell_(musician) | where he |
| Tommy_Campbell_(musician) | he worked |
| Tommy_Campbell_(musician) | worked until |
| Tommy_Campbell_(musician) | until 1982 |
| Tommy_Campbell_(musician) | 1982 he |
| Tommy_Campbell_(musician) | he then |
| Tommy_Campbell_(musician) | then joined |
| Tommy_Campbell_(musician) | joined john |
| Tommy_Campbell_(musician) | john mclaughlin’s |
| Tommy_Campbell_(musician) | mclaughlin’s group |
| Tommy_Campbell_(musician) | group until |
| Tommy_Campbell_(musician) | until 1984 |
| Tommy_Campbell_(musician) | 1984 he |
| Tommy_Campbell_(musician) | he recorded |
| Tommy_Campbell_(musician) | recorded with |
| Tommy_Campbell_(musician) | with eubanks |
| Tommy_Campbell_(musician) | eubanks throughout |
| Tommy_Campbell_(musician) | throughout the |
| Tommy_Campbell_(musician) | the 1980s |
| Tommy_Campbell_(musician) | 1980s and |
| Tommy_Campbell_(musician) | and played |
| Tommy_Campbell_(musician) | played with |
| Tommy_Campbell_(musician) | with sonny |
| Tommy_Campbell_(musician) | sonny rollins |
| Tommy_Campbell_(musician) | rollins tania |
| Tommy_Campbell_(musician) | tania maria |
| Tommy_Campbell_(musician) | maria gary |
| Tommy_Campbell_(musician) | gary burton |
| Tommy_Campbell_(musician) | burton igor |
| Tommy_Campbell_(musician) | igor butman |
| Tommy_Campbell_(musician) | butman and |
| Tommy_Campbell_(musician) | and makoto |
| Tommy_Campbell_(musician) | makoto ozone |
| Tommy_Campbell_(musician) | ozone in |
| Tommy_Campbell_(musician) | in the |
| Tommy_Campbell_(musician) | the decade |
| Tommy_Campbell_(musician) | decade after |
| Tommy_Campbell_(musician) | after relocating |
| Tommy_Campbell_(musician) | relocating to |
| Tommy_Campbell_(musician) | to new |
| Tommy_Campbell_(musician) | new york |
| Tommy_Campbell_(musician) | york city |
| Tommy_Campbell_(musician) | city in |
| Tommy_Campbell_(musician) | in 1988 |
| Tommy_Campbell_(musician) | 1988 he |
| Tommy_Campbell_(musician) | he worked |
| Tommy_Campbell_(musician) | worked with |
| Tommy_Campbell_(musician) | with his |
| Tommy_Campbell_(musician) | his own |
| Tommy_Campbell_(musician) | own group |
| Tommy_Campbell_(musician) | group alongside |
| Tommy_Campbell_(musician) | alongside charnett |
| Tommy_Campbell_(musician) | charnett moffett |
| Tommy_Campbell_(musician) | moffett aydin |
| Tommy_Campbell_(musician) | aydin esen |
| Tommy_Campbell_(musician) | esen and |
| Tommy_Campbell_(musician) | and eubanks |
| Tommy_Campbell_(musician) | eubanks he |
| Tommy_Campbell_(musician) | he also |
| Tommy_Campbell_(musician) | also worked |
| Tommy_Campbell_(musician) | worked in |
| Tommy_Campbell_(musician) | in a |
| Tommy_Campbell_(musician) | a trio |
| Tommy_Campbell_(musician) | trio setting |
| Tommy_Campbell_(musician) | setting with |
| Tommy_Campbell_(musician) | with david |
| Tommy_Campbell_(musician) | david kikoski |
| Tommy_Campbell_(musician) | kikoski and |
| Tommy_Campbell_(musician) | and alex |
| Tommy_Campbell_(musician) | alex blake |
| Tommy_Campbell_(musician) | blake as |
| Tommy_Campbell_(musician) | as a |
| Tommy_Campbell_(musician) | a sideman |
| Tommy_Campbell_(musician) | sideman he |
| Tommy_Campbell_(musician) | he worked |
| Tommy_Campbell_(musician) | worked in |
| Tommy_Campbell_(musician) | in the |
| Tommy_Campbell_(musician) | the 1990s |
| Tommy_Campbell_(musician) | 1990s with |
| Tommy_Campbell_(musician) | with stanley |
| Tommy_Campbell_(musician) | stanley jordan |
| Tommy_Campbell_(musician) | jordan the |
| Tommy_Campbell_(musician) | the manhattan |
| Tommy_Campbell_(musician) | manhattan transfer |
| Tommy_Campbell_(musician) | transfer the |
| Tommy_Campbell_(musician) | the david |
| Tommy_Campbell_(musician) | david murray |
| Tommy_Campbell_(musician) | murray ray |
| Tommy_Campbell_(musician) | ray anderson |
| Tommy_Campbell_(musician) | anderson and |
| Tommy_Campbell_(musician) | and mingus |
| Tommy_Campbell_(musician) | mingus big |
| Tommy_Campbell_(musician) | big band |
| Tommy_Campbell_(musician) | band in |
| Tommy_Campbell_(musician) | in early |
| Tommy_Campbell_(musician) | early 1998 |
| Tommy_Campbell_(musician) | 1998 he |
| Tommy_Campbell_(musician) | he moved |
| Tommy_Campbell_(musician) | moved to |
| Tommy_Campbell_(musician) | to japan |
| Tommy_Campbell_(musician) | japan and |
| Tommy_Campbell_(musician) | and has |
| Tommy_Campbell_(musician) | has split |
| Tommy_Campbell_(musician) | split his |
| Tommy_Campbell_(musician) | his time |
| Tommy_Campbell_(musician) | time between |
| Tommy_Campbell_(musician) | between the |
| Tommy_Campbell_(musician) | the two |
| Tommy_Campbell_(musician) | two countries |
| Tommy_Campbell_(musician) | countries since |
| Tommy_Campbell_(musician) | since then |
| Tommy_Campbell_(musician) | then en |
| Clark_Terry | clark virgil |
| Clark_Terry | virgil terry |
| Clark_Terry | terry jr |
| Clark_Terry | jr december |
| Clark_Terry | december 14 |
| Clark_Terry | 14 1920 |
| Clark_Terry | 1920 february |
| Clark_Terry | february 21 |
| Clark_Terry | 21 2015 |
| Clark_Terry | 2015 was |
| Clark_Terry | was an |
| Clark_Terry | an american |
| Clark_Terry | american swing |
| Clark_Terry | swing and |
| Clark_Terry | and bebop |
| Clark_Terry | bebop trumpeter |
| Clark_Terry | trumpeter a |
| Clark_Terry | a pioneer |
| Clark_Terry | pioneer of |
| Clark_Terry | of the |
| Clark_Terry | the flugelhorn |
| Clark_Terry | flugelhorn in |
| Clark_Terry | in jazz |
| Clark_Terry | jazz and |
| Clark_Terry | and a |
| Clark_Terry | a composer |
| Clark_Terry | composer and |
| Clark_Terry | and educator |
| Clark_Terry | educator he |
| Clark_Terry | he played |
| Clark_Terry | played with |
| Clark_Terry | with charlie |
| Clark_Terry | charlie barnet |
| Clark_Terry | barnet 1947 |
| Clark_Terry | 1947 count |
| Clark_Terry | count basie |
| Clark_Terry | basie 1948 |
| Clark_Terry | 1948 1 |
| Clark_Terry | 1 duke |
| Clark_Terry | duke ellington |
| Clark_Terry | ellington 1951 |
| Clark_Terry | 1951 9 |
| Clark_Terry | 9 quincy |
| Clark_Terry | quincy jones |
| Clark_Terry | jones 1960 |
| Clark_Terry | 1960 and |
| Clark_Terry | and oscar |
| Clark_Terry | oscar peterson |
| Clark_Terry | peterson 1964 |
| Clark_Terry | 1964 6 |
| Clark_Terry | 6 he |
| Clark_Terry | he was |
| Clark_Terry | was with |
| Clark_Terry | with the |
| Clark_Terry | the tonight |
| Clark_Terry | tonight show |
| Clark_Terry | show band |
| Clark_Terry | band on |
| Clark_Terry | on the |
| Clark_Terry | the tonight |
| Clark_Terry | tonight show |
| Clark_Terry | show from |
| Clark_Terry | from 1962 |
| Clark_Terry | 1962 to |
| Clark_Terry | to 1972 |
| Clark_Terry | 1972 his |
| Clark_Terry | his career |
| Clark_Terry | career in |
| Clark_Terry | in jazz |
| Clark_Terry | jazz spanned |
| Clark_Terry | spanned more |
| Clark_Terry | more than |
| Clark_Terry | than 70 |
| Clark_Terry | 70 years |
| Clark_Terry | years during |
| Clark_Terry | during which |
| Clark_Terry | which he |
| Clark_Terry | he became |
| Clark_Terry | became one |
| Clark_Terry | one of |
| Clark_Terry | of the |
| Clark_Terry | the most |
| Clark_Terry | most recorded |
| Clark_Terry | recorded jazz |
| Clark_Terry | jazz musicians |
| Clark_Terry | musicians appearing |
| Clark_Terry | appearing on |
| Clark_Terry | on over |
| Clark_Terry | over 900 |
| Clark_Terry | 900 recordings |
| Clark_Terry | recordings terry |
| Clark_Terry | terry also |
| Clark_Terry | also mentored |
| Clark_Terry | mentored quincy |
| Clark_Terry | quincy jones |
| Clark_Terry | jones miles |
| Clark_Terry | miles davis |
| Clark_Terry | davis herbie |
| Clark_Terry | herbie hancock |
| Clark_Terry | hancock wynton |
| Clark_Terry | wynton marsalis |
| Clark_Terry | marsalis pat |
| Clark_Terry | pat metheny |
| Clark_Terry | metheny dianne |
| Clark_Terry | dianne reeves |
| Clark_Terry | reeves and |
| Clark_Terry | and terri |
| Clark_Terry | terri lyne |
| Clark_Terry | lyne carrington |
| Clark_Terry | carrington en |
| Wessell_Anderson | wessell warmdaddy |
| Wessell_Anderson | warmdaddy anderson |
| Wessell_Anderson | anderson born |
| Wessell_Anderson | born 1966 |
| Wessell_Anderson | 1966 is |
| Wessell_Anderson | is an |
| Wessell_Anderson | an american |
| Wessell_Anderson | american jazz |
| Wessell_Anderson | jazz alto |
| Wessell_Anderson | alto and |
| Wessell_Anderson | and sopranino |
| Wessell_Anderson | sopranino saxophonist |
| Wessell_Anderson | saxophonist anderson |
| Wessell_Anderson | anderson grew |
| Wessell_Anderson | grew up |
| Wessell_Anderson | up in |
| Wessell_Anderson | in bedford |
| Wessell_Anderson | bedford stuyvesant |
| Wessell_Anderson | stuyvesant and |
| Wessell_Anderson | and crown |
| Wessell_Anderson | crown heights |
| Wessell_Anderson | heights and |
| Wessell_Anderson | and played |
| Wessell_Anderson | played jazz |
| Wessell_Anderson | jazz early |
| Wessell_Anderson | early on |
| Wessell_Anderson | on at |
| Wessell_Anderson | at the |
| Wessell_Anderson | the urging |
| Wessell_Anderson | urging of |
| Wessell_Anderson | of his |
| Wessell_Anderson | his father |
| Wessell_Anderson | father who |
| Wessell_Anderson | who was |
| Wessell_Anderson | was a |
| Wessell_Anderson | a drummer |
| Wessell_Anderson | drummer he |
| Wessell_Anderson | he played |
| Wessell_Anderson | played in |
| Wessell_Anderson | in local |
| Wessell_Anderson | local clubs |
| Wessell_Anderson | clubs from |
| Wessell_Anderson | from his |
| Wessell_Anderson | his early |
| Wessell_Anderson | early teenage |
| Wessell_Anderson | teenage years |
| Wessell_Anderson | years and |
| Wessell_Anderson | and studied |
| Wessell_Anderson | studied at |
| Wessell_Anderson | at the |
| Wessell_Anderson | the jazzmobile |
| Wessell_Anderson | jazzmobile workshops |
| Wessell_Anderson | workshops with |
| Wessell_Anderson | with frank |
| Wessell_Anderson | frank wess |
| Wessell_Anderson | wess charles |
| Wessell_Anderson | charles davis |
| Wessell_Anderson | davis and |
| Wessell_Anderson | and frank |
| Wessell_Anderson | frank foster |
| Wessell_Anderson | foster he |
| Wessell_Anderson | he also |
| Wessell_Anderson | also met |
| Wessell_Anderson | met branford |
| Wessell_Anderson | branford marsalis |
| Wessell_Anderson | marsalis who |
| Wessell_Anderson | who convinced |
| Wessell_Anderson | convinced him |
| Wessell_Anderson | him to |
| Wessell_Anderson | to study |
| Wessell_Anderson | study with |
| Wessell_Anderson | with alvin |
| Wessell_Anderson | alvin batiste |
| Wessell_Anderson | batiste at |
| Wessell_Anderson | at southern |
| Wessell_Anderson | southern university |
| Wessell_Anderson | university in |
| Wessell_Anderson | in louisiana |
| Wessell_Anderson | louisiana soon |
| Wessell_Anderson | soon after |
| Wessell_Anderson | after this |
| Wessell_Anderson | this anderson |
| Wessell_Anderson | anderson began |
| Wessell_Anderson | began touring |
| Wessell_Anderson | touring with |
| Wessell_Anderson | with the |
| Wessell_Anderson | the wynton |
| Wessell_Anderson | wynton marsalis |
| Wessell_Anderson | marsalis septet |
| Wessell_Anderson | septet and |
| Wessell_Anderson | and collaborated |
| Wessell_Anderson | collaborated with |
| Wessell_Anderson | with marsalis |
| Wessell_Anderson | marsalis through |
| Wessell_Anderson | through the |
| Wessell_Anderson | the middle |
| Wessell_Anderson | middle of |
| Wessell_Anderson | of the |
| Wessell_Anderson | the 1990s |
| Wessell_Anderson | 1990s he |
| Wessell_Anderson | he continued |
| Wessell_Anderson | continued to |
| Wessell_Anderson | to play |
| Wessell_Anderson | play with |
| Wessell_Anderson | with marsalis’s |
| Wessell_Anderson | marsalis’s lincoln |
| Wessell_Anderson | lincoln center |
| Wessell_Anderson | center jazz |
| Wessell_Anderson | jazz orchestra |
| Wessell_Anderson | orchestra beyond |
| Wessell_Anderson | beyond this |
| Wessell_Anderson | this in |
| Wessell_Anderson | in 1994 |
| Wessell_Anderson | 1994 he |
| Wessell_Anderson | he released |
| Wessell_Anderson | released his |
| Wessell_Anderson | his debut |
| Wessell_Anderson | debut album |
| Wessell_Anderson | album on |
| Wessell_Anderson | on atlantic |
| Wessell_Anderson | atlantic records |
| Wessell_Anderson | records eric |
| Wessell_Anderson | eric reed |
| Wessell_Anderson | reed and |
| Wessell_Anderson | and ben |
| Wessell_Anderson | ben wolfe |
| Wessell_Anderson | wolfe were |
| Wessell_Anderson | were among |
| Wessell_Anderson | among those |
| Wessell_Anderson | those who |
| Wessell_Anderson | who played |
| Wessell_Anderson | played as |
| Wessell_Anderson | as sidemen |
| Wessell_Anderson | sidemen his |
| Wessell_Anderson | his 1998 |
| Wessell_Anderson | 1998 album |
| Wessell_Anderson | album live |
| Wessell_Anderson | live at |
| Wessell_Anderson | at the |
| Wessell_Anderson | the village |
| Wessell_Anderson | village vanguard |
| Wessell_Anderson | vanguard featured |
| Wessell_Anderson | featured irvin |
| Wessell_Anderson | irvin mayfield |
| Wessell_Anderson | mayfield steve |
| Wessell_Anderson | steve kirby |
| Wessell_Anderson | kirby xavier |
| Wessell_Anderson | xavier davis |
| Wessell_Anderson | davis and |
| Wessell_Anderson | and en |
| George_Mraz | george mraz |
| George_Mraz | mraz born |
| George_Mraz | born ji |
| George_Mraz | ji 穩 |
| George_Mraz | 穩 mr |
| George_Mraz | mr 獺 |
| George_Mraz | 獺 z |
| George_Mraz | z 9 |
| George_Mraz | 9 september |
| George_Mraz | september 1944 |
| George_Mraz | 1944 16 |
| George_Mraz | 16 september |
| George_Mraz | september 2021 |
| George_Mraz | 2021 was |
| George_Mraz | was a |
| George_Mraz | a czech |
| George_Mraz | czech born |
| George_Mraz | born american |
| George_Mraz | american jazz |
| George_Mraz | jazz bassist |
| George_Mraz | bassist and |
| George_Mraz | and alto |
| George_Mraz | alto saxophonist |
| George_Mraz | saxophonist he |
| George_Mraz | he was |
| George_Mraz | was a |
| George_Mraz | a member |
| George_Mraz | member of |
| George_Mraz | of oscar |
| George_Mraz | oscar peterson’s |
| George_Mraz | peterson’s group |
| George_Mraz | group and |
| George_Mraz | and worked |
| George_Mraz | worked with |
| George_Mraz | with pepper |
| George_Mraz | pepper adams |
| George_Mraz | adams stan |
| George_Mraz | stan getz |
| George_Mraz | getz michel |
| George_Mraz | michel petrucciani |
| George_Mraz | petrucciani stephane |
| George_Mraz | stephane grappelli |
| George_Mraz | grappelli tommy |
| George_Mraz | tommy flanagan |
| George_Mraz | flanagan jimmy |
| George_Mraz | jimmy raney |
| George_Mraz | raney chet |
| George_Mraz | chet baker |
| George_Mraz | baker joe |
| George_Mraz | joe henderson |
| George_Mraz | henderson john |
| George_Mraz | john abercrombie |
| George_Mraz | abercrombie john |
| George_Mraz | john scofield |
| George_Mraz | scofield and |
| George_Mraz | and richie |
| George_Mraz | richie beirach |
| George_Mraz | beirach among |
| George_Mraz | among others |
| George_Mraz | others during |
| George_Mraz | during the |
| George_Mraz | the 1970s |
| George_Mraz | 1970s he |
| George_Mraz | he was |
| George_Mraz | was a |
| George_Mraz | a member |
| George_Mraz | member of |
| George_Mraz | of the |
| George_Mraz | the new |
| George_Mraz | new york |
| George_Mraz | york jazz |
| George_Mraz | jazz quartet |
| George_Mraz | quartet and |
| George_Mraz | and the |
| George_Mraz | the thad |
| George_Mraz | thad jones |
| George_Mraz | jones mel |
| George_Mraz | mel lewis |
| George_Mraz | lewis orchestra |
| George_Mraz | orchestra and |
| George_Mraz | and in |
| George_Mraz | in the |
| George_Mraz | the 1980s |
| George_Mraz | 1980s a |
| George_Mraz | a member |
| George_Mraz | member of |
| George_Mraz | of quest |
| George_Mraz | quest he |
| George_Mraz | he also |
| George_Mraz | also appeared |
| George_Mraz | appeared with |
| George_Mraz | with joe |
| George_Mraz | joe lovano |
| George_Mraz | lovano hank |
| George_Mraz | hank jones |
| George_Mraz | jones and |
| George_Mraz | and paul |
| George_Mraz | paul motian |
| George_Mraz | motian on |
| George_Mraz | on lovano’s |
| George_Mraz | lovano’s records |
| George_Mraz | records i’m |
| George_Mraz | i’m all |
| George_Mraz | all for |
| George_Mraz | for you |
| George_Mraz | you and |
| George_Mraz | and joyous |
| George_Mraz | joyous encounter |
| George_Mraz | encounter en |
| Rickey_Minor | rickey minor |
| Rickey_Minor | minor is |
| Rickey_Minor | is an |
| Rickey_Minor | an american |
| Rickey_Minor | american bass |
| Rickey_Minor | bass player |
| Rickey_Minor | player music |
| Rickey_Minor | music director |
| Rickey_Minor | director composer |
| Rickey_Minor | composer and |
| Rickey_Minor | and music |
| Rickey_Minor | music producer |
| Rickey_Minor | producer he |
| Rickey_Minor | he was |
| Rickey_Minor | was the |
| Rickey_Minor | the musical |
| Rickey_Minor | musical director |
| Rickey_Minor | director and |
| Rickey_Minor | and bandleader |
| Rickey_Minor | bandleader on |
| Rickey_Minor | on the |
| Rickey_Minor | the tonight |
| Rickey_Minor | tonight show |
| Rickey_Minor | show with |
| Rickey_Minor | with jay |
| Rickey_Minor | jay leno |
| Rickey_Minor | leno from |
| Rickey_Minor | from 2010 |
| Rickey_Minor | 2010 to |
| Rickey_Minor | to 2014 |
| Rickey_Minor | 2014 taking |
| Rickey_Minor | taking over |
| Rickey_Minor | over after |
| Rickey_Minor | after kevin |
| Rickey_Minor | kevin eubanks |
| Rickey_Minor | eubanks left |
| Rickey_Minor | left minor |
| Rickey_Minor | minor worked |
| Rickey_Minor | worked as |
| Rickey_Minor | as musical |
| Rickey_Minor | musical director |
| Rickey_Minor | director for |
| Rickey_Minor | for american |
| Rickey_Minor | american idol |
| Rickey_Minor | idol minor |
| Rickey_Minor | minor has |
| Rickey_Minor | has served |
| Rickey_Minor | served as |
| Rickey_Minor | as musical |
| Rickey_Minor | musical director |
| Rickey_Minor | director for |
| Rickey_Minor | for numerous |
| Rickey_Minor | numerous superstar |
| Rickey_Minor | superstar tours |
| Rickey_Minor | tours including |
| Rickey_Minor | including whitney |
| Rickey_Minor | whitney houston |
| Rickey_Minor | houston christina |
| Rickey_Minor | christina aguilera |
| Rickey_Minor | aguilera ray |
| Rickey_Minor | ray charles |
| Rickey_Minor | charles alicia |
| Rickey_Minor | alicia keys |
| Rickey_Minor | keys and |
| Rickey_Minor | and beyonc |
| Rickey_Minor | beyonc 矇 |
| Rickey_Minor | 矇 and |
| Rickey_Minor | and for |
| Rickey_Minor | for television |
| Rickey_Minor | television productions |
| Rickey_Minor | productions including |
| Rickey_Minor | including the |
| Rickey_Minor | the grammy |
| Rickey_Minor | grammy awards |
| Rickey_Minor | awards the |
| Rickey_Minor | the naacp |
| Rickey_Minor | naacp image |
| Rickey_Minor | image awards |
| Rickey_Minor | awards and |
| Rickey_Minor | and the |
| Rickey_Minor | the super |
| Rickey_Minor | super bowl |
| Rickey_Minor | bowl he |
| Rickey_Minor | he has |
| Rickey_Minor | has received |
| Rickey_Minor | received twelve |
| Rickey_Minor | twelve primetime |
| Rickey_Minor | primetime emmy |
| Rickey_Minor | emmy award |
| Rickey_Minor | award nominations |
| Rickey_Minor | nominations for |
| Rickey_Minor | for outstanding |
| Rickey_Minor | outstanding music |
| Rickey_Minor | music direction |
| Rickey_Minor | direction winning |
| Rickey_Minor | winning two |
| Rickey_Minor | two of |
| Rickey_Minor | of them |
| Rickey_Minor | them for |
| Rickey_Minor | for taking |
| Rickey_Minor | taking the |
| Rickey_Minor | the stage |
| Rickey_Minor | stage african |
| Rickey_Minor | african american |
| Rickey_Minor | american music |
| Rickey_Minor | music and |
| Rickey_Minor | and stories |
| Rickey_Minor | stories that |
| Rickey_Minor | that changed |
| Rickey_Minor | changed america |
| Rickey_Minor | america 2017 |
| Rickey_Minor | 2017 and |
| Rickey_Minor | and the |
| Rickey_Minor | the kennedy |
| Rickey_Minor | kennedy center |
| Rickey_Minor | center honors |
| Rickey_Minor | honors 2020 |
| Rickey_Minor | 2020 en |
| Andrew_Hill_(jazz_musician) | andrew hill |
| Andrew_Hill_(jazz_musician) | hill june |
| Andrew_Hill_(jazz_musician) | june 30 |
| Andrew_Hill_(jazz_musician) | 30 1931 |
| Andrew_Hill_(jazz_musician) | 1931 april |
| Andrew_Hill_(jazz_musician) | april 20 |
| Andrew_Hill_(jazz_musician) | 20 2007 |
| Andrew_Hill_(jazz_musician) | 2007 was |
| Andrew_Hill_(jazz_musician) | was an |
| Andrew_Hill_(jazz_musician) | an american |
| Andrew_Hill_(jazz_musician) | american jazz |
| Andrew_Hill_(jazz_musician) | jazz pianist |
| Andrew_Hill_(jazz_musician) | pianist and |
| Andrew_Hill_(jazz_musician) | and composer |
| Andrew_Hill_(jazz_musician) | composer jazz |
| Andrew_Hill_(jazz_musician) | jazz critic |
| Andrew_Hill_(jazz_musician) | critic john |
| Andrew_Hill_(jazz_musician) | john fordham |
| Andrew_Hill_(jazz_musician) | fordham described |
| Andrew_Hill_(jazz_musician) | described hill |
| Andrew_Hill_(jazz_musician) | hill as |
| Andrew_Hill_(jazz_musician) | as a |
| Andrew_Hill_(jazz_musician) | a uniquely |
| Andrew_Hill_(jazz_musician) | uniquely gifted |
| Andrew_Hill_(jazz_musician) | gifted composer |
| Andrew_Hill_(jazz_musician) | composer pianist |
| Andrew_Hill_(jazz_musician) | pianist and |
| Andrew_Hill_(jazz_musician) | and educator |
| Andrew_Hill_(jazz_musician) | educator although |
| Andrew_Hill_(jazz_musician) | although his |
| Andrew_Hill_(jazz_musician) | his status |
| Andrew_Hill_(jazz_musician) | status remained |
| Andrew_Hill_(jazz_musician) | remained largely |
| Andrew_Hill_(jazz_musician) | largely inside |
| Andrew_Hill_(jazz_musician) | inside knowledge |
| Andrew_Hill_(jazz_musician) | knowledge in |
| Andrew_Hill_(jazz_musician) | in the |
| Andrew_Hill_(jazz_musician) | the jazz |
| Andrew_Hill_(jazz_musician) | jazz world |
| Andrew_Hill_(jazz_musician) | world for |
| Andrew_Hill_(jazz_musician) | for most |
| Andrew_Hill_(jazz_musician) | most of |
| Andrew_Hill_(jazz_musician) | of his |
| Andrew_Hill_(jazz_musician) | his career |
| Andrew_Hill_(jazz_musician) | career hill |
| Andrew_Hill_(jazz_musician) | hill recorded |
| Andrew_Hill_(jazz_musician) | recorded for |
| Andrew_Hill_(jazz_musician) | for blue |
| Andrew_Hill_(jazz_musician) | blue note |
| Andrew_Hill_(jazz_musician) | note records |
| Andrew_Hill_(jazz_musician) | records for |
| Andrew_Hill_(jazz_musician) | for nearly |
| Andrew_Hill_(jazz_musician) | nearly a |
| Andrew_Hill_(jazz_musician) | a decade |
| Andrew_Hill_(jazz_musician) | decade producing |
| Andrew_Hill_(jazz_musician) | producing a |
| Andrew_Hill_(jazz_musician) | a dozen |
| Andrew_Hill_(jazz_musician) | dozen albums |
| Andrew_Hill_(jazz_musician) | albums en |
| Robert_Stewart_(saxophonist) | robert darrin |
| Robert_Stewart_(saxophonist) | darrin stewart |
| Robert_Stewart_(saxophonist) | stewart is |
| Robert_Stewart_(saxophonist) | is an |
| Robert_Stewart_(saxophonist) | an american |
| Robert_Stewart_(saxophonist) | american saxophonist |
| Robert_Stewart_(saxophonist) | saxophonist he |
| Robert_Stewart_(saxophonist) | he recorded |
| Robert_Stewart_(saxophonist) | recorded several |
| Robert_Stewart_(saxophonist) | several albums |
| Robert_Stewart_(saxophonist) | albums under |
| Robert_Stewart_(saxophonist) | under his |
| Robert_Stewart_(saxophonist) | his own |
| Robert_Stewart_(saxophonist) | own name |
| Robert_Stewart_(saxophonist) | name during |
| Robert_Stewart_(saxophonist) | during the |
| Robert_Stewart_(saxophonist) | the period |
| Robert_Stewart_(saxophonist) | period 1994 |
| Robert_Stewart_(saxophonist) | 1994 006 |
| Robert_Stewart_(saxophonist) | 006 he |
| Robert_Stewart_(saxophonist) | he has |
| Robert_Stewart_(saxophonist) | has also |
| Robert_Stewart_(saxophonist) | also recorded |
| Robert_Stewart_(saxophonist) | recorded as |
| Robert_Stewart_(saxophonist) | as a |
| Robert_Stewart_(saxophonist) | a sideman |
| Robert_Stewart_(saxophonist) | sideman including |
| Robert_Stewart_(saxophonist) | including on |
| Robert_Stewart_(saxophonist) | on trumpeter |
| Robert_Stewart_(saxophonist) | trumpeter wynton |
| Robert_Stewart_(saxophonist) | wynton marsalis |
| Robert_Stewart_(saxophonist) | marsalis blood |
| Robert_Stewart_(saxophonist) | blood on |
| Robert_Stewart_(saxophonist) | on the |
| Robert_Stewart_(saxophonist) | the fields |
| Robert_Stewart_(saxophonist) | fields stewart |
| Robert_Stewart_(saxophonist) | stewart went |
| Robert_Stewart_(saxophonist) | went on |
| Robert_Stewart_(saxophonist) | on multiple |
| Robert_Stewart_(saxophonist) | multiple national |
| Robert_Stewart_(saxophonist) | national and |
| Robert_Stewart_(saxophonist) | and world |
| Robert_Stewart_(saxophonist) | world tours |
| Robert_Stewart_(saxophonist) | tours during |
| Robert_Stewart_(saxophonist) | during his |
| Robert_Stewart_(saxophonist) | his 30 |
| Robert_Stewart_(saxophonist) | 30 year |
| Robert_Stewart_(saxophonist) | year career |
| Robert_Stewart_(saxophonist) | career as |
| Robert_Stewart_(saxophonist) | as a |
| Robert_Stewart_(saxophonist) | a performer |
| Robert_Stewart_(saxophonist) | performer both |
| Robert_Stewart_(saxophonist) | both under |
| Robert_Stewart_(saxophonist) | under his |
| Robert_Stewart_(saxophonist) | his own |
| Robert_Stewart_(saxophonist) | own name |
| Robert_Stewart_(saxophonist) | name and |
| Robert_Stewart_(saxophonist) | and with |
| Robert_Stewart_(saxophonist) | with the |
| Robert_Stewart_(saxophonist) | the marsalis |
| Robert_Stewart_(saxophonist) | marsalis band |
| Robert_Stewart_(saxophonist) | band en |
| Art_Pepper | arthur edward |
| Art_Pepper | edward pepper |
| Art_Pepper | pepper jr |
| Art_Pepper | jr september |
| Art_Pepper | september 1 |
| Art_Pepper | 1 1925 |
| Art_Pepper | 1925 june |
| Art_Pepper | june 15 |
| Art_Pepper | 15 1982 |
| Art_Pepper | 1982 was |
| Art_Pepper | was an |
| Art_Pepper | an american |
| Art_Pepper | american alto |
| Art_Pepper | alto saxophonist |
| Art_Pepper | saxophonist and |
| Art_Pepper | and very |
| Art_Pepper | very occasional |
| Art_Pepper | occasional tenor |
| Art_Pepper | tenor saxophonist |
| Art_Pepper | saxophonist and |
| Art_Pepper | and clarinetist |
| Art_Pepper | clarinetist active |
| Art_Pepper | active in |
| Art_Pepper | in west |
| Art_Pepper | west coast |
| Art_Pepper | coast jazz |
| Art_Pepper | jazz pepper |
| Art_Pepper | pepper came |
| Art_Pepper | came to |
| Art_Pepper | to prominence |
| Art_Pepper | prominence in |
| Art_Pepper | in stan |
| Art_Pepper | stan kenton’s |
| Art_Pepper | kenton’s big |
| Art_Pepper | big band |
| Art_Pepper | band he |
| Art_Pepper | he was |
| Art_Pepper | was known |
| Art_Pepper | known for |
| Art_Pepper | for his |
| Art_Pepper | his emotionally |
| Art_Pepper | emotionally charged |
| Art_Pepper | charged performances |
| Art_Pepper | performances and |
| Art_Pepper | and several |
| Art_Pepper | several stylistic |
| Art_Pepper | stylistic shifts |
| Art_Pepper | shifts throughout |
| Art_Pepper | throughout his |
| Art_Pepper | his career |
| Art_Pepper | career and |
| Art_Pepper | and was |
| Art_Pepper | was described |
| Art_Pepper | described by |
| Art_Pepper | by critic |
| Art_Pepper | critic scott |
| Art_Pepper | scott yanow |
| Art_Pepper | yanow as |
| Art_Pepper | as having |
| Art_Pepper | having attained |
| Art_Pepper | attained his |
| Art_Pepper | his goal |
| Art_Pepper | goal of |
| Art_Pepper | of becoming |
| Art_Pepper | becoming the |
| Art_Pepper | the world’s |
| Art_Pepper | world’s great |
| Art_Pepper | great altoist |
| Art_Pepper | altoist at |
| Art_Pepper | at the |
| Art_Pepper | the time |
| Art_Pepper | time of |
| Art_Pepper | of his |
| Art_Pepper | his death |
| Art_Pepper | death en |
| Carla_Bley | carla bley |
| Carla_Bley | bley born |
| Carla_Bley | born lovella |
| Carla_Bley | lovella may |
| Carla_Bley | may borg |
| Carla_Bley | borg may |
| Carla_Bley | may 11 |
| Carla_Bley | 11 1936 |
| Carla_Bley | 1936 is |
| Carla_Bley | is an |
| Carla_Bley | an american |
| Carla_Bley | american jazz |
| Carla_Bley | jazz composer |
| Carla_Bley | composer pianist |
| Carla_Bley | pianist organist |
| Carla_Bley | organist and |
| Carla_Bley | and bandleader |
| Carla_Bley | bandleader an |
| Carla_Bley | an important |
| Carla_Bley | important figure |
| Carla_Bley | figure in |
| Carla_Bley | in the |
| Carla_Bley | the free |
| Carla_Bley | free jazz |
| Carla_Bley | jazz movement |
| Carla_Bley | movement of |
| Carla_Bley | of the |
| Carla_Bley | the 1960s |
| Carla_Bley | 1960s she |
| Carla_Bley | she is |
| Carla_Bley | is perhaps |
| Carla_Bley | perhaps best |
| Carla_Bley | best known |
| Carla_Bley | known for |
| Carla_Bley | for her |
| Carla_Bley | her jazz |
| Carla_Bley | jazz opera |
| Carla_Bley | opera escalator |
| Carla_Bley | escalator over |
| Carla_Bley | over the |
| Carla_Bley | the hill |
| Carla_Bley | hill released |
| Carla_Bley | released as |
| Carla_Bley | as a |
| Carla_Bley | a triple |
| Carla_Bley | triple lp |
| Carla_Bley | lp set |
| Carla_Bley | set as |
| Carla_Bley | as well |
| Carla_Bley | well as |
| Carla_Bley | as a |
| Carla_Bley | a book |
| Carla_Bley | book of |
| Carla_Bley | of compositions |
| Carla_Bley | compositions that |
| Carla_Bley | that have |
| Carla_Bley | have been |
| Carla_Bley | been performed |
| Carla_Bley | performed by |
| Carla_Bley | by many |
| Carla_Bley | many other |
| Carla_Bley | other artists |
| Carla_Bley | artists including |
| Carla_Bley | including gary |
| Carla_Bley | gary burton |
| Carla_Bley | burton jimmy |
| Carla_Bley | jimmy giuffre |
| Carla_Bley | giuffre george |
| Carla_Bley | george russell |
| Carla_Bley | russell art |
| Carla_Bley | art farmer |
| Carla_Bley | farmer john |
| Carla_Bley | john scofield |
| Carla_Bley | scofield and |
| Carla_Bley | and her |
| Carla_Bley | her ex |
| Carla_Bley | ex husband |
| Carla_Bley | husband paul |
| Carla_Bley | paul bley |
| Carla_Bley | bley en |
| Donald_Brown_(musician) | donald ray |
| Donald_Brown_(musician) | ray brown |
| Donald_Brown_(musician) | brown born |
| Donald_Brown_(musician) | born march |
| Donald_Brown_(musician) | march 28 |
| Donald_Brown_(musician) | 28 1954 |
| Donald_Brown_(musician) | 1954 is |
| Donald_Brown_(musician) | is an |
| Donald_Brown_(musician) | an american |
| Donald_Brown_(musician) | american jazz |
| Donald_Brown_(musician) | jazz pianist |
| Donald_Brown_(musician) | pianist and |
| Donald_Brown_(musician) | and producer |
| Donald_Brown_(musician) | producer brown |
| Donald_Brown_(musician) | brown was |
| Donald_Brown_(musician) | was born |
| Donald_Brown_(musician) | born in |
| Donald_Brown_(musician) | in hernando |
| Donald_Brown_(musician) | hernando mississippi |
| Donald_Brown_(musician) | mississippi and |
| Donald_Brown_(musician) | and raised |
| Donald_Brown_(musician) | raised in |
| Donald_Brown_(musician) | in memphis |
| Donald_Brown_(musician) | memphis tennessee |
| Donald_Brown_(musician) | tennessee where |
| Donald_Brown_(musician) | where he |
| Donald_Brown_(musician) | he learned |
| Donald_Brown_(musician) | learned to |
| Donald_Brown_(musician) | to play |
| Donald_Brown_(musician) | play trumpet |
| Donald_Brown_(musician) | trumpet and |
| Donald_Brown_(musician) | and drums |
| Donald_Brown_(musician) | drums in |
| Donald_Brown_(musician) | in his |
| Donald_Brown_(musician) | his youth |
| Donald_Brown_(musician) | youth from |
| Donald_Brown_(musician) | from 1972 |
| Donald_Brown_(musician) | 1972 to |
| Donald_Brown_(musician) | to 1975 |
| Donald_Brown_(musician) | 1975 he |
| Donald_Brown_(musician) | he was |
| Donald_Brown_(musician) | was a |
| Donald_Brown_(musician) | a student |
| Donald_Brown_(musician) | student at |
| Donald_Brown_(musician) | at memphis |
| Donald_Brown_(musician) | memphis state |
| Donald_Brown_(musician) | state university |
| Donald_Brown_(musician) | university by |
| Donald_Brown_(musician) | by which |
| Donald_Brown_(musician) | which time |
| Donald_Brown_(musician) | time he |
| Donald_Brown_(musician) | he had |
| Donald_Brown_(musician) | had made |
| Donald_Brown_(musician) | made piano |
| Donald_Brown_(musician) | piano his |
| Donald_Brown_(musician) | his primary |
| Donald_Brown_(musician) | primary instrument |
| Donald_Brown_(musician) | instrument he |
| Donald_Brown_(musician) | he was |
| Donald_Brown_(musician) | was with |
| Donald_Brown_(musician) | with art |
| Donald_Brown_(musician) | art blakey’s |
| Donald_Brown_(musician) | blakey’s jazz |
| Donald_Brown_(musician) | jazz messengers |
| Donald_Brown_(musician) | messengers from |
| Donald_Brown_(musician) | from 1981 |
| Donald_Brown_(musician) | 1981 to |
| Donald_Brown_(musician) | to 1982 |
| Donald_Brown_(musician) | 1982 then |
| Donald_Brown_(musician) | then took |
| Donald_Brown_(musician) | took teaching |
| Donald_Brown_(musician) | teaching positions |
| Donald_Brown_(musician) | positions at |
| Donald_Brown_(musician) | at berklee |
| Donald_Brown_(musician) | berklee college |
| Donald_Brown_(musician) | college of |
| Donald_Brown_(musician) | of music |
| Donald_Brown_(musician) | music from |
| Donald_Brown_(musician) | from 1983 |
| Donald_Brown_(musician) | 1983 to |
| Donald_Brown_(musician) | to 1985 |
| Donald_Brown_(musician) | 1985 and |
| Donald_Brown_(musician) | and the |
| Donald_Brown_(musician) | the university |
| Donald_Brown_(musician) | university of |
| Donald_Brown_(musician) | of tennessee |
| Donald_Brown_(musician) | tennessee from |
| Donald_Brown_(musician) | from 1988 |
| Donald_Brown_(musician) | 1988 brown |
| Donald_Brown_(musician) | brown has |
| Donald_Brown_(musician) | has recorded |
| Donald_Brown_(musician) | recorded for |
| Donald_Brown_(musician) | for evidence |
| Donald_Brown_(musician) | evidence muse |
| Donald_Brown_(musician) | muse and |
| Donald_Brown_(musician) | and sunnyside |
| Donald_Brown_(musician) | sunnyside en |
| Reuben_Rogers | 堭 堥 |
| Reuben_Rogers | 堥 堭 |
| Reuben_Rogers | 堭 堿 |
| Reuben_Rogers | 堿 堭 |
| Reuben_Rogers | 堭 堬 |
| Reuben_Rogers | 堬 堥 |
| Reuben_Rogers | 堥 塈 |
| Reuben_Rogers | 塈 堨 |
| Reuben_Rogers | 堨 堿 |
| Reuben_Rogers | 堿 堬 |
| Reuben_Rogers | 堬 堜 |
| Reuben_Rogers | 堜 reuben |
| Reuben_Rogers | reuben rogers |
| Reuben_Rogers | rogers 媢 |
| Reuben_Rogers | 媢 塈 |
| Reuben_Rogers | 塈 堬 |
| Reuben_Rogers | 堬 堿 |
| Reuben_Rogers | 堿 塈 |
| Reuben_Rogers | 塈 堬 |
| Reuben_Rogers | 堬 堶 |
| Reuben_Rogers | 堶 堧 |
| Reuben_Rogers | 堧 堭 |
| Reuben_Rogers | 堭 堹 |
| Reuben_Rogers | 堹 15 |
| Reuben_Rogers | 15 堥 |
| Reuben_Rogers | 堥 堭 |
| Reuben_Rogers | 堭 1974 |
| Reuben_Rogers | 1974 堻 |
| Reuben_Rogers | 堻 塈 |
| Reuben_Rogers | 塈 堛 |
| Reuben_Rogers | 堛 堛 |
| Reuben_Rogers | 堛 塈 |
| Reuben_Rogers | 塈 堻 |
| Reuben_Rogers | 堻 塈 |
| Reuben_Rogers | 塈 塈 |
| Reuben_Rogers | 塈 塈 |
| Reuben_Rogers | 塈 堛 |
| Reuben_Rogers | 堛 塈 |
| Reuben_Rogers | 塈 堛 |
| Reuben_Rogers | 堛 堶 |
| Reuben_Rogers | 堶 堹 |
| Reuben_Rogers | 堹 堜 |
| Reuben_Rogers | 堜 ar |
| Reuben_Rogers | ar reuben |
| Reuben_Rogers | reuben renwick |
| Reuben_Rogers | renwick rogers |
| Reuben_Rogers | rogers 15 |
| Reuben_Rogers | 15 november |
| Reuben_Rogers | november 1974 |
| Reuben_Rogers | 1974 in |
| Reuben_Rogers | in saint |
| Reuben_Rogers | saint thomas |
| Reuben_Rogers | thomas ist |
| Reuben_Rogers | ist ein |
| Reuben_Rogers | ein amerikanischer |
| Reuben_Rogers | amerikanischer jazzmusiker |
| Reuben_Rogers | jazzmusiker kontrabass |
| Reuben_Rogers | kontrabass bassgitarre |
| Reuben_Rogers | bassgitarre auch |
| Reuben_Rogers | auch komposition |
| Reuben_Rogers | komposition de |
| Reuben_Rogers | de reuben |
| Reuben_Rogers | reuben renwick |
| Reuben_Rogers | renwick rogers |
| Reuben_Rogers | rogers saint |
| Reuben_Rogers | saint thomas |
| Reuben_Rogers | thomas 15 |
| Reuben_Rogers | 15 november |
| Reuben_Rogers | november 1974 |
| Reuben_Rogers | 1974 is |
| Reuben_Rogers | is een |
| Reuben_Rogers | een amerikaanse |
| Reuben_Rogers | amerikaanse jazzmuzikant |
| Reuben_Rogers | jazzmuzikant contrabas |
| Reuben_Rogers | contrabas basgitaar |
| Reuben_Rogers | basgitaar en |
| Reuben_Rogers | en componist |
| Reuben_Rogers | componist nl |
| Yusef_Lateef | yusef abdul |
| Yusef_Lateef | abdul lateef |
| Yusef_Lateef | lateef born |
| Yusef_Lateef | born william |
| Yusef_Lateef | william emanuel |
| Yusef_Lateef | emanuel huddleston |
| Yusef_Lateef | huddleston october |
| Yusef_Lateef | october 9 |
| Yusef_Lateef | 9 1920 |
| Yusef_Lateef | 1920 december |
| Yusef_Lateef | december 23 |
| Yusef_Lateef | 23 2013 |
| Yusef_Lateef | 2013 was |
| Yusef_Lateef | was an |
| Yusef_Lateef | an american |
| Yusef_Lateef | american jazz |
| Yusef_Lateef | jazz multi |
| Yusef_Lateef | multi instrumentalist |
| Yusef_Lateef | instrumentalist composer |
| Yusef_Lateef | composer and |
| Yusef_Lateef | and prominent |
| Yusef_Lateef | prominent figure |
| Yusef_Lateef | figure among |
| Yusef_Lateef | among the |
| Yusef_Lateef | the ahmadiyya |
| Yusef_Lateef | ahmadiyya community |
| Yusef_Lateef | community in |
| Yusef_Lateef | in america |
| Yusef_Lateef | america although |
| Yusef_Lateef | although lateef’s |
| Yusef_Lateef | lateef’s main |
| Yusef_Lateef | main instruments |
| Yusef_Lateef | instruments were |
| Yusef_Lateef | were the |
| Yusef_Lateef | the tenor |
| Yusef_Lateef | tenor saxophone |
| Yusef_Lateef | saxophone and |
| Yusef_Lateef | and flute |
| Yusef_Lateef | flute he |
| Yusef_Lateef | he also |
| Yusef_Lateef | also played |
| Yusef_Lateef | played oboe |
| Yusef_Lateef | oboe and |
| Yusef_Lateef | and bassoon |
| Yusef_Lateef | bassoon both |
| Yusef_Lateef | both rare |
| Yusef_Lateef | rare in |
| Yusef_Lateef | in jazz |
| Yusef_Lateef | jazz and |
| Yusef_Lateef | and non |
| Yusef_Lateef | non western |
| Yusef_Lateef | western instruments |
| Yusef_Lateef | instruments such |
| Yusef_Lateef | such as |
| Yusef_Lateef | as the |
| Yusef_Lateef | the bamboo |
| Yusef_Lateef | bamboo flute |
| Yusef_Lateef | flute shanai |
| Yusef_Lateef | shanai shofar |
| Yusef_Lateef | shofar xun |
| Yusef_Lateef | xun arghul |
| Yusef_Lateef | arghul and |
| Yusef_Lateef | and koto |
| Yusef_Lateef | koto he |
| Yusef_Lateef | he is |
| Yusef_Lateef | is known |
| Yusef_Lateef | known for |
| Yusef_Lateef | for having |
| Yusef_Lateef | having been |
| Yusef_Lateef | been an |
| Yusef_Lateef | an innovator |
| Yusef_Lateef | innovator in |
| Yusef_Lateef | in the |
| Yusef_Lateef | the blending |
| Yusef_Lateef | blending of |
| Yusef_Lateef | of jazz |
| Yusef_Lateef | jazz with |
| Yusef_Lateef | with eastern |
| Yusef_Lateef | eastern music |
| Yusef_Lateef | music peter |
| Yusef_Lateef | peter keepnews |
| Yusef_Lateef | keepnews in |
| Yusef_Lateef | in his |
| Yusef_Lateef | his new |
| Yusef_Lateef | new york |
| Yusef_Lateef | york times |
| Yusef_Lateef | times obituary |
| Yusef_Lateef | obituary of |
| Yusef_Lateef | of lateef |
| Yusef_Lateef | lateef wrote |
| Yusef_Lateef | wrote that |
| Yusef_Lateef | that the |
| Yusef_Lateef | the musician |
| Yusef_Lateef | musician played |
| Yusef_Lateef | played world |
| Yusef_Lateef | world music |
| Yusef_Lateef | music before |
| Yusef_Lateef | before world |
| Yusef_Lateef | world music |
| Yusef_Lateef | music had |
| Yusef_Lateef | had a |
| Yusef_Lateef | a name |
| Yusef_Lateef | name lateef’s |
| Yusef_Lateef | lateef’s books |
| Yusef_Lateef | books included |
| Yusef_Lateef | included two |
| Yusef_Lateef | two novellas |
| Yusef_Lateef | novellas entitled |
| Yusef_Lateef | entitled a |
| Yusef_Lateef | a night |
| Yusef_Lateef | night in |
| Yusef_Lateef | in the |
| Yusef_Lateef | the garden |
| Yusef_Lateef | garden of |
| Yusef_Lateef | of love |
| Yusef_Lateef | love and |
| Yusef_Lateef | and another |
| Yusef_Lateef | another avenue |
| Yusef_Lateef | avenue the |
| Yusef_Lateef | the short |
| Yusef_Lateef | short story |
| Yusef_Lateef | story collections |
| Yusef_Lateef | collections spheres |
| Yusef_Lateef | spheres and |
| Yusef_Lateef | and rain |
| Yusef_Lateef | rain shapes |
| Yusef_Lateef | shapes also |
| Yusef_Lateef | also his |
| Yusef_Lateef | his autobiography |
| Yusef_Lateef | autobiography the |
| Yusef_Lateef | the gentle |
| Yusef_Lateef | gentle giant |
| Yusef_Lateef | giant written |
| Yusef_Lateef | written in |
| Yusef_Lateef | in collaboration |
| Yusef_Lateef | collaboration with |
| Yusef_Lateef | with herb |
| Yusef_Lateef | herb boyd |
| Yusef_Lateef | boyd along |
| Yusef_Lateef | along with |
| Yusef_Lateef | with his |
| Yusef_Lateef | his record |
| Yusef_Lateef | record label |
| Yusef_Lateef | label yal |
| Yusef_Lateef | yal records |
| Yusef_Lateef | records lateef |
| Yusef_Lateef | lateef owned |
| Yusef_Lateef | owned fana |
| Yusef_Lateef | fana music |
| Yusef_Lateef | music a |
| Yusef_Lateef | a music |
| Yusef_Lateef | music publishing |
| Yusef_Lateef | publishing company |
| Yusef_Lateef | company lateef |
| Yusef_Lateef | lateef published |
| Yusef_Lateef | published his |
| Yusef_Lateef | his own |
| Yusef_Lateef | own work |
| Yusef_Lateef | work through |
| Yusef_Lateef | through fana |
| Yusef_Lateef | fana which |
| Yusef_Lateef | which includes |
| Yusef_Lateef | includes yusef |
| Yusef_Lateef | yusef lateef’s |
| Yusef_Lateef | lateef’s flute |
| Yusef_Lateef | flute book |
| Yusef_Lateef | book of |
| Yusef_Lateef | of the |
| Yusef_Lateef | the blues |
| Yusef_Lateef | blues and |
| Yusef_Lateef | and many |
| Yusef_Lateef | many of |
| Yusef_Lateef | of his |
| Yusef_Lateef | his own |
| Yusef_Lateef | own orchestral |
| Yusef_Lateef | orchestral compositions |
| Yusef_Lateef | compositions en |
| Eric_Lewis_(pianist) | eric robert |
| Eric_Lewis_(pianist) | robert lewis |
| Eric_Lewis_(pianist) | lewis born |
| Eric_Lewis_(pianist) | born may |
| Eric_Lewis_(pianist) | may 13 |
| Eric_Lewis_(pianist) | 13 1973 |
| Eric_Lewis_(pianist) | 1973 popularly |
| Eric_Lewis_(pianist) | popularly known |
| Eric_Lewis_(pianist) | known as |
| Eric_Lewis_(pianist) | as elew |
| Eric_Lewis_(pianist) | elew is |
| Eric_Lewis_(pianist) | is an |
| Eric_Lewis_(pianist) | an american |
| Eric_Lewis_(pianist) | american jazz |
| Eric_Lewis_(pianist) | jazz pianist |
| Eric_Lewis_(pianist) | pianist who |
| Eric_Lewis_(pianist) | who has |
| Eric_Lewis_(pianist) | has found |
| Eric_Lewis_(pianist) | found cross |
| Eric_Lewis_(pianist) | cross over |
| Eric_Lewis_(pianist) | over success |
| Eric_Lewis_(pianist) | success playing |
| Eric_Lewis_(pianist) | playing rock |
| Eric_Lewis_(pianist) | rock and |
| Eric_Lewis_(pianist) | and pop |
| Eric_Lewis_(pianist) | pop music |
| Eric_Lewis_(pianist) | music he |
| Eric_Lewis_(pianist) | he is |
| Eric_Lewis_(pianist) | is known |
| Eric_Lewis_(pianist) | known for |
| Eric_Lewis_(pianist) | for his |
| Eric_Lewis_(pianist) | his unconventional |
| Eric_Lewis_(pianist) | unconventional and |
| Eric_Lewis_(pianist) | and physical |
| Eric_Lewis_(pianist) | physical playing |
| Eric_Lewis_(pianist) | playing style |
| Eric_Lewis_(pianist) | style which |
| Eric_Lewis_(pianist) | which eschews |
| Eric_Lewis_(pianist) | eschews a |
| Eric_Lewis_(pianist) | a piano |
| Eric_Lewis_(pianist) | piano bench |
| Eric_Lewis_(pianist) | bench and |
| Eric_Lewis_(pianist) | and includes |
| Eric_Lewis_(pianist) | includes reaching |
| Eric_Lewis_(pianist) | reaching inside |
| Eric_Lewis_(pianist) | inside the |
| Eric_Lewis_(pianist) | the piano |
| Eric_Lewis_(pianist) | piano lid |
| Eric_Lewis_(pianist) | lid to |
| Eric_Lewis_(pianist) | to pull |
| Eric_Lewis_(pianist) | pull at |
| Eric_Lewis_(pianist) | at the |
| Eric_Lewis_(pianist) | the strings |
| Eric_Lewis_(pianist) | strings directly |
| Eric_Lewis_(pianist) | directly as |
| Eric_Lewis_(pianist) | as well |
| Eric_Lewis_(pianist) | well as |
| Eric_Lewis_(pianist) | as the |
| Eric_Lewis_(pianist) | the creation |
| Eric_Lewis_(pianist) | creation that |
| Eric_Lewis_(pianist) | that he |
| Eric_Lewis_(pianist) | he calls |
| Eric_Lewis_(pianist) | calls rockjazz |
| Eric_Lewis_(pianist) | rockjazz a |
| Eric_Lewis_(pianist) | a genre |
| Eric_Lewis_(pianist) | genre that |
| Eric_Lewis_(pianist) | that takes |
| Eric_Lewis_(pianist) | takes the |
| Eric_Lewis_(pianist) | the improvisational |
| Eric_Lewis_(pianist) | improvisational aspect |
| Eric_Lewis_(pianist) | aspect of |
| Eric_Lewis_(pianist) | of jazz |
| Eric_Lewis_(pianist) | jazz and |
| Eric_Lewis_(pianist) | and threads |
| Eric_Lewis_(pianist) | threads it |
| Eric_Lewis_(pianist) | it through |
| Eric_Lewis_(pianist) | through the |
| Eric_Lewis_(pianist) | the eye |
| Eric_Lewis_(pianist) | eye of |
| Eric_Lewis_(pianist) | of the |
| Eric_Lewis_(pianist) | the needle |
| Eric_Lewis_(pianist) | needle of |
| Eric_Lewis_(pianist) | of rock |
| Eric_Lewis_(pianist) | rock lewis |
| Eric_Lewis_(pianist) | lewis began |
| Eric_Lewis_(pianist) | began his |
| Eric_Lewis_(pianist) | his career |
| Eric_Lewis_(pianist) | career as |
| Eric_Lewis_(pianist) | as a |
| Eric_Lewis_(pianist) | a jazz |
| Eric_Lewis_(pianist) | jazz purist |
| Eric_Lewis_(pianist) | purist playing |
| Eric_Lewis_(pianist) | playing as |
| Eric_Lewis_(pianist) | as a |
| Eric_Lewis_(pianist) | a sideman |
| Eric_Lewis_(pianist) | sideman for |
| Eric_Lewis_(pianist) | for jazz |
| Eric_Lewis_(pianist) | jazz artists |
| Eric_Lewis_(pianist) | artists like |
| Eric_Lewis_(pianist) | like wynton |
| Eric_Lewis_(pianist) | wynton marsalis |
| Eric_Lewis_(pianist) | marsalis cassandra |
| Eric_Lewis_(pianist) | cassandra wilson |
| Eric_Lewis_(pianist) | wilson elvin |
| Eric_Lewis_(pianist) | elvin jones |
| Eric_Lewis_(pianist) | jones jon |
| Eric_Lewis_(pianist) | jon hendricks |
| Eric_Lewis_(pianist) | hendricks and |
| Eric_Lewis_(pianist) | and roy |
| Eric_Lewis_(pianist) | roy hargrove |
| Eric_Lewis_(pianist) | hargrove as |
| Eric_Lewis_(pianist) | as well |
| Eric_Lewis_(pianist) | well as |
| Eric_Lewis_(pianist) | as performing |
| Eric_Lewis_(pianist) | performing as |
| Eric_Lewis_(pianist) | as a |
| Eric_Lewis_(pianist) | a member |
| Eric_Lewis_(pianist) | member of |
| Eric_Lewis_(pianist) | of the |
| Eric_Lewis_(pianist) | the lincoln |
| Eric_Lewis_(pianist) | lincoln center |
| Eric_Lewis_(pianist) | center jazz |
| Eric_Lewis_(pianist) | jazz orchestra |
| Eric_Lewis_(pianist) | orchestra however |
| Eric_Lewis_(pianist) | however he |
| Eric_Lewis_(pianist) | he eventually |
| Eric_Lewis_(pianist) | eventually became |
| Eric_Lewis_(pianist) | became interested |
| Eric_Lewis_(pianist) | interested in |
| Eric_Lewis_(pianist) | in rock |
| Eric_Lewis_(pianist) | rock music |
| Eric_Lewis_(pianist) | music and |
| Eric_Lewis_(pianist) | and embarked |
| Eric_Lewis_(pianist) | embarked on |
| Eric_Lewis_(pianist) | on a |
| Eric_Lewis_(pianist) | a solo |
| Eric_Lewis_(pianist) | solo career |
| Eric_Lewis_(pianist) | career as |
| Eric_Lewis_(pianist) | as a |
| Eric_Lewis_(pianist) | a crossover |
| Eric_Lewis_(pianist) | crossover musician |
| Eric_Lewis_(pianist) | musician quickly |
| Eric_Lewis_(pianist) | quickly gaining |
| Eric_Lewis_(pianist) | gaining recognition |
| Eric_Lewis_(pianist) | recognition for |
| Eric_Lewis_(pianist) | for his |
| Eric_Lewis_(pianist) | his instrumental |
| Eric_Lewis_(pianist) | instrumental rockjazz |
| Eric_Lewis_(pianist) | rockjazz piano |
| Eric_Lewis_(pianist) | piano covers |
| Eric_Lewis_(pianist) | covers of |
| Eric_Lewis_(pianist) | of mainstream |
| Eric_Lewis_(pianist) | mainstream rock |
| Eric_Lewis_(pianist) | rock hits |
| Eric_Lewis_(pianist) | hits like |
| Eric_Lewis_(pianist) | like the |
| Eric_Lewis_(pianist) | the rolling |
| Eric_Lewis_(pianist) | rolling stones |
| Eric_Lewis_(pianist) | stones paint |
| Eric_Lewis_(pianist) | paint it |
| Eric_Lewis_(pianist) | it black |
| Eric_Lewis_(pianist) | black and |
| Eric_Lewis_(pianist) | and the |
| Eric_Lewis_(pianist) | the killers |
| Eric_Lewis_(pianist) | killers mr |
| Eric_Lewis_(pianist) | mr brightside |
| Eric_Lewis_(pianist) | brightside he |
| Eric_Lewis_(pianist) | he released |
| Eric_Lewis_(pianist) | released his |
| Eric_Lewis_(pianist) | his first |
| Eric_Lewis_(pianist) | first album |
| Eric_Lewis_(pianist) | album of |
| Eric_Lewis_(pianist) | of instrumental |
| Eric_Lewis_(pianist) | instrumental covers |
| Eric_Lewis_(pianist) | covers entitled |
| Eric_Lewis_(pianist) | entitled elew |
| Eric_Lewis_(pianist) | elew rockjazz |
| Eric_Lewis_(pianist) | rockjazz vol |
| Eric_Lewis_(pianist) | vol 1 |
| Eric_Lewis_(pianist) | 1 on |
| Eric_Lewis_(pianist) | on his |
| Eric_Lewis_(pianist) | his own |
| Eric_Lewis_(pianist) | own label |
| Eric_Lewis_(pianist) | label ninjazz |
| Eric_Lewis_(pianist) | ninjazz entertainment |
| Eric_Lewis_(pianist) | entertainment in |
| Eric_Lewis_(pianist) | in march |
| Eric_Lewis_(pianist) | march 2010 |
| Eric_Lewis_(pianist) | 2010 his |
| Eric_Lewis_(pianist) | his distinctive |
| Eric_Lewis_(pianist) | distinctive style |
| Eric_Lewis_(pianist) | style has |
| Eric_Lewis_(pianist) | has helped |
| Eric_Lewis_(pianist) | helped him |
| Eric_Lewis_(pianist) | him to |
| Eric_Lewis_(pianist) | to amass |
| Eric_Lewis_(pianist) | amass a |
| Eric_Lewis_(pianist) | a large |
| Eric_Lewis_(pianist) | large following |
| Eric_Lewis_(pianist) | following of |
| Eric_Lewis_(pianist) | of celebrity |
| Eric_Lewis_(pianist) | celebrity fans |
| Eric_Lewis_(pianist) | fans including |
| Eric_Lewis_(pianist) | including barack |
| Eric_Lewis_(pianist) | barack and |
| Eric_Lewis_(pianist) | and michelle |
| Eric_Lewis_(pianist) | michelle obama |
| Eric_Lewis_(pianist) | obama for |
| Eric_Lewis_(pianist) | for whom |
| Eric_Lewis_(pianist) | whom he |
| Eric_Lewis_(pianist) | he has |
| Eric_Lewis_(pianist) | has played |
| Eric_Lewis_(pianist) | played at |
| Eric_Lewis_(pianist) | at the |
| Eric_Lewis_(pianist) | the white |
| Eric_Lewis_(pianist) | white house |
| Eric_Lewis_(pianist) | house leonardo |
| Eric_Lewis_(pianist) | leonardo dicaprio |
| Eric_Lewis_(pianist) | dicaprio donna |
| Eric_Lewis_(pianist) | donna karan |
| Eric_Lewis_(pianist) | karan t |
| Eric_Lewis_(pianist) | t 矇 |
| Eric_Lewis_(pianist) | 矇 a |
| Eric_Lewis_(pianist) | a leoni |
| Eric_Lewis_(pianist) | leoni david |
| Eric_Lewis_(pianist) | david duchovny |
| Eric_Lewis_(pianist) | duchovny hugh |
| Eric_Lewis_(pianist) | hugh jackman |
| Eric_Lewis_(pianist) | jackman forest |
| Eric_Lewis_(pianist) | forest whitaker |
| Eric_Lewis_(pianist) | whitaker and |
| Eric_Lewis_(pianist) | and gerard |
| Eric_Lewis_(pianist) | gerard butler |
| Eric_Lewis_(pianist) | butler throughout |
| Eric_Lewis_(pianist) | throughout his |
| Eric_Lewis_(pianist) | his career |
| Eric_Lewis_(pianist) | career he |
| Eric_Lewis_(pianist) | he has |
| Eric_Lewis_(pianist) | has performed |
| Eric_Lewis_(pianist) | performed with |
| Eric_Lewis_(pianist) | with musicians |
| Eric_Lewis_(pianist) | musicians such |
| Eric_Lewis_(pianist) | such as |
| Eric_Lewis_(pianist) | as sting |
| Eric_Lewis_(pianist) | sting the |
| Eric_Lewis_(pianist) | the roots |
| Eric_Lewis_(pianist) | roots natalie |
| Eric_Lewis_(pianist) | natalie cole |
| Eric_Lewis_(pianist) | cole and |
| Eric_Lewis_(pianist) | and esperanza |
| Eric_Lewis_(pianist) | esperanza spalding |
| Eric_Lewis_(pianist) | spalding in |
| Eric_Lewis_(pianist) | in the |
| Eric_Lewis_(pianist) | the spring |
| Eric_Lewis_(pianist) | spring of |
| Eric_Lewis_(pianist) | of 2011 |
| Eric_Lewis_(pianist) | 2011 he |
| Eric_Lewis_(pianist) | he joined |
| Eric_Lewis_(pianist) | joined singer |
| Eric_Lewis_(pianist) | singer songwriter |
| Eric_Lewis_(pianist) | songwriter josh |
| Eric_Lewis_(pianist) | josh groban |
| Eric_Lewis_(pianist) | groban as |
| Eric_Lewis_(pianist) | as the |
| Eric_Lewis_(pianist) | the opening |
| Eric_Lewis_(pianist) | opening act |
| Eric_Lewis_(pianist) | act on |
| Eric_Lewis_(pianist) | on the |
| Eric_Lewis_(pianist) | the american |
| Eric_Lewis_(pianist) | american leg |
| Eric_Lewis_(pianist) | leg of |
| Eric_Lewis_(pianist) | of the |
| Eric_Lewis_(pianist) | the singer’s |
| Eric_Lewis_(pianist) | singer’s straight |
| Eric_Lewis_(pianist) | straight to |
| Eric_Lewis_(pianist) | to you |
| Eric_Lewis_(pianist) | you tour |
| Eric_Lewis_(pianist) | tour around |
| Eric_Lewis_(pianist) | around the |
| Eric_Lewis_(pianist) | the same |
| Eric_Lewis_(pianist) | same time |
| Eric_Lewis_(pianist) | time he |
| Eric_Lewis_(pianist) | he appeared |
| Eric_Lewis_(pianist) | appeared as |
| Eric_Lewis_(pianist) | as a |
| Eric_Lewis_(pianist) | a contestant |
| Eric_Lewis_(pianist) | contestant in |
| Eric_Lewis_(pianist) | in an |
| Eric_Lewis_(pianist) | an audition |
| Eric_Lewis_(pianist) | audition on |
| Eric_Lewis_(pianist) | on the |
| Eric_Lewis_(pianist) | the nbc |
| Eric_Lewis_(pianist) | nbc reality |
| Eric_Lewis_(pianist) | reality series |
| Eric_Lewis_(pianist) | series america’s |
| Eric_Lewis_(pianist) | america’s got |
| Eric_Lewis_(pianist) | got talent |
| Eric_Lewis_(pianist) | talent where |
| Eric_Lewis_(pianist) | where he |
| Eric_Lewis_(pianist) | he received |
| Eric_Lewis_(pianist) | received a |
| Eric_Lewis_(pianist) | a standing |
| Eric_Lewis_(pianist) | standing ovation |
| Eric_Lewis_(pianist) | ovation from |
| Eric_Lewis_(pianist) | from the |
| Eric_Lewis_(pianist) | the crowd |
| Eric_Lewis_(pianist) | crowd and |
| Eric_Lewis_(pianist) | and positive |
| Eric_Lewis_(pianist) | positive scores |
| Eric_Lewis_(pianist) | scores from |
| Eric_Lewis_(pianist) | from all |
| Eric_Lewis_(pianist) | all three |
| Eric_Lewis_(pianist) | three judges |
| Eric_Lewis_(pianist) | judges despite |
| Eric_Lewis_(pianist) | despite his |
| Eric_Lewis_(pianist) | his positive |
| Eric_Lewis_(pianist) | positive reception |
| Eric_Lewis_(pianist) | reception he |
| Eric_Lewis_(pianist) | he ultimately |
| Eric_Lewis_(pianist) | ultimately dropped |
| Eric_Lewis_(pianist) | dropped out |
| Eric_Lewis_(pianist) | out of |
| Eric_Lewis_(pianist) | of the |
| Eric_Lewis_(pianist) | the competition |
| Eric_Lewis_(pianist) | competition in |
| Eric_Lewis_(pianist) | in order |
| Eric_Lewis_(pianist) | order to |
| Eric_Lewis_(pianist) | to tour |
| Eric_Lewis_(pianist) | tour with |
| Eric_Lewis_(pianist) | with groban |
| Eric_Lewis_(pianist) | groban in |
| Eric_Lewis_(pianist) | in august |
| Eric_Lewis_(pianist) | august 2012 |
| Eric_Lewis_(pianist) | 2012 he |
| Eric_Lewis_(pianist) | he was |
| Eric_Lewis_(pianist) | was featured |
| Eric_Lewis_(pianist) | featured on |
| Eric_Lewis_(pianist) | on a |
| Eric_Lewis_(pianist) | a mike |
| Eric_Lewis_(pianist) | mike stud |
| Eric_Lewis_(pianist) | stud remix |
| Eric_Lewis_(pianist) | remix of |
| Eric_Lewis_(pianist) | of the |
| Eric_Lewis_(pianist) | the maroon |
| Eric_Lewis_(pianist) | maroon 5 |
| Eric_Lewis_(pianist) | 5 song |
| Eric_Lewis_(pianist) | song one |
| Eric_Lewis_(pianist) | one more |
| Eric_Lewis_(pianist) | more night |
| Eric_Lewis_(pianist) | night on |
| Eric_Lewis_(pianist) | on august |
| Eric_Lewis_(pianist) | august 28 |
| Eric_Lewis_(pianist) | 28 2012 |
| Eric_Lewis_(pianist) | 2012 lewis |
| Eric_Lewis_(pianist) | lewis released |
| Eric_Lewis_(pianist) | released his |
| Eric_Lewis_(pianist) | his second |
| Eric_Lewis_(pianist) | second solo |
| Eric_Lewis_(pianist) | solo album |
| Eric_Lewis_(pianist) | album elew |
| Eric_Lewis_(pianist) | elew rockjazz |
| Eric_Lewis_(pianist) | rockjazz vol |
| Eric_Lewis_(pianist) | vol 2 |
| Eric_Lewis_(pianist) | 2 elew |
| Eric_Lewis_(pianist) | elew held |
| Eric_Lewis_(pianist) | held in |
| Eric_Lewis_(pianist) | in late |
| Eric_Lewis_(pianist) | late 2015 |
| Eric_Lewis_(pianist) | 2015 a |
| Eric_Lewis_(pianist) | a preview |
| Eric_Lewis_(pianist) | preview concert |
| Eric_Lewis_(pianist) | concert of |
| Eric_Lewis_(pianist) | of his |
| Eric_Lewis_(pianist) | his upcoming |
| Eric_Lewis_(pianist) | upcoming album |
| Eric_Lewis_(pianist) | album and |
| Eric_Lewis_(pianist) | and to |
| Eric_Lewis_(pianist) | to the |
| Eric_Lewis_(pianist) | the republic |
| Eric_Lewis_(pianist) | republic with |
| Eric_Lewis_(pianist) | with jeff |
| Eric_Lewis_(pianist) | jeff tain |
| Eric_Lewis_(pianist) | tain watts |
| Eric_Lewis_(pianist) | watts and |
| Eric_Lewis_(pianist) | and reginald |
| Eric_Lewis_(pianist) | reginald veal |
| Eric_Lewis_(pianist) | veal at |
| Eric_Lewis_(pianist) | at dizzy’s |
| Eric_Lewis_(pianist) | dizzy’s club |
| Eric_Lewis_(pianist) | club coca |
| Eric_Lewis_(pianist) | coca cola |
| Eric_Lewis_(pianist) | cola and |
| Eric_Lewis_(pianist) | and to |
| Eric_Lewis_(pianist) | to the |
| Eric_Lewis_(pianist) | the republic |
| Eric_Lewis_(pianist) | republic was |
| Eric_Lewis_(pianist) | was released |
| Eric_Lewis_(pianist) | released later |
| Eric_Lewis_(pianist) | later the |
| Eric_Lewis_(pianist) | the following |
| Eric_Lewis_(pianist) | following year |
| Eric_Lewis_(pianist) | year in |
| Eric_Lewis_(pianist) | in november |
| Eric_Lewis_(pianist) | november 2016 |
| Eric_Lewis_(pianist) | 2016 since |
| Eric_Lewis_(pianist) | since its |
| Eric_Lewis_(pianist) | its conception |
| Eric_Lewis_(pianist) | conception the |
| Eric_Lewis_(pianist) | the album |
| Eric_Lewis_(pianist) | album has |
| Eric_Lewis_(pianist) | has been |
| Eric_Lewis_(pianist) | been praised |
| Eric_Lewis_(pianist) | praised by |
| Eric_Lewis_(pianist) | by some |
| Eric_Lewis_(pianist) | some of |
| Eric_Lewis_(pianist) | of the |
| Eric_Lewis_(pianist) | the largest |
| Eric_Lewis_(pianist) | largest jazz |
| Eric_Lewis_(pianist) | jazz outlets |
| Eric_Lewis_(pianist) | outlets and |
| Eric_Lewis_(pianist) | and publications |
| Eric_Lewis_(pianist) | publications in |
| Eric_Lewis_(pianist) | in the |
| Eric_Lewis_(pianist) | the world |
| Eric_Lewis_(pianist) | world such |
| Eric_Lewis_(pianist) | such as |
| Eric_Lewis_(pianist) | as npr’s |
| Eric_Lewis_(pianist) | npr’s jazz |
| Eric_Lewis_(pianist) | jazz night |
| Eric_Lewis_(pianist) | night in |
| Eric_Lewis_(pianist) | in america |
| Eric_Lewis_(pianist) | america hosted |
| Eric_Lewis_(pianist) | hosted by |
| Eric_Lewis_(pianist) | by christian |
| Eric_Lewis_(pianist) | christian mcbride |
| Eric_Lewis_(pianist) | mcbride jazz |
| Eric_Lewis_(pianist) | jazz times |
| Eric_Lewis_(pianist) | times downbeat |
| Eric_Lewis_(pianist) | downbeat and |
| Eric_Lewis_(pianist) | and all |
| Eric_Lewis_(pianist) | all about |
| Eric_Lewis_(pianist) | about jazz |
| Eric_Lewis_(pianist) | jazz in |
| Eric_Lewis_(pianist) | in summer |
| Eric_Lewis_(pianist) | summer 2016 |
| Eric_Lewis_(pianist) | 2016 elew |
| Eric_Lewis_(pianist) | elew was |
| Eric_Lewis_(pianist) | was awarded |
| Eric_Lewis_(pianist) | awarded the |
| Eric_Lewis_(pianist) | the novus |
| Eric_Lewis_(pianist) | novus award |
| Eric_Lewis_(pianist) | award at |
| Eric_Lewis_(pianist) | at the |
| Eric_Lewis_(pianist) | the headquarters |
| Eric_Lewis_(pianist) | headquarters of |
| Eric_Lewis_(pianist) | of the |
| Eric_Lewis_(pianist) | the united |
| Eric_Lewis_(pianist) | united nations |
| Eric_Lewis_(pianist) | nations for |
| Eric_Lewis_(pianist) | for contributing |
| Eric_Lewis_(pianist) | contributing music |
| Eric_Lewis_(pianist) | music and |
| Eric_Lewis_(pianist) | and art |
| Eric_Lewis_(pianist) | art to |
| Eric_Lewis_(pianist) | to the |
| Eric_Lewis_(pianist) | the world |
| Eric_Lewis_(pianist) | world en |
| Wallace_Roney | wallace roney |
| Wallace_Roney | roney may |
| Wallace_Roney | may 25 |
| Wallace_Roney | 25 1960 |
| Wallace_Roney | 1960 march |
| Wallace_Roney | march 31 |
| Wallace_Roney | 31 2020 |
| Wallace_Roney | 2020 was |
| Wallace_Roney | was an |
| Wallace_Roney | an american |
| Wallace_Roney | american jazz |
| Wallace_Roney | jazz hard |
| Wallace_Roney | hard bop |
| Wallace_Roney | bop and |
| Wallace_Roney | and post |
| Wallace_Roney | post bop |
| Wallace_Roney | bop trumpeter |
| Wallace_Roney | trumpeter roney |
| Wallace_Roney | roney took |
| Wallace_Roney | took lessons |
| Wallace_Roney | lessons from |
| Wallace_Roney | from clark |
| Wallace_Roney | clark terry |
| Wallace_Roney | terry and |
| Wallace_Roney | and dizzy |
| Wallace_Roney | dizzy gillespie |
| Wallace_Roney | gillespie and |
| Wallace_Roney | and studied |
| Wallace_Roney | studied with |
| Wallace_Roney | with miles |
| Wallace_Roney | miles davis |
| Wallace_Roney | davis from |
| Wallace_Roney | from 1985 |
| Wallace_Roney | 1985 until |
| Wallace_Roney | until the |
| Wallace_Roney | the latter’s |
| Wallace_Roney | latter’s death |
| Wallace_Roney | death in |
| Wallace_Roney | in 1991 |
| Wallace_Roney | 1991 wallace |
| Wallace_Roney | wallace credited |
| Wallace_Roney | credited davis |
| Wallace_Roney | davis as |
| Wallace_Roney | as having |
| Wallace_Roney | having helped |
| Wallace_Roney | helped to |
| Wallace_Roney | to challenge |
| Wallace_Roney | challenge and |
| Wallace_Roney | and shape |
| Wallace_Roney | shape his |
| Wallace_Roney | his creative |
| Wallace_Roney | creative approach |
| Wallace_Roney | approach to |
| Wallace_Roney | to life |
| Wallace_Roney | life as |
| Wallace_Roney | as well |
| Wallace_Roney | well as |
| Wallace_Roney | as being |
| Wallace_Roney | being his |
| Wallace_Roney | his music |
| Wallace_Roney | music instructor |
| Wallace_Roney | instructor mentor |
| Wallace_Roney | mentor and |
| Wallace_Roney | and friend |
| Wallace_Roney | friend he |
| Wallace_Roney | he was |
| Wallace_Roney | was the |
| Wallace_Roney | the only |
| Wallace_Roney | only trumpet |
| Wallace_Roney | trumpet player |
| Wallace_Roney | player davis |
| Wallace_Roney | davis personally |
| Wallace_Roney | personally mentored |
| Wallace_Roney | mentored en |
| Herbie_Hancock | herbert jeffrey |
| Herbie_Hancock | jeffrey hancock |
| Herbie_Hancock | hancock born |
| Herbie_Hancock | born april |
| Herbie_Hancock | april 12 |
| Herbie_Hancock | 12 1940 |
| Herbie_Hancock | 1940 is |
| Herbie_Hancock | is an |
| Herbie_Hancock | an american |
| Herbie_Hancock | american jazz |
| Herbie_Hancock | jazz pianist |
| Herbie_Hancock | pianist keyboardist |
| Herbie_Hancock | keyboardist bandleader |
| Herbie_Hancock | bandleader composer |
| Herbie_Hancock | composer and |
| Herbie_Hancock | and occasional |
| Herbie_Hancock | occasional actor |
| Herbie_Hancock | actor hancock |
| Herbie_Hancock | hancock started |
| Herbie_Hancock | started his |
| Herbie_Hancock | his career |
| Herbie_Hancock | career with |
| Herbie_Hancock | with trumpeter |
| Herbie_Hancock | trumpeter donald |
| Herbie_Hancock | donald byrd |
| Herbie_Hancock | byrd group |
| Herbie_Hancock | group he |
| Herbie_Hancock | he shortly |
| Herbie_Hancock | shortly thereafter |
| Herbie_Hancock | thereafter joined |
| Herbie_Hancock | joined the |
| Herbie_Hancock | the miles |
| Herbie_Hancock | miles davis |
| Herbie_Hancock | davis quintet |
| Herbie_Hancock | quintet where |
| Herbie_Hancock | where he |
| Herbie_Hancock | he helped |
| Herbie_Hancock | helped to |
| Herbie_Hancock | to redefine |
| Herbie_Hancock | redefine the |
| Herbie_Hancock | the role |
| Herbie_Hancock | role of |
| Herbie_Hancock | of a |
| Herbie_Hancock | a jazz |
| Herbie_Hancock | jazz rhythm |
| Herbie_Hancock | rhythm section |
| Herbie_Hancock | section and |
| Herbie_Hancock | and was |
| Herbie_Hancock | was one |
| Herbie_Hancock | one of |
| Herbie_Hancock | of the |
| Herbie_Hancock | the primary |
| Herbie_Hancock | primary architects |
| Herbie_Hancock | architects of |
| Herbie_Hancock | of the |
| Herbie_Hancock | the post |
| Herbie_Hancock | post bop |
| Herbie_Hancock | bop sound |
| Herbie_Hancock | sound in |
| Herbie_Hancock | in the |
| Herbie_Hancock | the 1970s |
| Herbie_Hancock | 1970s hancock |
| Herbie_Hancock | hancock experimented |
| Herbie_Hancock | experimented with |
| Herbie_Hancock | with jazz |
| Herbie_Hancock | jazz fusion |
| Herbie_Hancock | fusion funk |
| Herbie_Hancock | funk and |
| Herbie_Hancock | and electro |
| Herbie_Hancock | electro styles |
| Herbie_Hancock | styles utilizing |
| Herbie_Hancock | utilizing a |
| Herbie_Hancock | a wide |
| Herbie_Hancock | wide array |
| Herbie_Hancock | array of |
| Herbie_Hancock | of synthesizers |
| Herbie_Hancock | synthesizers and |
| Herbie_Hancock | and electronics |
| Herbie_Hancock | electronics it |
| Herbie_Hancock | it was |
| Herbie_Hancock | was during |
| Herbie_Hancock | during this |
| Herbie_Hancock | this period |
| Herbie_Hancock | period that |
| Herbie_Hancock | that he |
| Herbie_Hancock | he released |
| Herbie_Hancock | released perhaps |
| Herbie_Hancock | perhaps his |
| Herbie_Hancock | his best |
| Herbie_Hancock | best known |
| Herbie_Hancock | known and |
| Herbie_Hancock | and most |
| Herbie_Hancock | most influential |
| Herbie_Hancock | influential album |
| Herbie_Hancock | album head |
| Herbie_Hancock | head hunters |
| Herbie_Hancock | hunters hancock’s |
| Herbie_Hancock | hancock’s best |
| Herbie_Hancock | best known |
| Herbie_Hancock | known compositions |
| Herbie_Hancock | compositions include |
| Herbie_Hancock | include cantaloupe |
| Herbie_Hancock | cantaloupe island |
| Herbie_Hancock | island watermelon |
| Herbie_Hancock | watermelon man |
| Herbie_Hancock | man maiden |
| Herbie_Hancock | maiden voyage |
| Herbie_Hancock | voyage and |
| Herbie_Hancock | and chameleon |
| Herbie_Hancock | chameleon all |
| Herbie_Hancock | all of |
| Herbie_Hancock | of which |
| Herbie_Hancock | which are |
| Herbie_Hancock | are jazz |
| Herbie_Hancock | jazz standards |
| Herbie_Hancock | standards during |
| Herbie_Hancock | during the |
| Herbie_Hancock | the 1980s |
| Herbie_Hancock | 1980s he |
| Herbie_Hancock | he enjoyed |
| Herbie_Hancock | enjoyed a |
| Herbie_Hancock | a hit |
| Herbie_Hancock | hit single |
| Herbie_Hancock | single with |
| Herbie_Hancock | with the |
| Herbie_Hancock | the electronic |
| Herbie_Hancock | electronic instrumental |
| Herbie_Hancock | instrumental rockit |
| Herbie_Hancock | rockit a |
| Herbie_Hancock | a collaboration |
| Herbie_Hancock | collaboration with |
| Herbie_Hancock | with bassist |
| Herbie_Hancock | bassist producer |
| Herbie_Hancock | producer bill |
| Herbie_Hancock | bill laswell |
| Herbie_Hancock | laswell his |
| Herbie_Hancock | his 2007 |
| Herbie_Hancock | 2007 joni |
| Herbie_Hancock | joni mitchell |
| Herbie_Hancock | mitchell tribute |
| Herbie_Hancock | tribute album |
| Herbie_Hancock | album river |
| Herbie_Hancock | river the |
| Herbie_Hancock | the joni |
| Herbie_Hancock | joni letters |
| Herbie_Hancock | letters won |
| Herbie_Hancock | won the |
| Herbie_Hancock | the 2008 |
| Herbie_Hancock | 2008 grammy |
| Herbie_Hancock | grammy award |
| Herbie_Hancock | award for |
| Herbie_Hancock | for album |
| Herbie_Hancock | album of |
| Herbie_Hancock | of the |
| Herbie_Hancock | the year |
| Herbie_Hancock | year only |
| Herbie_Hancock | only the |
| Herbie_Hancock | the second |
| Herbie_Hancock | second jazz |
| Herbie_Hancock | jazz album |
| Herbie_Hancock | album to |
| Herbie_Hancock | to win |
| Herbie_Hancock | win the |
| Herbie_Hancock | the award |
| Herbie_Hancock | award after |
| Herbie_Hancock | after getz |
| Herbie_Hancock | getz gilberto |
| Herbie_Hancock | gilberto in |
| Herbie_Hancock | in 1965 |
| Herbie_Hancock | 1965 since |
| Herbie_Hancock | since 2012 |
| Herbie_Hancock | 2012 hancock |
| Herbie_Hancock | hancock has |
| Herbie_Hancock | has served |
| Herbie_Hancock | served as |
| Herbie_Hancock | as a |
| Herbie_Hancock | a professor |
| Herbie_Hancock | professor at |
| Herbie_Hancock | at the |
| Herbie_Hancock | the university |
| Herbie_Hancock | university of |
| Herbie_Hancock | of california |
| Herbie_Hancock | california los |
| Herbie_Hancock | los angeles |
| Herbie_Hancock | angeles where |
| Herbie_Hancock | where he |
| Herbie_Hancock | he teaches |
| Herbie_Hancock | teaches at |
| Herbie_Hancock | at the |
| Herbie_Hancock | the ucla |
| Herbie_Hancock | ucla herb |
| Herbie_Hancock | herb alpert |
| Herbie_Hancock | alpert school |
| Herbie_Hancock | school of |
| Herbie_Hancock | of music |
| Herbie_Hancock | music he |
| Herbie_Hancock | he is |
| Herbie_Hancock | is also |
| Herbie_Hancock | also the |
| Herbie_Hancock | the chairman |
| Herbie_Hancock | chairman of |
| Herbie_Hancock | of the |
| Herbie_Hancock | the herbie |
| Herbie_Hancock | herbie hancock |
| Herbie_Hancock | hancock institute |
| Herbie_Hancock | institute of |
| Herbie_Hancock | of jazz |
| Herbie_Hancock | jazz formerly |
| Herbie_Hancock | formerly known |
| Herbie_Hancock | known as |
| Herbie_Hancock | as the |
| Herbie_Hancock | the thelonious |
| Herbie_Hancock | thelonious monk |
| Herbie_Hancock | monk institute |
| Herbie_Hancock | institute of |
| Herbie_Hancock | of jazz |
| Herbie_Hancock | jazz until |
| Herbie_Hancock | until 2019 |
| Herbie_Hancock | 2019 en |
| John_Scofield | john scofield |
| John_Scofield | scofield born |
| John_Scofield | born december |
| John_Scofield | december 26 |
| John_Scofield | 26 1951 |
| John_Scofield | 1951 sometimes |
| John_Scofield | sometimes referred |
| John_Scofield | referred to |
| John_Scofield | to as |
| John_Scofield | as sco |
| John_Scofield | sco is |
| John_Scofield | is an |
| John_Scofield | an american |
| John_Scofield | american jazz |
| John_Scofield | jazz rock |
| John_Scofield | rock guitarist |
| John_Scofield | guitarist and |
| John_Scofield | and composer |
| John_Scofield | composer whose |
| John_Scofield | whose music |
| John_Scofield | music includes |
| John_Scofield | includes bebop |
| John_Scofield | bebop jazz |
| John_Scofield | jazz fusion |
| John_Scofield | fusion funk |
| John_Scofield | funk blues |
| John_Scofield | blues soul |
| John_Scofield | soul and |
| John_Scofield | and rock |
| John_Scofield | rock he |
| John_Scofield | he has |
| John_Scofield | has worked |
| John_Scofield | worked with |
| John_Scofield | with miles |
| John_Scofield | miles davis |
| John_Scofield | davis dave |
| John_Scofield | dave liebman |
| John_Scofield | liebman joe |
| John_Scofield | joe henderson |
| John_Scofield | henderson charles |
| John_Scofield | charles mingus |
| John_Scofield | mingus joey |
| John_Scofield | joey defrancesco |
| John_Scofield | defrancesco herbie |
| John_Scofield | herbie hancock |
| John_Scofield | hancock eddie |
| John_Scofield | eddie palmieri |
| John_Scofield | palmieri pat |
| John_Scofield | pat metheny |
| John_Scofield | metheny bill |
| John_Scofield | bill frisell |
| John_Scofield | frisell joe |
| John_Scofield | joe lovano |
| John_Scofield | lovano pat |
| John_Scofield | pat martino |
| John_Scofield | martino mavis |
| John_Scofield | mavis staples |
| John_Scofield | staples phil |
| John_Scofield | phil lesh |
| John_Scofield | lesh billy |
| John_Scofield | billy cobham |
| John_Scofield | cobham medeski |
| John_Scofield | medeski martin |
| John_Scofield | martin wood |
| John_Scofield | wood george |
| John_Scofield | george duke |
| John_Scofield | duke jaco |
| John_Scofield | jaco pastorius |
| John_Scofield | pastorius john |
| John_Scofield | john mayer |
| John_Scofield | mayer robert |
| John_Scofield | robert glasper |
| John_Scofield | glasper and |
| John_Scofield | and gov’t |
| John_Scofield | gov’t mule |
| John_Scofield | mule en |
| Johnny_Griffin | john arnold |
| Johnny_Griffin | arnold griffin |
| Johnny_Griffin | griffin iii |
| Johnny_Griffin | iii april |
| Johnny_Griffin | april 24 |
| Johnny_Griffin | 24 1928 |
| Johnny_Griffin | 1928 july |
| Johnny_Griffin | july 25 |
| Johnny_Griffin | 25 2008 |
| Johnny_Griffin | 2008 was |
| Johnny_Griffin | was an |
| Johnny_Griffin | an american |
| Johnny_Griffin | american jazz |
| Johnny_Griffin | jazz tenor |
| Johnny_Griffin | tenor saxophonist |
| Johnny_Griffin | saxophonist nicknamed |
| Johnny_Griffin | nicknamed the |
| Johnny_Griffin | the little |
| Johnny_Griffin | little giant |
| Johnny_Griffin | giant for |
| Johnny_Griffin | for his |
| Johnny_Griffin | his short |
| Johnny_Griffin | short stature |
| Johnny_Griffin | stature and |
| Johnny_Griffin | and forceful |
| Johnny_Griffin | forceful playing |
| Johnny_Griffin | playing griffin’s |
| Johnny_Griffin | griffin’s career |
| Johnny_Griffin | career began |
| Johnny_Griffin | began in |
| Johnny_Griffin | in the |
| Johnny_Griffin | the mid |
| Johnny_Griffin | mid 1940s |
| Johnny_Griffin | 1940s and |
| Johnny_Griffin | and continued |
| Johnny_Griffin | continued until |
| Johnny_Griffin | until the |
| Johnny_Griffin | the month |
| Johnny_Griffin | month of |
| Johnny_Griffin | of his |
| Johnny_Griffin | his death |
| Johnny_Griffin | death a |
| Johnny_Griffin | a pioneering |
| Johnny_Griffin | pioneering figure |
| Johnny_Griffin | figure in |
| Johnny_Griffin | in hard |
| Johnny_Griffin | hard bop |
| Johnny_Griffin | bop griffin |
| Johnny_Griffin | griffin recorded |
| Johnny_Griffin | recorded prolifically |
| Johnny_Griffin | prolifically as |
| Johnny_Griffin | as a |
| Johnny_Griffin | a bandleader |
| Johnny_Griffin | bandleader in |
| Johnny_Griffin | in addition |
| Johnny_Griffin | addition to |
| Johnny_Griffin | to stints |
| Johnny_Griffin | stints with |
| Johnny_Griffin | with pianist |
| Johnny_Griffin | pianist thelonious |
| Johnny_Griffin | thelonious monk |
| Johnny_Griffin | monk drummer |
| Johnny_Griffin | drummer art |
| Johnny_Griffin | art blakey |
| Johnny_Griffin | blakey in |
| Johnny_Griffin | in partnership |
| Johnny_Griffin | partnership with |
| Johnny_Griffin | with fellow |
| Johnny_Griffin | fellow tenor |
| Johnny_Griffin | tenor eddie |
| Johnny_Griffin | eddie lockjaw |
| Johnny_Griffin | lockjaw davis |
| Johnny_Griffin | davis and |
| Johnny_Griffin | and as |
| Johnny_Griffin | as a |
| Johnny_Griffin | a member |
| Johnny_Griffin | member of |
| Johnny_Griffin | of the |
| Johnny_Griffin | the kenny |
| Johnny_Griffin | kenny clarke |
| Johnny_Griffin | clarke francy |
| Johnny_Griffin | francy boland |
| Johnny_Griffin | boland big |
| Johnny_Griffin | big band |
| Johnny_Griffin | band after |
| Johnny_Griffin | after he |
| Johnny_Griffin | he moved |
| Johnny_Griffin | moved to |
| Johnny_Griffin | to europe |
| Johnny_Griffin | europe in |
| Johnny_Griffin | in the |
| Johnny_Griffin | the 1960s |
| Johnny_Griffin | 1960s in |
| Johnny_Griffin | in 1995 |
| Johnny_Griffin | 1995 griffin |
| Johnny_Griffin | griffin was |
| Johnny_Griffin | was awarded |
| Johnny_Griffin | awarded an |
| Johnny_Griffin | an honorary |
| Johnny_Griffin | honorary doctorate |
| Johnny_Griffin | doctorate of |
| Johnny_Griffin | of music |
| Johnny_Griffin | music from |
| Johnny_Griffin | from berklee |
| Johnny_Griffin | berklee college |
| Johnny_Griffin | college of |
| Johnny_Griffin | of music |
| Johnny_Griffin | music en |
| Branford_Marsalis | branford marsalis |
| Branford_Marsalis | marsalis born |
| Branford_Marsalis | born august |
| Branford_Marsalis | august 26 |
| Branford_Marsalis | 26 1960 |
| Branford_Marsalis | 1960 is |
| Branford_Marsalis | is an |
| Branford_Marsalis | an american |
| Branford_Marsalis | american saxophonist |
| Branford_Marsalis | saxophonist composer |
| Branford_Marsalis | composer and |
| Branford_Marsalis | and bandleader |
| Branford_Marsalis | bandleader while |
| Branford_Marsalis | while primarily |
| Branford_Marsalis | primarily known |
| Branford_Marsalis | known for |
| Branford_Marsalis | for his |
| Branford_Marsalis | his work |
| Branford_Marsalis | work in |
| Branford_Marsalis | in jazz |
| Branford_Marsalis | jazz as |
| Branford_Marsalis | as the |
| Branford_Marsalis | the leader |
| Branford_Marsalis | leader of |
| Branford_Marsalis | of the |
| Branford_Marsalis | the branford |
| Branford_Marsalis | branford marsalis |
| Branford_Marsalis | marsalis quartet |
| Branford_Marsalis | quartet he |
| Branford_Marsalis | he also |
| Branford_Marsalis | also performs |
| Branford_Marsalis | performs frequently |
| Branford_Marsalis | frequently as |
| Branford_Marsalis | as a |
| Branford_Marsalis | a soloist |
| Branford_Marsalis | soloist with |
| Branford_Marsalis | with classical |
| Branford_Marsalis | classical ensembles |
| Branford_Marsalis | ensembles and |
| Branford_Marsalis | and has |
| Branford_Marsalis | has led |
| Branford_Marsalis | led the |
| Branford_Marsalis | the group |
| Branford_Marsalis | group buckshot |
| Branford_Marsalis | buckshot lefonque |
| Branford_Marsalis | lefonque from |
| Branford_Marsalis | from 1992 |
| Branford_Marsalis | 1992 to |
| Branford_Marsalis | to 1995 |
| Branford_Marsalis | 1995 he |
| Branford_Marsalis | he led |
| Branford_Marsalis | led the |
| Branford_Marsalis | the tonight |
| Branford_Marsalis | tonight show |
| Branford_Marsalis | show band |
| Branford_Marsalis | band en |
| Bobby_Timmons | robert henry |
| Bobby_Timmons | henry timmons |
| Bobby_Timmons | timmons december |
| Bobby_Timmons | december 19 |
| Bobby_Timmons | 19 1935 |
| Bobby_Timmons | 1935 march |
| Bobby_Timmons | march 1 |
| Bobby_Timmons | 1 1974 |
| Bobby_Timmons | 1974 was |
| Bobby_Timmons | was an |
| Bobby_Timmons | an american |
| Bobby_Timmons | american jazz |
| Bobby_Timmons | jazz pianist |
| Bobby_Timmons | pianist and |
| Bobby_Timmons | and composer |
| Bobby_Timmons | composer he |
| Bobby_Timmons | he was |
| Bobby_Timmons | was a |
| Bobby_Timmons | a sideman |
| Bobby_Timmons | sideman in |
| Bobby_Timmons | in art |
| Bobby_Timmons | art blakey’s |
| Bobby_Timmons | blakey’s jazz |
| Bobby_Timmons | jazz messengers |
| Bobby_Timmons | messengers for |
| Bobby_Timmons | for two |
| Bobby_Timmons | two periods |
| Bobby_Timmons | periods july |
| Bobby_Timmons | july 1958 |
| Bobby_Timmons | 1958 to |
| Bobby_Timmons | to september |
| Bobby_Timmons | september 1959 |
| Bobby_Timmons | 1959 february |
| Bobby_Timmons | february 1960 |
| Bobby_Timmons | 1960 to |
| Bobby_Timmons | to june |
| Bobby_Timmons | june 1961 |
| Bobby_Timmons | 1961 between |
| Bobby_Timmons | between which |
| Bobby_Timmons | which he |
| Bobby_Timmons | he was |
| Bobby_Timmons | was part |
| Bobby_Timmons | part of |
| Bobby_Timmons | of cannonball |
| Bobby_Timmons | cannonball adderley’s |
| Bobby_Timmons | adderley’s band |
| Bobby_Timmons | band several |
| Bobby_Timmons | several of |
| Bobby_Timmons | of timmons |
| Bobby_Timmons | timmons compositions |
| Bobby_Timmons | compositions written |
| Bobby_Timmons | written when |
| Bobby_Timmons | when part |
| Bobby_Timmons | part of |
| Bobby_Timmons | of these |
| Bobby_Timmons | these bands |
| Bobby_Timmons | bands including |
| Bobby_Timmons | including moanin |
| Bobby_Timmons | moanin dat |
| Bobby_Timmons | dat dere |
| Bobby_Timmons | dere and |
| Bobby_Timmons | and this |
| Bobby_Timmons | this here |
| Bobby_Timmons | here enjoyed |
| Bobby_Timmons | enjoyed commercial |
| Bobby_Timmons | commercial success |
| Bobby_Timmons | success and |
| Bobby_Timmons | and brought |
| Bobby_Timmons | brought him |
| Bobby_Timmons | him more |
| Bobby_Timmons | more attention |
| Bobby_Timmons | attention in |
| Bobby_Timmons | in the |
| Bobby_Timmons | the early |
| Bobby_Timmons | early and |
| Bobby_Timmons | and mid |
| Bobby_Timmons | mid 1960s |
| Bobby_Timmons | 1960s he |
| Bobby_Timmons | he led |
| Bobby_Timmons | led a |
| Bobby_Timmons | a series |
| Bobby_Timmons | series of |
| Bobby_Timmons | of piano |
| Bobby_Timmons | piano trios |
| Bobby_Timmons | trios that |
| Bobby_Timmons | that toured |
| Bobby_Timmons | toured and |
| Bobby_Timmons | and recorded |
| Bobby_Timmons | recorded extensively |
| Bobby_Timmons | extensively timmons |
| Bobby_Timmons | timmons was |
| Bobby_Timmons | was strongly |
| Bobby_Timmons | strongly associated |
| Bobby_Timmons | associated with |
| Bobby_Timmons | with the |
| Bobby_Timmons | the soul |
| Bobby_Timmons | soul jazz |
| Bobby_Timmons | jazz style |
| Bobby_Timmons | style that |
| Bobby_Timmons | that he |
| Bobby_Timmons | he helped |
| Bobby_Timmons | helped initiate |
| Bobby_Timmons | initiate this |
| Bobby_Timmons | this link |
| Bobby_Timmons | link to |
| Bobby_Timmons | to apparently |
| Bobby_Timmons | apparently simple |
| Bobby_Timmons | simple writing |
| Bobby_Timmons | writing and |
| Bobby_Timmons | and playing |
| Bobby_Timmons | playing coupled |
| Bobby_Timmons | coupled with |
| Bobby_Timmons | with drug |
| Bobby_Timmons | drug and |
| Bobby_Timmons | and alcohol |
| Bobby_Timmons | alcohol addiction |
| Bobby_Timmons | addiction led |
| Bobby_Timmons | led to |
| Bobby_Timmons | to a |
| Bobby_Timmons | a decline |
| Bobby_Timmons | decline in |
| Bobby_Timmons | in his |
| Bobby_Timmons | his career |
| Bobby_Timmons | career timmons |
| Bobby_Timmons | timmons died |
| Bobby_Timmons | died aged |
| Bobby_Timmons | aged 38 |
| Bobby_Timmons | 38 from |
| Bobby_Timmons | from cirrhosis |
| Bobby_Timmons | cirrhosis several |
| Bobby_Timmons | several critics |
| Bobby_Timmons | critics have |
| Bobby_Timmons | have commented |
| Bobby_Timmons | commented that |
| Bobby_Timmons | that his |
| Bobby_Timmons | his contribution |
| Bobby_Timmons | contribution to |
| Bobby_Timmons | to jazz |
| Bobby_Timmons | jazz remains |
| Bobby_Timmons | remains undervalued |
| Bobby_Timmons | undervalued en |
| Don_Henley | donald hugh |
| Don_Henley | hugh don |
| Don_Henley | don henley |
| Don_Henley | henley born |
| Don_Henley | born july |
| Don_Henley | july 22 |
| Don_Henley | 22 1947 |
| Don_Henley | 1947 is |
| Don_Henley | is an |
| Don_Henley | an american |
| Don_Henley | american musician |
| Don_Henley | musician singer |
| Don_Henley | singer songwriter |
| Don_Henley | songwriter record |
| Don_Henley | record producer |
| Don_Henley | producer and |
| Don_Henley | and a |
| Don_Henley | a founding |
| Don_Henley | founding member |
| Don_Henley | member of |
| Don_Henley | of the |
| Don_Henley | the rock |
| Don_Henley | rock band |
| Don_Henley | band eagles |
| Don_Henley | eagles he |
| Don_Henley | he was |
| Don_Henley | was the |
| Don_Henley | the drummer |
| Don_Henley | drummer and |
| Don_Henley | and co |
| Don_Henley | co lead |
| Don_Henley | lead vocalist |
| Don_Henley | vocalist for |
| Don_Henley | for the |
| Don_Henley | the eagles |
| Don_Henley | eagles from |
| Don_Henley | from 1971 |
| Don_Henley | 1971 until |
| Don_Henley | until the |
| Don_Henley | the band |
| Don_Henley | band broke |
| Don_Henley | broke up |
| Don_Henley | up in |
| Don_Henley | in 1980 |
| Don_Henley | 1980 and |
| Don_Henley | and has |
| Don_Henley | has reprised |
| Don_Henley | reprised those |
| Don_Henley | those duties |
| Don_Henley | duties for |
| Don_Henley | for the |
| Don_Henley | the group’s |
| Don_Henley | group’s reunions |
| Don_Henley | reunions since |
| Don_Henley | since 1994 |
| Don_Henley | 1994 henley |
| Don_Henley | henley sang |
| Don_Henley | sang the |
| Don_Henley | the lead |
| Don_Henley | lead vocals |
| Don_Henley | vocals on |
| Don_Henley | on eagles |
| Don_Henley | eagles hits |
| Don_Henley | hits such |
| Don_Henley | such as |
| Don_Henley | as witchy |
| Don_Henley | witchy woman |
| Don_Henley | woman desperado |
| Don_Henley | desperado best |
| Don_Henley | best of |
| Don_Henley | of my |
| Don_Henley | my love |
| Don_Henley | love one |
| Don_Henley | one of |
| Don_Henley | of these |
| Don_Henley | these nights |
| Don_Henley | nights hotel |
| Don_Henley | hotel california |
| Don_Henley | california life |
| Don_Henley | life in |
| Don_Henley | in the |
| Don_Henley | the fast |
| Don_Henley | fast lane |
| Don_Henley | lane the |
| Don_Henley | the long |
| Don_Henley | long run |
| Don_Henley | run and |
| Don_Henley | and get |
| Don_Henley | get over |
| Don_Henley | over it |
| Don_Henley | it after |
| Don_Henley | after the |
| Don_Henley | the eagles |
| Don_Henley | eagles broke |
| Don_Henley | broke up |
| Don_Henley | up in |
| Don_Henley | in 1980 |
| Don_Henley | 1980 henley |
| Don_Henley | henley pursued |
| Don_Henley | pursued a |
| Don_Henley | a solo |
| Don_Henley | solo career |
| Don_Henley | career and |
| Don_Henley | and released |
| Don_Henley | released his |
| Don_Henley | his debut |
| Don_Henley | debut album |
| Don_Henley | album i |
| Don_Henley | i can’t |
| Don_Henley | can’t stand |
| Don_Henley | stand still |
| Don_Henley | still in |
| Don_Henley | in 1982 |
| Don_Henley | 1982 he |
| Don_Henley | he has |
| Don_Henley | has released |
| Don_Henley | released five |
| Don_Henley | five studio |
| Don_Henley | studio albums |
| Don_Henley | albums two |
| Don_Henley | two compilation |
| Don_Henley | compilation albums |
| Don_Henley | albums and |
| Don_Henley | and one |
| Don_Henley | one live |
| Don_Henley | live dvd |
| Don_Henley | dvd his |
| Don_Henley | his solo |
| Don_Henley | solo hits |
| Don_Henley | hits include |
| Don_Henley | include dirty |
| Don_Henley | dirty laundry |
| Don_Henley | laundry the |
| Don_Henley | the boys |
| Don_Henley | boys of |
| Don_Henley | of summer |
| Don_Henley | summer all |
| Don_Henley | all she |
| Don_Henley | she wants |
| Don_Henley | wants to |
| Don_Henley | to do |
| Don_Henley | do is |
| Don_Henley | is dance |
| Don_Henley | dance the |
| Don_Henley | the heart |
| Don_Henley | heart of |
| Don_Henley | of the |
| Don_Henley | the matter |
| Don_Henley | matter the |
| Don_Henley | the last |
| Don_Henley | last worthless |
| Don_Henley | worthless evening |
| Don_Henley | evening sunset |
| Don_Henley | sunset grill |
| Don_Henley | grill not |
| Don_Henley | not enough |
| Don_Henley | enough love |
| Don_Henley | love in |
| Don_Henley | in the |
| Don_Henley | the world |
| Don_Henley | world and |
| Don_Henley | and the |
| Don_Henley | the end |
| Don_Henley | end of |
| Don_Henley | of the |
| Don_Henley | the innocence |
| Don_Henley | innocence the |
| Don_Henley | the eagles |
| Don_Henley | eagles have |
| Don_Henley | have sold |
| Don_Henley | sold over |
| Don_Henley | over 150 |
| Don_Henley | 150 million |
| Don_Henley | million albums |
| Don_Henley | albums worldwide |
| Don_Henley | worldwide won |
| Don_Henley | won six |
| Don_Henley | six grammy |
| Don_Henley | grammy awards |
| Don_Henley | awards had |
| Don_Henley | had five |
| Don_Henley | five number |
| Don_Henley | number one |
| Don_Henley | one singles |
| Don_Henley | singles 17 |
| Don_Henley | 17 top |
| Don_Henley | top 40 |
| Don_Henley | 40 singles |
| Don_Henley | singles and |
| Don_Henley | and six |
| Don_Henley | six number |
| Don_Henley | number one |
| Don_Henley | one albums |
| Don_Henley | albums they |
| Don_Henley | they were |
| Don_Henley | were inducted |
| Don_Henley | inducted into |
| Don_Henley | into the |
| Don_Henley | the rock |
| Don_Henley | rock and |
| Don_Henley | and roll |
| Don_Henley | roll hall |
| Don_Henley | hall of |
| Don_Henley | of fame |
| Don_Henley | fame in |
| Don_Henley | in 1998 |
| Don_Henley | 1998 and |
| Don_Henley | and are |
| Don_Henley | are the |
| Don_Henley | the highest |
| Don_Henley | highest selling |
| Don_Henley | selling american |
| Don_Henley | american band |
| Don_Henley | band in |
| Don_Henley | in history |
| Don_Henley | history as |
| Don_Henley | as a |
| Don_Henley | a solo |
| Don_Henley | solo artist |
| Don_Henley | artist henley |
| Don_Henley | henley has |
| Don_Henley | has sold |
| Don_Henley | sold over |
| Don_Henley | over 10 |
| Don_Henley | 10 million |
| Don_Henley | million albums |
| Don_Henley | albums worldwide |
| Don_Henley | worldwide had |
| Don_Henley | had eight |
| Don_Henley | eight top |
| Don_Henley | top 40 |
| Don_Henley | 40 singles |
| Don_Henley | singles won |
| Don_Henley | won two |
| Don_Henley | two grammy |
| Don_Henley | grammy awards |
| Don_Henley | awards and |
| Don_Henley | and five |
| Don_Henley | five mtv |
| Don_Henley | mtv video |
| Don_Henley | video music |
| Don_Henley | music awards |
| Don_Henley | awards combined |
| Don_Henley | combined with |
| Don_Henley | with the |
| Don_Henley | the eagles |
| Don_Henley | eagles and |
| Don_Henley | and as |
| Don_Henley | as a |
| Don_Henley | a solo |
| Don_Henley | solo artist |
| Don_Henley | artist henley |
| Don_Henley | henley has |
| Don_Henley | has released |
| Don_Henley | released 25 |
| Don_Henley | 25 top |
| Don_Henley | top 40 |
| Don_Henley | 40 singles |
| Don_Henley | singles on |
| Don_Henley | on the |
| Don_Henley | the billboard |
| Don_Henley | billboard hot |
| Don_Henley | hot 100 |
| Don_Henley | 100 he |
| Don_Henley | he has |
| Don_Henley | has also |
| Don_Henley | also released |
| Don_Henley | released seven |
| Don_Henley | seven studio |
| Don_Henley | studio albums |
| Don_Henley | albums with |
| Don_Henley | with the |
| Don_Henley | the eagles |
| Don_Henley | eagles and |
| Don_Henley | and five |
| Don_Henley | five as |
| Don_Henley | as a |
| Don_Henley | a solo |
| Don_Henley | solo artist |
| Don_Henley | artist in |
| Don_Henley | in 2008 |
| Don_Henley | 2008 he |
| Don_Henley | he was |
| Don_Henley | was ranked |
| Don_Henley | ranked as |
| Don_Henley | as the |
| Don_Henley | the 87th |
| Don_Henley | 87th greatest |
| Don_Henley | greatest singer |
| Don_Henley | singer of |
| Don_Henley | of all |
| Don_Henley | all time |
| Don_Henley | time by |
| Don_Henley | by rolling |
| Don_Henley | rolling stone |
| Don_Henley | stone magazine |
| Don_Henley | magazine henley |
| Don_Henley | henley has |
| Don_Henley | has also |
| Don_Henley | also played |
| Don_Henley | played a |
| Don_Henley | a founding |
| Don_Henley | founding role |
| Don_Henley | role in |
| Don_Henley | in several |
| Don_Henley | several environmental |
| Don_Henley | environmental and |
| Don_Henley | and political |
| Don_Henley | political causes |
| Don_Henley | causes most |
| Don_Henley | most notably |
| Don_Henley | notably the |
| Don_Henley | the walden |
| Don_Henley | walden woods |
| Don_Henley | woods project |
| Don_Henley | project from |
| Don_Henley | from 1994 |
| Don_Henley | 1994 to |
| Don_Henley | to 2016 |
| Don_Henley | 2016 he |
| Don_Henley | he divided |
| Don_Henley | divided his |
| Don_Henley | his musical |
| Don_Henley | musical activities |
| Don_Henley | activities between |
| Don_Henley | between the |
| Don_Henley | the eagles |
| Don_Henley | eagles and |
| Don_Henley | and his |
| Don_Henley | his solo |
| Don_Henley | solo career |
| Don_Henley | career en |
| Magos_Herrera | magos herrera |
| Magos_Herrera | herrera born |
| Magos_Herrera | born october |
| Magos_Herrera | october 24 |
| Magos_Herrera | 24 1970 |
| Magos_Herrera | 1970 is |
| Magos_Herrera | is a |
| Magos_Herrera | a mexican |
| Magos_Herrera | mexican jazz |
| Magos_Herrera | jazz singer |
| Magos_Herrera | singer songwriter |
| Magos_Herrera | songwriter producer |
| Magos_Herrera | producer and |
| Magos_Herrera | and educator |
| Magos_Herrera | educator she |
| Magos_Herrera | she sings |
| Magos_Herrera | sings in |
| Magos_Herrera | in english |
| Magos_Herrera | english spanish |
| Magos_Herrera | spanish and |
| Magos_Herrera | and portuguese |
| Magos_Herrera | portuguese and |
| Magos_Herrera | and has |
| Magos_Herrera | has collaborated |
| Magos_Herrera | collaborated with |
| Magos_Herrera | with javier |
| Magos_Herrera | javier lim |
| Magos_Herrera | lim 籀 |
| Magos_Herrera | 籀 n |
| Magos_Herrera | n saxophonist |
| Magos_Herrera | saxophonist tim |
| Magos_Herrera | tim ries |
| Magos_Herrera | ries aaron |
| Magos_Herrera | aaron goldberg |
| Magos_Herrera | goldberg pedro |
| Magos_Herrera | pedro aznar |
| Magos_Herrera | aznar ed |
| Magos_Herrera | ed simon |
| Magos_Herrera | simon trio |
| Magos_Herrera | trio john |
| Magos_Herrera | john patitucci |
| Magos_Herrera | patitucci luis |
| Magos_Herrera | luis perdomo |
| Magos_Herrera | perdomo adam |
| Magos_Herrera | adam rogers |
| Magos_Herrera | rogers tim |
| Magos_Herrera | tim hagans |
| Magos_Herrera | hagans alex |
| Magos_Herrera | alex kautz |
| Magos_Herrera | kautz composer |
| Magos_Herrera | composer paola |
| Magos_Herrera | paola prestini |
| Magos_Herrera | prestini former |
| Magos_Herrera | former kronos |
| Magos_Herrera | kronos quartet |
| Magos_Herrera | quartet cellist |
| Magos_Herrera | cellist jeff |
| Magos_Herrera | jeff zeigler |
| Magos_Herrera | zeigler and |
| Magos_Herrera | and many |
| Magos_Herrera | many others |
| Magos_Herrera | others herrera |
| Magos_Herrera | herrera was |
| Magos_Herrera | was nominated |
| Magos_Herrera | nominated in |
| Magos_Herrera | in 2006 |
| Magos_Herrera | 2006 and |
| Magos_Herrera | and 2009 |
| Magos_Herrera | 2009 for |
| Magos_Herrera | for lunas |
| Magos_Herrera | lunas del |
| Magos_Herrera | del auditorio |
| Magos_Herrera | auditorio awards |
| Magos_Herrera | awards presented |
| Magos_Herrera | presented by |
| Magos_Herrera | by mexico |
| Magos_Herrera | mexico city |
| Magos_Herrera | city auditorio |
| Magos_Herrera | auditorio nacional |
| Magos_Herrera | nacional for |
| Magos_Herrera | for the |
| Magos_Herrera | the best |
| Magos_Herrera | best live |
| Magos_Herrera | live performances |
| Magos_Herrera | performances for |
| Magos_Herrera | for best |
| Magos_Herrera | best jazz |
| Magos_Herrera | jazz concert |
| Magos_Herrera | concert of |
| Magos_Herrera | of the |
| Magos_Herrera | the year |
| Magos_Herrera | year her |
| Magos_Herrera | her 2009 |
| Magos_Herrera | 2009 album |
| Magos_Herrera | album distancia |
| Magos_Herrera | distancia was |
| Magos_Herrera | was nominated |
| Magos_Herrera | nominated for |
| Magos_Herrera | for a |
| Magos_Herrera | a best |
| Magos_Herrera | best jazz |
| Magos_Herrera | jazz vocal |
| Magos_Herrera | vocal album |
| Magos_Herrera | album grammy |
| Magos_Herrera | grammy award |
| Magos_Herrera | award herrera |
| Magos_Herrera | herrera was |
| Magos_Herrera | was given |
| Magos_Herrera | given the |
| Magos_Herrera | the berklee |
| Magos_Herrera | berklee latin |
| Magos_Herrera | latin masters |
| Magos_Herrera | masters award |
| Magos_Herrera | award in |
| Magos_Herrera | in 2015 |
| Magos_Herrera | 2015 in |
| Magos_Herrera | in 2011 |
| Magos_Herrera | 2011 she |
| Magos_Herrera | she was |
| Magos_Herrera | was selected |
| Magos_Herrera | selected along |
| Magos_Herrera | along with |
| Magos_Herrera | with michelle |
| Magos_Herrera | michelle obama |
| Magos_Herrera | obama as |
| Magos_Herrera | as one |
| Magos_Herrera | one of |
| Magos_Herrera | of the |
| Magos_Herrera | the most |
| Magos_Herrera | most important |
| Magos_Herrera | important women |
| Magos_Herrera | women of |
| Magos_Herrera | of the |
| Magos_Herrera | the year |
| Magos_Herrera | year by |
| Magos_Herrera | by siempre |
| Magos_Herrera | siempre mujer |
| Magos_Herrera | mujer magazine |
| Magos_Herrera | magazine herrera |
| Magos_Herrera | herrera is |
| Magos_Herrera | is a |
| Magos_Herrera | a united |
| Magos_Herrera | united nation’s |
| Magos_Herrera | nation’s spokesperson |
| Magos_Herrera | spokesperson for |
| Magos_Herrera | for un |
| Magos_Herrera | un women |
| Magos_Herrera | women unite |
| Magos_Herrera | unite a |
| Magos_Herrera | a program |
| Magos_Herrera | program promoting |
| Magos_Herrera | promoting the |
| Magos_Herrera | the elimination |
| Magos_Herrera | elimination of |
| Magos_Herrera | of violence |
| Magos_Herrera | violence against |
| Magos_Herrera | against women |
| Magos_Herrera | women and |
| Magos_Herrera | and the |
| Magos_Herrera | the un’s |
| Magos_Herrera | un’s he |
| Magos_Herrera | he for |
| Magos_Herrera | for she |
| Magos_Herrera | she campaigns |
| Magos_Herrera | campaigns to |
| Magos_Herrera | to promote |
| Magos_Herrera | promote gender |
| Magos_Herrera | gender equality |
| Magos_Herrera | equality she |
| Magos_Herrera | she currently |
| Magos_Herrera | currently lives |
| Magos_Herrera | lives in |
| Magos_Herrera | in brooklyn |
| Magos_Herrera | brooklyn new |
| Magos_Herrera | new york |
| Magos_Herrera | york with |
| Magos_Herrera | with her |
| Magos_Herrera | her husband |
| Magos_Herrera | husband brazilian |
| Magos_Herrera | brazilian jazz |
| Magos_Herrera | jazz drummer |
| Magos_Herrera | drummer alexandre |
| Magos_Herrera | alexandre kautz |
| Magos_Herrera | kautz en |
| Billy_Higgins | billy higgins |
| Billy_Higgins | higgins october |
| Billy_Higgins | october 11 |
| Billy_Higgins | 11 1936 |
| Billy_Higgins | 1936 may |
| Billy_Higgins | may 3 |
| Billy_Higgins | 3 2001 |
| Billy_Higgins | 2001 was |
| Billy_Higgins | was an |
| Billy_Higgins | an american |
| Billy_Higgins | american jazz |
| Billy_Higgins | jazz drummer |
| Billy_Higgins | drummer he |
| Billy_Higgins | he played |
| Billy_Higgins | played mainly |
| Billy_Higgins | mainly free |
| Billy_Higgins | free jazz |
| Billy_Higgins | jazz and |
| Billy_Higgins | and hard |
| Billy_Higgins | hard bop |
| Billy_Higgins | bop en |
| Bob_Dylan | robert dylan |
| Bob_Dylan | dylan born |
| Bob_Dylan | born robert |
| Bob_Dylan | robert allen |
| Bob_Dylan | allen zimmerman |
| Bob_Dylan | zimmerman may |
| Bob_Dylan | may 24 |
| Bob_Dylan | 24 1941 |
| Bob_Dylan | 1941 is |
| Bob_Dylan | is an |
| Bob_Dylan | an american |
| Bob_Dylan | american singer |
| Bob_Dylan | singer songwriter |
| Bob_Dylan | songwriter author |
| Bob_Dylan | author and |
| Bob_Dylan | and visual |
| Bob_Dylan | visual artist |
| Bob_Dylan | artist often |
| Bob_Dylan | often regarded |
| Bob_Dylan | regarded as |
| Bob_Dylan | as one |
| Bob_Dylan | one of |
| Bob_Dylan | of the |
| Bob_Dylan | the greatest |
| Bob_Dylan | greatest songwriters |
| Bob_Dylan | songwriters of |
| Bob_Dylan | of all |
| Bob_Dylan | all time |
| Bob_Dylan | time dylan |
| Bob_Dylan | dylan has |
| Bob_Dylan | has been |
| Bob_Dylan | been a |
| Bob_Dylan | a major |
| Bob_Dylan | major figure |
| Bob_Dylan | figure in |
| Bob_Dylan | in popular |
| Bob_Dylan | popular culture |
| Bob_Dylan | culture during |
| Bob_Dylan | during a |
| Bob_Dylan | a career |
| Bob_Dylan | career spanning |
| Bob_Dylan | spanning 60 |
| Bob_Dylan | 60 years |
| Bob_Dylan | years much |
| Bob_Dylan | much of |
| Bob_Dylan | of his |
| Bob_Dylan | his most |
| Bob_Dylan | most celebrated |
| Bob_Dylan | celebrated work |
| Bob_Dylan | work dates |
| Bob_Dylan | dates from |
| Bob_Dylan | from the |
| Bob_Dylan | the 1960s |
| Bob_Dylan | 1960s when |
| Bob_Dylan | when songs |
| Bob_Dylan | songs such |
| Bob_Dylan | such as |
| Bob_Dylan | as blowin |
| Bob_Dylan | blowin in |
| Bob_Dylan | in the |
| Bob_Dylan | the wind |
| Bob_Dylan | wind 1963 |
| Bob_Dylan | 1963 and |
| Bob_Dylan | and the |
| Bob_Dylan | the times |
| Bob_Dylan | times they |
| Bob_Dylan | they are |
| Bob_Dylan | are a |
| Bob_Dylan | a changin |
| Bob_Dylan | changin 1964 |
| Bob_Dylan | 1964 became |
| Bob_Dylan | became anthems |
| Bob_Dylan | anthems for |
| Bob_Dylan | for the |
| Bob_Dylan | the civil |
| Bob_Dylan | civil rights |
| Bob_Dylan | rights and |
| Bob_Dylan | and anti |
| Bob_Dylan | anti war |
| Bob_Dylan | war movements |
| Bob_Dylan | movements his |
| Bob_Dylan | his lyrics |
| Bob_Dylan | lyrics during |
| Bob_Dylan | during this |
| Bob_Dylan | this period |
| Bob_Dylan | period incorporated |
| Bob_Dylan | incorporated a |
| Bob_Dylan | a range |
| Bob_Dylan | range of |
| Bob_Dylan | of political |
| Bob_Dylan | political social |
| Bob_Dylan | social philosophical |
| Bob_Dylan | philosophical and |
| Bob_Dylan | and literary |
| Bob_Dylan | literary influences |
| Bob_Dylan | influences defying |
| Bob_Dylan | defying pop |
| Bob_Dylan | pop music |
| Bob_Dylan | music conventions |
| Bob_Dylan | conventions and |
| Bob_Dylan | and appealing |
| Bob_Dylan | appealing to |
| Bob_Dylan | to the |
| Bob_Dylan | the burgeoning |
| Bob_Dylan | burgeoning counterculture |
| Bob_Dylan | counterculture following |
| Bob_Dylan | following his |
| Bob_Dylan | his self |
| Bob_Dylan | self titled |
| Bob_Dylan | titled debut |
| Bob_Dylan | debut album |
| Bob_Dylan | album in |
| Bob_Dylan | in 1962 |
| Bob_Dylan | 1962 which |
| Bob_Dylan | which mainly |
| Bob_Dylan | mainly comprised |
| Bob_Dylan | comprised traditional |
| Bob_Dylan | traditional folk |
| Bob_Dylan | folk songs |
| Bob_Dylan | songs dylan |
| Bob_Dylan | dylan made |
| Bob_Dylan | made his |
| Bob_Dylan | his breakthrough |
| Bob_Dylan | breakthrough as |
| Bob_Dylan | as a |
| Bob_Dylan | a songwriter |
| Bob_Dylan | songwriter with |
| Bob_Dylan | with the |
| Bob_Dylan | the release |
| Bob_Dylan | release of |
| Bob_Dylan | of the |
| Bob_Dylan | the freewheelin |
| Bob_Dylan | freewheelin bob |
| Bob_Dylan | bob dylan |
| Bob_Dylan | dylan the |
| Bob_Dylan | the following |
| Bob_Dylan | following year |
| Bob_Dylan | year the |
| Bob_Dylan | the album |
| Bob_Dylan | album features |
| Bob_Dylan | features blowin |
| Bob_Dylan | blowin in |
| Bob_Dylan | in the |
| Bob_Dylan | the wind |
| Bob_Dylan | wind and |
| Bob_Dylan | and the |
| Bob_Dylan | the thematically |
| Bob_Dylan | thematically complex |
| Bob_Dylan | complex a |
| Bob_Dylan | a hard |
| Bob_Dylan | hard rain’s |
| Bob_Dylan | rain’s a |
| Bob_Dylan | a gonna |
| Bob_Dylan | gonna fall |
| Bob_Dylan | fall many |
| Bob_Dylan | many of |
| Bob_Dylan | of his |
| Bob_Dylan | his songs |
| Bob_Dylan | songs adapted |
| Bob_Dylan | adapted the |
| Bob_Dylan | the tunes |
| Bob_Dylan | tunes and |
| Bob_Dylan | and phraseology |
| Bob_Dylan | phraseology of |
| Bob_Dylan | of older |
| Bob_Dylan | older folk |
| Bob_Dylan | folk songs |
| Bob_Dylan | songs he |
| Bob_Dylan | he went |
| Bob_Dylan | went on |
| Bob_Dylan | on to |
| Bob_Dylan | to release |
| Bob_Dylan | release the |
| Bob_Dylan | the politically |
| Bob_Dylan | politically charged |
| Bob_Dylan | charged the |
| Bob_Dylan | the times |
| Bob_Dylan | times they |
| Bob_Dylan | they are |
| Bob_Dylan | are a |
| Bob_Dylan | a changin |
| Bob_Dylan | changin and |
| Bob_Dylan | and the |
| Bob_Dylan | the more |
| Bob_Dylan | more lyrically |
| Bob_Dylan | lyrically abstract |
| Bob_Dylan | abstract and |
| Bob_Dylan | and introspective |
| Bob_Dylan | introspective another |
| Bob_Dylan | another side |
| Bob_Dylan | side of |
| Bob_Dylan | of bob |
| Bob_Dylan | bob dylan |
| Bob_Dylan | dylan in |
| Bob_Dylan | in 1964 |
| Bob_Dylan | 1964 in |
| Bob_Dylan | in 1965 |
| Bob_Dylan | 1965 and |
| Bob_Dylan | and 1966 |
| Bob_Dylan | 1966 dylan |
| Bob_Dylan | dylan drew |
| Bob_Dylan | drew controversy |
| Bob_Dylan | controversy when |
| Bob_Dylan | when he |
| Bob_Dylan | he adopted |
| Bob_Dylan | adopted electrically |
| Bob_Dylan | electrically amplified |
| Bob_Dylan | amplified rock |
| Bob_Dylan | rock instrumentation |
| Bob_Dylan | instrumentation and |
| Bob_Dylan | and in |
| Bob_Dylan | in the |
| Bob_Dylan | the space |
| Bob_Dylan | space of |
| Bob_Dylan | of 15 |
| Bob_Dylan | 15 months |
| Bob_Dylan | months recorded |
| Bob_Dylan | recorded three |
| Bob_Dylan | three of |
| Bob_Dylan | of the |
| Bob_Dylan | the most |
| Bob_Dylan | most important |
| Bob_Dylan | important and |
| Bob_Dylan | and influential |
| Bob_Dylan | influential rock |
| Bob_Dylan | rock albums |
| Bob_Dylan | albums of |
| Bob_Dylan | of the |
| Bob_Dylan | the 1960s |
| Bob_Dylan | 1960s bringing |
| Bob_Dylan | bringing it |
| Bob_Dylan | it all |
| Bob_Dylan | all back |
| Bob_Dylan | back home |
| Bob_Dylan | home 1965 |
| Bob_Dylan | 1965 highway |
| Bob_Dylan | highway 61 |
| Bob_Dylan | 61 revisited |
| Bob_Dylan | revisited 1965 |
| Bob_Dylan | 1965 and |
| Bob_Dylan | and blonde |
| Bob_Dylan | blonde on |
| Bob_Dylan | on blonde |
| Bob_Dylan | blonde 1966 |
| Bob_Dylan | 1966 his |
| Bob_Dylan | his six |
| Bob_Dylan | six minute |
| Bob_Dylan | minute single |
| Bob_Dylan | single like |
| Bob_Dylan | like a |
| Bob_Dylan | a rolling |
| Bob_Dylan | rolling stone |
| Bob_Dylan | stone 1965 |
| Bob_Dylan | 1965 expanded |
| Bob_Dylan | expanded commercial |
| Bob_Dylan | commercial and |
| Bob_Dylan | and creative |
| Bob_Dylan | creative boundaries |
| Bob_Dylan | boundaries in |
| Bob_Dylan | in popular |
| Bob_Dylan | popular music |
| Bob_Dylan | music in |
| Bob_Dylan | in july |
| Bob_Dylan | july 1966 |
| Bob_Dylan | 1966 a |
| Bob_Dylan | a motorcycle |
| Bob_Dylan | motorcycle accident |
| Bob_Dylan | accident led |
| Bob_Dylan | led to |
| Bob_Dylan | to dylan’s |
| Bob_Dylan | dylan’s withdrawal |
| Bob_Dylan | withdrawal from |
| Bob_Dylan | from touring |
| Bob_Dylan | touring during |
| Bob_Dylan | during this |
| Bob_Dylan | this period |
| Bob_Dylan | period he |
| Bob_Dylan | he recorded |
| Bob_Dylan | recorded a |
| Bob_Dylan | a large |
| Bob_Dylan | large body |
| Bob_Dylan | body of |
| Bob_Dylan | of songs |
| Bob_Dylan | songs with |
| Bob_Dylan | with members |
| Bob_Dylan | members of |
| Bob_Dylan | of the |
| Bob_Dylan | the band |
| Bob_Dylan | band who |
| Bob_Dylan | who had |
| Bob_Dylan | had previously |
| Bob_Dylan | previously backed |
| Bob_Dylan | backed him |
| Bob_Dylan | him on |
| Bob_Dylan | on tour |
| Bob_Dylan | tour these |
| Bob_Dylan | these recordings |
| Bob_Dylan | recordings were |
| Bob_Dylan | were released |
| Bob_Dylan | released as |
| Bob_Dylan | as the |
| Bob_Dylan | the collaborative |
| Bob_Dylan | collaborative album |
| Bob_Dylan | album the |
| Bob_Dylan | the basement |
| Bob_Dylan | basement tapes |
| Bob_Dylan | tapes in |
| Bob_Dylan | in 1975 |
| Bob_Dylan | 1975 in |
| Bob_Dylan | in the |
| Bob_Dylan | the late |
| Bob_Dylan | late 1960s |
| Bob_Dylan | 1960s and |
| Bob_Dylan | and early |
| Bob_Dylan | early 1970s |
| Bob_Dylan | 1970s dylan |
| Bob_Dylan | dylan explored |
| Bob_Dylan | explored country |
| Bob_Dylan | country music |
| Bob_Dylan | music and |
| Bob_Dylan | and rural |
| Bob_Dylan | rural themes |
| Bob_Dylan | themes in |
| Bob_Dylan | in john |
| Bob_Dylan | john wesley |
| Bob_Dylan | wesley harding |
| Bob_Dylan | harding 1967 |
| Bob_Dylan | 1967 nashville |
| Bob_Dylan | nashville skyline |
| Bob_Dylan | skyline 1969 |
| Bob_Dylan | 1969 and |
| Bob_Dylan | and new |
| Bob_Dylan | new morning |
| Bob_Dylan | morning 1970 |
| Bob_Dylan | 1970 in |
| Bob_Dylan | in 1975 |
| Bob_Dylan | 1975 he |
| Bob_Dylan | he released |
| Bob_Dylan | released blood |
| Bob_Dylan | blood on |
| Bob_Dylan | on the |
| Bob_Dylan | the tracks |
| Bob_Dylan | tracks which |
| Bob_Dylan | which many |
| Bob_Dylan | many saw |
| Bob_Dylan | saw as |
| Bob_Dylan | as a |
| Bob_Dylan | a return |
| Bob_Dylan | return to |
| Bob_Dylan | to form |
| Bob_Dylan | form in |
| Bob_Dylan | in the |
| Bob_Dylan | the late |
| Bob_Dylan | late 1970s |
| Bob_Dylan | 1970s he |
| Bob_Dylan | he became |
| Bob_Dylan | became a |
| Bob_Dylan | a born |
| Bob_Dylan | born again |
| Bob_Dylan | again christian |
| Bob_Dylan | christian and |
| Bob_Dylan | and released |
| Bob_Dylan | released a |
| Bob_Dylan | a series |
| Bob_Dylan | series of |
| Bob_Dylan | of albums |
| Bob_Dylan | albums of |
| Bob_Dylan | of contemporary |
| Bob_Dylan | contemporary gospel |
| Bob_Dylan | gospel music |
| Bob_Dylan | music before |
| Bob_Dylan | before returning |
| Bob_Dylan | returning to |
| Bob_Dylan | to his |
| Bob_Dylan | his more |
| Bob_Dylan | more familiar |
| Bob_Dylan | familiar rock |
| Bob_Dylan | rock based |
| Bob_Dylan | based idiom |
| Bob_Dylan | idiom in |
| Bob_Dylan | in the |
| Bob_Dylan | the early |
| Bob_Dylan | early 1980s |
| Bob_Dylan | 1980s dylan’s |
| Bob_Dylan | dylan’s 1997 |
| Bob_Dylan | 1997 album |
| Bob_Dylan | album time |
| Bob_Dylan | time out |
| Bob_Dylan | out of |
| Bob_Dylan | of mind |
| Bob_Dylan | mind marked |
| Bob_Dylan | marked the |
| Bob_Dylan | the beginning |
| Bob_Dylan | beginning of |
| Bob_Dylan | of a |
| Bob_Dylan | a renaissance |
| Bob_Dylan | renaissance for |
| Bob_Dylan | for his |
| Bob_Dylan | his career |
| Bob_Dylan | career he |
| Bob_Dylan | he has |
| Bob_Dylan | has released |
| Bob_Dylan | released five |
| Bob_Dylan | five critically |
| Bob_Dylan | critically acclaimed |
| Bob_Dylan | acclaimed albums |
| Bob_Dylan | albums of |
| Bob_Dylan | of original |
| Bob_Dylan | original material |
| Bob_Dylan | material since |
| Bob_Dylan | since then |
| Bob_Dylan | then the |
| Bob_Dylan | the most |
| Bob_Dylan | most recent |
| Bob_Dylan | recent being |
| Bob_Dylan | being rough |
| Bob_Dylan | rough and |
| Bob_Dylan | and rowdy |
| Bob_Dylan | rowdy ways |
| Bob_Dylan | ways 2020 |
| Bob_Dylan | 2020 he |
| Bob_Dylan | he also |
| Bob_Dylan | also recorded |
| Bob_Dylan | recorded a |
| Bob_Dylan | a series |
| Bob_Dylan | series of |
| Bob_Dylan | of three |
| Bob_Dylan | three albums |
| Bob_Dylan | albums in |
| Bob_Dylan | in the |
| Bob_Dylan | the 2010s |
| Bob_Dylan | 2010s comprising |
| Bob_Dylan | comprising versions |
| Bob_Dylan | versions of |
| Bob_Dylan | of traditional |
| Bob_Dylan | traditional american |
| Bob_Dylan | american standards |
| Bob_Dylan | standards especially |
| Bob_Dylan | especially songs |
| Bob_Dylan | songs recorded |
| Bob_Dylan | recorded by |
| Bob_Dylan | by frank |
| Bob_Dylan | frank sinatra |
| Bob_Dylan | sinatra dylan |
| Bob_Dylan | dylan has |
| Bob_Dylan | has toured |
| Bob_Dylan | toured continuously |
| Bob_Dylan | continuously since |
| Bob_Dylan | since the |
| Bob_Dylan | the late |
| Bob_Dylan | late 1980s |
| Bob_Dylan | 1980s on |
| Bob_Dylan | on what |
| Bob_Dylan | what has |
| Bob_Dylan | has become |
| Bob_Dylan | become known |
| Bob_Dylan | known as |
| Bob_Dylan | as the |
| Bob_Dylan | the never |
| Bob_Dylan | never ending |
| Bob_Dylan | ending tour |
| Bob_Dylan | tour since |
| Bob_Dylan | since 1994 |
| Bob_Dylan | 1994 dylan |
| Bob_Dylan | dylan has |
| Bob_Dylan | has published |
| Bob_Dylan | published eight |
| Bob_Dylan | eight books |
| Bob_Dylan | books of |
| Bob_Dylan | of drawings |
| Bob_Dylan | drawings and |
| Bob_Dylan | and paintings |
| Bob_Dylan | paintings and |
| Bob_Dylan | and his |
| Bob_Dylan | his work |
| Bob_Dylan | work has |
| Bob_Dylan | has been |
| Bob_Dylan | been exhibited |
| Bob_Dylan | exhibited in |
| Bob_Dylan | in major |
| Bob_Dylan | major art |
| Bob_Dylan | art galleries |
| Bob_Dylan | galleries he |
| Bob_Dylan | he has |
| Bob_Dylan | has sold |
| Bob_Dylan | sold more |
| Bob_Dylan | more than |
| Bob_Dylan | than 125 |
| Bob_Dylan | 125 million |
| Bob_Dylan | million records |
| Bob_Dylan | records making |
| Bob_Dylan | making him |
| Bob_Dylan | him one |
| Bob_Dylan | one of |
| Bob_Dylan | of the |
| Bob_Dylan | the best |
| Bob_Dylan | best selling |
| Bob_Dylan | selling musicians |
| Bob_Dylan | musicians of |
| Bob_Dylan | of all |
| Bob_Dylan | all time |
| Bob_Dylan | time he |
| Bob_Dylan | he has |
| Bob_Dylan | has received |
| Bob_Dylan | received numerous |
| Bob_Dylan | numerous awards |
| Bob_Dylan | awards including |
| Bob_Dylan | including the |
| Bob_Dylan | the presidential |
| Bob_Dylan | presidential medal |
| Bob_Dylan | medal of |
| Bob_Dylan | of freedom |
| Bob_Dylan | freedom ten |
| Bob_Dylan | ten grammy |
| Bob_Dylan | grammy awards |
| Bob_Dylan | awards a |
| Bob_Dylan | a golden |
| Bob_Dylan | golden globe |
| Bob_Dylan | globe award |
| Bob_Dylan | award and |
| Bob_Dylan | and an |
| Bob_Dylan | an academy |
| Bob_Dylan | academy award |
| Bob_Dylan | award dylan |
| Bob_Dylan | dylan has |
| Bob_Dylan | has been |
| Bob_Dylan | been inducted |
| Bob_Dylan | inducted into |
| Bob_Dylan | into the |
| Bob_Dylan | the rock |
| Bob_Dylan | rock and |
| Bob_Dylan | and roll |
| Bob_Dylan | roll hall |
| Bob_Dylan | hall of |
| Bob_Dylan | of fame |
| Bob_Dylan | fame nashville |
| Bob_Dylan | nashville songwriters |
| Bob_Dylan | songwriters hall |
| Bob_Dylan | hall of |
| Bob_Dylan | of fame |
| Bob_Dylan | fame and |
| Bob_Dylan | and the |
| Bob_Dylan | the songwriters |
| Bob_Dylan | songwriters hall |
| Bob_Dylan | hall of |
| Bob_Dylan | of fame |
| Bob_Dylan | fame the |
| Bob_Dylan | the pulitzer |
| Bob_Dylan | pulitzer prize |
| Bob_Dylan | prize board |
| Bob_Dylan | board in |
| Bob_Dylan | in 2008 |
| Bob_Dylan | 2008 awarded |
| Bob_Dylan | awarded him |
| Bob_Dylan | him a |
| Bob_Dylan | a special |
| Bob_Dylan | special citation |
| Bob_Dylan | citation for |
| Bob_Dylan | for his |
| Bob_Dylan | his profound |
| Bob_Dylan | profound impact |
| Bob_Dylan | impact on |
| Bob_Dylan | on popular |
| Bob_Dylan | popular music |
| Bob_Dylan | music and |
| Bob_Dylan | and american |
| Bob_Dylan | american culture |
| Bob_Dylan | culture marked |
| Bob_Dylan | marked by |
| Bob_Dylan | by lyrical |
| Bob_Dylan | lyrical compositions |
| Bob_Dylan | compositions of |
| Bob_Dylan | of extraordinary |
| Bob_Dylan | extraordinary poetic |
| Bob_Dylan | poetic power |
| Bob_Dylan | power in |
| Bob_Dylan | in 2016 |
| Bob_Dylan | 2016 dylan |
| Bob_Dylan | dylan was |
| Bob_Dylan | was awarded |
| Bob_Dylan | awarded the |
| Bob_Dylan | the nobel |
| Bob_Dylan | nobel prize |
| Bob_Dylan | prize in |
| Bob_Dylan | in literature |
| Bob_Dylan | literature for |
| Bob_Dylan | for having |
| Bob_Dylan | having created |
| Bob_Dylan | created new |
| Bob_Dylan | new poetic |
| Bob_Dylan | poetic expressions |
| Bob_Dylan | expressions within |
| Bob_Dylan | within the |
| Bob_Dylan | the great |
| Bob_Dylan | great american |
| Bob_Dylan | american song |
| Bob_Dylan | song tradition |
| Bob_Dylan | tradition en |
| Sean_Jones_(trumpeter) | sean jones |
| Sean_Jones_(trumpeter) | jones born |
| Sean_Jones_(trumpeter) | born may |
| Sean_Jones_(trumpeter) | may 29 |
| Sean_Jones_(trumpeter) | 29 1978 |
| Sean_Jones_(trumpeter) | 1978 in |
| Sean_Jones_(trumpeter) | in warren |
| Sean_Jones_(trumpeter) | warren ohio |
| Sean_Jones_(trumpeter) | ohio is |
| Sean_Jones_(trumpeter) | is an |
| Sean_Jones_(trumpeter) | an american |
| Sean_Jones_(trumpeter) | american trumpeter |
| Sean_Jones_(trumpeter) | trumpeter and |
| Sean_Jones_(trumpeter) | and composer |
| Sean_Jones_(trumpeter) | composer featured |
| Sean_Jones_(trumpeter) | featured on |
| Sean_Jones_(trumpeter) | on the |
| Sean_Jones_(trumpeter) | the 2007 |
| Sean_Jones_(trumpeter) | 2007 grammy |
| Sean_Jones_(trumpeter) | grammy award |
| Sean_Jones_(trumpeter) | award winning |
| Sean_Jones_(trumpeter) | winning album |
| Sean_Jones_(trumpeter) | album turned |
| Sean_Jones_(trumpeter) | turned to |
| Sean_Jones_(trumpeter) | to blue |
| Sean_Jones_(trumpeter) | blue by |
| Sean_Jones_(trumpeter) | by nancy |
| Sean_Jones_(trumpeter) | nancy wilson |
| Sean_Jones_(trumpeter) | wilson as |
| Sean_Jones_(trumpeter) | as a |
| Sean_Jones_(trumpeter) | a bandleader |
| Sean_Jones_(trumpeter) | bandleader jones |
| Sean_Jones_(trumpeter) | jones has |
| Sean_Jones_(trumpeter) | has released |
| Sean_Jones_(trumpeter) | released seven |
| Sean_Jones_(trumpeter) | seven albums |
| Sean_Jones_(trumpeter) | albums under |
| Sean_Jones_(trumpeter) | under the |
| Sean_Jones_(trumpeter) | the mack |
| Sean_Jones_(trumpeter) | mack avenue |
| Sean_Jones_(trumpeter) | avenue records |
| Sean_Jones_(trumpeter) | records label |
| Sean_Jones_(trumpeter) | label he |
| Sean_Jones_(trumpeter) | he performs |
| Sean_Jones_(trumpeter) | performs with |
| Sean_Jones_(trumpeter) | with his |
| Sean_Jones_(trumpeter) | his own |
| Sean_Jones_(trumpeter) | own groups |
| Sean_Jones_(trumpeter) | groups both |
| Sean_Jones_(trumpeter) | both nationally |
| Sean_Jones_(trumpeter) | nationally and |
| Sean_Jones_(trumpeter) | and internationally |
| Sean_Jones_(trumpeter) | internationally jones |
| Sean_Jones_(trumpeter) | jones often |
| Sean_Jones_(trumpeter) | often plays |
| Sean_Jones_(trumpeter) | plays at |
| Sean_Jones_(trumpeter) | at music |
| Sean_Jones_(trumpeter) | music venues |
| Sean_Jones_(trumpeter) | venues and |
| Sean_Jones_(trumpeter) | and jazz |
| Sean_Jones_(trumpeter) | jazz festivals |
| Sean_Jones_(trumpeter) | festivals such |
| Sean_Jones_(trumpeter) | such as |
| Sean_Jones_(trumpeter) | as the |
| Sean_Jones_(trumpeter) | the monterey |
| Sean_Jones_(trumpeter) | monterey jazz |
| Sean_Jones_(trumpeter) | jazz festival |
| Sean_Jones_(trumpeter) | festival detroit |
| Sean_Jones_(trumpeter) | detroit international |
| Sean_Jones_(trumpeter) | international jazz |
| Sean_Jones_(trumpeter) | jazz festival |
| Sean_Jones_(trumpeter) | festival the |
| Sean_Jones_(trumpeter) | the and |
| Sean_Jones_(trumpeter) | and montreal |
| Sean_Jones_(trumpeter) | montreal international |
| Sean_Jones_(trumpeter) | international jazz |
| Sean_Jones_(trumpeter) | jazz festival |
| Sean_Jones_(trumpeter) | festival en |
| Bee_Gees | the bee |
| Bee_Gees | bee gees |
| Bee_Gees | gees were |
| Bee_Gees | were a |
| Bee_Gees | a music |
| Bee_Gees | music group |
| Bee_Gees | group formed |
| Bee_Gees | formed in |
| Bee_Gees | in 1958 |
| Bee_Gees | 1958 featuring |
| Bee_Gees | featuring brothers |
| Bee_Gees | brothers barry |
| Bee_Gees | barry robin |
| Bee_Gees | robin and |
| Bee_Gees | and maurice |
| Bee_Gees | maurice gibb |
| Bee_Gees | gibb the |
| Bee_Gees | the trio |
| Bee_Gees | trio were |
| Bee_Gees | were especially |
| Bee_Gees | especially successful |
| Bee_Gees | successful as |
| Bee_Gees | as a |
| Bee_Gees | a popular |
| Bee_Gees | popular music |
| Bee_Gees | music act |
| Bee_Gees | act in |
| Bee_Gees | in the |
| Bee_Gees | the late |
| Bee_Gees | late 1960s |
| Bee_Gees | 1960s and |
| Bee_Gees | and early |
| Bee_Gees | early 1970s |
| Bee_Gees | 1970s and |
| Bee_Gees | and later |
| Bee_Gees | later as |
| Bee_Gees | as prominent |
| Bee_Gees | prominent performers |
| Bee_Gees | performers of |
| Bee_Gees | of the |
| Bee_Gees | the disco |
| Bee_Gees | disco music |
| Bee_Gees | music era |
| Bee_Gees | era in |
| Bee_Gees | in the |
| Bee_Gees | the mid |
| Bee_Gees | mid to |
| Bee_Gees | to late |
| Bee_Gees | late 1970s |
| Bee_Gees | 1970s the |
| Bee_Gees | the group |
| Bee_Gees | group sang |
| Bee_Gees | sang recognisable |
| Bee_Gees | recognisable three |
| Bee_Gees | three part |
| Bee_Gees | part tight |
| Bee_Gees | tight harmonies |
| Bee_Gees | harmonies robin’s |
| Bee_Gees | robin’s clear |
| Bee_Gees | clear vibrato |
| Bee_Gees | vibrato lead |
| Bee_Gees | lead vocals |
| Bee_Gees | vocals were |
| Bee_Gees | were a |
| Bee_Gees | a hallmark |
| Bee_Gees | hallmark of |
| Bee_Gees | of their |
| Bee_Gees | their earlier |
| Bee_Gees | earlier hits |
| Bee_Gees | hits while |
| Bee_Gees | while barry’s |
| Bee_Gees | barry’s r |
| Bee_Gees | r b |
| Bee_Gees | b falsetto |
| Bee_Gees | falsetto became |
| Bee_Gees | became their |
| Bee_Gees | their signature |
| Bee_Gees | signature sound |
| Bee_Gees | sound during |
| Bee_Gees | during the |
| Bee_Gees | the mid |
| Bee_Gees | mid to |
| Bee_Gees | to late |
| Bee_Gees | late 1970s |
| Bee_Gees | 1970s and |
| Bee_Gees | and 1980s |
| Bee_Gees | 1980s the |
| Bee_Gees | the bee |
| Bee_Gees | bee gees |
| Bee_Gees | gees wrote |
| Bee_Gees | wrote all |
| Bee_Gees | all of |
| Bee_Gees | of their |
| Bee_Gees | their own |
| Bee_Gees | own hits |
| Bee_Gees | hits as |
| Bee_Gees | as well |
| Bee_Gees | well as |
| Bee_Gees | as writing |
| Bee_Gees | writing and |
| Bee_Gees | and producing |
| Bee_Gees | producing several |
| Bee_Gees | several major |
| Bee_Gees | major hits |
| Bee_Gees | hits for |
| Bee_Gees | for other |
| Bee_Gees | other artists |
| Bee_Gees | artists the |
| Bee_Gees | the bee |
| Bee_Gees | bee gees |
| Bee_Gees | gees have |
| Bee_Gees | have occasionally |
| Bee_Gees | occasionally been |
| Bee_Gees | been referred |
| Bee_Gees | referred to |
| Bee_Gees | to as |
| Bee_Gees | as the |
| Bee_Gees | the disco |
| Bee_Gees | disco kings |
| Bee_Gees | kings born |
| Bee_Gees | born on |
| Bee_Gees | on the |
| Bee_Gees | the isle |
| Bee_Gees | isle of |
| Bee_Gees | of man |
| Bee_Gees | man to |
| Bee_Gees | to english |
| Bee_Gees | english parents |
| Bee_Gees | parents the |
| Bee_Gees | the gibb |
| Bee_Gees | gibb brothers |
| Bee_Gees | brothers lived |
| Bee_Gees | lived in |
| Bee_Gees | in chorlton |
| Bee_Gees | chorlton manchester |
| Bee_Gees | manchester england |
| Bee_Gees | england until |
| Bee_Gees | until the |
| Bee_Gees | the late |
| Bee_Gees | late 1950s |
| Bee_Gees | 1950s there |
| Bee_Gees | there in |
| Bee_Gees | in 1955 |
| Bee_Gees | 1955 they |
| Bee_Gees | they formed |
| Bee_Gees | formed the |
| Bee_Gees | the skiffle |
| Bee_Gees | skiffle rock |
| Bee_Gees | rock and |
| Bee_Gees | and roll |
| Bee_Gees | roll group |
| Bee_Gees | group the |
| Bee_Gees | the rattlesnakes |
| Bee_Gees | rattlesnakes the |
| Bee_Gees | the family |
| Bee_Gees | family then |
| Bee_Gees | then moved |
| Bee_Gees | moved to |
| Bee_Gees | to redcliffe |
| Bee_Gees | redcliffe in |
| Bee_Gees | in the |
| Bee_Gees | the moreton |
| Bee_Gees | moreton bay |
| Bee_Gees | bay region |
| Bee_Gees | region queensland |
| Bee_Gees | queensland australia |
| Bee_Gees | australia later |
| Bee_Gees | later to |
| Bee_Gees | to cribb |
| Bee_Gees | cribb island |
| Bee_Gees | island after |
| Bee_Gees | after achieving |
| Bee_Gees | achieving their |
| Bee_Gees | their first |
| Bee_Gees | first chart |
| Bee_Gees | chart success |
| Bee_Gees | success in |
| Bee_Gees | in australia |
| Bee_Gees | australia as |
| Bee_Gees | as the |
| Bee_Gees | the bee |
| Bee_Gees | bee gees |
| Bee_Gees | gees with |
| Bee_Gees | with spicks |
| Bee_Gees | spicks and |
| Bee_Gees | and specks |
| Bee_Gees | specks their |
| Bee_Gees | their twelfth |
| Bee_Gees | twelfth single |
| Bee_Gees | single they |
| Bee_Gees | they returned |
| Bee_Gees | returned to |
| Bee_Gees | to the |
| Bee_Gees | the uk |
| Bee_Gees | uk in |
| Bee_Gees | in january |
| Bee_Gees | january 1967 |
| Bee_Gees | 1967 when |
| Bee_Gees | when producer |
| Bee_Gees | producer robert |
| Bee_Gees | robert stigwood |
| Bee_Gees | stigwood began |
| Bee_Gees | began promoting |
| Bee_Gees | promoting them |
| Bee_Gees | them to |
| Bee_Gees | to a |
| Bee_Gees | a worldwide |
| Bee_Gees | worldwide audience |
| Bee_Gees | audience the |
| Bee_Gees | the bee |
| Bee_Gees | bee gees |
| Bee_Gees | gees saturday |
| Bee_Gees | saturday night |
| Bee_Gees | night fever |
| Bee_Gees | fever soundtrack |
| Bee_Gees | soundtrack 1977 |
| Bee_Gees | 1977 was |
| Bee_Gees | was the |
| Bee_Gees | the turning |
| Bee_Gees | turning point |
| Bee_Gees | point of |
| Bee_Gees | of their |
| Bee_Gees | their career |
| Bee_Gees | career with |
| Bee_Gees | with both |
| Bee_Gees | both the |
| Bee_Gees | the film |
| Bee_Gees | film and |
| Bee_Gees | and soundtrack |
| Bee_Gees | soundtrack having |
| Bee_Gees | having a |
| Bee_Gees | a cultural |
| Bee_Gees | cultural impact |
| Bee_Gees | impact throughout |
| Bee_Gees | throughout the |
| Bee_Gees | the world |
| Bee_Gees | world enhancing |
| Bee_Gees | enhancing the |
| Bee_Gees | the disco |
| Bee_Gees | disco scene’s |
| Bee_Gees | scene’s mainstream |
| Bee_Gees | mainstream appeal |
| Bee_Gees | appeal they |
| Bee_Gees | they won |
| Bee_Gees | won five |
| Bee_Gees | five grammy |
| Bee_Gees | grammy awards |
| Bee_Gees | awards for |
| Bee_Gees | for saturday |
| Bee_Gees | saturday night |
| Bee_Gees | night fever |
| Bee_Gees | fever including |
| Bee_Gees | including album |
| Bee_Gees | album of |
| Bee_Gees | of the |
| Bee_Gees | the year |
| Bee_Gees | year the |
| Bee_Gees | the bee |
| Bee_Gees | bee gees |
| Bee_Gees | gees have |
| Bee_Gees | have sold |
| Bee_Gees | sold over |
| Bee_Gees | over 120 |
| Bee_Gees | 120 million |
| Bee_Gees | million records |
| Bee_Gees | records worldwide |
| Bee_Gees | worldwide with |
| Bee_Gees | with estimates |
| Bee_Gees | estimates as |
| Bee_Gees | as high |
| Bee_Gees | high as |
| Bee_Gees | as over |
| Bee_Gees | over 220 |
| Bee_Gees | 220 million |
| Bee_Gees | million making |
| Bee_Gees | making them |
| Bee_Gees | them among |
| Bee_Gees | among the |
| Bee_Gees | the best |
| Bee_Gees | best selling |
| Bee_Gees | selling music |
| Bee_Gees | music artists |
| Bee_Gees | artists of |
| Bee_Gees | of all |
| Bee_Gees | all time |
| Bee_Gees | time they |
| Bee_Gees | they were |
| Bee_Gees | were inducted |
| Bee_Gees | inducted into |
| Bee_Gees | into the |
| Bee_Gees | the rock |
| Bee_Gees | rock and |
| Bee_Gees | and roll |
| Bee_Gees | roll hall |
| Bee_Gees | hall of |
| Bee_Gees | of fame |
| Bee_Gees | fame in |
| Bee_Gees | in 1997 |
| Bee_Gees | 1997 the |
| Bee_Gees | the presenter |
| Bee_Gees | presenter of |
| Bee_Gees | of the |
| Bee_Gees | the award |
| Bee_Gees | award to |
| Bee_Gees | to britain’s |
| Bee_Gees | britain’s first |
| Bee_Gees | first family |
| Bee_Gees | family of |
| Bee_Gees | of harmony |
| Bee_Gees | harmony was |
| Bee_Gees | was brian |
| Bee_Gees | brian wilson |
| Bee_Gees | wilson historical |
| Bee_Gees | historical leader |
| Bee_Gees | leader of |
| Bee_Gees | of the |
| Bee_Gees | the beach |
| Bee_Gees | beach boys |
| Bee_Gees | boys another |
| Bee_Gees | another family |
| Bee_Gees | family act |
| Bee_Gees | act featuring |
| Bee_Gees | featuring three |
| Bee_Gees | three harmonising |
| Bee_Gees | harmonising brothers |
| Bee_Gees | brothers the |
| Bee_Gees | the bee |
| Bee_Gees | bee gees |
| Bee_Gees | gees hall |
| Bee_Gees | hall of |
| Bee_Gees | of fame |
| Bee_Gees | fame citation |
| Bee_Gees | citation says |
| Bee_Gees | says only |
| Bee_Gees | only elvis |
| Bee_Gees | elvis presley |
| Bee_Gees | presley the |
| Bee_Gees | the beatles |
| Bee_Gees | beatles michael |
| Bee_Gees | michael jackson |
| Bee_Gees | jackson garth |
| Bee_Gees | garth brooks |
| Bee_Gees | brooks and |
| Bee_Gees | and paul |
| Bee_Gees | paul mccartney |
| Bee_Gees | mccartney have |
| Bee_Gees | have outsold |
| Bee_Gees | outsold the |
| Bee_Gees | the bee |
| Bee_Gees | bee gees |
| Bee_Gees | gees with |
| Bee_Gees | with nine |
| Bee_Gees | nine 1 |
| Bee_Gees | 1 hits |
| Bee_Gees | hits on |
| Bee_Gees | on the |
| Bee_Gees | the billboard |
| Bee_Gees | billboard hot |
| Bee_Gees | hot 100 |
| Bee_Gees | 100 the |
| Bee_Gees | the bee |
| Bee_Gees | bee gees |
| Bee_Gees | gees are |
| Bee_Gees | are the |
| Bee_Gees | the third |
| Bee_Gees | third most |
| Bee_Gees | most successful |
| Bee_Gees | successful band |
| Bee_Gees | band in |
| Bee_Gees | in billboard |
| Bee_Gees | billboard charts |
| Bee_Gees | charts history |
| Bee_Gees | history behind |
| Bee_Gees | behind only |
| Bee_Gees | only the |
| Bee_Gees | the beatles |
| Bee_Gees | beatles and |
| Bee_Gees | and the |
| Bee_Gees | the supremes |
| Bee_Gees | supremes following |
| Bee_Gees | following maurice’s |
| Bee_Gees | maurice’s sudden |
| Bee_Gees | sudden death |
| Bee_Gees | death in |
| Bee_Gees | in january |
| Bee_Gees | january 2003 |
| Bee_Gees | 2003 at |
| Bee_Gees | at the |
| Bee_Gees | the age |
| Bee_Gees | age of |
| Bee_Gees | of 53 |
| Bee_Gees | 53 barry |
| Bee_Gees | barry and |
| Bee_Gees | and robin |
| Bee_Gees | robin retired |
| Bee_Gees | retired the |
| Bee_Gees | the group’s |
| Bee_Gees | group’s name |
| Bee_Gees | name after |
| Bee_Gees | after 45 |
| Bee_Gees | 45 years |
| Bee_Gees | years of |
| Bee_Gees | of activity |
| Bee_Gees | activity in |
| Bee_Gees | in 2009 |
| Bee_Gees | 2009 robin |
| Bee_Gees | robin announced |
| Bee_Gees | announced that |
| Bee_Gees | that he |
| Bee_Gees | he and |
| Bee_Gees | and barry |
| Bee_Gees | barry had |
| Bee_Gees | had agreed |
| Bee_Gees | agreed that |
| Bee_Gees | that the |
| Bee_Gees | the bee |
| Bee_Gees | bee gees |
| Bee_Gees | gees would |
| Bee_Gees | would re |
| Bee_Gees | re form |
| Bee_Gees | form and |
| Bee_Gees | and perform |
| Bee_Gees | perform again |
| Bee_Gees | again robin |
| Bee_Gees | robin died |
| Bee_Gees | died in |
| Bee_Gees | in may |
| Bee_Gees | may 2012 |
| Bee_Gees | 2012 aged |
| Bee_Gees | aged 62 |
| Bee_Gees | 62 after |
| Bee_Gees | after a |
| Bee_Gees | a prolonged |
| Bee_Gees | prolonged period |
| Bee_Gees | period of |
| Bee_Gees | of failing |
| Bee_Gees | failing health |
| Bee_Gees | health leaving |
| Bee_Gees | leaving barry |
| Bee_Gees | barry as |
| Bee_Gees | as the |
| Bee_Gees | the only |
| Bee_Gees | only surviving |
| Bee_Gees | surviving member |
| Bee_Gees | member of |
| Bee_Gees | of the |
| Bee_Gees | the group |
| Bee_Gees | group en |
| Jason_Marsalis | jason marsalis |
| Jason_Marsalis | marsalis born |
| Jason_Marsalis | born march |
| Jason_Marsalis | march 4 |
| Jason_Marsalis | 4 1977 |
| Jason_Marsalis | 1977 is |
| Jason_Marsalis | is an |
| Jason_Marsalis | an american |
| Jason_Marsalis | american jazz |
| Jason_Marsalis | jazz drummer |
| Jason_Marsalis | drummer and |
| Jason_Marsalis | and member |
| Jason_Marsalis | member of |
| Jason_Marsalis | of the |
| Jason_Marsalis | the marsalis |
| Jason_Marsalis | marsalis family |
| Jason_Marsalis | family of |
| Jason_Marsalis | of musicians |
| Jason_Marsalis | musicians he |
| Jason_Marsalis | he is |
| Jason_Marsalis | is the |
| Jason_Marsalis | the youngest |
| Jason_Marsalis | youngest son |
| Jason_Marsalis | son of |
| Jason_Marsalis | of dolores |
| Jason_Marsalis | dolores ferdinand |
| Jason_Marsalis | ferdinand marsalis |
| Jason_Marsalis | marsalis and |
| Jason_Marsalis | and the |
| Jason_Marsalis | the late |
| Jason_Marsalis | late ellis |
| Jason_Marsalis | ellis marsalis |
| Jason_Marsalis | marsalis jr |
| Jason_Marsalis | jr en |
| Bill_Graham_(musician) | william henry |
| Bill_Graham_(musician) | henry graham |
| Bill_Graham_(musician) | graham september |
| Bill_Graham_(musician) | september 8 |
| Bill_Graham_(musician) | 8 1918 |
| Bill_Graham_(musician) | 1918 december |
| Bill_Graham_(musician) | december 29 |
| Bill_Graham_(musician) | 29 1975 |
| Bill_Graham_(musician) | 1975 was |
| Bill_Graham_(musician) | was an |
| Bill_Graham_(musician) | an american |
| Bill_Graham_(musician) | american jazz |
| Bill_Graham_(musician) | jazz saxophonist |
| Bill_Graham_(musician) | saxophonist en |
| Raphael_Saadiq | raphael saadiq |
| Raphael_Saadiq | saadiq s |
| Raphael_Saadiq | s di |
| Raphael_Saadiq | di k |
| Raphael_Saadiq | k born |
| Raphael_Saadiq | born charles |
| Raphael_Saadiq | charles ray |
| Raphael_Saadiq | ray wiggins |
| Raphael_Saadiq | wiggins may |
| Raphael_Saadiq | may 14 |
| Raphael_Saadiq | 14 1966 |
| Raphael_Saadiq | 1966 is |
| Raphael_Saadiq | is an |
| Raphael_Saadiq | an american |
| Raphael_Saadiq | american singer |
| Raphael_Saadiq | singer songwriter |
| Raphael_Saadiq | songwriter multi |
| Raphael_Saadiq | multi instrumentalist |
| Raphael_Saadiq | instrumentalist and |
| Raphael_Saadiq | and record |
| Raphael_Saadiq | record producer |
| Raphael_Saadiq | producer he |
| Raphael_Saadiq | he rose |
| Raphael_Saadiq | rose to |
| Raphael_Saadiq | to fame |
| Raphael_Saadiq | fame as |
| Raphael_Saadiq | as a |
| Raphael_Saadiq | a member |
| Raphael_Saadiq | member of |
| Raphael_Saadiq | of the |
| Raphael_Saadiq | the multiplatinum |
| Raphael_Saadiq | multiplatinum group |
| Raphael_Saadiq | group tony |
| Raphael_Saadiq | tony toni |
| Raphael_Saadiq | toni ton |
| Raphael_Saadiq | ton 矇 |
| Raphael_Saadiq | 矇 in |
| Raphael_Saadiq | in addition |
| Raphael_Saadiq | addition to |
| Raphael_Saadiq | to his |
| Raphael_Saadiq | his solo |
| Raphael_Saadiq | solo and |
| Raphael_Saadiq | and group |
| Raphael_Saadiq | group career |
| Raphael_Saadiq | career he |
| Raphael_Saadiq | he has |
| Raphael_Saadiq | has also |
| Raphael_Saadiq | also produced |
| Raphael_Saadiq | produced songs |
| Raphael_Saadiq | songs for |
| Raphael_Saadiq | for such |
| Raphael_Saadiq | such artists |
| Raphael_Saadiq | artists as |
| Raphael_Saadiq | as erykah |
| Raphael_Saadiq | erykah badu |
| Raphael_Saadiq | badu jill |
| Raphael_Saadiq | jill scott |
| Raphael_Saadiq | scott stevie |
| Raphael_Saadiq | stevie wonder |
| Raphael_Saadiq | wonder joss |
| Raphael_Saadiq | joss stone |
| Raphael_Saadiq | stone d’angelo |
| Raphael_Saadiq | d’angelo tlc |
| Raphael_Saadiq | tlc en |
| Raphael_Saadiq | en vogue |
| Raphael_Saadiq | vogue kelis |
| Raphael_Saadiq | kelis mary |
| Raphael_Saadiq | mary j |
| Raphael_Saadiq | j blige |
| Raphael_Saadiq | blige ledisi |
| Raphael_Saadiq | ledisi whitney |
| Raphael_Saadiq | whitney houston |
| Raphael_Saadiq | houston solange |
| Raphael_Saadiq | solange knowles |
| Raphael_Saadiq | knowles and |
| Raphael_Saadiq | and john |
| Raphael_Saadiq | john legend |
| Raphael_Saadiq | legend music |
| Raphael_Saadiq | music critic |
| Raphael_Saadiq | critic robert |
| Raphael_Saadiq | robert christgau |
| Raphael_Saadiq | christgau has |
| Raphael_Saadiq | has called |
| Raphael_Saadiq | called saadiq |
| Raphael_Saadiq | saadiq the |
| Raphael_Saadiq | the preeminent |
| Raphael_Saadiq | preeminent r |
| Raphael_Saadiq | r b |
| Raphael_Saadiq | b artist |
| Raphael_Saadiq | artist of |
| Raphael_Saadiq | of the |
| Raphael_Saadiq | the 90s |
| Raphael_Saadiq | 90s saadiq |
| Raphael_Saadiq | saadiq and |
| Raphael_Saadiq | and d’angelo |
| Raphael_Saadiq | d’angelo were |
| Raphael_Saadiq | were occasional |
| Raphael_Saadiq | occasional members |
| Raphael_Saadiq | members of |
| Raphael_Saadiq | of the |
| Raphael_Saadiq | the ummah |
| Raphael_Saadiq | ummah a |
| Raphael_Saadiq | a music |
| Raphael_Saadiq | music production |
| Raphael_Saadiq | production collective |
| Raphael_Saadiq | collective composed |
| Raphael_Saadiq | composed of |
| Raphael_Saadiq | of members |
| Raphael_Saadiq | members q |
| Raphael_Saadiq | q tip |
| Raphael_Saadiq | tip and |
| Raphael_Saadiq | and ali |
| Raphael_Saadiq | ali shaheed |
| Raphael_Saadiq | shaheed muhammad |
| Raphael_Saadiq | muhammad of |
| Raphael_Saadiq | of the |
| Raphael_Saadiq | the hip |
| Raphael_Saadiq | hip hop |
| Raphael_Saadiq | hop group |
| Raphael_Saadiq | group a |
| Raphael_Saadiq | a tribe |
| Raphael_Saadiq | tribe called |
| Raphael_Saadiq | called quest |
| Raphael_Saadiq | quest and |
| Raphael_Saadiq | and j |
| Raphael_Saadiq | j dilla |
| Raphael_Saadiq | dilla of |
| Raphael_Saadiq | of slum |
| Raphael_Saadiq | slum village |
| Raphael_Saadiq | village saadiq |
| Raphael_Saadiq | saadiq is |
| Raphael_Saadiq | is also |
| Raphael_Saadiq | also a |
| Raphael_Saadiq | a co |
| Raphael_Saadiq | co founder |
| Raphael_Saadiq | founder of |
| Raphael_Saadiq | of independent |
| Raphael_Saadiq | independent video |
| Raphael_Saadiq | video game |
| Raphael_Saadiq | game developer |
| Raphael_Saadiq | developer illfonic |
| Raphael_Saadiq | illfonic which |
| Raphael_Saadiq | which developed |
| Raphael_Saadiq | developed friday |
| Raphael_Saadiq | friday the |
| Raphael_Saadiq | the 13th |
| Raphael_Saadiq | 13th the |
| Raphael_Saadiq | the game |
| Raphael_Saadiq | game saadiq |
| Raphael_Saadiq | saadiq has |
| Raphael_Saadiq | has released |
| Raphael_Saadiq | released five |
| Raphael_Saadiq | five solo |
| Raphael_Saadiq | solo albums |
| Raphael_Saadiq | albums including |
| Raphael_Saadiq | including the |
| Raphael_Saadiq | the critically |
| Raphael_Saadiq | critically acclaimed |
| Raphael_Saadiq | acclaimed retro |
| Raphael_Saadiq | retro styled |
| Raphael_Saadiq | styled the |
| Raphael_Saadiq | the way |
| Raphael_Saadiq | way i |
| Raphael_Saadiq | i see |
| Raphael_Saadiq | see it |
| Raphael_Saadiq | it 2008 |
| Raphael_Saadiq | 2008 and |
| Raphael_Saadiq | and stone |
| Raphael_Saadiq | stone rollin |
| Raphael_Saadiq | rollin 2011 |
| Raphael_Saadiq | 2011 the |
| Raphael_Saadiq | the more |
| Raphael_Saadiq | more contemporary |
| Raphael_Saadiq | contemporary sounding |
| Raphael_Saadiq | sounding jimmy |
| Raphael_Saadiq | jimmy lee |
| Raphael_Saadiq | lee was |
| Raphael_Saadiq | was released |
| Raphael_Saadiq | released in |
| Raphael_Saadiq | in 2019 |
| Raphael_Saadiq | 2019 inspired |
| Raphael_Saadiq | inspired by |
| Raphael_Saadiq | by spiritual |
| Raphael_Saadiq | spiritual and |
| Raphael_Saadiq | and societal |
| Raphael_Saadiq | societal themes |
| Raphael_Saadiq | themes and |
| Raphael_Saadiq | and personal |
| Raphael_Saadiq | personal family |
| Raphael_Saadiq | family tragedies |
| Raphael_Saadiq | tragedies it |
| Raphael_Saadiq | it earned |
| Raphael_Saadiq | earned saadiq |
| Raphael_Saadiq | saadiq further |
| Raphael_Saadiq | further acclaim |
| Raphael_Saadiq | acclaim as |
| Raphael_Saadiq | as a |
| Raphael_Saadiq | a songwriter |
| Raphael_Saadiq | songwriter saadiq |
| Raphael_Saadiq | saadiq has |
| Raphael_Saadiq | has received |
| Raphael_Saadiq | received a |
| Raphael_Saadiq | a grammy |
| Raphael_Saadiq | grammy award |
| Raphael_Saadiq | award two |
| Raphael_Saadiq | two golden |
| Raphael_Saadiq | golden globe |
| Raphael_Saadiq | globe award |
| Raphael_Saadiq | award nominations |
| Raphael_Saadiq | nominations and |
| Raphael_Saadiq | and an |
| Raphael_Saadiq | an academy |
| Raphael_Saadiq | academy award |
| Raphael_Saadiq | award nomination |
| Raphael_Saadiq | nomination en |
| Justin_Kauflin | justin kauflin |
| Justin_Kauflin | kauflin born |
| Justin_Kauflin | born march |
| Justin_Kauflin | march 10 |
| Justin_Kauflin | 10 1986 |
| Justin_Kauflin | 1986 is |
| Justin_Kauflin | is an |
| Justin_Kauflin | an american |
| Justin_Kauflin | american jazz |
| Justin_Kauflin | jazz pianist |
| Justin_Kauflin | pianist composer |
| Justin_Kauflin | composer educator |
| Justin_Kauflin | educator and |
| Justin_Kauflin | and record |
| Justin_Kauflin | record producer |
| Justin_Kauflin | producer en |
| J._J._Johnson | j.j johnson |
| J._J._Johnson | johnson january |
| J._J._Johnson | january 22 |
| J._J._Johnson | 22 1924 |
| J._J._Johnson | 1924 february |
| J._J._Johnson | february 4 |
| J._J._Johnson | 4 2001 |
| J._J._Johnson | 2001 born |
| J._J._Johnson | born james |
| J._J._Johnson | james louis |
| J._J._Johnson | louis johnson |
| J._J._Johnson | johnson and |
| J._J._Johnson | and also |
| J._J._Johnson | also known |
| J._J._Johnson | known as |
| J._J._Johnson | as jay |
| J._J._Johnson | jay jay |
| J._J._Johnson | jay johnson |
| J._J._Johnson | johnson was |
| J._J._Johnson | was an |
| J._J._Johnson | an american |
| J._J._Johnson | american jazz |
| J._J._Johnson | jazz trombonist |
| J._J._Johnson | trombonist composer |
| J._J._Johnson | composer and |
| J._J._Johnson | and arranger |
| J._J._Johnson | arranger johnson |
| J._J._Johnson | johnson was |
| J._J._Johnson | was one |
| J._J._Johnson | one of |
| J._J._Johnson | of the |
| J._J._Johnson | the earliest |
| J._J._Johnson | earliest trombonists |
| J._J._Johnson | trombonists to |
| J._J._Johnson | to embrace |
| J._J._Johnson | embrace bebop |
| J._J._Johnson | bebop en |
| Keith_Jarrett | keith jarrett |
| Keith_Jarrett | jarrett born |
| Keith_Jarrett | born may |
| Keith_Jarrett | may 8 |
| Keith_Jarrett | 8 1945 |
| Keith_Jarrett | 1945 is |
| Keith_Jarrett | is an |
| Keith_Jarrett | an american |
| Keith_Jarrett | american jazz |
| Keith_Jarrett | jazz and |
| Keith_Jarrett | and classical |
| Keith_Jarrett | classical music |
| Keith_Jarrett | music pianist |
| Keith_Jarrett | pianist and |
| Keith_Jarrett | and composer |
| Keith_Jarrett | composer jarrett |
| Keith_Jarrett | jarrett started |
| Keith_Jarrett | started his |
| Keith_Jarrett | his career |
| Keith_Jarrett | career with |
| Keith_Jarrett | with art |
| Keith_Jarrett | art blakey |
| Keith_Jarrett | blakey moving |
| Keith_Jarrett | moving on |
| Keith_Jarrett | on to |
| Keith_Jarrett | to play |
| Keith_Jarrett | play with |
| Keith_Jarrett | with charles |
| Keith_Jarrett | charles lloyd |
| Keith_Jarrett | lloyd and |
| Keith_Jarrett | and miles |
| Keith_Jarrett | miles davis |
| Keith_Jarrett | davis since |
| Keith_Jarrett | since the |
| Keith_Jarrett | the early |
| Keith_Jarrett | early 1970s |
| Keith_Jarrett | 1970s he |
| Keith_Jarrett | he has |
| Keith_Jarrett | has enjoyed |
| Keith_Jarrett | enjoyed a |
| Keith_Jarrett | a great |
| Keith_Jarrett | great deal |
| Keith_Jarrett | deal of |
| Keith_Jarrett | of success |
| Keith_Jarrett | success as |
| Keith_Jarrett | as a |
| Keith_Jarrett | a group |
| Keith_Jarrett | group leader |
| Keith_Jarrett | leader and |
| Keith_Jarrett | and a |
| Keith_Jarrett | a solo |
| Keith_Jarrett | solo performer |
| Keith_Jarrett | performer in |
| Keith_Jarrett | in jazz |
| Keith_Jarrett | jazz jazz |
| Keith_Jarrett | jazz fusion |
| Keith_Jarrett | fusion and |
| Keith_Jarrett | and classical |
| Keith_Jarrett | classical music |
| Keith_Jarrett | music his |
| Keith_Jarrett | his improvisations |
| Keith_Jarrett | improvisations draw |
| Keith_Jarrett | draw from |
| Keith_Jarrett | from the |
| Keith_Jarrett | the traditions |
| Keith_Jarrett | traditions of |
| Keith_Jarrett | of jazz |
| Keith_Jarrett | jazz and |
| Keith_Jarrett | and other |
| Keith_Jarrett | other genres |
| Keith_Jarrett | genres especially |
| Keith_Jarrett | especially western |
| Keith_Jarrett | western classical |
| Keith_Jarrett | classical music |
| Keith_Jarrett | music gospel |
| Keith_Jarrett | gospel blues |
| Keith_Jarrett | blues and |
| Keith_Jarrett | and ethnic |
| Keith_Jarrett | ethnic folk |
| Keith_Jarrett | folk music |
| Keith_Jarrett | music in |
| Keith_Jarrett | in 2003 |
| Keith_Jarrett | 2003 jarrett |
| Keith_Jarrett | jarrett received |
| Keith_Jarrett | received the |
| Keith_Jarrett | the polar |
| Keith_Jarrett | polar music |
| Keith_Jarrett | music prize |
| Keith_Jarrett | prize the |
| Keith_Jarrett | the first |
| Keith_Jarrett | first recipient |
| Keith_Jarrett | recipient of |
| Keith_Jarrett | of both |
| Keith_Jarrett | both the |
| Keith_Jarrett | the contemporary |
| Keith_Jarrett | contemporary and |
| Keith_Jarrett | and classical |
| Keith_Jarrett | classical musician |
| Keith_Jarrett | musician prizes |
| Keith_Jarrett | prizes and |
| Keith_Jarrett | and in |
| Keith_Jarrett | in 2004 |
| Keith_Jarrett | 2004 he |
| Keith_Jarrett | he received |
| Keith_Jarrett | received the |
| Keith_Jarrett | the l |
| Keith_Jarrett | l 矇 |
| Keith_Jarrett | 矇 onie |
| Keith_Jarrett | onie sonning |
| Keith_Jarrett | sonning music |
| Keith_Jarrett | music prize |
| Keith_Jarrett | prize his |
| Keith_Jarrett | his album |
| Keith_Jarrett | album the |
| Keith_Jarrett | the k |
| Keith_Jarrett | k 繹 |
| Keith_Jarrett | 繹 ln |
| Keith_Jarrett | ln concert |
| Keith_Jarrett | concert 1975 |
| Keith_Jarrett | 1975 became |
| Keith_Jarrett | became the |
| Keith_Jarrett | the best |
| Keith_Jarrett | best selling |
| Keith_Jarrett | selling piano |
| Keith_Jarrett | piano recording |
| Keith_Jarrett | recording in |
| Keith_Jarrett | in history |
| Keith_Jarrett | history in |
| Keith_Jarrett | in 2008 |
| Keith_Jarrett | 2008 he |
| Keith_Jarrett | he was |
| Keith_Jarrett | was inducted |
| Keith_Jarrett | inducted into |
| Keith_Jarrett | into the |
| Keith_Jarrett | the down |
| Keith_Jarrett | down beat |
| Keith_Jarrett | beat jazz |
| Keith_Jarrett | jazz hall |
| Keith_Jarrett | hall of |
| Keith_Jarrett | of fame |
| Keith_Jarrett | fame in |
| Keith_Jarrett | in the |
| Keith_Jarrett | the magazine’s |
| Keith_Jarrett | magazine’s 73rd |
| Keith_Jarrett | 73rd annual |
| Keith_Jarrett | annual readers |
| Keith_Jarrett | readers poll |
| Keith_Jarrett | poll jarrett |
| Keith_Jarrett | jarrett has |
| Keith_Jarrett | has been |
| Keith_Jarrett | been unable |
| Keith_Jarrett | unable to |
| Keith_Jarrett | to perform |
| Keith_Jarrett | perform since |
| Keith_Jarrett | since suffering |
| Keith_Jarrett | suffering a |
| Keith_Jarrett | a stroke |
| Keith_Jarrett | stroke in |
| Keith_Jarrett | in february |
| Keith_Jarrett | february 2018 |
| Keith_Jarrett | 2018 and |
| Keith_Jarrett | and a |
| Keith_Jarrett | a second |
| Keith_Jarrett | second stroke |
| Keith_Jarrett | stroke in |
| Keith_Jarrett | in may |
| Keith_Jarrett | may 2018 |
| Keith_Jarrett | 2018 which |
| Keith_Jarrett | which left |
| Keith_Jarrett | left him |
| Keith_Jarrett | him partially |
| Keith_Jarrett | partially paralyzed |
| Keith_Jarrett | paralyzed and |
| Keith_Jarrett | and unable |
| Keith_Jarrett | unable to |
| Keith_Jarrett | to play |
| Keith_Jarrett | play with |
| Keith_Jarrett | with his |
| Keith_Jarrett | his left |
| Keith_Jarrett | left hand |
| Keith_Jarrett | hand en |
| Bill_Dowdy | bill dowdy |
| Bill_Dowdy | dowdy august |
| Bill_Dowdy | august 15 |
| Bill_Dowdy | 15 1932 |
| Bill_Dowdy | 1932 may |
| Bill_Dowdy | may 12 |
| Bill_Dowdy | 12 2017 |
| Bill_Dowdy | 2017 was |
| Bill_Dowdy | was an |
| Bill_Dowdy | an american |
| Bill_Dowdy | american jazz |
| Bill_Dowdy | jazz musician |
| Bill_Dowdy | musician and |
| Bill_Dowdy | and teacher |
| Bill_Dowdy | teacher he |
| Bill_Dowdy | he was |
| Bill_Dowdy | was the |
| Bill_Dowdy | the drummer |
| Bill_Dowdy | drummer with |
| Bill_Dowdy | with the |
| Bill_Dowdy | the jazz |
| Bill_Dowdy | jazz trio |
| Bill_Dowdy | trio the |
| Bill_Dowdy | the three |
| Bill_Dowdy | three sounds |
| Bill_Dowdy | sounds the |
| Bill_Dowdy | the three |
| Bill_Dowdy | three sounds |
| Bill_Dowdy | sounds recorded |
| Bill_Dowdy | recorded over |
| Bill_Dowdy | over ten |
| Bill_Dowdy | ten jazz |
| Bill_Dowdy | jazz albums |
| Bill_Dowdy | albums from |
| Bill_Dowdy | from the |
| Bill_Dowdy | the 1950s |
| Bill_Dowdy | 1950s through |
| Bill_Dowdy | through the |
| Bill_Dowdy | the early |
| Bill_Dowdy | early 1970s |
| Bill_Dowdy | 1970s and |
| Bill_Dowdy | and played |
| Bill_Dowdy | played with |
| Bill_Dowdy | with lester |
| Bill_Dowdy | lester young |
| Bill_Dowdy | young lou |
| Bill_Dowdy | lou donaldson |
| Bill_Dowdy | donaldson nat |
| Bill_Dowdy | nat adderley |
| Bill_Dowdy | adderley johnny |
| Bill_Dowdy | johnny griffin |
| Bill_Dowdy | griffin anita |
| Bill_Dowdy | anita o’day |
| Bill_Dowdy | o’day and |
| Bill_Dowdy | and sonny |
| Bill_Dowdy | sonny stitt |
| Bill_Dowdy | stitt among |
| Bill_Dowdy | among others |
| Bill_Dowdy | others en |
| Philip_Harper_(trumpeter) | philip harper |
| Philip_Harper_(trumpeter) | harper born |
| Philip_Harper_(trumpeter) | born may |
| Philip_Harper_(trumpeter) | may 10 |
| Philip_Harper_(trumpeter) | 10 1965 |
| Philip_Harper_(trumpeter) | 1965 in |
| Philip_Harper_(trumpeter) | in baltimore |
| Philip_Harper_(trumpeter) | baltimore maryland |
| Philip_Harper_(trumpeter) | maryland is |
| Philip_Harper_(trumpeter) | is a |
| Philip_Harper_(trumpeter) | a jazz |
| Philip_Harper_(trumpeter) | jazz trumpeter |
| Philip_Harper_(trumpeter) | trumpeter harper |
| Philip_Harper_(trumpeter) | harper grew |
| Philip_Harper_(trumpeter) | grew up |
| Philip_Harper_(trumpeter) | up in |
| Philip_Harper_(trumpeter) | in atlanta |
| Philip_Harper_(trumpeter) | atlanta and |
| Philip_Harper_(trumpeter) | and studied |
| Philip_Harper_(trumpeter) | studied music |
| Philip_Harper_(trumpeter) | music there |
| Philip_Harper_(trumpeter) | there he |
| Philip_Harper_(trumpeter) | he later |
| Philip_Harper_(trumpeter) | later worked |
| Philip_Harper_(trumpeter) | worked with |
| Philip_Harper_(trumpeter) | with the |
| Philip_Harper_(trumpeter) | the jazz |
| Philip_Harper_(trumpeter) | jazz messengers |
| Philip_Harper_(trumpeter) | messengers and |
| Philip_Harper_(trumpeter) | and charles |
| Philip_Harper_(trumpeter) | charles mingus |
| Philip_Harper_(trumpeter) | mingus big |
| Philip_Harper_(trumpeter) | big band |
| Philip_Harper_(trumpeter) | band he |
| Philip_Harper_(trumpeter) | he also |
| Philip_Harper_(trumpeter) | also signed |
| Philip_Harper_(trumpeter) | signed with |
| Philip_Harper_(trumpeter) | with verve |
| Philip_Harper_(trumpeter) | verve records |
| Philip_Harper_(trumpeter) | records and |
| Philip_Harper_(trumpeter) | and produced |
| Philip_Harper_(trumpeter) | produced four |
| Philip_Harper_(trumpeter) | four albums |
| Philip_Harper_(trumpeter) | albums for |
| Philip_Harper_(trumpeter) | for them |
| Philip_Harper_(trumpeter) | them harper |
| Philip_Harper_(trumpeter) | harper played |
| Philip_Harper_(trumpeter) | played from |
| Philip_Harper_(trumpeter) | from 1988 |
| Philip_Harper_(trumpeter) | 1988 993 |
| Philip_Harper_(trumpeter) | 993 in |
| Philip_Harper_(trumpeter) | in with |
| Philip_Harper_(trumpeter) | with his |
| Philip_Harper_(trumpeter) | his brother |
| Philip_Harper_(trumpeter) | brother winard |
| Philip_Harper_(trumpeter) | winard other |
| Philip_Harper_(trumpeter) | other band |
| Philip_Harper_(trumpeter) | band members |
| Philip_Harper_(trumpeter) | members included |
| Philip_Harper_(trumpeter) | included justin |
| Philip_Harper_(trumpeter) | justin robinson |
| Philip_Harper_(trumpeter) | robinson on |
| Philip_Harper_(trumpeter) | on alto |
| Philip_Harper_(trumpeter) | alto saxophone |
| Philip_Harper_(trumpeter) | saxophone stephen |
| Philip_Harper_(trumpeter) | stephen scott |
| Philip_Harper_(trumpeter) | scott on |
| Philip_Harper_(trumpeter) | on piano |
| Philip_Harper_(trumpeter) | piano and |
| Philip_Harper_(trumpeter) | and michael |
| Philip_Harper_(trumpeter) | michael bowie |
| Philip_Harper_(trumpeter) | bowie on |
| Philip_Harper_(trumpeter) | on bass |
| Philip_Harper_(trumpeter) | bass en |
| Ron_Carter | ronald levin |
| Ron_Carter | levin carter |
| Ron_Carter | carter born |
| Ron_Carter | born may |
| Ron_Carter | may 4 |
| Ron_Carter | 4 1937 |
| Ron_Carter | 1937 is |
| Ron_Carter | is an |
| Ron_Carter | an american |
| Ron_Carter | american jazz |
| Ron_Carter | jazz double |
| Ron_Carter | double bassist |
| Ron_Carter | bassist his |
| Ron_Carter | his appearances |
| Ron_Carter | appearances on |
| Ron_Carter | on 2,221 |
| Ron_Carter | 2,221 recording |
| Ron_Carter | recording sessions |
| Ron_Carter | sessions make |
| Ron_Carter | make him |
| Ron_Carter | him the |
| Ron_Carter | the most |
| Ron_Carter | most recorded |
| Ron_Carter | recorded jazz |
| Ron_Carter | jazz bassist |
| Ron_Carter | bassist in |
| Ron_Carter | in history |
| Ron_Carter | history carter |
| Ron_Carter | carter has |
| Ron_Carter | has two |
| Ron_Carter | two grammy |
| Ron_Carter | grammy awards |
| Ron_Carter | awards carter |
| Ron_Carter | carter is |
| Ron_Carter | is also |
| Ron_Carter | also a |
| Ron_Carter | a cellist |
| Ron_Carter | cellist who |
| Ron_Carter | who has |
| Ron_Carter | has recorded |
| Ron_Carter | recorded numerous |
| Ron_Carter | numerous times |
| Ron_Carter | times on |
| Ron_Carter | on that |
| Ron_Carter | that instrument |
| Ron_Carter | instrument some |
| Ron_Carter | some of |
| Ron_Carter | of his |
| Ron_Carter | his studio |
| Ron_Carter | studio albums |
| Ron_Carter | albums as |
| Ron_Carter | as a |
| Ron_Carter | a leader |
| Ron_Carter | leader include |
| Ron_Carter | include blues |
| Ron_Carter | blues farm |
| Ron_Carter | farm 1973 |
| Ron_Carter | 1973 all |
| Ron_Carter | all blues |
| Ron_Carter | blues 1973 |
| Ron_Carter | 1973 spanish |
| Ron_Carter | spanish blue |
| Ron_Carter | blue 1974 |
| Ron_Carter | 1974 anything |
| Ron_Carter | anything goes |
| Ron_Carter | goes 1975 |
| Ron_Carter | 1975 yellow |
| Ron_Carter | yellow green |
| Ron_Carter | green 1976 |
| Ron_Carter | 1976 pastels |
| Ron_Carter | pastels 1976 |
| Ron_Carter | 1976 piccolo |
| Ron_Carter | piccolo 1977 |
| Ron_Carter | 1977 third |
| Ron_Carter | third plane |
| Ron_Carter | plane 1977 |
| Ron_Carter | 1977 peg |
| Ron_Carter | peg leg |
| Ron_Carter | leg 1978 |
| Ron_Carter | 1978 a |
| Ron_Carter | a song |
| Ron_Carter | song for |
| Ron_Carter | for you |
| Ron_Carter | you 1978 |
| Ron_Carter | 1978 etudes |
| Ron_Carter | etudes 1982 |
| Ron_Carter | 1982 the |
| Ron_Carter | the golden |
| Ron_Carter | golden striker |
| Ron_Carter | striker 2003 |
| Ron_Carter | 2003 dear |
| Ron_Carter | dear miles |
| Ron_Carter | miles 2006 |
| Ron_Carter | 2006 and |
| Ron_Carter | and ron |
| Ron_Carter | ron carter’s |
| Ron_Carter | carter’s great |
| Ron_Carter | great big |
| Ron_Carter | big band |
| Ron_Carter | band 2011 |
| Ron_Carter | 2011 en |
| Ben_Wendel | ben wendel |
| Ben_Wendel | wendel is |
| Ben_Wendel | is a |
| Ben_Wendel | a jazz |
| Ben_Wendel | jazz saxophonist |
| Ben_Wendel | saxophonist bassoonist |
| Ben_Wendel | bassoonist and |
| Ben_Wendel | and pianist |
| Ben_Wendel | pianist who |
| Ben_Wendel | who is |
| Ben_Wendel | is a |
| Ben_Wendel | a founding |
| Ben_Wendel | founding member |
| Ben_Wendel | member of |
| Ben_Wendel | of the |
| Ben_Wendel | the band |
| Ben_Wendel | band kneebody |
| Ben_Wendel | kneebody he |
| Ben_Wendel | he has |
| Ben_Wendel | has worked |
| Ben_Wendel | worked with |
| Ben_Wendel | with snoop |
| Ben_Wendel | snoop dogg |
| Ben_Wendel | dogg ignacio |
| Ben_Wendel | ignacio berroa |
| Ben_Wendel | berroa daedelus |
| Ben_Wendel | daedelus taylor |
| Ben_Wendel | taylor eigsti |
| Ben_Wendel | eigsti gerald |
| Ben_Wendel | gerald clayton |
| Ben_Wendel | clayton and |
| Ben_Wendel | and tigran |
| Ben_Wendel | tigran hamasyan |
| Ben_Wendel | hamasyan en |
| Curtis_Fuller | curtis dubois |
| Curtis_Fuller | dubois fuller |
| Curtis_Fuller | fuller december |
| Curtis_Fuller | december 15 |
| Curtis_Fuller | 15 1932 |
| Curtis_Fuller | 1932 may |
| Curtis_Fuller | may 8 |
| Curtis_Fuller | 8 2021 |
| Curtis_Fuller | 2021 was |
| Curtis_Fuller | was an |
| Curtis_Fuller | an american |
| Curtis_Fuller | american jazz |
| Curtis_Fuller | jazz trombonist |
| Curtis_Fuller | trombonist he |
| Curtis_Fuller | he was |
| Curtis_Fuller | was a |
| Curtis_Fuller | a member |
| Curtis_Fuller | member of |
| Curtis_Fuller | of art |
| Curtis_Fuller | art blakey’s |
| Curtis_Fuller | blakey’s jazz |
| Curtis_Fuller | jazz messengers |
| Curtis_Fuller | messengers and |
| Curtis_Fuller | and contributed |
| Curtis_Fuller | contributed to |
| Curtis_Fuller | to many |
| Curtis_Fuller | many classic |
| Curtis_Fuller | classic jazz |
| Curtis_Fuller | jazz recordings |
| Curtis_Fuller | recordings en |
| Bob_Brookmeyer | robert edward |
| Bob_Brookmeyer | edward bob |
| Bob_Brookmeyer | bob brookmeyer |
| Bob_Brookmeyer | brookmeyer december |
| Bob_Brookmeyer | december 19 |
| Bob_Brookmeyer | 19 1929 |
| Bob_Brookmeyer | 1929 december |
| Bob_Brookmeyer | december 15 |
| Bob_Brookmeyer | 15 2011 |
| Bob_Brookmeyer | 2011 was |
| Bob_Brookmeyer | was an |
| Bob_Brookmeyer | an american |
| Bob_Brookmeyer | american jazz |
| Bob_Brookmeyer | jazz valve |
| Bob_Brookmeyer | valve trombonist |
| Bob_Brookmeyer | trombonist pianist |
| Bob_Brookmeyer | pianist arranger |
| Bob_Brookmeyer | arranger and |
| Bob_Brookmeyer | and composer |
| Bob_Brookmeyer | composer born |
| Bob_Brookmeyer | born in |
| Bob_Brookmeyer | in kansas |
| Bob_Brookmeyer | kansas city |
| Bob_Brookmeyer | city missouri |
| Bob_Brookmeyer | missouri brookmeyer |
| Bob_Brookmeyer | brookmeyer first |
| Bob_Brookmeyer | first gained |
| Bob_Brookmeyer | gained widespread |
| Bob_Brookmeyer | widespread public |
| Bob_Brookmeyer | public attention |
| Bob_Brookmeyer | attention as |
| Bob_Brookmeyer | as a |
| Bob_Brookmeyer | a member |
| Bob_Brookmeyer | member of |
| Bob_Brookmeyer | of gerry |
| Bob_Brookmeyer | gerry mulligan’s |
| Bob_Brookmeyer | mulligan’s quartet |
| Bob_Brookmeyer | quartet from |
| Bob_Brookmeyer | from 1954 |
| Bob_Brookmeyer | 1954 to |
| Bob_Brookmeyer | to 1957 |
| Bob_Brookmeyer | 1957 he |
| Bob_Brookmeyer | he later |
| Bob_Brookmeyer | later worked |
| Bob_Brookmeyer | worked with |
| Bob_Brookmeyer | with jimmy |
| Bob_Brookmeyer | jimmy giuffre |
| Bob_Brookmeyer | giuffre before |
| Bob_Brookmeyer | before rejoining |
| Bob_Brookmeyer | rejoining mulligan’s |
| Bob_Brookmeyer | mulligan’s concert |
| Bob_Brookmeyer | concert jazz |
| Bob_Brookmeyer | jazz band |
| Bob_Brookmeyer | band he |
| Bob_Brookmeyer | he garnered |
| Bob_Brookmeyer | garnered 8 |
| Bob_Brookmeyer | 8 grammy |
| Bob_Brookmeyer | grammy award |
| Bob_Brookmeyer | award nominations |
| Bob_Brookmeyer | nominations during |
| Bob_Brookmeyer | during his |
| Bob_Brookmeyer | his lifetime |
| Bob_Brookmeyer | lifetime en |
| Erica_von_Kleist | erica von |
| Erica_von_Kleist | von kleist |
| Erica_von_Kleist | kleist is |
| Erica_von_Kleist | is a |
| Erica_von_Kleist | a jazz |
| Erica_von_Kleist | jazz flautist |
| Erica_von_Kleist | flautist saxophonist |
| Erica_von_Kleist | saxophonist and |
| Erica_von_Kleist | and composer |
| Erica_von_Kleist | composer she |
| Erica_von_Kleist | she is |
| Erica_von_Kleist | is a |
| Erica_von_Kleist | a descendant |
| Erica_von_Kleist | descendant of |
| Erica_von_Kleist | of the |
| Erica_von_Kleist | the pomeranian |
| Erica_von_Kleist | pomeranian prussian |
| Erica_von_Kleist | prussian noble |
| Erica_von_Kleist | noble family |
| Erica_von_Kleist | family von |
| Erica_von_Kleist | von kleist |
| Erica_von_Kleist | kleist as |
| Erica_von_Kleist | as an |
| Erica_von_Kleist | an educator |
| Erica_von_Kleist | educator erica |
| Erica_von_Kleist | erica has |
| Erica_von_Kleist | has taught |
| Erica_von_Kleist | taught privately |
| Erica_von_Kleist | privately for |
| Erica_von_Kleist | for over |
| Erica_von_Kleist | over 15 |
| Erica_von_Kleist | 15 years |
| Erica_von_Kleist | years erica |
| Erica_von_Kleist | erica has |
| Erica_von_Kleist | has released |
| Erica_von_Kleist | released three |
| Erica_von_Kleist | three albums |
| Erica_von_Kleist | albums as |
| Erica_von_Kleist | as a |
| Erica_von_Kleist | a bandleader |
| Erica_von_Kleist | bandleader roject |
| Erica_von_Kleist | roject e |
| Erica_von_Kleist | e in |
| Erica_von_Kleist | in 2005 |
| Erica_von_Kleist | 2005 rica |
| Erica_von_Kleist | rica von |
| Erica_von_Kleist | von kleist |
| Erica_von_Kleist | kleist no |
| Erica_von_Kleist | no exceptions |
| Erica_von_Kleist | exceptions in |
| Erica_von_Kleist | in 2009 |
| Erica_von_Kleist | 2009 and |
| Erica_von_Kleist | and lpine |
| Erica_von_Kleist | lpine clarity |
| Erica_von_Kleist | clarity in |
| Erica_von_Kleist | in 2014 |
| Erica_von_Kleist | 2014 en |
| Johnny_Helms | john newton |
| Johnny_Helms | newton johnny |
| Johnny_Helms | johnny helms |
| Johnny_Helms | helms february |
| Johnny_Helms | february 10 |
| Johnny_Helms | 10 1935 |
| Johnny_Helms | 1935 march |
| Johnny_Helms | march 27 |
| Johnny_Helms | 27 2015 |
| Johnny_Helms | 2015 was |
| Johnny_Helms | was an |
| Johnny_Helms | an american |
| Johnny_Helms | american jazz |
| Johnny_Helms | jazz trumpet |
| Johnny_Helms | trumpet player |
| Johnny_Helms | player bandleader |
| Johnny_Helms | bandleader and |
| Johnny_Helms | and music |
| Johnny_Helms | music educator |
| Johnny_Helms | educator from |
| Johnny_Helms | from columbia |
| Johnny_Helms | columbia south |
| Johnny_Helms | south carolina |
| Johnny_Helms | carolina he |
| Johnny_Helms | he performed |
| Johnny_Helms | performed with |
| Johnny_Helms | with chris |
| Johnny_Helms | chris potter |
| Johnny_Helms | potter tommy |
| Johnny_Helms | tommy newsom |
| Johnny_Helms | newsom bill |
| Johnny_Helms | bill watrous |
| Johnny_Helms | watrous red |
| Johnny_Helms | red rodney |
| Johnny_Helms | rodney woody |
| Johnny_Helms | woody herman |
| Johnny_Helms | herman sam |
| Johnny_Helms | sam most |
| Johnny_Helms | most and |
| Johnny_Helms | and the |
| Johnny_Helms | the clark |
| Johnny_Helms | clark terry |
| Johnny_Helms | terry big |
| Johnny_Helms | big band |
| Johnny_Helms | band among |
| Johnny_Helms | among others |
| Johnny_Helms | others in |
| Johnny_Helms | in 1989 |
| Johnny_Helms | 1989 he |
| Johnny_Helms | he was |
| Johnny_Helms | was featured |
| Johnny_Helms | featured along |
| Johnny_Helms | along with |
| Johnny_Helms | with terry |
| Johnny_Helms | terry and |
| Johnny_Helms | and oscar |
| Johnny_Helms | oscar peterson |
| Johnny_Helms | peterson as |
| Johnny_Helms | as part |
| Johnny_Helms | part of |
| Johnny_Helms | of clark |
| Johnny_Helms | clark terry |
| Johnny_Helms | terry and |
| Johnny_Helms | and friends |
| Johnny_Helms | friends at |
| Johnny_Helms | at town |
| Johnny_Helms | town hall |
| Johnny_Helms | hall during |
| Johnny_Helms | during the |
| Johnny_Helms | the jvc |
| Johnny_Helms | jvc jazz |
| Johnny_Helms | jazz festival |
| Johnny_Helms | festival en |
| Hugh_Masekela | hugh ramapolo |
| Hugh_Masekela | ramapolo masekela |
| Hugh_Masekela | masekela 4 |
| Hugh_Masekela | 4 april |
| Hugh_Masekela | april 1939 |
| Hugh_Masekela | 1939 23 |
| Hugh_Masekela | 23 january |
| Hugh_Masekela | january 2018 |
| Hugh_Masekela | 2018 was |
| Hugh_Masekela | was a |
| Hugh_Masekela | a south |
| Hugh_Masekela | south african |
| Hugh_Masekela | african trumpeter |
| Hugh_Masekela | trumpeter flugelhornist |
| Hugh_Masekela | flugelhornist cornetist |
| Hugh_Masekela | cornetist singer |
| Hugh_Masekela | singer and |
| Hugh_Masekela | and composer |
| Hugh_Masekela | composer who |
| Hugh_Masekela | who was |
| Hugh_Masekela | was described |
| Hugh_Masekela | described as |
| Hugh_Masekela | as the |
| Hugh_Masekela | the father |
| Hugh_Masekela | father of |
| Hugh_Masekela | of south |
| Hugh_Masekela | south african |
| Hugh_Masekela | african jazz |
| Hugh_Masekela | jazz masekela |
| Hugh_Masekela | masekela was |
| Hugh_Masekela | was known |
| Hugh_Masekela | known for |
| Hugh_Masekela | for his |
| Hugh_Masekela | his jazz |
| Hugh_Masekela | jazz compositions |
| Hugh_Masekela | compositions and |
| Hugh_Masekela | and for |
| Hugh_Masekela | for writing |
| Hugh_Masekela | writing well |
| Hugh_Masekela | well known |
| Hugh_Masekela | known anti |
| Hugh_Masekela | anti apartheid |
| Hugh_Masekela | apartheid songs |
| Hugh_Masekela | songs such |
| Hugh_Masekela | such as |
| Hugh_Masekela | as soweto |
| Hugh_Masekela | soweto blues |
| Hugh_Masekela | blues and |
| Hugh_Masekela | and bring |
| Hugh_Masekela | bring him |
| Hugh_Masekela | him back |
| Hugh_Masekela | back home |
| Hugh_Masekela | home he |
| Hugh_Masekela | he also |
| Hugh_Masekela | also had |
| Hugh_Masekela | had a |
| Hugh_Masekela | a number |
| Hugh_Masekela | number one |
| Hugh_Masekela | one us |
| Hugh_Masekela | us pop |
| Hugh_Masekela | pop hit |
| Hugh_Masekela | hit in |
| Hugh_Masekela | in 1968 |
| Hugh_Masekela | 1968 with |
| Hugh_Masekela | with his |
| Hugh_Masekela | his version |
| Hugh_Masekela | version of |
| Hugh_Masekela | of grazing |
| Hugh_Masekela | grazing in |
| Hugh_Masekela | in the |
| Hugh_Masekela | the grass |
| Hugh_Masekela | grass en |
| Paul_Murphy_(musician) | paul f |
| Paul_Murphy_(musician) | f murphy |
| Paul_Murphy_(musician) | murphy born |
| Paul_Murphy_(musician) | born january |
| Paul_Murphy_(musician) | january 25 |
| Paul_Murphy_(musician) | 25 1949 |
| Paul_Murphy_(musician) | 1949 is |
| Paul_Murphy_(musician) | is a |
| Paul_Murphy_(musician) | a percussionist |
| Paul_Murphy_(musician) | percussionist bandleader |
| Paul_Murphy_(musician) | bandleader and |
| Paul_Murphy_(musician) | and composer |
| Paul_Murphy_(musician) | composer he |
| Paul_Murphy_(musician) | he is |
| Paul_Murphy_(musician) | is best |
| Paul_Murphy_(musician) | best known |
| Paul_Murphy_(musician) | known for |
| Paul_Murphy_(musician) | for having |
| Paul_Murphy_(musician) | having led |
| Paul_Murphy_(musician) | led a |
| Paul_Murphy_(musician) | a variety |
| Paul_Murphy_(musician) | variety of |
| Paul_Murphy_(musician) | of small |
| Paul_Murphy_(musician) | small jazz |
| Paul_Murphy_(musician) | jazz ensembles |
| Paul_Murphy_(musician) | ensembles and |
| Paul_Murphy_(musician) | and for |
| Paul_Murphy_(musician) | for his |
| Paul_Murphy_(musician) | his long |
| Paul_Murphy_(musician) | long tenure |
| Paul_Murphy_(musician) | tenure in |
| Paul_Murphy_(musician) | in groups |
| Paul_Murphy_(musician) | groups led |
| Paul_Murphy_(musician) | led by |
| Paul_Murphy_(musician) | by saxophonist |
| Paul_Murphy_(musician) | saxophonist jimmy |
| Paul_Murphy_(musician) | jimmy lyons |
| Paul_Murphy_(musician) | lyons en |
| Marcus_Strickland | marcus strickland |
| Marcus_Strickland | strickland born |
| Marcus_Strickland | born february |
| Marcus_Strickland | february 24 |
| Marcus_Strickland | 24 1979 |
| Marcus_Strickland | 1979 in |
| Marcus_Strickland | in gainesville |
| Marcus_Strickland | gainesville florida |
| Marcus_Strickland | florida united |
| Marcus_Strickland | united states |
| Marcus_Strickland | states is |
| Marcus_Strickland | is an |
| Marcus_Strickland | an american |
| Marcus_Strickland | american jazz |
| Marcus_Strickland | jazz soprano |
| Marcus_Strickland | soprano alto |
| Marcus_Strickland | alto and |
| Marcus_Strickland | and tenor |
| Marcus_Strickland | tenor saxophonist |
| Marcus_Strickland | saxophonist who |
| Marcus_Strickland | who grew |
| Marcus_Strickland | grew up |
| Marcus_Strickland | up in |
| Marcus_Strickland | in miami |
| Marcus_Strickland | miami florida |
| Marcus_Strickland | florida down |
| Marcus_Strickland | down beat |
| Marcus_Strickland | beat magazine’s |
| Marcus_Strickland | magazine’s critics |
| Marcus_Strickland | critics poll |
| Marcus_Strickland | poll named |
| Marcus_Strickland | named him |
| Marcus_Strickland | him rising |
| Marcus_Strickland | rising star |
| Marcus_Strickland | star on |
| Marcus_Strickland | on tenor |
| Marcus_Strickland | tenor saxophone |
| Marcus_Strickland | saxophone in |
| Marcus_Strickland | in 2010 |
| Marcus_Strickland | 2010 and |
| Marcus_Strickland | and rising |
| Marcus_Strickland | rising star |
| Marcus_Strickland | star on |
| Marcus_Strickland | on soprano |
| Marcus_Strickland | soprano saxophone |
| Marcus_Strickland | saxophone in |
| Marcus_Strickland | in 2008 |
| Marcus_Strickland | 2008 jazztimes |
| Marcus_Strickland | jazztimes magazine’s |
| Marcus_Strickland | magazine’s reader’s |
| Marcus_Strickland | reader’s poll |
| Marcus_Strickland | poll named |
| Marcus_Strickland | named him |
| Marcus_Strickland | him best |
| Marcus_Strickland | best new |
| Marcus_Strickland | new artist |
| Marcus_Strickland | artist in |
| Marcus_Strickland | in 2006 |
| Marcus_Strickland | 2006 he |
| Marcus_Strickland | he placed |
| Marcus_Strickland | placed third |
| Marcus_Strickland | third in |
| Marcus_Strickland | in the |
| Marcus_Strickland | the 2002 |
| Marcus_Strickland | 2002 thelonious |
| Marcus_Strickland | thelonious monk |
| Marcus_Strickland | monk international |
| Marcus_Strickland | international jazz |
| Marcus_Strickland | jazz saxophone |
| Marcus_Strickland | saxophone competition |
| Marcus_Strickland | competition his |
| Marcus_Strickland | his band |
| Marcus_Strickland | band and |
| Marcus_Strickland | and concept |
| Marcus_Strickland | concept project |
| Marcus_Strickland | project twi |
| Marcus_Strickland | twi life |
| Marcus_Strickland | life deals |
| Marcus_Strickland | deals with |
| Marcus_Strickland | with the |
| Marcus_Strickland | the connection |
| Marcus_Strickland | connection and |
| Marcus_Strickland | and intersection |
| Marcus_Strickland | intersection between |
| Marcus_Strickland | between jazz |
| Marcus_Strickland | jazz and |
| Marcus_Strickland | and soul |
| Marcus_Strickland | soul hip |
| Marcus_Strickland | hip hop |
| Marcus_Strickland | hop as |
| Marcus_Strickland | as inspired |
| Marcus_Strickland | inspired by |
| Marcus_Strickland | by the |
| Marcus_Strickland | the j |
| Marcus_Strickland | j dilla |
| Marcus_Strickland | dilla aesthetic |
| Marcus_Strickland | aesthetic of |
| Marcus_Strickland | of intricacy |
| Marcus_Strickland | intricacy runk |
| Marcus_Strickland | runk drumming |
| Marcus_Strickland | drumming and |
| Marcus_Strickland | and tonal |
| Marcus_Strickland | tonal nuance |
| Marcus_Strickland | nuance strickland |
| Marcus_Strickland | strickland becomes |
| Marcus_Strickland | becomes beat |
| Marcus_Strickland | beat maker |
| Marcus_Strickland | maker composer |
| Marcus_Strickland | composer as |
| Marcus_Strickland | as well |
| Marcus_Strickland | well as |
| Marcus_Strickland | as saxophonist |
| Marcus_Strickland | saxophonist on |
| Marcus_Strickland | on these |
| Marcus_Strickland | these projects |
| Marcus_Strickland | projects the |
| Marcus_Strickland | the saxophonist |
| Marcus_Strickland | saxophonist has |
| Marcus_Strickland | has nine |
| Marcus_Strickland | nine releases |
| Marcus_Strickland | releases as |
| Marcus_Strickland | as a |
| Marcus_Strickland | a leader |
| Marcus_Strickland | leader people |
| Marcus_Strickland | people of |
| Marcus_Strickland | of the |
| Marcus_Strickland | the sun |
| Marcus_Strickland | sun 2018 |
| Marcus_Strickland | 2018 nihil |
| Marcus_Strickland | nihil novi |
| Marcus_Strickland | novi 2016 |
| Marcus_Strickland | 2016 on |
| Marcus_Strickland | on blue |
| Marcus_Strickland | blue note |
| Marcus_Strickland | note records |
| Marcus_Strickland | records triumph |
| Marcus_Strickland | triumph of |
| Marcus_Strickland | of the |
| Marcus_Strickland | the heavy |
| Marcus_Strickland | heavy vol |
| Marcus_Strickland | vol 1 |
| Marcus_Strickland | 1 2 |
| Marcus_Strickland | 2 2011 |
| Marcus_Strickland | 2011 idiosyncrasies |
| Marcus_Strickland | idiosyncrasies 2009 |
| Marcus_Strickland | 2009 open |
| Marcus_Strickland | open reel |
| Marcus_Strickland | reel deck |
| Marcus_Strickland | deck 2007 |
| Marcus_Strickland | 2007 twi |
| Marcus_Strickland | twi life |
| Marcus_Strickland | life 2006 |
| Marcus_Strickland | 2006 on |
| Marcus_Strickland | on his |
| Marcus_Strickland | his own |
| Marcus_Strickland | own music |
| Marcus_Strickland | music label |
| Marcus_Strickland | label strick |
| Marcus_Strickland | strick muzik |
| Marcus_Strickland | muzik launched |
| Marcus_Strickland | launched in |
| Marcus_Strickland | in 2006 |
| Marcus_Strickland | 2006 of |
| Marcus_Strickland | of song |
| Marcus_Strickland | song 2009 |
| Marcus_Strickland | 2009 on |
| Marcus_Strickland | on criss |
| Marcus_Strickland | criss cross |
| Marcus_Strickland | cross records |
| Marcus_Strickland | records brotherhood |
| Marcus_Strickland | brotherhood 2002 |
| Marcus_Strickland | 2002 at |
| Marcus_Strickland | at last |
| Marcus_Strickland | last 2001 |
| Marcus_Strickland | 2001 on |
| Marcus_Strickland | on fresh |
| Marcus_Strickland | fresh sound |
| Marcus_Strickland | sound records |
| Marcus_Strickland | records in |
| Marcus_Strickland | in addition |
| Marcus_Strickland | addition to |
| Marcus_Strickland | to his |
| Marcus_Strickland | his own |
| Marcus_Strickland | own twi |
| Marcus_Strickland | twi life |
| Marcus_Strickland | life trio |
| Marcus_Strickland | trio and |
| Marcus_Strickland | and quartet |
| Marcus_Strickland | quartet strickland |
| Marcus_Strickland | strickland has |
| Marcus_Strickland | has played |
| Marcus_Strickland | played with |
| Marcus_Strickland | with christian |
| Marcus_Strickland | christian mcbride |
| Marcus_Strickland | mcbride dave |
| Marcus_Strickland | dave douglas |
| Marcus_Strickland | douglas jeff |
| Marcus_Strickland | jeff tain |
| Marcus_Strickland | tain watts |
| Marcus_Strickland | watts and |
| Marcus_Strickland | and also |
| Marcus_Strickland | also had |
| Marcus_Strickland | had a |
| Marcus_Strickland | a five |
| Marcus_Strickland | five year |
| Marcus_Strickland | year stint |
| Marcus_Strickland | stint with |
| Marcus_Strickland | with the |
| Marcus_Strickland | the drummer |
| Marcus_Strickland | drummer roy |
| Marcus_Strickland | roy haynes |
| Marcus_Strickland | haynes strickland |
| Marcus_Strickland | strickland has |
| Marcus_Strickland | has been |
| Marcus_Strickland | been on |
| Marcus_Strickland | on two |
| Marcus_Strickland | two grammy |
| Marcus_Strickland | grammy nominated |
| Marcus_Strickland | nominated recordings |
| Marcus_Strickland | recordings including |
| Marcus_Strickland | including fountain |
| Marcus_Strickland | fountain of |
| Marcus_Strickland | of youth |
| Marcus_Strickland | youth roy |
| Marcus_Strickland | roy haynes |
| Marcus_Strickland | haynes keystone |
| Marcus_Strickland | keystone he |
| Marcus_Strickland | he considers |
| Marcus_Strickland | considers his |
| Marcus_Strickland | his father |
| Marcus_Strickland | father an |
| Marcus_Strickland | an early |
| Marcus_Strickland | early inspiration |
| Marcus_Strickland | inspiration as |
| Marcus_Strickland | as he |
| Marcus_Strickland | he had |
| Marcus_Strickland | had been |
| Marcus_Strickland | been a |
| Marcus_Strickland | a drummer |
| Marcus_Strickland | drummer in |
| Marcus_Strickland | in jazz |
| Marcus_Strickland | jazz and |
| Marcus_Strickland | and rhythm |
| Marcus_Strickland | rhythm and |
| Marcus_Strickland | and blues |
| Marcus_Strickland | blues but |
| Marcus_Strickland | but is |
| Marcus_Strickland | is now |
| Marcus_Strickland | now a |
| Marcus_Strickland | a lawyer |
| Marcus_Strickland | lawyer marcus |
| Marcus_Strickland | marcus twin |
| Marcus_Strickland | twin brother |
| Marcus_Strickland | brother e.j |
| Marcus_Strickland | e.j strickland |
| Marcus_Strickland | strickland is |
| Marcus_Strickland | is a |
| Marcus_Strickland | a drummer |
| Marcus_Strickland | drummer and |
| Marcus_Strickland | and is |
| Marcus_Strickland | is a |
| Marcus_Strickland | a member |
| Marcus_Strickland | member of |
| Marcus_Strickland | of marcus |
| Marcus_Strickland | marcus quartet |
| Marcus_Strickland | quartet and |
| Marcus_Strickland | and leads |
| Marcus_Strickland | leads his |
| Marcus_Strickland | his own |
| Marcus_Strickland | own quintet |
| Marcus_Strickland | quintet as |
| Marcus_Strickland | as well |
| Marcus_Strickland | well en |
| Stanley_Turrentine | stanley william |
| Stanley_Turrentine | william turrentine |
| Stanley_Turrentine | turrentine april |
| Stanley_Turrentine | april 5 |
| Stanley_Turrentine | 5 1934 |
| Stanley_Turrentine | 1934 september |
| Stanley_Turrentine | september 12 |
| Stanley_Turrentine | 12 2000 |
| Stanley_Turrentine | 2000 was |
| Stanley_Turrentine | was an |
| Stanley_Turrentine | an american |
| Stanley_Turrentine | american jazz |
| Stanley_Turrentine | jazz tenor |
| Stanley_Turrentine | tenor saxophonist |
| Stanley_Turrentine | saxophonist he |
| Stanley_Turrentine | he began |
| Stanley_Turrentine | began his |
| Stanley_Turrentine | his career |
| Stanley_Turrentine | career playing |
| Stanley_Turrentine | playing r |
| Stanley_Turrentine | r b |
| Stanley_Turrentine | b for |
| Stanley_Turrentine | for earl |
| Stanley_Turrentine | earl bostic |
| Stanley_Turrentine | bostic and |
| Stanley_Turrentine | and later |
| Stanley_Turrentine | later soul |
| Stanley_Turrentine | soul jazz |
| Stanley_Turrentine | jazz recording |
| Stanley_Turrentine | recording for |
| Stanley_Turrentine | for the |
| Stanley_Turrentine | the blue |
| Stanley_Turrentine | blue note |
| Stanley_Turrentine | note label |
| Stanley_Turrentine | label from |
| Stanley_Turrentine | from 1960 |
| Stanley_Turrentine | 1960 touched |
| Stanley_Turrentine | touched on |
| Stanley_Turrentine | on jazz |
| Stanley_Turrentine | jazz fusion |
| Stanley_Turrentine | fusion during |
| Stanley_Turrentine | during a |
| Stanley_Turrentine | a stint |
| Stanley_Turrentine | stint on |
| Stanley_Turrentine | on cti |
| Stanley_Turrentine | cti in |
| Stanley_Turrentine | in the |
| Stanley_Turrentine | the 1970s |
| Stanley_Turrentine | 1970s he |
| Stanley_Turrentine | he was |
| Stanley_Turrentine | was described |
| Stanley_Turrentine | described by |
| Stanley_Turrentine | by critic |
| Stanley_Turrentine | critic steve |
| Stanley_Turrentine | steve huey |
| Stanley_Turrentine | huey as |
| Stanley_Turrentine | as renowned |
| Stanley_Turrentine | renowned for |
| Stanley_Turrentine | for his |
| Stanley_Turrentine | his distinctively |
| Stanley_Turrentine | distinctively thick |
| Stanley_Turrentine | thick rippling |
| Stanley_Turrentine | rippling tone |
| Stanley_Turrentine | tone and |
| Stanley_Turrentine | and earthy |
| Stanley_Turrentine | earthy grounding |
| Stanley_Turrentine | grounding in |
| Stanley_Turrentine | in the |
| Stanley_Turrentine | the blues |
| Stanley_Turrentine | blues in |
| Stanley_Turrentine | in the |
| Stanley_Turrentine | the 1960s |
| Stanley_Turrentine | 1960s turrentine |
| Stanley_Turrentine | turrentine was |
| Stanley_Turrentine | was married |
| Stanley_Turrentine | married to |
| Stanley_Turrentine | to organist |
| Stanley_Turrentine | organist shirley |
| Stanley_Turrentine | shirley scott |
| Stanley_Turrentine | scott with |
| Stanley_Turrentine | with whom |
| Stanley_Turrentine | whom he |
| Stanley_Turrentine | he frequently |
| Stanley_Turrentine | frequently recorded |
| Stanley_Turrentine | recorded and |
| Stanley_Turrentine | and he |
| Stanley_Turrentine | he was |
| Stanley_Turrentine | was the |
| Stanley_Turrentine | the younger |
| Stanley_Turrentine | younger brother |
| Stanley_Turrentine | brother of |
| Stanley_Turrentine | of trumpeter |
| Stanley_Turrentine | trumpeter tommy |
| Stanley_Turrentine | tommy turrentine |
| Stanley_Turrentine | turrentine en |
| Radovan_Tariska | radovan tariska |
| Radovan_Tariska | tariska born |
| Radovan_Tariska | born august |
| Radovan_Tariska | august 14 |
| Radovan_Tariska | 14 1979 |
| Radovan_Tariska | 1979 is |
| Radovan_Tariska | is a |
| Radovan_Tariska | a slovak |
| Radovan_Tariska | slovak jazz |
| Radovan_Tariska | jazz saxophonist |
| Radovan_Tariska | saxophonist en |
| Booker_Little | booker little |
| Booker_Little | little jr |
| Booker_Little | jr april |
| Booker_Little | april 2 |
| Booker_Little | 2 1938 |
| Booker_Little | 1938 october |
| Booker_Little | october 5 |
| Booker_Little | 5 1961 |
| Booker_Little | 1961 was |
| Booker_Little | was an |
| Booker_Little | an american |
| Booker_Little | american jazz |
| Booker_Little | jazz trumpeter |
| Booker_Little | trumpeter and |
| Booker_Little | and composer |
| Booker_Little | composer he |
| Booker_Little | he appeared |
| Booker_Little | appeared on |
| Booker_Little | on many |
| Booker_Little | many recordings |
| Booker_Little | recordings in |
| Booker_Little | in his |
| Booker_Little | his short |
| Booker_Little | short career |
| Booker_Little | career both |
| Booker_Little | both as |
| Booker_Little | as a |
| Booker_Little | a sideman |
| Booker_Little | sideman and |
| Booker_Little | and as |
| Booker_Little | as a |
| Booker_Little | a leader |
| Booker_Little | leader little |
| Booker_Little | little performed |
| Booker_Little | performed with |
| Booker_Little | with max |
| Booker_Little | max roach |
| Booker_Little | roach john |
| Booker_Little | john coltrane |
| Booker_Little | coltrane and |
| Booker_Little | and eric |
| Booker_Little | eric dolphy |
| Booker_Little | dolphy and |
| Booker_Little | and was |
| Booker_Little | was strongly |
| Booker_Little | strongly influenced |
| Booker_Little | influenced by |
| Booker_Little | by sonny |
| Booker_Little | sonny rollins |
| Booker_Little | rollins and |
| Booker_Little | and clifford |
| Booker_Little | clifford brown |
| Booker_Little | brown he |
| Booker_Little | he died |
| Booker_Little | died aged |
| Booker_Little | aged 23 |
| Booker_Little | 23 en |
| Mary_J._Blige | mary jane |
| Mary_J._Blige | jane blige |
| Mary_J._Blige | blige bla |
| Mary_J._Blige | bla 阞 |
| Mary_J._Blige | 阞 born |
| Mary_J._Blige | born january |
| Mary_J._Blige | january 11 |
| Mary_J._Blige | 11 1971 |
| Mary_J._Blige | 1971 is |
| Mary_J._Blige | is an |
| Mary_J._Blige | an american |
| Mary_J._Blige | american singer |
| Mary_J._Blige | singer songwriter |
| Mary_J._Blige | songwriter and |
| Mary_J._Blige | and actress |
| Mary_J._Blige | actress her |
| Mary_J._Blige | her career |
| Mary_J._Blige | career began |
| Mary_J._Blige | began in |
| Mary_J._Blige | in 1991 |
| Mary_J._Blige | 1991 when |
| Mary_J._Blige | when she |
| Mary_J._Blige | she was |
| Mary_J._Blige | was signed |
| Mary_J._Blige | signed to |
| Mary_J._Blige | to uptown |
| Mary_J._Blige | uptown records |
| Mary_J._Blige | records she |
| Mary_J._Blige | she went |
| Mary_J._Blige | went on |
| Mary_J._Blige | on to |
| Mary_J._Blige | to release |
| Mary_J._Blige | release 13 |
| Mary_J._Blige | 13 studio |
| Mary_J._Blige | studio albums |
| Mary_J._Blige | albums eight |
| Mary_J._Blige | eight of |
| Mary_J._Blige | of which |
| Mary_J._Blige | which have |
| Mary_J._Blige | have achieved |
| Mary_J._Blige | achieved multi |
| Mary_J._Blige | multi platinum |
| Mary_J._Blige | platinum worldwide |
| Mary_J._Blige | worldwide sales |
| Mary_J._Blige | sales blige |
| Mary_J._Blige | blige has |
| Mary_J._Blige | has won |
| Mary_J._Blige | won nine |
| Mary_J._Blige | nine grammy |
| Mary_J._Blige | grammy awards |
| Mary_J._Blige | awards four |
| Mary_J._Blige | four american |
| Mary_J._Blige | american music |
| Mary_J._Blige | music awards |
| Mary_J._Blige | awards and |
| Mary_J._Blige | and twelve |
| Mary_J._Blige | twelve billboard |
| Mary_J._Blige | billboard music |
| Mary_J._Blige | music awards |
| Mary_J._Blige | awards she |
| Mary_J._Blige | she has |
| Mary_J._Blige | has been |
| Mary_J._Blige | been nominated |
| Mary_J._Blige | nominated for |
| Mary_J._Blige | for three |
| Mary_J._Blige | three golden |
| Mary_J._Blige | golden globe |
| Mary_J._Blige | globe awards |
| Mary_J._Blige | awards and |
| Mary_J._Blige | and two |
| Mary_J._Blige | two academy |
| Mary_J._Blige | academy awards |
| Mary_J._Blige | awards including |
| Mary_J._Blige | including one |
| Mary_J._Blige | one for |
| Mary_J._Blige | for her |
| Mary_J._Blige | her supporting |
| Mary_J._Blige | supporting role |
| Mary_J._Blige | role in |
| Mary_J._Blige | in the |
| Mary_J._Blige | the film |
| Mary_J._Blige | film mudbound |
| Mary_J._Blige | mudbound 2017 |
| Mary_J._Blige | 2017 and |
| Mary_J._Blige | and another |
| Mary_J._Blige | another for |
| Mary_J._Blige | for its |
| Mary_J._Blige | its original |
| Mary_J._Blige | original song |
| Mary_J._Blige | song mighty |
| Mary_J._Blige | mighty river |
| Mary_J._Blige | river becoming |
| Mary_J._Blige | becoming the |
| Mary_J._Blige | the first |
| Mary_J._Blige | first person |
| Mary_J._Blige | person nominated |
| Mary_J._Blige | nominated for |
| Mary_J._Blige | for acting |
| Mary_J._Blige | acting and |
| Mary_J._Blige | and songwriting |
| Mary_J._Blige | songwriting in |
| Mary_J._Blige | in the |
| Mary_J._Blige | the same |
| Mary_J._Blige | same year |
| Mary_J._Blige | year in |
| Mary_J._Blige | in 1992 |
| Mary_J._Blige | 1992 blige |
| Mary_J._Blige | blige released |
| Mary_J._Blige | released her |
| Mary_J._Blige | her debut |
| Mary_J._Blige | debut album |
| Mary_J._Blige | album what’s |
| Mary_J._Blige | what’s the |
| Mary_J._Blige | the 411 |
| Mary_J._Blige | 411 which |
| Mary_J._Blige | which is |
| Mary_J._Blige | is credited |
| Mary_J._Blige | credited for |
| Mary_J._Blige | for introducing |
| Mary_J._Blige | introducing the |
| Mary_J._Blige | the mix |
| Mary_J._Blige | mix of |
| Mary_J._Blige | of r |
| Mary_J._Blige | r b |
| Mary_J._Blige | b and |
| Mary_J._Blige | and hip |
| Mary_J._Blige | hip hop |
| Mary_J._Blige | hop into |
| Mary_J._Blige | into mainstream |
| Mary_J._Blige | mainstream pop |
| Mary_J._Blige | pop culture |
| Mary_J._Blige | culture and |
| Mary_J._Blige | and her |
| Mary_J._Blige | her 1993 |
| Mary_J._Blige | 1993 what’s |
| Mary_J._Blige | what’s the |
| Mary_J._Blige | the 411 |
| Mary_J._Blige | 411 remix |
| Mary_J._Blige | remix popularized |
| Mary_J._Blige | popularized rap |
| Mary_J._Blige | rap as |
| Mary_J._Blige | as a |
| Mary_J._Blige | a featuring |
| Mary_J._Blige | featuring act |
| Mary_J._Blige | act it |
| Mary_J._Blige | it is |
| Mary_J._Blige | is the |
| Mary_J._Blige | the first |
| Mary_J._Blige | first album |
| Mary_J._Blige | album by |
| Mary_J._Blige | by a |
| Mary_J._Blige | a singer |
| Mary_J._Blige | singer to |
| Mary_J._Blige | to have |
| Mary_J._Blige | have a |
| Mary_J._Blige | a rapper |
| Mary_J._Blige | rapper on |
| Mary_J._Blige | on every |
| Mary_J._Blige | every song |
| Mary_J._Blige | song both |
| Mary_J._Blige | both what’s |
| Mary_J._Blige | what’s the |
| Mary_J._Blige | the 411 |
| Mary_J._Blige | 411 and |
| Mary_J._Blige | and her |
| Mary_J._Blige | her 1994 |
| Mary_J._Blige | 1994 album |
| Mary_J._Blige | album my |
| Mary_J._Blige | my life |
| Mary_J._Blige | life are |
| Mary_J._Blige | are featured |
| Mary_J._Blige | featured on |
| Mary_J._Blige | on the |
| Mary_J._Blige | the rolling |
| Mary_J._Blige | rolling stone’s |
| Mary_J._Blige | stone’s 500 |
| Mary_J._Blige | 500 greatest |
| Mary_J._Blige | greatest albums |
| Mary_J._Blige | albums of |
| Mary_J._Blige | of all |
| Mary_J._Blige | all time |
| Mary_J._Blige | time list |
| Mary_J._Blige | list and |
| Mary_J._Blige | and the |
| Mary_J._Blige | the latter |
| Mary_J._Blige | latter on |
| Mary_J._Blige | on time |
| Mary_J._Blige | time magazine’s |
| Mary_J._Blige | magazine’s all |
| Mary_J._Blige | all time |
| Mary_J._Blige | time 100 |
| Mary_J._Blige | 100 albums |
| Mary_J._Blige | albums she |
| Mary_J._Blige | she received |
| Mary_J._Blige | received a |
| Mary_J._Blige | a legends |
| Mary_J._Blige | legends award |
| Mary_J._Blige | award at |
| Mary_J._Blige | at the |
| Mary_J._Blige | the world |
| Mary_J._Blige | world music |
| Mary_J._Blige | music awards |
| Mary_J._Blige | awards in |
| Mary_J._Blige | in 2006 |
| Mary_J._Blige | 2006 and |
| Mary_J._Blige | and the |
| Mary_J._Blige | the voice |
| Mary_J._Blige | voice of |
| Mary_J._Blige | of music |
| Mary_J._Blige | music award |
| Mary_J._Blige | award from |
| Mary_J._Blige | from ascap |
| Mary_J._Blige | ascap in |
| Mary_J._Blige | in 2007 |
| Mary_J._Blige | 2007 billboard |
| Mary_J._Blige | billboard ranked |
| Mary_J._Blige | ranked blige |
| Mary_J._Blige | blige as |
| Mary_J._Blige | as the |
| Mary_J._Blige | the most |
| Mary_J._Blige | most successful |
| Mary_J._Blige | successful female |
| Mary_J._Blige | female r |
| Mary_J._Blige | r b |
| Mary_J._Blige | b hip |
| Mary_J._Blige | hip hop |
| Mary_J._Blige | hop artist |
| Mary_J._Blige | artist of |
| Mary_J._Blige | of the |
| Mary_J._Blige | the past |
| Mary_J._Blige | past 25 |
| Mary_J._Blige | 25 years |
| Mary_J._Blige | years in |
| Mary_J._Blige | in 2017 |
| Mary_J._Blige | 2017 billboard |
| Mary_J._Blige | billboard magazine |
| Mary_J._Blige | magazine named |
| Mary_J._Blige | named her |
| Mary_J._Blige | her 2006 |
| Mary_J._Blige | 2006 song |
| Mary_J._Blige | song be |
| Mary_J._Blige | be without |
| Mary_J._Blige | without you |
| Mary_J._Blige | you as |
| Mary_J._Blige | as the |
| Mary_J._Blige | the most |
| Mary_J._Blige | most successful |
| Mary_J._Blige | successful r |
| Mary_J._Blige | r b |
| Mary_J._Blige | b hip |
| Mary_J._Blige | hip hop |
| Mary_J._Blige | hop song |
| Mary_J._Blige | song of |
| Mary_J._Blige | of all |
| Mary_J._Blige | all time |
| Mary_J._Blige | time as |
| Mary_J._Blige | as it |
| Mary_J._Blige | it spent |
| Mary_J._Blige | spent an |
| Mary_J._Blige | an unparalleled |
| Mary_J._Blige | unparalleled 15 |
| Mary_J._Blige | 15 weeks |
| Mary_J._Blige | weeks atop |
| Mary_J._Blige | atop the |
| Mary_J._Blige | the hot |
| Mary_J._Blige | hot r |
| Mary_J._Blige | r b |
| Mary_J._Blige | b hip |
| Mary_J._Blige | hip hop |
| Mary_J._Blige | hop songs |
| Mary_J._Blige | songs chart |
| Mary_J._Blige | chart and |
| Mary_J._Blige | and over |
| Mary_J._Blige | over 75 |
| Mary_J._Blige | 75 weeks |
| Mary_J._Blige | weeks on |
| Mary_J._Blige | on the |
| Mary_J._Blige | the chart |
| Mary_J._Blige | chart in |
| Mary_J._Blige | in 2011 |
| Mary_J._Blige | 2011 vh1 |
| Mary_J._Blige | vh1 ranked |
| Mary_J._Blige | ranked blige |
| Mary_J._Blige | blige as |
| Mary_J._Blige | as the |
| Mary_J._Blige | the 80th |
| Mary_J._Blige | 80th greatest |
| Mary_J._Blige | greatest artist |
| Mary_J._Blige | artist of |
| Mary_J._Blige | of all |
| Mary_J._Blige | all time |
| Mary_J._Blige | time in |
| Mary_J._Blige | in 2012 |
| Mary_J._Blige | 2012 vh1 |
| Mary_J._Blige | vh1 ranked |
| Mary_J._Blige | ranked blige |
| Mary_J._Blige | blige at |
| Mary_J._Blige | at number |
| Mary_J._Blige | number 9 |
| Mary_J._Blige | 9 in |
| Mary_J._Blige | in the |
| Mary_J._Blige | the 100 |
| Mary_J._Blige | 100 greatest |
| Mary_J._Blige | greatest women |
| Mary_J._Blige | women in |
| Mary_J._Blige | in music |
| Mary_J._Blige | music list |
| Mary_J._Blige | list blige |
| Mary_J._Blige | blige has |
| Mary_J._Blige | has also |
| Mary_J._Blige | also made |
| Mary_J._Blige | made a |
| Mary_J._Blige | a successful |
| Mary_J._Blige | successful transition |
| Mary_J._Blige | transition to |
| Mary_J._Blige | to both |
| Mary_J._Blige | both the |
| Mary_J._Blige | the television |
| Mary_J._Blige | television and |
| Mary_J._Blige | and movie |
| Mary_J._Blige | movie screens |
| Mary_J._Blige | screens with |
| Mary_J._Blige | with supporting |
| Mary_J._Blige | supporting roles |
| Mary_J._Blige | roles in |
| Mary_J._Blige | in films |
| Mary_J._Blige | films such |
| Mary_J._Blige | such as |
| Mary_J._Blige | as prison |
| Mary_J._Blige | prison song |
| Mary_J._Blige | song 2001 |
| Mary_J._Blige | 2001 rock |
| Mary_J._Blige | rock of |
| Mary_J._Blige | of ages |
| Mary_J._Blige | ages 2012 |
| Mary_J._Blige | 2012 betty |
| Mary_J._Blige | betty and |
| Mary_J._Blige | and coretta |
| Mary_J._Blige | coretta 2013 |
| Mary_J._Blige | 2013 black |
| Mary_J._Blige | black nativity |
| Mary_J._Blige | nativity 2013 |
| Mary_J._Blige | 2013 her |
| Mary_J._Blige | her oscar |
| Mary_J._Blige | oscar and |
| Mary_J._Blige | and golden |
| Mary_J._Blige | golden globe |
| Mary_J._Blige | globe nominated |
| Mary_J._Blige | nominated breakthrough |
| Mary_J._Blige | breakthrough performance |
| Mary_J._Blige | performance as |
| Mary_J._Blige | as florence |
| Mary_J._Blige | florence jackson |
| Mary_J._Blige | jackson in |
| Mary_J._Blige | in mudbound |
| Mary_J._Blige | mudbound 2017 |
| Mary_J._Blige | 2017 trolls |
| Mary_J._Blige | trolls world |
| Mary_J._Blige | world tour |
| Mary_J._Blige | tour 2020 |
| Mary_J._Blige | 2020 body |
| Mary_J._Blige | body cam |
| Mary_J._Blige | cam 2020 |
| Mary_J._Blige | 2020 the |
| Mary_J._Blige | the violent |
| Mary_J._Blige | violent heart |
| Mary_J._Blige | heart 2021 |
| Mary_J._Blige | 2021 and |
| Mary_J._Blige | and co |
| Mary_J._Blige | co starring |
| Mary_J._Blige | starring as |
| Mary_J._Blige | as jazz |
| Mary_J._Blige | jazz singer |
| Mary_J._Blige | singer dinah |
| Mary_J._Blige | dinah washington |
| Mary_J._Blige | washington in |
| Mary_J._Blige | in the |
| Mary_J._Blige | the aretha |
| Mary_J._Blige | aretha franklin |
| Mary_J._Blige | franklin biopic |
| Mary_J._Blige | biopic respect |
| Mary_J._Blige | respect 2021 |
| Mary_J._Blige | 2021 in |
| Mary_J._Blige | in 2019 |
| Mary_J._Blige | 2019 blige |
| Mary_J._Blige | blige starred |
| Mary_J._Blige | starred as |
| Mary_J._Blige | as cha |
| Mary_J._Blige | cha cha |
| Mary_J._Blige | cha on |
| Mary_J._Blige | on the |
| Mary_J._Blige | the first |
| Mary_J._Blige | first season |
| Mary_J._Blige | season of |
| Mary_J._Blige | of the |
| Mary_J._Blige | the netflix |
| Mary_J._Blige | netflix television |
| Mary_J._Blige | television series |
| Mary_J._Blige | series the |
| Mary_J._Blige | the umbrella |
| Mary_J._Blige | umbrella academy |
| Mary_J._Blige | academy she |
| Mary_J._Blige | she currently |
| Mary_J._Blige | currently stars |
| Mary_J._Blige | stars as |
| Mary_J._Blige | as monet |
| Mary_J._Blige | monet tejada |
| Mary_J._Blige | tejada in |
| Mary_J._Blige | in the |
| Mary_J._Blige | the spin |
| Mary_J._Blige | spin off |
| Mary_J._Blige | off of |
| Mary_J._Blige | of the |
| Mary_J._Blige | the highly |
| Mary_J._Blige | highly rated |
| Mary_J._Blige | rated tv |
| Mary_J._Blige | tv drama |
| Mary_J._Blige | drama power |
| Mary_J._Blige | power in |
| Mary_J._Blige | in power |
| Mary_J._Blige | power book |
| Mary_J._Blige | book ii |
| Mary_J._Blige | ii ghost |
| Mary_J._Blige | ghost in |
| Mary_J._Blige | in february |
| Mary_J._Blige | february 2021 |
| Mary_J._Blige | 2021 blige |
| Mary_J._Blige | blige became |
| Mary_J._Blige | became a |
| Mary_J._Blige | a first |
| Mary_J._Blige | first time |
| Mary_J._Blige | time nominee |
| Mary_J._Blige | nominee for |
| Mary_J._Blige | for the |
| Mary_J._Blige | the 2021 |
| Mary_J._Blige | 2021 class |
| Mary_J._Blige | class of |
| Mary_J._Blige | of the |
| Mary_J._Blige | the rock |
| Mary_J._Blige | rock and |
| Mary_J._Blige | and roll |
| Mary_J._Blige | roll hall |
| Mary_J._Blige | hall of |
| Mary_J._Blige | of fame |
| Mary_J._Blige | fame a |
| Mary_J._Blige | a documentary |
| Mary_J._Blige | documentary film |
| Mary_J._Blige | film about |
| Mary_J._Blige | about her |
| Mary_J._Blige | her musical |
| Mary_J._Blige | musical career |
| Mary_J._Blige | career titled |
| Mary_J._Blige | titled mary |
| Mary_J._Blige | mary j |
| Mary_J._Blige | j blige’s |
| Mary_J._Blige | blige’s my |
| Mary_J._Blige | my life |
| Mary_J._Blige | life was |
| Mary_J._Blige | was released |
| Mary_J._Blige | released on |
| Mary_J._Blige | on amazon |
| Mary_J._Blige | amazon prime |
| Mary_J._Blige | prime video |
| Mary_J._Blige | video later |
| Mary_J._Blige | later that |
| Mary_J._Blige | that year |
| Mary_J._Blige | year en |
| Thelonious_Monk | thelonious sphere |
| Thelonious_Monk | sphere monk |
| Thelonious_Monk | monk 庛 |
| Thelonious_Monk | 庛 lo |
| Thelonious_Monk | lo ni |
| Thelonious_Monk | ni s |
| Thelonious_Monk | s october |
| Thelonious_Monk | october 10 |
| Thelonious_Monk | 10 1917 |
| Thelonious_Monk | 1917 february |
| Thelonious_Monk | february 17 |
| Thelonious_Monk | 17 1982 |
| Thelonious_Monk | 1982 was |
| Thelonious_Monk | was an |
| Thelonious_Monk | an american |
| Thelonious_Monk | american jazz |
| Thelonious_Monk | jazz pianist |
| Thelonious_Monk | pianist and |
| Thelonious_Monk | and composer |
| Thelonious_Monk | composer he |
| Thelonious_Monk | he had |
| Thelonious_Monk | had a |
| Thelonious_Monk | a unique |
| Thelonious_Monk | unique improvisational |
| Thelonious_Monk | improvisational style |
| Thelonious_Monk | style and |
| Thelonious_Monk | and made |
| Thelonious_Monk | made numerous |
| Thelonious_Monk | numerous contributions |
| Thelonious_Monk | contributions to |
| Thelonious_Monk | to the |
| Thelonious_Monk | the standard |
| Thelonious_Monk | standard jazz |
| Thelonious_Monk | jazz repertoire |
| Thelonious_Monk | repertoire including |
| Thelonious_Monk | including round |
| Thelonious_Monk | round midnight |
| Thelonious_Monk | midnight blue |
| Thelonious_Monk | blue monk |
| Thelonious_Monk | monk straight |
| Thelonious_Monk | straight no |
| Thelonious_Monk | no chaser |
| Thelonious_Monk | chaser ruby |
| Thelonious_Monk | ruby my |
| Thelonious_Monk | my dear |
| Thelonious_Monk | dear in |
| Thelonious_Monk | in walked |
| Thelonious_Monk | walked bud |
| Thelonious_Monk | bud and |
| Thelonious_Monk | and well |
| Thelonious_Monk | well you |
| Thelonious_Monk | you needn’t |
| Thelonious_Monk | needn’t monk |
| Thelonious_Monk | monk is |
| Thelonious_Monk | is the |
| Thelonious_Monk | the second |
| Thelonious_Monk | second most |
| Thelonious_Monk | most recorded |
| Thelonious_Monk | recorded jazz |
| Thelonious_Monk | jazz composer |
| Thelonious_Monk | composer after |
| Thelonious_Monk | after duke |
| Thelonious_Monk | duke ellington |
| Thelonious_Monk | ellington monk’s |
| Thelonious_Monk | monk’s compositions |
| Thelonious_Monk | compositions and |
| Thelonious_Monk | and improvisations |
| Thelonious_Monk | improvisations feature |
| Thelonious_Monk | feature dissonances |
| Thelonious_Monk | dissonances and |
| Thelonious_Monk | and angular |
| Thelonious_Monk | angular melodic |
| Thelonious_Monk | melodic twists |
| Thelonious_Monk | twists and |
| Thelonious_Monk | and are |
| Thelonious_Monk | are consistent |
| Thelonious_Monk | consistent with |
| Thelonious_Monk | with his |
| Thelonious_Monk | his unorthodox |
| Thelonious_Monk | unorthodox approach |
| Thelonious_Monk | approach to |
| Thelonious_Monk | to the |
| Thelonious_Monk | the piano |
| Thelonious_Monk | piano which |
| Thelonious_Monk | which combined |
| Thelonious_Monk | combined a |
| Thelonious_Monk | a highly |
| Thelonious_Monk | highly percussive |
| Thelonious_Monk | percussive attack |
| Thelonious_Monk | attack with |
| Thelonious_Monk | with abrupt |
| Thelonious_Monk | abrupt dramatic |
| Thelonious_Monk | dramatic use |
| Thelonious_Monk | use of |
| Thelonious_Monk | of switched |
| Thelonious_Monk | switched key |
| Thelonious_Monk | key releases |
| Thelonious_Monk | releases silences |
| Thelonious_Monk | silences and |
| Thelonious_Monk | and hesitations |
| Thelonious_Monk | hesitations monk |
| Thelonious_Monk | monk was |
| Thelonious_Monk | was renowned |
| Thelonious_Monk | renowned for |
| Thelonious_Monk | for a |
| Thelonious_Monk | a distinct |
| Thelonious_Monk | distinct look |
| Thelonious_Monk | look which |
| Thelonious_Monk | which included |
| Thelonious_Monk | included suits |
| Thelonious_Monk | suits hats |
| Thelonious_Monk | hats and |
| Thelonious_Monk | and sunglasses |
| Thelonious_Monk | sunglasses he |
| Thelonious_Monk | he was |
| Thelonious_Monk | was also |
| Thelonious_Monk | also noted |
| Thelonious_Monk | noted for |
| Thelonious_Monk | for an |
| Thelonious_Monk | an idiosyncratic |
| Thelonious_Monk | idiosyncratic habit |
| Thelonious_Monk | habit during |
| Thelonious_Monk | during performances |
| Thelonious_Monk | performances while |
| Thelonious_Monk | while other |
| Thelonious_Monk | other musicians |
| Thelonious_Monk | musicians continued |
| Thelonious_Monk | continued playing |
| Thelonious_Monk | playing monk |
| Thelonious_Monk | monk would |
| Thelonious_Monk | would stop |
| Thelonious_Monk | stop stand |
| Thelonious_Monk | stand up |
| Thelonious_Monk | up and |
| Thelonious_Monk | and dance |
| Thelonious_Monk | dance for |
| Thelonious_Monk | for a |
| Thelonious_Monk | a few |
| Thelonious_Monk | few moments |
| Thelonious_Monk | moments before |
| Thelonious_Monk | before returning |
| Thelonious_Monk | returning to |
| Thelonious_Monk | to the |
| Thelonious_Monk | the piano |
| Thelonious_Monk | piano monk |
| Thelonious_Monk | monk is |
| Thelonious_Monk | is one |
| Thelonious_Monk | one of |
| Thelonious_Monk | of five |
| Thelonious_Monk | five jazz |
| Thelonious_Monk | jazz musicians |
| Thelonious_Monk | musicians to |
| Thelonious_Monk | to have |
| Thelonious_Monk | have been |
| Thelonious_Monk | been featured |
| Thelonious_Monk | featured on |
| Thelonious_Monk | on the |
| Thelonious_Monk | the cover |
| Thelonious_Monk | cover of |
| Thelonious_Monk | of time |
| Thelonious_Monk | time magazine |
| Thelonious_Monk | magazine the |
| Thelonious_Monk | the others |
| Thelonious_Monk | others being |
| Thelonious_Monk | being louis |
| Thelonious_Monk | louis armstrong |
| Thelonious_Monk | armstrong dave |
| Thelonious_Monk | dave brubeck |
| Thelonious_Monk | brubeck duke |
| Thelonious_Monk | duke ellington |
| Thelonious_Monk | ellington and |
| Thelonious_Monk | and wynton |
| Thelonious_Monk | wynton marsalis |
| Thelonious_Monk | marsalis en |
| Wynton_Marsalis | wynton learson |
| Wynton_Marsalis | learson marsalis |
| Wynton_Marsalis | marsalis born |
| Wynton_Marsalis | born october |
| Wynton_Marsalis | october 18 |
| Wynton_Marsalis | 18 1961 |
| Wynton_Marsalis | 1961 is |
| Wynton_Marsalis | is an |
| Wynton_Marsalis | an american |
| Wynton_Marsalis | american trumpeter |
| Wynton_Marsalis | trumpeter composer |
| Wynton_Marsalis | composer teacher |
| Wynton_Marsalis | teacher and |
| Wynton_Marsalis | and artistic |
| Wynton_Marsalis | artistic director |
| Wynton_Marsalis | director of |
| Wynton_Marsalis | of jazz |
| Wynton_Marsalis | jazz at |
| Wynton_Marsalis | at lincoln |
| Wynton_Marsalis | lincoln center |
| Wynton_Marsalis | center he |
| Wynton_Marsalis | he has |
| Wynton_Marsalis | has promoted |
| Wynton_Marsalis | promoted classical |
| Wynton_Marsalis | classical and |
| Wynton_Marsalis | and jazz |
| Wynton_Marsalis | jazz music |
| Wynton_Marsalis | music often |
| Wynton_Marsalis | often to |
| Wynton_Marsalis | to young |
| Wynton_Marsalis | young audiences |
| Wynton_Marsalis | audiences marsalis |
| Wynton_Marsalis | marsalis has |
| Wynton_Marsalis | has won |
| Wynton_Marsalis | won at |
| Wynton_Marsalis | at least |
| Wynton_Marsalis | least nine |
| Wynton_Marsalis | nine grammy |
| Wynton_Marsalis | grammy awards |
| Wynton_Marsalis | awards and |
| Wynton_Marsalis | and his |
| Wynton_Marsalis | his blood |
| Wynton_Marsalis | blood on |
| Wynton_Marsalis | on the |
| Wynton_Marsalis | the fields |
| Wynton_Marsalis | fields was |
| Wynton_Marsalis | was the |
| Wynton_Marsalis | the first |
| Wynton_Marsalis | first jazz |
| Wynton_Marsalis | jazz composition |
| Wynton_Marsalis | composition to |
| Wynton_Marsalis | to win |
| Wynton_Marsalis | win the |
| Wynton_Marsalis | the pulitzer |
| Wynton_Marsalis | pulitzer prize |
| Wynton_Marsalis | prize for |
| Wynton_Marsalis | for music |
| Wynton_Marsalis | music he |
| Wynton_Marsalis | he is |
| Wynton_Marsalis | is the |
| Wynton_Marsalis | the only |
| Wynton_Marsalis | only musician |
| Wynton_Marsalis | musician to |
| Wynton_Marsalis | to win |
| Wynton_Marsalis | win a |
| Wynton_Marsalis | a grammy |
| Wynton_Marsalis | grammy award |
| Wynton_Marsalis | award in |
| Wynton_Marsalis | in jazz |
| Wynton_Marsalis | jazz and |
| Wynton_Marsalis | and classical |
| Wynton_Marsalis | classical during |
| Wynton_Marsalis | during the |
| Wynton_Marsalis | the same |
| Wynton_Marsalis | same year |
| Wynton_Marsalis | year en |
| Mighty_Clouds_of_Joy | the mighty |
| Mighty_Clouds_of_Joy | mighty clouds |
| Mighty_Clouds_of_Joy | clouds of |
| Mighty_Clouds_of_Joy | of joy |
| Mighty_Clouds_of_Joy | joy are |
| Mighty_Clouds_of_Joy | are an |
| Mighty_Clouds_of_Joy | an american |
| Mighty_Clouds_of_Joy | american traditional |
| Mighty_Clouds_of_Joy | traditional gospel |
| Mighty_Clouds_of_Joy | gospel music |
| Mighty_Clouds_of_Joy | music quartet |
| Mighty_Clouds_of_Joy | quartet joe |
| Mighty_Clouds_of_Joy | joe ligon |
| Mighty_Clouds_of_Joy | ligon bio |
| Mighty_Clouds_of_Joy | bio willie |
| Mighty_Clouds_of_Joy | willie joe |
| Mighty_Clouds_of_Joy | joe ligon |
| Mighty_Clouds_of_Joy | ligon was |
| Mighty_Clouds_of_Joy | was born |
| Mighty_Clouds_of_Joy | born on |
| Mighty_Clouds_of_Joy | on october |
| Mighty_Clouds_of_Joy | october 11 |
| Mighty_Clouds_of_Joy | 11 1936 |
| Mighty_Clouds_of_Joy | 1936 and |
| Mighty_Clouds_of_Joy | and died |
| Mighty_Clouds_of_Joy | died on |
| Mighty_Clouds_of_Joy | on december |
| Mighty_Clouds_of_Joy | december 11 |
| Mighty_Clouds_of_Joy | 11 2016 |
| Mighty_Clouds_of_Joy | 2016 80 |
| Mighty_Clouds_of_Joy | 80 years |
| Mighty_Clouds_of_Joy | years 2 |
| Mighty_Clouds_of_Joy | 2 months |
| Mighty_Clouds_of_Joy | months he |
| Mighty_Clouds_of_Joy | he dedicated |
| Mighty_Clouds_of_Joy | dedicated his |
| Mighty_Clouds_of_Joy | his life |
| Mighty_Clouds_of_Joy | life to |
| Mighty_Clouds_of_Joy | to jesus |
| Mighty_Clouds_of_Joy | jesus making |
| Mighty_Clouds_of_Joy | making many |
| Mighty_Clouds_of_Joy | many hit |
| Mighty_Clouds_of_Joy | hit songs |
| Mighty_Clouds_of_Joy | songs some |
| Mighty_Clouds_of_Joy | some include |
| Mighty_Clouds_of_Joy | include walk |
| Mighty_Clouds_of_Joy | walk around |
| Mighty_Clouds_of_Joy | around heaven |
| Mighty_Clouds_of_Joy | heaven by |
| Mighty_Clouds_of_Joy | by james |
| Mighty_Clouds_of_Joy | james cleveland |
| Mighty_Clouds_of_Joy | cleveland and |
| Mighty_Clouds_of_Joy | and cassetta |
| Mighty_Clouds_of_Joy | cassetta george |
| Mighty_Clouds_of_Joy | george everybody |
| Mighty_Clouds_of_Joy | everybody ought |
| Mighty_Clouds_of_Joy | ought to |
| Mighty_Clouds_of_Joy | to praise |
| Mighty_Clouds_of_Joy | praise his |
| Mighty_Clouds_of_Joy | his name |
| Mighty_Clouds_of_Joy | name heavy |
| Mighty_Clouds_of_Joy | heavy load |
| Mighty_Clouds_of_Joy | load and |
| Mighty_Clouds_of_Joy | and more |
| Mighty_Clouds_of_Joy | more en |
| Roger_Ingram | roger o’neal |
| Roger_Ingram | o’neal ingram |
| Roger_Ingram | ingram born |
| Roger_Ingram | born november |
| Roger_Ingram | november 13 |
| Roger_Ingram | 13 1957 |
| Roger_Ingram | 1957 is |
| Roger_Ingram | is a |
| Roger_Ingram | a jazz |
| Roger_Ingram | jazz trumpeter |
| Roger_Ingram | trumpeter educator |
| Roger_Ingram | educator author |
| Roger_Ingram | author and |
| Roger_Ingram | and instrument |
| Roger_Ingram | instrument designer |
| Roger_Ingram | designer he |
| Roger_Ingram | he played |
| Roger_Ingram | played trumpet |
| Roger_Ingram | trumpet for |
| Roger_Ingram | for the |
| Roger_Ingram | the orchestras |
| Roger_Ingram | orchestras of |
| Roger_Ingram | of maynard |
| Roger_Ingram | maynard ferguson |
| Roger_Ingram | ferguson woody |
| Roger_Ingram | woody herman |
| Roger_Ingram | herman wynton |
| Roger_Ingram | wynton marsalis |
| Roger_Ingram | marsalis ray |
| Roger_Ingram | ray charles |
| Roger_Ingram | charles and |
| Roger_Ingram | and harry |
| Roger_Ingram | harry connick |
| Roger_Ingram | connick jr |
| Roger_Ingram | jr en |
| John_Gilmore_(musician) | john gilmore |
| John_Gilmore_(musician) | gilmore september |
| John_Gilmore_(musician) | september 28 |
| John_Gilmore_(musician) | 28 1931 |
| John_Gilmore_(musician) | 1931 august |
| John_Gilmore_(musician) | august 20 |
| John_Gilmore_(musician) | 20 1995 |
| John_Gilmore_(musician) | 1995 was |
| John_Gilmore_(musician) | was an |
| John_Gilmore_(musician) | an american |
| John_Gilmore_(musician) | american jazz |
| John_Gilmore_(musician) | jazz saxophonist |
| John_Gilmore_(musician) | saxophonist clarinetist |
| John_Gilmore_(musician) | clarinetist and |
| John_Gilmore_(musician) | and percussionist |
| John_Gilmore_(musician) | percussionist he |
| John_Gilmore_(musician) | he was |
| John_Gilmore_(musician) | was known |
| John_Gilmore_(musician) | known for |
| John_Gilmore_(musician) | for his |
| John_Gilmore_(musician) | his tenure |
| John_Gilmore_(musician) | tenure with |
| John_Gilmore_(musician) | with the |
| John_Gilmore_(musician) | the avant |
| John_Gilmore_(musician) | avant garde |
| John_Gilmore_(musician) | garde keyboardist |
| John_Gilmore_(musician) | keyboardist bandleader |
| John_Gilmore_(musician) | bandleader sun |
| John_Gilmore_(musician) | sun ra |
| John_Gilmore_(musician) | ra from |
| John_Gilmore_(musician) | from the |
| John_Gilmore_(musician) | the 1950s |
| John_Gilmore_(musician) | 1950s to |
| John_Gilmore_(musician) | to the |
| John_Gilmore_(musician) | the 1990s |
| John_Gilmore_(musician) | 1990s en |
| Hans_Dulfer | hans dulfer |
| Hans_Dulfer | dulfer born |
| Hans_Dulfer | born 28 |
| Hans_Dulfer | 28 may |
| Hans_Dulfer | may 1940 |
| Hans_Dulfer | 1940 is |
| Hans_Dulfer | is a |
| Hans_Dulfer | a dutch |
| Hans_Dulfer | dutch jazz |
| Hans_Dulfer | jazz musician |
| Hans_Dulfer | musician who |
| Hans_Dulfer | who plays |
| Hans_Dulfer | plays tenor |
| Hans_Dulfer | tenor saxophone |
| Hans_Dulfer | saxophone hans |
| Hans_Dulfer | hans dulfer |
| Hans_Dulfer | dulfer was |
| Hans_Dulfer | was born |
| Hans_Dulfer | born on |
| Hans_Dulfer | on 28 |
| Hans_Dulfer | 28 may |
| Hans_Dulfer | may 1940 |
| Hans_Dulfer | 1940 in |
| Hans_Dulfer | in amsterdam |
| Hans_Dulfer | amsterdam netherlands |
| Hans_Dulfer | netherlands he |
| Hans_Dulfer | he began |
| Hans_Dulfer | began at |
| Hans_Dulfer | at age |
| Hans_Dulfer | age 17 |
| Hans_Dulfer | 17 and |
| Hans_Dulfer | and has |
| Hans_Dulfer | has been |
| Hans_Dulfer | been referred |
| Hans_Dulfer | referred to |
| Hans_Dulfer | to as |
| Hans_Dulfer | as big |
| Hans_Dulfer | big boy |
| Hans_Dulfer | boy because |
| Hans_Dulfer | because of |
| Hans_Dulfer | of his |
| Hans_Dulfer | his album |
| Hans_Dulfer | album of |
| Hans_Dulfer | of the |
| Hans_Dulfer | the same |
| Hans_Dulfer | same name |
| Hans_Dulfer | name at |
| Hans_Dulfer | at the |
| Hans_Dulfer | the end |
| Hans_Dulfer | end of |
| Hans_Dulfer | of the |
| Hans_Dulfer | the sixties |
| Hans_Dulfer | sixties he |
| Hans_Dulfer | he and |
| Hans_Dulfer | and herbert |
| Hans_Dulfer | herbert noord |
| Hans_Dulfer | noord hammond |
| Hans_Dulfer | hammond organ |
| Hans_Dulfer | organ founded |
| Hans_Dulfer | founded a |
| Hans_Dulfer | a quartet |
| Hans_Dulfer | quartet that |
| Hans_Dulfer | that played |
| Hans_Dulfer | played saxophone |
| Hans_Dulfer | saxophone organ |
| Hans_Dulfer | organ funk |
| Hans_Dulfer | funk he |
| Hans_Dulfer | he has |
| Hans_Dulfer | has performed |
| Hans_Dulfer | performed a |
| Hans_Dulfer | a considerable |
| Hans_Dulfer | considerable amount |
| Hans_Dulfer | amount of |
| Hans_Dulfer | of cross |
| Hans_Dulfer | cross over |
| Hans_Dulfer | over jazz |
| Hans_Dulfer | jazz and |
| Hans_Dulfer | and jazz |
| Hans_Dulfer | jazz fusion |
| Hans_Dulfer | fusion and |
| Hans_Dulfer | and has |
| Hans_Dulfer | has also |
| Hans_Dulfer | also worked |
| Hans_Dulfer | worked with |
| Hans_Dulfer | with punk |
| Hans_Dulfer | punk rockers |
| Hans_Dulfer | rockers he |
| Hans_Dulfer | he has |
| Hans_Dulfer | has recorded |
| Hans_Dulfer | recorded an |
| Hans_Dulfer | an album |
| Hans_Dulfer | album with |
| Hans_Dulfer | with saxophonist |
| Hans_Dulfer | saxophonist frank |
| Hans_Dulfer | frank wright |
| Hans_Dulfer | wright titled |
| Hans_Dulfer | titled el |
| Hans_Dulfer | el saxof |
| Hans_Dulfer | saxof 籀 |
| Hans_Dulfer | 籀 n |
| Hans_Dulfer | n he |
| Hans_Dulfer | he has |
| Hans_Dulfer | has comparatively |
| Hans_Dulfer | comparatively high |
| Hans_Dulfer | high popularity |
| Hans_Dulfer | popularity in |
| Hans_Dulfer | in japan |
| Hans_Dulfer | japan where |
| Hans_Dulfer | where hyperbeat |
| Hans_Dulfer | hyperbeat was |
| Hans_Dulfer | was a |
| Hans_Dulfer | a top |
| Hans_Dulfer | top selling |
| Hans_Dulfer | selling cd |
| Hans_Dulfer | cd by |
| Hans_Dulfer | by instrumental |
| Hans_Dulfer | instrumental standards |
| Hans_Dulfer | standards furthermore |
| Hans_Dulfer | furthermore japanese |
| Hans_Dulfer | japanese film |
| Hans_Dulfer | film maker |
| Hans_Dulfer | maker masaaki |
| Hans_Dulfer | masaaki yuasa |
| Hans_Dulfer | yuasa stated |
| Hans_Dulfer | stated that |
| Hans_Dulfer | that he |
| Hans_Dulfer | he listened |
| Hans_Dulfer | listened to |
| Hans_Dulfer | to hans |
| Hans_Dulfer | hans dulfer’s |
| Hans_Dulfer | dulfer’s music |
| Hans_Dulfer | music while |
| Hans_Dulfer | while working |
| Hans_Dulfer | working on |
| Hans_Dulfer | on mind |
| Hans_Dulfer | mind game |
| Hans_Dulfer | game hans |
| Hans_Dulfer | hans dulfer |
| Hans_Dulfer | dulfer is |
| Hans_Dulfer | is the |
| Hans_Dulfer | the father |
| Hans_Dulfer | father of |
| Hans_Dulfer | of saxophonist |
| Hans_Dulfer | saxophonist candy |
| Hans_Dulfer | candy dulfer |
| Hans_Dulfer | dulfer and |
| Hans_Dulfer | and the |
| Hans_Dulfer | the two |
| Hans_Dulfer | two worked |
| Hans_Dulfer | worked together |
| Hans_Dulfer | together on |
| Hans_Dulfer | on the |
| Hans_Dulfer | the album |
| Hans_Dulfer | album dulfer |
| Hans_Dulfer | dulfer dulfer |
| Hans_Dulfer | dulfer en |
| Iggy_Pop | james newell |
| Iggy_Pop | newell osterberg |
| Iggy_Pop | osterberg jr |
| Iggy_Pop | jr born |
| Iggy_Pop | born april |
| Iggy_Pop | april 21 |
| Iggy_Pop | 21 1947 |
| Iggy_Pop | 1947 known |
| Iggy_Pop | known professionally |
| Iggy_Pop | professionally as |
| Iggy_Pop | as iggy |
| Iggy_Pop | iggy pop |
| Iggy_Pop | pop is |
| Iggy_Pop | is an |
| Iggy_Pop | an american |
| Iggy_Pop | american musician |
| Iggy_Pop | musician singer |
| Iggy_Pop | singer and |
| Iggy_Pop | and songwriter |
| Iggy_Pop | songwriter designated |
| Iggy_Pop | designated the |
| Iggy_Pop | the godfather |
| Iggy_Pop | godfather of |
| Iggy_Pop | of punk |
| Iggy_Pop | punk he |
| Iggy_Pop | he was |
| Iggy_Pop | was the |
| Iggy_Pop | the vocalist |
| Iggy_Pop | vocalist and |
| Iggy_Pop | and lyricist |
| Iggy_Pop | lyricist of |
| Iggy_Pop | of influential |
| Iggy_Pop | influential proto |
| Iggy_Pop | proto punk |
| Iggy_Pop | punk band |
| Iggy_Pop | band the |
| Iggy_Pop | the stooges |
| Iggy_Pop | stooges who |
| Iggy_Pop | who were |
| Iggy_Pop | were formed |
| Iggy_Pop | formed in |
| Iggy_Pop | in 1967 |
| Iggy_Pop | 1967 and |
| Iggy_Pop | and have |
| Iggy_Pop | have disbanded |
| Iggy_Pop | disbanded and |
| Iggy_Pop | and reunited |
| Iggy_Pop | reunited many |
| Iggy_Pop | many times |
| Iggy_Pop | times since |
| Iggy_Pop | since initially |
| Iggy_Pop | initially playing |
| Iggy_Pop | playing a |
| Iggy_Pop | a raw |
| Iggy_Pop | raw primitive |
| Iggy_Pop | primitive style |
| Iggy_Pop | style of |
| Iggy_Pop | of rock |
| Iggy_Pop | rock and |
| Iggy_Pop | and roll |
| Iggy_Pop | roll the |
| Iggy_Pop | the stooges |
| Iggy_Pop | stooges sold |
| Iggy_Pop | sold few |
| Iggy_Pop | few records |
| Iggy_Pop | records in |
| Iggy_Pop | in their |
| Iggy_Pop | their original |
| Iggy_Pop | original incarnation |
| Iggy_Pop | incarnation and |
| Iggy_Pop | and gained |
| Iggy_Pop | gained a |
| Iggy_Pop | a reputation |
| Iggy_Pop | reputation for |
| Iggy_Pop | for their |
| Iggy_Pop | their confrontational |
| Iggy_Pop | confrontational performances |
| Iggy_Pop | performances which |
| Iggy_Pop | which often |
| Iggy_Pop | often involved |
| Iggy_Pop | involved acts |
| Iggy_Pop | acts of |
| Iggy_Pop | of self |
| Iggy_Pop | self mutilation |
| Iggy_Pop | mutilation by |
| Iggy_Pop | by pop |
| Iggy_Pop | pop he |
| Iggy_Pop | he had |
| Iggy_Pop | had a |
| Iggy_Pop | a long |
| Iggy_Pop | long collaborative |
| Iggy_Pop | collaborative and |
| Iggy_Pop | and personal |
| Iggy_Pop | personal friendship |
| Iggy_Pop | friendship with |
| Iggy_Pop | with david |
| Iggy_Pop | david bowie |
| Iggy_Pop | bowie over |
| Iggy_Pop | over the |
| Iggy_Pop | the course |
| Iggy_Pop | course of |
| Iggy_Pop | of his |
| Iggy_Pop | his career |
| Iggy_Pop | career beginning |
| Iggy_Pop | beginning with |
| Iggy_Pop | with the |
| Iggy_Pop | the stooges |
| Iggy_Pop | stooges album |
| Iggy_Pop | album raw |
| Iggy_Pop | raw power |
| Iggy_Pop | power in |
| Iggy_Pop | in 1973 |
| Iggy_Pop | 1973 both |
| Iggy_Pop | both musicians |
| Iggy_Pop | musicians relocated |
| Iggy_Pop | relocated to |
| Iggy_Pop | to west |
| Iggy_Pop | west berlin |
| Iggy_Pop | berlin to |
| Iggy_Pop | to wean |
| Iggy_Pop | wean themselves |
| Iggy_Pop | themselves off |
| Iggy_Pop | off their |
| Iggy_Pop | their respective |
| Iggy_Pop | respective drug |
| Iggy_Pop | drug addictions |
| Iggy_Pop | addictions and |
| Iggy_Pop | and pop |
| Iggy_Pop | pop began |
| Iggy_Pop | began his |
| Iggy_Pop | his solo |
| Iggy_Pop | solo career |
| Iggy_Pop | career by |
| Iggy_Pop | by collaborating |
| Iggy_Pop | collaborating with |
| Iggy_Pop | with bowie |
| Iggy_Pop | bowie on |
| Iggy_Pop | on the |
| Iggy_Pop | the 1977 |
| Iggy_Pop | 1977 albums |
| Iggy_Pop | albums the |
| Iggy_Pop | the idiot |
| Iggy_Pop | idiot and |
| Iggy_Pop | and lust |
| Iggy_Pop | lust for |
| Iggy_Pop | for life |
| Iggy_Pop | life pop |
| Iggy_Pop | pop usually |
| Iggy_Pop | usually contributing |
| Iggy_Pop | contributing the |
| Iggy_Pop | the lyrics |
| Iggy_Pop | lyrics throughout |
| Iggy_Pop | throughout his |
| Iggy_Pop | his career |
| Iggy_Pop | career he |
| Iggy_Pop | he is |
| Iggy_Pop | is well |
| Iggy_Pop | well known |
| Iggy_Pop | known for |
| Iggy_Pop | for his |
| Iggy_Pop | his outrageous |
| Iggy_Pop | outrageous and |
| Iggy_Pop | and unpredictable |
| Iggy_Pop | unpredictable stage |
| Iggy_Pop | stage antics |
| Iggy_Pop | antics poetic |
| Iggy_Pop | poetic lyrics |
| Iggy_Pop | lyrics and |
| Iggy_Pop | and distinctive |
| Iggy_Pop | distinctive voice |
| Iggy_Pop | voice he |
| Iggy_Pop | he was |
| Iggy_Pop | was one |
| Iggy_Pop | one of |
| Iggy_Pop | of the |
| Iggy_Pop | the first |
| Iggy_Pop | first performers |
| Iggy_Pop | performers to |
| Iggy_Pop | to do |
| Iggy_Pop | do a |
| Iggy_Pop | a stage |
| Iggy_Pop | stage dive |
| Iggy_Pop | dive and |
| Iggy_Pop | and popularized |
| Iggy_Pop | popularized the |
| Iggy_Pop | the activity |
| Iggy_Pop | activity pop |
| Iggy_Pop | pop who |
| Iggy_Pop | who traditionally |
| Iggy_Pop | traditionally but |
| Iggy_Pop | but not |
| Iggy_Pop | not exclusively |
| Iggy_Pop | exclusively performs |
| Iggy_Pop | performs bare |
| Iggy_Pop | bare chested |
| Iggy_Pop | chested also |
| Iggy_Pop | also performed |
| Iggy_Pop | performed such |
| Iggy_Pop | such stage |
| Iggy_Pop | stage theatrics |
| Iggy_Pop | theatrics as |
| Iggy_Pop | as rolling |
| Iggy_Pop | rolling around |
| Iggy_Pop | around in |
| Iggy_Pop | in broken |
| Iggy_Pop | broken glass |
| Iggy_Pop | glass and |
| Iggy_Pop | and exposing |
| Iggy_Pop | exposing himself |
| Iggy_Pop | himself to |
| Iggy_Pop | to the |
| Iggy_Pop | the crowd |
| Iggy_Pop | crowd pop’s |
| Iggy_Pop | pop’s music |
| Iggy_Pop | music has |
| Iggy_Pop | has encompassed |
| Iggy_Pop | encompassed a |
| Iggy_Pop | a number |
| Iggy_Pop | number of |
| Iggy_Pop | of styles |
| Iggy_Pop | styles over |
| Iggy_Pop | over the |
| Iggy_Pop | the course |
| Iggy_Pop | course of |
| Iggy_Pop | of his |
| Iggy_Pop | his career |
| Iggy_Pop | career including |
| Iggy_Pop | including garage |
| Iggy_Pop | garage rock |
| Iggy_Pop | rock punk |
| Iggy_Pop | punk rock |
| Iggy_Pop | rock hard |
| Iggy_Pop | hard rock |
| Iggy_Pop | rock heavy |
| Iggy_Pop | heavy metal |
| Iggy_Pop | metal art |
| Iggy_Pop | art rock |
| Iggy_Pop | rock new |
| Iggy_Pop | new wave |
| Iggy_Pop | wave jazz |
| Iggy_Pop | jazz blues |
| Iggy_Pop | blues and |
| Iggy_Pop | and electronic |
| Iggy_Pop | electronic though |
| Iggy_Pop | though his |
| Iggy_Pop | his popularity |
| Iggy_Pop | popularity has |
| Iggy_Pop | has fluctuated |
| Iggy_Pop | fluctuated through |
| Iggy_Pop | through the |
| Iggy_Pop | the years |
| Iggy_Pop | years many |
| Iggy_Pop | many of |
| Iggy_Pop | of pop’s |
| Iggy_Pop | pop’s songs |
| Iggy_Pop | songs have |
| Iggy_Pop | have become |
| Iggy_Pop | become well |
| Iggy_Pop | well known |
| Iggy_Pop | known including |
| Iggy_Pop | including search |
| Iggy_Pop | search and |
| Iggy_Pop | and destroy |
| Iggy_Pop | destroy and |
| Iggy_Pop | and i |
| Iggy_Pop | i wanna |
| Iggy_Pop | wanna be |
| Iggy_Pop | be your |
| Iggy_Pop | your dog |
| Iggy_Pop | dog by |
| Iggy_Pop | by the |
| Iggy_Pop | the stooges |
| Iggy_Pop | stooges and |
| Iggy_Pop | and his |
| Iggy_Pop | his solo |
| Iggy_Pop | solo hits |
| Iggy_Pop | hits lust |
| Iggy_Pop | lust for |
| Iggy_Pop | for life |
| Iggy_Pop | life the |
| Iggy_Pop | the passenger |
| Iggy_Pop | passenger and |
| Iggy_Pop | and real |
| Iggy_Pop | real wild |
| Iggy_Pop | wild child |
| Iggy_Pop | child wild |
| Iggy_Pop | wild one |
| Iggy_Pop | one in |
| Iggy_Pop | in 1990 |
| Iggy_Pop | 1990 he |
| Iggy_Pop | he recorded |
| Iggy_Pop | recorded his |
| Iggy_Pop | his first |
| Iggy_Pop | first and |
| Iggy_Pop | and only |
| Iggy_Pop | only top |
| Iggy_Pop | top 40 |
| Iggy_Pop | 40 u.s |
| Iggy_Pop | u.s hit |
| Iggy_Pop | hit candy |
| Iggy_Pop | candy a |
| Iggy_Pop | a duet |
| Iggy_Pop | duet with |
| Iggy_Pop | with b |
| Iggy_Pop | b 52 |
| Iggy_Pop | 52 s |
| Iggy_Pop | s singer |
| Iggy_Pop | singer kate |
| Iggy_Pop | kate pierson |
| Iggy_Pop | pierson pop’s |
| Iggy_Pop | pop’s song |
| Iggy_Pop | song china |
| Iggy_Pop | china girl |
| Iggy_Pop | girl became |
| Iggy_Pop | became more |
| Iggy_Pop | more widely |
| Iggy_Pop | widely known |
| Iggy_Pop | known when |
| Iggy_Pop | when it |
| Iggy_Pop | it was |
| Iggy_Pop | was re |
| Iggy_Pop | re recorded |
| Iggy_Pop | recorded by |
| Iggy_Pop | by co |
| Iggy_Pop | co writer |
| Iggy_Pop | writer bowie |
| Iggy_Pop | bowie who |
| Iggy_Pop | who released |
| Iggy_Pop | released it |
| Iggy_Pop | it as |
| Iggy_Pop | as the |
| Iggy_Pop | the second |
| Iggy_Pop | second single |
| Iggy_Pop | single from |
| Iggy_Pop | from his |
| Iggy_Pop | his most |
| Iggy_Pop | most commercially |
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| Iggy_Pop | successful album |
| Iggy_Pop | album let’s |
| Iggy_Pop | let’s dance |
| Iggy_Pop | dance 1983 |
| Iggy_Pop | 1983 bowie |
| Iggy_Pop | bowie re |
| Iggy_Pop | re recorded |
| Iggy_Pop | recorded and |
| Iggy_Pop | and performed |
| Iggy_Pop | performed many |
| Iggy_Pop | many of |
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| Iggy_Pop | his career |
| Iggy_Pop | career although |
| Iggy_Pop | although pop |
| Iggy_Pop | pop has |
| Iggy_Pop | has had |
| Iggy_Pop | had limited |
| Iggy_Pop | limited commercial |
| Iggy_Pop | commercial success |
| Iggy_Pop | success he |
| Iggy_Pop | he has |
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| Iggy_Pop | both a |
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| Iggy_Pop | culture icon |
| Iggy_Pop | icon and |
| Iggy_Pop | and a |
| Iggy_Pop | a significant |
| Iggy_Pop | significant influence |
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| Iggy_Pop | on a |
| Iggy_Pop | a wide |
| Iggy_Pop | wide range |
| Iggy_Pop | range of |
| Iggy_Pop | of musicians |
| Iggy_Pop | musicians in |
| Iggy_Pop | in numerous |
| Iggy_Pop | numerous genres |
| Iggy_Pop | genres the |
| Iggy_Pop | the stooges |
| Iggy_Pop | stooges album |
| Iggy_Pop | album raw |
| Iggy_Pop | raw power |
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| Iggy_Pop | has proved |
| Iggy_Pop | proved an |
| Iggy_Pop | an influence |
| Iggy_Pop | influence on |
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| Iggy_Pop | artists such |
| Iggy_Pop | such as |
| Iggy_Pop | as sex |
| Iggy_Pop | sex pistols |
| Iggy_Pop | pistols the |
| Iggy_Pop | the smiths |
| Iggy_Pop | smiths and |
| Iggy_Pop | and nirvana |
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| Iggy_Pop | his solo |
| Iggy_Pop | solo album |
| Iggy_Pop | album the |
| Iggy_Pop | the idiot |
| Iggy_Pop | idiot has |
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| Iggy_Pop | cited as |
| Iggy_Pop | as a |
| Iggy_Pop | a major |
| Iggy_Pop | major influence |
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| Iggy_Pop | on a |
| Iggy_Pop | a number |
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| Iggy_Pop | of post |
| Iggy_Pop | post punk |
| Iggy_Pop | punk electronic |
| Iggy_Pop | electronic and |
| Iggy_Pop | and industrial |
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| Iggy_Pop | including depeche |
| Iggy_Pop | depeche mode |
| Iggy_Pop | mode nine |
| Iggy_Pop | nine inch |
| Iggy_Pop | inch nails |
| Iggy_Pop | nails and |
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| Iggy_Pop | siouxsie sioux |
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| Iggy_Pop | as a |
| Iggy_Pop | a re |
| Iggy_Pop | re affirmation |
| Iggy_Pop | affirmation that |
| Iggy_Pop | that our |
| Iggy_Pop | our suspicions |
| Iggy_Pop | suspicions were |
| Iggy_Pop | were true |
| Iggy_Pop | true the |
| Iggy_Pop | the man |
| Iggy_Pop | man is |
| Iggy_Pop | is a |
| Iggy_Pop | a genius |
| Iggy_Pop | genius he |
| Iggy_Pop | he was |
| Iggy_Pop | was inducted |
| Iggy_Pop | inducted as |
| Iggy_Pop | as part |
| Iggy_Pop | part of |
| Iggy_Pop | of the |
| Iggy_Pop | the stooges |
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| Iggy_Pop | into the |
| Iggy_Pop | the rock |
| Iggy_Pop | rock and |
| Iggy_Pop | and roll |
| Iggy_Pop | roll hall |
| Iggy_Pop | hall of |
| Iggy_Pop | of fame |
| Iggy_Pop | fame in |
| Iggy_Pop | in 2010 |
| Iggy_Pop | 2010 in |
| Iggy_Pop | in january |
| Iggy_Pop | january 2020 |
| Iggy_Pop | 2020 pop |
| Iggy_Pop | pop received |
| Iggy_Pop | received a |
| Iggy_Pop | a grammy |
| Iggy_Pop | grammy lifetime |
| Iggy_Pop | lifetime achievement |
| Iggy_Pop | achievement award |
| Iggy_Pop | award en |
| Charles_Williams_(musician) | charles isaac |
| Charles_Williams_(musician) | isaac williams |
| Charles_Williams_(musician) | williams born |
| Charles_Williams_(musician) | born july |
| Charles_Williams_(musician) | july 18 |
| Charles_Williams_(musician) | 18 1932 |
| Charles_Williams_(musician) | 1932 is |
| Charles_Williams_(musician) | is an |
| Charles_Williams_(musician) | an alto |
| Charles_Williams_(musician) | alto saxophonist |
| Charles_Williams_(musician) | saxophonist based |
| Charles_Williams_(musician) | based in |
| Charles_Williams_(musician) | in new |
| Charles_Williams_(musician) | new york |
| Charles_Williams_(musician) | york city |
| Charles_Williams_(musician) | city en |
| Javon_Jackson | javon anthony |
| Javon_Jackson | anthony jackson |
| Javon_Jackson | jackson born |
| Javon_Jackson | born june |
| Javon_Jackson | june 16 |
| Javon_Jackson | 16 1965 |
| Javon_Jackson | 1965 is |
| Javon_Jackson | is an |
| Javon_Jackson | an american |
| Javon_Jackson | american jazz |
| Javon_Jackson | jazz tenor |
| Javon_Jackson | tenor saxophonist |
| Javon_Jackson | saxophonist bandleader |
| Javon_Jackson | bandleader and |
| Javon_Jackson | and educator |
| Javon_Jackson | educator he |
| Javon_Jackson | he first |
| Javon_Jackson | first became |
| Javon_Jackson | became known |
| Javon_Jackson | known as |
| Javon_Jackson | as a |
| Javon_Jackson | a member |
| Javon_Jackson | member of |
| Javon_Jackson | of art |
| Javon_Jackson | art blakey’s |
| Javon_Jackson | blakey’s jazz |
| Javon_Jackson | jazz messengers |
| Javon_Jackson | messengers from |
| Javon_Jackson | from 1987 |
| Javon_Jackson | 1987 until |
| Javon_Jackson | until blakey’s |
| Javon_Jackson | blakey’s death |
| Javon_Jackson | death in |
| Javon_Jackson | in 1990 |
| Javon_Jackson | 1990 and |
| Javon_Jackson | and went |
| Javon_Jackson | went on |
| Javon_Jackson | on to |
| Javon_Jackson | to release |
| Javon_Jackson | release 20 |
| Javon_Jackson | 20 recordings |
| Javon_Jackson | recordings as |
| Javon_Jackson | as a |
| Javon_Jackson | a bandleader |
| Javon_Jackson | bandleader and |
| Javon_Jackson | and tour |
| Javon_Jackson | tour and |
| Javon_Jackson | and record |
| Javon_Jackson | record on |
| Javon_Jackson | on over |
| Javon_Jackson | over 150 |
| Javon_Jackson | 150 cds |
| Javon_Jackson | cds with |
| Javon_Jackson | with jazz |
| Javon_Jackson | jazz greats |
| Javon_Jackson | greats including |
| Javon_Jackson | including elvin |
| Javon_Jackson | elvin jones |
| Javon_Jackson | jones freddie |
| Javon_Jackson | freddie hubbard |
| Javon_Jackson | hubbard charlie |
| Javon_Jackson | charlie haden |
| Javon_Jackson | haden betty |
| Javon_Jackson | betty carter |
| Javon_Jackson | carter cedar |
| Javon_Jackson | cedar walton |
| Javon_Jackson | walton ron |
| Javon_Jackson | ron carter |
| Javon_Jackson | carter dr |
| Javon_Jackson | dr lonnie |
| Javon_Jackson | lonnie smith |
| Javon_Jackson | smith stanley |
| Javon_Jackson | stanley turrentine |
| Javon_Jackson | turrentine and |
| Javon_Jackson | and ben |
| Javon_Jackson | ben e |
| Javon_Jackson | e king |
| Javon_Jackson | king in |
| Javon_Jackson | in his |
| Javon_Jackson | his solo |
| Javon_Jackson | solo career |
| Javon_Jackson | career his |
| Javon_Jackson | his music |
| Javon_Jackson | music has |
| Javon_Jackson | has been |
| Javon_Jackson | been a |
| Javon_Jackson | a mix |
| Javon_Jackson | mix of |
| Javon_Jackson | of tradition |
| Javon_Jackson | tradition and |
| Javon_Jackson | and neo |
| Javon_Jackson | neo jazz |
| Javon_Jackson | jazz mixing |
| Javon_Jackson | mixing hard |
| Javon_Jackson | hard bop |
| Javon_Jackson | bop with |
| Javon_Jackson | with soul |
| Javon_Jackson | soul and |
| Javon_Jackson | and funk |
| Javon_Jackson | funk influences |
| Javon_Jackson | influences recognized |
| Javon_Jackson | recognized for |
| Javon_Jackson | for those |
| Javon_Jackson | those diverse |
| Javon_Jackson | diverse styles |
| Javon_Jackson | styles he |
| Javon_Jackson | he was |
| Javon_Jackson | was tapped |
| Javon_Jackson | tapped by |
| Javon_Jackson | by producers |
| Javon_Jackson | producers lea |
| Javon_Jackson | lea reis |
| Javon_Jackson | reis bryant |
| Javon_Jackson | bryant moe |
| Javon_Jackson | moe doe |
| Javon_Jackson | doe johnson |
| Javon_Jackson | johnson to |
| Javon_Jackson | to play |
| Javon_Jackson | play on |
| Javon_Jackson | on tupac |
| Javon_Jackson | tupac shakur’s |
| Javon_Jackson | shakur’s keep |
| Javon_Jackson | keep ya |
| Javon_Jackson | ya head |
| Javon_Jackson | head up |
| Javon_Jackson | up madukey |
| Javon_Jackson | madukey remix |
| Javon_Jackson | remix in |
| Javon_Jackson | in 1993 |
| Javon_Jackson | 1993 in |
| Javon_Jackson | in 1992 |
| Javon_Jackson | 1992 javon |
| Javon_Jackson | javon played |
| Javon_Jackson | played saxophonist |
| Javon_Jackson | saxophonist illinois |
| Javon_Jackson | illinois jacquet |
| Javon_Jackson | jacquet in |
| Javon_Jackson | in spike |
| Javon_Jackson | spike lee’s |
| Javon_Jackson | lee’s malcolm |
| Javon_Jackson | malcolm x |
| Javon_Jackson | x he |
| Javon_Jackson | he is |
| Javon_Jackson | is featured |
| Javon_Jackson | featured in |
| Javon_Jackson | in the |
| Javon_Jackson | the film |
| Javon_Jackson | film playing |
| Javon_Jackson | playing the |
| Javon_Jackson | the lionel |
| Javon_Jackson | lionel hampton |
| Javon_Jackson | hampton benny |
| Javon_Jackson | benny goodman |
| Javon_Jackson | goodman standard |
| Javon_Jackson | standard flying |
| Javon_Jackson | flying home |
| Javon_Jackson | home he |
| Javon_Jackson | he became |
| Javon_Jackson | became chair |
| Javon_Jackson | chair of |
| Javon_Jackson | of the |
| Javon_Jackson | the university |
| Javon_Jackson | university of |
| Javon_Jackson | of hartford’s |
| Javon_Jackson | hartford’s jackie |
| Javon_Jackson | jackie mclean |
| Javon_Jackson | mclean institute |
| Javon_Jackson | institute of |
| Javon_Jackson | of jazz |
| Javon_Jackson | jazz in |
| Javon_Jackson | in 2013 |
| Javon_Jackson | 2013 in |
| Javon_Jackson | in 2019 |
| Javon_Jackson | 2019 newport |
| Javon_Jackson | newport festivals |
| Javon_Jackson | festivals foundation |
| Javon_Jackson | foundation expanded |
| Javon_Jackson | expanded the |
| Javon_Jackson | the reach |
| Javon_Jackson | reach of |
| Javon_Jackson | of its |
| Javon_Jackson | its popular |
| Javon_Jackson | popular newport |
| Javon_Jackson | newport jazz |
| Javon_Jackson | jazz assembly |
| Javon_Jackson | assembly program |
| Javon_Jackson | program with |
| Javon_Jackson | with the |
| Javon_Jackson | the introduction |
| Javon_Jackson | introduction of |
| Javon_Jackson | of the |
| Javon_Jackson | the jackie |
| Javon_Jackson | jackie mclean |
| Javon_Jackson | mclean jazz |
| Javon_Jackson | jazz studies |
| Javon_Jackson | studies jazz |
| Javon_Jackson | jazz assembly |
| Javon_Jackson | assembly under |
| Javon_Jackson | under jackson’s |
| Javon_Jackson | jackson’s direction |
| Javon_Jackson | direction jackson |
| Javon_Jackson | jackson also |
| Javon_Jackson | also serves |
| Javon_Jackson | serves as |
| Javon_Jackson | as artistic |
| Javon_Jackson | artistic director |
| Javon_Jackson | director of |
| Javon_Jackson | of jazz |
| Javon_Jackson | jazz in |
| Javon_Jackson | in the |
| Javon_Jackson | the valley |
| Javon_Jackson | valley an |
| Javon_Jackson | an annual |
| Javon_Jackson | annual music |
| Javon_Jackson | music festival |
| Javon_Jackson | festival in |
| Javon_Jackson | in the |
| Javon_Jackson | the historic |
| Javon_Jackson | historic hudson |
| Javon_Jackson | hudson valley |
| Javon_Jackson | valley now |
| Javon_Jackson | now in |
| Javon_Jackson | in its |
| Javon_Jackson | its 20th |
| Javon_Jackson | 20th year |
| Javon_Jackson | year en |
| Zach_Brock | zach brock |
| Zach_Brock | brock born |
| Zach_Brock | born august |
| Zach_Brock | august 2 |
| Zach_Brock | 2 1974 |
| Zach_Brock | 1974 is |
| Zach_Brock | is an |
| Zach_Brock | an american |
| Zach_Brock | american jazz |
| Zach_Brock | jazz violinist |
| Zach_Brock | violinist and |
| Zach_Brock | and composer |
| Zach_Brock | composer he |
| Zach_Brock | he was |
| Zach_Brock | was a |
| Zach_Brock | a member |
| Zach_Brock | member of |
| Zach_Brock | of snarky |
| Zach_Brock | snarky puppy |
| Zach_Brock | puppy from |
| Zach_Brock | from 2007 |
| Zach_Brock | 2007 to |
| Zach_Brock | to 2011 |
| Zach_Brock | 2011 and |
| Zach_Brock | and in |
| Zach_Brock | in 2016 |
| Zach_Brock | 2016 he |
| Zach_Brock | he worked |
| Zach_Brock | worked with |
| Zach_Brock | with stanley |
| Zach_Brock | stanley clarke |
| Zach_Brock | clarke phil |
| Zach_Brock | phil markowitz |
| Zach_Brock | markowitz and |
| Zach_Brock | and dave |
| Zach_Brock | dave liebman |
| Zach_Brock | liebman as |
| Zach_Brock | as well |
| Zach_Brock | well as |
| Zach_Brock | as leading |
| Zach_Brock | leading his |
| Zach_Brock | his own |
| Zach_Brock | own groups |
| Zach_Brock | groups en |
| Marcus_Roberts | marthaniel marcus |
| Marcus_Roberts | marcus roberts |
| Marcus_Roberts | roberts born |
| Marcus_Roberts | born august |
| Marcus_Roberts | august 7 |
| Marcus_Roberts | 7 1963 |
| Marcus_Roberts | 1963 is |
| Marcus_Roberts | is an |
| Marcus_Roberts | an american |
| Marcus_Roberts | american jazz |
| Marcus_Roberts | jazz pianist |
| Marcus_Roberts | pianist composer |
| Marcus_Roberts | composer arranger |
| Marcus_Roberts | arranger bandleader |
| Marcus_Roberts | bandleader and |
| Marcus_Roberts | and teacher |
| Marcus_Roberts | teacher en |
| Miles_Davis | miles dewey |
| Miles_Davis | dewey davis |
| Miles_Davis | davis iii |
| Miles_Davis | iii may |
| Miles_Davis | may 26 |
| Miles_Davis | 26 1926 |
| Miles_Davis | 1926 september |
| Miles_Davis | september 28 |
| Miles_Davis | 28 1991 |
| Miles_Davis | 1991 was |
| Miles_Davis | was an |
| Miles_Davis | an american |
| Miles_Davis | american trumpeter |
| Miles_Davis | trumpeter bandleader |
| Miles_Davis | bandleader and |
| Miles_Davis | and composer |
| Miles_Davis | composer he |
| Miles_Davis | he is |
| Miles_Davis | is among |
| Miles_Davis | among the |
| Miles_Davis | the most |
| Miles_Davis | most influential |
| Miles_Davis | influential and |
| Miles_Davis | and acclaimed |
| Miles_Davis | acclaimed figures |
| Miles_Davis | figures in |
| Miles_Davis | in the |
| Miles_Davis | the history |
| Miles_Davis | history of |
| Miles_Davis | of jazz |
| Miles_Davis | jazz and |
| Miles_Davis | and 20th |
| Miles_Davis | 20th century |
| Miles_Davis | century music |
| Miles_Davis | music davis |
| Miles_Davis | davis adopted |
| Miles_Davis | adopted a |
| Miles_Davis | a variety |
| Miles_Davis | variety of |
| Miles_Davis | of musical |
| Miles_Davis | musical directions |
| Miles_Davis | directions in |
| Miles_Davis | in a |
| Miles_Davis | a five |
| Miles_Davis | five decade |
| Miles_Davis | decade career |
| Miles_Davis | career that |
| Miles_Davis | that kept |
| Miles_Davis | kept him |
| Miles_Davis | him at |
| Miles_Davis | at the |
| Miles_Davis | the forefront |
| Miles_Davis | forefront of |
| Miles_Davis | of many |
| Miles_Davis | many major |
| Miles_Davis | major stylistic |
| Miles_Davis | stylistic developments |
| Miles_Davis | developments in |
| Miles_Davis | in jazz |
| Miles_Davis | jazz born |
| Miles_Davis | born in |
| Miles_Davis | in alton |
| Miles_Davis | alton illinois |
| Miles_Davis | illinois and |
| Miles_Davis | and raised |
| Miles_Davis | raised in |
| Miles_Davis | in east |
| Miles_Davis | east st |
| Miles_Davis | st louis |
| Miles_Davis | louis davis |
| Miles_Davis | davis left |
| Miles_Davis | left to |
| Miles_Davis | to study |
| Miles_Davis | study at |
| Miles_Davis | at juilliard |
| Miles_Davis | juilliard in |
| Miles_Davis | in new |
| Miles_Davis | new york |
| Miles_Davis | york city |
| Miles_Davis | city before |
| Miles_Davis | before dropping |
| Miles_Davis | dropping out |
| Miles_Davis | out and |
| Miles_Davis | and making |
| Miles_Davis | making his |
| Miles_Davis | his professional |
| Miles_Davis | professional debut |
| Miles_Davis | debut as |
| Miles_Davis | as a |
| Miles_Davis | a member |
| Miles_Davis | member of |
| Miles_Davis | of saxophonist |
| Miles_Davis | saxophonist charlie |
| Miles_Davis | charlie parker’s |
| Miles_Davis | parker’s bebop |
| Miles_Davis | bebop quintet |
| Miles_Davis | quintet from |
| Miles_Davis | from 1944 |
| Miles_Davis | 1944 to |
| Miles_Davis | to 1948 |
| Miles_Davis | 1948 shortly |
| Miles_Davis | shortly after |
| Miles_Davis | after he |
| Miles_Davis | he recorded |
| Miles_Davis | recorded the |
| Miles_Davis | the birth |
| Miles_Davis | birth of |
| Miles_Davis | of the |
| Miles_Davis | the cool |
| Miles_Davis | cool sessions |
| Miles_Davis | sessions for |
| Miles_Davis | for capitol |
| Miles_Davis | capitol records |
| Miles_Davis | records which |
| Miles_Davis | which were |
| Miles_Davis | were instrumental |
| Miles_Davis | instrumental to |
| Miles_Davis | to the |
| Miles_Davis | the development |
| Miles_Davis | development of |
| Miles_Davis | of cool |
| Miles_Davis | cool jazz |
| Miles_Davis | jazz in |
| Miles_Davis | in the |
| Miles_Davis | the early |
| Miles_Davis | early 1950s |
| Miles_Davis | 1950s miles |
| Miles_Davis | miles davis |
| Miles_Davis | davis recorded |
| Miles_Davis | recorded some |
| Miles_Davis | some of |
| Miles_Davis | of the |
| Miles_Davis | the earliest |
| Miles_Davis | earliest hard |
| Miles_Davis | hard bop |
| Miles_Davis | bop music |
| Miles_Davis | music while |
| Miles_Davis | while on |
| Miles_Davis | on prestige |
| Miles_Davis | prestige records |
| Miles_Davis | records but |
| Miles_Davis | but did |
| Miles_Davis | did so |
| Miles_Davis | so haphazardly |
| Miles_Davis | haphazardly due |
| Miles_Davis | due to |
| Miles_Davis | to a |
| Miles_Davis | a heroin |
| Miles_Davis | heroin addiction |
| Miles_Davis | addiction after |
| Miles_Davis | after a |
| Miles_Davis | a widely |
| Miles_Davis | widely acclaimed |
| Miles_Davis | acclaimed comeback |
| Miles_Davis | comeback performance |
| Miles_Davis | performance at |
| Miles_Davis | at the |
| Miles_Davis | the newport |
| Miles_Davis | newport jazz |
| Miles_Davis | jazz festival |
| Miles_Davis | festival he |
| Miles_Davis | he signed |
| Miles_Davis | signed a |
| Miles_Davis | a long |
| Miles_Davis | long term |
| Miles_Davis | term contract |
| Miles_Davis | contract with |
| Miles_Davis | with columbia |
| Miles_Davis | columbia records |
| Miles_Davis | records and |
| Miles_Davis | and recorded |
| Miles_Davis | recorded the |
| Miles_Davis | the album |
| Miles_Davis | album round |
| Miles_Davis | round about |
| Miles_Davis | about midnight |
| Miles_Davis | midnight in |
| Miles_Davis | in 1955 |
| Miles_Davis | 1955 it |
| Miles_Davis | it was |
| Miles_Davis | was his |
| Miles_Davis | his first |
| Miles_Davis | first work |
| Miles_Davis | work with |
| Miles_Davis | with saxophonist |
| Miles_Davis | saxophonist john |
| Miles_Davis | john coltrane |
| Miles_Davis | coltrane and |
| Miles_Davis | and bassist |
| Miles_Davis | bassist paul |
| Miles_Davis | paul chambers |
| Miles_Davis | chambers key |
| Miles_Davis | key members |
| Miles_Davis | members of |
| Miles_Davis | of the |
| Miles_Davis | the sextet |
| Miles_Davis | sextet he |
| Miles_Davis | he led |
| Miles_Davis | led into |
| Miles_Davis | into the |
| Miles_Davis | the early |
| Miles_Davis | early 1960s |
| Miles_Davis | 1960s during |
| Miles_Davis | during this |
| Miles_Davis | this period |
| Miles_Davis | period he |
| Miles_Davis | he alternated |
| Miles_Davis | alternated between |
| Miles_Davis | between orchestral |
| Miles_Davis | orchestral jazz |
| Miles_Davis | jazz collaborations |
| Miles_Davis | collaborations with |
| Miles_Davis | with arranger |
| Miles_Davis | arranger gil |
| Miles_Davis | gil evans |
| Miles_Davis | evans such |
| Miles_Davis | such as |
| Miles_Davis | as the |
| Miles_Davis | the spanish |
| Miles_Davis | spanish music |
| Miles_Davis | music influenced |
| Miles_Davis | influenced sketches |
| Miles_Davis | sketches of |
| Miles_Davis | of spain |
| Miles_Davis | spain 1960 |
| Miles_Davis | 1960 and |
| Miles_Davis | and band |
| Miles_Davis | band recordings |
| Miles_Davis | recordings such |
| Miles_Davis | such as |
| Miles_Davis | as milestones |
| Miles_Davis | milestones 1958 |
| Miles_Davis | 1958 and |
| Miles_Davis | and kind |
| Miles_Davis | kind of |
| Miles_Davis | of blue |
| Miles_Davis | blue 1959 |
| Miles_Davis | 1959 the |
| Miles_Davis | the latter |
| Miles_Davis | latter recording |
| Miles_Davis | recording remains |
| Miles_Davis | remains one |
| Miles_Davis | one of |
| Miles_Davis | of the |
| Miles_Davis | the most |
| Miles_Davis | most popular |
| Miles_Davis | popular jazz |
| Miles_Davis | jazz albums |
| Miles_Davis | albums of |
| Miles_Davis | of all |
| Miles_Davis | all time |
| Miles_Davis | time having |
| Miles_Davis | having sold |
| Miles_Davis | sold over |
| Miles_Davis | over five |
| Miles_Davis | five million |
| Miles_Davis | million copies |
| Miles_Davis | copies in |
| Miles_Davis | in the |
| Miles_Davis | the u.s |
| Miles_Davis | u.s davis |
| Miles_Davis | davis made |
| Miles_Davis | made several |
| Miles_Davis | several line |
| Miles_Davis | line up |
| Miles_Davis | up changes |
| Miles_Davis | changes while |
| Miles_Davis | while recording |
| Miles_Davis | recording someday |
| Miles_Davis | someday my |
| Miles_Davis | my prince |
| Miles_Davis | prince will |
| Miles_Davis | will come |
| Miles_Davis | come 1961 |
| Miles_Davis | 1961 his |
| Miles_Davis | his 1961 |
| Miles_Davis | 1961 blackhawk |
| Miles_Davis | blackhawk concerts |
| Miles_Davis | concerts and |
| Miles_Davis | and seven |
| Miles_Davis | seven steps |
| Miles_Davis | steps to |
| Miles_Davis | to heaven |
| Miles_Davis | heaven 1963 |
| Miles_Davis | 1963 another |
| Miles_Davis | another mainstream |
| Miles_Davis | mainstream success |
| Miles_Davis | success that |
| Miles_Davis | that introduced |
| Miles_Davis | introduced bassist |
| Miles_Davis | bassist ron |
| Miles_Davis | ron carter |
| Miles_Davis | carter pianist |
| Miles_Davis | pianist herbie |
| Miles_Davis | herbie hancock |
| Miles_Davis | hancock and |
| Miles_Davis | and drummer |
| Miles_Davis | drummer tony |
| Miles_Davis | tony williams |
| Miles_Davis | williams after |
| Miles_Davis | after adding |
| Miles_Davis | adding saxophonist |
| Miles_Davis | saxophonist wayne |
| Miles_Davis | wayne shorter |
| Miles_Davis | shorter to |
| Miles_Davis | to his |
| Miles_Davis | his new |
| Miles_Davis | new quintet |
| Miles_Davis | quintet in |
| Miles_Davis | in 1964 |
| Miles_Davis | 1964 davis |
| Miles_Davis | davis led |
| Miles_Davis | led them |
| Miles_Davis | them on |
| Miles_Davis | on a |
| Miles_Davis | a series |
| Miles_Davis | series of |
| Miles_Davis | of more |
| Miles_Davis | more abstract |
| Miles_Davis | abstract recordings |
| Miles_Davis | recordings often |
| Miles_Davis | often composed |
| Miles_Davis | composed by |
| Miles_Davis | by the |
| Miles_Davis | the band |
| Miles_Davis | band members |
| Miles_Davis | members helping |
| Miles_Davis | helping pioneer |
| Miles_Davis | pioneer the |
| Miles_Davis | the post |
| Miles_Davis | post bop |
| Miles_Davis | bop genre |
| Miles_Davis | genre with |
| Miles_Davis | with albums |
| Miles_Davis | albums such |
| Miles_Davis | such as |
| Miles_Davis | as e.s.p |
| Miles_Davis | e.s.p 1965 |
| Miles_Davis | 1965 and |
| Miles_Davis | and miles |
| Miles_Davis | miles smiles |
| Miles_Davis | smiles 1967 |
| Miles_Davis | 1967 before |
| Miles_Davis | before transitioning |
| Miles_Davis | transitioning into |
| Miles_Davis | into his |
| Miles_Davis | his electric |
| Miles_Davis | electric period |
| Miles_Davis | period during |
| Miles_Davis | during the |
| Miles_Davis | the 1970s |
| Miles_Davis | 1970s he |
| Miles_Davis | he experimented |
| Miles_Davis | experimented with |
| Miles_Davis | with rock |
| Miles_Davis | rock funk |
| Miles_Davis | funk african |
| Miles_Davis | african rhythms |
| Miles_Davis | rhythms emerging |
| Miles_Davis | emerging electronic |
| Miles_Davis | electronic music |
| Miles_Davis | music technology |
| Miles_Davis | technology and |
| Miles_Davis | and an |
| Miles_Davis | an ever |
| Miles_Davis | ever changing |
| Miles_Davis | changing line |
| Miles_Davis | line up |
| Miles_Davis | up of |
| Miles_Davis | of musicians |
| Miles_Davis | musicians including |
| Miles_Davis | including keyboardist |
| Miles_Davis | keyboardist joe |
| Miles_Davis | joe zawinul |
| Miles_Davis | zawinul drummer |
| Miles_Davis | drummer al |
| Miles_Davis | al foster |
| Miles_Davis | foster and |
| Miles_Davis | and guitarist |
| Miles_Davis | guitarist john |
| Miles_Davis | john mclaughlin |
| Miles_Davis | mclaughlin this |
| Miles_Davis | this period |
| Miles_Davis | period beginning |
| Miles_Davis | beginning with |
| Miles_Davis | with davis’s |
| Miles_Davis | davis’s 1969 |
| Miles_Davis | 1969 studio |
| Miles_Davis | studio album |
| Miles_Davis | album in |
| Miles_Davis | in a |
| Miles_Davis | a silent |
| Miles_Davis | silent way |
| Miles_Davis | way and |
| Miles_Davis | and concluding |
| Miles_Davis | concluding with |
| Miles_Davis | with the |
| Miles_Davis | the 1975 |
| Miles_Davis | 1975 concert |
| Miles_Davis | concert recording |
| Miles_Davis | recording agharta |
| Miles_Davis | agharta was |
| Miles_Davis | was the |
| Miles_Davis | the most |
| Miles_Davis | most controversial |
| Miles_Davis | controversial in |
| Miles_Davis | in his |
| Miles_Davis | his career |
| Miles_Davis | career alienating |
| Miles_Davis | alienating and |
| Miles_Davis | and challenging |
| Miles_Davis | challenging many |
| Miles_Davis | many in |
| Miles_Davis | in jazz |
| Miles_Davis | jazz his |
| Miles_Davis | his million |
| Miles_Davis | million selling |
| Miles_Davis | selling 1970 |
| Miles_Davis | 1970 record |
| Miles_Davis | record bitches |
| Miles_Davis | bitches brew |
| Miles_Davis | brew helped |
| Miles_Davis | helped spark |
| Miles_Davis | spark a |
| Miles_Davis | a resurgence |
| Miles_Davis | resurgence in |
| Miles_Davis | in the |
| Miles_Davis | the genre’s |
| Miles_Davis | genre’s commercial |
| Miles_Davis | commercial popularity |
| Miles_Davis | popularity with |
| Miles_Davis | with jazz |
| Miles_Davis | jazz fusion |
| Miles_Davis | fusion as |
| Miles_Davis | as the |
| Miles_Davis | the decade |
| Miles_Davis | decade progressed |
| Miles_Davis | progressed after |
| Miles_Davis | after a |
| Miles_Davis | a five |
| Miles_Davis | five year |
| Miles_Davis | year retirement |
| Miles_Davis | retirement due |
| Miles_Davis | due to |
| Miles_Davis | to poor |
| Miles_Davis | poor health |
| Miles_Davis | health davis |
| Miles_Davis | davis resumed |
| Miles_Davis | resumed his |
| Miles_Davis | his career |
| Miles_Davis | career in |
| Miles_Davis | in the |
| Miles_Davis | the 1980s |
| Miles_Davis | 1980s employing |
| Miles_Davis | employing younger |
| Miles_Davis | younger musicians |
| Miles_Davis | musicians and |
| Miles_Davis | and pop |
| Miles_Davis | pop sounds |
| Miles_Davis | sounds on |
| Miles_Davis | on albums |
| Miles_Davis | albums such |
| Miles_Davis | such as |
| Miles_Davis | as the |
| Miles_Davis | the man |
| Miles_Davis | man with |
| Miles_Davis | with the |
| Miles_Davis | the horn |
| Miles_Davis | horn 1981 |
| Miles_Davis | 1981 and |
| Miles_Davis | and tutu |
| Miles_Davis | tutu 1986 |
| Miles_Davis | 1986 critics |
| Miles_Davis | critics were |
| Miles_Davis | were often |
| Miles_Davis | often unreceptive |
| Miles_Davis | unreceptive but |
| Miles_Davis | but the |
| Miles_Davis | the decade |
| Miles_Davis | decade garnered |
| Miles_Davis | garnered davis |
| Miles_Davis | davis his |
| Miles_Davis | his highest |
| Miles_Davis | highest level |
| Miles_Davis | level of |
| Miles_Davis | of commercial |
| Miles_Davis | commercial recognition |
| Miles_Davis | recognition he |
| Miles_Davis | he performed |
| Miles_Davis | performed sold |
| Miles_Davis | sold out |
| Miles_Davis | out concerts |
| Miles_Davis | concerts worldwide |
| Miles_Davis | worldwide while |
| Miles_Davis | while branching |
| Miles_Davis | branching out |
| Miles_Davis | out into |
| Miles_Davis | into visual |
| Miles_Davis | visual arts |
| Miles_Davis | arts film |
| Miles_Davis | film and |
| Miles_Davis | and television |
| Miles_Davis | television work |
| Miles_Davis | work before |
| Miles_Davis | before his |
| Miles_Davis | his death |
| Miles_Davis | death in |
| Miles_Davis | in 1991 |
| Miles_Davis | 1991 from |
| Miles_Davis | from the |
| Miles_Davis | the combined |
| Miles_Davis | combined effects |
| Miles_Davis | effects of |
| Miles_Davis | of a |
| Miles_Davis | a stroke |
| Miles_Davis | stroke pneumonia |
| Miles_Davis | pneumonia and |
| Miles_Davis | and respiratory |
| Miles_Davis | respiratory failure |
| Miles_Davis | failure in |
| Miles_Davis | in 2006 |
| Miles_Davis | 2006 davis |
| Miles_Davis | davis was |
| Miles_Davis | was inducted |
| Miles_Davis | inducted into |
| Miles_Davis | into the |
| Miles_Davis | the rock |
| Miles_Davis | rock and |
| Miles_Davis | and roll |
| Miles_Davis | roll hall |
| Miles_Davis | hall of |
| Miles_Davis | of fame |
| Miles_Davis | fame which |
| Miles_Davis | which recognized |
| Miles_Davis | recognized him |
| Miles_Davis | him as |
| Miles_Davis | as one |
| Miles_Davis | one of |
| Miles_Davis | of the |
| Miles_Davis | the key |
| Miles_Davis | key figures |
| Miles_Davis | figures in |
| Miles_Davis | in the |
| Miles_Davis | the history |
| Miles_Davis | history of |
| Miles_Davis | of jazz |
| Miles_Davis | jazz rolling |
| Miles_Davis | rolling stone |
| Miles_Davis | stone described |
| Miles_Davis | described him |
| Miles_Davis | him as |
| Miles_Davis | as the |
| Miles_Davis | the most |
| Miles_Davis | most revered |
| Miles_Davis | revered jazz |
| Miles_Davis | jazz trumpeter |
| Miles_Davis | trumpeter of |
| Miles_Davis | of all |
| Miles_Davis | all time |
| Miles_Davis | time not |
| Miles_Davis | not to |
| Miles_Davis | to mention |
| Miles_Davis | mention one |
| Miles_Davis | one of |
| Miles_Davis | of the |
| Miles_Davis | the most |
| Miles_Davis | most important |
| Miles_Davis | important musicians |
| Miles_Davis | musicians of |
| Miles_Davis | of the |
| Miles_Davis | the 20th |
| Miles_Davis | 20th century |
| Miles_Davis | century while |
| Miles_Davis | while gerald |
| Miles_Davis | gerald early |
| Miles_Davis | early called |
| Miles_Davis | called him |
| Miles_Davis | him inarguably |
| Miles_Davis | inarguably one |
| Miles_Davis | one of |
| Miles_Davis | of the |
| Miles_Davis | the most |
| Miles_Davis | most influential |
| Miles_Davis | influential and |
| Miles_Davis | and innovative |
| Miles_Davis | innovative musicians |
| Miles_Davis | musicians of |
| Miles_Davis | of that |
| Miles_Davis | that period |
| Miles_Davis | period en |
| Milt_Hinton | milton john |
| Milt_Hinton | john hinton |
| Milt_Hinton | hinton june |
| Milt_Hinton | june 23 |
| Milt_Hinton | 23 1910 |
| Milt_Hinton | 1910 december |
| Milt_Hinton | december 19 |
| Milt_Hinton | 19 2000 |
| Milt_Hinton | 2000 was |
| Milt_Hinton | was an |
| Milt_Hinton | an american |
| Milt_Hinton | american double |
| Milt_Hinton | double bassist |
| Milt_Hinton | bassist and |
| Milt_Hinton | and photographer |
| Milt_Hinton | photographer regarded |
| Milt_Hinton | regarded as |
| Milt_Hinton | as the |
| Milt_Hinton | the dean |
| Milt_Hinton | dean of |
| Milt_Hinton | of american |
| Milt_Hinton | american jazz |
| Milt_Hinton | jazz bass |
| Milt_Hinton | bass players |
| Milt_Hinton | players his |
| Milt_Hinton | his nicknames |
| Milt_Hinton | nicknames included |
| Milt_Hinton | included sporty |
| Milt_Hinton | sporty from |
| Milt_Hinton | from his |
| Milt_Hinton | his years |
| Milt_Hinton | years in |
| Milt_Hinton | in chicago |
| Milt_Hinton | chicago fump |
| Milt_Hinton | fump from |
| Milt_Hinton | from his |
| Milt_Hinton | his time |
| Milt_Hinton | time on |
| Milt_Hinton | on the |
| Milt_Hinton | the road |
| Milt_Hinton | road with |
| Milt_Hinton | with cab |
| Milt_Hinton | cab calloway |
| Milt_Hinton | calloway and |
| Milt_Hinton | and the |
| Milt_Hinton | the judge |
| Milt_Hinton | judge from |
| Milt_Hinton | from the |
| Milt_Hinton | the 1950s |
| Milt_Hinton | 1950s and |
| Milt_Hinton | and beyond |
| Milt_Hinton | beyond hinton’s |
| Milt_Hinton | hinton’s recording |
| Milt_Hinton | recording career |
| Milt_Hinton | career lasted |
| Milt_Hinton | lasted over |
| Milt_Hinton | over 60 |
| Milt_Hinton | 60 years |
| Milt_Hinton | years mostly |
| Milt_Hinton | mostly in |
| Milt_Hinton | in jazz |
| Milt_Hinton | jazz but |
| Milt_Hinton | but also |
| Milt_Hinton | also with |
| Milt_Hinton | with a |
| Milt_Hinton | a variety |
| Milt_Hinton | variety of |
| Milt_Hinton | of other |
| Milt_Hinton | other genres |
| Milt_Hinton | genres as |
| Milt_Hinton | as a |
| Milt_Hinton | a prolific |
| Milt_Hinton | prolific session |
| Milt_Hinton | session musician |
| Milt_Hinton | musician he |
| Milt_Hinton | he was |
| Milt_Hinton | was also |
| Milt_Hinton | also a |
| Milt_Hinton | a photographer |
| Milt_Hinton | photographer of |
| Milt_Hinton | of note |
| Milt_Hinton | note praised |
| Milt_Hinton | praised for |
| Milt_Hinton | for documenting |
| Milt_Hinton | documenting american |
| Milt_Hinton | american jazz |
| Milt_Hinton | jazz during |
| Milt_Hinton | during the |
| Milt_Hinton | the 20th |
| Milt_Hinton | 20th century |
| Milt_Hinton | century en |
| Pino_Palladino | giuseppe henry |
| Pino_Palladino | henry pino |
| Pino_Palladino | pino palladino |
| Pino_Palladino | palladino born |
| Pino_Palladino | born 17 |
| Pino_Palladino | 17 october |
| Pino_Palladino | october 1957 |
| Pino_Palladino | 1957 is |
| Pino_Palladino | is a |
| Pino_Palladino | a welsh |
| Pino_Palladino | welsh musician |
| Pino_Palladino | musician songwriter |
| Pino_Palladino | songwriter and |
| Pino_Palladino | and record |
| Pino_Palladino | record producer |
| Pino_Palladino | producer a |
| Pino_Palladino | a prolific |
| Pino_Palladino | prolific session |
| Pino_Palladino | session bassist |
| Pino_Palladino | bassist he |
| Pino_Palladino | he has |
| Pino_Palladino | has played |
| Pino_Palladino | played bass |
| Pino_Palladino | bass for |
| Pino_Palladino | for acts |
| Pino_Palladino | acts such |
| Pino_Palladino | such as |
| Pino_Palladino | as the |
| Pino_Palladino | the who |
| Pino_Palladino | who the |
| Pino_Palladino | the john |
| Pino_Palladino | john mayer |
| Pino_Palladino | mayer trio |
| Pino_Palladino | trio nine |
| Pino_Palladino | nine inch |
| Pino_Palladino | inch nails |
| Pino_Palladino | nails gary |
| Pino_Palladino | gary numan |
| Pino_Palladino | numan jeff |
| Pino_Palladino | jeff beck |
| Pino_Palladino | beck and |
| Pino_Palladino | and d’angelo |
| Pino_Palladino | d’angelo en |
| Kurt_Rosenwinkel | kurt rosenwinkel |
| Kurt_Rosenwinkel | rosenwinkel born |
| Kurt_Rosenwinkel | born october |
| Kurt_Rosenwinkel | october 28 |
| Kurt_Rosenwinkel | 28 1970 |
| Kurt_Rosenwinkel | 1970 is |
| Kurt_Rosenwinkel | is an |
| Kurt_Rosenwinkel | an american |
| Kurt_Rosenwinkel | american jazz |
| Kurt_Rosenwinkel | jazz guitarist |
| Kurt_Rosenwinkel | guitarist en |
| Ambrose_Akinmusire | ambrose akinmusire |
| Ambrose_Akinmusire | akinmusire 疆 |
| Ambrose_Akinmusire | 疆 kin |
| Ambrose_Akinmusire | kin mu |
| Ambrose_Akinmusire | mu siri |
| Ambrose_Akinmusire | siri born |
| Ambrose_Akinmusire | born may |
| Ambrose_Akinmusire | may 1 |
| Ambrose_Akinmusire | 1 1982 |
| Ambrose_Akinmusire | 1982 is |
| Ambrose_Akinmusire | is an |
| Ambrose_Akinmusire | an american |
| Ambrose_Akinmusire | american avant |
| Ambrose_Akinmusire | avant garde |
| Ambrose_Akinmusire | garde jazz |
| Ambrose_Akinmusire | jazz composer |
| Ambrose_Akinmusire | composer and |
| Ambrose_Akinmusire | and trumpeter |
| Ambrose_Akinmusire | trumpeter en |
| Darcy_James_Argue | darcy james |
| Darcy_James_Argue | james argue |
| Darcy_James_Argue | argue is |
| Darcy_James_Argue | is a |
| Darcy_James_Argue | a jazz |
| Darcy_James_Argue | jazz composer |
| Darcy_James_Argue | composer and |
| Darcy_James_Argue | and bandleader |
| Darcy_James_Argue | bandleader known |
| Darcy_James_Argue | known for |
| Darcy_James_Argue | for his |
| Darcy_James_Argue | his work |
| Darcy_James_Argue | work with |
| Darcy_James_Argue | with his |
| Darcy_James_Argue | his 18 |
| Darcy_James_Argue | 18 piece |
| Darcy_James_Argue | piece ensemble |
| Darcy_James_Argue | ensemble secret |
| Darcy_James_Argue | secret society |
| Darcy_James_Argue | society en |
| Arturo_O’Farrill | arturo o’farrill |
| Arturo_O’Farrill | o’farrill born |
| Arturo_O’Farrill | born june |
| Arturo_O’Farrill | june 22 |
| Arturo_O’Farrill | 22 1960 |
| Arturo_O’Farrill | 1960 is |
| Arturo_O’Farrill | is a |
| Arturo_O’Farrill | a jazz |
| Arturo_O’Farrill | jazz musician |
| Arturo_O’Farrill | musician the |
| Arturo_O’Farrill | the son |
| Arturo_O’Farrill | son of |
| Arturo_O’Farrill | of latin |
| Arturo_O’Farrill | latin jazz |
| Arturo_O’Farrill | jazz musician |
| Arturo_O’Farrill | musician arranger |
| Arturo_O’Farrill | arranger and |
| Arturo_O’Farrill | and bandleader |
| Arturo_O’Farrill | bandleader chico |
| Arturo_O’Farrill | chico o’farrill |
| Arturo_O’Farrill | o’farrill and |
| Arturo_O’Farrill | and pianist |
| Arturo_O’Farrill | pianist composer |
| Arturo_O’Farrill | composer and |
| Arturo_O’Farrill | and director |
| Arturo_O’Farrill | director for |
| Arturo_O’Farrill | for the |
| Arturo_O’Farrill | the afro |
| Arturo_O’Farrill | afro latin |
| Arturo_O’Farrill | latin jazz |
| Arturo_O’Farrill | jazz orchestra |
| Arturo_O’Farrill | orchestra he |
| Arturo_O’Farrill | he is |
| Arturo_O’Farrill | is best |
| Arturo_O’Farrill | best known |
| Arturo_O’Farrill | known for |
| Arturo_O’Farrill | for his |
| Arturo_O’Farrill | his contributions |
| Arturo_O’Farrill | contributions to |
| Arturo_O’Farrill | to contemporary |
| Arturo_O’Farrill | contemporary latin |
| Arturo_O’Farrill | latin jazz |
| Arturo_O’Farrill | jazz more |
| Arturo_O’Farrill | more specifically |
| Arturo_O’Farrill | specifically afro |
| Arturo_O’Farrill | afro cuban |
| Arturo_O’Farrill | cuban jazz |
| Arturo_O’Farrill | jazz having |
| Arturo_O’Farrill | having received |
| Arturo_O’Farrill | received grammy |
| Arturo_O’Farrill | grammy awards |
| Arturo_O’Farrill | awards and |
| Arturo_O’Farrill | and nominations |
| Arturo_O’Farrill | nominations though |
| Arturo_O’Farrill | though he |
| Arturo_O’Farrill | he has |
| Arturo_O’Farrill | has trained |
| Arturo_O’Farrill | trained in |
| Arturo_O’Farrill | in other |
| Arturo_O’Farrill | other forms |
| Arturo_O’Farrill | forms such |
| Arturo_O’Farrill | such as |
| Arturo_O’Farrill | as free |
| Arturo_O’Farrill | free jazz |
| Arturo_O’Farrill | jazz and |
| Arturo_O’Farrill | and experimented |
| Arturo_O’Farrill | experimented briefly |
| Arturo_O’Farrill | briefly with |
| Arturo_O’Farrill | with hip |
| Arturo_O’Farrill | hip hop |
| Arturo_O’Farrill | hop en |
| Ximo_Tebar | ximo tebar |
| Ximo_Tebar | tebar march |
| Ximo_Tebar | march 30 |
| Ximo_Tebar | 30 1963 |
| Ximo_Tebar | 1963 in |
| Ximo_Tebar | in valencia |
| Ximo_Tebar | valencia is |
| Ximo_Tebar | is a |
| Ximo_Tebar | a spanish |
| Ximo_Tebar | spanish jazz |
| Ximo_Tebar | jazz musician |
| Ximo_Tebar | musician guitar |
| Ximo_Tebar | guitar composition |
| Ximo_Tebar | composition en |
| Maurice_Hines | maurice robert |
| Maurice_Hines | robert hines |
| Maurice_Hines | hines jr |
| Maurice_Hines | jr born |
| Maurice_Hines | born december |
| Maurice_Hines | december 13 |
| Maurice_Hines | 13 1943 |
| Maurice_Hines | 1943 is |
| Maurice_Hines | is an |
| Maurice_Hines | an american |
| Maurice_Hines | american actor |
| Maurice_Hines | actor director |
| Maurice_Hines | director singer |
| Maurice_Hines | singer and |
| Maurice_Hines | and choreographer |
| Maurice_Hines | choreographer he |
| Maurice_Hines | he is |
| Maurice_Hines | is the |
| Maurice_Hines | the older |
| Maurice_Hines | older brother |
| Maurice_Hines | brother of |
| Maurice_Hines | of dancer |
| Maurice_Hines | dancer gregory |
| Maurice_Hines | gregory hines |
| Maurice_Hines | hines en |
| Cedar_Walton | cedar anthony |
| Cedar_Walton | anthony walton |
| Cedar_Walton | walton jr |
| Cedar_Walton | jr january |
| Cedar_Walton | january 17 |
| Cedar_Walton | 17 1934 |
| Cedar_Walton | 1934 august |
| Cedar_Walton | august 19 |
| Cedar_Walton | 19 2013 |
| Cedar_Walton | 2013 was |
| Cedar_Walton | was an |
| Cedar_Walton | an american |
| Cedar_Walton | american hard |
| Cedar_Walton | hard bop |
| Cedar_Walton | bop jazz |
| Cedar_Walton | jazz pianist |
| Cedar_Walton | pianist he |
| Cedar_Walton | he came |
| Cedar_Walton | came to |
| Cedar_Walton | to prominence |
| Cedar_Walton | prominence as |
| Cedar_Walton | as a |
| Cedar_Walton | a member |
| Cedar_Walton | member of |
| Cedar_Walton | of drummer |
| Cedar_Walton | drummer art |
| Cedar_Walton | art blakey’s |
| Cedar_Walton | blakey’s band |
| Cedar_Walton | band the |
| Cedar_Walton | the jazz |
| Cedar_Walton | jazz messengers |
| Cedar_Walton | messengers before |
| Cedar_Walton | before establishing |
| Cedar_Walton | establishing a |
| Cedar_Walton | a long |
| Cedar_Walton | long career |
| Cedar_Walton | career as |
| Cedar_Walton | as a |
| Cedar_Walton | a bandleader |
| Cedar_Walton | bandleader and |
| Cedar_Walton | and composer |
| Cedar_Walton | composer several |
| Cedar_Walton | several of |
| Cedar_Walton | of his |
| Cedar_Walton | his compositions |
| Cedar_Walton | compositions have |
| Cedar_Walton | have become |
| Cedar_Walton | become jazz |
| Cedar_Walton | jazz standards |
| Cedar_Walton | standards including |
| Cedar_Walton | including mosaic |
| Cedar_Walton | mosaic bolivia |
| Cedar_Walton | bolivia holy |
| Cedar_Walton | holy land |
| Cedar_Walton | land mode |
| Cedar_Walton | mode for |
| Cedar_Walton | for joe |
| Cedar_Walton | joe and |
| Cedar_Walton | and fantasy |
| Cedar_Walton | fantasy in |
| Cedar_Walton | in d |
| Cedar_Walton | d en |
| The_Rolling_Stones | the rolling |
| The_Rolling_Stones | rolling stones |
| The_Rolling_Stones | stones are |
| The_Rolling_Stones | are an |
| The_Rolling_Stones | an english |
| The_Rolling_Stones | english rock |
| The_Rolling_Stones | rock band |
| The_Rolling_Stones | band formed |
| The_Rolling_Stones | formed in |
| The_Rolling_Stones | in london |
| The_Rolling_Stones | london in |
| The_Rolling_Stones | in 1962 |
| The_Rolling_Stones | 1962 active |
| The_Rolling_Stones | active for |
| The_Rolling_Stones | for almost |
| The_Rolling_Stones | almost six |
| The_Rolling_Stones | six decades |
| The_Rolling_Stones | decades they |
| The_Rolling_Stones | they are |
| The_Rolling_Stones | are one |
| The_Rolling_Stones | one of |
| The_Rolling_Stones | of the |
| The_Rolling_Stones | the most |
| The_Rolling_Stones | most popular |
| The_Rolling_Stones | popular and |
| The_Rolling_Stones | and enduring |
| The_Rolling_Stones | enduring bands |
| The_Rolling_Stones | bands of |
| The_Rolling_Stones | of the |
| The_Rolling_Stones | the rock |
| The_Rolling_Stones | rock era |
| The_Rolling_Stones | era in |
| The_Rolling_Stones | in the |
| The_Rolling_Stones | the early |
| The_Rolling_Stones | early 1960s |
| The_Rolling_Stones | 1960s the |
| The_Rolling_Stones | the rolling |
| The_Rolling_Stones | rolling stones |
| The_Rolling_Stones | stones pioneered |
| The_Rolling_Stones | pioneered the |
| The_Rolling_Stones | the gritty |
| The_Rolling_Stones | gritty heavier |
| The_Rolling_Stones | heavier driven |
| The_Rolling_Stones | driven sound |
| The_Rolling_Stones | sound that |
| The_Rolling_Stones | that came |
| The_Rolling_Stones | came to |
| The_Rolling_Stones | to define |
| The_Rolling_Stones | define hard |
| The_Rolling_Stones | hard rock |
| The_Rolling_Stones | rock their |
| The_Rolling_Stones | their first |
| The_Rolling_Stones | first stable |
| The_Rolling_Stones | stable line |
| The_Rolling_Stones | line up |
| The_Rolling_Stones | up comprised |
| The_Rolling_Stones | comprised vocalist |
| The_Rolling_Stones | vocalist mick |
| The_Rolling_Stones | mick jagger |
| The_Rolling_Stones | jagger multi |
| The_Rolling_Stones | multi instrumentalist |
| The_Rolling_Stones | instrumentalist brian |
| The_Rolling_Stones | brian jones |
| The_Rolling_Stones | jones guitarist |
| The_Rolling_Stones | guitarist keith |
| The_Rolling_Stones | keith richards |
| The_Rolling_Stones | richards bassist |
| The_Rolling_Stones | bassist bill |
| The_Rolling_Stones | bill wyman |
| The_Rolling_Stones | wyman and |
| The_Rolling_Stones | and drummer |
| The_Rolling_Stones | drummer charlie |
| The_Rolling_Stones | charlie watts |
| The_Rolling_Stones | watts during |
| The_Rolling_Stones | during their |
| The_Rolling_Stones | their formative |
| The_Rolling_Stones | formative years |
| The_Rolling_Stones | years jones |
| The_Rolling_Stones | jones was |
| The_Rolling_Stones | was the |
| The_Rolling_Stones | the primary |
| The_Rolling_Stones | primary leader |
| The_Rolling_Stones | leader he |
| The_Rolling_Stones | he assembled |
| The_Rolling_Stones | assembled the |
| The_Rolling_Stones | the band |
| The_Rolling_Stones | band named |
| The_Rolling_Stones | named it |
| The_Rolling_Stones | it and |
| The_Rolling_Stones | and drove |
| The_Rolling_Stones | drove their |
| The_Rolling_Stones | their sound |
| The_Rolling_Stones | sound and |
| The_Rolling_Stones | and image |
| The_Rolling_Stones | image after |
| The_Rolling_Stones | after andrew |
| The_Rolling_Stones | andrew loog |
| The_Rolling_Stones | loog oldham |
| The_Rolling_Stones | oldham became |
| The_Rolling_Stones | became the |
| The_Rolling_Stones | the group’s |
| The_Rolling_Stones | group’s manager |
| The_Rolling_Stones | manager in |
| The_Rolling_Stones | in 1963 |
| The_Rolling_Stones | 1963 he |
| The_Rolling_Stones | he encouraged |
| The_Rolling_Stones | encouraged them |
| The_Rolling_Stones | them to |
| The_Rolling_Stones | to write |
| The_Rolling_Stones | write their |
| The_Rolling_Stones | their own |
| The_Rolling_Stones | own songs |
| The_Rolling_Stones | songs jagger |
| The_Rolling_Stones | jagger and |
| The_Rolling_Stones | and richards |
| The_Rolling_Stones | richards became |
| The_Rolling_Stones | became the |
| The_Rolling_Stones | the primary |
| The_Rolling_Stones | primary creative |
| The_Rolling_Stones | creative force |
| The_Rolling_Stones | force behind |
| The_Rolling_Stones | behind the |
| The_Rolling_Stones | the band |
| The_Rolling_Stones | band alienating |
| The_Rolling_Stones | alienating jones |
| The_Rolling_Stones | jones who |
| The_Rolling_Stones | who developed |
| The_Rolling_Stones | developed a |
| The_Rolling_Stones | a drug |
| The_Rolling_Stones | drug addiction |
| The_Rolling_Stones | addiction that |
| The_Rolling_Stones | that interfered |
| The_Rolling_Stones | interfered with |
| The_Rolling_Stones | with his |
| The_Rolling_Stones | his ability |
| The_Rolling_Stones | ability to |
| The_Rolling_Stones | to contribute |
| The_Rolling_Stones | contribute meaningfully |
| The_Rolling_Stones | meaningfully rooted |
| The_Rolling_Stones | rooted in |
| The_Rolling_Stones | in blues |
| The_Rolling_Stones | blues and |
| The_Rolling_Stones | and early |
| The_Rolling_Stones | early rock |
| The_Rolling_Stones | rock and |
| The_Rolling_Stones | and roll |
| The_Rolling_Stones | roll the |
| The_Rolling_Stones | the rolling |
| The_Rolling_Stones | rolling stones |
| The_Rolling_Stones | stones started |
| The_Rolling_Stones | started out |
| The_Rolling_Stones | out playing |
| The_Rolling_Stones | playing covers |
| The_Rolling_Stones | covers and |
| The_Rolling_Stones | and were |
| The_Rolling_Stones | were at |
| The_Rolling_Stones | at the |
| The_Rolling_Stones | the forefront |
| The_Rolling_Stones | forefront of |
| The_Rolling_Stones | of the |
| The_Rolling_Stones | the british |
| The_Rolling_Stones | british invasion |
| The_Rolling_Stones | invasion in |
| The_Rolling_Stones | in 1964 |
| The_Rolling_Stones | 1964 also |
| The_Rolling_Stones | also being |
| The_Rolling_Stones | being identified |
| The_Rolling_Stones | identified with |
| The_Rolling_Stones | with the |
| The_Rolling_Stones | the youthful |
| The_Rolling_Stones | youthful and |
| The_Rolling_Stones | and rebellious |
| The_Rolling_Stones | rebellious counterculture |
| The_Rolling_Stones | counterculture of |
| The_Rolling_Stones | of the |
| The_Rolling_Stones | the 1960s |
| The_Rolling_Stones | 1960s they |
| The_Rolling_Stones | they then |
| The_Rolling_Stones | then found |
| The_Rolling_Stones | found greater |
| The_Rolling_Stones | greater success |
| The_Rolling_Stones | success with |
| The_Rolling_Stones | with their |
| The_Rolling_Stones | their own |
| The_Rolling_Stones | own material |
| The_Rolling_Stones | material as |
| The_Rolling_Stones | as i |
| The_Rolling_Stones | i can’t |
| The_Rolling_Stones | can’t get |
| The_Rolling_Stones | get no |
| The_Rolling_Stones | no satisfaction |
| The_Rolling_Stones | satisfaction 1965 |
| The_Rolling_Stones | 1965 get |
| The_Rolling_Stones | get off |
| The_Rolling_Stones | off of |
| The_Rolling_Stones | of my |
| The_Rolling_Stones | my cloud |
| The_Rolling_Stones | cloud 1965 |
| The_Rolling_Stones | 1965 and |
| The_Rolling_Stones | and paint |
| The_Rolling_Stones | paint it |
| The_Rolling_Stones | it black |
| The_Rolling_Stones | black 1966 |
| The_Rolling_Stones | 1966 became |
| The_Rolling_Stones | became international |
| The_Rolling_Stones | international no |
| The_Rolling_Stones | no 1 |
| The_Rolling_Stones | 1 hits |
| The_Rolling_Stones | hits aftermath |
| The_Rolling_Stones | aftermath 1966 |
| The_Rolling_Stones | 1966 their |
| The_Rolling_Stones | their first |
| The_Rolling_Stones | first entirely |
| The_Rolling_Stones | entirely original |
| The_Rolling_Stones | original album |
| The_Rolling_Stones | album is |
| The_Rolling_Stones | is considered |
| The_Rolling_Stones | considered the |
| The_Rolling_Stones | the most |
| The_Rolling_Stones | most important |
| The_Rolling_Stones | important of |
| The_Rolling_Stones | of their |
| The_Rolling_Stones | their formative |
| The_Rolling_Stones | formative records |
| The_Rolling_Stones | records in |
| The_Rolling_Stones | in 1967 |
| The_Rolling_Stones | 1967 they |
| The_Rolling_Stones | they had |
| The_Rolling_Stones | had the |
| The_Rolling_Stones | the double |
| The_Rolling_Stones | double sided |
| The_Rolling_Stones | sided hit |
| The_Rolling_Stones | hit ruby |
| The_Rolling_Stones | ruby tuesday |
| The_Rolling_Stones | tuesday let’s |
| The_Rolling_Stones | let’s spend |
| The_Rolling_Stones | spend the |
| The_Rolling_Stones | the night |
| The_Rolling_Stones | night together |
| The_Rolling_Stones | together and |
| The_Rolling_Stones | and experimented |
| The_Rolling_Stones | experimented with |
| The_Rolling_Stones | with psychedelic |
| The_Rolling_Stones | psychedelic rock |
| The_Rolling_Stones | rock on |
| The_Rolling_Stones | on their |
| The_Rolling_Stones | their satanic |
| The_Rolling_Stones | satanic majesties |
| The_Rolling_Stones | majesties request |
| The_Rolling_Stones | request they |
| The_Rolling_Stones | they returned |
| The_Rolling_Stones | returned to |
| The_Rolling_Stones | to their |
| The_Rolling_Stones | their roots |
| The_Rolling_Stones | roots with |
| The_Rolling_Stones | with such |
| The_Rolling_Stones | such hits |
| The_Rolling_Stones | hits as |
| The_Rolling_Stones | as jumpin |
| The_Rolling_Stones | jumpin jack |
| The_Rolling_Stones | jack flash |
| The_Rolling_Stones | flash 1968 |
| The_Rolling_Stones | 1968 and |
| The_Rolling_Stones | and honky |
| The_Rolling_Stones | honky tonk |
| The_Rolling_Stones | tonk women |
| The_Rolling_Stones | women 1969 |
| The_Rolling_Stones | 1969 and |
| The_Rolling_Stones | and albums |
| The_Rolling_Stones | albums such |
| The_Rolling_Stones | such as |
| The_Rolling_Stones | as beggars |
| The_Rolling_Stones | beggars banquet |
| The_Rolling_Stones | banquet 1968 |
| The_Rolling_Stones | 1968 featuring |
| The_Rolling_Stones | featuring sympathy |
| The_Rolling_Stones | sympathy for |
| The_Rolling_Stones | for the |
| The_Rolling_Stones | the devil |
| The_Rolling_Stones | devil and |
| The_Rolling_Stones | and let |
| The_Rolling_Stones | let it |
| The_Rolling_Stones | it bleed |
| The_Rolling_Stones | bleed 1969 |
| The_Rolling_Stones | 1969 featuring |
| The_Rolling_Stones | featuring you |
| The_Rolling_Stones | you can’t |
| The_Rolling_Stones | can’t always |
| The_Rolling_Stones | always get |
| The_Rolling_Stones | get what |
| The_Rolling_Stones | what you |
| The_Rolling_Stones | you want |
| The_Rolling_Stones | want and |
| The_Rolling_Stones | and gimme |
| The_Rolling_Stones | gimme shelter |
| The_Rolling_Stones | shelter let |
| The_Rolling_Stones | let it |
| The_Rolling_Stones | it bleed |
| The_Rolling_Stones | bleed was |
| The_Rolling_Stones | was the |
| The_Rolling_Stones | the first |
| The_Rolling_Stones | first of |
| The_Rolling_Stones | of five |
| The_Rolling_Stones | five consecutive |
| The_Rolling_Stones | consecutive no |
| The_Rolling_Stones | no 1 |
| The_Rolling_Stones | 1 albums |
| The_Rolling_Stones | albums in |
| The_Rolling_Stones | in the |
| The_Rolling_Stones | the uk |
| The_Rolling_Stones | uk jones |
| The_Rolling_Stones | jones left |
| The_Rolling_Stones | left the |
| The_Rolling_Stones | the band |
| The_Rolling_Stones | band shortly |
| The_Rolling_Stones | shortly before |
| The_Rolling_Stones | before his |
| The_Rolling_Stones | his death |
| The_Rolling_Stones | death in |
| The_Rolling_Stones | in 1969 |
| The_Rolling_Stones | 1969 having |
| The_Rolling_Stones | having been |
| The_Rolling_Stones | been replaced |
| The_Rolling_Stones | replaced by |
| The_Rolling_Stones | by guitarist |
| The_Rolling_Stones | guitarist mick |
| The_Rolling_Stones | mick taylor |
| The_Rolling_Stones | taylor that |
| The_Rolling_Stones | that year |
| The_Rolling_Stones | year they |
| The_Rolling_Stones | they were |
| The_Rolling_Stones | were first |
| The_Rolling_Stones | first introduced |
| The_Rolling_Stones | introduced on |
| The_Rolling_Stones | on stage |
| The_Rolling_Stones | stage as |
| The_Rolling_Stones | as the |
| The_Rolling_Stones | the greatest |
| The_Rolling_Stones | greatest rock |
| The_Rolling_Stones | rock and |
| The_Rolling_Stones | and roll |
| The_Rolling_Stones | roll band |
| The_Rolling_Stones | band in |
| The_Rolling_Stones | in the |
| The_Rolling_Stones | the world |
| The_Rolling_Stones | world sticky |
| The_Rolling_Stones | sticky fingers |
| The_Rolling_Stones | fingers 1971 |
| The_Rolling_Stones | 1971 which |
| The_Rolling_Stones | which yielded |
| The_Rolling_Stones | yielded brown |
| The_Rolling_Stones | brown sugar |
| The_Rolling_Stones | sugar and |
| The_Rolling_Stones | and included |
| The_Rolling_Stones | included the |
| The_Rolling_Stones | the first |
| The_Rolling_Stones | first usage |
| The_Rolling_Stones | usage of |
| The_Rolling_Stones | of their |
| The_Rolling_Stones | their tongue |
| The_Rolling_Stones | tongue and |
| The_Rolling_Stones | and lips |
| The_Rolling_Stones | lips logo |
| The_Rolling_Stones | logo was |
| The_Rolling_Stones | was their |
| The_Rolling_Stones | their first |
| The_Rolling_Stones | first of |
| The_Rolling_Stones | of eight |
| The_Rolling_Stones | eight consecutive |
| The_Rolling_Stones | consecutive no |
| The_Rolling_Stones | no 1 |
| The_Rolling_Stones | 1 studio |
| The_Rolling_Stones | studio albums |
| The_Rolling_Stones | albums in |
| The_Rolling_Stones | in the |
| The_Rolling_Stones | the us |
| The_Rolling_Stones | us exile |
| The_Rolling_Stones | exile on |
| The_Rolling_Stones | on main |
| The_Rolling_Stones | main st |
| The_Rolling_Stones | st 1972 |
| The_Rolling_Stones | 1972 featuring |
| The_Rolling_Stones | featuring tumbling |
| The_Rolling_Stones | tumbling dice |
| The_Rolling_Stones | dice and |
| The_Rolling_Stones | and goats |
| The_Rolling_Stones | goats head |
| The_Rolling_Stones | head soup |
| The_Rolling_Stones | soup 1973 |
| The_Rolling_Stones | 1973 yielding |
| The_Rolling_Stones | yielding the |
| The_Rolling_Stones | the hit |
| The_Rolling_Stones | hit ballad |
| The_Rolling_Stones | ballad angie |
| The_Rolling_Stones | angie were |
| The_Rolling_Stones | were also |
| The_Rolling_Stones | also best |
| The_Rolling_Stones | best sellers |
| The_Rolling_Stones | sellers taylor |
| The_Rolling_Stones | taylor was |
| The_Rolling_Stones | was replaced |
| The_Rolling_Stones | replaced by |
| The_Rolling_Stones | by ronnie |
| The_Rolling_Stones | ronnie wood |
| The_Rolling_Stones | wood in |
| The_Rolling_Stones | in 1974 |
| The_Rolling_Stones | 1974 the |
| The_Rolling_Stones | the band |
| The_Rolling_Stones | band continued |
| The_Rolling_Stones | continued to |
| The_Rolling_Stones | to release |
| The_Rolling_Stones | release successful |
| The_Rolling_Stones | successful albums |
| The_Rolling_Stones | albums including |
| The_Rolling_Stones | including their |
| The_Rolling_Stones | their two |
| The_Rolling_Stones | two largest |
| The_Rolling_Stones | largest sellers |
| The_Rolling_Stones | sellers some |
| The_Rolling_Stones | some girls |
| The_Rolling_Stones | girls 1978 |
| The_Rolling_Stones | 1978 featuring |
| The_Rolling_Stones | featuring miss |
| The_Rolling_Stones | miss you |
| The_Rolling_Stones | you and |
| The_Rolling_Stones | and tattoo |
| The_Rolling_Stones | tattoo you |
| The_Rolling_Stones | you 1981 |
| The_Rolling_Stones | 1981 featuring |
| The_Rolling_Stones | featuring start |
| The_Rolling_Stones | start me |
| The_Rolling_Stones | me up |
| The_Rolling_Stones | up steel |
| The_Rolling_Stones | steel wheels |
| The_Rolling_Stones | wheels 1989 |
| The_Rolling_Stones | 1989 was |
| The_Rolling_Stones | was widely |
| The_Rolling_Stones | widely considered |
| The_Rolling_Stones | considered a |
| The_Rolling_Stones | a comeback |
| The_Rolling_Stones | comeback album |
| The_Rolling_Stones | album and |
| The_Rolling_Stones | and was |
| The_Rolling_Stones | was followed |
| The_Rolling_Stones | followed by |
| The_Rolling_Stones | by voodoo |
| The_Rolling_Stones | voodoo lounge |
| The_Rolling_Stones | lounge 1994 |
| The_Rolling_Stones | 1994 a |
| The_Rolling_Stones | a worldwide |
| The_Rolling_Stones | worldwide number |
| The_Rolling_Stones | number one |
| The_Rolling_Stones | one album |
| The_Rolling_Stones | album both |
| The_Rolling_Stones | both releases |
| The_Rolling_Stones | releases were |
| The_Rolling_Stones | were promoted |
| The_Rolling_Stones | promoted by |
| The_Rolling_Stones | by large |
| The_Rolling_Stones | large stadium |
| The_Rolling_Stones | stadium and |
| The_Rolling_Stones | and arena |
| The_Rolling_Stones | arena tours |
| The_Rolling_Stones | tours as |
| The_Rolling_Stones | as the |
| The_Rolling_Stones | the stones |
| The_Rolling_Stones | stones continued |
| The_Rolling_Stones | continued to |
| The_Rolling_Stones | to be |
| The_Rolling_Stones | be a |
| The_Rolling_Stones | a huge |
| The_Rolling_Stones | huge concert |
| The_Rolling_Stones | concert attraction |
| The_Rolling_Stones | attraction by |
| The_Rolling_Stones | by 2007 |
| The_Rolling_Stones | 2007 they |
| The_Rolling_Stones | they had |
| The_Rolling_Stones | had four |
| The_Rolling_Stones | four of |
| The_Rolling_Stones | of the |
| The_Rolling_Stones | the top |
| The_Rolling_Stones | top five |
| The_Rolling_Stones | five highest |
| The_Rolling_Stones | highest grossing |
| The_Rolling_Stones | grossing concert |
| The_Rolling_Stones | concert tours |
| The_Rolling_Stones | tours of |
| The_Rolling_Stones | of all |
| The_Rolling_Stones | all time |
| The_Rolling_Stones | time from |
| The_Rolling_Stones | from wyman’s |
| The_Rolling_Stones | wyman’s departure |
| The_Rolling_Stones | departure in |
| The_Rolling_Stones | in 1993 |
| The_Rolling_Stones | 1993 to |
| The_Rolling_Stones | to watts |
| The_Rolling_Stones | watts death |
| The_Rolling_Stones | death in |
| The_Rolling_Stones | in 2021 |
| The_Rolling_Stones | 2021 the |
| The_Rolling_Stones | the band |
| The_Rolling_Stones | band continued |
| The_Rolling_Stones | continued as |
| The_Rolling_Stones | as a |
| The_Rolling_Stones | a four |
| The_Rolling_Stones | four piece |
| The_Rolling_Stones | piece core |
| The_Rolling_Stones | core with |
| The_Rolling_Stones | with darryl |
| The_Rolling_Stones | darryl jones |
| The_Rolling_Stones | jones playing |
| The_Rolling_Stones | playing bass |
| The_Rolling_Stones | bass on |
| The_Rolling_Stones | on tour |
| The_Rolling_Stones | tour and |
| The_Rolling_Stones | and on |
| The_Rolling_Stones | on most |
| The_Rolling_Stones | most studio |
| The_Rolling_Stones | studio recordings |
| The_Rolling_Stones | recordings their |
| The_Rolling_Stones | their latest |
| The_Rolling_Stones | latest album |
| The_Rolling_Stones | album blue |
| The_Rolling_Stones | blue lonesome |
| The_Rolling_Stones | lonesome 2016 |
| The_Rolling_Stones | 2016 became |
| The_Rolling_Stones | became their |
| The_Rolling_Stones | their twelfth |
| The_Rolling_Stones | twelfth uk |
| The_Rolling_Stones | uk number |
| The_Rolling_Stones | number one |
| The_Rolling_Stones | one album |
| The_Rolling_Stones | album the |
| The_Rolling_Stones | the rolling |
| The_Rolling_Stones | rolling stones |
| The_Rolling_Stones | stones estimated |
| The_Rolling_Stones | estimated record |
| The_Rolling_Stones | record sales |
| The_Rolling_Stones | sales of |
| The_Rolling_Stones | of 200 |
| The_Rolling_Stones | 200 million |
| The_Rolling_Stones | million makes |
| The_Rolling_Stones | makes them |
| The_Rolling_Stones | them one |
| The_Rolling_Stones | one of |
| The_Rolling_Stones | of the |
| The_Rolling_Stones | the best |
| The_Rolling_Stones | best selling |
| The_Rolling_Stones | selling music |
| The_Rolling_Stones | music artists |
| The_Rolling_Stones | artists of |
| The_Rolling_Stones | of all |
| The_Rolling_Stones | all time |
| The_Rolling_Stones | time the |
| The_Rolling_Stones | the band |
| The_Rolling_Stones | band has |
| The_Rolling_Stones | has won |
| The_Rolling_Stones | won three |
| The_Rolling_Stones | three grammy |
| The_Rolling_Stones | grammy awards |
| The_Rolling_Stones | awards and |
| The_Rolling_Stones | and a |
| The_Rolling_Stones | a grammy |
| The_Rolling_Stones | grammy lifetime |
| The_Rolling_Stones | lifetime achievement |
| The_Rolling_Stones | achievement award |
| The_Rolling_Stones | award they |
| The_Rolling_Stones | they were |
| The_Rolling_Stones | were inducted |
| The_Rolling_Stones | inducted into |
| The_Rolling_Stones | into the |
| The_Rolling_Stones | the rock |
| The_Rolling_Stones | rock and |
| The_Rolling_Stones | and roll |
| The_Rolling_Stones | roll hall |
| The_Rolling_Stones | hall of |
| The_Rolling_Stones | of fame |
| The_Rolling_Stones | fame in |
| The_Rolling_Stones | in 1989 |
| The_Rolling_Stones | 1989 and |
| The_Rolling_Stones | and the |
| The_Rolling_Stones | the uk |
| The_Rolling_Stones | uk music |
| The_Rolling_Stones | music hall |
| The_Rolling_Stones | hall of |
| The_Rolling_Stones | of fame |
| The_Rolling_Stones | fame in |
| The_Rolling_Stones | in 2004 |
| The_Rolling_Stones | 2004 in |
| The_Rolling_Stones | in 2019 |
| The_Rolling_Stones | 2019 billboard |
| The_Rolling_Stones | billboard magazine |
| The_Rolling_Stones | magazine ranked |
| The_Rolling_Stones | ranked the |
| The_Rolling_Stones | the rolling |
| The_Rolling_Stones | rolling stones |
| The_Rolling_Stones | stones second |
| The_Rolling_Stones | second on |
| The_Rolling_Stones | on their |
| The_Rolling_Stones | their list |
| The_Rolling_Stones | list of |
| The_Rolling_Stones | of the |
| The_Rolling_Stones | the greatest |
| The_Rolling_Stones | greatest artists |
| The_Rolling_Stones | artists of |
| The_Rolling_Stones | of all |
| The_Rolling_Stones | all time |
| The_Rolling_Stones | time based |
| The_Rolling_Stones | based on |
| The_Rolling_Stones | on us |
| The_Rolling_Stones | us chart |
| The_Rolling_Stones | chart success |
| The_Rolling_Stones | success they |
| The_Rolling_Stones | they are |
| The_Rolling_Stones | are ranked |
| The_Rolling_Stones | ranked fourth |
| The_Rolling_Stones | fourth on |
| The_Rolling_Stones | on rolling |
| The_Rolling_Stones | rolling stone’s |
| The_Rolling_Stones | stone’s list |
| The_Rolling_Stones | list of |
| The_Rolling_Stones | of the |
| The_Rolling_Stones | the greatest |
| The_Rolling_Stones | greatest artists |
| The_Rolling_Stones | artists of |
| The_Rolling_Stones | of all |
| The_Rolling_Stones | all time |
| The_Rolling_Stones | time en |
| Jean_Toussaint | jean toussaint |
| Jean_Toussaint | toussaint born |
| Jean_Toussaint | born july |
| Jean_Toussaint | july 27 |
| Jean_Toussaint | 27 1960 |
| Jean_Toussaint | 1960 is |
| Jean_Toussaint | is an |
| Jean_Toussaint | an american |
| Jean_Toussaint | american jazz |
| Jean_Toussaint | jazz tenor |
| Jean_Toussaint | tenor and |
| Jean_Toussaint | and soprano |
| Jean_Toussaint | soprano saxophonist |
| Jean_Toussaint | saxophonist en |
| Robert_Hurst_(musician) | robert hurst |
| Robert_Hurst_(musician) | hurst born |
| Robert_Hurst_(musician) | born october |
| Robert_Hurst_(musician) | october 4 |
| Robert_Hurst_(musician) | 4 1964 |
| Robert_Hurst_(musician) | 1964 is |
| Robert_Hurst_(musician) | is an |
| Robert_Hurst_(musician) | an american |
| Robert_Hurst_(musician) | american jazz |
| Robert_Hurst_(musician) | jazz bassist |
| Robert_Hurst_(musician) | bassist en |
| Pharoah_Sanders | pharoah sanders |
| Pharoah_Sanders | sanders born |
| Pharoah_Sanders | born farrell |
| Pharoah_Sanders | farrell sanders |
| Pharoah_Sanders | sanders october |
| Pharoah_Sanders | october 13 |
| Pharoah_Sanders | 13 1940 |
| Pharoah_Sanders | 1940 is |
| Pharoah_Sanders | is an |
| Pharoah_Sanders | an american |
| Pharoah_Sanders | american jazz |
| Pharoah_Sanders | jazz saxophonist |
| Pharoah_Sanders | saxophonist a |
| Pharoah_Sanders | a member |
| Pharoah_Sanders | member of |
| Pharoah_Sanders | of john |
| Pharoah_Sanders | john coltrane’s |
| Pharoah_Sanders | coltrane’s groups |
| Pharoah_Sanders | groups of |
| Pharoah_Sanders | of the |
| Pharoah_Sanders | the mid |
| Pharoah_Sanders | mid 1960s |
| Pharoah_Sanders | 1960s sanders |
| Pharoah_Sanders | sanders is |
| Pharoah_Sanders | is known |
| Pharoah_Sanders | known for |
| Pharoah_Sanders | for his |
| Pharoah_Sanders | his overblowing |
| Pharoah_Sanders | overblowing harmonic |
| Pharoah_Sanders | harmonic and |
| Pharoah_Sanders | and multiphonic |
| Pharoah_Sanders | multiphonic techniques |
| Pharoah_Sanders | techniques on |
| Pharoah_Sanders | on the |
| Pharoah_Sanders | the saxophone |
| Pharoah_Sanders | saxophone as |
| Pharoah_Sanders | as well |
| Pharoah_Sanders | well as |
| Pharoah_Sanders | as his |
| Pharoah_Sanders | his use |
| Pharoah_Sanders | use of |
| Pharoah_Sanders | of sheets |
| Pharoah_Sanders | sheets of |
| Pharoah_Sanders | of sound |
| Pharoah_Sanders | sound he |
| Pharoah_Sanders | he has |
| Pharoah_Sanders | has released |
| Pharoah_Sanders | released over |
| Pharoah_Sanders | over 30 |
| Pharoah_Sanders | 30 albums |
| Pharoah_Sanders | albums as |
| Pharoah_Sanders | as a |
| Pharoah_Sanders | a leader |
| Pharoah_Sanders | leader and |
| Pharoah_Sanders | and has |
| Pharoah_Sanders | has collaborated |
| Pharoah_Sanders | collaborated extensively |
| Pharoah_Sanders | extensively with |
| Pharoah_Sanders | with leon |
| Pharoah_Sanders | leon thomas |
| Pharoah_Sanders | thomas and |
| Pharoah_Sanders | and alice |
| Pharoah_Sanders | alice coltrane |
| Pharoah_Sanders | coltrane among |
| Pharoah_Sanders | among others |
| Pharoah_Sanders | others saxophonist |
| Pharoah_Sanders | saxophonist ornette |
| Pharoah_Sanders | ornette coleman |
| Pharoah_Sanders | coleman described |
| Pharoah_Sanders | described him |
| Pharoah_Sanders | him as |
| Pharoah_Sanders | as probably |
| Pharoah_Sanders | probably the |
| Pharoah_Sanders | the best |
| Pharoah_Sanders | best tenor |
| Pharoah_Sanders | tenor player |
| Pharoah_Sanders | player in |
| Pharoah_Sanders | in the |
| Pharoah_Sanders | the world |
| Pharoah_Sanders | world sanders |
| Pharoah_Sanders | sanders music |
| Pharoah_Sanders | music has |
| Pharoah_Sanders | has been |
| Pharoah_Sanders | been called |
| Pharoah_Sanders | called spiritual |
| Pharoah_Sanders | spiritual jazz |
| Pharoah_Sanders | jazz due |
| Pharoah_Sanders | due to |
| Pharoah_Sanders | to his |
| Pharoah_Sanders | his inspiration |
| Pharoah_Sanders | inspiration in |
| Pharoah_Sanders | in religious |
| Pharoah_Sanders | religious concepts |
| Pharoah_Sanders | concepts such |
| Pharoah_Sanders | such as |
| Pharoah_Sanders | as karma |
| Pharoah_Sanders | karma and |
| Pharoah_Sanders | and tawhid |
| Pharoah_Sanders | tawhid and |
| Pharoah_Sanders | and his |
| Pharoah_Sanders | his rich |
| Pharoah_Sanders | rich meditative |
| Pharoah_Sanders | meditative aesthetic |
| Pharoah_Sanders | aesthetic this |
| Pharoah_Sanders | this style |
| Pharoah_Sanders | style is |
| Pharoah_Sanders | is seen |
| Pharoah_Sanders | seen as |
| Pharoah_Sanders | as a |
| Pharoah_Sanders | a continuation |
| Pharoah_Sanders | continuation of |
| Pharoah_Sanders | of coltrane’s |
| Pharoah_Sanders | coltrane’s work |
| Pharoah_Sanders | work on |
| Pharoah_Sanders | on albums |
| Pharoah_Sanders | albums such |
| Pharoah_Sanders | such as |
| Pharoah_Sanders | as a |
| Pharoah_Sanders | a love |
| Pharoah_Sanders | love supreme |
| Pharoah_Sanders | supreme as |
| Pharoah_Sanders | as a |
| Pharoah_Sanders | a result |
| Pharoah_Sanders | result sanders |
| Pharoah_Sanders | sanders is |
| Pharoah_Sanders | is considered |
| Pharoah_Sanders | considered a |
| Pharoah_Sanders | a disciple |
| Pharoah_Sanders | disciple of |
| Pharoah_Sanders | of coltrane |
| Pharoah_Sanders | coltrane or |
| Pharoah_Sanders | or as |
| Pharoah_Sanders | as albert |
| Pharoah_Sanders | albert ayler |
| Pharoah_Sanders | ayler said |
| Pharoah_Sanders | said trane |
| Pharoah_Sanders | trane was |
| Pharoah_Sanders | was the |
| Pharoah_Sanders | the father |
| Pharoah_Sanders | father pharoah |
| Pharoah_Sanders | pharoah was |
| Pharoah_Sanders | was the |
| Pharoah_Sanders | the son |
| Pharoah_Sanders | son i |
| Pharoah_Sanders | i am |
| Pharoah_Sanders | am the |
| Pharoah_Sanders | the holy |
| Pharoah_Sanders | holy ghost |
| Pharoah_Sanders | ghost en |
| The_Tonight_Show_Band | the tonight |
| The_Tonight_Show_Band | tonight show |
| The_Tonight_Show_Band | show band |
| The_Tonight_Show_Band | band is |
| The_Tonight_Show_Band | is the |
| The_Tonight_Show_Band | the house |
| The_Tonight_Show_Band | house band |
| The_Tonight_Show_Band | band that |
| The_Tonight_Show_Band | that plays |
| The_Tonight_Show_Band | plays on |
| The_Tonight_Show_Band | on the |
| The_Tonight_Show_Band | the american |
| The_Tonight_Show_Band | american television |
| The_Tonight_Show_Band | television variety |
| The_Tonight_Show_Band | variety show |
| The_Tonight_Show_Band | show the |
| The_Tonight_Show_Band | the tonight |
| The_Tonight_Show_Band | tonight show |
| The_Tonight_Show_Band | show from |
| The_Tonight_Show_Band | from 1962 |
| The_Tonight_Show_Band | 1962 until |
| The_Tonight_Show_Band | until 1992 |
| The_Tonight_Show_Band | 1992 when |
| The_Tonight_Show_Band | when the |
| The_Tonight_Show_Band | the show |
| The_Tonight_Show_Band | show was |
| The_Tonight_Show_Band | was known |
| The_Tonight_Show_Band | known as |
| The_Tonight_Show_Band | as the |
| The_Tonight_Show_Band | the tonight |
| The_Tonight_Show_Band | tonight show |
| The_Tonight_Show_Band | show starring |
| The_Tonight_Show_Band | starring johnny |
| The_Tonight_Show_Band | johnny carson |
| The_Tonight_Show_Band | carson the |
| The_Tonight_Show_Band | the band |
| The_Tonight_Show_Band | band was |
| The_Tonight_Show_Band | was a |
| The_Tonight_Show_Band | a 17 |
| The_Tonight_Show_Band | 17 piece |
| The_Tonight_Show_Band | piece big |
| The_Tonight_Show_Band | big band |
| The_Tonight_Show_Band | band and |
| The_Tonight_Show_Band | and was |
| The_Tonight_Show_Band | was an |
| The_Tonight_Show_Band | an important |
| The_Tonight_Show_Band | important showcase |
| The_Tonight_Show_Band | showcase for |
| The_Tonight_Show_Band | for jazz |
| The_Tonight_Show_Band | jazz on |
| The_Tonight_Show_Band | on american |
| The_Tonight_Show_Band | american television |
| The_Tonight_Show_Band | television during |
| The_Tonight_Show_Band | during the |
| The_Tonight_Show_Band | the carson |
| The_Tonight_Show_Band | carson era |
| The_Tonight_Show_Band | era the |
| The_Tonight_Show_Band | the band |
| The_Tonight_Show_Band | band was |
| The_Tonight_Show_Band | was always |
| The_Tonight_Show_Band | always billed |
| The_Tonight_Show_Band | billed as |
| The_Tonight_Show_Band | as the |
| The_Tonight_Show_Band | the nbc |
| The_Tonight_Show_Band | nbc orchestra |
| The_Tonight_Show_Band | orchestra not |
| The_Tonight_Show_Band | not to |
| The_Tonight_Show_Band | to be |
| The_Tonight_Show_Band | be confused |
| The_Tonight_Show_Band | confused with |
| The_Tonight_Show_Band | with the |
| The_Tonight_Show_Band | the nbc |
| The_Tonight_Show_Band | nbc symphony |
| The_Tonight_Show_Band | symphony orchestra |
| The_Tonight_Show_Band | orchestra and |
| The_Tonight_Show_Band | and sometimes |
| The_Tonight_Show_Band | sometimes doc |
| The_Tonight_Show_Band | doc severinsen |
| The_Tonight_Show_Band | severinsen and |
| The_Tonight_Show_Band | and the |
| The_Tonight_Show_Band | the nbc |
| The_Tonight_Show_Band | nbc orchestra |
| The_Tonight_Show_Band | orchestra en |
| Woody_Shaw | woody herman |
| Woody_Shaw | herman shaw |
| Woody_Shaw | shaw jr |
| Woody_Shaw | jr december |
| Woody_Shaw | december 24 |
| Woody_Shaw | 24 1944 |
| Woody_Shaw | 1944 may |
| Woody_Shaw | may 10 |
| Woody_Shaw | 10 1989 |
| Woody_Shaw | 1989 was |
| Woody_Shaw | was an |
| Woody_Shaw | an american |
| Woody_Shaw | american jazz |
| Woody_Shaw | jazz trumpeter |
| Woody_Shaw | trumpeter flugelhornist |
| Woody_Shaw | flugelhornist cornetist |
| Woody_Shaw | cornetist composer |
| Woody_Shaw | composer arranger |
| Woody_Shaw | arranger band |
| Woody_Shaw | band leader |
| Woody_Shaw | leader and |
| Woody_Shaw | and educator |
| Woody_Shaw | educator shaw |
| Woody_Shaw | shaw is |
| Woody_Shaw | is widely |
| Woody_Shaw | widely known |
| Woody_Shaw | known as |
| Woody_Shaw | as one |
| Woody_Shaw | one of |
| Woody_Shaw | of the |
| Woody_Shaw | the most |
| Woody_Shaw | most important |
| Woody_Shaw | important and |
| Woody_Shaw | and influential |
| Woody_Shaw | influential jazz |
| Woody_Shaw | jazz trumpeters |
| Woody_Shaw | trumpeters and |
| Woody_Shaw | and composers |
| Woody_Shaw | composers of |
| Woody_Shaw | of the |
| Woody_Shaw | the twentieth |
| Woody_Shaw | twentieth century |
| Woody_Shaw | century he |
| Woody_Shaw | he is |
| Woody_Shaw | is often |
| Woody_Shaw | often credited |
| Woody_Shaw | credited with |
| Woody_Shaw | with revolutionizing |
| Woody_Shaw | revolutionizing the |
| Woody_Shaw | the technical |
| Woody_Shaw | technical and |
| Woody_Shaw | and harmonic |
| Woody_Shaw | harmonic language |
| Woody_Shaw | language of |
| Woody_Shaw | of modern |
| Woody_Shaw | modern jazz |
| Woody_Shaw | jazz trumpet |
| Woody_Shaw | trumpet playing |
| Woody_Shaw | playing and |
| Woody_Shaw | and to |
| Woody_Shaw | to this |
| Woody_Shaw | this day |
| Woody_Shaw | day is |
| Woody_Shaw | is regarded |
| Woody_Shaw | regarded by |
| Woody_Shaw | by many |
| Woody_Shaw | many as |
| Woody_Shaw | as one |
| Woody_Shaw | one of |
| Woody_Shaw | of the |
| Woody_Shaw | the major |
| Woody_Shaw | major innovators |
| Woody_Shaw | innovators of |
| Woody_Shaw | of the |
| Woody_Shaw | the instrument |
| Woody_Shaw | instrument he |
| Woody_Shaw | he was |
| Woody_Shaw | was an |
| Woody_Shaw | an acclaimed |
| Woody_Shaw | acclaimed virtuoso |
| Woody_Shaw | virtuoso mentor |
| Woody_Shaw | mentor and |
| Woody_Shaw | and spokesperson |
| Woody_Shaw | spokesperson for |
| Woody_Shaw | for jazz |
| Woody_Shaw | jazz and |
| Woody_Shaw | and worked |
| Woody_Shaw | worked and |
| Woody_Shaw | and recorded |
| Woody_Shaw | recorded alongside |
| Woody_Shaw | alongside many |
| Woody_Shaw | many of |
| Woody_Shaw | of the |
| Woody_Shaw | the leading |
| Woody_Shaw | leading musicians |
| Woody_Shaw | musicians of |
| Woody_Shaw | of his |
| Woody_Shaw | his time |
| Woody_Shaw | time en |
| Ali_Jackson_(jazz_drummer) | ali jackson |
| Ali_Jackson_(jazz_drummer) | jackson jr |
| Ali_Jackson_(jazz_drummer) | jr born |
| Ali_Jackson_(jazz_drummer) | born april |
| Ali_Jackson_(jazz_drummer) | april 3 |
| Ali_Jackson_(jazz_drummer) | 3 1976 |
| Ali_Jackson_(jazz_drummer) | 1976 is |
| Ali_Jackson_(jazz_drummer) | is an |
| Ali_Jackson_(jazz_drummer) | an american |
| Ali_Jackson_(jazz_drummer) | american drummer |
| Ali_Jackson_(jazz_drummer) | drummer musician |
| Ali_Jackson_(jazz_drummer) | musician composer |
| Ali_Jackson_(jazz_drummer) | composer arranger |
| Ali_Jackson_(jazz_drummer) | arranger educator |
| Ali_Jackson_(jazz_drummer) | educator and |
| Ali_Jackson_(jazz_drummer) | and percussionist |
| Ali_Jackson_(jazz_drummer) | percussionist son |
| Ali_Jackson_(jazz_drummer) | son of |
| Ali_Jackson_(jazz_drummer) | of ali |
| Ali_Jackson_(jazz_drummer) | ali jackson |
| Ali_Jackson_(jazz_drummer) | jackson jazz |
| Ali_Jackson_(jazz_drummer) | jazz bassist |
| Ali_Jackson_(jazz_drummer) | bassist ali |
| Ali_Jackson_(jazz_drummer) | ali jr |
| Ali_Jackson_(jazz_drummer) | jr started |
| Ali_Jackson_(jazz_drummer) | started playing |
| Ali_Jackson_(jazz_drummer) | playing drums |
| Ali_Jackson_(jazz_drummer) | drums at |
| Ali_Jackson_(jazz_drummer) | at the |
| Ali_Jackson_(jazz_drummer) | the age |
| Ali_Jackson_(jazz_drummer) | age of |
| Ali_Jackson_(jazz_drummer) | of 2 |
| Ali_Jackson_(jazz_drummer) | 2 ali |
| Ali_Jackson_(jazz_drummer) | ali graduated |
| Ali_Jackson_(jazz_drummer) | graduated as |
| Ali_Jackson_(jazz_drummer) | as a |
| Ali_Jackson_(jazz_drummer) | a music |
| Ali_Jackson_(jazz_drummer) | music major |
| Ali_Jackson_(jazz_drummer) | major with |
| Ali_Jackson_(jazz_drummer) | with high |
| Ali_Jackson_(jazz_drummer) | high honors |
| Ali_Jackson_(jazz_drummer) | honors from |
| Ali_Jackson_(jazz_drummer) | from detroit |
| Ali_Jackson_(jazz_drummer) | detroit prestigious |
| Ali_Jackson_(jazz_drummer) | prestigious ali |
| Ali_Jackson_(jazz_drummer) | ali natural |
| Ali_Jackson_(jazz_drummer) | natural ability |
| Ali_Jackson_(jazz_drummer) | ability and |
| Ali_Jackson_(jazz_drummer) | and passion |
| Ali_Jackson_(jazz_drummer) | passion for |
| Ali_Jackson_(jazz_drummer) | for music |
| Ali_Jackson_(jazz_drummer) | music bloomed |
| Ali_Jackson_(jazz_drummer) | bloomed and |
| Ali_Jackson_(jazz_drummer) | and by |
| Ali_Jackson_(jazz_drummer) | by the |
| Ali_Jackson_(jazz_drummer) | the age |
| Ali_Jackson_(jazz_drummer) | age of |
| Ali_Jackson_(jazz_drummer) | of 11 |
| Ali_Jackson_(jazz_drummer) | 11 his |
| Ali_Jackson_(jazz_drummer) | his aptitude |
| Ali_Jackson_(jazz_drummer) | aptitude flourished |
| Ali_Jackson_(jazz_drummer) | flourished as |
| Ali_Jackson_(jazz_drummer) | as a |
| Ali_Jackson_(jazz_drummer) | a result |
| Ali_Jackson_(jazz_drummer) | result of |
| Ali_Jackson_(jazz_drummer) | of a |
| Ali_Jackson_(jazz_drummer) | a steady |
| Ali_Jackson_(jazz_drummer) | steady stream |
| Ali_Jackson_(jazz_drummer) | stream of |
| Ali_Jackson_(jazz_drummer) | of lessons |
| Ali_Jackson_(jazz_drummer) | lessons and |
| Ali_Jackson_(jazz_drummer) | and mentoring |
| Ali_Jackson_(jazz_drummer) | mentoring from |
| Ali_Jackson_(jazz_drummer) | from an |
| Ali_Jackson_(jazz_drummer) | an all |
| Ali_Jackson_(jazz_drummer) | all star |
| Ali_Jackson_(jazz_drummer) | star lineup |
| Ali_Jackson_(jazz_drummer) | lineup of |
| Ali_Jackson_(jazz_drummer) | of music |
| Ali_Jackson_(jazz_drummer) | music legends |
| Ali_Jackson_(jazz_drummer) | legends including |
| Ali_Jackson_(jazz_drummer) | including max |
| Ali_Jackson_(jazz_drummer) | max roach |
| Ali_Jackson_(jazz_drummer) | roach milt |
| Ali_Jackson_(jazz_drummer) | milt hinton |
| Ali_Jackson_(jazz_drummer) | hinton dr |
| Ali_Jackson_(jazz_drummer) | dr donald |
| Ali_Jackson_(jazz_drummer) | donald byrd |
| Ali_Jackson_(jazz_drummer) | byrd betty |
| Ali_Jackson_(jazz_drummer) | betty carter |
| Ali_Jackson_(jazz_drummer) | carter aretha |
| Ali_Jackson_(jazz_drummer) | aretha franklin |
| Ali_Jackson_(jazz_drummer) | franklin and |
| Ali_Jackson_(jazz_drummer) | and james |
| Ali_Jackson_(jazz_drummer) | james mtume |
| Ali_Jackson_(jazz_drummer) | mtume during |
| Ali_Jackson_(jazz_drummer) | during one |
| Ali_Jackson_(jazz_drummer) | one lesson |
| Ali_Jackson_(jazz_drummer) | lesson when |
| Ali_Jackson_(jazz_drummer) | when he |
| Ali_Jackson_(jazz_drummer) | he was |
| Ali_Jackson_(jazz_drummer) | was 12 |
| Ali_Jackson_(jazz_drummer) | 12 ali |
| Ali_Jackson_(jazz_drummer) | ali met |
| Ali_Jackson_(jazz_drummer) | met wynton |
| Ali_Jackson_(jazz_drummer) | wynton marsalis |
| Ali_Jackson_(jazz_drummer) | marsalis and |
| Ali_Jackson_(jazz_drummer) | and impressed |
| Ali_Jackson_(jazz_drummer) | impressed the |
| Ali_Jackson_(jazz_drummer) | the trumpet |
| Ali_Jackson_(jazz_drummer) | trumpet virtuoso |
| Ali_Jackson_(jazz_drummer) | virtuoso and |
| Ali_Jackson_(jazz_drummer) | and future |
| Ali_Jackson_(jazz_drummer) | future collaborator |
| Ali_Jackson_(jazz_drummer) | collaborator with |
| Ali_Jackson_(jazz_drummer) | with his |
| Ali_Jackson_(jazz_drummer) | his maturity |
| Ali_Jackson_(jazz_drummer) | maturity and |
| Ali_Jackson_(jazz_drummer) | and his |
| Ali_Jackson_(jazz_drummer) | his advanced |
| Ali_Jackson_(jazz_drummer) | advanced knowledge |
| Ali_Jackson_(jazz_drummer) | knowledge of |
| Ali_Jackson_(jazz_drummer) | of the |
| Ali_Jackson_(jazz_drummer) | the piano |
| Ali_Jackson_(jazz_drummer) | piano and |
| Ali_Jackson_(jazz_drummer) | and music |
| Ali_Jackson_(jazz_drummer) | music theory |
| Ali_Jackson_(jazz_drummer) | theory skills |
| Ali_Jackson_(jazz_drummer) | skills rare |
| Ali_Jackson_(jazz_drummer) | rare among |
| Ali_Jackson_(jazz_drummer) | among drummers |
| Ali_Jackson_(jazz_drummer) | drummers ali |
| Ali_Jackson_(jazz_drummer) | ali graduated |
| Ali_Jackson_(jazz_drummer) | graduated as |
| Ali_Jackson_(jazz_drummer) | as a |
| Ali_Jackson_(jazz_drummer) | a music |
| Ali_Jackson_(jazz_drummer) | music major |
| Ali_Jackson_(jazz_drummer) | major with |
| Ali_Jackson_(jazz_drummer) | with high |
| Ali_Jackson_(jazz_drummer) | high honors |
| Ali_Jackson_(jazz_drummer) | honors from |
| Ali_Jackson_(jazz_drummer) | from detroit |
| Ali_Jackson_(jazz_drummer) | detroit prestigious |
| Ali_Jackson_(jazz_drummer) | prestigious cass |
| Ali_Jackson_(jazz_drummer) | cass technical |
| Ali_Jackson_(jazz_drummer) | technical high |
| Ali_Jackson_(jazz_drummer) | high school |
| Ali_Jackson_(jazz_drummer) | school a |
| Ali_Jackson_(jazz_drummer) | a program |
| Ali_Jackson_(jazz_drummer) | program with |
| Ali_Jackson_(jazz_drummer) | with a |
| Ali_Jackson_(jazz_drummer) | a rich |
| Ali_Jackson_(jazz_drummer) | rich legacy |
| Ali_Jackson_(jazz_drummer) | legacy of |
| Ali_Jackson_(jazz_drummer) | of consistently |
| Ali_Jackson_(jazz_drummer) | consistently producing |
| Ali_Jackson_(jazz_drummer) | producing the |
| Ali_Jackson_(jazz_drummer) | the country |
| Ali_Jackson_(jazz_drummer) | country top |
| Ali_Jackson_(jazz_drummer) | top musicians |
| Ali_Jackson_(jazz_drummer) | musicians as |
| Ali_Jackson_(jazz_drummer) | as a |
| Ali_Jackson_(jazz_drummer) | a student |
| Ali_Jackson_(jazz_drummer) | student at |
| Ali_Jackson_(jazz_drummer) | at the |
| Ali_Jackson_(jazz_drummer) | the in |
| Ali_Jackson_(jazz_drummer) | in new |
| Ali_Jackson_(jazz_drummer) | new york |
| Ali_Jackson_(jazz_drummer) | york city |
| Ali_Jackson_(jazz_drummer) | city he |
| Ali_Jackson_(jazz_drummer) | he was |
| Ali_Jackson_(jazz_drummer) | was privileged |
| Ali_Jackson_(jazz_drummer) | privileged to |
| Ali_Jackson_(jazz_drummer) | to study |
| Ali_Jackson_(jazz_drummer) | study with |
| Ali_Jackson_(jazz_drummer) | with max |
| Ali_Jackson_(jazz_drummer) | max roach |
| Ali_Jackson_(jazz_drummer) | roach and |
| Ali_Jackson_(jazz_drummer) | and elvin |
| Ali_Jackson_(jazz_drummer) | elvin jones |
| Ali_Jackson_(jazz_drummer) | jones he |
| Ali_Jackson_(jazz_drummer) | he attended |
| Ali_Jackson_(jazz_drummer) | attended college |
| Ali_Jackson_(jazz_drummer) | college on |
| Ali_Jackson_(jazz_drummer) | on a |
| Ali_Jackson_(jazz_drummer) | a full |
| Ali_Jackson_(jazz_drummer) | full academic |
| Ali_Jackson_(jazz_drummer) | academic scholarship |
| Ali_Jackson_(jazz_drummer) | scholarship earning |
| Ali_Jackson_(jazz_drummer) | earning an |
| Ali_Jackson_(jazz_drummer) | an undergraduate |
| Ali_Jackson_(jazz_drummer) | undergraduate degree |
| Ali_Jackson_(jazz_drummer) | degree in |
| Ali_Jackson_(jazz_drummer) | in music |
| Ali_Jackson_(jazz_drummer) | music composition |
| Ali_Jackson_(jazz_drummer) | composition in |
| Ali_Jackson_(jazz_drummer) | in 1994 |
| Ali_Jackson_(jazz_drummer) | 1994 ali |
| Ali_Jackson_(jazz_drummer) | ali was |
| Ali_Jackson_(jazz_drummer) | was selected |
| Ali_Jackson_(jazz_drummer) | selected as |
| Ali_Jackson_(jazz_drummer) | as the |
| Ali_Jackson_(jazz_drummer) | the guest |
| Ali_Jackson_(jazz_drummer) | guest soloist |
| Ali_Jackson_(jazz_drummer) | soloist for |
| Ali_Jackson_(jazz_drummer) | for the |
| Ali_Jackson_(jazz_drummer) | the beacons |
| Ali_Jackson_(jazz_drummer) | beacons of |
| Ali_Jackson_(jazz_drummer) | of jazz |
| Ali_Jackson_(jazz_drummer) | jazz program |
| Ali_Jackson_(jazz_drummer) | program honoring |
| Ali_Jackson_(jazz_drummer) | honoring legendary |
| Ali_Jackson_(jazz_drummer) | legendary jazz |
| Ali_Jackson_(jazz_drummer) | jazz drummer |
| Ali_Jackson_(jazz_drummer) | drummer max |
| Ali_Jackson_(jazz_drummer) | max roach |
| Ali_Jackson_(jazz_drummer) | roach the |
| Ali_Jackson_(jazz_drummer) | the thelonius |
| Ali_Jackson_(jazz_drummer) | thelonius monk |
| Ali_Jackson_(jazz_drummer) | monk institute |
| Ali_Jackson_(jazz_drummer) | institute and |
| Ali_Jackson_(jazz_drummer) | and jazz |
| Ali_Jackson_(jazz_drummer) | jazz aspen |
| Ali_Jackson_(jazz_drummer) | aspen selected |
| Ali_Jackson_(jazz_drummer) | selected him |
| Ali_Jackson_(jazz_drummer) | him to |
| Ali_Jackson_(jazz_drummer) | to participate |
| Ali_Jackson_(jazz_drummer) | participate in |
| Ali_Jackson_(jazz_drummer) | in the |
| Ali_Jackson_(jazz_drummer) | the first |
| Ali_Jackson_(jazz_drummer) | first annual |
| Ali_Jackson_(jazz_drummer) | annual jazz |
| Ali_Jackson_(jazz_drummer) | jazz aspen |
| Ali_Jackson_(jazz_drummer) | aspen for |
| Ali_Jackson_(jazz_drummer) | for gifted |
| Ali_Jackson_(jazz_drummer) | gifted and |
| Ali_Jackson_(jazz_drummer) | and talented |
| Ali_Jackson_(jazz_drummer) | talented musicians |
| Ali_Jackson_(jazz_drummer) | musicians ali |
| Ali_Jackson_(jazz_drummer) | ali was |
| Ali_Jackson_(jazz_drummer) | was also |
| Ali_Jackson_(jazz_drummer) | also the |
| Ali_Jackson_(jazz_drummer) | the first |
| Ali_Jackson_(jazz_drummer) | first recipient |
| Ali_Jackson_(jazz_drummer) | recipient of |
| Ali_Jackson_(jazz_drummer) | of the |
| Ali_Jackson_(jazz_drummer) | the state |
| Ali_Jackson_(jazz_drummer) | state of |
| Ali_Jackson_(jazz_drummer) | of michigan |
| Ali_Jackson_(jazz_drummer) | michigan prestigious |
| Ali_Jackson_(jazz_drummer) | prestigious artserv |
| Ali_Jackson_(jazz_drummer) | artserv emerging |
| Ali_Jackson_(jazz_drummer) | emerging artist |
| Ali_Jackson_(jazz_drummer) | artist award |
| Ali_Jackson_(jazz_drummer) | award in |
| Ali_Jackson_(jazz_drummer) | in 1998 |
| Ali_Jackson_(jazz_drummer) | 1998 a |
| Ali_Jackson_(jazz_drummer) | a program |
| Ali_Jackson_(jazz_drummer) | program with |
| Ali_Jackson_(jazz_drummer) | with a |
| Ali_Jackson_(jazz_drummer) | a rich |
| Ali_Jackson_(jazz_drummer) | rich legacy |
| Ali_Jackson_(jazz_drummer) | legacy of |
| Ali_Jackson_(jazz_drummer) | of consistently |
| Ali_Jackson_(jazz_drummer) | consistently producing |
| Ali_Jackson_(jazz_drummer) | producing the |
| Ali_Jackson_(jazz_drummer) | the country |
| Ali_Jackson_(jazz_drummer) | country top |
| Ali_Jackson_(jazz_drummer) | top musicians |
| Ali_Jackson_(jazz_drummer) | musicians as |
| Ali_Jackson_(jazz_drummer) | as a |
| Ali_Jackson_(jazz_drummer) | a student |
| Ali_Jackson_(jazz_drummer) | student at |
| Ali_Jackson_(jazz_drummer) | at the |
| Ali_Jackson_(jazz_drummer) | the new |
| Ali_Jackson_(jazz_drummer) | new school |
| Ali_Jackson_(jazz_drummer) | school university |
| Ali_Jackson_(jazz_drummer) | university for |
| Ali_Jackson_(jazz_drummer) | for contemporary |
| Ali_Jackson_(jazz_drummer) | contemporary music |
| Ali_Jackson_(jazz_drummer) | music in |
| Ali_Jackson_(jazz_drummer) | in new |
| Ali_Jackson_(jazz_drummer) | new york |
| Ali_Jackson_(jazz_drummer) | york city |
| Ali_Jackson_(jazz_drummer) | city he |
| Ali_Jackson_(jazz_drummer) | he was |
| Ali_Jackson_(jazz_drummer) | was privileged |
| Ali_Jackson_(jazz_drummer) | privileged to |
| Ali_Jackson_(jazz_drummer) | to study |
| Ali_Jackson_(jazz_drummer) | study with |
| Ali_Jackson_(jazz_drummer) | with max |
| Ali_Jackson_(jazz_drummer) | max roach |
| Ali_Jackson_(jazz_drummer) | roach and |
| Ali_Jackson_(jazz_drummer) | and elvin |
| Ali_Jackson_(jazz_drummer) | elvin jones |
| Ali_Jackson_(jazz_drummer) | jones he |
| Ali_Jackson_(jazz_drummer) | he attended |
| Ali_Jackson_(jazz_drummer) | attended college |
| Ali_Jackson_(jazz_drummer) | college on |
| Ali_Jackson_(jazz_drummer) | on a |
| Ali_Jackson_(jazz_drummer) | a full |
| Ali_Jackson_(jazz_drummer) | full academic |
| Ali_Jackson_(jazz_drummer) | academic scholarship |
| Ali_Jackson_(jazz_drummer) | scholarship earning |
| Ali_Jackson_(jazz_drummer) | earning an |
| Ali_Jackson_(jazz_drummer) | an undergraduate |
| Ali_Jackson_(jazz_drummer) | undergraduate degree |
| Ali_Jackson_(jazz_drummer) | degree in |
| Ali_Jackson_(jazz_drummer) | in music |
| Ali_Jackson_(jazz_drummer) | music composition |
| Ali_Jackson_(jazz_drummer) | composition in |
| Ali_Jackson_(jazz_drummer) | in 1994 |
| Ali_Jackson_(jazz_drummer) | 1994 ali |
| Ali_Jackson_(jazz_drummer) | ali was |
| Ali_Jackson_(jazz_drummer) | was selected |
| Ali_Jackson_(jazz_drummer) | selected as |
| Ali_Jackson_(jazz_drummer) | as the |
| Ali_Jackson_(jazz_drummer) | the guest |
| Ali_Jackson_(jazz_drummer) | guest soloist |
| Ali_Jackson_(jazz_drummer) | soloist for |
| Ali_Jackson_(jazz_drummer) | for the |
| Ali_Jackson_(jazz_drummer) | the beacons |
| Ali_Jackson_(jazz_drummer) | beacons of |
| Ali_Jackson_(jazz_drummer) | of jazz |
| Ali_Jackson_(jazz_drummer) | jazz program |
| Ali_Jackson_(jazz_drummer) | program honoring |
| Ali_Jackson_(jazz_drummer) | honoring legendary |
| Ali_Jackson_(jazz_drummer) | legendary jazz |
| Ali_Jackson_(jazz_drummer) | jazz drummer |
| Ali_Jackson_(jazz_drummer) | drummer max |
| Ali_Jackson_(jazz_drummer) | max roach |
| Ali_Jackson_(jazz_drummer) | roach the |
| Ali_Jackson_(jazz_drummer) | the thelonius |
| Ali_Jackson_(jazz_drummer) | thelonius monk |
| Ali_Jackson_(jazz_drummer) | monk institute |
| Ali_Jackson_(jazz_drummer) | institute and |
| Ali_Jackson_(jazz_drummer) | and jazz |
| Ali_Jackson_(jazz_drummer) | jazz aspen |
| Ali_Jackson_(jazz_drummer) | aspen selected |
| Ali_Jackson_(jazz_drummer) | selected him |
| Ali_Jackson_(jazz_drummer) | him to |
| Ali_Jackson_(jazz_drummer) | to participate |
| Ali_Jackson_(jazz_drummer) | participate in |
| Ali_Jackson_(jazz_drummer) | in the |
| Ali_Jackson_(jazz_drummer) | the first |
| Ali_Jackson_(jazz_drummer) | first annual |
| Ali_Jackson_(jazz_drummer) | annual jazz |
| Ali_Jackson_(jazz_drummer) | jazz aspen |
| Ali_Jackson_(jazz_drummer) | aspen for |
| Ali_Jackson_(jazz_drummer) | for gifted |
| Ali_Jackson_(jazz_drummer) | gifted and |
| Ali_Jackson_(jazz_drummer) | and talented |
| Ali_Jackson_(jazz_drummer) | talented musicians |
| Ali_Jackson_(jazz_drummer) | musicians ali |
| Ali_Jackson_(jazz_drummer) | ali was |
| Ali_Jackson_(jazz_drummer) | was also |
| Ali_Jackson_(jazz_drummer) | also the |
| Ali_Jackson_(jazz_drummer) | the first |
| Ali_Jackson_(jazz_drummer) | first recipient |
| Ali_Jackson_(jazz_drummer) | recipient of |
| Ali_Jackson_(jazz_drummer) | of the |
| Ali_Jackson_(jazz_drummer) | the state |
| Ali_Jackson_(jazz_drummer) | state of |
| Ali_Jackson_(jazz_drummer) | of michigan |
| Ali_Jackson_(jazz_drummer) | michigan prestigious |
| Ali_Jackson_(jazz_drummer) | prestigious artserv |
| Ali_Jackson_(jazz_drummer) | artserv emerging |
| Ali_Jackson_(jazz_drummer) | emerging artist |
| Ali_Jackson_(jazz_drummer) | artist award |
| Ali_Jackson_(jazz_drummer) | award in |
| Ali_Jackson_(jazz_drummer) | in 1998 |
| Ali_Jackson_(jazz_drummer) | 1998 jackson |
| Ali_Jackson_(jazz_drummer) | jackson is |
| Ali_Jackson_(jazz_drummer) | is from |
| Ali_Jackson_(jazz_drummer) | from detroit |
| Ali_Jackson_(jazz_drummer) | detroit a |
| Ali_Jackson_(jazz_drummer) | a reviewer |
| Ali_Jackson_(jazz_drummer) | reviewer for |
| Ali_Jackson_(jazz_drummer) | for the |
| Ali_Jackson_(jazz_drummer) | the new |
| Ali_Jackson_(jazz_drummer) | new york |
| Ali_Jackson_(jazz_drummer) | york times |
| Ali_Jackson_(jazz_drummer) | times in |
| Ali_Jackson_(jazz_drummer) | in 2009 |
| Ali_Jackson_(jazz_drummer) | 2009 wrote |
| Ali_Jackson_(jazz_drummer) | wrote that |
| Ali_Jackson_(jazz_drummer) | that jackson |
| Ali_Jackson_(jazz_drummer) | jackson generates |
| Ali_Jackson_(jazz_drummer) | generates a |
| Ali_Jackson_(jazz_drummer) | a subtle |
| Ali_Jackson_(jazz_drummer) | subtle but |
| Ali_Jackson_(jazz_drummer) | but irresistible |
| Ali_Jackson_(jazz_drummer) | irresistible force |
| Ali_Jackson_(jazz_drummer) | force when |
| Ali_Jackson_(jazz_drummer) | when he |
| Ali_Jackson_(jazz_drummer) | he plays |
| Ali_Jackson_(jazz_drummer) | plays making |
| Ali_Jackson_(jazz_drummer) | making even |
| Ali_Jackson_(jazz_drummer) | even the |
| Ali_Jackson_(jazz_drummer) | the smallest |
| Ali_Jackson_(jazz_drummer) | smallest gestures |
| Ali_Jackson_(jazz_drummer) | gestures advance |
| Ali_Jackson_(jazz_drummer) | advance his |
| Ali_Jackson_(jazz_drummer) | his agenda |
| Ali_Jackson_(jazz_drummer) | agenda of |
| Ali_Jackson_(jazz_drummer) | of locomotion |
| Ali_Jackson_(jazz_drummer) | locomotion en |
| Lalo_Schifrin | boris claudio |
| Lalo_Schifrin | claudio lalo |
| Lalo_Schifrin | lalo schifrin |
| Lalo_Schifrin | schifrin born |
| Lalo_Schifrin | born june |
| Lalo_Schifrin | june 21 |
| Lalo_Schifrin | 21 1932 |
| Lalo_Schifrin | 1932 is |
| Lalo_Schifrin | is an |
| Lalo_Schifrin | an argentine |
| Lalo_Schifrin | argentine american |
| Lalo_Schifrin | american pianist |
| Lalo_Schifrin | pianist composer |
| Lalo_Schifrin | composer arranger |
| Lalo_Schifrin | arranger and |
| Lalo_Schifrin | and conductor |
| Lalo_Schifrin | conductor he |
| Lalo_Schifrin | he is |
| Lalo_Schifrin | is best |
| Lalo_Schifrin | best known |
| Lalo_Schifrin | known for |
| Lalo_Schifrin | for his |
| Lalo_Schifrin | his large |
| Lalo_Schifrin | large body |
| Lalo_Schifrin | body of |
| Lalo_Schifrin | of film |
| Lalo_Schifrin | film and |
| Lalo_Schifrin | and tv |
| Lalo_Schifrin | tv scores |
| Lalo_Schifrin | scores since |
| Lalo_Schifrin | since the |
| Lalo_Schifrin | the 1950s |
| Lalo_Schifrin | 1950s incorporating |
| Lalo_Schifrin | incorporating jazz |
| Lalo_Schifrin | jazz and |
| Lalo_Schifrin | and latin |
| Lalo_Schifrin | latin american |
| Lalo_Schifrin | american musical |
| Lalo_Schifrin | musical elements |
| Lalo_Schifrin | elements alongside |
| Lalo_Schifrin | alongside traditional |
| Lalo_Schifrin | traditional orchestrations |
| Lalo_Schifrin | orchestrations he |
| Lalo_Schifrin | he is |
| Lalo_Schifrin | is a |
| Lalo_Schifrin | a five |
| Lalo_Schifrin | five time |
| Lalo_Schifrin | time grammy |
| Lalo_Schifrin | grammy award |
| Lalo_Schifrin | award winner |
| Lalo_Schifrin | winner and |
| Lalo_Schifrin | and has |
| Lalo_Schifrin | has been |
| Lalo_Schifrin | been nominated |
| Lalo_Schifrin | nominated for |
| Lalo_Schifrin | for six |
| Lalo_Schifrin | six academy |
| Lalo_Schifrin | academy awards |
| Lalo_Schifrin | awards and |
| Lalo_Schifrin | and four |
| Lalo_Schifrin | four emmy |
| Lalo_Schifrin | emmy awards |
| Lalo_Schifrin | awards schifrin’s |
| Lalo_Schifrin | schifrin’s best |
| Lalo_Schifrin | best known |
| Lalo_Schifrin | known compositions |
| Lalo_Schifrin | compositions include |
| Lalo_Schifrin | include the |
| Lalo_Schifrin | the theme |
| Lalo_Schifrin | theme from |
| Lalo_Schifrin | from mission |
| Lalo_Schifrin | mission impossible |
| Lalo_Schifrin | impossible and |
| Lalo_Schifrin | and the |
| Lalo_Schifrin | the scores |
| Lalo_Schifrin | scores to |
| Lalo_Schifrin | to cool |
| Lalo_Schifrin | cool hand |
| Lalo_Schifrin | hand luke |
| Lalo_Schifrin | luke 1967 |
| Lalo_Schifrin | 1967 bullitt |
| Lalo_Schifrin | bullitt 1968 |
| Lalo_Schifrin | 1968 thx |
| Lalo_Schifrin | thx 1138 |
| Lalo_Schifrin | 1138 1971 |
| Lalo_Schifrin | 1971 enter |
| Lalo_Schifrin | enter the |
| Lalo_Schifrin | the dragon |
| Lalo_Schifrin | dragon 1973 |
| Lalo_Schifrin | 1973 the |
| Lalo_Schifrin | the four |
| Lalo_Schifrin | four musketeers |
| Lalo_Schifrin | musketeers 1974 |
| Lalo_Schifrin | 1974 voyage |
| Lalo_Schifrin | voyage of |
| Lalo_Schifrin | of the |
| Lalo_Schifrin | the damned |
| Lalo_Schifrin | damned 1976 |
| Lalo_Schifrin | 1976 the |
| Lalo_Schifrin | the amityville |
| Lalo_Schifrin | amityville horror |
| Lalo_Schifrin | horror 1979 |
| Lalo_Schifrin | 1979 and |
| Lalo_Schifrin | and the |
| Lalo_Schifrin | the rush |
| Lalo_Schifrin | rush hour |
| Lalo_Schifrin | hour trilogy |
| Lalo_Schifrin | trilogy 1998 |
| Lalo_Schifrin | 1998 2007 |
| Lalo_Schifrin | 2007 schifrin |
| Lalo_Schifrin | schifrin is |
| Lalo_Schifrin | is also |
| Lalo_Schifrin | also noted |
| Lalo_Schifrin | noted for |
| Lalo_Schifrin | for his |
| Lalo_Schifrin | his collaborations |
| Lalo_Schifrin | collaborations with |
| Lalo_Schifrin | with clint |
| Lalo_Schifrin | clint eastwood |
| Lalo_Schifrin | eastwood from |
| Lalo_Schifrin | from the |
| Lalo_Schifrin | the late |
| Lalo_Schifrin | late 1960s |
| Lalo_Schifrin | 1960s to |
| Lalo_Schifrin | to the |
| Lalo_Schifrin | the 1980s |
| Lalo_Schifrin | 1980s particularly |
| Lalo_Schifrin | particularly the |
| Lalo_Schifrin | the dirty |
| Lalo_Schifrin | dirty harry |
| Lalo_Schifrin | harry series |
| Lalo_Schifrin | series of |
| Lalo_Schifrin | of films |
| Lalo_Schifrin | films in |
| Lalo_Schifrin | in 2019 |
| Lalo_Schifrin | 2019 he |
| Lalo_Schifrin | he received |
| Lalo_Schifrin | received an |
| Lalo_Schifrin | an honorary |
| Lalo_Schifrin | honorary oscar |
| Lalo_Schifrin | oscar in |
| Lalo_Schifrin | in recognition |
| Lalo_Schifrin | recognition of |
| Lalo_Schifrin | of his |
| Lalo_Schifrin | his unique |
| Lalo_Schifrin | unique musical |
| Lalo_Schifrin | musical style |
| Lalo_Schifrin | style compositional |
| Lalo_Schifrin | compositional integrity |
| Lalo_Schifrin | integrity and |
| Lalo_Schifrin | and influential |
| Lalo_Schifrin | influential contributions |
| Lalo_Schifrin | contributions to |
| Lalo_Schifrin | to the |
| Lalo_Schifrin | the art |
| Lalo_Schifrin | art of |
| Lalo_Schifrin | of film |
| Lalo_Schifrin | film scoring |
| Lalo_Schifrin | scoring en |
| Joe_Temperley | joe temperley |
| Joe_Temperley | temperley 20 |
| Joe_Temperley | 20 september |
| Joe_Temperley | september 1929 |
| Joe_Temperley | 1929 11 |
| Joe_Temperley | 11 may |
| Joe_Temperley | may 2016 |
| Joe_Temperley | 2016 was |
| Joe_Temperley | was a |
| Joe_Temperley | a scottish |
| Joe_Temperley | scottish jazz |
| Joe_Temperley | jazz saxophonist |
| Joe_Temperley | saxophonist he |
| Joe_Temperley | he performed |
| Joe_Temperley | performed with |
| Joe_Temperley | with various |
| Joe_Temperley | various instruments |
| Joe_Temperley | instruments but |
| Joe_Temperley | but was |
| Joe_Temperley | was most |
| Joe_Temperley | most associated |
| Joe_Temperley | associated with |
| Joe_Temperley | with the |
| Joe_Temperley | the baritone |
| Joe_Temperley | baritone saxophone |
| Joe_Temperley | saxophone soprano |
| Joe_Temperley | soprano saxophone |
| Joe_Temperley | saxophone and |
| Joe_Temperley | and bass |
| Joe_Temperley | bass clarinet |
| Joe_Temperley | clarinet en |
| Mark_Turner_(musician) | mark turner |
| Mark_Turner_(musician) | turner born |
| Mark_Turner_(musician) | born november |
| Mark_Turner_(musician) | november 10 |
| Mark_Turner_(musician) | 10 1965 |
| Mark_Turner_(musician) | 1965 is |
| Mark_Turner_(musician) | is an |
| Mark_Turner_(musician) | an american |
| Mark_Turner_(musician) | american jazz |
| Mark_Turner_(musician) | jazz saxophonist |
| Mark_Turner_(musician) | saxophonist en |
| Sherrie_Maricle | sharon lee |
| Sherrie_Maricle | lee sherrie |
| Sherrie_Maricle | sherrie maricle |
| Sherrie_Maricle | maricle born |
| Sherrie_Maricle | born september |
| Sherrie_Maricle | september 2 |
| Sherrie_Maricle | 2 1963 |
| Sherrie_Maricle | 1963 buffalo |
| Sherrie_Maricle | buffalo new |
| Sherrie_Maricle | new york |
| Sherrie_Maricle | york is |
| Sherrie_Maricle | is an |
| Sherrie_Maricle | an american |
| Sherrie_Maricle | american jazz |
| Sherrie_Maricle | jazz drummer |
| Sherrie_Maricle | drummer maricle’s |
| Sherrie_Maricle | maricle’s musical |
| Sherrie_Maricle | musical education |
| Sherrie_Maricle | education began |
| Sherrie_Maricle | began in |
| Sherrie_Maricle | in the |
| Sherrie_Maricle | the fourth |
| Sherrie_Maricle | fourth grade |
| Sherrie_Maricle | grade when |
| Sherrie_Maricle | when she |
| Sherrie_Maricle | she started |
| Sherrie_Maricle | started with |
| Sherrie_Maricle | with the |
| Sherrie_Maricle | the clarinet |
| Sherrie_Maricle | clarinet after |
| Sherrie_Maricle | after being |
| Sherrie_Maricle | being told |
| Sherrie_Maricle | told that |
| Sherrie_Maricle | that the |
| Sherrie_Maricle | the trumpet |
| Sherrie_Maricle | trumpet was |
| Sherrie_Maricle | was off |
| Sherrie_Maricle | off limits |
| Sherrie_Maricle | limits to |
| Sherrie_Maricle | to girls |
| Sherrie_Maricle | girls she |
| Sherrie_Maricle | she moved |
| Sherrie_Maricle | moved on |
| Sherrie_Maricle | on to |
| Sherrie_Maricle | to the |
| Sherrie_Maricle | the cello |
| Sherrie_Maricle | cello and |
| Sherrie_Maricle | and settled |
| Sherrie_Maricle | settled on |
| Sherrie_Maricle | on the |
| Sherrie_Maricle | the drums |
| Sherrie_Maricle | drums in |
| Sherrie_Maricle | in the |
| Sherrie_Maricle | the sixth |
| Sherrie_Maricle | sixth grade |
| Sherrie_Maricle | grade after |
| Sherrie_Maricle | after seeing |
| Sherrie_Maricle | seeing buddy |
| Sherrie_Maricle | buddy rich |
| Sherrie_Maricle | rich play |
| Sherrie_Maricle | play maricle |
| Sherrie_Maricle | maricle began |
| Sherrie_Maricle | began playing |
| Sherrie_Maricle | playing professionally |
| Sherrie_Maricle | professionally performing |
| Sherrie_Maricle | performing locally |
| Sherrie_Maricle | locally with |
| Sherrie_Maricle | with slam |
| Sherrie_Maricle | slam stewart |
| Sherrie_Maricle | stewart while |
| Sherrie_Maricle | while studying |
| Sherrie_Maricle | studying music |
| Sherrie_Maricle | music ba |
| Sherrie_Maricle | ba 1985 |
| Sherrie_Maricle | 1985 at |
| Sherrie_Maricle | at suny |
| Sherrie_Maricle | suny binghamton |
| Sherrie_Maricle | binghamton she |
| Sherrie_Maricle | she then |
| Sherrie_Maricle | then moved |
| Sherrie_Maricle | moved to |
| Sherrie_Maricle | to new |
| Sherrie_Maricle | new york |
| Sherrie_Maricle | york city |
| Sherrie_Maricle | city and |
| Sherrie_Maricle | and attended |
| Sherrie_Maricle | attended new |
| Sherrie_Maricle | new york |
| Sherrie_Maricle | york university |
| Sherrie_Maricle | university where |
| Sherrie_Maricle | where she |
| Sherrie_Maricle | she completed |
| Sherrie_Maricle | completed a |
| Sherrie_Maricle | a master’s |
| Sherrie_Maricle | master’s of |
| Sherrie_Maricle | of arts |
| Sherrie_Maricle | arts in |
| Sherrie_Maricle | in jazz |
| Sherrie_Maricle | jazz performance |
| Sherrie_Maricle | performance in |
| Sherrie_Maricle | in 1986 |
| Sherrie_Maricle | 1986 and |
| Sherrie_Maricle | and a |
| Sherrie_Maricle | a doctorate |
| Sherrie_Maricle | doctorate of |
| Sherrie_Maricle | of philosophy |
| Sherrie_Maricle | philosophy in |
| Sherrie_Maricle | in jazz |
| Sherrie_Maricle | jazz performance |
| Sherrie_Maricle | performance composition |
| Sherrie_Maricle | composition in |
| Sherrie_Maricle | in 2000 |
| Sherrie_Maricle | 2000 in |
| Sherrie_Maricle | in the |
| Sherrie_Maricle | the late |
| Sherrie_Maricle | late 1980s |
| Sherrie_Maricle | 1980s she |
| Sherrie_Maricle | she was |
| Sherrie_Maricle | was appointed |
| Sherrie_Maricle | appointed director |
| Sherrie_Maricle | director of |
| Sherrie_Maricle | of percussion |
| Sherrie_Maricle | percussion studies |
| Sherrie_Maricle | studies at |
| Sherrie_Maricle | at nyu |
| Sherrie_Maricle | nyu maricle |
| Sherrie_Maricle | maricle directed |
| Sherrie_Maricle | directed saturday |
| Sherrie_Maricle | saturday jam |
| Sherrie_Maricle | jam sessions |
| Sherrie_Maricle | sessions at |
| Sherrie_Maricle | at the |
| Sherrie_Maricle | the village |
| Sherrie_Maricle | village gate |
| Sherrie_Maricle | gate from |
| Sherrie_Maricle | from 1987 |
| Sherrie_Maricle | 1987 until |
| Sherrie_Maricle | until the |
| Sherrie_Maricle | the venue |
| Sherrie_Maricle | venue closed |
| Sherrie_Maricle | closed in |
| Sherrie_Maricle | in 1993 |
| Sherrie_Maricle | 1993 beginning |
| Sherrie_Maricle | beginning in |
| Sherrie_Maricle | in 1987 |
| Sherrie_Maricle | 1987 she |
| Sherrie_Maricle | she also |
| Sherrie_Maricle | also began |
| Sherrie_Maricle | began collaborating |
| Sherrie_Maricle | collaborating and |
| Sherrie_Maricle | and leading |
| Sherrie_Maricle | leading small |
| Sherrie_Maricle | small groups |
| Sherrie_Maricle | groups with |
| Sherrie_Maricle | with peter |
| Sherrie_Maricle | peter appleyard |
| Sherrie_Maricle | appleyard in |
| Sherrie_Maricle | in the |
| Sherrie_Maricle | the 1990s |
| Sherrie_Maricle | 1990s she |
| Sherrie_Maricle | she performed |
| Sherrie_Maricle | performed with |
| Sherrie_Maricle | with the |
| Sherrie_Maricle | the new |
| Sherrie_Maricle | new york |
| Sherrie_Maricle | york pops |
| Sherrie_Maricle | pops clark |
| Sherrie_Maricle | clark terry |
| Sherrie_Maricle | terry and |
| Sherrie_Maricle | and al |
| Sherrie_Maricle | al grey |
| Sherrie_Maricle | grey and |
| Sherrie_Maricle | and began |
| Sherrie_Maricle | began working |
| Sherrie_Maricle | working with |
| Sherrie_Maricle | with the |
| Sherrie_Maricle | the group |
| Sherrie_Maricle | group diva |
| Sherrie_Maricle | diva maricle |
| Sherrie_Maricle | maricle currently |
| Sherrie_Maricle | currently leads |
| Sherrie_Maricle | leads the |
| Sherrie_Maricle | the diva |
| Sherrie_Maricle | diva jazz |
| Sherrie_Maricle | jazz orchestra |
| Sherrie_Maricle | orchestra the |
| Sherrie_Maricle | the diva |
| Sherrie_Maricle | diva jazz |
| Sherrie_Maricle | jazz trio |
| Sherrie_Maricle | trio and |
| Sherrie_Maricle | and the |
| Sherrie_Maricle | the quintet |
| Sherrie_Maricle | quintet five |
| Sherrie_Maricle | five play |
| Sherrie_Maricle | play she |
| Sherrie_Maricle | she teaches |
| Sherrie_Maricle | teaches on |
| Sherrie_Maricle | on the |
| Sherrie_Maricle | the jazz |
| Sherrie_Maricle | jazz faculty |
| Sherrie_Maricle | faculty of |
| Sherrie_Maricle | of the |
| Sherrie_Maricle | the new |
| Sherrie_Maricle | new york |
| Sherrie_Maricle | york state |
| Sherrie_Maricle | state summer |
| Sherrie_Maricle | summer music |
| Sherrie_Maricle | music festival |
| Sherrie_Maricle | festival as |
| Sherrie_Maricle | as well |
| Sherrie_Maricle | well as |
| Sherrie_Maricle | as running |
| Sherrie_Maricle | running her |
| Sherrie_Maricle | her own |
| Sherrie_Maricle | own private |
| Sherrie_Maricle | private drum |
| Sherrie_Maricle | drum and |
| Sherrie_Maricle | and percussion |
| Sherrie_Maricle | percussion studio |
| Sherrie_Maricle | studio in |
| Sherrie_Maricle | in 2009 |
| Sherrie_Maricle | 2009 she |
| Sherrie_Maricle | she received |
| Sherrie_Maricle | received the |
| Sherrie_Maricle | the lifetime |
| Sherrie_Maricle | lifetime achievement |
| Sherrie_Maricle | achievement award |
| Sherrie_Maricle | award at |
| Sherrie_Maricle | at the |
| Sherrie_Maricle | the mary |
| Sherrie_Maricle | mary lou |
| Sherrie_Maricle | lou williams |
| Sherrie_Maricle | williams women |
| Sherrie_Maricle | women in |
| Sherrie_Maricle | in jazz |
| Sherrie_Maricle | jazz festival |
| Sherrie_Maricle | festival en |
| Sullivan_Fortner | sullivan joseph |
| Sullivan_Fortner | joseph fortner |
| Sullivan_Fortner | fortner born |
| Sullivan_Fortner | born december |
| Sullivan_Fortner | december 29 |
| Sullivan_Fortner | 29 1986 |
| Sullivan_Fortner | 1986 is |
| Sullivan_Fortner | is an |
| Sullivan_Fortner | an american |
| Sullivan_Fortner | american jazz |
| Sullivan_Fortner | jazz pianist |
| Sullivan_Fortner | pianist he |
| Sullivan_Fortner | he was |
| Sullivan_Fortner | was the |
| Sullivan_Fortner | the regular |
| Sullivan_Fortner | regular pianist |
| Sullivan_Fortner | pianist in |
| Sullivan_Fortner | in trumpeter |
| Sullivan_Fortner | trumpeter roy |
| Sullivan_Fortner | roy hargrove’s |
| Sullivan_Fortner | hargrove’s band |
| Sullivan_Fortner | band from |
| Sullivan_Fortner | from 2010 |
| Sullivan_Fortner | 2010 to |
| Sullivan_Fortner | to 2017 |
| Sullivan_Fortner | 2017 and |
| Sullivan_Fortner | and has |
| Sullivan_Fortner | has released |
| Sullivan_Fortner | released two |
| Sullivan_Fortner | two albums |
| Sullivan_Fortner | albums on |
| Sullivan_Fortner | on impulse |
| Sullivan_Fortner | impulse records |
| Sullivan_Fortner | records en |
| Yacub_Addy | yacub addy |
| Yacub_Addy | addy april |
| Yacub_Addy | april 15 |
| Yacub_Addy | 15 1931 |
| Yacub_Addy | 1931 december |
| Yacub_Addy | december 18 |
| Yacub_Addy | 18 2014 |
| Yacub_Addy | 2014 was |
| Yacub_Addy | was a |
| Yacub_Addy | a ghanaian |
| Yacub_Addy | ghanaian traditional |
| Yacub_Addy | traditional drummer |
| Yacub_Addy | drummer composer |
| Yacub_Addy | composer choreographer |
| Yacub_Addy | choreographer and |
| Yacub_Addy | and educator |
| Yacub_Addy | educator who |
| Yacub_Addy | who collaborated |
| Yacub_Addy | collaborated with |
| Yacub_Addy | with many |
| Yacub_Addy | many musicians |
| Yacub_Addy | musicians in |
| Yacub_Addy | in various |
| Yacub_Addy | various genres |
| Yacub_Addy | genres including |
| Yacub_Addy | including wynton |
| Yacub_Addy | wynton marsalis |
| Yacub_Addy | marsalis he |
| Yacub_Addy | he has |
| Yacub_Addy | has been |
| Yacub_Addy | been referred |
| Yacub_Addy | referred to |
| Yacub_Addy | to as |
| Yacub_Addy | as the |
| Yacub_Addy | the leading |
| Yacub_Addy | leading ambassador |
| Yacub_Addy | ambassador of |
| Yacub_Addy | of ghanaian |
| Yacub_Addy | ghanaian music |
| Yacub_Addy | music and |
| Yacub_Addy | and culture |
| Yacub_Addy | culture starting |
| Yacub_Addy | starting in |
| Yacub_Addy | in 1995 |
| Yacub_Addy | 1995 addy |
| Yacub_Addy | addy taught |
| Yacub_Addy | taught percussion |
| Yacub_Addy | percussion and |
| Yacub_Addy | and west |
| Yacub_Addy | west african |
| Yacub_Addy | african drumming |
| Yacub_Addy | drumming at |
| Yacub_Addy | at skidmore |
| Yacub_Addy | skidmore college |
| Yacub_Addy | college in |
| Yacub_Addy | in saratoga |
| Yacub_Addy | saratoga springs |
| Yacub_Addy | springs new |
| Yacub_Addy | new york |
| Yacub_Addy | york he |
| Yacub_Addy | he also |
| Yacub_Addy | also taught |
| Yacub_Addy | taught at |
| Yacub_Addy | at rensselaer |
| Yacub_Addy | rensselaer polytechnic |
| Yacub_Addy | polytechnic institute |
| Yacub_Addy | institute in |
| Yacub_Addy | in troy |
| Yacub_Addy | troy new |
| Yacub_Addy | new york |
| Yacub_Addy | york he |
| Yacub_Addy | he was |
| Yacub_Addy | was a |
| Yacub_Addy | a recipient |
| Yacub_Addy | recipient of |
| Yacub_Addy | of a |
| Yacub_Addy | a 2010 |
| Yacub_Addy | 2010 national |
| Yacub_Addy | national heritage |
| Yacub_Addy | heritage fellowship |
| Yacub_Addy | fellowship awarded |
| Yacub_Addy | awarded by |
| Yacub_Addy | by the |
| Yacub_Addy | the national |
| Yacub_Addy | national endowment |
| Yacub_Addy | endowment for |
| Yacub_Addy | for the |
| Yacub_Addy | the arts |
| Yacub_Addy | arts which |
| Yacub_Addy | which is |
| Yacub_Addy | is the |
| Yacub_Addy | the united |
| Yacub_Addy | united states |
| Yacub_Addy | states government’s |
| Yacub_Addy | government’s highest |
| Yacub_Addy | highest honor |
| Yacub_Addy | honor in |
| Yacub_Addy | in the |
| Yacub_Addy | the folk |
| Yacub_Addy | folk and |
| Yacub_Addy | and traditional |
| Yacub_Addy | traditional arts |
| Yacub_Addy | arts en |
| Charles_Lloyd_(jazz_musician) | charles lloyd |
| Charles_Lloyd_(jazz_musician) | lloyd born |
| Charles_Lloyd_(jazz_musician) | born march |
| Charles_Lloyd_(jazz_musician) | march 15 |
| Charles_Lloyd_(jazz_musician) | 15 1938 |
| Charles_Lloyd_(jazz_musician) | 1938 is |
| Charles_Lloyd_(jazz_musician) | is an |
| Charles_Lloyd_(jazz_musician) | an american |
| Charles_Lloyd_(jazz_musician) | american jazz |
| Charles_Lloyd_(jazz_musician) | jazz musician |
| Charles_Lloyd_(jazz_musician) | musician though |
| Charles_Lloyd_(jazz_musician) | though he |
| Charles_Lloyd_(jazz_musician) | he primarily |
| Charles_Lloyd_(jazz_musician) | primarily plays |
| Charles_Lloyd_(jazz_musician) | plays tenor |
| Charles_Lloyd_(jazz_musician) | tenor saxophone |
| Charles_Lloyd_(jazz_musician) | saxophone and |
| Charles_Lloyd_(jazz_musician) | and flute |
| Charles_Lloyd_(jazz_musician) | flute he |
| Charles_Lloyd_(jazz_musician) | he has |
| Charles_Lloyd_(jazz_musician) | has occasionally |
| Charles_Lloyd_(jazz_musician) | occasionally recorded |
| Charles_Lloyd_(jazz_musician) | recorded on |
| Charles_Lloyd_(jazz_musician) | on other |
| Charles_Lloyd_(jazz_musician) | other reed |
| Charles_Lloyd_(jazz_musician) | reed instruments |
| Charles_Lloyd_(jazz_musician) | instruments including |
| Charles_Lloyd_(jazz_musician) | including alto |
| Charles_Lloyd_(jazz_musician) | alto saxophone |
| Charles_Lloyd_(jazz_musician) | saxophone and |
| Charles_Lloyd_(jazz_musician) | and the |
| Charles_Lloyd_(jazz_musician) | the hungarian |
| Charles_Lloyd_(jazz_musician) | hungarian t |
| Charles_Lloyd_(jazz_musician) | t 獺 |
| Charles_Lloyd_(jazz_musician) | 獺 rogat |
| Charles_Lloyd_(jazz_musician) | rogat 籀 |
| Charles_Lloyd_(jazz_musician) | 籀 lloyd’s |
| Charles_Lloyd_(jazz_musician) | lloyd’s primary |
| Charles_Lloyd_(jazz_musician) | primary band |
| Charles_Lloyd_(jazz_musician) | band since |
| Charles_Lloyd_(jazz_musician) | since 2007 |
| Charles_Lloyd_(jazz_musician) | 2007 has |
| Charles_Lloyd_(jazz_musician) | has been |
| Charles_Lloyd_(jazz_musician) | been a |
| Charles_Lloyd_(jazz_musician) | a quartet |
| Charles_Lloyd_(jazz_musician) | quartet including |
| Charles_Lloyd_(jazz_musician) | including pianist |
| Charles_Lloyd_(jazz_musician) | pianist jason |
| Charles_Lloyd_(jazz_musician) | jason moran |
| Charles_Lloyd_(jazz_musician) | moran acoustic |
| Charles_Lloyd_(jazz_musician) | acoustic bassist |
| Charles_Lloyd_(jazz_musician) | bassist reuben |
| Charles_Lloyd_(jazz_musician) | reuben rogers |
| Charles_Lloyd_(jazz_musician) | rogers and |
| Charles_Lloyd_(jazz_musician) | and drummer |
| Charles_Lloyd_(jazz_musician) | drummer eric |
| Charles_Lloyd_(jazz_musician) | eric harland |
| Charles_Lloyd_(jazz_musician) | harland en |
| Chalmers_Alford | chalmers edward |
| Chalmers_Alford | edward spanky |
| Chalmers_Alford | spanky alford |
| Chalmers_Alford | alford may |
| Chalmers_Alford | may 22 |
| Chalmers_Alford | 22 1955 |
| Chalmers_Alford | 1955 march |
| Chalmers_Alford | march 24 |
| Chalmers_Alford | 24 2008 |
| Chalmers_Alford | 2008 was |
| Chalmers_Alford | was an |
| Chalmers_Alford | an american |
| Chalmers_Alford | american jazz |
| Chalmers_Alford | jazz guitarist |
| Chalmers_Alford | guitarist alford |
| Chalmers_Alford | alford was |
| Chalmers_Alford | was born |
| Chalmers_Alford | born in |
| Chalmers_Alford | in philadelphia |
| Chalmers_Alford | philadelphia he |
| Chalmers_Alford | he was |
| Chalmers_Alford | was well |
| Chalmers_Alford | well known |
| Chalmers_Alford | known for |
| Chalmers_Alford | for his |
| Chalmers_Alford | his playing |
| Chalmers_Alford | playing style |
| Chalmers_Alford | style and |
| Chalmers_Alford | and use |
| Chalmers_Alford | use of |
| Chalmers_Alford | of arpeggiations |
| Chalmers_Alford | arpeggiations he |
| Chalmers_Alford | he had |
| Chalmers_Alford | had an |
| Chalmers_Alford | an illustrious |
| Chalmers_Alford | illustrious career |
| Chalmers_Alford | career as |
| Chalmers_Alford | as a |
| Chalmers_Alford | a gospel |
| Chalmers_Alford | gospel quartet |
| Chalmers_Alford | quartet guitar |
| Chalmers_Alford | guitar player |
| Chalmers_Alford | player in |
| Chalmers_Alford | in the |
| Chalmers_Alford | the 1960s |
| Chalmers_Alford | 1960s 1970s |
| Chalmers_Alford | 1970s and |
| Chalmers_Alford | and 1980s |
| Chalmers_Alford | 1980s with |
| Chalmers_Alford | with groups |
| Chalmers_Alford | groups such |
| Chalmers_Alford | such as |
| Chalmers_Alford | as the |
| Chalmers_Alford | the mighty |
| Chalmers_Alford | mighty clouds |
| Chalmers_Alford | clouds of |
| Chalmers_Alford | of joy |
| Chalmers_Alford | joy later |
| Chalmers_Alford | later in |
| Chalmers_Alford | in life |
| Chalmers_Alford | life he |
| Chalmers_Alford | he found |
| Chalmers_Alford | found a |
| Chalmers_Alford | a new |
| Chalmers_Alford | new career |
| Chalmers_Alford | career in |
| Chalmers_Alford | in the |
| Chalmers_Alford | the neo |
| Chalmers_Alford | neo soul |
| Chalmers_Alford | soul movement |
| Chalmers_Alford | movement of |
| Chalmers_Alford | of the |
| Chalmers_Alford | the 1990s |
| Chalmers_Alford | 1990s and |
| Chalmers_Alford | and 2000s |
| Chalmers_Alford | 2000s most |
| Chalmers_Alford | most notably |
| Chalmers_Alford | notably contributing |
| Chalmers_Alford | contributing to |
| Chalmers_Alford | to the |
| Chalmers_Alford | the sounds |
| Chalmers_Alford | sounds of |
| Chalmers_Alford | of d’angelo |
| Chalmers_Alford | d’angelo and |
| Chalmers_Alford | and tony |
| Chalmers_Alford | tony toni |
| Chalmers_Alford | toni ton |
| Chalmers_Alford | ton 矇 |
| Chalmers_Alford | 矇 alford |
| Chalmers_Alford | alford played |
| Chalmers_Alford | played guitar |
| Chalmers_Alford | guitar as |
| Chalmers_Alford | as part |
| Chalmers_Alford | part of |
| Chalmers_Alford | of the |
| Chalmers_Alford | the soultronics |
| Chalmers_Alford | soultronics d’angelo’s |
| Chalmers_Alford | d’angelo’s band |
| Chalmers_Alford | band for |
| Chalmers_Alford | for his |
| Chalmers_Alford | his 2000 |
| Chalmers_Alford | 2000 voodoo |
| Chalmers_Alford | voodoo tour |
| Chalmers_Alford | tour alongside |
| Chalmers_Alford | alongside questlove |
| Chalmers_Alford | questlove james |
| Chalmers_Alford | james poyser |
| Chalmers_Alford | poyser pino |
| Chalmers_Alford | pino palladino |
| Chalmers_Alford | palladino and |
| Chalmers_Alford | and anthony |
| Chalmers_Alford | anthony hamilton |
| Chalmers_Alford | hamilton he |
| Chalmers_Alford | he was |
| Chalmers_Alford | was a |
| Chalmers_Alford | a teacher |
| Chalmers_Alford | teacher and |
| Chalmers_Alford | and was |
| Chalmers_Alford | was credited |
| Chalmers_Alford | credited with |
| Chalmers_Alford | with teaching |
| Chalmers_Alford | teaching raphael |
| Chalmers_Alford | raphael saadiq |
| Chalmers_Alford | saadiq among |
| Chalmers_Alford | among others |
| Chalmers_Alford | others to |
| Chalmers_Alford | to play |
| Chalmers_Alford | play guitar |
| Chalmers_Alford | guitar he |
| Chalmers_Alford | he played |
| Chalmers_Alford | played on |
| Chalmers_Alford | on several |
| Chalmers_Alford | several albums |
| Chalmers_Alford | albums with |
| Chalmers_Alford | with artists |
| Chalmers_Alford | artists such |
| Chalmers_Alford | such as |
| Chalmers_Alford | as joss |
| Chalmers_Alford | joss stone |
| Chalmers_Alford | stone john |
| Chalmers_Alford | john mayer |
| Chalmers_Alford | mayer mary |
| Chalmers_Alford | mary j |
| Chalmers_Alford | j blige |
| Chalmers_Alford | blige raphael |
| Chalmers_Alford | raphael saadiq |
| Chalmers_Alford | saadiq d’angelo |
| Chalmers_Alford | d’angelo and |
| Chalmers_Alford | and roy |
| Chalmers_Alford | roy hargrove |
| Chalmers_Alford | hargrove though |
| Chalmers_Alford | though he |
| Chalmers_Alford | he retired |
| Chalmers_Alford | retired from |
| Chalmers_Alford | from touring |
| Chalmers_Alford | touring years |
| Chalmers_Alford | years prior |
| Chalmers_Alford | prior alford |
| Chalmers_Alford | alford made |
| Chalmers_Alford | made a |
| Chalmers_Alford | a rare |
| Chalmers_Alford | rare public |
| Chalmers_Alford | public appearance |
| Chalmers_Alford | appearance performing |
| Chalmers_Alford | performing with |
| Chalmers_Alford | with the |
| Chalmers_Alford | the john |
| Chalmers_Alford | john mayer |
| Chalmers_Alford | mayer trio |
| Chalmers_Alford | trio as |
| Chalmers_Alford | as a |
| Chalmers_Alford | a surprise |
| Chalmers_Alford | surprise guest |
| Chalmers_Alford | guest on |
| Chalmers_Alford | on september |
| Chalmers_Alford | september 26 |
| Chalmers_Alford | 26 2005 |
| Chalmers_Alford | 2005 during |
| Chalmers_Alford | during their |
| Chalmers_Alford | their stop |
| Chalmers_Alford | stop in |
| Chalmers_Alford | in nashville |
| Chalmers_Alford | nashville tennessee |
| Chalmers_Alford | tennessee it |
| Chalmers_Alford | it is |
| Chalmers_Alford | is his |
| Chalmers_Alford | his last |
| Chalmers_Alford | last known |
| Chalmers_Alford | known public |
| Chalmers_Alford | public performance |
| Chalmers_Alford | performance audio |
| Chalmers_Alford | audio from |
| Chalmers_Alford | from the |
| Chalmers_Alford | the show |
| Chalmers_Alford | show eventually |
| Chalmers_Alford | eventually ended |
| Chalmers_Alford | ended up |
| Chalmers_Alford | up on |
| Chalmers_Alford | on the |
| Chalmers_Alford | the trio’s |
| Chalmers_Alford | trio’s only |
| Chalmers_Alford | only official |
| Chalmers_Alford | official release |
| Chalmers_Alford | release a |
| Chalmers_Alford | a compilation |
| Chalmers_Alford | compilation of |
| Chalmers_Alford | of performances |
| Chalmers_Alford | performances from |
| Chalmers_Alford | from the |
| Chalmers_Alford | the tour |
| Chalmers_Alford | tour called |
| Chalmers_Alford | called try |
| Chalmers_Alford | try appearing |
| Chalmers_Alford | appearing on |
| Chalmers_Alford | on the |
| Chalmers_Alford | the title |
| Chalmers_Alford | title track |
| Chalmers_Alford | track at |
| Chalmers_Alford | at the |
| Chalmers_Alford | the end |
| Chalmers_Alford | end of |
| Chalmers_Alford | of the |
| Chalmers_Alford | the album |
| Chalmers_Alford | album alford |
| Chalmers_Alford | alford died |
| Chalmers_Alford | died in |
| Chalmers_Alford | in march |
| Chalmers_Alford | march 2008 |
| Chalmers_Alford | 2008 at |
| Chalmers_Alford | at the |
| Chalmers_Alford | the age |
| Chalmers_Alford | age of |
| Chalmers_Alford | of 52 |
| Chalmers_Alford | 52 in |
| Chalmers_Alford | in huntsville |
| Chalmers_Alford | huntsville alabama |
| Chalmers_Alford | alabama due |
| Chalmers_Alford | due to |
| Chalmers_Alford | to complications |
| Chalmers_Alford | complications from |
| Chalmers_Alford | from diabetes |
| Chalmers_Alford | diabetes en |
| Thomas_Clausen_(musician) | thomas clausen |
| Thomas_Clausen_(musician) | clausen born |
| Thomas_Clausen_(musician) | born 5 |
| Thomas_Clausen_(musician) | 5 october |
| Thomas_Clausen_(musician) | october 1949 |
| Thomas_Clausen_(musician) | 1949 is |
| Thomas_Clausen_(musician) | is a |
| Thomas_Clausen_(musician) | a danish |
| Thomas_Clausen_(musician) | danish jazz |
| Thomas_Clausen_(musician) | jazz pianist |
| Thomas_Clausen_(musician) | pianist and |
| Thomas_Clausen_(musician) | and composer |
| Thomas_Clausen_(musician) | composer en |
| The_Soultronics | the soultronics |
| The_Soultronics | soultronics was |
| The_Soultronics | was an |
| The_Soultronics | an r |
| The_Soultronics | r b |
| The_Soultronics | b and |
| The_Soultronics | and neo |
| The_Soultronics | neo soul |
| The_Soultronics | soul supergroup |
| The_Soultronics | supergroup formed |
| The_Soultronics | formed in |
| The_Soultronics | in 2000 |
| The_Soultronics | 2000 which |
| The_Soultronics | which served |
| The_Soultronics | served as |
| The_Soultronics | as the |
| The_Soultronics | the backing |
| The_Soultronics | backing band |
| The_Soultronics | band for |
| The_Soultronics | for musician |
| The_Soultronics | musician d’angelo |
| The_Soultronics | d’angelo in |
| The_Soultronics | in 2000 |
| The_Soultronics | 2000 during |
| The_Soultronics | during the |
| The_Soultronics | the voodoo |
| The_Soultronics | voodoo tour |
| The_Soultronics | tour the |
| The_Soultronics | the supporting |
| The_Soultronics | supporting tour |
| The_Soultronics | tour for |
| The_Soultronics | for his |
| The_Soultronics | his second |
| The_Soultronics | second studio |
| The_Soultronics | studio album |
| The_Soultronics | album voodoo |
| The_Soultronics | voodoo several |
| The_Soultronics | several members |
| The_Soultronics | members of |
| The_Soultronics | of the |
| The_Soultronics | the group |
| The_Soultronics | group including |
| The_Soultronics | including drummer |
| The_Soultronics | drummer questlove |
| The_Soultronics | questlove of |
| The_Soultronics | of hip |
| The_Soultronics | hip hop |
| The_Soultronics | hop group |
| The_Soultronics | group the |
| The_Soultronics | the roots |
| The_Soultronics | roots keyboardist |
| The_Soultronics | keyboardist james |
| The_Soultronics | james poyser |
| The_Soultronics | poyser trumpeter |
| The_Soultronics | trumpeter roy |
| The_Soultronics | roy hargrove |
| The_Soultronics | hargrove and |
| The_Soultronics | and welsh |
| The_Soultronics | welsh bassist |
| The_Soultronics | bassist pino |
| The_Soultronics | pino palladino |
| The_Soultronics | palladino had |
| The_Soultronics | had previously |
| The_Soultronics | previously contributed |
| The_Soultronics | contributed to |
| The_Soultronics | to d’angelo’s |
| The_Soultronics | d’angelo’s voodoo |
| The_Soultronics | voodoo and |
| The_Soultronics | and are |
| The_Soultronics | are also |
| The_Soultronics | also associated |
| The_Soultronics | associated with |
| The_Soultronics | with the |
| The_Soultronics | the soulquarians |
| The_Soultronics | soulquarians musical |
| The_Soultronics | musical collective |
| The_Soultronics | collective along |
| The_Soultronics | along with |
| The_Soultronics | with performing |
| The_Soultronics | performing during |
| The_Soultronics | during the |
| The_Soultronics | the tour |
| The_Soultronics | tour the |
| The_Soultronics | the soultronics |
| The_Soultronics | soultronics contributed |
| The_Soultronics | contributed to |
| The_Soultronics | to red |
| The_Soultronics | red hot |
| The_Soultronics | hot riot |
| The_Soultronics | riot the |
| The_Soultronics | the music |
| The_Soultronics | music and |
| The_Soultronics | and spirit |
| The_Soultronics | spirit of |
| The_Soultronics | of fela |
| The_Soultronics | fela kuti |
| The_Soultronics | kuti 2002 |
| The_Soultronics | 2002 a |
| The_Soultronics | a charity |
| The_Soultronics | charity release |
| The_Soultronics | release inspired |
| The_Soultronics | inspired by |
| The_Soultronics | by the |
| The_Soultronics | the music |
| The_Soultronics | music of |
| The_Soultronics | of afrobeat |
| The_Soultronics | afrobeat artist |
| The_Soultronics | artist fela |
| The_Soultronics | fela kuti |
| The_Soultronics | kuti en |
| Toots_Thielemans | jean baptiste |
| Toots_Thielemans | baptiste fr |
| Toots_Thielemans | fr 矇 |
| Toots_Thielemans | 矇 d |
| Toots_Thielemans | d 矇 |
| Toots_Thielemans | 矇 ric |
| Toots_Thielemans | ric isidor |
| Toots_Thielemans | isidor baron |
| Toots_Thielemans | baron thielemans |
| Toots_Thielemans | thielemans 29 |
| Toots_Thielemans | 29 april |
| Toots_Thielemans | april 1922 |
| Toots_Thielemans | 1922 22 |
| Toots_Thielemans | 22 august |
| Toots_Thielemans | august 2016 |
| Toots_Thielemans | 2016 known |
| Toots_Thielemans | known professionally |
| Toots_Thielemans | professionally as |
| Toots_Thielemans | as toots |
| Toots_Thielemans | toots thielemans |
| Toots_Thielemans | thielemans was |
| Toots_Thielemans | was a |
| Toots_Thielemans | a belgian |
| Toots_Thielemans | belgian jazz |
| Toots_Thielemans | jazz musician |
| Toots_Thielemans | musician he |
| Toots_Thielemans | he was |
| Toots_Thielemans | was mostly |
| Toots_Thielemans | mostly known |
| Toots_Thielemans | known for |
| Toots_Thielemans | for his |
| Toots_Thielemans | his chromatic |
| Toots_Thielemans | chromatic harmonica |
| Toots_Thielemans | harmonica playing |
| Toots_Thielemans | playing as |
| Toots_Thielemans | as well |
| Toots_Thielemans | well as |
| Toots_Thielemans | as his |
| Toots_Thielemans | his guitar |
| Toots_Thielemans | guitar whistling |
| Toots_Thielemans | whistling skills |
| Toots_Thielemans | skills and |
| Toots_Thielemans | and composing |
| Toots_Thielemans | composing according |
| Toots_Thielemans | according to |
| Toots_Thielemans | to jazz |
| Toots_Thielemans | jazz historian |
| Toots_Thielemans | historian ted |
| Toots_Thielemans | ted gioia |
| Toots_Thielemans | gioia his |
| Toots_Thielemans | his most |
| Toots_Thielemans | most important |
| Toots_Thielemans | important contribution |
| Toots_Thielemans | contribution was |
| Toots_Thielemans | was in |
| Toots_Thielemans | in championing |
| Toots_Thielemans | championing the |
| Toots_Thielemans | the humble |
| Toots_Thielemans | humble harmonica |
| Toots_Thielemans | harmonica which |
| Toots_Thielemans | which thielemans |
| Toots_Thielemans | thielemans made |
| Toots_Thielemans | made into |
| Toots_Thielemans | into a |
| Toots_Thielemans | a legitimate |
| Toots_Thielemans | legitimate voice |
| Toots_Thielemans | voice in |
| Toots_Thielemans | in jazz |
| Toots_Thielemans | jazz he |
| Toots_Thielemans | he eventually |
| Toots_Thielemans | eventually became |
| Toots_Thielemans | became the |
| Toots_Thielemans | the preeminent |
| Toots_Thielemans | preeminent jazz |
| Toots_Thielemans | jazz harmonica |
| Toots_Thielemans | harmonica player |
| Toots_Thielemans | player his |
| Toots_Thielemans | his first |
| Toots_Thielemans | first professional |
| Toots_Thielemans | professional performances |
| Toots_Thielemans | performances were |
| Toots_Thielemans | were with |
| Toots_Thielemans | with benny |
| Toots_Thielemans | benny goodman’s |
| Toots_Thielemans | goodman’s band |
| Toots_Thielemans | band when |
| Toots_Thielemans | when they |
| Toots_Thielemans | they toured |
| Toots_Thielemans | toured europe |
| Toots_Thielemans | europe in |
| Toots_Thielemans | in 1949 |
| Toots_Thielemans | 1949 and |
| Toots_Thielemans | and 1950 |
| Toots_Thielemans | 1950 he |
| Toots_Thielemans | he emigrated |
| Toots_Thielemans | emigrated to |
| Toots_Thielemans | to the |
| Toots_Thielemans | the u.s |
| Toots_Thielemans | u.s in |
| Toots_Thielemans | in 1951 |
| Toots_Thielemans | 1951 becoming |
| Toots_Thielemans | becoming a |
| Toots_Thielemans | a citizen |
| Toots_Thielemans | citizen in |
| Toots_Thielemans | in 1957 |
| Toots_Thielemans | 1957 from |
| Toots_Thielemans | from 1953 |
| Toots_Thielemans | 1953 to |
| Toots_Thielemans | to 1959 |
| Toots_Thielemans | 1959 he |
| Toots_Thielemans | he played |
| Toots_Thielemans | played with |
| Toots_Thielemans | with george |
| Toots_Thielemans | george shearing |
| Toots_Thielemans | shearing and |
| Toots_Thielemans | and then |
| Toots_Thielemans | then led |
| Toots_Thielemans | led his |
| Toots_Thielemans | his own |
| Toots_Thielemans | own groups |
| Toots_Thielemans | groups on |
| Toots_Thielemans | on tours |
| Toots_Thielemans | tours in |
| Toots_Thielemans | in the |
| Toots_Thielemans | the u.s |
| Toots_Thielemans | u.s and |
| Toots_Thielemans | and europe |
| Toots_Thielemans | europe in |
| Toots_Thielemans | in 1961 |
| Toots_Thielemans | 1961 he |
| Toots_Thielemans | he recorded |
| Toots_Thielemans | recorded and |
| Toots_Thielemans | and performed |
| Toots_Thielemans | performed live |
| Toots_Thielemans | live one |
| Toots_Thielemans | one of |
| Toots_Thielemans | of his |
| Toots_Thielemans | his own |
| Toots_Thielemans | own compositions |
| Toots_Thielemans | compositions bluesette |
| Toots_Thielemans | bluesette which |
| Toots_Thielemans | which featured |
| Toots_Thielemans | featured him |
| Toots_Thielemans | him playing |
| Toots_Thielemans | playing guitar |
| Toots_Thielemans | guitar and |
| Toots_Thielemans | and whistling |
| Toots_Thielemans | whistling in |
| Toots_Thielemans | in the |
| Toots_Thielemans | the 1970s |
| Toots_Thielemans | 1970s and |
| Toots_Thielemans | and 1980s |
| Toots_Thielemans | 1980s he |
| Toots_Thielemans | he continued |
| Toots_Thielemans | continued touring |
| Toots_Thielemans | touring and |
| Toots_Thielemans | and recording |
| Toots_Thielemans | recording appearing |
| Toots_Thielemans | appearing with |
| Toots_Thielemans | with musicians |
| Toots_Thielemans | musicians such |
| Toots_Thielemans | such as |
| Toots_Thielemans | as oscar |
| Toots_Thielemans | oscar peterson |
| Toots_Thielemans | peterson ella |
| Toots_Thielemans | ella fitzgerald |
| Toots_Thielemans | fitzgerald sarah |
| Toots_Thielemans | sarah vaughan |
| Toots_Thielemans | vaughan bill |
| Toots_Thielemans | bill evans |
| Toots_Thielemans | evans dizzy |
| Toots_Thielemans | dizzy gillespie |
| Toots_Thielemans | gillespie kenny |
| Toots_Thielemans | kenny werner |
| Toots_Thielemans | werner pat |
| Toots_Thielemans | pat metheny |
| Toots_Thielemans | metheny jaco |
| Toots_Thielemans | jaco pastorius |
| Toots_Thielemans | pastorius mina |
| Toots_Thielemans | mina mazzini |
| Toots_Thielemans | mazzini elis |
| Toots_Thielemans | elis regina |
| Toots_Thielemans | regina quincy |
| Toots_Thielemans | quincy jones |
| Toots_Thielemans | jones george |
| Toots_Thielemans | george shearing |
| Toots_Thielemans | shearing natalie |
| Toots_Thielemans | natalie cole |
| Toots_Thielemans | cole billy |
| Toots_Thielemans | billy joel |
| Toots_Thielemans | joel paul |
| Toots_Thielemans | paul simon |
| Toots_Thielemans | simon and |
| Toots_Thielemans | and paquito |
| Toots_Thielemans | paquito d’rivera |
| Toots_Thielemans | d’rivera among |
| Toots_Thielemans | among the |
| Toots_Thielemans | the film |
| Toots_Thielemans | film soundtracks |
| Toots_Thielemans | soundtracks that |
| Toots_Thielemans | that thielemans |
| Toots_Thielemans | thielemans recorded |
| Toots_Thielemans | recorded are |
| Toots_Thielemans | are the |
| Toots_Thielemans | the pawnbroker |
| Toots_Thielemans | pawnbroker 1964 |
| Toots_Thielemans | 1964 midnight |
| Toots_Thielemans | midnight cowboy |
| Toots_Thielemans | cowboy 1969 |
| Toots_Thielemans | 1969 the |
| Toots_Thielemans | the getaway |
| Toots_Thielemans | getaway 1972 |
| Toots_Thielemans | 1972 cinderella |
| Toots_Thielemans | cinderella liberty |
| Toots_Thielemans | liberty 1973 |
| Toots_Thielemans | 1973 the |
| Toots_Thielemans | the sugarland |
| Toots_Thielemans | sugarland express |
| Toots_Thielemans | express 1974 |
| Toots_Thielemans | 1974 and |
| Toots_Thielemans | and looking |
| Toots_Thielemans | looking for |
| Toots_Thielemans | for mr |
| Toots_Thielemans | mr goodbar |
| Toots_Thielemans | goodbar 1977 |
| Toots_Thielemans | 1977 his |
| Toots_Thielemans | his harmonica |
| Toots_Thielemans | harmonica theme |
| Toots_Thielemans | theme song |
| Toots_Thielemans | song for |
| Toots_Thielemans | for the |
| Toots_Thielemans | the popular |
| Toots_Thielemans | popular sesame |
| Toots_Thielemans | sesame street |
| Toots_Thielemans | street tv |
| Toots_Thielemans | tv show |
| Toots_Thielemans | show was |
| Toots_Thielemans | was heard |
| Toots_Thielemans | heard for |
| Toots_Thielemans | for 40 |
| Toots_Thielemans | 40 years |
| Toots_Thielemans | years he |
| Toots_Thielemans | he often |
| Toots_Thielemans | often performed |
| Toots_Thielemans | performed and |
| Toots_Thielemans | and recorded |
| Toots_Thielemans | recorded with |
| Toots_Thielemans | with quincy |
| Toots_Thielemans | quincy jones |
| Toots_Thielemans | jones who |
| Toots_Thielemans | who once |
| Toots_Thielemans | once called |
| Toots_Thielemans | called him |
| Toots_Thielemans | him one |
| Toots_Thielemans | one of |
| Toots_Thielemans | of the |
| Toots_Thielemans | the greatest |
| Toots_Thielemans | greatest musicians |
| Toots_Thielemans | musicians of |
| Toots_Thielemans | of our |
| Toots_Thielemans | our time |
| Toots_Thielemans | time in |
| Toots_Thielemans | in 2009 |
| Toots_Thielemans | 2009 he |
| Toots_Thielemans | he was |
| Toots_Thielemans | was designated |
| Toots_Thielemans | designated a |
| Toots_Thielemans | a jazz |
| Toots_Thielemans | jazz master |
| Toots_Thielemans | master by |
| Toots_Thielemans | by the |
| Toots_Thielemans | the national |
| Toots_Thielemans | national endowment |
| Toots_Thielemans | endowment for |
| Toots_Thielemans | for the |
| Toots_Thielemans | the arts |
| Toots_Thielemans | arts the |
| Toots_Thielemans | the highest |
| Toots_Thielemans | highest honor |
| Toots_Thielemans | honor for |
| Toots_Thielemans | for a |
| Toots_Thielemans | a jazz |
| Toots_Thielemans | jazz musician |
| Toots_Thielemans | musician in |
| Toots_Thielemans | in the |
| Toots_Thielemans | the united |
| Toots_Thielemans | united states |
| Toots_Thielemans | states en |
| Dead_Prez | dead prez |
| Dead_Prez | prez often |
| Dead_Prez | often stylized |
| Dead_Prez | stylized as |
| Dead_Prez | as dead |
| Dead_Prez | dead prez |
| Dead_Prez | prez is |
| Dead_Prez | is an |
| Dead_Prez | an american |
| Dead_Prez | american hip |
| Dead_Prez | hip hop |
| Dead_Prez | hop duo |
| Dead_Prez | duo composed |
| Dead_Prez | composed of |
| Dead_Prez | of stic.man |
| Dead_Prez | stic.man and |
| Dead_Prez | and m |
| Dead_Prez | m 1 |
| Dead_Prez | 1 formed |
| Dead_Prez | formed in |
| Dead_Prez | in 1996 |
| Dead_Prez | 1996 in |
| Dead_Prez | in new |
| Dead_Prez | new york |
| Dead_Prez | york city |
| Dead_Prez | city they |
| Dead_Prez | they are |
| Dead_Prez | are known |
| Dead_Prez | known for |
| Dead_Prez | for their |
| Dead_Prez | their confrontational |
| Dead_Prez | confrontational style |
| Dead_Prez | style combined |
| Dead_Prez | combined with |
| Dead_Prez | with lyrics |
| Dead_Prez | lyrics focused |
| Dead_Prez | focused on |
| Dead_Prez | on both |
| Dead_Prez | both militant |
| Dead_Prez | militant social |
| Dead_Prez | social justice |
| Dead_Prez | justice self |
| Dead_Prez | self determination |
| Dead_Prez | determination and |
| Dead_Prez | and pan |
| Dead_Prez | pan africanism |
| Dead_Prez | africanism the |
| Dead_Prez | the duo |
| Dead_Prez | duo maintains |
| Dead_Prez | maintains an |
| Dead_Prez | an ethical |
| Dead_Prez | ethical stance |
| Dead_Prez | stance against |
| Dead_Prez | against corporate |
| Dead_Prez | corporate control |
| Dead_Prez | control over |
| Dead_Prez | over the |
| Dead_Prez | the media |
| Dead_Prez | media especially |
| Dead_Prez | especially hip |
| Dead_Prez | hip hop |
| Dead_Prez | hop record |
| Dead_Prez | record labels |
| Dead_Prez | labels en |
| Fred_Wesley | fred wesley |
| Fred_Wesley | wesley born |
| Fred_Wesley | born july |
| Fred_Wesley | july 4 |
| Fred_Wesley | 4 1943 |
| Fred_Wesley | 1943 is |
| Fred_Wesley | is an |
| Fred_Wesley | an american |
| Fred_Wesley | american trombonist |
| Fred_Wesley | trombonist who |
| Fred_Wesley | who worked |
| Fred_Wesley | worked with |
| Fred_Wesley | with james |
| Fred_Wesley | james brown |
| Fred_Wesley | brown in |
| Fred_Wesley | in the |
| Fred_Wesley | the 1960s |
| Fred_Wesley | 1960s and |
| Fred_Wesley | and 1970s |
| Fred_Wesley | 1970s and |
| Fred_Wesley | and parliament |
| Fred_Wesley | parliament funkadelic |
| Fred_Wesley | funkadelic in |
| Fred_Wesley | in the |
| Fred_Wesley | the second |
| Fred_Wesley | second half |
| Fred_Wesley | half of |
| Fred_Wesley | of the |
| Fred_Wesley | the 1970s |
| Fred_Wesley | 1970s en |
| SFJAZZ_Collective | the sfjazz |
| SFJAZZ_Collective | sfjazz collective |
| SFJAZZ_Collective | collective is |
| SFJAZZ_Collective | is an |
| SFJAZZ_Collective | an american |
| SFJAZZ_Collective | american jazz |
| SFJAZZ_Collective | jazz ensemble |
| SFJAZZ_Collective | ensemble comprising |
| SFJAZZ_Collective | comprising eight |
| SFJAZZ_Collective | eight performer |
| SFJAZZ_Collective | performer composers |
| SFJAZZ_Collective | composers launched |
| SFJAZZ_Collective | launched in |
| SFJAZZ_Collective | in 2004 |
| SFJAZZ_Collective | 2004 by |
| SFJAZZ_Collective | by sfjazz |
| SFJAZZ_Collective | sfjazz a |
| SFJAZZ_Collective | a west |
| SFJAZZ_Collective | west coast |
| SFJAZZ_Collective | coast non |
| SFJAZZ_Collective | non profit |
| SFJAZZ_Collective | profit jazz |
| SFJAZZ_Collective | jazz institution |
| SFJAZZ_Collective | institution and |
| SFJAZZ_Collective | and the |
| SFJAZZ_Collective | the presenter |
| SFJAZZ_Collective | presenter of |
| SFJAZZ_Collective | of the |
| SFJAZZ_Collective | the annual |
| SFJAZZ_Collective | annual san |
| SFJAZZ_Collective | san francisco |
| SFJAZZ_Collective | francisco jazz |
| SFJAZZ_Collective | jazz festival |
| SFJAZZ_Collective | festival en |
| Herlin_Riley | herlin riley |
| Herlin_Riley | riley born |
| Herlin_Riley | born february |
| Herlin_Riley | february 15 |
| Herlin_Riley | 15 1957 |
| Herlin_Riley | 1957 is |
| Herlin_Riley | is an |
| Herlin_Riley | an american |
| Herlin_Riley | american jazz |
| Herlin_Riley | jazz drummer |
| Herlin_Riley | drummer and |
| Herlin_Riley | and a |
| Herlin_Riley | a member |
| Herlin_Riley | member of |
| Herlin_Riley | of the |
| Herlin_Riley | the lincoln |
| Herlin_Riley | lincoln center |
| Herlin_Riley | center jazz |
| Herlin_Riley | jazz orchestra |
| Herlin_Riley | orchestra led |
| Herlin_Riley | led by |
| Herlin_Riley | by wynton |
| Herlin_Riley | wynton marsalis |
| Herlin_Riley | marsalis a |
| Herlin_Riley | a native |
| Herlin_Riley | native of |
| Herlin_Riley | of new |
| Herlin_Riley | new orleans |
| Herlin_Riley | orleans riley |
| Herlin_Riley | riley started |
| Herlin_Riley | started on |
| Herlin_Riley | on the |
| Herlin_Riley | the drums |
| Herlin_Riley | drums when |
| Herlin_Riley | when he |
| Herlin_Riley | he was |
| Herlin_Riley | was three |
| Herlin_Riley | three he |
| Herlin_Riley | he played |
| Herlin_Riley | played trumpet |
| Herlin_Riley | trumpet through |
| Herlin_Riley | through high |
| Herlin_Riley | high school |
| Herlin_Riley | school but |
| Herlin_Riley | but he |
| Herlin_Riley | he went |
| Herlin_Riley | went back |
| Herlin_Riley | back to |
| Herlin_Riley | to drums |
| Herlin_Riley | drums in |
| Herlin_Riley | in college |
| Herlin_Riley | college after |
| Herlin_Riley | after graduating |
| Herlin_Riley | graduating he |
| Herlin_Riley | he spent |
| Herlin_Riley | spent three |
| Herlin_Riley | three years |
| Herlin_Riley | years as |
| Herlin_Riley | as a |
| Herlin_Riley | a member |
| Herlin_Riley | member of |
| Herlin_Riley | of a |
| Herlin_Riley | a band |
| Herlin_Riley | band led |
| Herlin_Riley | led by |
| Herlin_Riley | by ahmad |
| Herlin_Riley | ahmad jamal |
| Herlin_Riley | jamal he |
| Herlin_Riley | he has |
| Herlin_Riley | has worked |
| Herlin_Riley | worked often |
| Herlin_Riley | often with |
| Herlin_Riley | with wynton |
| Herlin_Riley | wynton marsalis |
| Herlin_Riley | marsalis as |
| Herlin_Riley | as a |
| Herlin_Riley | a member |
| Herlin_Riley | member of |
| Herlin_Riley | of the |
| Herlin_Riley | the jazz |
| Herlin_Riley | jazz at |
| Herlin_Riley | at lincoln |
| Herlin_Riley | lincoln center |
| Herlin_Riley | center orchestra |
| Herlin_Riley | orchestra and |
| Herlin_Riley | and of |
| Herlin_Riley | of marsalis’s |
| Herlin_Riley | marsalis’s small |
| Herlin_Riley | small groups |
| Herlin_Riley | groups he |
| Herlin_Riley | he has |
| Herlin_Riley | has also |
| Herlin_Riley | also worked |
| Herlin_Riley | worked with |
| Herlin_Riley | with george |
| Herlin_Riley | george benson |
| Herlin_Riley | benson harry |
| Herlin_Riley | harry connick |
| Herlin_Riley | connick jr |
| Herlin_Riley | jr and |
| Herlin_Riley | and marcus |
| Herlin_Riley | marcus roberts |
| Herlin_Riley | roberts riley |
| Herlin_Riley | riley played |
| Herlin_Riley | played a |
| Herlin_Riley | a large |
| Herlin_Riley | large part |
| Herlin_Riley | part in |
| Herlin_Riley | in developing |
| Herlin_Riley | developing the |
| Herlin_Riley | the drum |
| Herlin_Riley | drum parts |
| Herlin_Riley | parts for |
| Herlin_Riley | for wynton |
| Herlin_Riley | wynton marsalis’s |
| Herlin_Riley | marsalis’s pulitzer |
| Herlin_Riley | pulitzer prize |
| Herlin_Riley | prize winning |
| Herlin_Riley | winning album |
| Herlin_Riley | album blood |
| Herlin_Riley | blood on |
| Herlin_Riley | on the |
| Herlin_Riley | the fields |
| Herlin_Riley | fields he |
| Herlin_Riley | he is |
| Herlin_Riley | is a |
| Herlin_Riley | a lecturer |
| Herlin_Riley | lecturer in |
| Herlin_Riley | in percussion |
| Herlin_Riley | percussion for |
| Herlin_Riley | for the |
| Herlin_Riley | the jazz |
| Herlin_Riley | jazz studies |
| Herlin_Riley | studies program |
| Herlin_Riley | program at |
| Herlin_Riley | at the |
| Herlin_Riley | the bienen |
| Herlin_Riley | bienen school |
| Herlin_Riley | school of |
| Herlin_Riley | of music |
| Herlin_Riley | music at |
| Herlin_Riley | at northwestern |
| Herlin_Riley | northwestern university |
| Herlin_Riley | university in |
| Herlin_Riley | in evanston |
| Herlin_Riley | evanston illinois |
| Herlin_Riley | illinois en |
| Gerald_Clayton | gerald william |
| Gerald_Clayton | william clayton |
| Gerald_Clayton | clayton born |
| Gerald_Clayton | born may |
| Gerald_Clayton | may 11 |
| Gerald_Clayton | 11 1984 |
| Gerald_Clayton | 1984 is |
| Gerald_Clayton | is a |
| Gerald_Clayton | a dutch |
| Gerald_Clayton | dutch born |
| Gerald_Clayton | born american |
| Gerald_Clayton | american jazz |
| Gerald_Clayton | jazz pianist |
| Gerald_Clayton | pianist and |
| Gerald_Clayton | and composer |
| Gerald_Clayton | composer en |
| Ligel_Lambert | ligel lambert |
| Ligel_Lambert | lambert born |
| Ligel_Lambert | born may |
| Ligel_Lambert | may 20 |
| Ligel_Lambert | 20 1982 |
| Ligel_Lambert | 1982 is |
| Ligel_Lambert | is a |
| Ligel_Lambert | a haitian |
| Ligel_Lambert | haitian born |
| Ligel_Lambert | born american |
| Ligel_Lambert | american interdisciplinary |
| Ligel_Lambert | interdisciplinary artist |
| Ligel_Lambert | artist entrepreneur |
| Ligel_Lambert | entrepreneur educator |
| Ligel_Lambert | educator and |
| Ligel_Lambert | and graphic |
| Ligel_Lambert | graphic designer |
| Ligel_Lambert | designer who |
| Ligel_Lambert | who primarily |
| Ligel_Lambert | primarily works |
| Ligel_Lambert | works in |
| Ligel_Lambert | in painting |
| Ligel_Lambert | painting collage |
| Ligel_Lambert | collage printmaking |
| Ligel_Lambert | printmaking assemblage |
| Ligel_Lambert | assemblage art |
| Ligel_Lambert | art and |
| Ligel_Lambert | and sculpture |
| Ligel_Lambert | sculpture he |
| Ligel_Lambert | he is |
| Ligel_Lambert | is best |
| Ligel_Lambert | best known |
| Ligel_Lambert | known for |
| Ligel_Lambert | for his |
| Ligel_Lambert | his colorful |
| Ligel_Lambert | colorful fauvist |
| Ligel_Lambert | fauvist rhythmic |
| Ligel_Lambert | rhythmic and |
| Ligel_Lambert | and abstracted |
| Ligel_Lambert | abstracted interpretations |
| Ligel_Lambert | interpretations of |
| Ligel_Lambert | of musicians |
| Ligel_Lambert | musicians interpretations |
| Ligel_Lambert | interpretations of |
| Ligel_Lambert | of sounds |
| Ligel_Lambert | sounds and |
| Ligel_Lambert | and musical |
| Ligel_Lambert | musical themed |
| Ligel_Lambert | themed paintings |
| Ligel_Lambert | paintings en |
| Jacky_Terrasson | jacky terrasson |
| Jacky_Terrasson | terrasson born |
| Jacky_Terrasson | born november |
| Jacky_Terrasson | november 27 |
| Jacky_Terrasson | 27 1965 |
| Jacky_Terrasson | 1965 is |
| Jacky_Terrasson | is a |
| Jacky_Terrasson | a french |
| Jacky_Terrasson | french jazz |
| Jacky_Terrasson | jazz pianist |
| Jacky_Terrasson | pianist and |
| Jacky_Terrasson | and composer |
| Jacky_Terrasson | composer en |
| Cameron_Brown_(musician) | cameron langdon |
| Cameron_Brown_(musician) | langdon brown |
| Cameron_Brown_(musician) | brown born |
| Cameron_Brown_(musician) | born december |
| Cameron_Brown_(musician) | december 21 |
| Cameron_Brown_(musician) | 21 1945 |
| Cameron_Brown_(musician) | 1945 is |
| Cameron_Brown_(musician) | is an |
| Cameron_Brown_(musician) | an american |
| Cameron_Brown_(musician) | american jazz |
| Cameron_Brown_(musician) | jazz double |
| Cameron_Brown_(musician) | double bassist |
| Cameron_Brown_(musician) | bassist known |
| Cameron_Brown_(musician) | known for |
| Cameron_Brown_(musician) | for his |
| Cameron_Brown_(musician) | his association |
| Cameron_Brown_(musician) | association with |
| Cameron_Brown_(musician) | with the |
| Cameron_Brown_(musician) | the don |
| Cameron_Brown_(musician) | don pullen |
| Cameron_Brown_(musician) | pullen george |
| Cameron_Brown_(musician) | george adams |
| Cameron_Brown_(musician) | adams quartet |
| Cameron_Brown_(musician) | quartet en |
| Roger_Humphries | roger humphries |
| Roger_Humphries | humphries born |
| Roger_Humphries | born january |
| Roger_Humphries | january 30 |
| Roger_Humphries | 30 1944 |
| Roger_Humphries | 1944 is |
| Roger_Humphries | is an |
| Roger_Humphries | an american |
| Roger_Humphries | american jazz |
| Roger_Humphries | jazz drummer |
| Roger_Humphries | drummer born |
| Roger_Humphries | born into |
| Roger_Humphries | into a |
| Roger_Humphries | a family |
| Roger_Humphries | family of |
| Roger_Humphries | of ten |
| Roger_Humphries | ten children |
| Roger_Humphries | children in |
| Roger_Humphries | in pittsburgh |
| Roger_Humphries | pittsburgh pennsylvania |
| Roger_Humphries | pennsylvania humphries |
| Roger_Humphries | humphries began |
| Roger_Humphries | began playing |
| Roger_Humphries | playing drums |
| Roger_Humphries | drums at |
| Roger_Humphries | at age |
| Roger_Humphries | age four |
| Roger_Humphries | four and |
| Roger_Humphries | and went |
| Roger_Humphries | went professional |
| Roger_Humphries | professional at |
| Roger_Humphries | at age |
| Roger_Humphries | age 14 |
| Roger_Humphries | 14 he |
| Roger_Humphries | he led |
| Roger_Humphries | led an |
| Roger_Humphries | an ensemble |
| Roger_Humphries | ensemble at |
| Roger_Humphries | at carnegie |
| Roger_Humphries | carnegie hall |
| Roger_Humphries | hall at |
| Roger_Humphries | at age |
| Roger_Humphries | age 16 |
| Roger_Humphries | 16 early |
| Roger_Humphries | early in |
| Roger_Humphries | in the |
| Roger_Humphries | the 1960s |
| Roger_Humphries | 1960s he |
| Roger_Humphries | he began |
| Roger_Humphries | began touring |
| Roger_Humphries | touring with |
| Roger_Humphries | with jazz |
| Roger_Humphries | jazz musicians |
| Roger_Humphries | musicians one |
| Roger_Humphries | one of |
| Roger_Humphries | of his |
| Roger_Humphries | his more |
| Roger_Humphries | more prominent |
| Roger_Humphries | prominent gigs |
| Roger_Humphries | gigs was |
| Roger_Humphries | was in |
| Roger_Humphries | in a |
| Roger_Humphries | a trio |
| Roger_Humphries | trio with |
| Roger_Humphries | with stanley |
| Roger_Humphries | stanley turrentine |
| Roger_Humphries | turrentine and |
| Roger_Humphries | and shirley |
| Roger_Humphries | shirley scott |
| Roger_Humphries | scott in |
| Roger_Humphries | in 1962 |
| Roger_Humphries | 1962 in |
| Roger_Humphries | in 1964 |
| Roger_Humphries | 1964 he |
| Roger_Humphries | he worked |
| Roger_Humphries | worked with |
| Roger_Humphries | with horace |
| Roger_Humphries | horace silver |
| Roger_Humphries | silver appearing |
| Roger_Humphries | appearing on |
| Roger_Humphries | on the |
| Roger_Humphries | the album |
| Roger_Humphries | album song |
| Roger_Humphries | song for |
| Roger_Humphries | for my |
| Roger_Humphries | my father |
| Roger_Humphries | father where |
| Roger_Humphries | where he |
| Roger_Humphries | he played |
| Roger_Humphries | played on |
| Roger_Humphries | on four |
| Roger_Humphries | four tracks |
| Roger_Humphries | tracks including |
| Roger_Humphries | including the |
| Roger_Humphries | the title |
| Roger_Humphries | title tune |
| Roger_Humphries | tune on |
| Roger_Humphries | on the |
| Roger_Humphries | the same |
| Roger_Humphries | same album |
| Roger_Humphries | album roy |
| Roger_Humphries | roy brooks |
| Roger_Humphries | brooks played |
| Roger_Humphries | played on |
| Roger_Humphries | on two |
| Roger_Humphries | two tracks |
| Roger_Humphries | tracks from |
| Roger_Humphries | from a |
| Roger_Humphries | a session |
| Roger_Humphries | session recorded |
| Roger_Humphries | recorded a |
| Roger_Humphries | a year |
| Roger_Humphries | year earlier |
| Roger_Humphries | earlier following |
| Roger_Humphries | following this |
| Roger_Humphries | this humphries |
| Roger_Humphries | humphries drummed |
| Roger_Humphries | drummed for |
| Roger_Humphries | for ray |
| Roger_Humphries | ray charles |
| Roger_Humphries | charles humphries’s |
| Roger_Humphries | humphries’s list |
| Roger_Humphries | list of |
| Roger_Humphries | of credits |
| Roger_Humphries | credits in |
| Roger_Humphries | in jazz |
| Roger_Humphries | jazz r |
| Roger_Humphries | r b |
| Roger_Humphries | b and |
| Roger_Humphries | and pop |
| Roger_Humphries | pop is |
| Roger_Humphries | is extensive |
| Roger_Humphries | extensive musicians |
| Roger_Humphries | musicians he |
| Roger_Humphries | he has |
| Roger_Humphries | has played |
| Roger_Humphries | played with |
| Roger_Humphries | with in |
| Roger_Humphries | in addition |
| Roger_Humphries | addition to |
| Roger_Humphries | to the |
| Roger_Humphries | the above |
| Roger_Humphries | above include |
| Roger_Humphries | include lee |
| Roger_Humphries | lee morgan |
| Roger_Humphries | morgan grant |
| Roger_Humphries | grant green |
| Roger_Humphries | green billy |
| Roger_Humphries | billy taylor |
| Roger_Humphries | taylor bill |
| Roger_Humphries | bill doggett |
| Roger_Humphries | doggett benny |
| Roger_Humphries | benny green |
| Roger_Humphries | green lionel |
| Roger_Humphries | lionel hampton |
| Roger_Humphries | hampton coleman |
| Roger_Humphries | coleman hawkins |
| Roger_Humphries | hawkins barry |
| Roger_Humphries | barry harris |
| Roger_Humphries | harris clark |
| Roger_Humphries | clark terry |
| Roger_Humphries | terry j |
| Roger_Humphries | j j |
| Roger_Humphries | j johnson |
| Roger_Humphries | johnson billy |
| Roger_Humphries | billy preston |
| Roger_Humphries | preston joe |
| Roger_Humphries | joe henderson |
| Roger_Humphries | henderson freddie |
| Roger_Humphries | freddie hubbard |
| Roger_Humphries | hubbard dizzy |
| Roger_Humphries | dizzy gillespie |
| Roger_Humphries | gillespie jack |
| Roger_Humphries | jack mcduff |
| Roger_Humphries | mcduff gene |
| Roger_Humphries | gene harris |
| Roger_Humphries | harris george |
| Roger_Humphries | george benson |
| Roger_Humphries | benson jon |
| Roger_Humphries | jon faddis |
| Roger_Humphries | faddis slide |
| Roger_Humphries | slide hampton |
| Roger_Humphries | hampton johnny |
| Roger_Humphries | johnny griffin |
| Roger_Humphries | griffin herbie |
| Roger_Humphries | herbie mann |
| Roger_Humphries | mann randy |
| Roger_Humphries | randy brecker |
| Roger_Humphries | brecker joe |
| Roger_Humphries | joe williams |
| Roger_Humphries | williams milt |
| Roger_Humphries | milt jackson |
| Roger_Humphries | jackson jimmy |
| Roger_Humphries | jimmy witherspoon |
| Roger_Humphries | witherspoon hubert |
| Roger_Humphries | hubert laws |
| Roger_Humphries | laws dwayne |
| Roger_Humphries | dwayne dolphin |
| Roger_Humphries | dolphin isley |
| Roger_Humphries | isley brothers |
| Roger_Humphries | brothers and |
| Roger_Humphries | and illinois |
| Roger_Humphries | illinois jacquet |
| Roger_Humphries | jacquet humphries |
| Roger_Humphries | humphries led |
| Roger_Humphries | led his |
| Roger_Humphries | his own |
| Roger_Humphries | own band |
| Roger_Humphries | band in |
| Roger_Humphries | in the |
| Roger_Humphries | the early |
| Roger_Humphries | early 1970s |
| Roger_Humphries | 1970s r.h |
| Roger_Humphries | r.h factor |
| Roger_Humphries | factor and |
| Roger_Humphries | and led |
| Roger_Humphries | led ensembles |
| Roger_Humphries | ensembles under |
| Roger_Humphries | under other |
| Roger_Humphries | other names |
| Roger_Humphries | names into |
| Roger_Humphries | into the |
| Roger_Humphries | the 1990s |
| Roger_Humphries | 1990s he |
| Roger_Humphries | he has |
| Roger_Humphries | has also |
| Roger_Humphries | also held |
| Roger_Humphries | held teaching |
| Roger_Humphries | teaching positions |
| Roger_Humphries | positions at |
| Roger_Humphries | at the |
| Roger_Humphries | the university |
| Roger_Humphries | university of |
| Roger_Humphries | of pittsburgh |
| Roger_Humphries | pittsburgh and |
| Roger_Humphries | and the |
| Roger_Humphries | the pittsburgh |
| Roger_Humphries | pittsburgh high |
| Roger_Humphries | high school |
| Roger_Humphries | school for |
| Roger_Humphries | for the |
| Roger_Humphries | the creative |
| Roger_Humphries | creative and |
| Roger_Humphries | and performing |
| Roger_Humphries | performing arts |
| Roger_Humphries | arts he |
| Roger_Humphries | he released |
| Roger_Humphries | released albums |
| Roger_Humphries | albums under |
| Roger_Humphries | under his |
| Roger_Humphries | his own |
| Roger_Humphries | own name |
| Roger_Humphries | name in |
| Roger_Humphries | in 1993 |
| Roger_Humphries | 1993 2003 |
| Roger_Humphries | 2003 and |
| Roger_Humphries | and 2011 |
| Roger_Humphries | 2011 en |
| Harry_Connick_Jr. | joseph harry |
| Harry_Connick_Jr. | harry fowler |
| Harry_Connick_Jr. | fowler connick |
| Harry_Connick_Jr. | connick jr |
| Harry_Connick_Jr. | jr born |
| Harry_Connick_Jr. | born september |
| Harry_Connick_Jr. | september 11 |
| Harry_Connick_Jr. | 11 1967 |
| Harry_Connick_Jr. | 1967 is |
| Harry_Connick_Jr. | is an |
| Harry_Connick_Jr. | an american |
| Harry_Connick_Jr. | american singer |
| Harry_Connick_Jr. | singer pianist |
| Harry_Connick_Jr. | pianist composer |
| Harry_Connick_Jr. | composer actor |
| Harry_Connick_Jr. | actor and |
| Harry_Connick_Jr. | and television |
| Harry_Connick_Jr. | television host |
| Harry_Connick_Jr. | host he |
| Harry_Connick_Jr. | he has |
| Harry_Connick_Jr. | has sold |
| Harry_Connick_Jr. | sold over |
| Harry_Connick_Jr. | over 28 |
| Harry_Connick_Jr. | 28 million |
| Harry_Connick_Jr. | million albums |
| Harry_Connick_Jr. | albums worldwide |
| Harry_Connick_Jr. | worldwide connick |
| Harry_Connick_Jr. | connick is |
| Harry_Connick_Jr. | is ranked |
| Harry_Connick_Jr. | ranked among |
| Harry_Connick_Jr. | among the |
| Harry_Connick_Jr. | the top |
| Harry_Connick_Jr. | top 60 |
| Harry_Connick_Jr. | 60 best |
| Harry_Connick_Jr. | best selling |
| Harry_Connick_Jr. | selling male |
| Harry_Connick_Jr. | male artists |
| Harry_Connick_Jr. | artists in |
| Harry_Connick_Jr. | in the |
| Harry_Connick_Jr. | the united |
| Harry_Connick_Jr. | united states |
| Harry_Connick_Jr. | states by |
| Harry_Connick_Jr. | by the |
| Harry_Connick_Jr. | the recording |
| Harry_Connick_Jr. | recording industry |
| Harry_Connick_Jr. | industry association |
| Harry_Connick_Jr. | association of |
| Harry_Connick_Jr. | of america |
| Harry_Connick_Jr. | america with |
| Harry_Connick_Jr. | with 16 |
| Harry_Connick_Jr. | 16 million |
| Harry_Connick_Jr. | million in |
| Harry_Connick_Jr. | in certified |
| Harry_Connick_Jr. | certified sales |
| Harry_Connick_Jr. | sales he |
| Harry_Connick_Jr. | he has |
| Harry_Connick_Jr. | has had |
| Harry_Connick_Jr. | had seven |
| Harry_Connick_Jr. | seven top |
| Harry_Connick_Jr. | top 20 |
| Harry_Connick_Jr. | 20 us |
| Harry_Connick_Jr. | us albums |
| Harry_Connick_Jr. | albums and |
| Harry_Connick_Jr. | and ten |
| Harry_Connick_Jr. | ten number |
| Harry_Connick_Jr. | number one |
| Harry_Connick_Jr. | one us |
| Harry_Connick_Jr. | us jazz |
| Harry_Connick_Jr. | jazz albums |
| Harry_Connick_Jr. | albums earning |
| Harry_Connick_Jr. | earning more |
| Harry_Connick_Jr. | more number |
| Harry_Connick_Jr. | number one |
| Harry_Connick_Jr. | one albums |
| Harry_Connick_Jr. | albums than |
| Harry_Connick_Jr. | than any |
| Harry_Connick_Jr. | any other |
| Harry_Connick_Jr. | other artist |
| Harry_Connick_Jr. | artist in |
| Harry_Connick_Jr. | in us |
| Harry_Connick_Jr. | us jazz |
| Harry_Connick_Jr. | jazz chart |
| Harry_Connick_Jr. | chart history |
| Harry_Connick_Jr. | history connick’s |
| Harry_Connick_Jr. | connick’s best |
| Harry_Connick_Jr. | best selling |
| Harry_Connick_Jr. | selling album |
| Harry_Connick_Jr. | album in |
| Harry_Connick_Jr. | in the |
| Harry_Connick_Jr. | the united |
| Harry_Connick_Jr. | united states |
| Harry_Connick_Jr. | states is |
| Harry_Connick_Jr. | is his |
| Harry_Connick_Jr. | his christmas |
| Harry_Connick_Jr. | christmas album |
| Harry_Connick_Jr. | album when |
| Harry_Connick_Jr. | when my |
| Harry_Connick_Jr. | my heart |
| Harry_Connick_Jr. | heart finds |
| Harry_Connick_Jr. | finds christmas |
| Harry_Connick_Jr. | christmas 1993 |
| Harry_Connick_Jr. | 1993 his |
| Harry_Connick_Jr. | his highest |
| Harry_Connick_Jr. | highest charting |
| Harry_Connick_Jr. | charting album |
| Harry_Connick_Jr. | album is |
| Harry_Connick_Jr. | is his |
| Harry_Connick_Jr. | his release |
| Harry_Connick_Jr. | release only |
| Harry_Connick_Jr. | only you |
| Harry_Connick_Jr. | you 2004 |
| Harry_Connick_Jr. | 2004 which |
| Harry_Connick_Jr. | which reached |
| Harry_Connick_Jr. | reached no |
| Harry_Connick_Jr. | no 5 |
| Harry_Connick_Jr. | 5 in |
| Harry_Connick_Jr. | in the |
| Harry_Connick_Jr. | the us |
| Harry_Connick_Jr. | us and |
| Harry_Connick_Jr. | and no |
| Harry_Connick_Jr. | no 6 |
| Harry_Connick_Jr. | 6 in |
| Harry_Connick_Jr. | in britain |
| Harry_Connick_Jr. | britain he |
| Harry_Connick_Jr. | he has |
| Harry_Connick_Jr. | has won |
| Harry_Connick_Jr. | won three |
| Harry_Connick_Jr. | three grammy |
| Harry_Connick_Jr. | grammy awards |
| Harry_Connick_Jr. | awards and |
| Harry_Connick_Jr. | and two |
| Harry_Connick_Jr. | two emmy |
| Harry_Connick_Jr. | emmy awards |
| Harry_Connick_Jr. | awards he |
| Harry_Connick_Jr. | he played |
| Harry_Connick_Jr. | played leo |
| Harry_Connick_Jr. | leo markus |
| Harry_Connick_Jr. | markus the |
| Harry_Connick_Jr. | the husband |
| Harry_Connick_Jr. | husband of |
| Harry_Connick_Jr. | of grace |
| Harry_Connick_Jr. | grace adler |
| Harry_Connick_Jr. | adler played |
| Harry_Connick_Jr. | played by |
| Harry_Connick_Jr. | by debra |
| Harry_Connick_Jr. | debra messing |
| Harry_Connick_Jr. | messing on |
| Harry_Connick_Jr. | on the |
| Harry_Connick_Jr. | the nbc |
| Harry_Connick_Jr. | nbc sitcom |
| Harry_Connick_Jr. | sitcom will |
| Harry_Connick_Jr. | will grace |
| Harry_Connick_Jr. | grace from |
| Harry_Connick_Jr. | from 2002 |
| Harry_Connick_Jr. | 2002 to |
| Harry_Connick_Jr. | to 2006 |
| Harry_Connick_Jr. | 2006 connick |
| Harry_Connick_Jr. | connick began |
| Harry_Connick_Jr. | began his |
| Harry_Connick_Jr. | his acting |
| Harry_Connick_Jr. | acting career |
| Harry_Connick_Jr. | career as |
| Harry_Connick_Jr. | as a |
| Harry_Connick_Jr. | a tail |
| Harry_Connick_Jr. | tail gunner |
| Harry_Connick_Jr. | gunner in |
| Harry_Connick_Jr. | in the |
| Harry_Connick_Jr. | the world |
| Harry_Connick_Jr. | world war |
| Harry_Connick_Jr. | war ii |
| Harry_Connick_Jr. | ii film |
| Harry_Connick_Jr. | film memphis |
| Harry_Connick_Jr. | memphis belle |
| Harry_Connick_Jr. | belle 1990 |
| Harry_Connick_Jr. | 1990 he |
| Harry_Connick_Jr. | he played |
| Harry_Connick_Jr. | played a |
| Harry_Connick_Jr. | a serial |
| Harry_Connick_Jr. | serial killer |
| Harry_Connick_Jr. | killer in |
| Harry_Connick_Jr. | in copycat |
| Harry_Connick_Jr. | copycat 1995 |
| Harry_Connick_Jr. | 1995 before |
| Harry_Connick_Jr. | before being |
| Harry_Connick_Jr. | being cast |
| Harry_Connick_Jr. | cast as |
| Harry_Connick_Jr. | as a |
| Harry_Connick_Jr. | a fighter |
| Harry_Connick_Jr. | fighter pilot |
| Harry_Connick_Jr. | pilot in |
| Harry_Connick_Jr. | in the |
| Harry_Connick_Jr. | the blockbuster |
| Harry_Connick_Jr. | blockbuster independence |
| Harry_Connick_Jr. | independence day |
| Harry_Connick_Jr. | day 1996 |
| Harry_Connick_Jr. | 1996 connick’s |
| Harry_Connick_Jr. | connick’s first |
| Harry_Connick_Jr. | first role |
| Harry_Connick_Jr. | role as |
| Harry_Connick_Jr. | as a |
| Harry_Connick_Jr. | a leading |
| Harry_Connick_Jr. | leading man |
| Harry_Connick_Jr. | man was |
| Harry_Connick_Jr. | was in |
| Harry_Connick_Jr. | in hope |
| Harry_Connick_Jr. | hope floats |
| Harry_Connick_Jr. | floats 1998 |
| Harry_Connick_Jr. | 1998 with |
| Harry_Connick_Jr. | with sandra |
| Harry_Connick_Jr. | sandra bullock |
| Harry_Connick_Jr. | bullock his |
| Harry_Connick_Jr. | his first |
| Harry_Connick_Jr. | first thriller |
| Harry_Connick_Jr. | thriller film |
| Harry_Connick_Jr. | film since |
| Harry_Connick_Jr. | since copycat |
| Harry_Connick_Jr. | copycat was |
| Harry_Connick_Jr. | was basic |
| Harry_Connick_Jr. | basic 2003 |
| Harry_Connick_Jr. | 2003 with |
| Harry_Connick_Jr. | with john |
| Harry_Connick_Jr. | john travolta |
| Harry_Connick_Jr. | travolta additionally |
| Harry_Connick_Jr. | additionally he |
| Harry_Connick_Jr. | he played |
| Harry_Connick_Jr. | played a |
| Harry_Connick_Jr. | a violent |
| Harry_Connick_Jr. | violent ex |
| Harry_Connick_Jr. | ex husband |
| Harry_Connick_Jr. | husband in |
| Harry_Connick_Jr. | in bug |
| Harry_Connick_Jr. | bug before |
| Harry_Connick_Jr. | before two |
| Harry_Connick_Jr. | two romantic |
| Harry_Connick_Jr. | romantic comedies |
| Harry_Connick_Jr. | comedies p.s |
| Harry_Connick_Jr. | p.s i |
| Harry_Connick_Jr. | i love |
| Harry_Connick_Jr. | love you |
| Harry_Connick_Jr. | you 2007 |
| Harry_Connick_Jr. | 2007 and |
| Harry_Connick_Jr. | and the |
| Harry_Connick_Jr. | the leading |
| Harry_Connick_Jr. | leading man |
| Harry_Connick_Jr. | man in |
| Harry_Connick_Jr. | in new |
| Harry_Connick_Jr. | new in |
| Harry_Connick_Jr. | in town |
| Harry_Connick_Jr. | town 2009 |
| Harry_Connick_Jr. | 2009 with |
| Harry_Connick_Jr. | with ren |
| Harry_Connick_Jr. | ren 矇 |
| Harry_Connick_Jr. | 矇 e |
| Harry_Connick_Jr. | e zellweger |
| Harry_Connick_Jr. | zellweger in |
| Harry_Connick_Jr. | in 2011 |
| Harry_Connick_Jr. | 2011 he |
| Harry_Connick_Jr. | he appeared |
| Harry_Connick_Jr. | appeared in |
| Harry_Connick_Jr. | in the |
| Harry_Connick_Jr. | the family |
| Harry_Connick_Jr. | family film |
| Harry_Connick_Jr. | film dolphin |
| Harry_Connick_Jr. | dolphin tale |
| Harry_Connick_Jr. | tale as |
| Harry_Connick_Jr. | as dr |
| Harry_Connick_Jr. | dr clay |
| Harry_Connick_Jr. | clay haskett |
| Harry_Connick_Jr. | haskett and |
| Harry_Connick_Jr. | and in |
| Harry_Connick_Jr. | in its |
| Harry_Connick_Jr. | its 2014 |
| Harry_Connick_Jr. | 2014 sequel |
| Harry_Connick_Jr. | sequel en |
| Milt_Jackson | milton bags |
| Milt_Jackson | bags jackson |
| Milt_Jackson | jackson january |
| Milt_Jackson | january 1 |
| Milt_Jackson | 1 1923 |
| Milt_Jackson | 1923 october |
| Milt_Jackson | october 9 |
| Milt_Jackson | 9 1999 |
| Milt_Jackson | 1999 was |
| Milt_Jackson | was an |
| Milt_Jackson | an american |
| Milt_Jackson | american jazz |
| Milt_Jackson | jazz vibraphonist |
| Milt_Jackson | vibraphonist usually |
| Milt_Jackson | usually thought |
| Milt_Jackson | thought of |
| Milt_Jackson | of as |
| Milt_Jackson | as a |
| Milt_Jackson | a bebop |
| Milt_Jackson | bebop player |
| Milt_Jackson | player although |
| Milt_Jackson | although he |
| Milt_Jackson | he performed |
| Milt_Jackson | performed in |
| Milt_Jackson | in several |
| Milt_Jackson | several jazz |
| Milt_Jackson | jazz idioms |
| Milt_Jackson | idioms he |
| Milt_Jackson | he is |
| Milt_Jackson | is especially |
| Milt_Jackson | especially remembered |
| Milt_Jackson | remembered for |
| Milt_Jackson | for his |
| Milt_Jackson | his cool |
| Milt_Jackson | cool swinging |
| Milt_Jackson | swinging solos |
| Milt_Jackson | solos as |
| Milt_Jackson | as a |
| Milt_Jackson | a member |
| Milt_Jackson | member of |
| Milt_Jackson | of the |
| Milt_Jackson | the modern |
| Milt_Jackson | modern jazz |
| Milt_Jackson | jazz quartet |
| Milt_Jackson | quartet and |
| Milt_Jackson | and his |
| Milt_Jackson | his penchant |
| Milt_Jackson | penchant for |
| Milt_Jackson | for collaborating |
| Milt_Jackson | collaborating with |
| Milt_Jackson | with hard |
| Milt_Jackson | hard bop |
| Milt_Jackson | bop and |
| Milt_Jackson | and post |
| Milt_Jackson | post bop |
| Milt_Jackson | bop players |
| Milt_Jackson | players a |
| Milt_Jackson | a very |
| Milt_Jackson | very expressive |
| Milt_Jackson | expressive player |
| Milt_Jackson | player jackson |
| Milt_Jackson | jackson differentiated |
| Milt_Jackson | differentiated himself |
| Milt_Jackson | himself from |
| Milt_Jackson | from other |
| Milt_Jackson | other vibraphonists |
| Milt_Jackson | vibraphonists in |
| Milt_Jackson | in his |
| Milt_Jackson | his attention |
| Milt_Jackson | attention to |
| Milt_Jackson | to variations |
| Milt_Jackson | variations on |
| Milt_Jackson | on harmonics |
| Milt_Jackson | harmonics and |
| Milt_Jackson | and rhythm |
| Milt_Jackson | rhythm he |
| Milt_Jackson | he was |
| Milt_Jackson | was particularly |
| Milt_Jackson | particularly fond |
| Milt_Jackson | fond of |
| Milt_Jackson | of the |
| Milt_Jackson | the twelve |
| Milt_Jackson | twelve bar |
| Milt_Jackson | bar blues |
| Milt_Jackson | blues at |
| Milt_Jackson | at slow |
| Milt_Jackson | slow tempos |
| Milt_Jackson | tempos he |
| Milt_Jackson | he preferred |
| Milt_Jackson | preferred to |
| Milt_Jackson | to set |
| Milt_Jackson | set the |
| Milt_Jackson | the vibraphone’s |
| Milt_Jackson | vibraphone’s oscillator |
| Milt_Jackson | oscillator to |
| Milt_Jackson | to a |
| Milt_Jackson | a low |
| Milt_Jackson | low 3.3 |
| Milt_Jackson | 3.3 revolutions |
| Milt_Jackson | revolutions per |
| Milt_Jackson | per second |
| Milt_Jackson | second as |
| Milt_Jackson | as opposed |
| Milt_Jackson | opposed to |
| Milt_Jackson | to lionel |
| Milt_Jackson | lionel hampton’s |
| Milt_Jackson | hampton’s speed |
| Milt_Jackson | speed of |
| Milt_Jackson | of 10 |
| Milt_Jackson | 10 revolutions |
| Milt_Jackson | revolutions per |
| Milt_Jackson | per second |
| Milt_Jackson | second for |
| Milt_Jackson | for a |
| Milt_Jackson | a more |
| Milt_Jackson | more subtle |
| Milt_Jackson | subtle tremolo |
| Milt_Jackson | tremolo on |
| Milt_Jackson | on occasion |
| Milt_Jackson | occasion jackson |
| Milt_Jackson | jackson sang |
| Milt_Jackson | sang and |
| Milt_Jackson | and played |
| Milt_Jackson | played piano |
| Milt_Jackson | piano professionally |
| Milt_Jackson | professionally en |
| Ellis_Marsalis_Jr. | ellis louis |
| Ellis_Marsalis_Jr. | louis marsalis |
| Ellis_Marsalis_Jr. | marsalis jr |
| Ellis_Marsalis_Jr. | jr november |
| Ellis_Marsalis_Jr. | november 14 |
| Ellis_Marsalis_Jr. | 14 1934 |
| Ellis_Marsalis_Jr. | 1934 april |
| Ellis_Marsalis_Jr. | april 1 |
| Ellis_Marsalis_Jr. | 1 2020 |
| Ellis_Marsalis_Jr. | 2020 was |
| Ellis_Marsalis_Jr. | was an |
| Ellis_Marsalis_Jr. | an american |
| Ellis_Marsalis_Jr. | american jazz |
| Ellis_Marsalis_Jr. | jazz pianist |
| Ellis_Marsalis_Jr. | pianist and |
| Ellis_Marsalis_Jr. | and educator |
| Ellis_Marsalis_Jr. | educator active |
| Ellis_Marsalis_Jr. | active since |
| Ellis_Marsalis_Jr. | since the |
| Ellis_Marsalis_Jr. | the late |
| Ellis_Marsalis_Jr. | late 1940s |
| Ellis_Marsalis_Jr. | 1940s marsalis |
| Ellis_Marsalis_Jr. | marsalis came |
| Ellis_Marsalis_Jr. | came to |
| Ellis_Marsalis_Jr. | to greater |
| Ellis_Marsalis_Jr. | greater attention |
| Ellis_Marsalis_Jr. | attention in |
| Ellis_Marsalis_Jr. | in the |
| Ellis_Marsalis_Jr. | the 1980s |
| Ellis_Marsalis_Jr. | 1980s and |
| Ellis_Marsalis_Jr. | and 1990s |
| Ellis_Marsalis_Jr. | 1990s as |
| Ellis_Marsalis_Jr. | as the |
| Ellis_Marsalis_Jr. | the patriarch |
| Ellis_Marsalis_Jr. | patriarch of |
| Ellis_Marsalis_Jr. | of the |
| Ellis_Marsalis_Jr. | the musical |
| Ellis_Marsalis_Jr. | musical marsalis |
| Ellis_Marsalis_Jr. | marsalis family |
| Ellis_Marsalis_Jr. | family when |
| Ellis_Marsalis_Jr. | when sons |
| Ellis_Marsalis_Jr. | sons branford |
| Ellis_Marsalis_Jr. | branford and |
| Ellis_Marsalis_Jr. | and wynton |
| Ellis_Marsalis_Jr. | wynton became |
| Ellis_Marsalis_Jr. | became popular |
| Ellis_Marsalis_Jr. | popular musicians |
| Ellis_Marsalis_Jr. | musicians en |
| Damion_Reid | damion reid |
| Damion_Reid | reid born |
| Damion_Reid | born june |
| Damion_Reid | june 16 |
| Damion_Reid | 16 1979 |
| Damion_Reid | 1979 is |
| Damion_Reid | is an |
| Damion_Reid | an american |
| Damion_Reid | american drummer |
| Damion_Reid | drummer critics |
| Damion_Reid | critics have |
| Damion_Reid | have praised |
| Damion_Reid | praised his |
| Damion_Reid | his controlled |
| Damion_Reid | controlled fury |
| Damion_Reid | fury and |
| Damion_Reid | and microscopically |
| Damion_Reid | microscopically complex |
| Damion_Reid | complex beats |
| Damion_Reid | beats en |
| Ali_Shaheed_Muhammad | ali shaheed |
| Ali_Shaheed_Muhammad | shaheed muhammad |
| Ali_Shaheed_Muhammad | muhammad born |
| Ali_Shaheed_Muhammad | born august |
| Ali_Shaheed_Muhammad | august 11 |
| Ali_Shaheed_Muhammad | 11 1970 |
| Ali_Shaheed_Muhammad | 1970 is |
| Ali_Shaheed_Muhammad | is an |
| Ali_Shaheed_Muhammad | an american |
| Ali_Shaheed_Muhammad | american hip |
| Ali_Shaheed_Muhammad | hip hop |
| Ali_Shaheed_Muhammad | hop dj |
| Ali_Shaheed_Muhammad | dj record |
| Ali_Shaheed_Muhammad | record producer |
| Ali_Shaheed_Muhammad | producer and |
| Ali_Shaheed_Muhammad | and rapper |
| Ali_Shaheed_Muhammad | rapper best |
| Ali_Shaheed_Muhammad | best known |
| Ali_Shaheed_Muhammad | known as |
| Ali_Shaheed_Muhammad | as a |
| Ali_Shaheed_Muhammad | a member |
| Ali_Shaheed_Muhammad | member of |
| Ali_Shaheed_Muhammad | of a |
| Ali_Shaheed_Muhammad | a tribe |
| Ali_Shaheed_Muhammad | tribe called |
| Ali_Shaheed_Muhammad | called quest |
| Ali_Shaheed_Muhammad | quest with |
| Ali_Shaheed_Muhammad | with q |
| Ali_Shaheed_Muhammad | q tip |
| Ali_Shaheed_Muhammad | tip and |
| Ali_Shaheed_Muhammad | and phife |
| Ali_Shaheed_Muhammad | phife dawg |
| Ali_Shaheed_Muhammad | dawg and |
| Ali_Shaheed_Muhammad | and sometimes |
| Ali_Shaheed_Muhammad | sometimes jarobi |
| Ali_Shaheed_Muhammad | jarobi white |
| Ali_Shaheed_Muhammad | white the |
| Ali_Shaheed_Muhammad | the group |
| Ali_Shaheed_Muhammad | group released |
| Ali_Shaheed_Muhammad | released five |
| Ali_Shaheed_Muhammad | five studio |
| Ali_Shaheed_Muhammad | studio albums |
| Ali_Shaheed_Muhammad | albums from |
| Ali_Shaheed_Muhammad | from 1990 |
| Ali_Shaheed_Muhammad | 1990 to |
| Ali_Shaheed_Muhammad | to 1998 |
| Ali_Shaheed_Muhammad | 1998 before |
| Ali_Shaheed_Muhammad | before disbanding |
| Ali_Shaheed_Muhammad | disbanding their |
| Ali_Shaheed_Muhammad | their final |
| Ali_Shaheed_Muhammad | final album |
| Ali_Shaheed_Muhammad | album was |
| Ali_Shaheed_Muhammad | was released |
| Ali_Shaheed_Muhammad | released in |
| Ali_Shaheed_Muhammad | in 2016 |
| Ali_Shaheed_Muhammad | 2016 a |
| Ali_Shaheed_Muhammad | a native |
| Ali_Shaheed_Muhammad | native of |
| Ali_Shaheed_Muhammad | of brooklyn |
| Ali_Shaheed_Muhammad | brooklyn new |
| Ali_Shaheed_Muhammad | new york |
| Ali_Shaheed_Muhammad | york city |
| Ali_Shaheed_Muhammad | city muhammad |
| Ali_Shaheed_Muhammad | muhammad currently |
| Ali_Shaheed_Muhammad | currently lives |
| Ali_Shaheed_Muhammad | lives in |
| Ali_Shaheed_Muhammad | in los |
| Ali_Shaheed_Muhammad | los angeles |
| Ali_Shaheed_Muhammad | angeles en |
| Grant_Green | grant green |
| Grant_Green | green june |
| Grant_Green | june 6 |
| Grant_Green | 6 1935 |
| Grant_Green | 1935 january |
| Grant_Green | january 31 |
| Grant_Green | 31 1979 |
| Grant_Green | 1979 was |
| Grant_Green | was an |
| Grant_Green | an american |
| Grant_Green | american jazz |
| Grant_Green | jazz guitarist |
| Grant_Green | guitarist and |
| Grant_Green | and composer |
| Grant_Green | composer recording |
| Grant_Green | recording prolifically |
| Grant_Green | prolifically for |
| Grant_Green | for blue |
| Grant_Green | blue note |
| Grant_Green | note records |
| Grant_Green | records as |
| Grant_Green | as both |
| Grant_Green | both leader |
| Grant_Green | leader and |
| Grant_Green | and sideman |
| Grant_Green | sideman green |
| Grant_Green | green performed |
| Grant_Green | performed in |
| Grant_Green | in the |
| Grant_Green | the hard |
| Grant_Green | hard bop |
| Grant_Green | bop soul |
| Grant_Green | soul jazz |
| Grant_Green | jazz bebop |
| Grant_Green | bebop and |
| Grant_Green | and latin |
| Grant_Green | latin tinged |
| Grant_Green | tinged idioms |
| Grant_Green | idioms throughout |
| Grant_Green | throughout his |
| Grant_Green | his career |
| Grant_Green | career critics |
| Grant_Green | critics michael |
| Grant_Green | michael erlewine |
| Grant_Green | erlewine and |
| Grant_Green | and ron |
| Grant_Green | ron wynn |
| Grant_Green | wynn write |
| Grant_Green | write a |
| Grant_Green | a severely |
| Grant_Green | severely underrated |
| Grant_Green | underrated player |
| Grant_Green | player during |
| Grant_Green | during his |
| Grant_Green | his lifetime |
| Grant_Green | lifetime grant |
| Grant_Green | grant green |
| Grant_Green | green is |
| Grant_Green | is one |
| Grant_Green | one of |
| Grant_Green | of the |
| Grant_Green | the great |
| Grant_Green | great unsung |
| Grant_Green | unsung heroes |
| Grant_Green | heroes of |
| Grant_Green | of jazz |
| Grant_Green | jazz guitar |
| Grant_Green | guitar green’s |
| Grant_Green | green’s playing |
| Grant_Green | playing is |
| Grant_Green | is immediately |
| Grant_Green | immediately recognizable |
| Grant_Green | recognizable perhaps |
| Grant_Green | perhaps more |
| Grant_Green | more than |
| Grant_Green | than any |
| Grant_Green | any other |
| Grant_Green | other guitarist |
| Grant_Green | guitarist critic |
| Grant_Green | critic dave |
| Grant_Green | dave hunter |
| Grant_Green | hunter described |
| Grant_Green | described his |
| Grant_Green | his sound |
| Grant_Green | sound as |
| Grant_Green | as lithe |
| Grant_Green | lithe loose |
| Grant_Green | loose slightly |
| Grant_Green | slightly bluesy |
| Grant_Green | bluesy and |
| Grant_Green | and righteously |
| Grant_Green | righteously groovy |
| Grant_Green | groovy he |
| Grant_Green | he often |
| Grant_Green | often performed |
| Grant_Green | performed in |
| Grant_Green | in an |
| Grant_Green | an organ |
| Grant_Green | organ trio |
| Grant_Green | trio a |
| Grant_Green | a small |
| Grant_Green | small group |
| Grant_Green | group with |
| Grant_Green | with an |
| Grant_Green | an organ |
| Grant_Green | organ and |
| Grant_Green | and drummer |
| Grant_Green | drummer apart |
| Grant_Green | apart from |
| Grant_Green | from guitarist |
| Grant_Green | guitarist charlie |
| Grant_Green | charlie christian |
| Grant_Green | christian green’s |
| Grant_Green | green’s primary |
| Grant_Green | primary influences |
| Grant_Green | influences were |
| Grant_Green | were saxophonists |
| Grant_Green | saxophonists particularly |
| Grant_Green | particularly charlie |
| Grant_Green | charlie parker |
| Grant_Green | parker and |
| Grant_Green | and his |
| Grant_Green | his approach |
| Grant_Green | approach was |
| Grant_Green | was therefore |
| Grant_Green | therefore almost |
| Grant_Green | almost exclusively |
| Grant_Green | exclusively linear |
| Grant_Green | linear rather |
| Grant_Green | rather than |
| Grant_Green | than chordal |
| Grant_Green | chordal he |
| Grant_Green | he thus |
| Grant_Green | thus rarely |
| Grant_Green | rarely played |
| Grant_Green | played rhythm |
| Grant_Green | rhythm guitar |
| Grant_Green | guitar except |
| Grant_Green | except as |
| Grant_Green | as a |
| Grant_Green | a sideman |
| Grant_Green | sideman on |
| Grant_Green | on albums |
| Grant_Green | albums led |
| Grant_Green | led by |
| Grant_Green | by other |
| Grant_Green | other musicians |
| Grant_Green | musicians the |
| Grant_Green | the simplicity |
| Grant_Green | simplicity and |
| Grant_Green | and immediacy |
| Grant_Green | immediacy of |
| Grant_Green | of green’s |
| Grant_Green | green’s playing |
| Grant_Green | playing which |
| Grant_Green | which tended |
| Grant_Green | tended to |
| Grant_Green | to avoid |
| Grant_Green | avoid chromaticism |
| Grant_Green | chromaticism derived |
| Grant_Green | derived from |
| Grant_Green | from his |
| Grant_Green | his early |
| Grant_Green | early work |
| Grant_Green | work playing |
| Grant_Green | playing rhythm |
| Grant_Green | rhythm and |
| Grant_Green | and blues |
| Grant_Green | blues and |
| Grant_Green | and although |
| Grant_Green | although he |
| Grant_Green | he achieved |
| Grant_Green | achieved a |
| Grant_Green | a synthesis |
| Grant_Green | synthesis of |
| Grant_Green | of this |
| Grant_Green | this style |
| Grant_Green | style with |
| Grant_Green | with bop |
| Grant_Green | bop he |
| Grant_Green | he was |
| Grant_Green | was a |
| Grant_Green | a skilled |
| Grant_Green | skilled blues |
| Grant_Green | blues and |
| Grant_Green | and funk |
| Grant_Green | funk guitarist |
| Grant_Green | guitarist and |
| Grant_Green | and returned |
| Grant_Green | returned to |
| Grant_Green | to this |
| Grant_Green | this style |
| Grant_Green | style in |
| Grant_Green | in his |
| Grant_Green | his later |
| Grant_Green | later career |
| Grant_Green | career en |
| D’Angelo | michael eugene |
| D’Angelo | eugene archer |
| D’Angelo | archer born |
| D’Angelo | born february |
| D’Angelo | february 11 |
| D’Angelo | 11 1974 |
| D’Angelo | 1974 better |
| D’Angelo | better known |
| D’Angelo | known by |
| D’Angelo | by his |
| D’Angelo | his stage |
| D’Angelo | stage name |
| D’Angelo | name d’angelo |
| D’Angelo | d’angelo di |
| D’Angelo | di 疆 |
| D’Angelo | 疆 nd |
| D’Angelo | nd lo |
| D’Angelo | lo is |
| D’Angelo | is an |
| D’Angelo | an american |
| D’Angelo | american singer |
| D’Angelo | singer songwriter |
| D’Angelo | songwriter multi |
| D’Angelo | multi instrumentalist |
| D’Angelo | instrumentalist and |
| D’Angelo | and record |
| D’Angelo | record producer |
| D’Angelo | producer he |
| D’Angelo | he is |
| D’Angelo | is associated |
| D’Angelo | associated with |
| D’Angelo | with the |
| D’Angelo | the neo |
| D’Angelo | neo soul |
| D’Angelo | soul movement |
| D’Angelo | movement along |
| D’Angelo | along with |
| D’Angelo | with artists |
| D’Angelo | artists like |
| D’Angelo | like erykah |
| D’Angelo | erykah badu |
| D’Angelo | badu lauryn |
| D’Angelo | lauryn hill |
| D’Angelo | hill maxwell |
| D’Angelo | maxwell and |
| D’Angelo | and collaborator |
| D’Angelo | collaborator angie |
| D’Angelo | angie stone |
| D’Angelo | stone the |
| D’Angelo | the son |
| D’Angelo | son of |
| D’Angelo | of a |
| D’Angelo | a pentecostal |
| D’Angelo | pentecostal minister |
| D’Angelo | minister in |
| D’Angelo | in richmond |
| D’Angelo | richmond virginia |
| D’Angelo | virginia d’angelo |
| D’Angelo | d’angelo taught |
| D’Angelo | taught himself |
| D’Angelo | himself piano |
| D’Angelo | piano as |
| D’Angelo | as a |
| D’Angelo | a child |
| D’Angelo | child at |
| D’Angelo | at eighteen |
| D’Angelo | eighteen he |
| D’Angelo | he won |
| D’Angelo | won the |
| D’Angelo | the amateur |
| D’Angelo | amateur talent |
| D’Angelo | talent competition |
| D’Angelo | competition at |
| D’Angelo | at the |
| D’Angelo | the apollo |
| D’Angelo | apollo theater |
| D’Angelo | theater in |
| D’Angelo | in harlem |
| D’Angelo | harlem three |
| D’Angelo | three weeks |
| D’Angelo | weeks in |
| D’Angelo | in a |
| D’Angelo | a row |
| D’Angelo | row after |
| D’Angelo | after a |
| D’Angelo | a brief |
| D’Angelo | brief affiliation |
| D’Angelo | affiliation with |
| D’Angelo | with hip |
| D’Angelo | hip hop |
| D’Angelo | hop group |
| D’Angelo | group i.d.u |
| D’Angelo | i.d.u his |
| D’Angelo | his first |
| D’Angelo | first major |
| D’Angelo | major success |
| D’Angelo | success came |
| D’Angelo | came in |
| D’Angelo | in 1994 |
| D’Angelo | 1994 as |
| D’Angelo | as the |
| D’Angelo | the co |
| D’Angelo | co writer |
| D’Angelo | writer and |
| D’Angelo | and co |
| D’Angelo | co producer |
| D’Angelo | producer of |
| D’Angelo | of the |
| D’Angelo | the song |
| D’Angelo | song u |
| D’Angelo | u will |
| D’Angelo | will know |
| D’Angelo | know his |
| D’Angelo | his debut |
| D’Angelo | debut solo |
| D’Angelo | solo album |
| D’Angelo | album brown |
| D’Angelo | brown sugar |
| D’Angelo | sugar 1995 |
| D’Angelo | 1995 received |
| D’Angelo | received widespread |
| D’Angelo | widespread acclaim |
| D’Angelo | acclaim and |
| D’Angelo | and sold |
| D’Angelo | sold over |
| D’Angelo | over two |
| D’Angelo | two million |
| D’Angelo | million copies |
| D’Angelo | copies his |
| D’Angelo | his next |
| D’Angelo | next album |
| D’Angelo | album voodoo |
| D’Angelo | voodoo 2000 |
| D’Angelo | 2000 debuted |
| D’Angelo | debuted at |
| D’Angelo | at number |
| D’Angelo | number one |
| D’Angelo | one on |
| D’Angelo | on the |
| D’Angelo | the us |
| D’Angelo | us billboard |
| D’Angelo | billboard 200 |
| D’Angelo | 200 its |
| D’Angelo | its lead |
| D’Angelo | lead single |
| D’Angelo | single untitled |
| D’Angelo | untitled how |
| D’Angelo | how does |
| D’Angelo | does it |
| D’Angelo | it feel |
| D’Angelo | feel entered |
| D’Angelo | entered the |
| D’Angelo | the r |
| D’Angelo | r b |
| D’Angelo | b charts |
| D’Angelo | charts and |
| D’Angelo | and won |
| D’Angelo | won a |
| D’Angelo | a grammy |
| D’Angelo | grammy award |
| D’Angelo | award for |
| D’Angelo | for best |
| D’Angelo | best male |
| D’Angelo | male r |
| D’Angelo | r b |
| D’Angelo | b vocal |
| D’Angelo | vocal performance |
| D’Angelo | performance likewise |
| D’Angelo | likewise voodoo |
| D’Angelo | voodoo won |
| D’Angelo | won best |
| D’Angelo | best r |
| D’Angelo | r b |
| D’Angelo | b album |
| D’Angelo | album following |
| D’Angelo | following this |
| D’Angelo | this period |
| D’Angelo | period d’angelo |
| D’Angelo | d’angelo became |
| D’Angelo | became increasingly |
| D’Angelo | increasingly uncomfortable |
| D’Angelo | uncomfortable with |
| D’Angelo | with his |
| D’Angelo | his growing |
| D’Angelo | growing status |
| D’Angelo | status as |
| D’Angelo | as a |
| D’Angelo | a sex |
| D’Angelo | sex symbol |
| D’Angelo | symbol this |
| D’Angelo | this was |
| D’Angelo | was followed |
| D’Angelo | followed by |
| D’Angelo | by numerous |
| D’Angelo | numerous personal |
| D’Angelo | personal struggles |
| D’Angelo | struggles including |
| D’Angelo | including alcoholism |
| D’Angelo | alcoholism and |
| D’Angelo | and a |
| D’Angelo | a fourteen |
| D’Angelo | fourteen year |
| D’Angelo | year long |
| D’Angelo | long musical |
| D’Angelo | musical hiatus |
| D’Angelo | hiatus d’angelo |
| D’Angelo | d’angelo released |
| D’Angelo | released his |
| D’Angelo | his third |
| D’Angelo | third studio |
| D’Angelo | studio album |
| D’Angelo | album black |
| D’Angelo | black messiah |
| D’Angelo | messiah in |
| D’Angelo | in december |
| D’Angelo | december 2014 |
| D’Angelo | 2014 the |
| D’Angelo | the album |
| D’Angelo | album was |
| D’Angelo | was met |
| D’Angelo | met with |
| D’Angelo | with critical |
| D’Angelo | critical acclaim |
| D’Angelo | acclaim and |
| D’Angelo | and fared |
| D’Angelo | fared well |
| D’Angelo | well on |
| D’Angelo | on music |
| D’Angelo | music charts |
| D’Angelo | charts peaking |
| D’Angelo | peaking at |
| D’Angelo | at number |
| D’Angelo | number five |
| D’Angelo | five on |
| D’Angelo | on the |
| D’Angelo | the us |
| D’Angelo | us billboard |
| D’Angelo | billboard 200 |
| D’Angelo | 200 the |
| D’Angelo | the same |
| D’Angelo | same year |
| D’Angelo | year d’angelo |
| D’Angelo | d’angelo was |
| D’Angelo | was hailed |
| D’Angelo | hailed as |
| D’Angelo | as the |
| D’Angelo | the next |
| D’Angelo | next marvin |
| D’Angelo | marvin gaye |
| D’Angelo | gaye by |
| D’Angelo | by gq |
| D’Angelo | gq d’angelo |
| D’Angelo | d’angelo also |
| D’Angelo | also contributed |
| D’Angelo | contributed to |
| D’Angelo | to the |
| D’Angelo | the soundtrack |
| D’Angelo | soundtrack for |
| D’Angelo | for the |
| D’Angelo | the 2018 |
| D’Angelo | 2018 video |
| D’Angelo | video game |
| D’Angelo | game red |
| D’Angelo | red dead |
| D’Angelo | dead redemption |
| D’Angelo | redemption 2 |
| D’Angelo | 2 performing |
| D’Angelo | performing the |
| D’Angelo | the song |
| D’Angelo | song unshaken |
| D’Angelo | unshaken en |
| Bud_Powell | earl rudolph |
| Bud_Powell | rudolph bud |
| Bud_Powell | bud powell |
| Bud_Powell | powell september |
| Bud_Powell | september 27 |
| Bud_Powell | 27 1924 |
| Bud_Powell | 1924 july |
| Bud_Powell | july 31 |
| Bud_Powell | 31 1966 |
| Bud_Powell | 1966 was |
| Bud_Powell | was an |
| Bud_Powell | an american |
| Bud_Powell | american jazz |
| Bud_Powell | jazz pianist |
| Bud_Powell | pianist and |
| Bud_Powell | and composer |
| Bud_Powell | composer along |
| Bud_Powell | along with |
| Bud_Powell | with charlie |
| Bud_Powell | charlie parker |
| Bud_Powell | parker thelonious |
| Bud_Powell | thelonious monk |
| Bud_Powell | monk and |
| Bud_Powell | and dizzy |
| Bud_Powell | dizzy gillespie |
| Bud_Powell | gillespie powell |
| Bud_Powell | powell was |
| Bud_Powell | was a |
| Bud_Powell | a leading |
| Bud_Powell | leading figure |
| Bud_Powell | figure in |
| Bud_Powell | in the |
| Bud_Powell | the development |
| Bud_Powell | development of |
| Bud_Powell | of modern |
| Bud_Powell | modern jazz |
| Bud_Powell | jazz his |
| Bud_Powell | his virtuosity |
| Bud_Powell | virtuosity led |
| Bud_Powell | led many |
| Bud_Powell | many to |
| Bud_Powell | to call |
| Bud_Powell | call him |
| Bud_Powell | him the |
| Bud_Powell | the charlie |
| Bud_Powell | charlie parker |
| Bud_Powell | parker of |
| Bud_Powell | of the |
| Bud_Powell | the piano |
| Bud_Powell | piano powell |
| Bud_Powell | powell was |
| Bud_Powell | was also |
| Bud_Powell | also a |
| Bud_Powell | a composer |
| Bud_Powell | composer and |
| Bud_Powell | and many |
| Bud_Powell | many jazz |
| Bud_Powell | jazz critics |
| Bud_Powell | critics credit |
| Bud_Powell | credit his |
| Bud_Powell | his works |
| Bud_Powell | works and |
| Bud_Powell | and his |
| Bud_Powell | his playing |
| Bud_Powell | playing as |
| Bud_Powell | as having |
| Bud_Powell | having greatly |
| Bud_Powell | greatly extended |
| Bud_Powell | extended the |
| Bud_Powell | the range |
| Bud_Powell | range of |
| Bud_Powell | of jazz |
| Bud_Powell | jazz harmony |
| Bud_Powell | harmony en |
| Joss_Stone | joscelyn eve |
| Joss_Stone | eve stoker |
| Joss_Stone | stoker born |
| Joss_Stone | born 11 |
| Joss_Stone | 11 april |
| Joss_Stone | april 1987 |
| Joss_Stone | 1987 known |
| Joss_Stone | known professionally |
| Joss_Stone | professionally as |
| Joss_Stone | as joss |
| Joss_Stone | joss stone |
| Joss_Stone | stone is |
| Joss_Stone | is a |
| Joss_Stone | a british |
| Joss_Stone | british singer |
| Joss_Stone | singer and |
| Joss_Stone | and actress |
| Joss_Stone | actress she |
| Joss_Stone | she rose |
| Joss_Stone | rose to |
| Joss_Stone | to fame |
| Joss_Stone | fame in |
| Joss_Stone | in late |
| Joss_Stone | late 2003 |
| Joss_Stone | 2003 with |
| Joss_Stone | with her |
| Joss_Stone | her multi |
| Joss_Stone | multi platinum |
| Joss_Stone | platinum debut |
| Joss_Stone | debut album |
| Joss_Stone | album the |
| Joss_Stone | the soul |
| Joss_Stone | soul sessions |
| Joss_Stone | sessions which |
| Joss_Stone | which made |
| Joss_Stone | made the |
| Joss_Stone | the 2004 |
| Joss_Stone | 2004 mercury |
| Joss_Stone | mercury prize |
| Joss_Stone | prize shortlist |
| Joss_Stone | shortlist her |
| Joss_Stone | her second |
| Joss_Stone | second album |
| Joss_Stone | album the |
| Joss_Stone | the similarly |
| Joss_Stone | similarly multi |
| Joss_Stone | multi platinum |
| Joss_Stone | platinum mind |
| Joss_Stone | mind body |
| Joss_Stone | body soul |
| Joss_Stone | soul 2004 |
| Joss_Stone | 2004 topped |
| Joss_Stone | topped the |
| Joss_Stone | the uk |
| Joss_Stone | uk albums |
| Joss_Stone | albums chart |
| Joss_Stone | chart and |
| Joss_Stone | and spawned |
| Joss_Stone | spawned the |
| Joss_Stone | the top |
| Joss_Stone | top ten |
| Joss_Stone | ten hit |
| Joss_Stone | hit you |
| Joss_Stone | you had |
| Joss_Stone | had me |
| Joss_Stone | me stone’s |
| Joss_Stone | stone’s most |
| Joss_Stone | most successful |
| Joss_Stone | successful single |
| Joss_Stone | single on |
| Joss_Stone | on the |
| Joss_Stone | the uk |
| Joss_Stone | uk singles |
| Joss_Stone | singles chart |
| Joss_Stone | chart to |
| Joss_Stone | to date |
| Joss_Stone | date both |
| Joss_Stone | both the |
| Joss_Stone | the album |
| Joss_Stone | album and |
| Joss_Stone | and single |
| Joss_Stone | single received |
| Joss_Stone | received one |
| Joss_Stone | one nomination |
| Joss_Stone | nomination at |
| Joss_Stone | at the |
| Joss_Stone | the 2005 |
| Joss_Stone | 2005 grammy |
| Joss_Stone | grammy awards |
| Joss_Stone | awards while |
| Joss_Stone | while stone |
| Joss_Stone | stone herself |
| Joss_Stone | herself was |
| Joss_Stone | was nominated |
| Joss_Stone | nominated for |
| Joss_Stone | for best |
| Joss_Stone | best new |
| Joss_Stone | new artist |
| Joss_Stone | artist and |
| Joss_Stone | and in |
| Joss_Stone | in an |
| Joss_Stone | an annual |
| Joss_Stone | annual bbc |
| Joss_Stone | bbc poll |
| Joss_Stone | poll of |
| Joss_Stone | of music |
| Joss_Stone | music critics |
| Joss_Stone | critics sound |
| Joss_Stone | sound of |
| Joss_Stone | of 2004 |
| Joss_Stone | 2004 was |
| Joss_Stone | was ranked |
| Joss_Stone | ranked fifth |
| Joss_Stone | fifth as |
| Joss_Stone | as a |
| Joss_Stone | a predicted |
| Joss_Stone | predicted breakthrough |
| Joss_Stone | breakthrough act |
| Joss_Stone | act of |
| Joss_Stone | of 2004 |
| Joss_Stone | 2004 she |
| Joss_Stone | she became |
| Joss_Stone | became the |
| Joss_Stone | the youngest |
| Joss_Stone | youngest british |
| Joss_Stone | british female |
| Joss_Stone | female singer |
| Joss_Stone | singer to |
| Joss_Stone | to top |
| Joss_Stone | top the |
| Joss_Stone | the uk |
| Joss_Stone | uk albums |
| Joss_Stone | albums chart |
| Joss_Stone | chart stone’s |
| Joss_Stone | stone’s third |
| Joss_Stone | third album |
| Joss_Stone | album introducing |
| Joss_Stone | introducing joss |
| Joss_Stone | joss stone |
| Joss_Stone | stone released |
| Joss_Stone | released in |
| Joss_Stone | in march |
| Joss_Stone | march 2007 |
| Joss_Stone | 2007 achieved |
| Joss_Stone | achieved gold |
| Joss_Stone | gold record |
| Joss_Stone | record status |
| Joss_Stone | status by |
| Joss_Stone | by the |
| Joss_Stone | the riaa |
| Joss_Stone | riaa and |
| Joss_Stone | and yielded |
| Joss_Stone | yielded the |
| Joss_Stone | the second |
| Joss_Stone | second ever |
| Joss_Stone | ever highest |
| Joss_Stone | highest debut |
| Joss_Stone | debut for |
| Joss_Stone | for a |
| Joss_Stone | a british |
| Joss_Stone | british female |
| Joss_Stone | female solo |
| Joss_Stone | solo artist |
| Joss_Stone | artist on |
| Joss_Stone | on the |
| Joss_Stone | the billboard |
| Joss_Stone | billboard 200 |
| Joss_Stone | 200 and |
| Joss_Stone | and became |
| Joss_Stone | became stone’s |
| Joss_Stone | stone’s first |
| Joss_Stone | first top |
| Joss_Stone | top five |
| Joss_Stone | five album |
| Joss_Stone | album in |
| Joss_Stone | in the |
| Joss_Stone | the us |
| Joss_Stone | us she |
| Joss_Stone | she released |
| Joss_Stone | released her |
| Joss_Stone | her fourth |
| Joss_Stone | fourth album |
| Joss_Stone | album colour |
| Joss_Stone | colour me |
| Joss_Stone | me free |
| Joss_Stone | free in |
| Joss_Stone | in 2009 |
| Joss_Stone | 2009 which |
| Joss_Stone | which reached |
| Joss_Stone | reached the |
| Joss_Stone | the top |
| Joss_Stone | top 10 |
| Joss_Stone | 10 on |
| Joss_Stone | on billboard |
| Joss_Stone | billboard stone |
| Joss_Stone | stone released |
| Joss_Stone | released her |
| Joss_Stone | her fifth |
| Joss_Stone | fifth album |
| Joss_Stone | album lp1 |
| Joss_Stone | lp1 in |
| Joss_Stone | in 2011 |
| Joss_Stone | 2011 which |
| Joss_Stone | which reached |
| Joss_Stone | reached the |
| Joss_Stone | the top |
| Joss_Stone | top 10 |
| Joss_Stone | 10 on |
| Joss_Stone | on billboard |
| Joss_Stone | billboard throughout |
| Joss_Stone | throughout her |
| Joss_Stone | her career |
| Joss_Stone | career stone |
| Joss_Stone | stone has |
| Joss_Stone | has sold |
| Joss_Stone | sold 15 |
| Joss_Stone | 15 million |
| Joss_Stone | million records |
| Joss_Stone | records worldwide |
| Joss_Stone | worldwide establishing |
| Joss_Stone | establishing herself |
| Joss_Stone | herself as |
| Joss_Stone | as one |
| Joss_Stone | one of |
| Joss_Stone | of the |
| Joss_Stone | the best |
| Joss_Stone | best selling |
| Joss_Stone | selling soul |
| Joss_Stone | soul artists |
| Joss_Stone | artists of |
| Joss_Stone | of the |
| Joss_Stone | the 2000s |
| Joss_Stone | 2000s and |
| Joss_Stone | and the |
| Joss_Stone | the best |
| Joss_Stone | best selling |
| Joss_Stone | selling british |
| Joss_Stone | british artists |
| Joss_Stone | artists of |
| Joss_Stone | of her |
| Joss_Stone | her time |
| Joss_Stone | time her |
| Joss_Stone | her first |
| Joss_Stone | first three |
| Joss_Stone | three albums |
| Joss_Stone | albums have |
| Joss_Stone | have sold |
| Joss_Stone | sold over |
| Joss_Stone | over 2,722,000 |
| Joss_Stone | 2,722,000 copies |
| Joss_Stone | copies in |
| Joss_Stone | in the |
| Joss_Stone | the us |
| Joss_Stone | us while |
| Joss_Stone | while her |
| Joss_Stone | her first |
| Joss_Stone | first two |
| Joss_Stone | two albums |
| Joss_Stone | albums have |
| Joss_Stone | have sold |
| Joss_Stone | sold over |
| Joss_Stone | over 2 |
| Joss_Stone | 2 million |
| Joss_Stone | million copies |
| Joss_Stone | copies in |
| Joss_Stone | in the |
| Joss_Stone | the uk |
| Joss_Stone | uk stone |
| Joss_Stone | stone has |
| Joss_Stone | has earned |
| Joss_Stone | earned several |
| Joss_Stone | several awards |
| Joss_Stone | awards including |
| Joss_Stone | including two |
| Joss_Stone | two brit |
| Joss_Stone | brit awards |
| Joss_Stone | awards and |
| Joss_Stone | and one |
| Joss_Stone | one grammy |
| Joss_Stone | grammy award |
| Joss_Stone | award out |
| Joss_Stone | out of |
| Joss_Stone | of five |
| Joss_Stone | five nominations |
| Joss_Stone | nominations she |
| Joss_Stone | she made |
| Joss_Stone | made her |
| Joss_Stone | her film |
| Joss_Stone | film acting |
| Joss_Stone | acting debut |
| Joss_Stone | debut in |
| Joss_Stone | in 2006 |
| Joss_Stone | 2006 with |
| Joss_Stone | with the |
| Joss_Stone | the fantasy |
| Joss_Stone | fantasy adventure |
| Joss_Stone | adventure film |
| Joss_Stone | film eragon |
| Joss_Stone | eragon and |
| Joss_Stone | and made |
| Joss_Stone | made her |
| Joss_Stone | her television |
| Joss_Stone | television debut |
| Joss_Stone | debut portraying |
| Joss_Stone | portraying anne |
| Joss_Stone | anne of |
| Joss_Stone | of cleves |
| Joss_Stone | cleves in |
| Joss_Stone | in the |
| Joss_Stone | the showtime |
| Joss_Stone | showtime series |
| Joss_Stone | series the |
| Joss_Stone | the tudors |
| Joss_Stone | tudors in |
| Joss_Stone | in 2009 |
| Joss_Stone | 2009 stone |
| Joss_Stone | stone was |
| Joss_Stone | was the |
| Joss_Stone | the youngest |
| Joss_Stone | youngest woman |
| Joss_Stone | woman on |
| Joss_Stone | on the |
| Joss_Stone | the 2006 |
| Joss_Stone | 2006 sunday |
| Joss_Stone | sunday times |
| Joss_Stone | times rich |
| Joss_Stone | rich list |
| Joss_Stone | list n |
| Joss_Stone | n annual |
| Joss_Stone | annual list |
| Joss_Stone | list of |
| Joss_Stone | of the |
| Joss_Stone | the uk’s |
| Joss_Stone | uk’s wealthiest |
| Joss_Stone | wealthiest people |
| Joss_Stone | people ith |
| Joss_Stone | ith 瞿 |
| Joss_Stone | 瞿 6 |
| Joss_Stone | 6 million |
| Joss_Stone | million in |
| Joss_Stone | in 2012 |
| Joss_Stone | 2012 her |
| Joss_Stone | her net |
| Joss_Stone | net worth |
| Joss_Stone | worth was |
| Joss_Stone | was estimated |
| Joss_Stone | estimated to |
| Joss_Stone | to be |
| Joss_Stone | be 瞿 |
| Joss_Stone | 瞿 10 |
| Joss_Stone | 10 million |
| Joss_Stone | million making |
| Joss_Stone | making her |
| Joss_Stone | her the |
| Joss_Stone | the fifth |
| Joss_Stone | fifth richest |
| Joss_Stone | richest british |
| Joss_Stone | british musician |
| Joss_Stone | musician under |
| Joss_Stone | under 30 |
| Joss_Stone | 30 the |
| Joss_Stone | the soul |
| Joss_Stone | soul sessions |
| Joss_Stone | sessions vol |
| Joss_Stone | vol 2 |
| Joss_Stone | 2 2012 |
| Joss_Stone | 2012 is |
| Joss_Stone | is her |
| Joss_Stone | her fourth |
| Joss_Stone | fourth consecutive |
| Joss_Stone | consecutive album |
| Joss_Stone | album to |
| Joss_Stone | to reach |
| Joss_Stone | reach the |
| Joss_Stone | the top |
| Joss_Stone | top 10 |
| Joss_Stone | 10 on |
| Joss_Stone | on the |
| Joss_Stone | the billboard |
| Joss_Stone | billboard 200 |
| Joss_Stone | 200 with |
| Joss_Stone | with australian |
| Joss_Stone | australian producer |
| Joss_Stone | producer cam |
| Joss_Stone | cam noble |
| Joss_Stone | noble en |
| word | n |
|---|---|
| of the | 244 |
| an american | 171 |
| in the | 170 |
| american jazz | 124 |
| as a | 120 |
| is an | 104 |
| he was | 101 |
| was an | 83 |
| on the | 78 |
| he has | 69 |
| at the | 68 |
| and the | 64 |
| is a | 62 |
| with the | 60 |
| one of | 59 |
| as the | 54 |
| for his | 47 |
| of his | 44 |
| for the | 42 |
| member of | 42 |
| and composer | 39 |
| such as | 39 |
| he is | 37 |
| of fame | 37 |
| the most | 37 |
| a member | 36 |
| hall of | 36 |
| to the | 35 |
| has been | 34 |
| new york | 34 |
| all time | 33 |
| from the | 33 |
| of music | 33 |
| of all | 32 |
| was a | 32 |
| his career | 31 |
| known for | 31 |
| a jazz | 30 |
| into the | 30 |
| jazz pianist | 30 |
| of jazz | 30 |
| was the | 29 |
| grammy awards | 28 |
| jazz and | 28 |
| composer and | 27 |
| his own | 27 |
| rock and | 27 |
| the album | 26 |
| the late | 25 |
| in jazz | 24 |
| inducted into | 23 |
| the band | 23 |
| the first | 23 |
| and his | 22 |
| during the | 22 |
| jazz drummer | 22 |
| singer songwriter | 22 |
| the jazz | 22 |
| and a | 21 |
| and has | 21 |
| and roll | 21 |
| as well | 21 |
| grammy award | 21 |
| his first | 21 |
| in his | 21 |
| award for | 20 |
| fame in | 20 |
| hard bop | 20 |
| jazz saxophonist | 20 |
| pianist and | 20 |
| well as | 20 |
| with his | 20 |
| the best | 19 |
| by the | 18 |
| he played | 18 |
| in a | 18 |
| is the | 18 |
| miles davis | 18 |
| r b | 18 |
| worked with | 18 |
| and educator | 17 |
| hip hop | 17 |
| played with | 17 |
| wynton marsalis | 17 |
| a solo | 16 |
| for best | 16 |
| he also | 16 |
| jazz musicians | 16 |
| record producer | 16 |
| roll hall | 16 |
| the 1970s | 16 |
| the rock | 16 |
| the world | 16 |
| to be | 16 |
| was inducted | 16 |
| with a | 16 |
| york city | 16 |
| album the | 15 |
| and was | 15 |
| awards and | 15 |
| best known | 15 |
| blues and | 15 |
| born may | 15 |
| dizzy gillespie | 15 |
| has also | 15 |
| jazz festival | 15 |
| known as | 15 |
| moved to | 15 |
| on a | 15 |
| the 1960s | 15 |
| the 1980s | 15 |
| 100 greatest | 14 |
| and record | 14 |
| big band | 14 |
| blue note | 14 |
| by his | 14 |
| he released | 14 |
| jazz fusion | 14 |
| jazz messengers | 14 |
| jazz musician | 14 |
| jazz trumpeter | 14 |
| list of | 14 |
| more than | 14 |
| music in | 14 |
| number one | 14 |
| singer and | 14 |
| solo career | 14 |
| was also | 14 |
| along with | 13 |
| and in | 13 |
| became a | 13 |
| came to | 13 |
| debut album | 13 |
| he recorded | 13 |
| his solo | 13 |
| his work | 13 |
| is considered | 13 |
| many of | 13 |
| music and | 13 |
| music he | 13 |
| of a | 13 |
| sold over | 13 |
| the early | 13 |
| was released | 13 |
| where he | 13 |
| age of | 12 |
| best selling | 12 |
| career he | 12 |
| college of | 12 |
| has performed | 12 |
| he had | 12 |
| herbie hancock | 12 |
| in 2009 | 12 |
| nominated for | 12 |
| released his | 12 |
| the age | 12 |
| the billboard | 12 |
| the grammy | 12 |
| to play | 12 |
| american singer | 11 |
| and bandleader | 11 |
| and blues | 11 |
| artists of | 11 |
| as one | 11 |
| born august | 11 |
| for a | 11 |
| he became | 11 |
| inch nails | 11 |
| jazz bassist | 11 |
| late 1960s | 11 |
| music awards | 11 |
| musicians of | 11 |
| nine inch | 11 |
| of which | 11 |
| performed with | 11 |
| received the | 11 |
| released in | 11 |
| rolling stone | 11 |
| songwriter and | 11 |
| the 100 | 11 |
| the greatest | 11 |
| the new | 11 |
| the uk | 11 |
| the united | 11 |
| thelonious monk | 11 |
| 1970s and | 10 |
| album of | 10 |
| albums as | 10 |
| bandleader and | 10 |
| bee gees | 10 |
| berklee college | 10 |
| born october | 10 |
| career in | 10 |
| composer he | 10 |
| director of | 10 |
| has released | 10 |
| has sold | 10 |
| in new | 10 |
| is one | 10 |
| jazz orchestra | 10 |
| los angeles | 10 |
| most influential | 10 |
| part of | 10 |
| records and | 10 |
| saxophonist and | 10 |
| studio album | 10 |
| the bee | 10 |
| the mid | 10 |
| the top | 10 |
| the year | 10 |
| to prominence | 10 |
| united states | 10 |
| university of | 10 |
| was awarded | 10 |
| a number | 9 |
| a sideman | 9 |
| and recorded | 9 |
| at age | 9 |
| became the | 9 |
| born in | 9 |
| born march | 9 |
| charlie parker | 9 |
| collaborated with | 9 |
| continued to | 9 |
| has played | 9 |
| has recorded | 9 |
| him as | 9 |
| his debut | 9 |
| in 2006 | 9 |
| in 2019 | 9 |
| is also | 9 |
| john coltrane | 9 |
| leader and | 9 |
| led by | 9 |
| lifetime achievement | 9 |
| lincoln center | 9 |
| million records | 9 |
| most important | 9 |
| on his | 9 |
| over the | 9 |
| pianist composer | 9 |
| post bop | 9 |
| received a | 9 |
| solo artist | 9 |
| tenor saxophonist | 9 |
| the 1950s | 9 |
| the blues | 9 |
| the group | 9 |
| the rolling | 9 |
| the same | 9 |
| the us | 9 |
| through the | 9 |
| throughout his | 9 |
| to a | 9 |
| to his | 9 |
| top 40 | 9 |
| use of | 9 |
| whom he | 9 |
| won the | 9 |
| a grammy | 8 |
| among the | 8 |
| an english | 8 |
| and jazz | 8 |
| and performed | 8 |
| and played | 8 |
| art blakey’s | 8 |
| at number | 8 |
| award in | 8 |
| band in | 8 |
| been a | 8 |
| began his | 8 |
| blood cells | 8 |
| born april | 8 |
| born june | 8 |
| commercial success | 8 |
| death in | 8 |
| double bassist | 8 |
| due to | 8 |
| duke ellington | 8 |
| early 1970s | 8 |
| formed in | 8 |
| had a | 8 |
| has received | 8 |
| has won | 8 |
| have been | 8 |
| he performed | 8 |
| he received | 8 |
| he worked | 8 |
| high school | 8 |
| his music | 8 |
| in 1991 | 8 |
| in 2005 | 8 |
| in 2017 | 8 |
| in addition | 8 |
| including the | 8 |
| jazz double | 8 |
| john mayer | 8 |
| most successful | 8 |
| of their | 8 |
| performed in | 8 |
| rhythm and | 8 |
| rock band | 8 |
| she was | 8 |
| studio albums | 8 |
| tenor saxophone | 8 |
| the film | 8 |
| the john | 8 |
| the only | 8 |
| the tonight | 8 |
| to new | 8 |
| tonight show | 8 |
| trumpeter and | 8 |
| up in | 8 |
| 20th century | 7 |
| a bandleader | 7 |
| a leader | 7 |
| a major | 7 |
| achievement award | 7 |
| addition to | 7 |
| african american | 7 |
| album and | 7 |
| also worked | 7 |
| among others | 7 |
| and drummer | 7 |
| and for | 7 |
| and is | 7 |
| and later | 7 |
| and songwriter | 7 |
| art blakey | 7 |
| artistic director | 7 |
| as an | 7 |
| associated with | 7 |
| avant garde | 7 |
| awarded the | 7 |
| awards including | 7 |
| billboard 200 | 7 |
| born february | 7 |
| branford marsalis | 7 |
| charles mingus | 7 |
| drummer and | 7 |
| figure in | 7 |
| followed by | 7 |
| for her | 7 |
| for jazz | 7 |
| formed the | 7 |
| greatest artists | 7 |
| guitarist and | 7 |
| hard rock | 7 |
| he formed | 7 |
| his death | 7 |
| his most | 7 |
| in 1993 | 7 |
| in 1998 | 7 |
| in 2004 | 7 |
| in 2011 | 7 |
| jackie mclean | 7 |
| jazz at | 7 |
| jazz in | 7 |
| jazz singer | 7 |
| jazz standards | 7 |
| jazz tenor | 7 |
| modern jazz | 7 |
| note records | 7 |
| noted for | 7 |
| number of | 7 |
| on to | 7 |
| other musicians | 7 |
| producer he | 7 |
| quincy jones | 7 |
| range of | 7 |
| ray charles | 7 |
| recorded with | 7 |
| records in | 7 |
| school of | 7 |
| series of | 7 |
| served as | 7 |
| she has | 7 |
| she is | 7 |
| some of | 7 |
| that he | 7 |
| the 1990s | 7 |
| the eagles | 7 |
| the following | 7 |
| the second | 7 |
| the university | 7 |
| their first | 7 |
| time en | 7 |
| time he | 7 |
| top 10 | 7 |
| university in | 7 |
| was born | 7 |
| which is | 7 |
| 10 on | 6 |
| 1960s he | 6 |
| 1970s he | 6 |
| a canadian | 6 |
| academy award | 6 |
| after a | 6 |
| album in | 6 |
| album was | 6 |
| albums and | 6 |
| albums in | 6 |
| albums of | 6 |
| and as | 6 |
| and many | 6 |
| and pop | 6 |
| and raised | 6 |
| and released | 6 |
| and with | 6 |
| arranger and | 6 |
| as his | 6 |
| award winning | 6 |
| began playing | 6 |
| best jazz | 6 |
| betty carter | 6 |
| blakey’s jazz | 6 |
| blues rock | 6 |
| born december | 6 |
| born july | 6 |
| born november | 6 |
| both the | 6 |
| career as | 6 |
| clark terry | 6 |
| composer arranger | 6 |
| composers and | 6 |
| connick jr | 6 |
| contributed to | 6 |
| contributions to | 6 |
| country music | 6 |
| described by | 6 |
| freddie hubbard | 6 |
| from his | 6 |
| guitarists of | 6 |
| have become | 6 |
| he joined | 6 |
| he moved | 6 |
| him the | 6 |
| him to | 6 |
| hot 100 | 6 |
| in 1964 | 6 |
| in 1972 | 6 |
| in 1975 | 6 |
| in 1992 | 6 |
| in 1994 | 6 |
| in 1995 | 6 |
| in 2008 | 6 |
| in its | 6 |
| influence on | 6 |
| influenced by | 6 |
| inspired by | 6 |
| institute of | 6 |
| it is | 6 |
| joe henderson | 6 |
| jr born | 6 |
| known professionally | 6 |
| max roach | 6 |
| members of | 6 |
| million albums | 6 |
| multi instrumentalist | 6 |
| music from | 6 |
| musician and | 6 |
| musicians including | 6 |
| new orleans | 6 |
| of rock | 6 |
| orchestra and | 6 |
| played in | 6 |
| played on | 6 |
| professionally as | 6 |
| prominence in | 6 |
| recorded and | 6 |
| regarded as | 6 |
| released her | 6 |
| returned to | 6 |
| rolling stones | 6 |
| saxophone and | 6 |
| since the | 6 |
| song for | 6 |
| sonny rollins | 6 |
| stan getz | 6 |
| the 20th | 6 |
| the berklee | 6 |
| the british | 6 |
| the modern | 6 |
| the next | 6 |
| the stooges | 6 |
| this period | 6 |
| two albums | 6 |
| until the | 6 |
| was known | 6 |
| was one | 6 |
| went on | 6 |
| when he | 6 |
| which reached | 6 |
| who has | 6 |
| with jazz | 6 |
| with other | 6 |
| with whom | 6 |
| work with | 6 |
| worked as | 6 |
| 1957 is | 5 |
| 1960 is | 5 |
| 1962 is | 5 |
| 1965 is | 5 |
| 1997 and | 5 |
| 2013 was | 5 |
| 2016 was | 5 |
| a child | 5 |
| a five | 5 |
| a long | 5 |
| a music | 5 |
| a series | 5 |
| a singer | 5 |
| a student | 5 |
| academy of | 5 |
| after his | 5 |
| album is | 5 |
| albums such | 5 |
| albums the | 5 |
| albums worldwide | 5 |
| also a | 5 |
| also the | 5 |
| and arranger | 5 |
| and dizzy | 5 |
| and influential | 5 |
| and john | 5 |
| and music | 5 |
| and one | 5 |
| and other | 5 |
| and rock | 5 |
| and then | 5 |
| appearing on | 5 |
| artist in | 5 |
| artists including | 5 |
| artists such | 5 |
| as part | 5 |
| at a | 5 |
| at lincoln | 5 |
| band the | 5 |
| bebop and | 5 |
| been nominated | 5 |
| billboard hot | 5 |
| board of | 5 |
| bop and | 5 |
| born january | 5 |
| brit awards | 5 |
| broke up | 5 |
| brother of | 5 |
| by a | 5 |
| by many | 5 |
| chart and | 5 |
| collaboration with | 5 |
| considered a | 5 |
| davis and | 5 |
| described as | 5 |
| development of | 5 |
| drums at | 5 |
| during his | 5 |
| during this | 5 |
| educator and | 5 |
| elvin jones | 5 |
| end of | 5 |
| festival en | 5 |
| film and | 5 |
| first album | 5 |
| for most | 5 |
| for their | 5 |
| garde jazz | 5 |
| golden globe | 5 |
| hans dulfer | 5 |
| harry connick | 5 |
| has collaborated | 5 |
| has worked | 5 |
| he and | 5 |
| he began | 5 |
| he led | 5 |
| he won | 5 |
| her first | 5 |
| his best | 5 |
| his compositions | 5 |
| his early | 5 |
| history of | 5 |
| horace silver | 5 |
| in 1963 | 5 |
| in 1990 | 5 |
| in 1997 | 5 |
| in 2002 | 5 |
| in 2003 | 5 |
| in 2007 | 5 |
| in 2012 | 5 |
| in 2014 | 5 |
| in 2015 | 5 |
| in history | 5 |
| in january | 5 |
| in july | 5 |
| in los | 5 |
| in march | 5 |
| in music | 5 |
| in this | 5 |
| international jazz | 5 |
| is known | 5 |
| it was | 5 |
| ivor novello | 5 |
| jazz albums | 5 |
| jazz composer | 5 |
| jazz guitarist | 5 |
| jazz studies | 5 |
| john scofield | 5 |
| joined the | 5 |
| kennedy center | 5 |
| led the | 5 |
| lionel hampton | 5 |
| making him | 5 |
| many other | 5 |
| marcus roberts | 5 |
| modern drummer | 5 |
| monk institute | 5 |
| music has | 5 |
| music prize | 5 |
| musician singer | 5 |
| musicians in | 5 |
| october 9 | 5 |
| of blood | 5 |
| of musicians | 5 |
| of saxophonist | 5 |
| on piano | 5 |
| oscar peterson | 5 |
| other artists | 5 |
| played a | 5 |
| pop music | 5 |
| quartet and | 5 |
| raised in | 5 |
| recipient of | 5 |
| recorded for | 5 |
| records worldwide | 5 |
| referred to | 5 |
| released five | 5 |
| released the | 5 |
| roy hargrove | 5 |
| same year | 5 |
| saxophonist composer | 5 |
| saxophonist en | 5 |
| singles chart | 5 |
| small groups | 5 |
| solo album | 5 |
| soul jazz | 5 |
| student at | 5 |
| that the | 5 |
| the development | 5 |
| the end | 5 |
| the great | 5 |
| the history | 5 |
| the latter | 5 |
| the music | 5 |
| the national | 5 |
| the nbc | 5 |
| the piano | 5 |
| the police | 5 |
| the song | 5 |
| the trumpet | 5 |
| the u.s | 5 |
| the world’s | 5 |
| the yardbirds | 5 |
| they are | 5 |
| they were | 5 |
| to as | 5 |
| to have | 5 |
| to release | 5 |
| to study | 5 |
| to win | 5 |
| two grammy | 5 |
| under his | 5 |
| united nations | 5 |
| variety of | 5 |
| version of | 5 |
| was described | 5 |
| was in | 5 |
| was ranked | 5 |
| wayne shorter | 5 |
| with many | 5 |
| writing and | 5 |
| years in | 5 |
| york times | 5 |
| 1960s and | 4 |
| 1965 and | 4 |
| 1967 is | 4 |
| 1970 is | 4 |
| 1975 he | 4 |
| 2005 and | 4 |
| 2017 and | 4 |
| 2020 was | 4 |
| 40 singles | 4 |
| a career | 4 |
| a composer | 4 |
| a drummer | 4 |
| a dutch | 4 |
| a live | 4 |
| a new | 4 |
| a successful | 4 |
| a variety | 4 |
| a wide | 4 |
| ability to | 4 |
| academy awards | 4 |
| after he | 4 |
| albums chart | 4 |
| ali was | 4 |
| all of | 4 |
| also known | 4 |
| although he | 4 |
| alto saxophonist | 4 |
| american blues | 4 |
| american music | 4 |
| american saxophonist | 4 |
| american trumpeter | 4 |
| an academy | 4 |
| an honorary | 4 |
| and 1980s | 4 |
| and also | 4 |
| and authors | 4 |
| and avant | 4 |
| and began | 4 |
| and classical | 4 |
| and co | 4 |
| and composers | 4 |
| and early | 4 |
| and five | 4 |
| and funk | 4 |
| and guitarist | 4 |
| and he | 4 |
| and her | 4 |
| and occasional | 4 |
| and rhythm | 4 |
| and television | 4 |
| and to | 4 |
| angeles california | 4 |
| are the | 4 |
| around the | 4 |
| artist and | 4 |
| award at | 4 |
| award he | 4 |
| award nominations | 4 |
| awards in | 4 |
| b and | 4 |
| band he | 4 |
| band that | 4 |
| bands of | 4 |
| bass player | 4 |
| bassist and | 4 |
| become jazz | 4 |
| been inducted | 4 |
| began in | 4 |
| best male | 4 |
| best original | 4 |
| better known | 4 |
| blood is | 4 |
| blood on | 4 |
| body of | 4 |
| bop jazz | 4 |
| born on | 4 |
| born september | 4 |
| british academy | 4 |
| but he | 4 |
| but was | 4 |
| called the | 4 |
| canadian jazz | 4 |
| center jazz | 4 |
| coltrane and | 4 |
| columbia records | 4 |
| composer en | 4 |
| considered one | 4 |
| consisting of | 4 |
| contribution to | 4 |
| course of | 4 |
| described him | 4 |
| developed a | 4 |
| died at | 4 |
| director for | 4 |
| donald byrd | 4 |
| double bass | 4 |
| drummer art | 4 |
| drummer hall | 4 |
| drummer he | 4 |
| dylan has | 4 |
| early 1960s | 4 |
| ellis marsalis | 4 |
| eric clapton | 4 |
| featured on | 4 |
| festival he | 4 |
| first african | 4 |
| first of | 4 |
| following year | 4 |
| for blue | 4 |
| for outstanding | 4 |
| for two | 4 |
| formed his | 4 |
| free jazz | 4 |
| from a | 4 |
| funk and | 4 |
| george benson | 4 |
| go away | 4 |
| grammy lifetime | 4 |
| greatest guitarists | 4 |
| grew up | 4 |
| guitar and | 4 |
| hancock and | 4 |
| hank jones | 4 |
| have sold | 4 |
| he appeared | 4 |
| he died | 4 |
| he went | 4 |
| him one | 4 |
| his musical | 4 |
| hit singles | 4 |
| igor butman | 4 |
| in 1958 | 4 |
| in 1962 | 4 |
| in 1973 | 4 |
| in 1987 | 4 |
| in 1989 | 4 |
| in 1996 | 4 |
| in 2000 | 4 |
| in 2016 | 4 |
| in an | 4 |
| included the | 4 |
| instrumentalist and | 4 |
| is best | 4 |
| jackson browne | 4 |
| jazz aspen | 4 |
| jazz his | 4 |
| jazz trombonist | 4 |
| johnny griffin | 4 |
| joss stone | 4 |
| keith jarrett | 4 |
| known compositions | 4 |
| late 1950s | 4 |
| late 1970s | 4 |
| leader of | 4 |
| led to | 4 |
| lee morgan | 4 |
| line up | 4 |
| made a | 4 |
| marsalis and | 4 |
| may 14 | 4 |
| mayer trio | 4 |
| mccoy tyner | 4 |
| medal of | 4 |
| michael brecker | 4 |
| miles davis’s | 4 |
| most recent | 4 |
| multi platinum | 4 |
| music artists | 4 |
| music at | 4 |
| music that | 4 |
| musical director | 4 |
| musician who | 4 |
| musicians he | 4 |
| musicians such | 4 |
| musicians to | 4 |
| no 1 | 4 |
| novello award | 4 |
| of miles | 4 |
| of new | 4 |
| of songs | 4 |
| of songwriters | 4 |
| on their | 4 |
| one album | 4 |
| one on | 4 |
| original song | 4 |
| outstanding contribution | 4 |
| own groups | 4 |
| own name | 4 |
| pat metheny | 4 |
| peaking at | 4 |
| performed at | 4 |
| performing as | 4 |
| pino palladino | 4 |
| play with | 4 |
| player and | 4 |
| playing in | 4 |
| polar music | 4 |
| producer and | 4 |
| professor at | 4 |
| professor of | 4 |
| pulitzer prize | 4 |
| ranging from | 4 |
| reached the | 4 |
| received an | 4 |
| received numerous | 4 |
| recorded a | 4 |
| recorded the | 4 |
| release of | 4 |
| released a | 4 |
| released two | 4 |
| return to | 4 |
| rolling stone’s | 4 |
| saxophonist he | 4 |
| selling music | 4 |
| several albums | 4 |
| several years | 4 |
| show band | 4 |
| sideman for | 4 |
| signed with | 4 |
| son of | 4 |
| songs for | 4 |
| songwriters composers | 4 |
| songwriters hall | 4 |
| sound and | 4 |
| stevie wonder | 4 |
| terry and | 4 |
| that year | 4 |
| the award | 4 |
| the band’s | 4 |
| the clayton | 4 |
| the country | 4 |
| the course | 4 |
| the drummer | 4 |
| the hit | 4 |
| the leading | 4 |
| the polar | 4 |
| the post | 4 |
| the release | 4 |
| the soul | 4 |
| the tenor | 4 |
| the thelonious | 4 |
| the three | 4 |
| the youngest | 4 |
| throughout the | 4 |
| time grammy | 4 |
| time in | 4 |
| to jazz | 4 |
| to music | 4 |
| to this | 4 |
| two of | 4 |
| under the | 4 |
| virtuoso and | 4 |
| vocal album | 4 |
| vocal performance | 4 |
| was appointed | 4 |
| was followed | 4 |
| was his | 4 |
| was nominated | 4 |
| well known | 4 |
| wes montgomery | 4 |
| which included | 4 |
| who was | 4 |
| with miles | 4 |
| won best | 4 |
| work in | 4 |
| work on | 4 |
| world music | 4 |
| year in | 4 |
| 1 hits | 3 |
| 10 million | 3 |
| 11 1936 | 3 |
| 1932 is | 3 |
| 1933 is | 3 |
| 1940 is | 3 |
| 1942 is | 3 |
| 1943 is | 3 |
| 1945 is | 3 |
| 1949 is | 3 |
| 1961 is | 3 |
| 1964 is | 3 |
| 1977 is | 3 |
| 1979 was | 3 |
| 1980s and | 3 |
| 1980s he | 3 |
| 1986 is | 3 |
| 1989 was | 3 |
| 1990 he | 3 |
| 1990s he | 3 |
| 1998 and | 3 |
| 2000 was | 3 |
| 2004 was | 3 |
| 2006 and | 3 |
| 2008 was | 3 |
| 2009 he | 3 |
| 2011 and | 3 |
| 2011 he | 3 |
| 2013 and | 3 |
| 2014 he | 3 |
| 2014 was | 3 |
| 2015 was | 3 |
| 2017 he | 3 |
| 2018 and | 3 |
| 2021 was | 3 |
| 60 years | 3 |
| a disc | 3 |
| a founding | 3 |
| a full | 3 |
| a large | 3 |
| a leading | 3 |
| a more | 3 |
| a native | 3 |
| a performer | 3 |
| a pioneer | 3 |
| a program | 3 |
| a prolific | 3 |
| a session | 3 |
| a short | 3 |
| a stroke | 3 |
| a united | 3 |
| acclaim and | 3 |
| according to | 3 |
| advisory board | 3 |
| after graduating | 3 |
| after leaving | 3 |
| after the | 3 |
| album chart | 3 |
| album for | 3 |
| album to | 3 |
| albums have | 3 |
| albums under | 3 |
| albums with | 3 |
| also called | 3 |
| also had | 3 |
| also noted | 3 |
| also performed | 3 |
| also played | 3 |
| also recorded | 3 |
| alto and | 3 |
| american composer | 3 |
| american hard | 3 |
| american musician | 3 |
| american to | 3 |
| an important | 3 |
| an influence | 3 |
| and actress | 3 |
| and an | 3 |
| and are | 3 |
| and bassist | 3 |
| and bebop | 3 |
| and ben | 3 |
| and charles | 3 |
| and collaborated | 3 |
| and commercial | 3 |
| and conductor | 3 |
| and eric | 3 |
| and harry | 3 |
| and herbie | 3 |
| and miles | 3 |
| and most | 3 |
| and moved | 3 |
| and of | 3 |
| and on | 3 |
| and oscar | 3 |
| and percussionist | 3 |
| and performing | 3 |
| and pianist | 3 |
| and piano | 3 |
| and post | 3 |
| and producer | 3 |
| and sideman | 3 |
| and sometimes | 3 |
| and soul | 3 |
| and studied | 3 |
| and teacher | 3 |
| and tenor | 3 |
| and two | 3 |
| and worked | 3 |
| and wynton | 3 |
| appearance at | 3 |
| appeared in | 3 |
| appeared on | 3 |
| approach to | 3 |
| april 22 | 3 |
| artist of | 3 |
| artists in | 3 |
| arts in | 3 |
| arturo sandoval | 3 |
| as artistic | 3 |
| as having | 3 |
| as leader | 3 |
| as probably | 3 |
| at berklee | 3 |
| august 15 | 3 |
| award and | 3 |
| award from | 3 |
| awards for | 3 |
| awards he | 3 |
| awards the | 3 |
| b hip | 3 |
| band for | 3 |
| band has | 3 |
| band leader | 3 |
| band on | 3 |
| band with | 3 |
| bandleader composer | 3 |
| based in | 3 |
| be a | 3 |
| became one | 3 |
| because of | 3 |
| beck has | 3 |
| becoming a | 3 |
| becoming the | 3 |
| been referred | 3 |
| benny golson | 3 |
| benny goodman | 3 |
| best british | 3 |
| best new | 3 |
| best of | 3 |
| big bands | 3 |
| billy taylor | 3 |
| blues musicians | 3 |
| blues soul | 3 |
| bob dylan | 3 |
| born 11 | 3 |
| born american | 3 |
| born and | 3 |
| both a | 3 |
| brazilian jazz | 3 |
| bud powell | 3 |
| but also | 3 |
| can be | 3 |
| carbon dioxide | 3 |
| career en | 3 |
| career spanning | 3 |
| career with | 3 |
| cedar walton | 3 |
| center orchestra | 3 |
| charles lloyd | 3 |
| charles was | 3 |
| chick corea | 3 |
| city in | 3 |
| classical music | 3 |
| clayton brothers | 3 |
| clifford brown | 3 |
| collaborating with | 3 |
| collaborations with | 3 |
| collaborator with | 3 |
| combined with | 3 |
| competition in | 3 |
| composed of | 3 |
| composer in | 3 |
| composer pianist | 3 |
| composition in | 3 |
| compositions have | 3 |
| concept album | 3 |
| considered to | 3 |
| continued touring | 3 |
| contract with | 3 |
| contributing to | 3 |
| copies in | 3 |
| count basie | 3 |
| critical acclaim | 3 |
| critically acclaimed | 3 |
| critics and | 3 |
| critics poll | 3 |
| davis’s band | 3 |
| dead prez | 3 |
| december 19 | 3 |
| december 29 | 3 |
| dee bridgewater | 3 |
| dee dee | 3 |
| degree in | 3 |
| disc jockey | 3 |
| doctorate of | 3 |
| down beat | 3 |
| drums in | 3 |
| dutch jazz | 3 |
| each of | 3 |
| eagles and | 3 |
| educator en | 3 |
| educator he | 3 |
| elements of | 3 |
| emmy award | 3 |
| english musician | 3 |
| english rock | 3 |
| eric harland | 3 |
| europe in | 3 |
| every time | 3 |
| experimented with | 3 |
| extensively with | 3 |
| fame and | 3 |
| fame as | 3 |
| family of | 3 |
| fats navarro | 3 |
| festival in | 3 |
| figures in | 3 |
| first jazz | 3 |
| first recipient | 3 |
| first year | 3 |
| five time | 3 |
| folk and | 3 |
| following a | 3 |
| following his | 3 |
| for album | 3 |
| for an | 3 |
| for having | 3 |
| for many | 3 |
| for music | 3 |
| for over | 3 |
| for three | 3 |
| fourth album | 3 |
| from blues | 3 |
| from detroit | 3 |
| fusion and | 3 |
| gained a | 3 |
| george duke | 3 |
| gerald clayton | 3 |
| grant green | 3 |
| greatest jazz | 3 |
| group the | 3 |
| guitar player | 3 |
| guitar players | 3 |
| hank mobley | 3 |
| has earned | 3 |
| has served | 3 |
| has toured | 3 |
| he achieved | 3 |
| he came | 3 |
| he composed | 3 |
| he continued | 3 |
| he helped | 3 |
| he later | 3 |
| he returned | 3 |
| he wrote | 3 |
| heavy metal | 3 |
| henley has | 3 |
| her fourth | 3 |
| him a | 3 |
| his album | 3 |
| his band | 3 |
| his bands | 3 |
| his life | 3 |
| his lifetime | 3 |
| his playing | 3 |
| his second | 3 |
| his signature | 3 |
| his song | 3 |
| his stage | 3 |
| his third | 3 |
| his time | 3 |
| history en | 3 |
| hit albums | 3 |
| hit single | 3 |
| hits on | 3 |
| honorary doctorate | 3 |
| hop group | 3 |
| i can’t | 3 |
| important and | 3 |
| in 1955 | 3 |
| in 1956 | 3 |
| in 1965 | 3 |
| in 1966 | 3 |
| in 1967 | 3 |
| in 1968 | 3 |
| in 1982 | 3 |
| in 1985 | 3 |
| in 1986 | 3 |
| in 1988 | 3 |
| in 1999 | 3 |
| in 2010 | 3 |
| in 2013 | 3 |
| in 2018 | 3 |
| in baltimore | 3 |
| in chicago | 3 |
| in may | 3 |
| in rolling | 3 |
| in west | 3 |
| influential jazz | 3 |
| initially joined | 3 |
| instead of | 3 |
| involved in | 3 |
| is his | 3 |
| its list | 3 |
| jaco pastorius | 3 |
| japanese import | 3 |
| jay leno | 3 |
| jazz en | 3 |
| jazz ensemble | 3 |
| jazz hall | 3 |
| jazz he | 3 |
| jazz master | 3 |
| jazz performance | 3 |
| jazz program | 3 |
| jazz quartet | 3 |
| jazz rhythm | 3 |
| jazz trio | 3 |
| jazz trumpeters | 3 |
| jazz vocal | 3 |
| jeff beck | 3 |
| joe williams | 3 |
| joined in | 3 |
| jones and | 3 |
| jones was | 3 |
| jr and | 3 |
| jr april | 3 |
| jr december | 3 |
| jr en | 3 |
| june 16 | 3 |
| june 30 | 3 |
| june 4 | 3 |
| keyboardist bandleader | 3 |
| kind of | 3 |
| king was | 3 |
| known by | 3 |
| later worked | 3 |
| latest album | 3 |
| latin jazz | 3 |
| led a | 3 |
| led his | 3 |
| let it | 3 |
| live album | 3 |
| lives in | 3 |
| made his | 3 |
| march 2 | 3 |
| marsalis born | 3 |
| mary j | 3 |
| may 29 | 3 |
| may 4 | 3 |
| mayer and | 3 |
| mentor and | 3 |
| mid 1960s | 3 |
| million copies | 3 |
| mingus big | 3 |
| montgomery and | 3 |
| moore was | 3 |
| most recorded | 3 |
| movement of | 3 |
| music award | 3 |
| music en | 3 |
| music festival | 3 |
| music of | 3 |
| music society | 3 |
| musician he | 3 |
| musician to | 3 |
| musicians as | 3 |
| musicians who | 3 |
| nancy wilson | 3 |
| nashville tennessee | 3 |
| nat adderley | 3 |
| native of | 3 |
| neo soul | 3 |
| new artist | 3 |
| new music | 3 |
| new wave | 3 |
| newport jazz | 3 |
| next several | 3 |
| night in | 3 |
| november 2 | 3 |
| now in | 3 |
| october 11 | 3 |
| october 16 | 3 |
| of america | 3 |
| of art | 3 |
| of arts | 3 |
| of blue | 3 |
| of drummer | 3 |
| of five | 3 |
| of its | 3 |
| of love | 3 |
| of marijuana | 3 |
| of modern | 3 |
| of my | 3 |
| of other | 3 |
| of these | 3 |
| of trumpeter | 3 |
| on albums | 3 |
| on more | 3 |
| on other | 3 |
| on over | 3 |
| on several | 3 |
| on stage | 3 |
| on tour | 3 |
| one albums | 3 |
| others en | 3 |
| out of | 3 |
| outlaw country | 3 |
| over 100 | 3 |
| over 20 | 3 |
| palladino and | 3 |
| parker and | 3 |
| partnership with | 3 |
| performed and | 3 |
| performed on | 3 |
| performing the | 3 |
| pianist he | 3 |
| pianist organist | 3 |
| pianist who | 3 |
| piano and | 3 |
| players in | 3 |
| playing as | 3 |
| playing drums | 3 |
| pop vocal | 3 |
| popular music | 3 |
| power in | 3 |
| produced by | 3 |
| program with | 3 |
| prolific session | 3 |
| quintet in | 3 |
| ranked blige | 3 |
| raphael saadiq | 3 |
| rather than | 3 |
| record label | 3 |
| recorded jazz | 3 |
| recorded over | 3 |
| recordings in | 3 |
| remembered for | 3 |
| resulting in | 3 |
| rock he | 3 |
| rock jazz | 3 |
| rock music | 3 |
| role in | 3 |
| rose to | 3 |
| san francisco | 3 |
| self titled | 3 |
| selling musicians | 3 |
| september 28 | 3 |
| she became | 3 |
| she received | 3 |
| short lived | 3 |
| since then | 3 |
| small group | 3 |
| sold more | 3 |
| solo albums | 3 |
| songs he | 3 |
| songs such | 3 |
| songwriter multi | 3 |
| songwriters of | 3 |
| soprano saxophone | 3 |
| south african | 3 |
| stage name | 3 |
| standards including | 3 |
| star on | 3 |
| started his | 3 |
| state of | 3 |
| state university | 3 |
| stone’s list | 3 |
| study with | 3 |
| studying music | 3 |
| style and | 3 |
| style of | 3 |
| style that | 3 |
| success in | 3 |
| success of | 3 |
| success with | 3 |
| successful album | 3 |
| successful albums | 3 |
| teacher and | 3 |
| that was | 3 |
| the 411 | 3 |
| the advisory | 3 |
| the blue | 3 |
| the decade | 3 |
| the detroit | 3 |
| the disco | 3 |
| the double | 3 |
| the downbeat | 3 |
| the earliest | 3 |
| the father | 3 |
| the fields | 3 |
| the frontman | 3 |
| the genre | 3 |
| the group’s | 3 |
| the hard | 3 |
| the highest | 3 |
| the hot | 3 |
| the kennedy | 3 |
| the key | 3 |
| the last | 3 |
| the lincoln | 3 |
| the main | 3 |
| the man | 3 |
| the more | 3 |
| the musical | 3 |
| the opening | 3 |
| the pop | 3 |
| the primary | 3 |
| the recording | 3 |
| the road | 3 |
| the short | 3 |
| the son | 3 |
| the songs | 3 |
| the soultronics | 3 |
| the state | 3 |
| the two | 3 |
| the white | 3 |
| their list | 3 |
| their own | 3 |
| them to | 3 |
| then the | 3 |
| third studio | 3 |
| this style | 3 |
| though he | 3 |
| three albums | 3 |
| three grammy | 3 |
| three of | 3 |
| time and | 3 |
| time you | 3 |
| to make | 3 |
| to perform | 3 |
| to top | 3 |
| tommy flanagan | 3 |
| top the | 3 |
| tour the | 3 |
| toured and | 3 |
| trio and | 3 |
| trumpet player | 3 |
| trumpeter he | 3 |
| twi life | 3 |
| uk albums | 3 |
| uk number | 3 |
| uk singles | 3 |
| until his | 3 |
| von kleist | 3 |
| was later | 3 |
| was named | 3 |
| was selected | 3 |
| was with | 3 |
| were inducted | 3 |
| west coast | 3 |
| what’s the | 3 |
| when she | 3 |
| which she | 3 |
| which was | 3 |
| while on | 3 |
| white blood | 3 |
| white house | 3 |
| who initially | 3 |
| wide range | 3 |
| winning album | 3 |
| with both | 3 |
| with charlie | 3 |
| with drummer | 3 |
| with fellow | 3 |
| with max | 3 |
| with musicians | 3 |
| with stanley | 3 |
| with trumpeter | 3 |
| won three | 3 |
| wonder is | 3 |
| woody herman | 3 |
| woody shaw | 3 |
| world en | 3 |
| wrote that | 3 |
| year en | 3 |
| year of | 3 |
| years as | 3 |
| you and | 3 |
| you go | 3 |
| 塈 堛 | 3 |
| 10 1965 | 2 |
| 10 of | 2 |
| 100 million | 2 |
| 14 1957 | 2 |
| 14 2015 | 2 |
| 15 1932 | 2 |
| 15 1957 | 2 |
| 15 november | 2 |
| 18 2014 | 2 |
| 18 grammy | 2 |
| 1920s and | 2 |
| 1930 june | 2 |
| 1930 may | 2 |
| 1932 may | 2 |
| 1935 january | 2 |
| 1935 march | 2 |
| 1936 is | 2 |
| 1944 is | 2 |
| 1949 and | 2 |
| 1950 he | 2 |
| 1950s and | 2 |
| 1950s as | 2 |
| 1950s through | 2 |
| 1951 known | 2 |
| 1954 is | 2 |
| 1956 is | 2 |
| 1957 he | 2 |
| 1958 and | 2 |
| 1960 and | 2 |
| 1960 to | 2 |
| 1960s as | 2 |
| 1960s when | 2 |
| 1962 album | 2 |
| 1963 and | 2 |
| 1963 is | 2 |
| 1966 and | 2 |
| 1966 is | 2 |
| 1968 he | 2 |
| 1969 and | 2 |
| 1969 is | 2 |
| 1971 is | 2 |
| 1972 was | 2 |
| 1972 with | 2 |
| 1973 the | 2 |
| 1974 and | 2 |
| 1974 is | 2 |
| 1974 was | 2 |
| 1975 and | 2 |
| 1975 was | 2 |
| 1979 is | 2 |
| 1980s on | 2 |
| 1980s with | 2 |
| 1982 he | 2 |
| 1982 is | 2 |
| 1982 was | 2 |
| 1984 is | 2 |
| 1985 and | 2 |
| 1986 he | 2 |
| 1987 and | 2 |
| 1987 until | 2 |
| 1988 he | 2 |
| 1990 and | 2 |
| 1990s and | 2 |
| 1991 and | 2 |
| 1991 en | 2 |
| 1991 was | 2 |
| 1992 and | 2 |
| 1993 to | 2 |
| 1993 was | 2 |
| 1994 ali | 2 |
| 1994 and | 2 |
| 1995 en | 2 |
| 1995 he | 2 |
| 1995 was | 2 |
| 1997 he | 2 |
| 1997 while | 2 |
| 1998 he | 2 |
| 1998 was | 2 |
| 1999 was | 2 |
| 1st prize | 2 |
| 2 2016 | 2 |
| 2 on | 2 |
| 20 million | 2 |
| 20 recordings | 2 |
| 200 and | 2 |
| 2000 to | 2 |
| 2001 and | 2 |
| 2001 was | 2 |
| 2002 a | 2 |
| 2003 with | 2 |
| 2004 he | 2 |
| 2005 he | 2 |
| 2006 on | 2 |
| 2006 was | 2 |
| 2007 and | 2 |
| 2007 grammy | 2 |
| 2007 in | 2 |
| 2007 was | 2 |
| 2008 and | 2 |
| 2008 he | 2 |
| 2010 and | 2 |
| 2010 to | 2 |
| 2010 was | 2 |
| 2011 en | 2 |
| 2011 was | 2 |
| 2012 en | 2 |
| 2012 he | 2 |
| 2016 he | 2 |
| 2016 in | 2 |
| 2018 was | 2 |
| 2019 en | 2 |
| 2019 he | 2 |
| 2019 was | 2 |
| 2020 he | 2 |
| 2021 in | 2 |
| 25 grammy | 2 |
| 27 1965 | 2 |
| 28 may | 2 |
| 3 and | 2 |
| 4 1977 | 2 |
| 4 april | 2 |
| 40 hit | 2 |
| 50 years | 2 |
| 6 february | 2 |
| 70 years | 2 |
| a band | 2 |
| a bassist | 2 |
| a british | 2 |
| a cbe | 2 |
| a changin | 2 |
| a collaboration | 2 |
| a cotton | 2 |
| a danish | 2 |
| a decade | 2 |
| a dozen | 2 |
| a few | 2 |
| a following | 2 |
| a frequent | 2 |
| a genre | 2 |
| a golden | 2 |
| a group | 2 |
| a hard | 2 |
| a heart | 2 |
| a love | 2 |
| a low | 2 |
| a master | 2 |
| a musical | 2 |
| a name | 2 |
| a player | 2 |
| a professor | 2 |
| a quartet | 2 |
| a range | 2 |
| a reputation | 2 |
| a result | 2 |
| a return | 2 |
| a rich | 2 |
| a row | 2 |
| a second | 2 |
| a skilled | 2 |
| a slovak | 2 |
| a song | 2 |
| a songwriter | 2 |
| a soul | 2 |
| a south | 2 |
| a spanish | 2 |
| a surprise | 2 |
| a top | 2 |
| a tribe | 2 |
| a trio | 2 |
| a virtuoso | 2 |
| a worldwide | 2 |
| a year | 2 |
| a young | 2 |
| aaron goldberg | 2 |
| abdul malik | 2 |
| about midnight | 2 |
| abstract truth | 2 |
| academic scholarship | 2 |
| acclaim for | 2 |
| achieved a | 2 |
| acoustic music | 2 |
| active as | 2 |
| actor and | 2 |
| actress she | 2 |
| african music | 2 |
| afro cuban | 2 |
| after playing | 2 |
| after signing | 2 |
| again in | 2 |
| al grey | 2 |
| album as | 2 |
| album he | 2 |
| album on | 2 |
| album raw | 2 |
| album try | 2 |
| album voodoo | 2 |
| album with | 2 |
| albums from | 2 |
| albums include | 2 |
| albums including | 2 |
| albums on | 2 |
| ali graduated | 2 |
| ali jackson | 2 |
| ali shaheed | 2 |
| alice coltrane | 2 |
| all for | 2 |
| all stars | 2 |
| alma mater | 2 |
| also led | 2 |
| also produced | 2 |
| also serves | 2 |
| also won | 2 |
| alternative rock | 2 |
| although his | 2 |
| alto saxophone | 2 |
| ambrose akinmusire | 2 |
| american avant | 2 |
| american drummer | 2 |
| american hip | 2 |
| american pianist | 2 |
| american record | 2 |
| american television | 2 |
| an annual | 2 |
| an arranger | 2 |
| an organ | 2 |
| an undergraduate | 2 |
| and 1990s | 2 |
| and 2000s | 2 |
| and activist | 2 |
| and actor | 2 |
| and after | 2 |
| and american | 2 |
| and another | 2 |
| and art | 2 |
| and artistic | 2 |
| and at | 2 |
| and attended | 2 |
| and barry | 2 |
| and bass | 2 |
| and begun | 2 |
| and big | 2 |
| and clarinetist | 2 |
| and collaborator | 2 |
| and continued | 2 |
| and country | 2 |
| and d’angelo | 2 |
| and dave | 2 |
| and drums | 2 |
| and elvin | 2 |
| and eventually | 2 |
| and experimented | 2 |
| and fellow | 2 |
| and film | 2 |
| and flute | 2 |
| and four | 2 |
| and frequent | 2 |
| and from | 2 |
| and gained | 2 |
| and george | 2 |
| and hard | 2 |
| and have | 2 |
| and included | 2 |
| and influence | 2 |
| and it | 2 |
| and joe | 2 |
| and joined | 2 |
| and latin | 2 |
| and led | 2 |
| and made | 2 |
| and melodies | 2 |
| and member | 2 |
| and michael | 2 |
| and mingus | 2 |
| and modern | 2 |
| and more | 2 |
| and musician | 2 |
| and neo | 2 |
| and new | 2 |
| and no | 2 |
| and others | 2 |
| and over | 2 |
| and paul | 2 |
| and personal | 2 |
| and playing | 2 |
| and received | 2 |
| and recording | 2 |
| and ron | 2 |
| and roy | 2 |
| and russian | 2 |
| and singer | 2 |
| and songs | 2 |
| and sonny | 2 |
| and spawned | 2 |
| and stay | 2 |
| and subsequently | 2 |
| and talented | 2 |
| and their | 2 |
| and thelonious | 2 |
| and tour | 2 |
| and uri | 2 |
| and use | 2 |
| and vocalist | 2 |
| and went | 2 |
| and won | 2 |
| and world | 2 |
| anderson and | 2 |
| angie stone | 2 |
| annual jazz | 2 |
| any other | 2 |
| appeared at | 2 |
| appointed professor | 2 |
| april 15 | 2 |
| april 20 | 2 |
| april 24 | 2 |
| april 29 | 2 |
| are a | 2 |
| are an | 2 |
| aretha franklin | 2 |
| arranger composer | 2 |
| array of | 2 |
| art farmer | 2 |
| artist award | 2 |
| artist henley | 2 |
| artist to | 2 |
| artists like | 2 |
| artserv emerging | 2 |
| as both | 2 |
| as for | 2 |
| as joss | 2 |
| as musical | 2 |
| as saxophonist | 2 |
| as sting | 2 |
| aspen for | 2 |
| aspen selected | 2 |
| association with | 2 |
| at its | 2 |
| at juilliard | 2 |
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| cuban jazz | 2 |
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| d’angelo and | 2 |
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| dave brubeck | 2 |
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| diana krall | 2 |
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| died aged | 2 |
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| director and | 2 |
| distinctive voice | 2 |
| diva jazz | 2 |
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| don pullen | 2 |
| downbeat hall | 2 |
| dozen albums | 2 |
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| dulfer born | 2 |
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| dwayne dolphin | 2 |
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| educator she | 2 |
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| electric guitar | 2 |
| electrically amplified | 2 |
| electronic music | 2 |
| elew rockjazz | 2 |
| ellington’s orchestra | 2 |
| ellington and | 2 |
| ellington orchestra | 2 |
| ellington was | 2 |
| elvis presley | 2 |
| embarked on | 2 |
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| emmy awards | 2 |
| ended up | 2 |
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| english singer | 2 |
| enjoyed a | 2 |
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| erica has | 2 |
| erykah badu | 2 |
| eventually became | 2 |
| every breath | 2 |
| ex husband | 2 |
| fame he | 2 |
| fast times | 2 |
| father of | 2 |
| february 2011 | 2 |
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| fellow musicians | 2 |
| festivals such | 2 |
| fifth studio | 2 |
| film scores | 2 |
| film the | 2 |
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| flugelhornist cornetist | 2 |
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| full academic | 2 |
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| george shearing | 2 |
| gifted and | 2 |
| gil evans | 2 |
| gillespie and | 2 |
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| grammy hall | 2 |
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| grateful dead | 2 |
| great jazz | 2 |
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| greatest living | 2 |
| greatest singers | 2 |
| greatest songwriters | 2 |
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| heavily involved | 2 |
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| her career | 2 |
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| her fifth | 2 |
| her husband | 2 |
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| his brother | 2 |
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| his virtuosity | 2 |
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| his youth | 2 |
| history in | 2 |
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| hit in | 2 |
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| holiday in | 2 |
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| house band | 2 |
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| in 1950 | 2 |
| in 1957 | 2 |
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| in america | 2 |
| in amsterdam | 2 |
| in blood | 2 |
| in contrast | 2 |
| in country | 2 |
| in december | 2 |
| in developing | 2 |
| in february | 2 |
| in groups | 2 |
| in harlem | 2 |
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| in london | 2 |
| in manhattan | 2 |
| in memphis | 2 |
| in miami | 2 |
| in nashville | 2 |
| in november | 2 |
| in one | 2 |
| in philadelphia | 2 |
| in plasma | 2 |
| in popular | 2 |
| in rock | 2 |
| in several | 2 |
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| in that | 2 |
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| is among | 2 |
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| is her | 2 |
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| is remembered | 2 |
| is yet | 2 |
| it and | 2 |
| it black | 2 |
| it bleed | 2 |
| its peak | 2 |
| j blige | 2 |
| j dilla | 2 |
| james poyser | 2 |
| jann arden | 2 |
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| jazz album | 2 |
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| jimmy giuffre | 2 |
| jimmy witherspoon | 2 |
| joe ligon | 2 |
| joe lovano | 2 |
| john abercrombie | 2 |
| john clayton | 2 |
| john coltrane’s | 2 |
| johnson was | 2 |
| jon faddis | 2 |
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| jones who | 2 |
| jordan the | 2 |
| joshua redman | 2 |
| jr january | 2 |
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| keb mo | 2 |
| keith richards | 2 |
| ken peplowski | 2 |
| kenny barron | 2 |
| kenny dorham | 2 |
| kept him | 2 |
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| king of | 2 |
| kurt rosenwinkel | 2 |
| labels en | 2 |
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| lead vocals | 2 |
| leading his | 2 |
| leading man | 2 |
| leaving blakey | 2 |
| left hand | 2 |
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| legacy and | 2 |
| legacy of | 2 |
| legendary jazz | 2 |
| leno from | 2 |
| leonard feather | 2 |
| lester young | 2 |
| lewis nash | 2 |
| life as | 2 |
| life in | 2 |
| life was | 2 |
| like the | 2 |
| link to | 2 |
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| live band | 2 |
| lived in | 2 |
| living in | 2 |
| local clubs | 2 |
| locally with | 2 |
| lou donaldson | 2 |
| louis armstrong | 2 |
| love of | 2 |
| love supreme | 2 |
| love with | 2 |
| lust for | 2 |
| lyne carrington | 2 |
| lyrics and | 2 |
| lyrics for | 2 |
| made her | 2 |
| made him | 2 |
| magazine’s 100 | 2 |
| magazine’s list | 2 |
| magazine named | 2 |
| major figure | 2 |
| major success | 2 |
| major with | 2 |
| male pop | 2 |
| man band | 2 |
| man with | 2 |
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| many musicians | 2 |
| many others | 2 |
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| marked by | 2 |
| marsalis family | 2 |
| marsalis harry | 2 |
| marsalis has | 2 |
| marsalis jr | 2 |
| marsalis septet | 2 |
| master of | 2 |
| mater berklee | 2 |
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| may 1940 | 2 |
| may 2012 | 2 |
| may 2016 | 2 |
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| maynard ferguson | 2 |
| membership in | 2 |
| memphis tennessee | 2 |
| messengers and | 2 |
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| messengers he | 2 |
| miami florida | 2 |
| michelle obama | 2 |
| michigan prestigious | 2 |
| mid 1950s | 2 |
| mid 1990s | 2 |
| mid to | 2 |
| mighty clouds | 2 |
| million in | 2 |
| million making | 2 |
| mississippi and | 2 |
| mix of | 2 |
| modern sounds | 2 |
| mollusks use | 2 |
| monk international | 2 |
| monk is | 2 |
| moore began | 2 |
| more as | 2 |
| most notably | 2 |
| most of | 2 |
| most popular | 2 |
| most significant | 2 |
| mostly in | 2 |
| mtv video | 2 |
| much of | 2 |
| mudbound 2017 | 2 |
| music as | 2 |
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| music spalding | 2 |
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| music throughout | 2 |
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| musician songwriter | 2 |
| musicians ali | 2 |
| musicians and | 2 |
| musicians en | 2 |
| musicians with | 2 |
| my father | 2 |
| my favorite | 2 |
| my life | 2 |
| my mind | 2 |
| named him | 2 |
| nash has | 2 |
| natalie cole | 2 |
| national endowment | 2 |
| national medal | 2 |
| nbc orchestra | 2 |
| nelson’s assets | 2 |
| nelson is | 2 |
| night fever | 2 |
| nine grammy | 2 |
| no one | 2 |
| nominations for | 2 |
| north african | 2 |
| northwestern university | 2 |
| not to | 2 |
| note label | 2 |
| november 10 | 2 |
| november 1974 | 2 |
| number five | 2 |
| numerous other | 2 |
| october 18 | 2 |
| october 28 | 2 |
| of 11 | 2 |
| of 2004 | 2 |
| of american | 2 |
| of bebop | 2 |
| of blues | 2 |
| of bob | 2 |
| of california | 2 |
| of consistently | 2 |
| of contemporary | 2 |
| of country | 2 |
| of eligibility | 2 |
| of film | 2 |
| of freedom | 2 |
| of genres | 2 |
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| of horn | 2 |
| of jackson | 2 |
| of joy | 2 |
| of life | 2 |
| of many | 2 |
| of michigan | 2 |
| of mind | 2 |
| of nelson’s | 2 |
| of over | 2 |
| of pop’s | 2 |
| of r | 2 |
| of small | 2 |
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| on empty | 2 |
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| on jazz | 2 |
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| on that | 2 |
| on two | 2 |
| one else | 2 |
| one emmy | 2 |
| one live | 2 |
| one us | 2 |
| only musician | 2 |
| only the | 2 |
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| orchestra for | 2 |
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| orchestra his | 2 |
| orchestra led | 2 |
| orleans and | 2 |
| ornette coleman | 2 |
| other awards | 2 |
| other genres | 2 |
| other jazz | 2 |
| other prominent | 2 |
| others in | 2 |
| out and | 2 |
| out his | 2 |
| over 10 | 2 |
| over 150 | 2 |
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| over five | 2 |
| own bands | 2 |
| own group | 2 |
| own hits | 2 |
| own quintet | 2 |
| paint it | 2 |
| part in | 2 |
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| paul bley | 2 |
| peace and | 2 |
| peaked at | 2 |
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| per second | 2 |
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| period he | 2 |
| philip harper | 2 |
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| pianist herbie | 2 |
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| pop’s songs | 2 |
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| pop rock | 2 |
| portland oregon | 2 |
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| 堛 堶 | 1 |
| 堜 ar | 1 |
| 堜 reuben | 1 |
| 堥 塈 | 1 |
| 堧 堭 | 1 |
| 堨 堿 | 1 |
| 堬 堜 | 1 |
| 堬 堥 | 1 |
| 堬 堶 | 1 |
| 堬 堿 | 1 |
| 堭 1974 | 1 |
| 堭 堥 | 1 |
| 堭 堬 | 1 |
| 堭 堹 | 1 |
| 堭 堿 | 1 |
| 堶 堧 | 1 |
| 堶 堹 | 1 |
| 堹 15 | 1 |
| 堹 堜 | 1 |
| 堿 堬 | 1 |
| 堿 堭 | 1 |
| 堿 塈 | 1 |
| 塈 堨 | 1 |
| 塈 堻 | 1 |
| 媢 塈 | 1 |
| 煎 樁 | 1 |
| 廒 煎 | 1 |
| 樁 haima | 1 |
| 瞿 10 | 1 |
| 瞿 6 | 1 |
| 獺 rogat | 1 |
| 獺 z | 1 |
| 疆 kin | 1 |
| 疆 nd | 1 |
| 癡 ve | 1 |
| 矇 a | 1 |
| 矇 alford | 1 |
| 矇 and | 1 |
| 矇 d | 1 |
| 矇 demonstrated | 1 |
| 矇 g | 1 |
| 矇 in | 1 |
| 矇 nico | 1 |
| 矇 onie | 1 |
| 矇 ric | 1 |
| 穩 a | 1 |
| 穩 mr | 1 |
| 簿 to | 1 |
| 籀 lloyd’s | 1 |
| 繹 ln | 1 |
| american | music | composer | rock | grammy | blues | singer | drummer | pianist | saxophonist | solo | bassist | record | songwriter | trumpeter | 1960s | orchestra | bandleader | guitarist | 1970s | university | producer | educator | 1980s | guitar | piano | blue | festival | leader | saxophone | arranger | bebop | country | director | academy | bands | quartet | trumpet | worldwide | bass | british | fusion | influential | king | modern | trio | 1950s | college | singles | african | single | original | leading | quintet | sideman | songwriter | 1990s | brother | drums | popular | professor | prominence | vocal | institute | instrumental | international | magazine | nominations | radio | critic | guitarists | influence | vocalist | classical | percussionist | traditional | actor | avant | horn | keyboardist | latin | texas | trombonist | west | emmy | soprano | spanish | 1940s | russian | 1930s | 2000s | actress | australian | christian | flute | grammy award | jazz and | composer and | his own | rock and | the album | the late | in jazz | inducted into | the band | the first | and his | during the | jazz drummer | singer songwriter | the jazz | and a | and has | and roll | as well | grammy award | miles davis | hip hop | wynton marsalis | dizzy gillespie | big band | blue note | american singer | rolling stone | thelonious monk | berklee college | los angeles | most influential | charlie parker | john coltrane | leader and | pianist composer | solo artist | tenor saxophonist | john mayer | tenor saxophone | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Ahmed_Abdul-Malik | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Benny_Golson | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Joe_Henderson | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Arturo_Sandoval | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Bobby_Hutcherson | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Joe_Morris_(trumpeter) | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Kenny_Garrett | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Frank_Lloyd_(horn_player) | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Esperanza_Spalding | 1 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Art_Blakey | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Sting_(musician) | 0 | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Karriem_Riggins | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Charlie_Barnet | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Wayne_Shorter | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Shannon_Powell | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Mulgrew_Miller | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| Frank_McComb | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Clifford_Brown | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Veronica_Swift | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Buster_Williams | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Elvin_Jones | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| Maynard_Ferguson | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Lionel_Hampton | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Count_Basie | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 |
| Lenny_Kravitz | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Victor_Goines | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Eric_Clapton | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
| Dianne_Reeves | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Terri_Lyne_Carrington | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Alexa_Tarantino | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Charlie_Haden | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Larry_Willis | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Gary_Numan | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Lee_Morgan | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
| Kevin_Eubanks | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Horace_Silver | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| The_Clayton_Brothers | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Gary_Moore | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Buddy_Guy | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Jackson_Browne | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Willie_Nelson | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ray_Charles | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Randy_Sandke | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ray_Mantilla | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Rodney_Whitaker | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Jack_DeJohnette | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Duke_Ellington | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Winard_Harper | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Charles_Mingus | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| Kenny_Kirkland | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Terence_Blanchard | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Paul_Bley | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Jann_Arden | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Richard_Johnson_(pianist) | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Flora_Purim | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| James_Morrison_(jazz_musician) | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Keb’_Mo’ | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Mousey_Alexander | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Benny_Green_(pianist) | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Natalie_Cressman | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Blood | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Al_Foster | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Tony_Williams_(drummer) | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Reggie_Workman | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| Betty_Carter | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Saskia_Laroo | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Eric_Revis | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Oliver_Jones_(pianist) | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Dee_Dee_Bridgewater | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Robert_M._Rucker | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Nine_Inch_Nails | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Germaine_Bazzle | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Black_Note | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| Bo_Stief | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Doug_Watkins | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Jeff_Beck | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
| Jackie_McLean | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Bob_Cranshaw | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Woody_Herman | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Donald_Byrd | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Harry_Sokal_(musician) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| McCoy_Tyner | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| Candy_Dulfer | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Andreas_Varady | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Freddie_Hubbard | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Randy_Gelispie | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Peter_Bernstein_(guitarist) | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Quincy_Jones | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Dwayne_Dolphin | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Igor_Butman | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Don_Friedman | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Joshua_Redman | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Roy_Hargrove | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Paul_Young | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Richard_Davis_(bassist) | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Orrin_Keepnews | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Dizzy_Gillespie | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Eddie_Harris | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kenny_Dorham | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Oscar_Peterson | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| B.B._King | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ben_Wolfe | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Chick_Corea | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
| Don_Pullen | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Bonnie_Raitt | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Bobby_Watson | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ed_Cherney | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Tupac_Shakur | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Solomon_Ilori | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Darren_Barrett | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Hank_Mobley | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 |
| Percy_Heath | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Lewis_Nash | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Oliver_Nelson | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Richard_Ashcroft | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
| Blue_Mitchell | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Joey_Calderazzo | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Dayna_Stephens | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Grover_Washington_Jr. | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Willie_Jones_III | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Anton_Kwiatkowski | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Wycliffe_Gordon | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| John_Mayer_Trio | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Vincent_Herring | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Camille_Thurman | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Roman_Miroshnichenko | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Aaron_Goldberg | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
| John_Mayer | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Vanessa_Rubin | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Nat_Adderley | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Dr._John | 1 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Paul_Chambers | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Stevie_Wonder | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
| Billy_Taylor | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| Tommy_Campbell_(musician) | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Clark_Terry | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Wessell_Anderson | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| George_Mraz | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Rickey_Minor | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Andrew_Hill_(jazz_musician) | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Robert_Stewart_(saxophonist) | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Art_Pepper | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Carla_Bley | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Donald_Brown_(musician) | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Reuben_Rogers | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Yusef_Lateef | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Eric_Lewis_(pianist) | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Wallace_Roney | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Herbie_Hancock | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| John_Scofield | 1 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Johnny_Griffin | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Branford_Marsalis | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Bobby_Timmons | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Don_Henley | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
| Magos_Herrera | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Billy_Higgins | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Bob_Dylan | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Sean_Jones_(trumpeter) | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Bee_Gees | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Jason_Marsalis | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Bill_Graham_(musician) | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Raphael_Saadiq | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Justin_Kauflin | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| J._J._Johnson | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Keith_Jarrett | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Bill_Dowdy | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Philip_Harper_(trumpeter) | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ron_Carter | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ben_Wendel | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Curtis_Fuller | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Bob_Brookmeyer | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Erica_von_Kleist | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Johnny_Helms | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Hugh_Masekela | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Paul_Murphy_(musician) | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Marcus_Strickland | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Stanley_Turrentine | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 |
| Radovan_Tariska | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Booker_Little | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 |
| Mary_J._Blige | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Thelonious_Monk | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Wynton_Marsalis | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Mighty_Clouds_of_Joy | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Roger_Ingram | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| John_Gilmore_(musician) | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Hans_Dulfer | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Iggy_Pop | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Charles_Williams_(musician) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Javon_Jackson | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 |
| Zach_Brock | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Marcus_Roberts | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 |
| Miles_Davis | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
| Milt_Hinton | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Pino_Palladino | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Kurt_Rosenwinkel | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ambrose_Akinmusire | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Darcy_James_Argue | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Arturo_O’Farrill | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| Ximo_Tebar | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Maurice_Hines | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Cedar_Walton | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| The_Rolling_Stones | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Jean_Toussaint | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Robert_Hurst_(musician) | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Pharoah_Sanders | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 |
| The_Tonight_Show_Band | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Woody_Shaw | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| Ali_Jackson_(jazz_drummer) | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Lalo_Schifrin | 1 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| Joe_Temperley | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Mark_Turner_(musician) | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Sherrie_Maricle | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Sullivan_Fortner | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Yacub_Addy | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Charles_Lloyd_(jazz_musician) | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Chalmers_Alford | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 |
| Thomas_Clausen_(musician) | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The_Soultronics | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Toots_Thielemans | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Dead_Prez | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Fred_Wesley | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| SFJAZZ_Collective | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Herlin_Riley | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Gerald_Clayton | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ligel_Lambert | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Jacky_Terrasson | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Cameron_Brown_(musician) | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Roger_Humphries | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Harry_Connick_Jr. | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 |
| Milt_Jackson | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ellis_Marsalis_Jr. | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Damion_Reid | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Ali_Shaheed_Muhammad | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Grant_Green | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 |
| D’Angelo | 1 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Bud_Powell | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Joss_Stone | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 |
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